2025-2026 SEASON
Our 2025-2026 Season Ticketing Options!
Onsite full evening tickets start at a standard price of $30. Live Arts is proud to continue our community ticket pricing, allowing the public to choose a price that fits any budget. Limited “Pay-What-You-Wish” tickets are available for all onsite events. To support this, Live Arts offers a “What-It-Really-Costs” ticket at $250, reflecting the true cost of a performance in NYC. Live Core Artist Members, Students and Seniors receive 20% off standard prices and $10 Student Rush tickets are available for any onsite show that is not sold-out.
Tickets can be purchased at newyorklivearts.org or by calling the box office at 212.924.0077
FALL 2025 CALENDAR
SEPT 25
530PM
OCT 2-4
730PM
OCT 15-17
730PM
OCT 22-25, 29 & 30, NOV 1
7PM
DEC 3-6, 10-13
730PM
Bjorn Amelan: Recent Works Opening Reception Ford Foundation Live Gallery
Kimberly Bartosik: bLUr
Co-Presented with L’Alliance New York’s Crossing The Line Festival
Wanjiru Kamuyu: Fragmented Shadows
Co-Presented with L’Alliance New York’s Crossing The Line Festival
Wally Cardona & Molly Lieber: TIMES FOUR / David Gordon: 1975/2025
Co-Presented offsite at Pick Up Performance Co. Studio, 541 Broadway
Tere O’Connor: Construct-A-Guy (1984, 2025) and The Lace (2025)
VIEW SEASON ONLINE:
Cover: Leïla Ka: Maldonne, photo by Duy Laurent Tran
WINTER/SPRING 2026
JAN 7-17
JAN 7-10
see pg. 18 for times
JAN 24 & 25
see pg. 21 for times
FEB 12-14
730PM
FEB 27 & 28
730PM
MAR 6 & 7
730PM
MAR 11 & 12
730PM
APR 14
530PM
MAY 15 & 16
730PM
MAY 18
JUN 11-13
730PM
Live Artery Festival
Ogemdi Ude: MAJOR
Ellen Robbins: Dances by Very Young Choreographers
kNoname Artist | Roderick George: The Grave’s Tears
Leïla Ka: Maldonne
Co-Presented with Dance Reflections by Van Cleef & Arpels
Nacera Belaza: La Nuée
Co-Presented with Dance Reflections by Van Cleef & Arpels
Soa Ratsifandrihana: g r oo v e
Co-Presented with Dance Reflections by Van Cleef & Arpels
In/Between: NYFA Immigrant Artist Exhibition
Opening Reception - Ford Foundation Live Gallery
New York Live Arts Gala Fresh Tracks New Works
Jasmine Hearn: Memory Fleet: Beloved, Let’s Cross
Co-Presented with Chocolate Factory Theater
We acknowledge and pay respect to Lenape people past, present, and coming in the future. We acknowledge and offer deep gratitude to Lenapehoking where our theater sits - the land, the waters of the Lenape homeland.
WELCOME
We invite you to join us in the 2025-26 Season for performances by an exciting roster of artists that include Ogemdi Ude, Roderick George, Tere O’Connor, Kimberly Bartosik, and other US and international artists. The Live Artery Festival and Dance Reflections by Van Cleef and Arpels return in the Spring. And you can catch the Bill T. Jones/Arnie Zane Company during its Still/Here tour or the remount of Curriculum III: People, Places and Things in our theater.
But, how does one respond to this moment of extreme cruelty, regression, and rapid descent into authoritarianism? Art making seems so futile right now. But art making IS defiance. There is a reason why art and culture are under attack when it is such a minuscule part of the federal budget. Art and culture have the ability to affect profound change—through hearts and minds, not policies or executive orders.
So, make art we must. We proudly champion and hold space for ideas and values that articulate the plurality of the world we want to live in, with radical empathy, kindness, courage, respect, and always in community. The personal is political.
