TUESDAY, DECEMBER 10, 2024
Beloved Journalism Professor Todd Felts Passes Away, Leaving a Legacy of Laughter & Inspiration
By Emily Hess
The Nevada Sagebrush and the University of Nevada, Reno community are deeply saddened by the loss of Dr. Todd Felts, a cherished professor at the Reynolds School of Journalism. Known for his warmth, humor, and dedication, Dr. Felts inspired generations of students to find their voices and make a difference in the world of media and communication.
Before joining the university, Dr. Felts built an extraordinary career spanning over two decades in public relations, media and leadership. He began as a journalist, reporting for WGHP TV, before transitioning into public service as the public information officer for the North Carolina Zoological Park. There, he also produced and hosted the television segment “At the Zoo,” sharing his passion for storytelling with a wide audience.
Dr. Felts went on to serve as a speechwriter and press secretary for North Carolina Governor Jim Hunt. He demonstrated his talent for crafting powerful messages that resonated with leaders and the public. His career highlights also included directing community relations for the 1999 Special Olympics World Summer Games and managing media relations for the 2000 U.S. Open Women’s Golf Championship – showcasing his ability to connect people through meaningful events.
In Washington, D.C., Dr. Felts held prominent roles in communications strategy. He worked with Levick Strategic Communica-
Rest in peace, Dr. Felts. Your legacy of excellence and storytelling will not be forgotten.
tions and served as the director of communications for a national campaign under the Pew Charitable Trusts known as The Trust for Early Education. His expertise in public relations and advocacy shaped impactful campaigns and left a lasting mark on the field.
Dr. Felts brought this wealth of experience to the University of Nevada, Reno, where he transformed the lives of his students. His real-world insights, combined with his talent for teaching, made his classes unforgettable. He encouraged students to embrace creativity, push boundaries and approach their work with authenticity.
His passing is a profound loss for the university and the community. Dr. Felts’ stories, experiences and dedication will live on in the many students and colleagues he inspired throughout his remarkable career.
Rest in peace, Dr. Felts. Your legacy of excellence and storytelling will not be forgotten.
Emily Hess can be reached via email at emilyghess3@gmail.com or on Twitter or Instagram via @NevadaSagebrush.
Regents Approve All Student Fee Increases, Cost Of Attendance To Rise
By Peregrine Hart
Students at the University of Nevada, Reno will pay up to hundreds more next year in mandatory student fees, the Board of Regents decided Dec. 5.
The Board of Regents, which governs the University of Nevada, Reno and other public colleges and universities in Nevada, approved four proposals that would raise the amount students are required to pay on top of tuition. Three will raise the cost of existing fees, and one creates a new fee altogether.
Full-time, 15-credit students will be on the hook for an extra $237.50 per semester in mandatory fees. Because two of the fee proposals are calculated based on enrollment, students taking more than 15 credits will end up paying more. Part-time students are set to pay slightly less.
Current fees for a 15-credit student add up to $573.50
per semester. Next year, starting in the fall, they’ll add up to $811.
Student Fees Breakdown Nevada Athletics will begin charging $3.50 per credit to support the construction of a $25 million dollar indoor practice facility. Stephanie Rempe, director of Nevada Athletics, said the facility would allow the university’s athletics programs to better compete with other schools and expand available practice space for club and intramural sports. Rempe has also said that it would be open for regular student use during the afternoon.
The technology fee will go up from $9 per credit to $18 per credit, totaling $270 a semester for a student enrolled in 15 credits. The technology fee maintains things like public computers, classroom technology and software access,
Wisdom
according to Ed Huffman, executive director of the Office of Digital Learning at the university.
Counseling Services’ flat, $70 per semester fee will go up to $95 per semester. Counseling Services spends most of its budget on clinical staff and asked for the raise in order to keep offering the same level of mental health services on pace with rising labor costs, according to Yani Dickens, its director.
The Academic Success Fee will go up from $25 per semester to $50 per semester. Directors of the University Writing and Speaking Center, the Math Center and the Tutoring Center asked for the raise in order to recover hours and services that they say they’ve had to cut due to rising costs.
The only member of the Board of Regents to vote against the fee proposals was Carol Del Carlo, who represents Mineral, Douglas, Lyon, Storey, Churchill, Lander and Carson City counties and part of Washoe County.
More To Pay
Regents then voted unanimously to approve new special course fees, which students must pay to enroll in certain courses. Among them is a $50 increase to the $250 special course fee students pay to enroll in NevadaFIT. A full list of new special course fees can be found here.
Rates are also set to rise for on-campus housing and meal plans, as the Board of Regents also voted unanimously to approve increases across resident halls and meal plan sizes.
The most expensive on-campus housing will now be a single in Great Basin Hall, coming in at $10,700 for the academic year — $1189 every month. Other increases to meal plan and on-campus housing rates can be found here.
Stephanie Goodman, a member of the Board who represents part of Clark County, said students who were concerned about the fee increases should get more involved in student government if they don’t want higher fees to pass.
“All of your student representatives supported increased student fees,” Goodman said.
Peregrine Hart can be reached via email at peregrineh@unr.edu or on Instagram @ pintofperegrine.
Scott / Nevada Sagebrush
Dr. Todd Felts and 2023-2024 Sagebrush staff at Scripps Award Dinner
SERVING THE UNIVERSITY OF NEVADA, RENO SINCE 1893
VOLUME 131, ISSUE 3
Executive Editor Derek Raridon draridon@sagebrush. unr.edu
News Editor: Peregrine Hart peregrineh@unr.edu
Asst. News Editor: Alex Psak apsak@unr.edu
A&E Editor: Emily Hess emilyghess3@gmail.com
Opinion Editor: Gabriel Kanae gkanae@nevada.unr.edu
Spanish Editor: J.A. Cruz jasoncruz@unr.edu
Sports Editor Dominic Gutierrez dominicgutierrez@unr. edu
Copy Editor: Aria Frey alfrey@sagebrush.unr. edu
Design Editor: Brooke Germain bgermain@unr.edu
Photo Editor: Nick Stewart ns@sagebrush.unr.edu
Multimedia Editor: Wade Widmann wwidmann@unr.edu
CONTRIBUTING STAFFERS
Maia Ancho, Chase Delude, Maddie Gomes, Sterling Moore, Wisdom Scott, James Wolfgang Perez
Reno Alum’s Advocacy
Nonprofit, The Love and Mine Foundation, Makes Strides For Abuse, Trauma Survivors
By Emily Hess
The Love and Mine Foundation, a 501(c) (3) nonprofit started by University of Nevada, Reno alum Sarah Peterson, is redefining support and advocacy for survivors of trauma and those in need of access to critical resources. Built in Sarah’s personal experiences and her dedication to improving the lives of others, the foundation connects individuals with larger networks of support, from navigating Title IX options to obtaining protective orders. Today, the foundation is a resource and lifeline for students, alumni and community members alike, providing accessible and essential help where it’s needed most.
“When you’re going through something challenging, finding the right resources can feel overwhelming,” Peterson said. “The Love and Mine Foundation is here to simplify that process, connecting people to Title IX services, disability accommodations or advocacy and support through local organizations like Safe Embrace and Nevada Cares.”
The foundation’s unique approach includes direct educational outreach, especially on the university campus, where it partners with student groups to raise awareness and provide prevention resources. With presentations tailored for Greek life, multicultural groups and the broader campus community, Love and Mine helps students recognize available resources and learn how to access them efficiently. The foundation’s resource coordinators are trained in Title IX processes, legal rights and reporting options, equipping them to guide individuals who might otherwise feel isolated or overwhelmed.
