Fine Paintings
Jewellery & Frames Sale
Thursday 4th December 2025 at 11am
Forthcoming Fine Paintings & Frames Sale
8th January 2026
Consign to our sales: No commission or illustration charges
Just £15 (+VAT) per lot and 1.5% (+VAT) loss and damage waiver
Fine Paintings & Frames Sale
Thursday 4th December 2025
Paintings starting at 11am
Jewellery starting at 1.30pm
Frames starting at 2pm
VIEWING
Friday 28th November 10am to 4pm
Saturday 29th November 10am to 2pm
Sunday 30th November 10am to 2pm
Monday 1st December 10am to 4pm
Tuesday 2nd December 10am to 4pm
Wednesday 3rd December 10am to 4pm
Thursday 4th December from 9am
Telephone bids and absentee bids will be accepted until 9am on the day of the sale. 01252 20 30 20 | info@parkerfineartauctions.com
1. After Angelica Kauffman (1741-1807) Swiss “Cupid and Euphrosine” Engraving In a fine period frame
Oval 6.5” x 8.25” (16.5 x 20.9cm)
And the companion piece, “Cupid Binding Aglaia to a Laurel”, a pair (2)
£150-£250
2. After Jacob Matham (1571-1631) Dutch and Sebastian Vrancx (1573-1647) Belgian “Antony et Cleopatra & Congressus” Engraving
23.5” x 49.5” (59.7 x 125.8cm)
£500-£700
3. After Charles Louis Bazin (1802-1859) French “Marie Therese d’Austriche”
Engraving
15.5” x 11.75” (39.4 x 29.8cm)
£100-£200
5. After Cornelis Dusart (1660-1704) Dutch “The Cottagers”
Engraved by William Woollett
4. After Le Fety (18th Century) European Study of a Bearded Saint Engraved by de B
8.25” x 6.5” (20.9 x 16.5cm)
£200-£300
17.75” x 14” (45.1 x 35.5cm And the companion piece “The Jocund Peasants”, a pair (2)
£100-£200
6. After Cristofano Robetta (1462-1535) Italian “Ceres” Engraving
7.5” x 5.25” (19 x 13.3cm)
£100-£150
7. Richard Dalton (1715-1791) British “Francis Russel E: of Bedford” after Holbein Etching
Unframed 9.15” x 6.6” (23.2 x 16.8cm) (Overall) 22.5” x 15” (57.1 x 38.1cm
And seventeen others by the same hand, a set of eighteen (18) £200-£300
8. Early 19th Century English School “James Burns, or Squeaking Tommy (a well known Ventriloquist, died January 7th 1796)” Print, Published in 1804 by R S Kirby In a period darkwood frame
7.5” x 4.6” (19.1 x 11.8cm)
£100-£200
9. After James Gillray (1756-1815) British “The Redemption of The Diplomatique & His Suite at the Court of Pekin” Engraving Mounted, unframed 12” x 19.5” (30.5 x 39.3cm) And two others after Gillray “Lady Godina’s Rout” and “Ancient Music” (3)
£100-£200
10. James Goadby (18th-19th Century) British Pair of Mezzotints of “The Cup in Benjamin’s Sack” Unframed 14.75” x 18.5” (37.4 x 47cm) Together with a large quantity of prints by various hands (q)
£100-£200
11. After John Augustus Atkinson (1775-1830) and Arthur William Devis (1762-1822) British “The Battle of Waterloo” Engraved by John Burnet In a maple frame
16.5” x 23.25” (41.9 x 59.1cm)
£100-£150
12. After Gerard De La Barthe (1730-1810) French “Moscow” Print, Published by Robert Bowyer In a maple frame
11” x 20.25” (27.9 x 51.4cm)
£100-£150
13. 18th Century European School
Study of a Saint Ink and wash
Unframed 9.5” x 3.5” (24.2 x 8.9cm)
Together with three other drawings by various hands (4)
£100-£200
15. John Edward Ormes (1809-1863) British Study of Birds Watercolour and ink
Inscribed and dated October 23 1844
Unframed 22.25” x 17.5” (56.4 x 44.4cm)
£100-£200
14. 19th Century European School
Ladies with a Harp Watercolour and pencil
Inscribed in pencil on the mount
Mounted, unframed 8.75” x 7” (22.2 x 17.8cm)
£100-£200
16. 19th Century English School
Set of Four Silhouettes
Unframed 19” x 13.5” (48.2 x 34.3cm) (4)
£100-£200
17. Amelia Long, Lady Farnborough (1762-1837) British “Italian Landscape”
Chalk
Inscribed on a label verso
6” x 5” (15.2 x 12.7cm)
Provenance: Nicholas Bowlby, Kent
£100-£200
18. Early 19th Century English School Portrait of Thomas Henry Lloyd (1788-1810)
Watercolour
Inscribed verso ‘Royal Navy (1799-1810), Battle of Copenhagen, H.M.S. Polyphemus’
Oval 2.75” x 2.1” (7 x 5.3cm)
£100-£200
19. William Marshall Craig (1765-1827) British ‘Crossing The Stream, Near Colchester’ Watercolour
Inscribed on a label verso 16.5” x 13” (41.9 x 33cm)
Provenance: Christie’s, 1977
£100-£150
20. Manner of Esteban Murillo (1618-1682) Spanish Christ with a Crown of Thorns Watercolour
Signed with initials AR and dated 1890
34.75” x 28” (88.3 x 71.1cm
Exhibited: Paris Galleria
£200-£400
21. Antonio Senape (1788-1850) Italian “Castelli
Inscribed, and inscribed verso
7.25” x 10.75” (18.3 x 27.3cm)
£100-£150
22. Early 19th Century English School The Acropolis Watercolour Unframed 10” x 15” (25.4 x 38.1cm)
£100-£150
di Procida” Ink
Signed and dated 1793
10.75” x 16” (27.3 x 40.6cm And the companion piece, a pair (2) £800-£1200
23. Nicholas Pocock (1740-1821) British Figures in a Welsh River Landscape Watercolour
24. Circle of Moses Griffith (1747-1819) British “Mona Lodge”
Watercolour
Indistinctly inscribed and dated 1786, and inscribed on labels verso
7” x 8.75” (17.8 x 21.6cm
And another similar (2)
£100-£200
25. Moses Griffith (1749-1819) British “View at Ilam, Derbyshire” Pencil and wash
Inscribed and numbered 22, and inscribed on labels verso
5.6” x 8.9” (14.1 x 20cm)
£200-£300
26. Circle of Henry Joseph Van Blarenberghe (1750-1826) French Hunters and Figures in a Landscape Gouache
6.75” x 8.75” (17.2 x 22.3cm)
£200-£300
27. David Cox (1783-1859) British “Race Downhill”
Watercolour and chalk
Inscribed on a label verso
9.6” x 13.6” (24.4 x 34.6cm)
Provenance: John F C Phillips, London
£300-£400
28. Follower of Francesco Guardi (1712-1793) Italian
A Pair of Capriccio Scenes Gouache
4” x 6.25” (10.2 x 15.8cm) (2)
£400-£600
14.75” x 10.5” (37.5 x 26.7cm And a companion piece, a pair (2)
£700-£1000
29. Magnus Brasch (1731-1787) German A Wayside Rest Oil on panel
£1000-£2000
30. Circle of Melchior d’Hondecoeter (1636-1695) Dutch Wild Birds Oil on canvas
50” x 43.75” (127 x 11.2cm)
31. Thomas Hollingsworth (1747-1815) British Edmund Kean, believed to be playing Hamlet Oil on board
Inscribed on labels verso 9.5” x 7.5” (24.1 x 19cm)
£200-£300
32. Circle of Philippe Mercier (1689-1760) French/German/British
Portrait of a Lady in Masquerade Dress Oil on canvas
36” x 28” (91.5 x 71.1cm)
£400-£600
and dated 1876
In fine carved giltwood frames
30”
£1500-£2000
33. William Shuter (act.1771-1799) British A Pair of Portraits of Botanists Oil on canvas Signed
x 25” (76.2 x 63.5cm) (2)
34. Circle of Peter Lely (1618-1680) Dutch/British Bust Portrait of a Lady Oil on canvas
In a painted carved wood frame
29” x 24.5” (73.7 x 62.2cm)
£500-£700
Inscribed on labels verso
In a painted carved wood frame
37.25” x 30.25” (98.7 x 76.7cm)
Provenance: Christie’s, 15th December 1944; Sotheby’s, 27th January 1998; John Gale Esq; thence by family descent £3000-£5000
35. Circle of Peter Lely (1618-1680) Dutch/British ‘Portrait of a Young Lady’ Oil on canvas
Inscribed on a label verso
Painted oval, unframed 30” x 25” (76.2 x 63.5cm)
£200-£300
Inscribed on a label verso
Unframed 30” x 25” (76.2 x 63.5cm)
£150-£250
Inscribed on a label verso
Painted oval
Unframed 30” x 25” (76.2 x 63.5cm)
Together with a portrait of his wife, Mary Jervis (nee Swynfen)
Unframed 29.5” x 25” (73.7 x 63.5cm) (2)
£200-£400
36. 18th Century English School Portrait of William Parker Oil on canvas
37. Manner of Michael Dahl (1659-1743) Swedish Portrait of George Parker Oil on canvas
38. 18th Century English School
Portrait of John Jervis of Darlaston (1670-1747) Oil on canvas
39. Circle of Juan de Arellano (1614-1676) Spanish Still Life of Flowers in an Urn Oil on canvas
17.15” x 14” (43.5 x 35.5cm)
Signed In a carved giltwood frame 13.75” x 9.6” (35.2
24.7cm) £20000-£30000
40. Alexander Adriaenssen (1587-1661) Flemish Still Life of Flowers in a Glass Vase, with a Butterfly Oil on panel
x
Figures in a Classical Landscape Oil on canvas
Inscribed on a label verso
Unframed 30” x 25” (76.2 x 63.5cm) And the companion piece, a pair (2) Provenance: C Worthington; Betty Worthington £1000-£1500
41. Circle of Francesco Zuccarelli (1702-1788) Italian
8.5” x 8.75” (21.6 x 22.2cm)
£100-£200
Still
In a carved giltwood frame
14.15” x 17.4” (36 x 44cm)
£500-£800
A Figure in a Classical Landscape Oil on panel
9.25” x 11.5” (23.6 x 29.2cm)
£300-£400
42. Circle of Narcisse Virgile Diaz de la Pena (1807-1876) French Woodland Opening Oil on panel
44. 18th Century European School
Life of Flowers with a Wicker Basket Oil on canvas
43. Manner of Gaspard Dughet (1615-1675) Italian
45. 19th Century English School Figures and Cattle in a River Landscape Oil on canvas
24.75” x 30” (62.7 x 76.2cm)
£100-£200
46. Early 19th Century Flemish School Shepherd and Flock on a Path Oil on panel
9.8” x 15” (24.9 x 38.1cm)
£200-£300
47. Follower of Thomas Gainsborough (1727-1788) British Landscape with Stream and Figures Oil on canvas
Inscribed on labels verso In a carved wood frame
11.25” x 14.75” (28.6 x 37.4cm)
£300-£400
48. After Carlo Dolci (1616-1686) Italian Ecce Homo Oil on copper
Unframed 11.85” x 9.1” (30.2 x 23cm)
£800-£1200
49. Follower of John Constable (1776-1837) British A Woodland Scene Oil on board
7” x 5.25” (17.8 x 13.3cm)
Provenance: The Nicholson Gallery, London
£100-£200
50. Follower of John Constable (1776-1837) British Landscape Oil on panel
3.75” x 8.15” (9.5 x 21.7cm)
£200-£400
51. After John Constable (1776-1837) British “Branch Hill Pond, Hampstead Heath” Oil on canvas
13.5” x 19.75” (34.3 x 50.1cm)
£300-£500
British and European Paintings Pre 1900
52. Adolphe Appian (1818-1898) British “Venise”
Etching
Unframed 5.2” x 9.5” (13.1 x 24.2cm)
Together with two others by the same hand and another etching by another hand (4)
£100-£200
54. Charles B Newhouse (1805-1877) British “Military Incidents”
A set of six prints
11.5” x 15.5” (29.2 x 39.3cm) (6)
£100-£200
53. 19th Century Japanese School A Set of Seven Shunga’s Woodblock
Unframed 3.1” x 4.6” (8.2 x 11.6cm) (7)
£100-£200
55. Frederick William Fairholt (1814-1866) British A Large Quantity of Drawings in ink and watercolour
Unframed 4.75” x 8.25” (12.1 x 21cm)
And other various sizes (q)
£100-£200
57. Percival Skelton (fl.1849-1887) British Travellers in a Rocky Gorge Watercolour
Signed and dated 1880, and inscribed on a label verso 15” x 21.5” (38.1 x 54.6cm)
£100-£150
59. 19th Century English School Grand Canal, Venice Watercolour
Unframed 12” x 18.5” (30.5 x 47cm)
£100-£200
56. John Bates Noel (1870-1927) British “Wetland Common” Watercolour
Signed and dated 1908, and inscribed verso 10” x 13.75” (25.4 x 34.8cm)
£100-£150
58. Sidney Goodwin (1875-1944) British “The Tourn of the Furrow” Watercolour
Signed, inscribed and dated 1919 10.25” x 19” (26 x 48.2cm)
£100-£150
60. Mark William Langlois (1848-1924) British “The Rejected Suitor” Watercolour
Signed and dated 1870, and inscribed on a label verso 14.25” x 21.75” (36.2 x 55.3cm)
£100-£200
61. Alfred Quesnay de Beaurepaire (1830-1897) French The Battle Charcoal
Signed
12” x 18” (30.5 x 45.7cm)
£200-£300
63. Alfred Quesnay de Beaurepaire (1830-1897) French Prisoners
Charcoal heightened with white
Signed
In a maple frame 14” x 17.75” (35.5 x 45cm)
£200-£300
65. Alfred Quesnay de Beaurepaire (1830-1897) French A Parade in the Champs Elysee
Charcoal heightened with white
Signed and inscribed
In a maple frame
13.75” x 21.75” (34.9 x 55.2cm)
£300-£500
62. Alfred Quesnay de Beaurepaire (1830-1897) French After The Battle Charcoal
Signed with initials, and inscribed on a label verso
In a maple frame
12” x 19” (30.5 x 48.2cm)
£200-£300
64. Alfred Quesnay de Beaurepaire (1830-1897) French “Retour de Versailles”
Watercolour and ink heightened with white
Signed and inscribed
In a maple frame
Shaped 8.25” x 12.25” (20.3 x 31.1cm)
£200-£300
66.
Signed
and a Vase
Unframed 14” x 11.75” (35.5 x 29.8cm)
Together with twelve watercolours by various hands (13)
£100-£200
68.