New York Live Arts extends our appreciation to my longtime colleague Janet Wong for her co-curation of this season, decades of partnership, and dedicated service to our field.
See you in the theater!
- Bill T. Jones Artistic Director
Bill T. Jones by Stephanie Crousillat
FORD FOUNDATION LIVE GALLERY
Bjorn Amelan: Recent Works
OPENING RECEPTION: SEPT 25, 5:30-7PM ON VIEW: SEPT 25 - MAR 29, 2026
Ford Foundation Live Gallery in the Live Arts lobby presents Live Arts Creative Director Bjorn Amelan’s newest intricately mysterious vibrational sumi ink paintings.
Detail of 75½” x 47¼” painting Sumi ink & acrylic
Bill T. Jones/Arnie Zane Company: Still/Here (2024), Photo by Maria Baranova
BILL T. JONES/ARNIE ZANE COMPANY
National Tour
JULY 2025 - MAY 2026
The historic Bill T. Jones/Arnie Zane Company kicked off the 2025-2026 season with a national tour featuring various programs of new work creation, seminal repertoire, and the restaging of our historic work Still/Here (1994). Marking 43 years since Bill T. and Arnie formed the Company, the tour will travel across the country and back.
Jul 31-Aug 1, 2025
Bates Dance Festival
Lewiston, ME
Aug 30-31, 2025
Kaatsbaan
Cultural Park
Tivoli, NY
October 25, 2025
ASU Gammage
Tempe, AZ
January 2026
Live Artery I
New York Live Arts
New York, NY
Feb 4-5, 2026
Clarice Smith
Performing Arts Center
College Park, MD
Feb 26-28, 2026
Meany Center for the Performing Arts
Seattle, WA
March 5, 2026
CAP UCLA
Los Angeles, CA
Mar 18, 2026
Wisconsin Union Theatre Madison, WI
Mar 28, 2026
K-State University
McCain Auditorium Manhattan, KS
Mar 31, 2026
Lied Center
Lawrence, KS
Apr 10-11, 2026
The Hopkins Center @ Dartmouth Hanover, NH
Apr 17, 2026
Wexner Center for the Arts
Columbus, OH
May 1, 2026
UMASS
Fine Arts Center
Amherst, MA
KIMBERLY BARTOSIK
bLUr
OCT 2-4, 7:30PM
World Premiere
Co-Presented with L’Alliance New York’s Crossing The Line Festival
Built in cycles of desire and fierce compassion, bLUr exists within a landscape of physical and emotional crisis. Five performers of exquisite humanity navigate urgent interventions, tender and brutal rescues, inside a space of howling hunger and deeply erotic tenderness. In Kimberly Bartosik’s bLUr, time warps and haunts, reminding us of our fragility, power, and need to care for and rescue one another.
Oct 3 Stay Late Discussion moderated by Ralph Lemon
bLUr is co-commissioned by L’Alliance New York’s Crossing The Line Festival and by ADF/American Dance Festival with support from the Doris Duke/SHS Foundations Award for New Works. The work is also made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Foundation and The Mellon Foundation. General Operating Support was made possible by the New England Foundation for the Arts’ National Dance Project with funding from the Doris Duke Foundation. bLUr is also made possible by the New York State Council on the Arts with support of the Office of the Governor and the New York State Legislature and with Project Support from The Harkness Foundation for Dance. The creation of the bLUr Community Engagement Workshop, made possible through NDP, was also developed with support from the 92Y Harkness Dance Center and in collaboration with Recanti-Caplan teen scholars. bLUr was developed in residency at Marble House Project, the Ragdale Foundation during a Sybil Shearer Fellowship, and as an Artist in Residency at Bates Dance Festival. bLUr is also supported through the generosity of individual donors, with major support by John Robinson.