“Starting the foundation allowed me to transform a difficult time into something that could help others,” Peterson said. “For anyone who feels alone, I want them to know there’s a network of support and people who truly care.” Today, the foundation not only raises awareness, but also provides critical services through partnerships with organizations like the Nevada Coalition to End Domestic and Sexual Violence. This partnership has enabled Love and Mine to train its resource coordinators as certified victim advocates, ensuring confidentiality and security for the individuals they support.
Students and alumni can play a crucial role in the foundation’s work, and there are several ways to get involved. Love and Mine offers positions for those interested in assisting with presentations, events and community outreach. Volunteers help with everything from event planning to logistics, giving students a chance to engage in hands-on work that directly impacts the community.
For those passionate about advocacy, becoming a trained resource coordinator provides the opportunity to work directly with survivors and others in need. Through a rigorous training program, coordinators are equipped with the skills and knowledge to connect people to essential resources while maintaining confidentiality and support.
The foundation frequently organizes events that promote awareness and provide education on critical issues. Volunteers are always needed to assist with these events, from setting up to helping with outreach. These events are a way for students to engage with the foundation’s mission while connecting with like-minded individuals.
Peterson said that the Love and Mine Foundation’s work relies on visibility and outreach, so following the foundation on Instagram and sharing their posts can help to help raise awareness. The more people who know about these resources, the more individuals the foundation can reach and support, she explained.
Even after graduation, Peterson has maintained strong ties with the university, working to establish Love and Mine as an accessible resource for current students. Though no longer a student herself, Sarah understands the challenges students face and has created a foundation that can connect with them on a personal level.
“We’re committed to being present on campus and in the community,” Peterson said. “Students are our focus, and they are often in need of the exact resources we offer.”
The Love and Mine Foundation is dedicated to continuous growth and expanding its reach. Plans to introduce a secure text line in the coming months will further increase accessibility, allowing individuals to discreetly connect with resource coordinators whenever they need. While the project is still in development, Peterson is committed to ensuring that it meets the foundation’s standards for confidentiality.
Anyone interested can learn more about the foundation’s work by visiting their website or following them on Instagram @loveandminefdn. Updates include upcoming volunteer opportunities, special events and information about the foundation’s ongoing impact.
Emily Hess can be reached via email at emilyhess@sagebrush.unr.edu or on Twitter at @emilyghess3.
SENATE 9/4: Proposed student tech fee increase, new senator appointed
By Peregrine Hart
A new senator, two bills and a presentation about a hefty student tech fee increase were on the slate of a busy senate meeting for the Associated Students of the University of Nevada, Reno on Sept. 4.
The senate is made up of students elected from each college and meets in the Rita Laden Senate Chambers on Wednesdays at 5:30 p.m. Could student tech fees double next year?
Three representatives from the university’s technology and library’s administration came to the Sept. 4 senate meeting to present a student tech fee proposal.
Students currently pay an extra six dollars per credit hour towards the regular tech fee, which supports university computers, classroom updates, software and other tech programs. They also pay an extra three dollars per credit hour towards the iNtegrate tech fee, which supports the registration platform MyNevada.
University Libraries and the Office of Information Technology are going to the Board of Regents, the Nevada System of Higher Education’s governing body, in December. They’re looking to have both tech fees doubled, according to the presentation.
This would mean that starting in Fall 2025, students who paid a total of nine dollars per credit hour to support the university’s tech this year would see their costs go up to 18 dollars per credit hour.
ASUN wasn’t given the power to vote on this proposed fee –– nor will it go to the students on the next ASUN ballot. Instead, two ASUN representatives sit on an advisory board that offers feedback on the proposal: Liesel Kemmelmeier, ASUN’s Vice President, and Gabriella Detrick, ASUN’s Director of Executive Affairs.
Sasi K. Pillay, the university’s Vice President for Information Technology, told the senate that the fee will help the University’s technology catch up with rising costs.
Peregrine Hart can be reached via email at peregrineh@unr.edu, or via Instagram @pintofperegrine.
Possible grad student union wins supermajority support, uncertain University response ahead
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Leaders of a unionization effort for graduate assistants at the University of Nevada, Reno, Desert Research Institute and University of Nevada, Las Vegas announced that they had reached supermajority support via the movement’s Instagram on Nov. 18.
Graduate Assistants (GAs) are graduate students who are paid tuition and a stipend in exchange for working for the university. A supermajority of these students, across three Nevada System of Higher Education institutions, signed forms showing their support for a potential union. Signature collection will end tomorrow, Nov. 21, according to a Nov. 19 announcement.
The union would operate under the national United Auto Workers union, which also backs similar GA unions at University of California schools, the University of Maine and the University of Alaska. Organizing GAs say it will be critical to securing better working conditions and better pay.
The movement at the University of Nevada, Reno will soon seek official recognition from the university, according to organizers. This could bring it one step closer to negotiating a new contract.
Rally kicks off a search for signatures
Dozens of graduate students gathered at the steps of the Mathewson-IGT Knowledge Center on Oct. 1 to hear guest speakers and to add their signatures to records that the organizers will eventually submit to the university when they seek official recognition.
It’s the culmination of an effort that’s been in the works since at least 2020 and recently
picked up speed thanks to help from the national UAW, organizers said.
From there, according to Noel Vineyard, a GA in the geography department and organizer with the budding union, a few different things are possible.
The university could voluntarily recognize the union after it receives the signatures, which means the new union would go straight to negotiating a new contract for GAs with the university. The university may also decline to recognize the union, in which case organizers would turn to the upcoming session of the Nevada Legislature for recognition, Vineyard said.
Top issues for GAs at the rally included pay, as well as concerns about harassment and discrimination in the workplace. Concerns about protecting international students from such threats came to a head last year after a sexual assault scandal highlighted the unique precarity faced by GAs working under a student visa.
“They’re kind of at the mercy of their advisors and so it kind of leads them to feel like they’re walking on eggshells,” Keely Rodriguez, a GA with the chemistry department and the union effort’s media liaison, said.
Pay is also key for international GAs, as student visas don’t allow them to take on additional work off-campus. Base salaries for masters’ students range from $850-$1,700 a month, depending on how many hours they’re listed as working every week, according to public salary information available on the university’s website.
Median rent in Reno for a 1-bedroom apartment lands at about $1,300, according to real-
estate aggregator Zillow as of Nov. 19. This rent comes in at 76% of the $1,700 salary for master’s degree-seeking student GAs working 20 hours a week.
The National Low Income Housing Association, a housing policy organization, classes any household that spends more than half of its income on rent as “severely cost burdened.”
“The university needs to meet the cost of living with the current inflation post-pandemic,” said Kaashifah, a GA with the College of Education and international student who spoke at the rally. “We can barely make a living out of it. COVID has changed the cost of living, the job market, and students are the ones who are at the bottom of that, and they’re suffering.” Noah Nieman, a GA with the College of Engineering, said that he’s heard from a number of international student friends that the situation is unfair, and that he wants to be able to give them a better answer.
“I just have to say ‘that’s how it is,’ and I’m so tired of saying that,” Nieman said. “I’m so tired of saying that’s how it is and we can’t do anything about it.” his perspective, Kemmelmeier said, putting pwas part of a union during his own graduate studies at the University of Michigan.
The Nevada Sagebrush fixes
Sterling Moore / Nevada Sagebrush
By Peregrine Hart
Español
Numerosas personalidades, como jugadoras del equipo femenino de voleibol de Nevada y Riley Gaines, ex nadadora de la NCAA reconvertida en comentarista política, se dieron cita en la manifestación «El deporte femenino es sólo para mujeres». El acto fue organizado por el Consejo Independiente del Deporte Femenino (ICONS) en el Centro de Convenciones de Reno-Sparks el sábado 26 de octubre a las 13.00 horas. El acto se celebró en respuesta a la actual polémica sobre Blaire Fleming, una atacante exterior de San Jose State que, según se ha informado, es transexual. Desde el informe, cuatro programas habían perdido sus partidos de la temporada regular contra los Spartans, con la Universidad de Nevada, Reno optó por continuar con el partido antes de que se trasladó a San José, pero los atletas en el equipo votó a favor de renunciar al partido.