Fisher
Signed
10.25” x 6.75” (26.1 x 17.2cm
And another by the same hand of figures by a cottage (2)
£100-£150
67. Late 19th Century European School
A Collection of Eighteen Nude Studies in pencil and charcoal
Unframed 19” x 12.5” (48.2 x 31.8cm) and various other sizes
Together with a quantity of prints by various hands (Q)
£100-£200
69. Sepp Rustler (19th-20th Century) German
Signed, and inscribed on a label verso
8.5” x 7.4” (21.6 x 18.7cm)
£100-£200
Walter John Holmes Knewstub (1830-1906) British Still Life of Fruit, Plates
Watercolour
Joshua
(1859-1933) British Lady in a Garden Watercolour
Figure on a Winter Path Watercolour
70. Nellie Maria Ketchlee (19th-20th Century) British “Don’t be Afraid” Watercolour
Signed, and inscribed on labels verso 10” x 7.25” (25.4 x 18.4cm)
Notes: Ketchlee married the artist Alfred William Strutt in 1891
£200-£400
71. Ferdinand Roybet (1840-1920) French Study of a Young Boy Writing Charcoal
Signed with initials
10.5” x 8.5” (26.7 x 21.6cm)
£200-£300
72.
Charcoal and pencil
Signed
7” x 6” (17.8 x 15.2cm)
£100-£200
74.
Inscribed on a label verso
6” x 3.75” (15.2 x 9.5cm)
£100-£150
British
73. Arthur Coryndon Hansler Luxmoore (1842-1881) British “Interior of a Dutch Kitchen” Watercolour
Signed, and inscribed on a label verso 13” x 11” (33 x 27.9cm)
£100-£200
75.
Inscribed on labels verso 15.75” x 14” (40 x 35.5cm)
Provenance: Sir George Prescott (Mayor of London)
£100-£200
Theodore Roussel (1847-1926) French Harbour Scene
Circle of Helen Allingham (1848-1926)
Full Length Portrait of a Lady Pencil
19th Century English School Still Life of Flowers Watercolour
76. Vidal (19th Century) European Head Study of a Bearded Eastern Gentleman Watercolour and pencil
Signed and dated 91
In a wooden metal inlaid frame
9” x 6.75” (22.8 x 17.2cm)
£100-£150
77. Christian Vilhelm Nielsen (1833-1910) Danish “Rosenborg Castle, Copenhagen” Watercolour
Signed with initials
12” x 8.4” (30.5 x 21.4cm) And another by the same hand (2) £200-£300
Signed, and inscribed on a label verso 11” x 18” (27.9 x 45.7cm And the companion piece ‘Elegant Company’, a pair (2) Provenance: Christopher Cole Fine Paintings, Buckinghamshire £400-£600
78. Orlando Norie (1832-1901) British ‘A Ride in the Park’ Watercolour
Signed
6” x 7” (15.2 x 17.8cm)
£700-£1000
79. Myles Birket Foster (1825-1899) British A Scene of the Grand Canal, Venice Watercolour
80.
A Set of Three Portraits Pastel
In elaborate gilt composition frames
23.5” x 18.5” (59.7 x 47cm
And two further portraits (unframed) (5)
£200-£300
Inscribed on a label verso
Unframed 13.25” x 5.75” (33.7 x 14.6cm)
£100-£150
Inscribed verso
Unframed 30” x 26” (76.2 x 66.1cm)
£100-£150
19th Century English School
81. Late 19th Century Italian School Cardinal and Pigeon Oil on panel
82. After Sir Francis Grant (1803-1878) British Portrait of Edward Jervis Jervis, 2nd Viscount St Vincent (1767-1859) Oil on canvas
83. Circle of Margaret Sarah Carpenter (1793-1872) British Study of a Girl Oil on canvas laid down Shaped
Unframed 14.5” x 11.5” (36.8 x 29.2cm)
£150-£200
84. 19th Century English School Portrait of Elizabeth
Inscribed on a label verso
30” x 24” (76.2 x 61cm)
£200-£300
Skilbeck aged 68, 1819 Oil on canvas
85. 19th Century English School Nude Study
Oil on paper
Unframed 13.5” x 17.5” (34.2 x 44.4cm
And two others by the same hand (3)
£100-£200
87. Attributed to William Underhill (act.1848-1870) British Children Fishing in a Pond Oil on canvas
23.5’ x 37’ (59.7 x 94cm)
£200-£300
86. Albert Dunnington (1860-1941) British Fishing by a Cottage Oil on board
Signed and dated 1878, and inscribed on a label verso
8.25” x 12” (20.9 x 30.5cm)
Provenance: Astley House Fine Art, Gloucestershire
£100-£200
88. After Jean Baptiste Camille Corot (1796-1875) French An Extensive Landscape Oil on canvas
Inscribed on a label verso
3.5” x 9.5” (8.9 x 24.2cm)
Provenance: Alexandre Dumas, Fils; Mrs W.D. Harbison of Jersey
£100-£200
89. After Jean Baptiste Camille Corot (1796-1875) French “Ville d’Avray” Oil on panel
Inscribed on a plaque
9.5” x 12.5” (24.2 x 31.7cm)
Provenance: G.T. Nicholson Ltd (The Nicholson Gallery), London
£200-£300
90. Robert John Hammond (1853-1911) British “On The River Avon, Warwickshire” Oil on canvas
Signed and inscribed on the slip 12” x 18” (30.5 x 45.7cm)
£300-£400
91. Robert John Hammond (1853-1911) British “Near Brimfield, Shropshire” Oil on canvas
Signed and inscribed on the slip 12” x 18” (30.5 x 45.7cm)
£300-£400
92. Robert John Hammond (1853-1911) British “The Woods, Early Autumn”
Signed and inscribed on the slip 12” x 18” (30.5 x 45.7cm)
£300-£400
Oil on canvas
93. Late 19th Century English School Sheep and Figures, in an extensive landscape Oil on canvas
Unframed 24” x 42” (61 x 106.7cm)
£150-£250
94. George Vicat Cole (1833-1893) British Shepherd and Flock on a Hillside Oil on canvas
Signed with monogram 12” x 20” (30.5 x 50.8cm)
£150-£250
95. James Peel (1811-1906) British “Haslemere, Surrey” Oil on canvas
Signed and inscribed on the slip 24” x 40” (61 x 101.7cm)
£500-£700
96. Anton Doll (1826-1887) German Figures Skating on a Winter Lake Oil
Signed
22” x 36” (55.8 x 91.5cm)
£1000-£1500
97. Henry Pether (1800-1880) British “Eton College, 1843” Oil on canvas
Inscribed and dated verso
25” x 30” (63.5 x 76.2cm)
£2000-£3000
on canvas
An Aerial View of Whitby Oil on canvas
Indistinctly signed
Unframed 12” x 18” (30.5 x 45.7cm)
£200-£400
Signed, and indistinctly inscribed on a label verso 12” x 19.75” (30.5 x 502cm)
Provenance: Cooling Galleries, London
£1500-£2000
98. Late 19th-20th Century English School
99. Sidney Richard Percy (1822-1886) British Surrey Pond Oil on canvas
100. Benjamin Williams Leader (1831-1923) British “On The Coast of Barmouth” Oil on panel
Signed and inscribed on the slip 14” x 18” (35.5 x 45.7cm)
£1000-£2000
Jeanne
Signed
7.5” x 11.5” (19.1 x 29.2cm)
Jeanne Gonzales was the daughter of Emmanuel Gonzales (writer and dramatist) and Marie Raguet (musician and singer). She, and her sister Eva, were surrounded by artists from an early age with Eva later working alongside Edouard Manet who accepted her as his only formal pupil. Jeanne appeared in many works by her sister and later her husband, Henri Charles Guerard (who had previously been married to Eva)
£2000-£3000
101.
Gonzales (later Guerard-Gonzales) (1856-1924) French Dieppe Harbour Oil on canvas
102. Henry Hadfield Cubley (1858-1934) British “Changing Pastures, Morning Near Barmouth” Oil on canvas
Signed, and signed, inscribed and dated 1912 verso 20” x 30” (50.8 x 76.2cm)
£100-£200
103. Henry Hadfield Cubley (1858-1934) British “Near Sannox, Isle of Arran” Oil on canvas
Signed, and signed and inscribed verso 20” x 30” (50.8 x 76.2cm)
£100-£200
104. Henry Hadfield Cubley (1858-1934) British “When Heaven Descends in Showers” Oil on canvas
Signed, and signed, inscribed and dated 1886 verso 24” x 36” (61 x 91.5cm)
£200-£400
105. After Joseph Mallord William Turner (1775-1851) British “Dover”
Engraved by J T Willmore
Unframed 16” x 23.25” (40.6 x 59cm)
£100-£150
106. Alfred Bentley (1879-1923) British “The Boat Builders, Rye” Etching
Signed in pencil
9” x 10.4” (22.8 x 26.4cm)
£100-£150
108. Charles William Cain (1893-1962) British “Thames Barge Lillie at Greenwich” Drypoint
Signed in pencil
7.75” x 14.75” (19.7 x 37.4cm)
£250-£350
107. Urushibara Mokuchu (Yoshijiro) (1888-1953) Japanese “A Dismasted Brig”, after John Sell Cotman Woodblock
Signed and dated 1937 in pencil
Unframed 8.75” x 13.5” (22.2 x 34.2cm)
£100-£200
109. William Lionel Wyllie (1851-1931) British “Cobles at Newbiggin, Northumberland”
Etching
Signed in pencil
8.25” x 19.25” (21 x 48.8cm)
£100-£200
112. William
Etching
Signed in pencil
14” x 20.15” (35.5
£150-£250
British
110. William Lionel Wyllie (1851-1931) British “Syracuse, Sicily, Italy”
Etching
Signed in pencil, and inscribed verso
6.25” x 14.75” (15.8 x 37.4cm)
£100-£200
111. William Lionel Wyllie (1851-1931) British “H.M.S. Champion and the 13th Flotilla”
Etching
Signed in pencil, and inscribed verso and on a label verso
6.75” x 16.5” (17.2 x 41.8cm)
Provenance: David Messum, Beaconsfield, 1977
£100-£200
Lionel Wyllie (1851-1931)
“Pool of London”
x 51cm)
113. Circle of Frans Jacobus van den Blijk (1806-1876) Dutch Boats in an Estuary
Watercolour
Inscribed verso
12” x 16.5” (30.5 x 41.8cm)
£100-£150
115. Hugh Boycott-Brown (1909-1990) British “Fishing Boats in Brixham Harbour” Oil on board
Signed, and inscribed verso and inscribed on a label verso
14” x 19.75” (35.5 x 50.2cm)
£200-£300
117. 19th Century European School
“H.M.M.S Packet Widgeon from Ostend”
Reverse painting on glass
Inscribed and dated ‘Noon 26th January 1844”
13.5” x 20.75” (34.3 x 52.7cm)
£200-£300
114. Circle of Jan van de Cappelle (1624-1679) Dutch
Shipping Scene
Watercolour
7.5” x 12.25” (19 x 31.1cm)
£100-£200
116. Circle of George Webster (1797-1864) British A Coastal Scene Oil on panel
12” x 11” (30.5 x 27.9cm)
£100-£200
Sporting and Animalia
118. After Peter Markham Scott (1909-1989) British “Mallard Going to Sea”
Print with guild stamp
Signed in pencil
Published Ackermann & Son
12” x 21.75” (30.5 x 55.3cm)
£100-£200
120. Nevison Arthur Loraine (1863-1934) British “Ambush II”
Signed in pencil
In a maple frame
16.5” x 23.5” (41.9 x 59.7cm)
£100-£150
119. Peter Markham Scott (1909-1989) British Bird in Flight
Print with guild stamp
Signed in pencil
Published by Ackermann & Son
14” x 21” (35.5 x 53.3cm)
£100-£200
121. After Edwin Henry Landseer (1802-1873) British “Favourite Pony and Spaniels” Engraved by Thomas Landseer
In a maple frame
20” x 25” (50.8 x 63.5cm)
£100-£150
122. After Charles Hancock (1795-1868) British “Cotherstone”
Engraved by E Duncan and published by R Ackermann
In a maple frame
12.5” x 16” (31.7 x 40.6cm)
£100-£150
123. Lucy Dawson (1877-1954) British “Jane”, a Terrier Chalk
Signed, inscribed and dated 1953 in pencil
10” x 10.75” (25.4 x 27.3cm)
£100-£150
A Set of Twelve
Two sets of pairs in each frame Prints
In maple frames
Overall for pair 16” x 21.75” (40.6 x 55.3cm)
£200-£400
124. After Henry Alken (1785-1851) British
Racing Scenes
£200-£300
and dated 1929
125. Early 20th Century German School A Set of Three Football Cartoons Watercolour Indistinctly signed
5” x 8” (12.7 x 20.3cm) (3)
126. George Denholm Armour (1864-1949) British Scottish Hunstman and Hounds
Mixed media on canvas
Signed, and inscribed on a label verso 14” x 10.75” (35.5 x 27.3cm)