Photo: Maria Baranova
Photo:
WANJIRU KAMUYU
Fragmented Shadows
OCT 15-17, 7:30PM
North American Premiere
Co-Presented with L’Alliance New York’s Crossing The Line Festival
How to tell invisibilized stories, how to offer voice and light to these stories, stories imprinted in our bodies, is the space of intrigue and investigation behind Fragmented Shadows. The trio invokes the inaudible wounds that are archived in one’s body. The work treats the body as a museum, a library, a mausoleum of memories, collective and individual, sweet and bitter. Fragmented Shadows is grounded in epigenetic and psychosomatic research, and the consideration of the body in movement as a space of healing justice work. The three performers embark upon an abstracted journey, contemplative and immersive, stimulating and evocative, mysterious and carnal. Fragmented Shadows is an exploratory probe of visceral, sensorial and emotional landscapes, which filters pain to make way for lightness.
Oct 16 Stay Late Discussion
The creation of Fragmented Shadows receives commissioning support from New York Live Arts’ Live Feed creative residency program, which is supported in part by Rockefeller Brothers Fund and Partners for New Performance. Fragmented Shadows is supported by FUSED, a program of Villa Albertine and Albertine Foundation, and Caisse des Dépôts, with additional support provided by Sweat Variant. Public Funding provided by Direction régionale des affaires culturelles d’Île-de-France. Residency support provided by Compagnie DCA / La Chaufferie, L’Onde Théâtre Centre d’Art, CCN Belfort - Viadanse, CCN Nantes in the frame of the studio program, with the support of Ministry of Culture/DRAC Pays-de-la-Loire, Le Tangram, scène nationale Evreux Louviers, Villa Albertine (New York City, Philadelphia, Washington D.C., Boston), PS21, Chatham (New York), New York Live Arts (New York City), CCN BelfortViadanse | CCN Nantes, with rehearsal space provided by CND Centre national de la danse, Pantin and La Briqueterie, CDCN Val-de-Marne.
WALLY CARDONA & MOLLY LIEBER
TIMES FOUR / David Gordon: 1975/2025
OCT 22-25, 29, 30 & NOV 1, 7PM
Co-Presented offsite at Pick Up Performance Co. Studio, 541 Broadway
Seminal choreographer David Gordon’s little-seen duet with his life/art partner Valda Setterfield, Times Four (1975), is excavated and performed by Wally Cardona and Molly Lieber in the same SoHo loft space where it was first seen 50 years ago. The year before he died, Gordon talked to Cardona about doing Times Four, last performed in the 70’s and not seen in its entirety since. A partial record of the work exists in a rehearsal video, part in Setterfield’s handwritten notes, and part is totally lost. Now, four years later, Cardona is in the studio with Lieber, preserving and building on the 1975 fragments, imagining a Times Four for 2025. A coproduction of Pick Up Performance Co with WCV, Inc.
Photos: Babette Mangolte (b&w) and Daqi Fang (color)
Photo: Maria Baranova
TERE O’CONNOR
“Construct-A-Guy” and “The Lace”
DEC 3-6 & 10-13, 7:30PM
World Premiere
Tere O’Connor returns to 219 West 19th Street to celebrate 40 years of riveting choreographic exploration. This momentous occasion features O’Connor’s first dance Construct-A-Guy (1984) alongside his newest creation. Construct-A-Guy premiered as part of the New York Live Arts legacy program Fresh Tracks. Started in 1965 and formerly known as The Choreographers Showcase, Fresh Tracks originated at Dance Theater Workshop 60 years ago to bring new choreographic artistry to the forefront.
Although it was created in a state of early artistic naiveté, ConstructA-Guy nonetheless gave birth to the unorthodox craft methods that continue to shape O’Connor’s work. Capricious rhythmic change, constant energy reversals, spatial fragmentation, a collagist sensibility, slippery, multiple meanings and continuous persona shifts are all forged from the complex psychological imprint of a closeted childhood. All of these tools and more, plus 40 years of distance, animate his thinking for the creation of “The Lace”. O’Connor will open each evening with a brief live appearance to articulate the connections between “then and now”, offering a window into his choreographic philosophy.