El mitin comenzó con Gaines, que dio las gracias a la multitud y compartió su historia personal de nadar contra un atleta transexual cuando era nadadora universitaria en Kentucky. Gaines ha formado parte de una demanda activa contra la NCAA por permitir que atletas transexuales compitan en deportes femeninos. «Nunca habría imaginado que ovacionarían a una mujer por decir simplemente que los hombres y las mujeres son diferentes», dijo Gaines. Como parte de su discurso de apertura, Gaines hizo un llamamiento a Charlie Baker, presidente de la NCAA, a Gloria Nevarez, comisionada de Mountain West, y a los dirigentes de la Universidad de Nevada, Reno, para que realicen cambios en el deporte femenino. «Hagan lo correcto», dijo Gaines. «No es difícil hacer lo correcto. Dejad de tratar a las chicas y a las mujeres como algo secundario».
A continuación, Gaines presentó a nueve jugadoras del equipo de voleibol de Nevada, entre ellas Sia Liilii, co-capitana de Nevada. Las otras ocho jugadoras eran Kenna Dressel, Kinsley Singleton, Masyn Navarro, Sierra Bernard, Malia Pilimai, Bella Snyder, Nicanora Clarke y Summer Suppik.
Liilii fue la primera jugadora en hablar y se acercó al podio con lágrimas en los ojos mientras recibía una gran ovación. Liilii estuvo en primera fila cuando la mayoría del equipo de voleibol de Nevada votó a favor de abandonar el partido con-
tra San Jose State. «Nunca esperé que me sorprendiera tener que competir contra un atleta masculino», dijo Liilii. «Cuando saltó la noticia, me quedé estupefacta, como muchas de mis compañeras de equipo. Esto no es para lo que nos apuntamos». Liilii dijo que el equipo se estaba preparando para su partido contra la UNLV el 3 de octubre cuando la UNR emitió un comunicado comprometiéndose a jugar contra San Jose State. Liilii dijo que la universidad no se puso en contacto con el equipo de voleibol antes de la declaración, algo que provocó la frustración de la mayor parte del equipo. Después de eso, el equipo se acercó a los funcionarios de UNR con su propia declaración sobre el partido. Liilii dijo que la universidad no quería comprometerse con lo que el equipo tenía que decir, lo que llevó al equipo a publicar su declaración en Outkick.com, una organización de noticias conservadora. «Ni siquiera quisieron escucharlo», dijo Liilii. «Nos dijeron que no teníamos la suficiente formación y que no entendíamos la ciencia. Nos dijeron que reconsideráramos nuestra postura». El siguiente en hablar fue Singleton, que ac-
tualmente cursa el primer año en la UNR. En su primera temporada de coligada, Singleton dijo que nunca esperó encontrarse con esta situación. «Es importante que aprovechemos esta oportunidad para demostrar que no aceptaremos en silencio que nos digan que los deportes femeninos tienen que ser un lugar donde se margine a las mujeres», afirmó Singleton. Singleton también señaló que el equipo ha pasado incontables horas discutiendo las consecuencias que puede tener perder un partido, lo que ha causado estragos en su salud mental.
Bernard y Navarro hablaron a continuación, ya que ambos atletas subieron juntos al podio. Ambos son del norte de Nevada, y Navarro dijo que los dos han jugado al voleibol juntos durante los últimos 10 años.
Ambos fueron a universidades separadas durante su primer año, pero ambos entraron rápidamente en el portal de transferencia y se reunieron en UNR. Navarro dijo que ambos estaban emocionados de volver a casa, pero disminuyó cuando se enfrentan a la posibilidad de enfrentarse a un atleta transexual.
«Hoy no tendríamos que estar aquí defendiendo a las mujeres», dijo Navarro. «Hay personas que dictan las normas deportivas y que dirigen la
NCAA y la Mountain West Conference, y nunca deberían haber permitido que esto sucediera». Navarro también dijo supuestamente que a algunas de sus compañeras de equipo les habían dicho que se mantuvieran calladas sobre la polémica. «No debería ser tan difícil defender a las mujeres«, dijo Navarro». Sin embargo, ahora aprovecharemos esta oportunidad para dar la cara como equipo, ya que a algunas de nosotras nos han dicho que nos callemos.»
Gaines volvió al podio para dar las gracias a las integrantes del equipo de voleibol por haber tenido el valor de alzar la voz. El equipo abandonó el escenario y Marshi Smith, cuatro veces campeona de natación del estado de Nevada y de la NCAA, fue la siguiente oradora de la concentración. Smith es cofundadora de ICONS, que comenzó después de ver a Gaines compartir un trofeo de campeón en 2022 con un atleta transexual. Jen Hucke, dos veces campeona de voleibol del Estado de Nevada y de la Universidad de Stanford, fue la siguiente oradora del acto. Como antigua jugadora de voleibol, Huck se dirigió al equipo de Nevada entre el público, diciendo que no podía imaginar por lo que han tenido que pasar. «Todas os enfrentáis a una decisión con la que ninguna mujer debería tener que lidiar», dijo Hucke. «Lo habéis manejado con dignidad y gracia».
Kendall Lewis, jugadora de voleibol de Galena High School, también habló brevemente. Ella compartió su historia de tener que enfrentarse a un supuesto atleta transgénero en un equipo contrario en el Distrito Escolar del Condado de Washoe.
Stavros Anthony, vicegobernador de Nevada, fue el último orador invitado en subir al escenario. Anthony dijo que cuando comience la próxima sesión legislativa en 2025, trabajará con miembros del Senado y de la Asamblea para introducir legislación que proteja el deporte femenino.
Continúa en lina en thenevadasagebrush.com
Se puede contactar con Dominic Gutierrez en dominicgutierrez@gmail.com o en X @d_m_g_16.
Oficial: El Partido De Voleibol Femenino De Nevada Contra San Jose State Se Cancela Por Falta De Jugadoras
Después de semanas de especulación, el partido del equipo de voleibol femenino de Nevada contra San Jose State ha sido oficialmente cancelado. Nevada no alcanzó el requisito mínimo de seis jugadoras para jugar un partido. La universidad envió un comunicado el jueves por la noche. «Debido a no tener suficientes jugadoras para competir, el equipo femenino de voleibol de la Universidad de Nevada no jugará su partido programado de la Mountain West Conference en San José State el sábado 26 de octubre», dijo la Universidad de Nevada, Reno. «Por política de la Mountain West Conference, el partido se regis-
trará como una pérdida de conferencia para Nevada». El partido ha estado en las noticias nacionales desde hace semanas después de que la mayoría de los jugadores de voleibol de Nevada votaron a favor de renunciar a su partido contra San José State. Sin embargo, la universidad dijo que debido a la Constitución de Nevada, no puede legalmente renunciar al partido. Brian Sandoval, presidente de la universidad, dijo que a pesar de la ley, los jugadores tienen el derecho de la Primera Enmienda a no jugar, y no habría ningún castigo por decidir no jugar el partido.
Una docena de jugadoras, entre ellas Sia Liilii, co-capitana de Nevada, acudirán a The Little Waldorf el sábado 26 de octubre a las 1 de la tarde para una concentración bajo el lema «Los deportes femeninos son sólo para mujeres». El partido contra los Spartans estaba programado para ese mismo día al mediodía. Riley Gaines, antiguo nadador de la NCAA, también asistirá y será uno de los oradores. El partido iba a celebrarse originalmente en Reno, pero ambas escuelas acordaron mutuamente trasladarlo a San José. Esto permitió a Nevada no tener que hacerse cargo de ningún gasto de viaje, ya que fue trasladado.