Provenance: The Court Gallery, Surrey
£100-£150
128. John Buonarotti Papworth (1775-1847) William Henry Pyne (1769-1843), James Green (1771-1837).
Henry Bernard Chalon (1770-1849) British “Or in barouche the fair beside, At ease enjoy the rural ride”
Watercolour
Inscribed on the mount and inscribed on a label verso
And also with the engraving by John Scott verso
6.4” x 9.5” (16.2 x 24.2cm)
£100-£200
127. Tony Ladd (20th-21st Century) British Peregrine Falcons Nesting
Watercolour and ink
Signed and dated ‘84 14” x 17” (35.5 x 43.2cm)
£100-£150
129. G H Coltart (20th Century) British “Dante Winning the Derby at Newmarket, 1945” Watercolour
Signed and inscribed 9” x 13” (22.8 x 33cm) And another by the same hand “The Derby, 1930” (2)
£100-£150
Watercolour
Signed with monogram
Mounted, unframed 7.5” x 11.25” (19 x 28.6cm)
£200-£300
Signed with monogram
Mounted, unframed 6.25” x 9.1” (15.8 x 23.1cm)
£200-£300
130. Thomas Blinks (1860-1912) British Pack of Bloodhounds
131. Thomas Blinks (1860-1912) British Roaring Lion Oil on paper
A Young Boy on a Donkey, with a dog in the foreground and a windmill in the distance, Oil on canvas
Signed and dated 1808
40” x 55” (101.5 x 141cm)
£5000-£7000
132. Charles Towne (1763-1840) British
Signed and indistinctly dated
14” x 18.5” (35.5 x 47cm)
£400-£600
Signed and dated ‘88
12” x 9” (30.5 x 22.8cm)
£400-£600
133. William Jones (act.1818-c1860) British Fly Fishing Oil on canvas
134. George Paice (1854-1925) British The Young Cricketer Oil on board
135. George Paice (1854-1925) British “Paddlebox”, Grey in a stable with a cat Oil on canvas
Signed, inscribed and dated ‘83
Unframed 25” x 30” (63.5 x 76.2cm
And the companion piece, “Bill”, a hunter with a dog in a stable, a pair (2) £1000-£1500
28” x 36” (71.1 x 91.5cm)
£800-£1200
136. E. Stott (19th Century) after Edwin Henry Landseer (1802-1873) British “Suspense”, a bloodhound Oil on panel
137. George
(1799-1873)
Signed, inscribed London and dated 1824
21.5” x 30” (54.6 x 76.2cm)
Provenance: Royal Exchange Art Gallery, London
£5000-£7000
Henry Laporte
British Horses and Dogs in an Extensive Landscape Oil on canvas
17” x 21” (43.2 x 53.3cm)
£100-£200
Signed
16” x 20” (40.6 x 50.8cm)
£300-£400
30” x 20” (76.2 x 50.8cm)
£500-£700
138. 19th Century English School Bay Hunter in a Landscape Oil on canvas
139. John Trickett (1952-) British The Stag Oil on canvas
140. Early 20th Century English School Seated Terrier Oil on canvas
Signed and dated
21.25” x 25.5” (54 x 64.7cm)
£4000-£6000
141. Louis Grunler (1809-1886) Austrian A Gentleman holding a Saddled Bay in a Landscape Oil on canvas
142. Elizabeth Adela Forbes (nee Armstrong) (1859-1912) Canadian “Portrait of a Breton Girl” Etching
Inscribed on a label verso
7.75” x 4.75” (19.7 x 12.1cm)
£200-£300
145. Keith R Armour (1931-) British “Thames”
Etching
Signed and inscribed Mounted, unframed 9.75” x 11.75” (24.8 x 29.8cm)
£100-£200
143. William Lionel Wyllie (1851-1931) British “Westminster Hospital” Etching
Signed
Unframed 7.25” x 9.5” (18.4 x 24.2cm)
£100-£200
144. After John Charles Dollman (1851-1934) British “A Very Gallant Gentleman”
11.25” x 19.5” (28.6 x 49.5cm)
Notes: Depicts Captain Lawrence Oates from the Inniskilling Dragoons during his expedition on the Nerra Nova Expedition to the South Pole. He was injured and walked willingly to his death to save his companions
£100-£200
146. Peter Freeth (1938- ) British “Builded Here” Aquatint
Signed and inscribed, and inscribed verso 18” x 23.5” (45.7 x 59.7cm)
Provenance: Beardsmore Gallery, London, 10th February 2002
£80-£120
147. Tacita Dean (1965-) British “Building Study, From the Donald Crowhurst Series” Photograph Inscribed verso
9.5” x 11.75” (24.2 x 29.8cm)
£200-£300
148. Elizabeth Violet Blackadder (1931-2021) British “Screeching Peacock” Lithograph
Signed and numbered 79/100 in pencil 15” x 16” (38.1 x 40.6cm)
£200-£300
149. Victor Pasmore (1908-1998) British “Metamorphosis (Linear Motif) 8” Etching aquatint
Signed with monogram, dated ‘76, and numbered 15/55 in pencil, and inscribed on labels verso 16” x 17.5” (40.6 x 44.4cm),
Provenance: Marlborough Fine Art (London) Ltd, December 2017
£250-£350
150. Arthur Merric Bloomfield Boyd (1920-1999) Australian ‘Nude’
Drypoint
Signed and numbered 2/25 in pencil
9.75” x 11.75” (24.8 x 29.8cm)
£100-£200
151. Rachel Le Bas (1923-2020) British “Summer’s Growth”
Etching with aquatint
Signed, inscribed and numbered 25/50 in pencil
Mounted Unframed 15” x 12.75” (38.2 x 32.3cm)
And seven others by the same hand (8)
£100-£150
152. Rachel Le Bas (1923-2020) British Ducks
Watercolour and ink
Signed, and inscribed on a label verso
7.5” x 12.75” (19 x 32.3cm)
£100-£150
153. John Bellamy (1942-2013) British “The Pianist” Screenprint
Signed and numbered 19/75 in pencil, and inscribed on a label verso
11.5” x 8” (29.2 x 20.3cm)
Provenance: Advanced Graphics, London
£200-£300
154. William Gear (1915-1997) British “Yellow Spike” Silkscreen
Signed, inscribed, dated ‘62 and numbered 1/25 in pencil, and inscribed on a label verso
26.5” x 15.5” (67.3 x 39.4cm)
Provenance: Royal Bank of Scotland
£300-£500
155. Alex Katz (1927-) American “Scott and John” Offset lithograph
31” x 20.75” (78.8 x 52.7cm)
Provenance: ArtWise, New York
£150-£250
156. Charles Mozley (1915-1991) British
A Set of Sixteen Prints of ‘The Great Wine Estates of Bordeaux’ including the following Chateaux “Ducru-Beaucaillou”, “Cos d’Estournel”, “Haut-Brion”, “Latour”, “Certan”, “Palmer”, “Ausone”, “D’Issan”, “Margaux”, “La Mission Haut-Brion”, “MoutonRothschild”, “Leoville-Barton”, “Lascombes”, “Legrange”, “Pichon-Longueville”, “Graud-Larose”
Prints
Inscribed on the mounts
13.25” x 19” (33.7 x 48.2cm)
A set of sixteen (16)
£500-£700
Signed with initials and inscribed and dated 67 in pencil
16.5” x 11” (41.9 x 27.9cm)
Provenance: Francois Lafranca collection; Austin Desmond
£3000-£4000
157. Ben Nicholson (1894-1982) British Bottles Etching
Screenprint
Signed, numbered 19/75 and dated 2012 in pencil, and inscribed on a label verso
10.5” x 8.75” (26.7 x 22.2cm)
Provenance: Advanced Graphics, London
£100-£150
Photograph
13.5” x 8.75” (34.2 x 22.2cm)
£100-£150
Photograph
Studio stamp signature
15.25” x 10” (38.7 x 25.4cm)
£200-£300
159. Patrick Lichfield (1939-2005) British Baby in Arms
158. Clyde Hopkins (1946-2018) British “South by South East”
160. Stephen Perry (20th-21st Century) British Portrait Study
161. Circle of James Jacques Joseph Tissot (1836-1902) French ‘Portrait of a Seated Lady’ Pencil
22.25” x 28.75” (56.5 x 73cm)
£200-£300
162. Sosthene Weis (1872-1942) Luxembourger
Landscape with the sea in the distance Watercolour
Signed and dated 1930
6.5” x 9.25” (16.5 x 23.5cm)
£200-£300
163. Doris Clare Zinkeisen (1898-1991) British “The Death of Cyllarus and Hylonome” Gouache
Signed, and inscribed verso
15.25” x 18” (38.7 x 45.7cm)
£200-£400
164. Mun Sen Yong (1896-1962) Malaysian Figure by a Cottage Watercolour
Signed with initials and dated 1947
10.5” x 14.5” (26.7 x 36.8cm)
£500-£700
Signed with initials and dated 1947
10.25” x 14.75” (26 x 37.4cm)
£500-£700
165. Mun Sen Yong (1896-1962) Malaysian Cottages at the Water’s Edge Watercolour
166. Mun Sen Yong (1896-1962) Malaysian Junk at Sea
Watercolour
Signed with initials and dated 1947
10.5” x 14.75” (26.7 x 37.4cm)
£400-£600
167. Mun Sen Yong (1896-1962) Malaysian Village Scene
Watercolour
Signed with initials and dated 1947
10.5” x 14.5” (26.7 x 36.8cm)
£400-£600
168. Mun Sen Yong (1896-1962) Malaysian Figures by a Cart
Watercolour
Signed with initials and dated 1947
10.5” x 14.5” (26.7 x 36.8cm)
£400-£600
169. Bernhard Sickert (1862-1932) British ‘Entrance to St Mark’s, Venice”
Pastel
Signed with monogram and dated ‘29, and inscribed on a label verso 12.5” x 9” (31.8 x 22.8cm)
Provenance: The Fine Art Society Ltd, London
£150-£250
172. R Fiolka (20th-21st Century) European “George Sand’s House”
Watercolour and ink
Signed, inscribed and dated ‘90
13.5” x 15.75” (34.3 x 40cm)
£100-£200
170. Soewardja (1900-?) Indonesian Pulling in the Nets
Watercolour
Signed
10” x 14.2” (25.4 x 36cm)
£200-£300
171. F J H (19th-20th Century) British
The Orchestra in The Royal Albert Hall
Watercolour, pencil and gouache
Indistinctly signed and dated 1905, and inscribed verso
Unframed 12” x 15.25” (30.5 x 38.7cm)
£100-£200
173. Jeanne Thil (1887-1968) French Wounded Soldier
Watercolour and ink
Signed
7” x 9.75” (17.7 x 24.7cm)
£100-£200
Signed and dated 77
11.4” x 13.2” (29 x 33.5cm)
£1500-£2000
174. Victoria Crowe (1945- ) British Staffordshire Figurines
Gouache, ink and gold ink
175. Charles Haigh-Wood (1854-1927) British Fishing off a Bridge Watercolour
Signed
19” x 13.75” (48.2 x 34.9cm)
£100-£150
177. Ernest Hartley-Ford (1865-1934) British Portrait of a Lady Watercolour
Signed
15” x 10.5” (38.2 x 26.7cm)
£100-£200
176. Phyllis Stroudley (nee Neuland) (1907-1991) British “The New Corsette” Gouache, wash and pencil
Signed, and inscribed on a label verso 20.5” x 13.25” (52.1 x 33.7cm)
Provenance: Erika Brandl, London
£100-£200
178. Claude Pratt (1860-1935) British “Old Bill, No More Soldiering for Me” a self portrait of the artist Watercolour
Signed and dated 1920, and inscribed on labels verso 8.75” x 6.75” (22.2 x 17.1cm)
£100-£200
179. Laura Knight (1877-1970) British “Goliath from the Side”
Signed with initials
8” x 4.5” (20.3 x 11.4cm)
Provenance: Artist’s Estate; Abbott & Holder; George Babbington, London, 4th January 2004
£150-£250
181. Laura Knight (1877-1970) British Study of Two Dancers
Signed with initials
8.25” x 5.4” (21 x 13.7cm)
Provenance: From the artist’s sketchbook; George Babbington, London, 6th March 2003
£150-£250
180. Laura Knight (1877-1970) British “A Dwarf Goliath”
and pencil
Signed and inscribed in pencil
6.75” x 4.75” (17.2 x 12cm)
£150-£250
Chalk
Pencil
Pencil
182. James S Gillespie (20th-21st Century) British Still Life on a Table
Watercolour
Signed
15” x 22” (38.1 x 55.8cm)
£100-£150
183. Janet Quintrell Treloar (1940-2019) British “The Tomb of Tutankhamun”
Watercolour
Signed and dated ‘09, and inscribed on a label verso
14.5” x 22” (36.8 x 55.8cm)
£100-£150
184. Alwyn Crawshaw (1934-) British “Morning Mist”
Watercolour
Signed, and inscribed on the mount
13” x 19.5” (33 x 49.5cm)
£100-£150
185. Derek Stafford (1928-2018) British Portrait of Francis Bacon
Chalk
Signed with initials and dated 1985 in pencil
14” x 22” (35.5 x 55.8cm)
Notes: Stafford was a pupil of Bacon studying under him following his scholarship to study at the Royal College of Art, London. They remained friends with Stafford later becoming a member of Bacon’s circle at the Colony Room private members club in Soho
£400-£600
186. Mary Fitzpayne (1928-) British
A Large Collection of Watercolours, drawings, etchings and an oil
Various sizes
All unframed (Q)
£200-£300
187. Pietro Annigoni (1910-1988) Italian “The Bar at the Cafe de Paris, Regent Street” Ink
Inscribed and dated 1956 verso 9.75” x 14” (24.8 x 35.5cm)
£100-£150
188. John Sergeant (1937-2010) British Portrait of a Boy, believed to be the artist’s son Pencil
Inscribed on a label verso
11.75” x 8.5” (29.8 x 21.6cm)
Provenance: Sarah Colegrave Fine Art, London £100-£150
189. Edward Ardizzone (1900-1979) British The Plea Ink and wash Signed ‘Diz’ 7.5” x 4.25” (19.1 x 10.7cm)
£200-£300
190. Circle of Henry Moore (1898-1986) British Untitled Mixed media
Unframed 15” x 22” (38.1 x 55.8cm) And six others by the same hand (7) £100-£200
Signed in pencil
7.7” x 4.85” (19.7 x 12.4cm)
Provenance: Whitechapel Art Gallery Exhibition, 27th November 1999 - 23rd January 2000 (3)
£600-£800
191. Gary Hume (1962-) British “London Plane Leaves” a set of three Indian ink
192. Mark William Fisher (1841-1923) British “Farm Near Clecy”
Inscribed on a label verso
13.5” x 16.5” (34.2 x 41.9cm)
£100-£200
Signed
27.5” x 38.75” (69.8 x 98.4cm)
£100-£200
Signed
10.25” x 13.75” (26 x 35cm)
£100-£150
Signed and dated May 1964
20.5” x 27.5” (52.1 x 69.8cm)
£100-£200
196.