Dec 4 Stay Late Discussion
The Lace was made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Foundation and The Mellon Foundation.
The Live Artery Festival, January 7-17, is one of New York City’s most attended dance-specific programs during the annual presenter conference season. A highlight of Live Artery 2026 will be presented in partnership with Under the Radar: the reprise of Lisa Fagan and Lena Engelstein’s Friday Night Rat Catchers, which Live Arts premiered to a soldout run this past spring. Additional Live Artery performances, including evening-length works both onsite and offsite, in-process showings, and more, will be announced this fall.
Lisa Fagan & Lena Engelstein: Friday Night Rat Catchers, photo by Maria Baranova
OGEMDI UDE
MAJOR
JAN 7-9, 7:30PM & JAN 10, 12PM
North American Premiere
MAJOR is a dance theater project exploring the physicality, history, sociopolitics, and interiority of majorette dance, a form that originated in the American South within Historically Black Colleges and Universities in the 1960s. These Black femme teams accompanied by marching bands created a movement style that requires master showmanship with allegiance to count, undulation, groove, and sensual yet strong performativity. In MAJOR , six Black femmes embrace majorette form – a fundamental relic of Black girlhood – to pursue the intimate journey of returning to bodies they thought lost. Experiments in improvised and verbatim language intertwine with a music score that integrates Southern rap, horns, drumlines, and melodic R&B and soul by Lambkin. The Chord Archive is showcased alongside performances, a physical and digital documentation of the creative process and personal historical accounts from former majorette dancers. A fierce investigation of physical memory, sexuality, sensuality, and community, MAJOR is a nuanced love letter to the folks who taught the team how to be proudly Black and proudly femme.
The creation of MAJOR was supported in part by a commission from New York Live Arts’ Live Feed Residency program and The Kampnagel International Summer Festival. The Live Feed Residency program is supported by Partners for New Performance. The presentation of MAJOR was made possible by the New England Foundation for the Arts’ National Dance Project, with lead funding from the Doris Duke Foundation and the Mellon Foundation. MAJOR is a National Performance Network (NPN) Creation Fund Project co-commissioned by New York Live Arts, On the Boards, Bates Dance Festival, Wexner Center for the Arts, Duke University, and NPN.
Residency support from Brooklyn Arts Exchange, Danspace Project, Mercury Store, and Massachusetts Institute of Technology (MIT). MAJOR has been supported by the New England Foundation for the Arts’ National Dance Project, MAP Fund, a Brooklyn Arts Council grant, the Dance Advancement Fund from Dance NYC, Café Royal Cultural Foundation, and a Support for Artists Grant from the New York State Council for the Arts.
Photo: Maria Baranova
Photo courtesy of the artist
ELLEN ROBBINS
Dances by Very Young Choreographers
JAN 24 & 25, 2PM
ALUMNI CONCERT: JAN 24, 7:30PM
Dances by Very Young Choreographers showcases the choreography of the students of Ellen Robbins, ages 8 – 18. It is devised to give a young audience exposure to the variety of theater experiences that modern dance affords. It includes dances that are humorous, narrative, minimal, lyrical, and visually conceptual. The music selections, chosen by the choreographers, range from classical to contemporary, including folk, jazz, pop, and the spoken word. Children in the audience will have an opportunity to come onstage for a brief, structured improvisation for the fun of dancing an idea.
Following the matinee on January 24th, there will be an evening concert by the Alumni of Dances by Very Young Choreographers, which presents work by dancers who studied with Ellen as early as 1989.
kNoname Artist | Roderick George
The Grave’s Tears
FEB 12-14, 7:30PM
North American Premiere
The Grave’s Tears is a full-length choreographic work that confronts the legacy of the HIV/AIDS epidemic and the ongoing erasure of Black and queer lives. Expanding from Venom (2024), it explores generational trauma, systemic neglect, and the violence of being forgotten. Haunting and skeletal in movement, the piece is a physical elegy shaped by memory and spirit. Guided by the voices of Black queer cultural ancestors, the work is both a mourning and a refusal to disappear— insisting on presence, resistance, and the power of remembrance. Produced by kNoname Artist in collaboration with Pomegranate Arts.