Con la cancelación oficial, Nevada se llevará una derrota en el juego de conferencia. Esto viene sólo una hora después de que Nevada perdiera un partido en la carretera contra Fresno State, y ahora 11-10 en general y 4-6 en el juego de conferencia. Muchos jugadores de Nevada también siguen persiguiendo una posible demanda contra la universidad con Joey Gilbert, un abogado local de justicia penal, y exalumno de UNR.
Se puede contactar con Dominic Gutierrez en dominicgutierrez@gmail.com o en X @d_m_g_16.
El Drogado De La Luna De Miel: Cuando Todo Parece Perfecto
«Me gusta todo de él», le digo a mi amiga, agarrando mi café helado como si pudiera absorber el nivel de mi emoción. «Me contesta a los mensajes con frases de verdad, cocina y tiene la manera cariñosa de comprobar que tal estoy cada día.
Mi amigo me lanzó una de esas miradas de reojo que dicen: «Chica, sabes exactamente cómo va esta historia». Y tiene razón… más o menos. Porque aquí estoy, atrapada en el brillo embriagante de la luna de miel, ese brillante comienzo en el que cada detalle se amplifica y se tiñe de oro. Todo lo que hace parece sacado de una comedia romántica, y he perdido la cuenta de las veces que me he sentado allí, con la barbilla en la mano, pensando: «¿Podría ser él?». Es como vivir en una burbuja centelleante en la que sus rarezas son adorables, sus hábitos entrañables y estoy cien por cien convencida de que no puede hacer nada malo. ¿Cuánto puede durar la magia antes de que llegue la realidad? En el drogado de la luna de miel, empiezas a parecer un anuncio publicitario. «Oh, me trae café por las mañanas, pero fíjate, ¡es mi pedido exacto!» o «No te lo vas a creer, ¡me escucha de verdad cuando hablo!». Es como descubrir que, sí, la decencia básica y el afecto mutuo existen. Pero siempre me ronda por la cabeza una idea: ¿cuándo desaparece la magia? ¿Cuánto tiempo pasará hasta que mis encantadores caprichos se conviertan en hábitos ligeramente molestos? O, peor aún, ¿hasta que empiece a buscar en Google «las mejores formas de romper sin ser el malo de la película»? Porque seamos sinceros, una vez que te has quemado, es difícil ignorar esa vocecita que susurra: «No te pon-
Confesiones de Un Desmadre es una columna sincera y cercana de Emily Hess, en la que se sumerge en los altibajos de la vida universitaria y la veintena. A través de historias personales sobre chicos, amistades, amor y familia, CDUD desvela el hermoso y desordenado caos de crecer. Desde desamores y traiciones hasta momentos de autodescubrimiento, ofrece una mirada honesta a los retos y triunfos que conlleva esta etapa transformadora de la vida. Cada semana, los lectores pueden esperar reflexiones crudas, anécdotas ingeniosas y reflexiones sobre el desordenado proceso de convertirse.
gas demasiado cómoda». Ahora mismo, es fácil permitirme pensar en él constantemente, pero esa otra parte de mí recuerda cómo todo esto puede venirse abajo más rápido de lo que puedo decir: «¡Pero si parecía tan perfecto!». Es decir, hubo un tiempo en el que me parecía bonito que mi ex hablara de sus exes para «procesar su pasado», y todos sabemos cómo acabó aquello. Pero bueno, soy un desastre al que le encantan los retos, y salir con alguien es como subirse a una montaña rusa sin barra de seguridad. Sabes que estás a punto de ser zarandeado, probablemente incluso boca abajo, pero no hay marcha atrás una vez que estás atado. Esta fase de luna de miel es como la primera subida: lenta, estimulante y un poco aterradora. Cada risa se siente como una victoria; cada mensaje de «Buenas noches, ¿hablamos mañana?» es una confirmación silenciosa de que quizá, sólo quizá, le guste tanto como a mí. Entonces, la realidad se impone con recordatorios de «gestionar las expectativas», algo que suena bastante razonable pero que es mucho más fácil de decir que de hacer. Porque cuando estás en la luna de miel, las expectativas son las que mandan. Espero que responda a todos los mensajes en menos de una hora o estoy convencida de que me está engañando. Espero que mi energía caótica le resulte «entrañable»
incluso después de verme sin maquillaje a la fría luz de la mañana. Y este es el peligro del drogado de la luna de miel: cuando él dice: «Vamos a tomar un brunch», es como si los dos oyéramos: «Planeemos estar juntos para siempre», y los dos nos asustamos un poco. O cuando dice casualmente: «Es divertido estar contigo», yo ya estoy enviando mensajes a mis amigas sobre cómo «definitivamente le gusta», mientras él probablemente está luchando con la misma mezcla de excitación y terror. Es como si ambos nos sintiéramos atraídos por la magia. Pero de vez en cuando, tenemos ese destello de: «Espera, ¿esto va demasiado rápido?». Y entonces nos vemos atrapados en este torbellino, inseguros de si nos estamos enamorando o simplemente cayendo. Pero a pesar de todos los riesgos, no puedo evitar lanzarme de cabeza. Porque por muy alta que sea la luna de miel, hay algo emocionante en dejarse arrastrar por ella. ¿Me haré daño? Seguramente. ¿Pero disfrutaré de cada momento chispeante y ridículo hasta entonces? Por supuesto. Y esa es la manera de hacer un desmadre: caer duro, reírse de los moratones y, de alguna manera, seguir creyendo en el amor. Porque aunque esta burbuja explote mañana, al menos he podido vivir en ella, aunque solo sea por un rato.
Confesiones de Un Desmadre es un trabajo personal de Emily Hess. Las opiniones expresadas en esta columna, así como las publicadas en El Nevada Sagebrush, son exclusivamente las de la autora y no reflejan necesariamente los puntos de vista de The Sagebrush o de su personal. Se puede contactar con ella en emilyhess@sagebrush.unr.edu y en Twitter @emilyghess3.
Traducido por Jason Alejandro Cruz
Derek Raridon/Nevada Sagebrush
Traducido por Jason Alejandro Cruz
Brooke Germain/Nevada Sagebrush
Traducido por Jason Alejandro Cruz
Fall Dance Festival 2024: A Vivid Display Of Movement And Emotion
By Emily Hess
The Department of Theatre and Dance’s Fall Dance Festival 2024 was a showcase of creativity, skill and emotion, offering a compelling blend of choreography and music that captivated its audience from start to finish. Featuring nine unique pieces, the festival provided a platform for dancers and choreographers to explore themes ranging from humor to heartbreak and everything in between.
“Ellington Etudes” set the tone for the evening with a refined jazzinspired piece.
Choreographed by Eve Allen Garza, the dancers skillfully captured the Duke Ellington influences with a contemporary art background enhancing the visual experience. Katarina Hallerbach’s solo performance stood out as a highlight, balancing elegance with dynamic movement.
The mystery and humor of “WhoDunnit?” choreographed by Alyssa von Eberstein brought a playful energy to the stage. With music that ranged from Queen’s “Another One Bites the Dust” to the soulful “Kiss Me” by Sixpence None the Richer, this piece struck a balance between wit and suspense.
Notes of purple lighting and intriguing staging added to the theatricality of the performance.
Anthony McMenamy’s two contributions, “A Sinkhole Opens” and “Wrought,” were heavily experimental, featuring daring movements and intense physicality. “A Sinkhole Opens” played with grounded elements like sliding and throwing, while “Wrought” used stark, allblack costumes and pink lighting to emphasize agility and tension. Brynna Wayland’s “Interlinked” brought a contrasting ethereal and balletic quality to the festival. Its glowy aesthetics and cohesive movements made it a crowd favorite, offering a moment of beauty and stillness amid the night’s dynamic lineup.