Signed 24” x 32” (61 x 81.2cm And a companion piece, a pair (2) £150-£250
Oil on canvas
193. Lionel Birch (1858-1930) British Cornish Harbour Scene Oil on artist’s board
194. Josef Rolletschek (1859-1934) Austrian Wooded Path Oil on canvas
195. Fyffe Christie (1918-1979) British Study of a Pier Oil on board
Rudolf Weber (1872-1949) Austrian A Harbour Scene Oil on canvas
Signed, and inscribed on a label verso
23.5” x 29” (59.7 x 73.7cm)
Provenance: The Bruton St Gallery, London
£1000-£1500
30” x 48” (76.2 x 122cm)
£1000-£1500
197. Jacob Zucker (1900-1981) Polish “Notre Dame on the Seine” Oil on canvas
198. Circle of Stanhope Alexander Forbes (1857-1947) Irish
The Lock Gate Oil on canvas
Still Life of Fruit and Flowers on a Table Oil on unstretched canvas
15” x 12.75” (38.1 x 32.4cm)
Together with a large quantity of oils, watercolours and prints (Q)
£100-£200
Signed, and inscribed verso
10” x 8” (25.4 x 20.3cm)
£100-£200
Unframed 30” x 24” (76.2 x 61cm)
£100-£200
Bears a signature and dated 1944
23.25” x 17.5” (59.1 x 44.4cm)
£200-£300
199. 20th Century English School
200. Evelyn Jones (20th Century) British Still Life of Flowers in an Urn Oil on canvas
201. Inez Estella Hoyton (1903-1983) British “Attic Window” Oil on board
202. Circle of Zdzislaw Ruszkowski (1907-1991) Polish Still Life of Flowers in a Vase Oil on canvas
27.5” x 19.5” (69.8 x 49.5cm)
£300-£400
Signed and dated ‘47
21.75” x 18” (55.3 x 45.7cm)
£200-£300
204. E Boucher (20th Century) French Bust Portrait of a Man with a Pipe Oil on canvas
203. Circle of Georges Mosson (1851-1933) French Still Life of Flowers in a Blue Vase Oil on canvas
205. Rachmiel-Ben Zalman (20th Century) European A Rabbi holding a Torah Oil on canvas
Signed and dated 5.7.24 24” x 20” (61 x 50.8cm)
£150-£250
206. Paul Nietsche (1885-1950) British “Young Canada”, still life of flowers in a vase Oil on artist’s board
Inscribed in pencil verso 20.25” x 16” (51.4 x 40.6cm)
£300-£400
Signed and dated ‘29
£1000-£1500
207. Kohlh (19th-20th Century) German Still Life on a Table Oil on canvas
23.5” x 17.5” (59.7 x 44.4cm)
208. Alexander Kellock Brown (1849-1922) British
A River Scene leading to a Beach Oil on canvas
Signed with initials
16” x 20” (40.6 x 50.8cm)
£100-£200
209. Hubert Williams (1905-1989) British “Old Waterloo Bridge”, c.1935 Oil on artist’s board
Signed, and inscribed verso
11” x 14.75” (28 x 37.5cm)
Provenance: Leigh Underhill Gallery, London
£200-£300
210. Circle of Henry Moret (1856-1913) French Seascape
Oil on canvas laid down Indistinctly signed
20” x 25.75” (50.8 x 65.4cm)
£200-£300
211. 20th Century English School
Thames Scene
Oil on panel
6.5” x 9” (16.5 x 22.8cm)
Provenance: The Nicholson Gallery, London
£300-£400
212. Early 20th Century European School Still Life of Flowers in a Vase
Indistinctly signed and dated 1924
24.5” x 33.5” (62.2 x 85.1cm)
£400-£600
213. John Campbell Mitchell (1865-1922) British “Summer Sunset, Macrahanish” (Machrihanish) Oil on canvas
Signed, and inscribed verso (now relined)
Unframed 18” x 30” (45.7 x 76.2cm)
£400-£600
214. James Stuart Park (1862-1933) British Still Life of Roses
Signed 16” x 20” (40.6 x 50.8cm)
£500-£700
Oil on canvas
Oil on canvas
215. Edward Bouverie Hoyton (1900-1988) British Portrait of Linda Bradshaw Oil on canvas
Signed
50” x 40” (127 x 101.6cm)
£100-£200
216. Frank Owen Salisbury (1874-1962) British “86 Come Next Birthday” Oil on canvas
Signed
Unframed 30” x 25” (76.2 x 63.5cm)
Provenance: The artist sold this work to William Waller in June 1953 (original letter included)
Notes: This lot is sold with correspondence from the artist and a book on the artist ‘Sarum Chase’ by John Murray
£300-£400
£1000-£1500
217. James Guthrie (1859-1930) British Portrait of a Lady with a Pekingese Oil on canvas
Signed
25” x 20” (63.5 x 50.8cm)
Signed inscribed on a plaque, and inscribed on a (damaged) label verso
In a fine carved giltwood swept frame
30” x 25” (76.2 x 63.5cm)
Exhibited: Royal Academy, London, 1946, No.411
Provenance: Adlington Hall
Notes: Cynthia Combermere Legh (1896-1983) was the chatelaine of Adlington Hall and in 1942 turned a large part of the house into a maternity hospital for the wives of servicemen.
£1000-£1500
218. Wilfrid Gabriel de Glehn (1870-1951) British Portrait of Cynthia Legh Oil on canvas
and inscribed ‘...
25.5” x 21” (64.8 x 53.3cm).
£2000-£3000
219. Wilfrid Gabriel de Glehn (1870-1951) British “Violet”, believed to be Violet Manners, Duchess of Rutland (1856-1937) Oil on canvas
Signed,
John S Sargent, Violet, Carlyle Mansions, SW’ and stamped on the stretcher ‘John Singer Sargent...Tite Street’ (now framed)
220. Nikolai Sergeevich Prisekin (1928-2008) Russian Sketch of “Peter’s Victories” Oil on board
Signed in Cyrillic and dated ‘52, and signed, inscribed in Cyrillic and dated verso
17.75” x 13.5” (45.1 x 34.3cm)
£100-£150
221. Viktor Fedorovich Letyanin (1921-2009) Russian Sketch of a Standing Girl Oil on canvas laid down
Signed in Cyrillic and dated ‘51, and signed, inscribed and dated 1951 in Cyrillic in pencil verso 16” x 9.5” (40.6 x 24.2cm)
£100-£150
222. Andrey Alekseevich Unkoyskiy (1928-2021) Russian “Small Bridge” Oil on board
Signed in Cyrillic and dated 1963, and inscribed in Cyrillic verso 14.25” x 18.5” (36.3 x 47cm)
£150-£200
223.
Russian “Morning Light” Oil on canvas
Signed in Cyrillic, and signed and inscribed in Cyrillic verso
13.75” x 10.75” (34.9 x 27.3cm)
£1500-£2000
224.
Russian
Signed in Cyrillic, and signed and inscribed in Cyrillic verso
14” x 9.5” (35.5 x 24.1cm)
£1500-£2000
Konstantin Razumov (1974-)
“By the Window” Oil on canvas
Konstantin Razumov (1974-)
225. Viktor Borisoviych Onozeemtsev (1921-2003) Russian “Return of the Fisherman” Oil on board
Signed in Cyrillic and dated ‘68 16.5” x 21.5” (41.9 x 54.6cm)
£150-£200
226. Daniil Ivanovich Bezugly (1914-1977) Russian “Kakhovka” Oil on board
Signed in Cyrillic and dated ‘52, and inscribed in Cyrillic verso 9.75” x 19.75” (24.8 x 50.2cm)
£150-£200
227. Evgeni Danilovich Gorovykh (1930-1997) Russian “Accordionist” Oil on board
Signed in Cyrillic and dated ‘54, and signed, inscribed and dated 1954 in pencil in Cyrillic verso 13.75” x 18.5” (34.9 x 47cm)
£100-£200
228. Konstantin
Oil on canvas
Signed in Cyrillic, and signed and inscribed in Cyrillic verso 15” x 24” (38.1 x 61cm)
£3000-£4000
Razumov (1974-) Russian “Sunlit”
229. Norma Salt Jameson (1933- ) British “Starlings” Oil on canvas
24” x 30” (61 x 76.2cm)
Exhibited: Raille Gallery, London, ‘Recent Paintings of Norma and Kenneth Jameson’, 1960, No.10
£100-£200
230. Leslie Joseph Watson (1906-1992) British “Kallamata, Greece” (Kalamata) Oil on artist’s board
Signed, and inscribed on a label verso 9.75” x 13.75” (24.8 x 34.9cm)
Exhibited: The Mall Galleries, Royal Society of Marine Artists, 1985
£100-£200
232. Hedi Schick (1906-1999) British/Austrian Antique Shop Window Oil on canvas
Signed, and inscribed on a label verso 20” x 36” (50.8 x 91.5cm)
£100-£200
231. Yvonne Mora (1959-) Peruvian A Pair of Cafe Scenes Oil on canvas
Signed
Unframed (each) 24” x 30” (61 x 76.2cm) (2)
£100-£200
233. Harold Kopel (1915-2009) British “Duck Pond, Wilts” Oil on canvas laid down
Signed, and inscribed on a label verso 13.5” x 17.5” (34.3 x 44.4cm)
£100-£150
Signed
13.5” x 27.5” (44.4 x 69.8cm)
£1000-£1500
234. Cecil Rochfort D’Oyly-John (1906-1993) British Mediterranean Harbour Oil on canvas
Eric
Century) British The Accordion Players Oil on canvas laid down Signed, and inscribed on a label verso 21” x 14.25” (53.3 x 36.2cm)
£100-£150
237. Joan
Century) British Three
Oil on canvas laid down as collage Signed, with a studio label verso 23.5” x 17.5” (59.7 x 44.4cm)
£100-£200
British
Oil on canvas Signed and dated ‘87 verso Unframed 36” x 30” (91.5 x 76.2cm)
£150-£250
238. Bert Wright (1930-) British “Hong Kong Harbour” Oil on artist’s board Signed, and inscribed on labels verso 12” x 10” (30.5 x 25.4cm) Exhibited: Mall Galleries £100-£150
235.
Rolfe (20th-21st
236. Bob Barron (1943-)
Lily Pond
Steel (20th-21st
Musicians
239. Circle of Trung Thu Mai (1906-1980) Vietnamese Still Life with Flowers in a Vase Oil on canvas
Bears initials and motif
29” x 21.5” (73.7 x 54.6cm)
£300-£500
241.
Oil
240.
Inscribed on a label verso
24” x 20” (61 x 50.8cm)
£300-£400
British
Signed and dated ‘61, and inscribed on labels verso
22” x 14.5” (55.8 x 36.8cm)
£200-£300
Circle of Ken Howard (1932-2022) British A Venetian Canal Scene Oil on canvas
Rodney Gladwell (1928-1979)
“Susan”
on canvas laid down
Signed, numbered 16/18 and dated 2010
Unframed (overall) 29” x 22.25” (73.7 x 56.5cm)
Provenance: Bought directly from the artist; private collection
£200-£400
242. Akbar Padamsee (1928-2020) Indian Head
Lithograph
Mixed media on canvas
Signed and dated ‘90
24” x 18” (61 x 45.7cm)
Provenance: Bought directly from the artist; private collection
£8000-£12000
243. Akbar Padamsee (1928-2020) Indian Head
244. Edward Hersey (1948-) British A Tudor Manor House Oil on canvas
Signed and dated ‘85
14” x 18” (35.5 x 45.7cm)
£150-£200
245. 20th Century French School Harbour View Oil on canvas
Unframed 23.5” x 28.75” (59.7 x 73cm)
£200-£300
246. Myf (19th-20th Century) European A Hospital Corridor Oil on canvas
Signed, with a nude sketch verso
20” x 30” (50.8 x 76.2cm)
£150-£200
247. Konstantin Razumov (1974-) Russian “In The Rose Garden” Oil on canvas
Signed in Cyrillic, and signed and inscribed in Cyrillic verso
16.25” x 13” (61.2 x 33cm) £2000-£3000
Jean Fous
Signed
Unframed 24” x 19.7” (61 x 50cm)
£150-£200
Signed, and inscribed verso Unframed 21.5” x 18” (54.6 x 45.7cm)
£100-£200
Signed, and inscribed verso Unframed 10.5” x 13.75” (26.7 x 34.9cm)
£100-£200
248. Jean Fous (1901-1971) French Figures in a Street Oil on board
249. Jean Fous (1901-1971) French “Notre Dame” Oil on canvas
250. Jean Fous (1901-1971) French “Le Manoir” Oil on canvas
251. Jean Fous (1901-1971) French “Retour des Champs” Oil on canvas
Signed, and inscribed verso Unframed 8.5” x 10.5” (21.6 x 26.7cm)
£100-£200
252. Jean Fous (1901-1971) French “Le Violoniste” Oil on board
Signed, and inscribed on a label verso 9.5” x 11.25” (24.1 x 28.6cm)
£100-£200
253. Jean Fous (1901-1971) French “La Musique” Oil on board
Signed, and inscribed verso 7.25” x 9.25” (18.4 x 23.5cm)
£100-£200
Unframed 13” x 10” (33 x 25.4cm
And three others by the same hand (4)
£100-£150
Signed
18” x 21.75” (45.7 x 55.3cm)
And a companion piece, a pair (2)
Provenance: Omell Galleries, London
£200-£400
254. Elizabeth Purkis (20th-21st Century) British Ducks by Sleeping Dog Oil on board
255. Louis Rosan (1926-) French A River Scene Oil on canvas
256. Hubert Arthur Finney (1905-1991) British Brittany Harbour Scene Oil on canvas
Signed
25” x 30” (63.5 x 76.2cm)
Provenance: The artist’s family
£100-£150
257. Gomer Lewis (1921-1994) British Abstract Oil on canvas
Unframed 24” x 36” (61 x 91.5cm) £100-£200
258. Myles Oxenford (1977-) British “Aqua Roses and Fan” Oil on board
Signed, inscribed and dated ‘07 verso, and inscribed on a label verso 15.75” x 23.65” (40 x 60cm)
Provenance: Thompson’s, Marylebone
£150-£200
Signed, and inscribed on a label verso 19.5” x 51” (49.5 x 129.6cm)
Provenance: DeMontfort
£200-£300
Signed and dated ‘67
Unframed 31.75” x 49.75” (80.7 x 126.4cm)
£100-£200
259. Antonia Villalba (1968-) Spanish “Serene III” Oil on canvas
260. Robert Melville (1905-1986) British ‘Gypsy Moth IV’ Oil on canvas
261. Chopard ‘Happy Diamond’ earrings
Jewellery
Mounted in 18ct gold, each glazed compartment containing three ‘floating’ brilliant-cut diamonds, signed Chopard, numbered 9268006 83/4611, European convention mark, length 1.1cm, total weight 7.0g.
£600-£800
262. Diamond gypsy ring
Set with a brilliant-cut diamond, diamond approx 0.25ct, stamped 750, 18Kt, ring size approx T, weight 6.1g.
£350-£450
263. Diamond Ring
Set with brilliant-cut diamonds on a textured mount, diamonds approx. 0.65ct total, worn mark to inner hoop, ring size approx. L, weight 9.2g.
£600-£800
264. Cultured pearl and diamond ring, 2009
The 12.4mm cultured pearl within an undulating surround set with brilliant-cut diamonds, mounted in 18ct white gold, diamonds approx. 0.34ct total, UK hallmark, ring size approx. J, weight approx. 7.9g.
£500-£700
265. Tanzanite and diamond ring
Set with a cushion-shaped tanzanite, between split shoulders set with brilliant-cut diamonds, ring size approx O, weight 8.2g.
£400-£600
267. Silver and sapphire ring
Set with circular-cut sapphires, stamped 925, ring size approx. O, weight 20.4g.
£30-£50
266. Garnet cluster ring
Set with pear-shaped garnets, inner hoop stamped 18k, ring size approx. P ½ , weight 2.9g.
£150-£250
268. Sapphire and diamond ring
The emerald-cut sapphire between brilliant-cut diamond shoulders, inner hoop stamped 14k, ring size approx. O, weight 4.5g.
£250-£350
269. Onyx and diamond ring
The onyx plaque inlaid with a single-cut diamond, inner hoop stamped 9ct, ring size approx. J, weight 4.6g.