Feb 13 Stay Late Discussion
The first iteration of this production was commissioned by Gibney as part of the organization’s DoublePlus program for the 2023-2024 Season, curated by Gibney Center Artistic Director Nigel Campbell and Kyle Abraham.
The Grave’s Tears was developed as part of the Guild Hall William P. Rayner Artist-in-Residence program and the support of New York Live Arts, Williams College and the Schwarzman Center at Yale University and Pomegranate Arts. Additional residency support provided by La Villette – Paris.
The production received support from the National Performance Network Creation & Development Fund.
The Grave’s Tears is commissioned by Le Manège, Scène Nationale – Reims.
Photo: Christopher Duggan
Photo: Duy Laurent Tran
LEÏLA KA
Maldonne
FEB 27 & 28, 7:30PM
North American Premiere
Co-Presented with Dance Reflections by Van Cleef & Arpels
On stage, dresses. Evening gowns, wedding gowns, nightgowns, day dresses, ballroom dresses. Sequined, flowing, puffed, fitted, oversized. Dresses that fly, shimmer, rustle, spin, trail, or fall. Empire waists, boned bodices—dresses that waltz to Leonard Cohen, and others that weep, loosely stitched, weightless, unstructured, knotted at the waist. And then, dresses alone—playful, defiant—dancing to deep electronic basslines.
On stage, five women wear these dresses. Five who sweat because they are alive.
Maldonne is a highly evocative piece that explores the fragilities, rebellion and multiple identities that co-exist within femininity.
Leïla creates choreography for Beyoncé, the César Awards Ceremony, or the National Ballet of Chile. Drawing on her urban and contemporary influences, she has made a name for herself in the dance world in just a few years. Maldonne is her first group piece and has been performed more than 100 times in the world.
NACERA BELAZA
La Nuée
MAR 6 & 7, 7:30PM
North American Premiere
Co-Presented with Dance Reflections by Van Cleef & Arpels
In La Nuée, performers experience what it is like to combine centrifugal momentum and pulsation inside their bodies. Accompanied by rustling noises, cries and songs, their silhouettes are inhabited by an image that their dance transmits. Confronted with this circle or round object, the audience is invited to not refuse the impossible, namely that of perceiving clarity in the darkness, and silence in the din.
Photo: Luca ianelli
Photo: Ohno Ryusuke
SOA RATSIFANDRIHANA
g r oo v e
MAR 11 & 12, 7:30PM
North American Premiere
Co-Presented with Dance Reflections by Van Cleef & Arpels
g r oo v e is a solo performance by Soa Ratsifandrihana that draws on a wide range of dance styles, from baroque-influenced forms to the Afindrafindrao of her native Madagascar. She revisits the Madison, her first learned choreography, popularized in the 1960s by African American singer Al Brown, and references Ghost in the Shell, an anime she loved as a teenager.
The piece is a collage of movement: quoted, transformed, and reimagined. With g r oo v e, Soa engages with her multiple cultural heritages and the hybrid influences of the Millennial generation. In an era shaped by digital culture, where music and dance constantly evolve, she explores and reshapes these references through a dialogue with both sound and silence.
FORD FOUNDATION LIVE GALLERY
In/Between: NYFA Immigrant Artist
Mentoring Program Exhibition
OPENING RECEPTION: APR 14, 5:30-7PM
ON VIEW: APR 7 - JUN 14
New York Live Arts, in partnership with New York Foundation for the Arts (NYFA), presents the 7th In/Between exhibition, featuring works by artists in the Immigrant Artist Mentoring Program.
Co-curated by Yanira Castro, Martita Abril, and Zahra Banyamerian, the exhibition will be on view at the Ford Foundation Live Gallery located in Live Arts Lobby.