The deeply emotional “Long Suffering (Note)” by Melody Hannah introduced a striking set design with a box on stage. Dancers moved in hoodies, emerging from the shadows into flashes of red and white
light. The use of flashlights added an atmospheric touch to this piece’s haunting narrative.
With “Apex,” Chelsea Anne Barlaan and Aurora Speciale delivered a burst of energy. Featuring neon green and black costumes, the hiphop-infused choreography invigorated the audience and stood out for its sharp movements.
Closing the night, “Out of Pocket” by Cari K. Cunningham provided a colorful and humorous conclusion. With excerpts from President Obama’s commentary and rainbow-colored lighting, this piece blended spoken word and dance to deliver a delightful social commentary.
Each piece in the Fall Dance Festival 2024 brought its own flair, and the production as a whole showcased the remarkable talent of its cast and crew. From experimental modern techniques to the polished precision of ballet, the festival celebrated the diversity and power of dance. If this year’s performances are any indication, the department has an exciting future ahead.
Nick Stewart can be reached at ns@nevadasagebrush.com or on Twitter @nickk_stewart. EmilyHessisastudentatthe UniversityofNevadastudyingjournalism.She canbereachedatemilyhess@sagebrush.unr. eduandonTwitter@emilyghess3.
By Emily Hess
The University of Nevada, Reno’s recent staging of The Laramie Project delivered a powerful and moving portrayal of Matthew Shepard’s tragic 1998 murder and the profound impact it left on the small town of Laramie, Wyoming. Crafted by Moisés Kaufman and the Tectonic Theater Project, the play draws from hundreds of interviews, journal entries and news reports to assemble an intricate narrative of grief, resilience and the painful realities of prejudice.
Through a series of monologues and character portrayals, The Laramie Project captures the deep impact of Shepard’s death on both the local and national levels, serving as a profound exploration of intolerance and the power of human resilience in the face of tragedy. Directed with sensitivity by Ware, the production introduced a new generation of attendees to that pivotal moment in LGBTQ+ history. The cast took on the difficult task of bringing themes to life with care and respect, creating an experience that bridged generations and spoke the universality of human empathy.
Alex Mead’s performance was a standout, as Aaron Kreifels, his nuanced approach and authenticity bringing depth to the narrative without slipping to an overdone melodrama. Mead was wellsupported by cast members Madison Youngblood, Colleen Keen and Hunter Healy, who each captured the emotional turmoil of
the Laramie community’s reactions. Although some accents were a bit exaggerated, which occasionally disputed the realism of the intimate story, the cast’s dedication kept the focus on the heart of the play.
The minimalist set design and the understated lighting choices effectively supported the documentary-style structure, allowing the focus to remain on the characters’ voices and experiences. The simplicity of the staging complemented the gravity of the content, creating a space where each monologue and interaction resonated with the audience.
ensuring each story felt genuine and deeply personal. Ultimately, UNR’s production of The Laramie Project went beyond recounting historical events; it reminded audiences of the enduring legacy of Shepard’s story and the ongoing importance of tolerance and empathy. While certain elements could be polished, the sincerity and dedication of the cast and crew created a profound, resonant experience. This production didn’t just memorialize Shepard—it connected his story to today’s world, prompting reflection on how far society has come and how much further it needs to go.
The cast handled the play’s challenging structure with remarkable fluidity, seamlessly transitioning between multiple characters with ease and clarity. Each actor took on a variety of roles, shifting from one distinct personality to another in a way that felt natural and unobtrusive. This seamless switching allowed the audience to fully immerse in the diverse perspectives and emotional landscapes of Laramie’s residents without any jarring moments.
Through subtle changes in posture, tone, expression and costume, the performers managed to breathe life into each character, maintaining continuity and keeping the narrative flowing effortlessly. This skillful execution underscored the versatility of the ensemble and enhanced the documentary feel of the production,
OpinionsexpressedinTheNevadaSagebrusharesolelythose of the author and do not necessarily express the views of The Sagebrushoritsstaff.EmilyHessisastudentattheUniversityof Nevadastudyingjournalism.Shecanbereachedatemilyhess@ sagebrush.unr.eduandonTwitter@emilyghess3.
Nick Stewart/Nevada Sagebrush
Nick Stewart/Nevada Sagebrush
Look to the Western Sky: Wicked Part I Film Review
By Gabe Kanae
Whether you have seen an unavoidable mixture of green and pink-toned advertisements toned in pink and green around the world, stumbled upon the beautifully designed Broadway poster or even had the opportunity to hear the iconic battle cry yourself — it is more likely than not that you have encountered ‘Wicked.’ Wicked was originally adapted into the bestselling musical from the book of the same name. The novel was written by Gregory Maguire in 1995, intending to be a re-telling of The Wizard of Oz but focusing on the upbringing and perspective of Elphaba Thropp (the Wicked Witch of the West).
Bringing the Wicked book onto the Broadway stage was like bringing fantasy to reality. With artistic techniques, technologies that were ahead of their time, and talent that allowed each character to thrive — a question began to swirl around within the early 2010s that a Wicked adaptation would bring the musical to the big screen. Although it took more than a decade to execute, the cinematic experience finally arrived. With Cynthia Erivo playing Elphaba and Ariana Grande playing Galinda, it quickly stirred up controversy. Replacing Broadway legends with any movie star almost always brings conversations into why studio executives and casting choose who they did.
Wicked isn’t your typical musical film. While it contains the obvious layers that make the genre – such as arrangement, pacing, singing and dancing – Jon Chu’s directing style pushed a new twist into the production process. Chu, alongside the lead actors, decided that the film would benefit from them singing live on set, which allowed a multitude of different takes, versions and performances that produced immersion for not only each crew member but also those in the audience.
Of course, this newfound element in the musical production process had its cons. There are times within the film where you can almost sense that the takes being shown on screen aren’t perfectly “mimed” in visual expression, however those times were rare. Like all pieces of art, if someone nit-picks the depths of it to find flaws, they won’t leave empty handed, but that doesn’t necessarily mean there is something wrong.
The overwhelming majority of viewers that watch this film are attending for the experience, which Wicked most definitely provides.
Ariana Grande produces a beautiful operatic tonality to the majority of her song parts, which parallel with the grounded, earthly, expressive and renown depth that Cynthia performs with.
That being said, there are moments in the film that take the audience out of emotional moments because they split a song in the middle of its arrangement to have a world-building or conversational scene. While this is expected to happen in the majority of films, for Wicked: Part I, it leaves more of a footprint because the film’s two hour and forty minute runtime being almost as long as the entire broadway musical. Not to say that the pacing from the film felt incredibly drawn out consistently, but rather that it just snatches you and forces its pace on you during moments when you want them to just keep progressing. There are moments in this film where these additional scenes contribute significantly to the emotional message of a scene, like in ‘Defying Gravity.” But, there
tends to be less examples of the latter than I would’ve hoped.
Wicked: Part I manages to give references without too much intensity that many would call it “fan service.” While there are cameos and little secrets, they work because they just exist in the universe versus requiring recognition from the characters. The cinematography of this film has been a very argued choice on social media. One of the only times in the film where the cinematography significantly highlights its flaws to moviegoers transparently seemed to come during a moment in the ‘Dancing Through Life’ number, where the camera’s focal length feels so close to the action that you just get dizzy. Nonetheless, the battle cry is perfectly built up upon. It’s an ending that is not only entertaining but also unique and executed with a mixture of filmmaking techniques. While it may not transfer the same level of energy that
the stage performance once did, I do believe that it got close enough.
Perhaps Wicked: Part I’s largest flaw to me is that it is just enough. I didn’t feel that it pushed itself to break through any significant barriers amongst filmmaking production standards that would make it shine as a “once-in-a-generation” type film like ‘The Wizard of Oz,’ but I also would be lying if I didn’t emphasize that it does blow most modern musical-to-film adaptations out of the water. While it might not be a film that elicits and embosses the claim of significance, it definitely is a film that can say it executed what was expected.