£120-£150
270. Diamond flower earrings
Each flowerhead set with European and brilliant-cut diamonds, diamonds approx. 2.70cts total, length 1.8xm, total weight 11.3g . £1200-£1800
271. Blue zircon earrings
Each set with a brilliant-cut zircon, mounted in 9ct gold, stamped 9ct, width 7.9mm, total weight 2.9g.
£80-£110
272. Seed pearl and garnet brooch, circa 1900
Set with seed pearls and cushion-shaped garnets, length 3.5cm, weight 3.9g.
£200-£300
273. Jade bracelet
Set with jade plaques, clasp stamped 9k, length 19.0cm, weight 10.6g. £100-£150
274. Cultured pearl bracelet
The two rows of 7.0mm cultured pearls on a garnet and seed pearl clasp, clasp stamped 14k Cecil, length 20.0cm, weight 32.3g.
£120-£150
275. Two cultured pearl necklaces.
1st: The graduated row of 6.9-9.2mm cultured pearls on a pearl clasp, 2nd: A graduated row of 4.4-8.6mm cultured pearls, lengths 53.5cm and 48.5cm, total weight 62.3g (2).
£120-£150
276. Diamond ring
Set with a European-cut diamond, between geometric baguette-cut diamond shoulders, mounted in 18ct white gold, principal diamond approx. 1.30cts, inner hoop with UK hallmark, ring size approx. L ½ , weight 4.1g .
£3000-£5000
277. Gubelin diamond bracelet/watch, mid century
Of buckle design, the brilliant-cut diamond buckle lifting to reveal a watch dial with baton hourmarkers, diamonds approx. 0.80ct total, dial signed Gubelin Swiss, clasp stamped 750 with maker’s mark, weight 49.7g.
£3000-£5000
278. Diamond knot bangle
The hinged bangle set with brilliant-cut diamonds, diamonds approx. 0.80ct total, inner circumference approx. 17.0cm, weight 18.2g, tested as 18ct gold.
£1000-£1500
Diamond bracelet
Set with brilliant-cut diamonds, mounted in 18ct white gold, diamonds approx. 8.40cts total, UK hallmark, weight 36.7g. £5000-£7000
279.
280. Cultured pearl necklace
Continuous row of 6.1mm cultured pearls, length approx 129.0cm, weight 63.0g.
£200-£300
281. Cultured pearl and diamond necklace.
The slightly graduated 4.0-4.4mm cultured pearls suspending an 11.1 x 7.5mm cultured pearl and brilliant-cut diamond pendant, length 38.0cm, weight approx. 11.0g.
£150-£250
282. Cultured pearl choker with cameo clasp
The five rows of 3.5mm cultured pearls to a shell cameo clasp depicting a lady in profile, mounted in 9ct gold, length of shortest strand 30.0cm, length of clasp 2.5cm, UK import mark, weight approx. 39.8g.
£100-£150
283. Diamond-set Objet d’art, circa 1900
The silver paperweight inlaid with rose-cut diamonds of varying brown hues, diamonds very approx. 50.00cts (450+), weight 187.5g, fitted Harrods case, accompanied by a report from GCS stating diamonds are natural.
£2000-£3000
284. White gold and diamond set collar necklace
Set with multiple diamonds in four claw settings, 18ct white gold, diamonds approximately 1.5-2cts total, UK hallmark on clasp, maker mark (indistinct), weight 16g
£2000-£3000
285. Chanel J12 Watch
A lady’s J12 automatic wristwatch, with white ceramic case, uni-directional bezel, signed dial with hour markers, date aperture at 4 o’clock, fitted with a Chanel 21 jewel selfwinding movement.
£400-£600
286. Ebel Satya Gold, Diamond and Mother-of-Pearl Watch, Circa 2000
The mother-of-pearl dial with diamond dot hourmarkers and a brilliant-cut diamond bezel, mounted in 18ct white gold with integrated strap and deployment clasp, numbered E 3057B2, 47300309, signed Ebel, stamped 75o, Swiss assay mark, weight 102.6g, maker’s case, Ebel warranty card. £6000-£8000
301. 19th Century English School
A Gilt and Painted Paneled Composition Frame, rebate 59.75” x 47.75”
(151.8 x 121.3cm)
£50-£100
20th Century European School
A Gilt Composition Frame, with a painted slip, rebate 51” x 35.5” (129.6 x 90.1cm), without slip, rebate 54.25” x 38.5” (137.8 x 97.8cm)
£100-£200
303. Early 20th Century European School
A Gilt and Painted Composition Frame, with swept corners, rebate 50” x 40” (127 x 101.7cm)
£50-£100
302.
305. 19th Century English School
A Maple Frame, with an arched gilt slip, (Horizontal) rebate 47” x 29” (119.4 x 73.7cm) without slip 48.5” x 30.5” (123.2 x 77.5cm)
£80-£120
306. 20th Century European School
A Gilt Composition Frame, rebate 42” x 32” (106.7 x 81.3cm)
£100-£200
A Pair of Maple Frames, with gilt slips, rebate 47.5” x 29” (120.7 x 73.7cm) (2)
£100-£200
304. 19th Century English School
A Gilt and Painted Composition Frame, with swept and pierced centres and corners, rebate 42” x 27” (106.7 x 68.6cm)
£80-£120
A Gilt Composition Frame, rebate 41” x 24” (104.2 x 61cm)
£200-£300
A Painted Composition Frame, with swept and pierced centres and corners, rebate 40” x 30” (101.6 x 76.2cm)
£50-£80
A Gilt Composition Frame, with swept corners, rebate 38.25” x 28.5”
(97.2 x 72.4cm)
£40-£60
307. 20th Century English School
308. 20th Century English School
309. 20th Century French School
310. 20th Century European School
311. 19th Century English School
A Gilt Composition Panelled Frame, rebate 37.75” x 26.25” (95.8 x 66.7cm)
£100-£200
312. 19th Century English School
A Watts Gilt Composition Frame, rebate 37.5” x 21.5” (95.3 x 54.6cm)
£100-£200
A Gilt and Painted Composition Frame, with Lely panels, rebate 37” x 23.75” (94 x 60.3cm)
313. 19th Century English School
£80-£120
314. 19th Century English School
A Gilt Composition Frame, rebate 36.5” x 29” (92.7 x 73.7cm) £80-£120
315. 19th Century English School
A Gilt Composition Frame, rebate 36.5” x 26.25” (92.7 x 66.7cm) £70-£100
316. 20th Century French School
A Louis Style Carved Giltwood Frame, with a fabric slip, rebate 36.5” x 26” (92.7 x 66cm), without slip, rebate 38.75” x 28.25” (98.4 x 71.8cm) £100-£200
A
£150-£250
£200-£300
317. 20th Century English School
A Gilt and Painted Composition Frame, rebate 36” x 30” (91.5 x 76.2cm)
£100-£200
318. 19th Century English School
Half Carlo Gilt and Painted Wooden Frame, rebate 36” x 28” (91.5 x 71.1cm)
319. 19th Century English School
A Gilt Composition Frame, rebate 36” x 28” (91.5 x 71.1cm)
A Painted Composition Frame, rebate 36” x 28” (91.5 x 71.1cm)
£80-£120
A Gilt Composition Frame, with a white slip, and inset glass, rebate
£30-£50
A Gilt and Painted Composition Frame, with a painted slip, rebate 34” x 25.25” (86.4 x 64.2cm)
£80-£120
A
£80-£120
320. 20th Century European School
321. 20th Century English School
36” x 22” (91.5 x 55.8cm)
322. 20th Century French School
323. 19th Century English School
Ribbed Composition Frame, rebate 34” x 22.75” (86.4 x 57.8cm)
A Louis Style Gilt Composition Frame, with swept centres and corners, rebate 33.5” x 29” (85.1 x 73.7cm)
£100-£200
£50-£80
A Louis Style Gilt and Painted Composition Frame, with swept centres and corners, rebate 31.5” x 21.25” (80 x 54cm)
£40-£60
324. 19th Century French School
325. 19th Century English School
A Partially Carved Giltwood Frame, rebate 32” x 27.75” (81.2 x 70.5cm)
£80-£120
326. 20th Century English School
A Gilt Composition Frame, rebate 31.75” x 25.25” (80.7 x 64.2cm)
327. 20th Century English School
328. Late 18th Century English School
A Silver and Painted Carved Wood Frame, with Lely panels, Oval, rebate 30” x 25” (76.2 x 63.5cm)
£400-£600
A
£200-£300
331. Early 19th Century English School
A
£150-£250
A
£50-£80
329. Early 19th Century English School
Gilt Composition Frame, rebate 30” x 25” (76.2 x 63.5cm)
330. Early 19th Century English School
Half Carlo Carved Giltwood Frame, rebate 30” x 25” (76.2 x 63.5cm)
Gilt Composition Frame, with swept centres and corners, rebate 30” x 25” (76.2 x 63.5cm)
A
A
£100-£150
A
£100-£200
332. 20th Century English School
Painted Composition Frame, rebate 30” x 25” (76.2 x 63.5cm)
£80-120
333. 20th Century English School
Gilt Composition Frame, with swept centres and corners, rebate 30” x 25” (76.2 x 63.5cm)
334. 20th Century Dutch School
A Wooden Frame, rebate 30” x 25” (76.2 x 63.5cm)
£40-£60
335. 20th-21st Century English School
Louis Style Gilt Composition Frame, with swept centres and corners and a white slip, rebate 30” x 24” (76.2 x 61cm)
£150-£200
337. 20th Century English School
A Painted Composition Frame, rebate 30” x 22” (76.2 x 55.8cm)
£80-£120
338. 19th Century English School
A Painted Composition Frame, rebate 30” x 20” (76.2 x 50.8cm)
£40-£60
336. 18th Century English School
A Gilt and Painted Carved Wood frame, rebate 30” x 22.25” (76.2 x 56.5cm)
A
(76.2
£30-£40
339. 20th-21st Century English School
Painted Composition Frame, with swept centres and corners, rebate 30” x 20”
x 50.8cm)
340. Early 19th Century English School
An Ornate Painted Carved Wood Frame, rebate 30” x 19.75”
(76.2 x 50.2cm)
£30-£40
341. 19th Century English School
A Ripple Gilt Composition Frame, rebate 30” x 17.5” (76.2 x 44.4cm)
£40-£60
343.
A Silver Composition Frame, rebate 29.25” x 28” (74.3 x 71.1cm)
£60-£80
344.
A
29.25” x 23.75” (74.3 x 60.3cm)
£100-£200
A Pair of Silver Composition Frames, rebate 29.75” x 22.5” (75.5 x 57.2cm) and another similar, rebate 29.25” x 22.75” (74.3 x 57.8cm) (3)
£100-£200
342. 20th Century English School
20th Century English School
Early 19th Century English School
Painted Carved Wood Frame, with swept and pierced centres and corners, rebate
345. 19th Century French School
A Gilt Composition Barbizon Frame, rebate 29” x 23.5” (73.7 x 59.7cm)
£100-£200
20th
A Louis Style Painted Composition Frame, rebate 28.75” x 21” (73 x 53.3cm)
£40-£60
347. 19th Century English School
A Gilt Composition Frame, with pierced centres and corners, rebate 28.5” x 24.5” (72.4 x 62.2cm)
£40-£60
346.