Photo: Maria Baranova
‘24-’25 Season Fresh Tracks Artist Kashia Kancey, Photo by Maria Baranova
FRESH TRACKS
New Works
MAY 15 & 16, 7:30PM
The Fresh Tracks Residency & Performance program is a season-long residency for emerging movement-based artists in support of new work creation and professional development with Juliana May as Artistic Advisor. The program originated at Dance Theater Workshop in 1965 to bring new choreographic artistry to the forefront. This season’s four artists will be announced in September 2025.
The Fresh Tracks Residency & Performance program is supported in part by National Endowment for the Arts, Jerome Foundation, Alice Lawrence Foundation, and Partners for New Performance.
JASMINE HEARN
Memory Fleet: Beloved, Let’s Cross
JUN 11-13, 7:30PM
New York Premiere
Co-Presented with Chocolate Factory Theater
Memory Fleet is a continually responsive, episodic, migrating performance and archive project that builds an alternative archive for the preservation of shared memories and stories that center the work/ rest & past/future of the Black people who have mothered and mentored the artistic trajectory of lead artist Jasmine Hearn. Memory Fleet encompasses a series of performances, a shared embodied practice, an evolving installation of archival materials, an expanding digital archive, and a body of original sound, text, and recipes — all celebrating the stories, dances, and gestures passed on through intergenerational lineages.
Jun 12 Stay Late Discussion
Memory Fleet is supported with a New England Foundation of the Arts National Dance Production Grant (2023), National Production Network Creation Grant (2022), and Creative Capital Award (2022).
Photo: Jakayla Monay
Bill T. Jones/Arnie Zane Company, 2025 Gala
photo by Maria Baranova/Whitney Browne
NEW YORK LIVE ARTS ANNUAL GALA
Save the Date!
MAY 18
Hosted by Live Arts leadership and the Board of Directors, the festive annual fundraiser is known for its one-of-a-kind performance program. Past honorees include Latoya Ruby Frazier, Robyn “Rihanna” Fenty’s Clara Lionel Foundation, Cynthia Erivo, Darren Walker, Ford Foundation, Gloria Steinem, Elizabeth Alexander, Mellon Foundation, Spike Lee, The Basquiat Family, Wangechi Mutu, Jeffrey Wright, Chris Anderson, Ted Founder, Bryan Stevenson, Equal Justice Initiative, and more.
BILL T. JONES & SPECIAL GUESTS
Bill Chats
Pop-up conversations between Artistic Director Bill T. Jones and fellow artists, thinkers, and influential figures. Guests this season will be announced in real time and tandem with Jones’ academic, ideological, and creative interests, inviting audiences into important dialogues and a glimpse of his present musings. Previous esteemed guests include Elizabeth Alexander, Judith Butler, Reginald Dwayne Betts, Louis ChudeSokei, Elizabeth Diller, Oscar Eustis, Howard W. French, Salman Rushdie, Moisés Kaufman & Mary Marshall Clark, Jacqueline Woodson, Hank Willis Thomas, Damian Woetzel, and many more.
Bill T. Jones and Marc Bemuthi Joseph, Photo by Maria Baranova
JOANNA KOTZE
2025-26 Randjelović/Stryker Resident Commissioned Artist
Earlier this year, Live Arts announced Joanna Kotze as the ‘25-26 Randjelović/Stryker Resident Commissioned Artist (RCA). Known for work that emphasizes deep physicality, collaborative spirit, and multidisciplinary layers, Kotze will continue developing her latest work this is the beginning, this is the end in preparation for its ‘26-’27 season world premiere. The unique RCA award provides two years of salary, healthcare benefits, professional development, office space, creative funds, a technical residency and fully-produced work in the theater, and touring support.
Photo: Maria Baranova
LIVE CORE
Are you an artist working to connect with larger audiences and raise funds to support your work?