Anora Blurs Lines Between Love and Work
By Brooke Germain
Sean Baker’s “Anora” is a raunchy, heartbreaking, funny and nerve-wracking movie about a girl who wants to be loved and is determined to believe it’s true. Read ahead for my spoiler-filled review for one of my favorite movies of 2024.
Ani (Mikey Madison) is a charming stripper who is very good at her job, and decent in speaking Russian—which ultimately leads her to giving a private dance to the 21-year-old son of a Russian oligarch, Vanya (Mark Eydelshteyn), who looks like he could’ve been a contender in a Timothée Chalamet look-alike contest.
He’s Ani’s age, handsome, spoiled rich and unlike the older men who are regulars at the club—one of these patrons tells a girl that she looks like his daughter before paying extra for a private lap dance from her. Vanya sweeps her off her feet with $15K and his quirky personality to spend the week with him in his luxurious lifestyle á-la-Pretty Woman. She stays with him in his family’s Brighton Beach mansion, and spends time with him and his friends. He whisks her and his group of friends away to Vegas, buys her a sable fur coat and then a 3 karat engagement ring, all while claiming that they would still get along even if there was no money involved and telling her over and over how serious he is about marrying her. They happily wed in Vegas, she quits stripping and she moves into his beautiful colossus of a home. If this movie was more like Pretty Woman, the movie would end here. The marketing of this movie alone had me entering the theater expecting a modern indie rom-com, as they featured reviews praising the chemistry between the couple. I truly entered the theater believing Ani and Vanya could work things out, despite their major socioeconomic differences. But that kind of ending isn’t realistic, and more importantly, it’s not Sean Baker’s style.This happy “ending” came only a third of the way through the movie.
I started to anxiously wait for the other shoe to drop. Vanya’s claim to commitment col-
By Brooke Germain and Emily Hess
The Nevada Sagebrush’s Monthly Staff Pick highlights artwork on display at The University of Nevada, Reno. The staff votes on their favorite pieces from a selection curated by Design Editor, Brooke Germain, from contemporary works across the four university galleries and The Lilley Museum of Art.
This month’s selection is Detianed Alien Enemy Glass Kimono by Reiko Fujii. This work is a part of Resilience: A Sansei Sense of Legacy, an exhibit at the Lilley Museum of Art located on campus through November 15.
lapses two weeks into their marriage when his parents find out who he is married to.
He disappears when his family comes to force him to get his marriage annulled and drag him back to Russia, abandoning Ani to deal with Vanya’s godfather and the men sent to retrieve the couple for the darkly funny re mainder of the movie.
Vanya’s godfather, Toros (Karren Karagu lian) offers Ani a fraction of the money that his godson had spent on her during their marriage to comply in the annulment, which she eventu ally does, with disbelief in Vanya’s switch from an energetic Prince Charming to a stonewall ing doormat when he is finally caught by his parents. He agrees to the annulment as per his family’s wishes, and can’t even look his ex-wife in the eyes by the end of the movie.
Vanya’s marriage pro posal was Ani’s first class ticket to upward social mobility, but for him, it was just a “fun” scandal that was part of his trip to America.
While I think part of Ani wanted to save her marriage for the money, more than anything, she just wanted to believe she could be more than her job to someone. I wanted to believe it too; I wanted to see her prove his family wrong. Like anyone else, she wants to be known and loved. She tried relentlessly and screamed from the top of her lungs to convince his family that she was more than a call girl. Despite this, she is constantly reduced to her job, and is referred to as a “shlyukha” (or slut in Russian), among other synonyms, more so than her own name. She overhears in a conversation behis marriage to an escort is a disgrace. She fights off these comments, yelling in her tough Brooklyn accent, “Your mother’s a shlyukha!”
Despite this, the constant name-calling and ultimate betrayal by her husband-client hurt her more than she would ever admit out loud.
After Vanya left, the only person to show her any kindness was Igor (Yura Borisov), an awkward, but well-meaning henchman of Toros. He lends her a scarf (which Igor had previously used to gag her, but it’s the thought that counts?) while the group is out in the cold looking for Vanya. Igor tried to make conversation with her, and defended her in front of Vanya’s parents, stating that Ani deserves an apology for everything the family had put her through.
In the final scene of the movie, Igor drives her back to her small brick home close to the rumbling elevated railway. He returns her engagement ring to her, which Toros had initially confiscated. Following this act of kindness, she climbs into his lap and initiates sex with him in the driver’s seat of his grandmother’s car, which he doesn’t turn down. Then, she bursts into tears and the movie ends.
After being told who she is over and over again, she acts accordingly, and then drops into a deep, permeating sadness. I believe this final scene is the most important to understanding where Ani stands with herself. Her relationship with Vanya ultimately blurred her boundaries between personal feelings and the niceties she’d exchange with her clients at work. When Igor returns her ring to her, her knee-jerk reaction is not to say thank you and part ways, but to give him a sexual favor. At this point, it may be all she believes she has to give, since her love was seen as a fraud.
Although I do think this movie is closely focused on Ani and her specific story, it offers a commentary on sex work as a whole. “Anora” shows the physical and mental demands, as well as the self-sacrifice that goes into this walk of life.
Confessions of a Hot Mess is a candid and relatable column by Emily Hess, where she dives into the highs and lows of navigating college life and your twenties. Through personal stories about boys, friendships, love and family, COHM unpacks the messy, beautiful chaos of growing up. From heartbreaks and betrayals to moments of selfdiscovery, she offers an honest look at the challenges and triumphs that come with this transformative time in life. Each week, readers can expect raw insights, witty anecdotes and reflections on the messy process of becoming.
The Art of A Second Chance: How
Are You Going to Give That Man One Million Chances But I Only Get One?
“How are you going to give that man one million chances but I only get one?”
That was the question swirling in my head after I got cut off from a group of friends I thought were in it for the long haul. It happened so fast—one misstep, one argument and suddenly I was the outcast. No second chances, little-tono explanations, just a cold cut-off. Meanwhile, the same girl who shut me out had just gone back to her on-again, off-again boyfriend.
It was a late Friday night when I realized just how twisted the whole situation was. I sat on my couch, scrolling through social media, watching their stories from a girls’ night that used to include me. Just months before, I was the one sitting next to them, chatting and mingling, offering my support as they talked. We spent time dissecting the situation, validating her feelings and talking about how she deserved better.
But when I messed up? One mistake, and that was it. It begs the question: Why do we, as women, hold each other to such a high standard, while we give men seemingly unlimited chances to redeem themselves? Why is it so easy to forgive someone who has repeatedly hurt us, but when a friend slips up, the door slams shut and that’s the end?
It’s a pattern I’ve seen over and over, and if I’m being honest I’ve been guilty of it too – I’ve sat by and given men chance after chance, but have been harsher with my girl friends when they
make a mistake. But in this case, it hit differently. I felt betrayed by someone I was beginning to get close with, and the reason for it felt hypocritical. I have friends that stayed close with them, and I now have to navigate the weird inbetween of knowing they are allowed their own friendships while feeling like I’m slowly being erased.
I keep asking myself why it’s so easy to fall back into old patterns with men, but most friendships don’t get that same luxury? We bend, we stretch, we make excuses for romantic partners, but when it comes to our girls, it’s one wrong move and we’re out. The second I faltered, I became disposable. The truth is, women are harder on each other because we hold ourselves to a standard of perfection that men rarely have to meet. We expect unwavering loyalty, unshakable support and a level of emotional care that, when broken, feels irreparable. But why? Why are we so quick to throw away something as meaningful as friendship over a single disagreement, while we’re willing to excuse the behavior of men who’ve hurt us time and time again?