Century English School
348. 20th Century English School
A Painted Carved Wooden Frame, with swept and pierced centres and corners, rebate 28.5” x 24” (72.4 x 61cm)
£150-£250
A Painted Composition Frame, rebate 28.5” x 20.5” (72.4 x 52.1cm)
£60-£80
A Painted Composition Frame, with inset glass, rebate 28” x 19.5” (71.1 x 49.5cm)
£30-£50
349. 20th Century English School
350. 19th Century English School
351. 19th Century English School
A Maple Frame, with a silver slip, rebate 28” x 19.5” (71.1 x 49.5cm) together with two other maple frames of various sizes (3)
£60-£80
353. 20th Century English School
A Gilt Composition Frame with inset glass, rebate 27.5” x 26” (69.8 x 66cm)
£50-£80
355. 20th Century English School
A Painted Composition Frame, with swept and pierced entres and corners, rebate 26.75” x 26.75” (67.9 x 67.9cm)
£30-£40
352. 19th Century European School
A Black Composite Frame, with a gilt inner edge, rebate 27.75” x 21” (70.5 x 53.4cm)
£60-£80
354. 20th Century French School
A Painted Carved Wood Frame, rebate 27.25” x 20.5” (69.2 x 52.1cm)
£50-£80
356. Early 19th Century English School
A Gilt and Painted Hollow Composition Frame, rebate 26.75” x 18.5” (67.9 x 47cm)
£70-£100
357. 20th Century European School
A Silver Composition Frame, rebate 26.5” x 20.5” (67.3 x 52.1cm)
£50-£80
359. Early 19th Century English School
A Gilt Composition Hollow Frame, rebate 26.25” x 20.75” (66.7 x 52.7cm)
£60-£80
361. 20th Century European School
A Painted Composition Frame, rebate 26” x 19.75” (66 x 50.2cm)
£100-£150
358. Early 20th Century English School
A Gilt Composition Reverse Frame, rebate 26.5” x 16.5” (67.3 x 41.9cm)
£60-£80
360. Early 20th Century European School
A Gilt and Painted Composition Frame, with swept and pierced centres and corners, rebate 26” x 21.5” (66.1 x 54.6cm)
£50-£80
362. Early 20th Century English School
A Painted Composition Frame, rebate 26” x 19.5” (66.1 x 49.5cm)
£40-£60
363. 19th Century English School
A Gilt Composition Frame, with swept centres and corners, rebate 26” x 18” (66.1 x 45.7cm)
£40-£60
364. 20th Century European School
A Painted Composition Frame, rebate 25.5” x 21.5” (64.8 x 53.3cm)
£30-£40
365. 20th-21st Century English School
A Black and Gilt Painted Composition Frame, rebate 25.5” x 19.5” (64.8 x 49.5cm)
£150-£250
366. 20th Century English School
A Silver Composition Frame, with swept centres and corners and a white slip, rebate 25.5” x 19.5” (64.8 x 49.5cm)
£80-£120
368. 20th Century English School
A Gilt Composition Frame, rebate 25.25” x 18.5” (64.2 x 47cm)
£60-£80
370. 20th Century English School
A Painted Composition Frame, with swept and pierced centres and corners, rebate 24” x 20” (61 x 50.8cm)
£40-£60
367. 19th Century European School
A Painted Composition Frame, with swept corners, rebate 25.25” x 21” (64.2 x 53.3cm)
£40-£60
369. Early 20th Century English School
A Gilt Composition Frame, rebate 24.25” x 20” (61.6 x 50.8cm)
£80-£120
371. 20th Century European School
A Wooden Frame, rebate 24” x 20” (61 x 50.8cm)
£30-£40
372. Early 19th Century English School
A Painted Carved Wood Frame, rebate 24” x 18” (61 x 45.7cm)
£40-£60
373. 20th-21st Century English School
A Silver Composition Frame, rebate 24” x 18” (61 x 45.7cm) £80-£120
374. Early 20th Century English School
A Set of Four Darkwood Frames, with gilt slips, rebate 24” x 16” (61 x 40.6cm) (4) £200-£300
A Pair of Gilt Composition Frames, with swept and pierced centres and corners, rebate 24” x 14” (61 x 35.5cm) (2)
£50-£80
A Silver Composition Ripple Frame, rebate 23.75” x 20” (60.3 x 50.8cm)
£80-£120
A
(60.3 x 47.6cm)
£40-£60
A Silver Composition Hollow Frame, with a black painted slip, rebate 23.75” x 17” (60.3 x 43.2cm) without slip, rebate 24.75” x 18”
(62.9 x 45.7cm)
£60-£80
375. 19th Century English School
376. 19th Century English School
377. Early 19th Century English School
Darkwood Frame with a gilt slip, rebate 23.75” x 18.75”
378. 20th Century European School
A
£100-£200
379. 19th Century English School
Pair of Cushioned Maple Frames, with a gilt slip, rebate 23.5” x 17.5” (59.7 x 44.4cm) (2)
380. 19th Century English School
A Maple Frame, with a gilt slip, rebate 23.5” x 16.5” (59.7 x 41.9cm)
£50-£80
381. 20th Century English School
A Silver and Painted Composition Frame, rebate 23.5” x 16.25” (59.7 x 41.3cm)
£50-£80
382. 19th Century English School
A Maple Frame, with a gilt slip, rebate 23.25” x 19.25” (59.1 x 48.8cm)
£40-£60
383. 20th Century European School
A Wooden Frame, with a black slip, rebate 23” x 17.25” (58.4 x 43.8cm)
£30-£40
385. 19th Century English School
A Wooden Frame, rebate 22.75” x 20” (57.8 x 50.8cm)
£30-£50
387. 18th Century English School
A Darkwood Frame, with a gilt inner edge, rebate 22.75” x 17.5” (57.8 x 44.4cm)
£70-£100
384. 19th Century English School
A Gilt Composition Frame, rebate 23” x 16” (58.4 x 40.6cm)
£40-£60
386. 19th Century English School
An Inlaid Wooden Frame, rebate 22.75” x 18.25” (57.8 x 46.4cm)
£40-£60
388. 19th Century English School
A Painted Composition Frame, with swept corners, rebate 22.25” x 18.25” (56.5 x 46.4cm)
£40-£60
389. 20th Century Italian School
A Gilt and Painted Composition Frame, with a velvet slip, rebate 22.25” x 16.25” (56.5 x 41.2cm), without slip
23.5” x 19.5” (59.7 x 49.5cm)
£150-£250
390. 19th Century English School
A Metal Frame, with swept centres and corners, rebate 22” x 14.5” (55.8 x 36.8cm)
£100-£200
A Painted Composition Frame, rebate 22” x 13” (55.8 x 33cm)
£40-£60
A Gilt and Painted Composition Frame, with swept and pierced centres and corners, rebate 21.75” x 18.5” (55.3 x 47cm)
£100-£200
A Painted Carved Wood Frame, with a fabric slip, rebate 21.75” x 18.25” (55.2 x 46.3cm) without slip, rebate 23.75” x 19.75” (60.3 x 50.2cm)
£70-£100
A Painted Carved Wood Frame, rebate 21.75” x 18.25” (55.2 x 46.3cm)
£100-£200
391. 19th Century European School
392. 19th Century English School
393. 20th Century French School
394. 20th Century French School
395. 19th Century English School
A Gilt Composition Frame, rebate 21.75” x 16.75” (55.3 x 42.6cm)
£40-£60
396. Early 20th Century English School
A Painted Composition Frame, rebate 21.75” x 12.75” (55.3 x 32.4cm)
£40-£60
397. 20th Century European School
A Painted Composition Frame, rebate 21.25” x 17” (54 x 43.2cm)
£30-£40
398. 19th Century Dutch School
A Darkwood Frame, rebate 21” x 15.75” (53.3 x 40cm)
£150-£250
399. 20th Century English School
A Gilt Composition Frame, rebate 21” x 14” (53.3 x 35.5cm)
£40-£60
400. 19th Century English School
A Black Painted Frame, with gilt corner rosettes and a gilt inner edge, rebate 20.5” x 15.75” (52.1 x 40cm) £80-£120
401. 20th-21st Century European School
A Gilt Composition Frame, rebate 20” x 16” (50.8 x 40.6cm)
£40-£60
403. 19th Century English School
A Maple Frame, with a gilt slip, rebate 19.5” x 17” (49.5 x 43.2cm) and three other maple frames of various sizes (4)
£80-£120
405. 19th Century English School
A Gilt Composition Frame, rebate 19.5” x 15.25” (49.5 x 38.8cm)
£50-£80
402. 20th Century European School
A Gilt Composition and Painted Frame, rebate 19.75” x 16”
(50.2 x 40.6cm)
£40-£60
404. 20th Century English School
A Gilt Composition Frame, rebate 19.5” x 15.5” (49.5 x 39.4cm)
£30-£40
406. Early 19th Century English School
A Painted Carved Wood Frame, with swept and pierced centres and corners, rebate 19” x 13” (48.2 x 33cm)
£30-£40
407. Early 19th Century English School
A Carved Giltwood and Painted Frame, with swept and pierced corners, rebate 18.75” x 15” (47.6 x 38.1cm)
£150-£250
A Silver Composition Frame, rebate 18.5” x 16.75” (47 x 42.5cm)
£40-£60
A Gilt and Painted Composition Frame, with swept centres and corners, rebate 18.5” x 15.75” (47 x 40cm)
408. 20th Century English School
409. 20th Century English School
£40-£60
410. 19th Century English School
A Darkwood Frame, with a gilt slip, rebate 18.5” x 15.5” (47 x 39.3cm) and another similar rebate 17” x 12.5” (43.2 x 31.7cm) (2)
£50-£80
412. 19th Century English School
A Gilt Composition Frame, with swept corners, rebate 18.5” x 14” (47 x 35.5cm)
£40-£60
414. 20th Century European School
A Black Painted Frame, with a gilt inner edge, rebate 18.5” x 12.75” (47 x 32.4cm)
£60-£80
411. 20th Century European School
A Silver Composition Frame, rebate 18.5” x 15” (47 x 38.1cm)
£30-£40
413. 19th Century English School
A Maple Frame, with a gilt slip, rebate 18.5” x 13.5” (47 x 34.3cm) and three other frames of various sizes (4)
£60-£80
415. Early 20th Century English School
A Painted Composition Frame, rebate 18.5” x 11” (47 x 27.9cm)
£40-£60
416. Early 19th Century English School
An Oval Gilt Composition Frame, rebate 18.25” x 13.75” (46.3 x 34.9cm)
£50-£80
418. 20th Century English School
A Gilt Composition Frame, rebate 18” x 17” (45.7 x 43.2cm)
£40-£60
420. 19th Century English School
A Gilt Composition Frame with inset glass, rebate 18” x 14”
(45.7 x 35.5cm) together with a gilt slip 25” x 14”
(63.5 x 35.5cm) (2)
£30-£50
417. 20th Century European School
A Louis Style Gilt Composition Frame, with swept centres and corners, and a fabric slip, rebate 18.25” x 13.25” (46.3 x 33.7cm), without slip, rebate 20.25” x 15.25” (51.4 x 38.7cm)
£60-£80
419. 19th Century English School
A Gilt Composition Frame with inset glass, rebate 18” x 15” (45.7 x 38.1cm)
£30-£50
421. 20th Century English School
A Gilt Composition Frame, rebate 17.75” x 12.25”
(45.1 x 31.1cm)
£40-£60
422. 19th Century English School
A Gilt Composition Frame with inset glass, rebate 17.5” x 14” (44.4 x 35.5cm)
£50-£80
424. 20th Century English School
A Painted Frame, sight size 17.1” x 17” (43.4 x 43.2cm)
£50-£80
426. 20th Century European School
A Gilt Composition Frame, rebate 16.75” x 16” (42.5 x 40.6cm)
£40-£60
423. 19th century English School
A Gilt Composition Frame with inset glass, rebate 17.5” x 13.5” (44.4 x 34.3cm)
£40-£60
425. 19th Century English School
An Oval Gilt Composition Frame, rebate 17” x 13” (43.2 x 33cm)
£30-£50
427. Early 20th Century English School
A Gilt and Painted Composition Frame, with swept centres and corners, rebate 16” x 15” (40.6 x 38.1cm)
£40-£60
428. 20th Century English School
A Gilt Composition Frame, rebate 16” x 13.25” (40.6 x 33.7cm)
£80-£120
429. 20th Century French School
A Louis Style Gilt Composition Frame, with swept corners, rebate 16” x 13” (40.6 x 33cm)
£30-£50
430. 20th Century European School
A Black Painted Frame, with a gilt inner edge, rebate 16” x 12” (40.6 x 30.5cm)
£80-£120
431. 19th Century English School
A Maple Frame, with a gilt slip, rebate 15.5” x 13” (39.3 x 33cm)
£50-£80
A Seago Gilt Composition and Fabric Frame, rebate 15.25” x 11.75” (38.7 x 29.8cm)
£80-£120
A Pair of Wooden Frames, with gilt slips, rebate 15” x 11.25” (38.1 x 28.6cm) and two other similar frames of different sizes (4)
£80-£120
432. 20th Century English School
433. 19th Century English School
A Gilt Composition Frame, rebate 15” x 12.75” (38.1 x 32.4cm)
£40-£60
434. Early 19th Century English School
435. 18th Century English School
A Darkwood Frame, rebate 14.75” x 10” (37.5 x 25.4cm)
£50-£80
A Painted Carved Wood Frame, rebate 14.5” x 12.25” (36.8 x 31.1cm)
£40-£60
A
rebate
£200-£300
A
436. 19th Century English School
437. 19th Century English School
Gilt Composition Frame, rebate 14.5” x 12” (36.8 x 30.5cm)
£40-£60
438. 19th Century English School
Pair of Metal Frames, with swept corners,
14.5” x 10.75” (36.8 x 27.3cm) (2)
A Darkwood Frame, with a gilt inner edge, rebate 14.5” x 10.5” (36.8 x 26.7cm) and two other similar frames of various sizes (3)
£80-£120
439. Late 18th Century English School
440. 19th Century English School
A Gilt Composition Frame, rebate 14” x 10.75” (35.5 x 27.3cm)
£40-£60
441. 19th Century English School
A Gilt Composition Frame with inset glass, rebate 14” x 10” (35.5 x 25.4cm)
£30-£50
442. Late 18th Century English School
A Pair of Darkwood Frames, with gilt inner edges, rebate 13.75” x 11.75” (34.9 x 29.8cm) and another similar, rebate 15.75” x 11.75” (40 x 29.8cm) (3)
£100-£200
A Painted Composition Frame, rebate 13” x 9.5” (33 x 24.2cm)
£40-£60
443. 20th Century French School
444. 20th Century French School
A Painted Composition Frame, rebate 13” x 9.5” (33 x 24.2cm)
£50-£80
445. 19th Century English School
A Gilt Composition Frame, rebate 12.5” x 6” (31.7 x 15.2cm)
£40-£60
447. 20th Century French School
A Painted Composition Frame, rebate 12” x 9.5” (30.5 x 24.2cm)
£40-£60
449. 20th Century English School
A Gilt Composition Frame, with swept and pierced centres and corners, rebate 12” x 8.5” (30.5 x 21.6cm)
£30-£40
446. 19th Century French School
A Gilt Composition Frame, rebate 12.5” x 6” (31.7 x 15.2cm)
£40-£60
448. 20th Century English School
A Gilt Composition Frame, rebate 12” x 8.75” (30.5 x 22.2cm) and another frame 12” x 9” (30.5 x 22.8cm) (2)
£30-£50
450. 18th Century English School
A Darkwood Frame, with a carved giltwood inner edge, and inset mirror glass, rebate 11.5” x 8.5” (29.2 x 21.6cm)
£60-£80
451. 20th
A Wooden Frame, rebate 10.75” x 10.75” (27.3 x 27.3cm)
£30-£40
453. 19th Century English School
A Carved Giltwood Frame, rebate 10.75” x 8” (27.3 x 20.3cm)
£40-£60
455. 20th
A Painted Composition Frame, rebate 10.5” x 9” (26.7 x 22.8cm)
£30-£40
452. 20th
A Gilt Composition Frame, rebate 10.75” x 8.75” (27.3 x 22.2cm) and another painted composition frame, rebate 10” x 7.75” (25.4 x 19.7cm) (2)
£60-£80
454.
A Silver Composition Frame, rebate 10.5” x 10.5” (26.7 x 26.7cm)
£30-£40
456. 20th
A Painted Composition Frame, rebate 10.5” x 8.5” (26.7 x 21.6cm)
£40-£60
Century English School
Century French School
Century English School
20th Century English School
Century European School
A Gilt Composition Frame, rebate 10.5” x 6.25” (26.7 x 15.8cm)
£80-£120
A Carved Giltwood Frame, with swept corners, rebate 10.25” x 8” 26 x 20.3cm)
£80-£120
459.
A Wooden Frame, rebate 10” x 8” (25.4 x 20.3cm)
£40-£60
457. 19th Century French School
458. 19th Century European School
Early 19th Century English School
A Darkwood Frame, rebate 10” x 7.25” (25.4 x 18.4cm), and two other wooden frames of various sizes (3)
£50-£80
A Painted Composition Frame with swept corners, rebate 9.25” x 7” (23.4 x 17.8cm) and another frame, rebate 11.75” x 9.5” (29.8 x 24.2cm) (2)
£50-£80
A Simulated Pianted on glass Wooden Frame, rebate 9” x 7.5” (22.8 x 19cm)
£80-£120
A Pair of Gilt Composition Frames, with a painted inner edge, rebate 8.5” x 6.25” (21.6 x 15.9cm) (2)
£50-£80
460. 19th Century English School
461. 20th Century French School
462. Late 18th Century English School
463. Early 19th Century English School
A
£30-£40
A
£40-£60
A
464. 20th Century European School
Painted Composition Frame, rebate 8.5” x 5.5” (21.5 x 14cm)
465. 19th Century English School
Pair of Oval Gilt Composition Frames with inset print and glass, rebate 7.75” x 6.5” (19.7 x 16.5cm) (2)
466. Early 19th Century English School
Gilt Composition Frame with swept corners, rebate 6.5” x 5” (16.5 x 12.7cm)
£40-£60
467. 20th Century European School
A Carved Giltwood and Painted Frame, rebate 4.5” x 4.5” (11.4 x 11.4cm)
£30-£50
468. Early 19th Century English School
A Set of Three Darkwood Frames, with gilt inner and outer edging, rebate 4.5” x 3.75” (11.4 x 9.5cm) and another similar, rebate 3.75” x 2.75” (9.5 x 7cm) (4) £100-£200
A
470.