Enrollment in Live Core is $100 for a full year of unlimited access to the program’s offerings, including the Fiscal Sponsorship Program, discounts on tickets and workshops, professional development services, and more!
For more information on joining Live Core, please visit newyorklivearts.org/about/opportunities.
DONATE
Your contribution, no matter the size, is essential in ensuring artists are supported, seen, and heard. With your generosity, we provide vital resources—commissioning funds, residencies, studio space, and professional services—that empower artists at every stage of their careers.
Live Arts thrives on your generosity, and we thank our Trustees, Partners in Creation, Partners for New Performance, Patrons Circle, and Donors for their vital support.
To learn how you can contribute to our mission and the artists we serve, please visit newyorklivearts.org/support.
Photos above from the 2025 New York Live Arts Gala, by Maria Baranova/ Whitney Browne: (L to R) Honoree Wangechi Mutu, Charles Blow, Mickalene Thomas, Bevy Smith, Darnell L. Moore*, Bill T. Jones, Charla Jones*, Barb Marks, Bill T. Jones*, Alan Marks*
* denotes Board of Directors
Mickalene Thomas, Briona Simone Jones, Jamel Robinson, Lena Waithe, Derrick Adams, Nate Lewis, photo by Whitney Browne
SUPPORT
Support for New York Live Arts is provided by the Arnhold Foundation, Blanchette Hooker Rockefeller Fund, Bloomberg Philanthropies, Ed Bradley Family Foundation, Joseph and Joan Cullman Foundation for the Arts, Dance/NYC, Ford Foundation, Howard Gilman Foundation, Mertz Gilmore Foundation, Harkness Foundation for Dance, Marta Heflin Foundation, Jerome Foundation, Alex Katz Foundation, Lambent Foundation, Alice Lawrence Foundation, Mellon Foundation, Muriel Pollia Foundation, National Performance Network, New England Foundation for the Arts, The Poss Family Foundation, Rockefeller Brothers Fund, Jerome Robbins Foundation, Emerson Collective, The Fan Fox & Leslie R. Samuels Foundation, San Francisco Foundation, The Semel Charitable Foundation, Scherman Foundation, The Shubert Foundation, Tides Foundation, Villa Albertine and Albertine Foundation. Corporate support for New York Live Arts includes Google and Tito’s Handmade Vodka.
Public support for New York Live Arts is provided by the New York City Department of Cultural Affairs in partnership with the City Council with special thanks to Manhattan Borough President Mark Levine and City Councilmember Erik Bottcher, and the New York State Council on the Arts with the support of Governor Kathy Hochul and the New York State Legislature. Dance/NYC’s New York City Dance Rehearsal Space Subsidy Program, made possible by Mellon Foundation.
The creation of new work by Bill T. Jones/Arnie Zane Company is made possible in part by the company’s Partners in Creation: Anonymous (2), Anne Delaney, Zoe Eskin, Eleanor Friedman, Ruth & Stephen Hendel, Suzanne Karpas, Ellen Poss, Jane Bovingdon Semel, Rachel Shapiro in memory of Linda G. Shapiro, Slobodan Randjelović & Jon Stryker.
We thank our Partners for New Performance: Alexes Hazen, Linda Hirschson, Julie Orlando, John Robinson, Andrea Rosen, Nina Stricker, Robyn Trani.
VISIT US
Tickets can be purchased at newyorklivearts.org or by calling the box office at 212.924.0077
Hours: Monday–Friday: 3pm–9pm
Saturday & Sunday: 11am–9pm
219 W 19th Street, New York, NY 10011
(Between 7th & 8th Aves)
Subway: 1 to 18th Street, 2/3, F, M, L and A/C/E to 14th Street.
Live Arts’ entrances are located on the street level, as is the main entrance to the theater. Box Office staff is available for assistance at either the single revolving door or pair of push bar doors. The elevator provides access to theater seating at the front of the audience, administrative offices, and the studios. Studios and bathroom entrances have ADA push button swing doors.