I don’t have all the answers, but I see the higher standards that women hold each other to. We expect better because we know we’re capable of better. But that expectation can also set us up for disappointment when the inevitable slip up happens—because none of us are perfect, no matter how hard we try to be. And when we fall short, we cut
each other off because we know what we deserve, even if we allow the men in our lives to fall short.
It’s a lesson I’m still learning—how to forgive myself for the mistake I made, how to accept that my friends are allowed to have their own friends and how to come to terms with the fact that maybe this breakup was inevitable. Maybe it was on me. But still, the question lingers: Why do I only get one chance when he gets a million?
If we can forgive a man for hurting us time and time again, maybe it’s time we start giving each other that same grace. After all, friendships are supposed to be a safe haven where we don’t have to be perfect. Until then, I’ll keep picking up the pieces and figuring out how to be okay with the hot mess I am. After all, isn’t that what this column is about?
It’s a pattern I’ve seen over and over “
I have a confession: I’m kind of a situationship connoisseur. A situationship survivalist. A master of the undefined. Honestly, I’ve probably been in more situationships than I’ve had actual relationships. At this point, I feel like I could teach a masterclass. (Step one: don’t ask “what are we” unless you’re ready to hear “uhhh…” as the answer.)
Let’s face it—situationships are kind of fun. They’re low-commitment, high-drama, and thrive in that gray area where anything is possible. You can have all the perks of a relationship without the messy part where you have to meet their mom or figure out who gets the cat if things go south. It’s like a choose-your-own-adventure book, except the ending is always ambiguous and the plot makes you cry a little too often.
I’ve done it all: the situationship that felt like an indie rom-com, complete with late-night drives and sharing playlists; the one where I wasn’t sure if we were dating or if I was just really good at convincing myself we were; and, of course, the classic “you up?” situationship, where 90% of our communication happened at midnight.
(Spoiler: I was always, tragically, up.)
Here’s the thing—they always start off great. The casualness feels refreshing. You tell yourself, “I’m chill, I don’t need a label, I’m basically the human version of a cropped leather jacket.” You’re independent, unbothered and totally fine with things being undefined. You say this to yourself repeatedly while staring at your phone, wondering if they’ll ever text back.
But the truth about situationships is they exist in this weird middle ground where no one knows the rules. Are we exclusive? Are we even dating? Can I post a picture of us on my story, or will that send them into a full-blown panic attack? Every text feels like a negotiation: “If I say I miss you, will they run for the hills or say it back? Wait— did I just ruin everything?”
Eventually, though, the cracks start to show. Like the time I casually asked, “Do you want to hang out this weekend?” and was hit with, “Oh, I’m busy. Also, what we have is so special, I don’t want to ruin it by making it a thing.” And yet, somehow, I stayed. Why? Because situationships have this magical way of making you believe it’s totally fine. Maybe I don’t need a label. Maybe “I’m busy” is actually romantic in some bizarre way. Breaking up with a situationship is also its own special brand of chaos. It’s not like a normal breakup where you can point to a moment and say, “That’s when it all went wrong.” Instead, it’s this slow, awkward fade-out, where one day you realize they haven’t texted in weeks, and you’re like, “Wait, did we just break up without actually being together?”
And the aftermath? Even weirder. You can’t do the classic breakup rituals like sobbing into a pint of Ben & Jerry’s or blasting Adele because, technically, you weren’t in a relationship. Instead, you’re left sitting there like, “Am I even allowed to be sad about this? Do I text my friends about it or just pretend it never happened?”
But despite all the mess, I have to admit—I don’t regret my situationships. They’ve taught me a lot, like how to decode the world’s vaguest texts (“What’s up?” can mean anything from “I miss you” to “I’m bored and you’re convenient”) and how to set boundaries (even if I had to learn the hard way).
So, to all my fellow situationship survivors: embrace the chaos. Let yourself fall into the undefined, knowing you’ll come out with a few more stories and a lot more clarity about what you don’t want. Because one day, when the right person comes along, you’ll know exactly what you deserve—and it’s way more than a 2 a.m. “you up?” text.
Here’s to messy feelings, vague texts, and the unmatched chaos of almost-love.
Let’s talk about blocking. You know, that little button that somehow holds all the power of therapy, meditation and a yoga retreat combined. Because here’s the thing: blocking isn’t just a social media action. It’s an act of self-care, a way to keep your sanity in a world where people you’re trying to leave behind keep popping up like a whack-a-mole game. Why are we willing to risk our peace just to keep tabs on people who are no longer in our lives?
Take my friend, for example. She’s got a borderline obsession with her old best friend — you know, the kind that started off with matching necklaces and ended in a dramatic, don’t-speak-my-name-oreven-look-at-me kind of way. But rather than move on, she’s been watching (yes, watching!) her old bestie’s social media like it’s some new reality show. And of course, her ex-best friend, sensing the audience, posts these passiveaggressive things that are basically an emotional buffet for my friend to devour with both hands. I keep telling her, “Girl, BLOCK. Think of it as hitting the mute button on toxic reruns.” But does she listen? No. Instead, she keeps scrolling, hoping maybe the next post will hurt less.
Spoiler alert: it won’t. Then there’s my almost relationship friend. You know the one — they’ve broken up, gotten back together, almost made it official, broken up again… and she insists she’s done this time. Only, every few days, he sends a “just checking in” text, and suddenly she’s thrown back into the almost-relationship vortex. I’ve lost track of the number of times I’ve told her, “Hit. The. Block. Button.” But she always says, “I’ll just ignore him.” Spoiler alert No. 2: ignoring does not work when your thumb has the muscle memory of opening his messages. The problem is, we have too much access to each other these days. Think about it. In the past, when a friendship or relationship ended, the hardest part was avoiding bumping into them at the grocery store. Now, it’s like they’re living in our phones, constantly one swipe away. It’s not normal. We’re not supposed to have this much visibility into each other’s lives, especially when the relationship is over. It’s exhausting, like trying to keep a wound from healing by poking at it every few days. And I’ll be real with you—blocking isn’t always easy. I was recently blocked by someone myself, and let me tell you, it stings! One minute you’re scrolling along, minding your
business, and the next, you’re hit with the digital version of a door slamming in your face. Ouch.
It’s the ultimate shutdown, a hard goodbye. I used to think being blocked was petty, like the grown-up version of taking back your friendship bracelet. But now, I kind of get it. Blocking isn’t always about ending things with someone else—it’s about protecting yourself from the places you keep stumbling back to.
Let’s be real—blocking someone isn’t as simple as it sounds. For something that takes just one tap, it feels way more complicated. You’d think hitting the block button would be a quick fix, like ripping off a Band-Aid, but in reality, it’s like trying to move a mountain. Why? Because blocking someone, especially someone who once meant something to us, feels final. It’s like officially admitting they’re no longer a part of our lives and there’s no lingering chance they’ll pop back in with some “hope you’re well” text that’s equally as pointless as it is gut-wrenching. Blocking comes with its own emotional tugof-war. On one side, there’s that tiny, logical voice in your head saying, “You’ll feel so much better if you just block them.” But on the other side, there’s the part of you clinging to what-ifs and memories. Blocking can feel like
the ending of a chapter, but it’s usually more like the closing of a book, the slamming of a door. Somehow, we think leaving it slightly open keeps us in control when, really, it’s just keeping us stuck.
And let’s face it—there’s something weirdly satisfying about knowing we could check in on them if we wanted. It’s like peeking through a window to see if they’ve somehow miraculously changed, apologized or fallen apart without us.
But all we end up doing is reopening old wounds and torturing ourselves. Blocking is tough because it means surrendering that little ounce of control, trusting that moving forward without their updates and their drama will bring more peace than pain.