A
469. 19th Century English School
Collection of 11 Small Frames (11) £100-£200
19th Century English School
Collection of 17 Miniature Frames (17)
£100-£200
Explanation of Catalogue Terms
The forename(s) (or asterisks where not known) and surname of the artist indicates, in our opinion, an original work by the artist named. The initials of the forename(s) and the surname of the artist indicates in our opinion a work of the period of the artist which may be wholly or in part his/her work.
‘Attributed to…’
‘Studio of … ’
‘Circle of … ’
‘Style of ’
‘Follower of … ’
‘Manner of … ’
‘After ’
‘Signed, Dated & Inscribed’
‘Highlighted Signature’
‘Bears a Signature’
‘Oil Painting’
‘Mixed Media’
In our opinion probably a work by the artist, but with less certain ty as to authorship in whole or part
In our opinion a work by an unknown artist in the studio of the artist, possibly under the artist’s direction.
In our opinion a work of the period, by an unknown artist with the artist’s influence
In our opinion a work at a later date, by an unknown artist following the artist’s style
In our opinion a work at a much later date, by an unknown artist following the artist’s style.
In our opinion a work at an unknown date, by an unknown artist following the artist’s style.
In our opinion a work at a later date, by an unknown artist copying a work of the artist
In our opinion the signature, date and inscription are from the hand of the artist.
In our opinion the signature is/are from the hand of the artist, in whole or part, that may have been restored.
In our opinion the signature is not by the artist and has been added by another hand/hands at a later date.
In our opinion is painted in oils or acrylic
In our opinion a mixture or combination of part, some or all of the following - Oil, Watercolour, Gouache, Pencil, Ink or Print.
BUYER’S FEES - All purchases are subject to a buyer’s premium, which is charged per lot at 25% of the hammer price plus VAT at the current rate of 20% will be added to the buyer’s premium of all lots.
CONDITION REPORTS - Condition repor ts can be requested by contacting us at info@parkerfineartauctions.com or calling us on 01252 20 30 20. Bidders must satisfy themselves as to the condition of each lot. A Condition Report is an honest expression of our opinion and not a statement of fact and is provided as a service to the Seller Requests for condition reports must be submitted 24 hours before the start of the sale. The absence of a condition report in this catalogue does not imply there are no imperfections in the works.
REQUEST FOR IMAGES - More images can be found in the online catalogue. Requests for additional images of items in the sale can be made up to 24 hours before the start of the sale.
Please note the colours portrayed in the catalogue, and in additional images, are the best attempt at a likeness but cannot be confirmed as identical to the true colours.
Please note that, owning to the recent introduction of money laundering regulations clients wishing to bid in this auction will be asked to provide two forms of identification. This applies to new and existing clients.
ATTENDING THE AUCTION - If intending to buy you are required to register your name and details at our reception desk on the day of the auction. You will then be allocated a bidding number, which you use when bidding for an item.
ABSENTEE BIDS - You can place an absentee bid, and the auctioneer will bid on your behalf to obtain the lot as cheaply as possible as allowed by other bids and reserves. To make an absentee bid you can complete a bidding form at reception, telephone us, or send us your bid by email. You should give us the maximum hammer price you are prepared to pay, remembering to take into account the buyer’s premium and any taxes and charges payable on top of the hammer price.
Absentee bids must be submitted by close of business on the day before the sale If identical bids are submitted, the person who bid first will take precedence.
TELEPHONE BIDDING - You can take part in the sale by bidding over the telephone. Telephone lines must be booked by close of business on the day before the sale and are allocated on a first-come-first-ser ved basis.
ONLINE BIDDING - Bidding can be done through Easylive Auctions or the-saleroom.com. Bidding on these sites is directly through the relevant platforms and will incur extra commission charges. Please refer to the individual bidding websites for their individual terms and conditions.
PAYMENT - Payment will be accepted, if you are a successful bidder, by bank transfer direct into our bank account, by debit card issued in the name of the Buyer by a UK bank and registered to a UK billing address, by all major UK issued credit cards issued in the name of the Buyer and registered to a UK billing address (up to £1000), or in cash up to £8,000 (subject to relevant money laundering regulations). The name of the bank account holder should match the name of the buyer. Payment may also be made by sterling personal cheques drawn on a UK bank account and made payable to ‘Parker Fine Art Auctions Ltd’, however Lots paid for by this method cannot be collected until your cheque has cleared. Payment can be made and purchases collected during the auction. All accounts must be settled within 14 days of the sale. Accounts not paid within 14 days will automatically be subject to an interest charge (not exceeding 1.5% per month on the total amount due). Monies from wire transfers and cheques must be cleared into our account for 24 hours before items may be collected
If the buyer has failed to collect within a period of two months (from sale date), Parker Fine Art Auctions reser ve the right to re-enter the uncollected items through auction, to recover the cost of storage and associated costs. At this time the buyer relinquishes all claims to ownership and any right to financial compensation
CO L LECTIO N - Be fo re b ei n g a b l e t o col l ec t yo ur pu rc has es yo u a re required to pay the hammer price, plus the applicable charges, and obtain a receipt acknowledging payment.
Once payment for lots has been received collection or transpor tation of purchased lots must be made within 14 days of the sale to avoid storage charges
We are open for collections Monday – Friday between 9am and 5pm, or by arrangement
STORAGE - Storage charges will be levied on all lots not collected within 14 days of the sale of £5 plus VAT per lot per day.
DELIVERY - If you are arranging your own professional collection and deliver y, please ensure the lot has been paid for and the transport company h as f u l l d e tai l s o f the item s
authorisation note
In some circumstances some ver y small items may be posted for a fee, but this will be at the Auctioneer’s discretion and will be subject to your own Insurance and Liability Please contact us if you would like details of local shipping companies.
For Full terms and conditions please go to our website www.parker finear tauctions.com
IMPORTANT NOTICES FOR JEWELLERY BUYERS
DAMAGE, RESTORATION, ALTERATION
Although every effort is made to note any damage, restoration or alterations, the absence of any such information in catalogue descriptions does not imply the lot is in perfect condition and free for any such defects. Potential Bidders should satisfy themselves as to the condition of any lot prior to bidding.
ENHANCEMENT
Potential bidders should be aware that many coloured gems have been historically treated by a variety of methods to improve their appearance, both in terms of colour and transparency. Rubies and sapphires are routinely heat treated, emeralds are enhanced through the use of coloured and transparent oils and resins, and jadeite is routinely stained. These treatments, and others including irradiation and coating, are generally accepted by the jewellery trade as standard practice. Although most treatments are considered to be permanent, those gemstones which have been oiled may need to be re-treated to maintain their appearance. Any such treatments affect the market value of coloured gemstones, and Parker Fine Art Auctions pre-sale estimates published in the catalogue assume that all gemstones, unless otherwise stated in the catalogue, may have been enhanced. Parker Fine Art Auctions may obtain Gemmological Reports from a recognised laboratory where appropriate detailing any enhancements, or lack of, for certain gemstones, and such reports may be obtained for Potential Bidders prior to the sale, provided such requests are made at least three weeks before the sale, and that the requesting party has prepaid for such a report. However it is not possible for Parker Fine Art Auctions to obtain reports for every stone offered in the sale.
In the absence of a gemmological laboratory report, it is not possible for Parker Fine Art Auctions to make any comment on the possibility that any gemstone in any lot may have been subject to enhancement.
WEIGHTS
All gram weights have been obtained using an electronic balance, but weights stated in the catalogue are approximate and for guidance only, and potential bidders should satisfy themselves as to their accuracy.
‘…approximately 1.20 carats total,…’ all such stone weights are estimated using standard equipment and formulae, and are subject to the limitations imposed by the mount.
‘…weighing 1.20 carats,…’ where the description reads as such, the stones in question have been removed from the mount and weighted using an electronic balance.
IMPORTANT NOTICES FOR WATCH BUYERS
All Lots are sold as seen, and the absence of any reference to the condition of a watch does not imply the lot is in good condition and without defects, repairs or restorations. Most watches have been repaired in the course of their normal lifetime and may now incorporate parts not original to them. We do not undertake any inspection of any watches prior to any Sale. We make no representation or warranty that any watch is in working order. As watches often contain fine and complex mechanisms, Potential Bidders should be aware that a general service, change of battery or further repair work, for which they are solely responsible, may be necessary.
DAMAGE, RESTORATION, ALTERATION
Although every effort is made to note any damage, restoration or alterations, the absence of any such information in catalogue descriptions does not imply the lot is in perfect condition and free from any such defects. Potential Bidders should satisfy themselves as to the condition of any lot prior to bidding. All watches are serviced from time to time, and Parker Fine Art Auctions are unable to guarantee that the working parts of any watch movement, glass or crystal, winding crowns, watch bracelet, strap or buckle are the manufacturers’ original parts, unless otherwise stated in the catalogue description. We are unable to make any representation in our catalogue descriptions or condition reports as to the authenticity of such parts. Parker Fine Art Auctions are unable to make any representation, nor make any comment on, the authenticity of diamonds, or other gemstones, set into watch dials, bezels, cases and bracelets.
AUTHENTICATION
All watch movements have been inspected by Parker Fine Art Auctions’ specialists, and we have verified all inventory and movement numbers. For the information of Potential Bidders, all inventory and movement numbers are listed in the catalogue description for the relevant lot.
IMPORT/EXPORT RESTRICTIONS
There may be Import Restrictions into some territories outside the United Kingdom placed on certain watch brands, or on the importation of watches with straps composed of animal skins which may fall under CITES Regulations. It is the sole responsibility of the buyer to comply with all Export/Import regulations and potential bidders are strongly recommended to check with their shipping agent as to any such regulations that may apply to any lot. Parker Fine Art Auctions are not shippers and are unable to offer any advice regarding such regulations.
CONDITION REPORTS
Parker Fine Art Auctions condition reports will identify whether a watch functions at the time of cataloguing, and suggest possible, but not comprehensive, restoration work that may need to be carried out for the watch to function properly. Parker Fine Art Auctions are unable to test watches for accuracy or running to time, and we cannot guarantee that any watch will function when purchased from us.
As we have examined all watch movements by removing the case backs, we cannot guarantee that water resistant watches will remain water resistant following purchase from us. Parker Fine Art Auctions recommend that any watch purchased from us is subsequently overhauled by a competent watchmaker to ensure proper functioning.
Conditions of Sale for Public Auctions
`Parker Fine Art Auctions Ltd carries out business with Bidders, Buyers and Sellers on the following conditions and on such terms, conditions and notices as may be referred to herein. All Bidders, Buyers and others participating in a public auction accept that these terms apply to the exclusion of any terms and conditions contained in any of those person ’ s own documents even if the same purport to provide that they or some other terms prevail. Any particular public auction and/or any particular lot in an auction may be subject to different or additional terms which will be published in our auction catalogue online
The Buyer’s attention is particularly drawn to clause 24 (consumers) and clause 23 (non-consumers), which set out the extent of the Auctioneer’s and the Seller’s liability to the Buyer
Please read these Conditions together with our “Information for Buyers” document, which provides additional information and terms applicable to our auctions.
DEFINITIONS 1
In these Conditions:
“Auction Terms and Conditions” means these Conditions, the Terms (a) of Consignment and any other terms applicable to auctions conducted by the Auctioneer and notified to Buyers, Bidders and/or Sellers (as applicable);
“Auctioneer”, “ we”, “ us ” or “ our ” etc means the firm of Parker Fine (b) Art Auctions Ltd or its authorised auctioneer, as appropriate;
“Conditions” means these Conditions of Sale for Public Auctions (which (c) include the terms set out in “Information for Buyers”);
“deliberate forger y ” means an imitation made with the intention of (d) deceiving as to authorship, origin, date, age, period, culture or source but which is unequivocally described in the catalogue as being the work of a particular creator and which at the date of the sale had a value materially less than it would have had if it had been in accordance with the description;
“hammer price” means the level of bidding reached (at or above any (e) reserve) when the auctioneer brings down the hammer;
“Information for Buyers” means the document named Information for (f) Buyers at Public Auction containing additional terms and information for Buyers available on our website at www parkerfineartauctions.com;
“Lots” any items or group of items offered for sale by us as agents for (g) the Seller;
“Seller” means any person that appoints us as their agent to sell Lots on (h) their behalf;
“Terms of Consignment” means the stipulated terms and rates of (i) commission on which we accept instructions from Sellers or their agents including those terms set out in the document named “ Terms of Consignment for Public Auctions” which can be found on our website or are available upon request;
“Total Amount Due” means the hammer price in respect of the Lot sold (j) together with any premium, Value Added Tax chargeable and any additional charges payable by a defaulting buyer under these Conditions;
“Sale Proceeds” means the net amount due to the Seller, being the (k) hammer price of the lot sold less commission at the stated rate, Value Added Tax chargeable and any other amounts due to us by the seller in whatever capacity and however arising; “ you”, “ your”, etc. refer to the buyer as identified in Clause 3.4; The singular includes the plural and vice versa as appropriate; and (l) A person includes a natural person, corporate or unincorporated body (m) (whether or not having separate legal personality)
2. FORMATION OF CONTRACT
A contract for the sale and purchase of a Lot shall come into existence between the Seller and the Buyer on these Conditions upon acceptance by the Auctioneer of a bid by the Buyer
3. BIDDING PROCEDURES AND THE BUYER
3 1 Bidders are required to register their particulars before bidding by completing a sale registration form and to satisfy any security arrangements before entering the auction room to view or bid
3.2 Under the money laundering regulations in force we are required to verify the identity of all customers we transact with as well as any beneficiaries on behalf of whom they may transact Customers who are unable to or refuse to supply required identification documents and proof of address may not be able to bid at our auctions. Copies of
3.3
customer due diligence checks will be stored for as long as it is necessary to satisfy legal requirements in an appropriate storage facility which for the avoidance of doubt may include storage solely in electronic form
The maker of the highest bid accepted by the auctioneer conducting the sale shall be the buyer at the hammer price and any dispute about a bid shall be settled at the Auctioneer’s absolute discretion by reoffering the Lot during the course of the auction or otherwise The auctioneer shall act reasonably in exercising this discretion. The Auctioneer shall rule the bidding and no bid may be retracted
3.4
3 5
3 6
The Buyer is the person who is successful in purchasing a Lot or Lots in accordance with these Conditions. Purchases made on behalf of a third party are the responsibility of the Buyer in the room. The Auctioneer reser ves the right to bid on behalf of the Seller for any Lot and to withdraw, consolidate or divide any Lot or Lots
Bidders shall be deemed to act as principals (i.e not on behalf of or as the agent of any other person).
Our right to bid on behalf of the Seller is expressly reserved up to the amount of any reserve below the bottom estimate and the right to refuse any bid is also reserved 4. INCREMENTS
5
6
Bidding increments shall be at the Auctioneer’s sole discretion
THE PURCHASE PRICE
The purchase price payable for a Lot is the hammer price plus a buyer’s premium thereon of 25% plus VAT on the premium at the rate imposed by law and is payable in accordance with clause 7.
VALUE ADDED TAX.
Value Added Tax on the hammer price is imposed by law on all items affixed with a dagger or double dagger symbol. Value Added Tax is charged at the appropriate rate prevailing by law at the date of sale and is payable by buyers of relevant Lots (Please refer to “Information for Buyers” for a brief explanation of the VAT position) 7
PAYMENT
7 1 Immediately a Lot is sold you will:
(a) give to us, if requested, proof of identity, and (b) pay to us the total amount due in pounds sterling
7 2 Any payments by you to us may be applied by us towards any sums owing from you to us on any account whatever without regard to any directions of you or your agent, whether expressed or implied.
7 3 In order to comply with money laundering regulations we reserve the right to require proof of source of funds and/or confirmation of the nature and source of wealth for all receipts of monies from clients directly or from third parties for payments on behalf of clients. The completion of the sale of a Lot will be postponed or cancelled at our discretion if further time is needed for investigation, or if you are in breach of your warranties as a buyer, or if we consider the sale to be unlawful or in any way cause liabilities or be detrimental to either us or the Seller
8
TITLE AND COLLECTION OF PURCHASES
8.1 The ownership of any Lots purchased shall not pass to you until you have made payment in full in cleared funds to us of the total amount due.
8 2 You shall at your own risk and expense take away any lots that you have purchased and paid for no later than 14 working days following the day of the auction or upon the clearance of any cheque used for payment after which you shall be responsible for any removal, storage and insurance charges.
8 3 No purchase can be claimed or removed until it has been paid for
9
REMEDIES FOR NON-PAYMENT OR FAILURE TO COLLECT PURCHASES
9.1 If any Lot is not paid for in full and taken away in accordance with these Conditions, or if there is any other breach of these Conditions, we, as agent for the Seller and on our own behalf, shall at our absolute discretion and without prejudice to any other rights we may have, be entitled to exercise one or more of the following rights and remedies: to proceed against you for damages for breach of contract; (a) to rescind the sale of that Lot and/or any other Lots sold by us to you; (b) to resell the Lot (by auction or private treaty) in which case you shall be (c) responsible for any resulting deficiency in the total amount due (after
crediting any part payment and adding any resale costs) Any surplus so arising shall belong to the Seller;
to remove, store and insure the Lot at your expense and, in the case of (d) storage, either at our premises or elsewhere;
to charge interest at a rate not exceeding 1.5% per month on the total (e) amount due to the extent it remains unpaid for more than fourteen working days after the sale;
to retain that or any other Lot sold to you until you pay the total amount (f) due;
to reject or ignore bids from you or your agent at future auctions or to (g) impose conditions before any such bids shall be accepted; or
to apply any proceeds of sale of other Lots due or in future becoming (h) due to you towards the settlement of the total amount due and to exercise a lien (that is a right to retain possession of ) over any of your property in our possession for any purpose until the debt due is satisfied.
9.2 We shall, as agent for the Seller and on our own behalf pursue these rights and remedies only so far as is reasonable to make appropriate recovery in respect of breach of these Conditions
10. THIRD PARTY LIABILITY
10.1 All bidders, buyers and other members of the public on our premises are there at their own risk and must note the lay-out of the accommodation and security arrangements. Accordingly neither the auctioneer nor our employees or agents shall incur liability for death or personal injury or for the safety of the property of persons visiting prior to or at a sale (except in each case as may be required by law by reason of our negligence)
11 COMMISSION BIDS
11.1 Whilst prospective buyers are strongly advised to attend the auction and are always responsible for any decision to bid for a particular Lot and shall be assumed to have carefully inspected and satisfied themselves as to its condition and authenticity, we will if so instructed clearly and in writing execute bids on their behalf Neither the auctioneer nor our employees or agents shall be responsible for any failure to do so
11 2 Where two or more commission bids at the same level are recorded we reserve the right in our absolute discretion to prefer the first bid so made
12 WARRANTY OF TITLE AND AVAILABILITY
12 1 The Seller warrants to the auctioneer and you that the Seller is the true owner of the property consigned or is properly authorised by the true owner to consign for sale and is able to transfer good and marketable title to the property free from any third party claims.
12.2 We are acting as the agent of the Seller only and give no warranty as to the Seller’s title to the Lot.
12.3 Save as expressly set out above, all other warranties, conditions or other terms which might have effect between the Seller and you, or us and you, or be implied or incorporated by statute, common law or otherwise are excluded to the fullest extent permitted by law
13. TERMS OF SALE
The Seller and the Buyer acknowledge that Lots are sold subject to the stipulations of these Conditions (including the Information For Buyers) in their entirety and on the Terms of Consignment as notified to the Seller at the time of the entry of the Lot
14. DESCRIPTIONS AND CONDITION
14 1 Whilst we seek to describe Lots accurately, it may be impractical for us to carr y out exhaustive due diligence on each Lot. Bidders are given ample opportunities to view and inspect before any sale and they (and any independent experts on their behalf ) must satisfy themselves as to the accuracy of any description applied to a Lot Bidders also bid on the understanding that, inevitably, representations or statements by us as to authorship, genuineness, origin, date, age, provenance, condition or estimated selling price involve matters of opinion. We undertake that any such opinion shall be honestly and reasonably held and accept liability for opinions given negligently or fraudulently.
14.2 Subject to the foregoing neither we the auctioneer nor our employees or agents nor the Seller accept liability for the correctness of such opinions and all conditions, attributions and warranties, whether relating to description, condition or quality of lots, express, implied or statutory, are hereby excluded
14.3
14 4
14 5
We are not liable for damage to gilded picture frames, plaster picture frames or picture frame glass. If the Lot is, or becomes dangerous, we may dispose of it without notice to you in advance in any manner we see fit and will be under no liability for doing so We shall not be liable for any damage to any Lot arising during the viewing, during the sale, or after the sale
We act as agents only Each Prospective Buyer by making a bid for a Lot acknowledges that they have satisfied themselves fully as to the attribution and condition of the Lot Pictures have not been removed from their frames unless specifically mentioned in the Condition Report (as in the event the item is unsold it must be returned to the Seller in the condition it was received by us). This Condition is subject to deliberate forgeries (clause 17).
Private treaty sales made under these Conditions are deemed to be sales by auction for purposes of consumer legislation
15. TRANSFER OF RISK.
15 1 The risk in the Lot shall pass to the Buyer upon completion of the Sale by the Auctioneer
15.2
We are not responsible for the correct description, genuineness or authenticity of any Lot as per these Conditions. The Buyer is deemed to have inspected each Lot and satisfied himself/herself to the condition.
16. OWNERSHIP OF THE LOT
Title to the Lot purchased will not pass to the Buyer until the Buyer has paid us in full and cleared funds the total amount due pursuant to these Conditions and we have applied such payment to the Lot
17 FORGERIES
17 1 Notwithstanding the preceding Condition, any Lot which proves to be a deliberate forgery (as defined) may be returned to us by you within 21 days of the auction provided it is in the same condition as when bought, and is accompanied by particulars identifying it from the relevant catalogue description and a written statement of defects. If we are satisfied from the evidence presented that the Lot is a deliberate forgery we shall refund the money paid by you for the Lot including any buyer’s premium unless:
(a) the catalogue description reflected the accepted view of scholars and experts as at the date of sale; or
(b) you personally are not able to transfer a good and marketable title to us,
and in the event of clause 17.1 (a) or 17.1 (b) applying you shall have no rights under this condition.
17 2 The right of return provided by this clause 17 is additional to any right or remedy provided by law or by these Conditions
18. PRIVACY NOTICE.
We will hold and process any personal data in relation to you in accordance with our current privacy policy, a copy of which is available on our website parkerfineartauctions.com
19. GENERAL
19.1 We shall have the right, at our discretion, to refuse admission to our premises or attendance at our auctions by any person.
19 2 Any right to compensation for losses liabilities and expenses incurred in respect of and as a result of any breach of these Conditions and any exclusions provided by them shall be available to the Seller and/or the Auctioneer as appropriate.
19 3
19 4
Such rights and exclusions shall extend to and be deemed to be for the benefit of employees and agents of the Seller and/or the auctioneer who may themselves enforce them
Special terms may be used in catalogue descriptions of particular classes of items in which case the descriptions must be interpreted in accordance with any glossary appearing in the catalogue.
20. NOTICES
Any notice to any buyer, seller, bidder or viewer may be given by first class mail or email in which case it shall be deemed to have been received by the addressee 48 hours after posting or in the event of email upon actual receipt of such email
21 NO WAIVER
Any indulgence extended to bidders, buyers or sellers by us notwithstanding the strict terms of these Conditions or of the Terms of Consignment shall affect the position at the relevant time only and in respect of that particular concession only; in all other respects these Conditions shall be construed as having full force and effect
22 LIABILITY
Nothing in these Conditions shall limit any liability which cannot legally be limited, including liability for:
(a) death or personal injury caused by negligence;
(b) fraud or fraudulent misrepresentation;
(c) breach of the terms implied by section 12 of the Supply of Goods Act 1979 (title and quiet possession) however attention is drawn to clause 12.2
23 LIMITATION OF LIABILITY TO NON-CONSUMERS
(This clause 23 applies only to non-Consumers)
23 1 Subject to clause 22, and unless you are an individual purchasing or selling the Lot for purposes which are wholly or mainly outside your trade, business, craft or profession (Consumer), our total liability to either the Buyer of the Seller (as appropriate) shall not exceed the value of the Lot sold by the Seller to the Buyer The following types of loss are wholly excluded by us:
(a) loss of profits;
(b) loss of sales or business;
(c) loss of agreements or contracts;
(d) loss of anticipated savings;
(e) loss of or damage to goodwill, and
(f ) indirect or consequential loss
23 2 Subject to clause 22, all conditions, warranties and other terms which might otherwise be implied by statute, common law or the law of equity, including without limitation the terms implied by sections 13 to 15 of the Sale of Goods Act 1979, are, to the fullest extent permitted by law, expressly excluded
24.1 LIMITATION OF LIABILITY TO CONSUMERS
(This clause 24 applies only to Consumers)
24 1 Consumers are reminded that we act only as an agent of the Seller and are not the supplier of the Lots
24 2 If the Auctioneer or the Seller fails to comply with these Conditions, it or they shall be responsible for loss or damage you suffer that is a foreseeable result of its or their breach of these Conditions or its or their negligence, but neither the Auctioneer nor the Seller shall be responsible for any loss or damage that is not foreseeable. Loss or damage is foreseeable if they were an obvious consequence of the breach or if they were contemplated by the Agent and/or the Seller and the Buyer at the time this contract was entered into.
25. RIGHT TO CANCEL
25 1 If you purchase a Lot at a virtual auction (an auction which is held online only so that there is no possibility for you to attend the auction in person) and you are contracting as a Consumer and the Seller of a Lot is a trader, you will have a statutory right to cancel your purchase of that Lot if you change your mind for any reason The provisions below set out your legal right to cancel in those circumstances
25 2 You may cancel your purchase at any time from the date of our order confirmation up to the end of the fourteenth day after the day of collection of the lot by you or the person specified by you for collection
25.3 To cancel your purchase, you must inform us of your intention to cancel it. You can do this by completing the model cancellation form which can be found on our website. If you use this method we will email you to confirm that we have received your cancellation. Alternatively, you send us your cancellation notice by any other method and then your cancellation is effective from the date you send us the email or post the letter to us.
25.4 If you exercise your right to cancel your purchase, you will receive a refund of the total amount due paid for the Lot in accordance with clause 7. When exercising the cancellation right, you must return the lots to us immediately at your own cost (as set out below)
25 5 You are entitled to a reasonable opportunity to inspect the Lots (which will include removing them from their packaging and inspecting them). At all times, you must take reasonable care of the Lots and must not let them out of your possession. They must remain in original, untouched condition. If you are in breach of your obligations to take reasonable care of the Lots in this clause 25 4, we will have a claim against you and may deduct from the refund costs incurred by us as a result of the breach.
25 6
25 7
26
This provision does not affect your statutory rights
The cancellation right described in this clause 25 is in addition to any other right that you might have to reject a Lot, for instance because it is a deliberate forgery as set out in clause 17 above
EXERCISING THE RIGHT TO CANCEL
26 1 Where you have validly returned a Lot to us under your right of cancellation described in clause 25, we will refund the full amount paid by you for the Lot
26.2
26 3
26 4
Please note that we are permitted by law to reduce your refund to reflect any reduction in the value of the Lot, if this has been caused by your handling of the Lot in a way contrary to the conditions specified in these terms or which would not be permitted during a pre-sale exhibition held prior to an auction. If we refund you the price paid before we are able to inspect the Lot and later discover you have handled the Lot in an unacceptable way, you must pay us an appropriate amount
You will be responsible for returning the Lot to us at your own cost
We will process any refund due to you within the deadlines below:
(a) if you have collected the Lot but have not returned it to us: fourteen days after the day on which we receive the Lot back from you or, if earlier, the day on which you provide us with evidence that you have sent the Lot back to us; or
(a) if you have not collected the Lot or you have already returned the Lot to us: 14 days after you inform us of your decision to cancel your contract
26 5 We will refund you using the same means of payment that you used for the transaction.
26 6
Legal ownership of a Lot will immediately revert to the Seller if we refund any such payment to you
27.1 DISPUTES
Any dispute not herein provided for shall be settled at the sole discretion of the Auctioneer 28
FORCE MAJEURE
We shall not be in breach of these Conditions nor liable for the delay in performing, or failure to perform, our obligations under these Conditions (or otherwise) if such a delay or failure results from events, circumstances or causes beyond our reasonable control. 29
ENTIRE AGREEMENT
These Conditions constitute the entire agreement between the parties and supersede and extinguish all previous agreements, promises, assurances warranties representations and understandings between them, whether written or oral, relating to its subject matter. Except as set out in these Conditions, no variation of these Conditions shall be effective unless it is in writing and signed by the parties (or their authorised representative)
30 IMAGES
Prior written consent must be sought by the buyer or any other party for the use of any images, illustrations and written materials produced by or for Parker Fine Art Auctions Ltd relating to a lot or sale, including the contents of a catalogue. Copyright for any of the aforementioned will remain the property of Parker Fine Art Auctions Ltd, subject to the provisions of the Copyright, Design and Patents Act 1988 Parker Fine Art Auctions Ltd and the seller make no representations or warranties that the buyer of a lot will acquire any copyright to other reproduction rights to it.
31. GOVERNING LAW AND JURSIDICTION
These Conditions shall be governed by and construed in accordance with English law and the parties irrevocably submit to the exclusive jurisdiction of the English courts