TUESDAY, DECEMBER 10,
How the Came Back to the Pack Green Brothers
By Maddie Gomes
Even through their careers in the National Football League, brothers Virgil and Jeremiah Green still reflect on their journey playing football at the University of Nevada, Reno as one of the most challenging experiences they have ever faced.“When I came to Nevada, I realized how tough football was going to be,” Virgil Green said.
Now, with the Green brothers back at Nevada, they reflect on what their previous journey here was like.Both recruited by coach Barry Sacks, the brothers had similar experiences once at Nevada, realizing how hard they would have to work to get through their collegiate career and prepare for a future in football.
“Playing for Nevada was probably one of the hardest things I’ve ever had to do and try to accomplish,” Jeremiah Green said. “You get your limit gets pushed every day.”
Though difficult, the brothers believe a lot of their success in their professional and post-football careers came from the challenges they were able to overcome at Nevada and the rigorous, demanding practices led by coach Chris Ault.“He was a very stern, disciplined coach, and if you didn’t adhere to his demands, you weren’t going to last.” Virgil Green said.
“By playing football here and with Coach
Ault being my coach, I realized that I can get through anything,” Jeremiah Green said.
Virgil Green, drafted in the seventh round of the 2011 NFL draft by the Denver Broncos, recalls the lessons he learned from Nevada Football and coach Ault.
“The way Coach Ault made us work here in college, once I got to the NFL, even though I felt like I wasn’t as good as I needed to be, I knew I was tough enough to handle the adversity that would come my way,” Virgil Green said. “I was willing to do whatever it took to make the roster and compete.”
Jeremiah Green, an un-drafted free agent picked up by the Jacksonville Jaguars in 2014, had his football career end when he got cut after the third preseason game of the 2014 season.After going back to school at Nevada and getting his degree in criminal justice, Jeremiah Green went on to pursue a career in law enforcement where he still credits his success to his experience at Nevada.
“Coach Ault played a huge role in me understanding that I know how to push my limit and I’m not afraid to work,” Jeremiah Green said. “I think that’s what helped me in my law enforcement career that I’m in.”
After their football careers, the decision to come back to Nevada was not difficult for either of the brothers.“Nevada has always been like home to me, being at UNR it feels
Keyshawn Cobb Arrested on
Nevada safety Keyshawn Cobb was arrested Thursday morning on three drug charges, two of which are felonies.
The Washoe County Sheriff’s Office made the arrest, and Cobb was booked late Thursday morning. As of Friday morning, Cobb is still in custody. The Reno Judicial Court will see his case.
The three charges Cobb faces are: Conspire to possess more than 1 ounce of marijuana Possession of more than 1 ounce and less than 50 pounds of marijuana
like home,” Jeremiah Green said. “It doesn’t feel like a foreign place. It feels like I’m right where I need to be.”
After 10 years in the NFL, Virgil Green, living in Los Angeles at the time, suffered an ankle injury which led him to be placed on injury reserve with the Los Angeles Chargers.
“I get hurt at the end of October, and my wife starts asking me, what do you want to do? Where do you want to live?” Virgil Green said. “And I told her, let me start praying about it. Started praying about it. And like my brother said, Nevada, just to me, has always felt like home.”
As difficult as their time playing football at Nevada may have been, Virgil and Jeremiah Green not only chose to come back to Reno, but they came back to the University as well.
“I was kind of praying that my brother would come here.” Jeremiah Green said.
Virgil Green is currently the tight end coach at Nevada and while the position came unexpectedly, his ability to coach came right from the shared experience he has with who he is coaching.
“Would I ever leave? No,” Virgil Green said. “Because of my knowledge with football, and not just my knowledge with football, but my knowledge with dealing with the same things these kids are dealing with and having success with it.”
Now working for UNRPD, Jeremiah Green has settled into living here in Reno with his wife, Christina Green, who played women’s basketball here at Nevada alongside Virgil Green’s wife, Marianne Green.
“I think we’re kind of really setting the roots in the ground of where we are,” Jeremiah Green said. “My wife and my brother’s wife, we’re connected as a family.”
One of the ways the Greens have set the roots here in Nevada is through their foundation, The Green Family Foundation which is in partnership with Fellowship of Christian Athletes (FCA) Nevada.
“God has always played a significant role in our lives.” Jeremiah Green said.Their inspiration for starting this foundation, especially here at Nevada, came from understanding how their faith impacted their careers and helped them to overcome the tough experience of playing football at Nevada.
“Without God, without His provision and His direction,” Virgil Green said. “Me and him (Jeremiah) both wouldn’t be where we’re at now.”
The Nevada football team ended the 2024 season with a 38-14 blowout loss to No. 20 UNLV in the 50th Battle for the Fremont Cannon on Sat., Nov. 30. The Rebels extended their winning streak against the Pack to five games, their longest since winning five straight from 2000 to 2004.
Nevada (3-10) closed the season on a sixgame losing streak and went winless (0-7) in conference play. The defeat also marked the program’s third consecutive season with 10 losses, a first in Nevada’s history.
Nevada football head coach Jeff Choate noted the teams’ resilience through the adversity they faced this season.
Cobb was in his sixth college season and the last of his college eligibility. He’s started five games for Nevada while appearing in all 11 contests so far. He’s made a total of 27 tackles, 15 of them solo. He also has a sack, an interception, and three pass breakups on the year.
The Wolf Pack football team is currently on a bye week as they prepare for next week’s final home game of the 2024 season against Air Force. Nevada will then travel south to play in-state rival UNLV for the final game of the regular season. Nevada is 3-8 overall and 0-5 in the Mountain West.
Dominic Gutierrez can be reached via email dominicgutierrez@unr.edu or via X @d_m_g_16
• Conspire to violate the Uniform Controlled Substances Act on a first offense The last two charges are considered felonies, with the first being a gross misdemeanor. Cobb’s name and profile have been removed from the football roster portion of the official Nevada Wolf Pack website. A spokesperson for Nevada Athletics told The Nevada Sagebrush that Cobb has been suspended from the program. “Nevada Athletics is aware of this situation, and is working to gather more information at this time,” Nevada Athletics told The Nevada Sagebrush. “Keyshawn Cobb has been suspended indefinitely from the Nevada Football team.”
“The value is in the journey,” Choate said. “A lot of the time we are measured by results, this is a results-driven business, and I’m aware of that. I also believe that there are a ton of opportunities for growth in young men through this journey and part of that is the adversity.”
The Rebels started with the opening possession, and quarterback Hajj-Malik Williams quickly set the tone. He began with a 30-yard pass to wide receiver Jacob De Jesus, followed by a 29-yard run that sliced through the Nevada defense and brought UNLV to the 10-yard line. After three short runs, Williams found tight end Kaleo Ballungay for a one-yard touchdown on fourth down, giving the Rebels a 7-0 lead less than three minutes into the game
On the Pack’s opening possession, quarterback Brendon Lewis faced an early thirdand-long after being sacked by running into
his own lineman. Unrattled on the next play, Lewis connected with wide receiver Marcus Bellon for a 23-yard reception, setting the Pack up near midfield. Following two short gains, Lewis dropped back and launched a deep pass to wide receiver Cortez Braham Jr. for a 45-yard touchdown, tying the game at 7-7 with 10:03 remaining in the first quarter. Williams quickly guided the Rebels downfield on their next drive, connecting with wide receiver Ricky White III for a 23-yard completion to midfield. Two plays later, he scrambled for a 17-yard gain, pushing UNLV into field goal range. After being stopped on a third-down rush, the Rebels settled for a field goal, taking a 10-7 lead with 5:50 remaining in the first quarter.Both teams traded punts on their next series, leaving the Pack pinned at their own 16-yard line. After an incomplete pass and a seconddown sack, Nevada faced third-and-17. As Brendon Lewis dropped back to pass, defensive back Jarvis Ware blitzed and knocked the ball loose from his hand. The ball rolled into the end zone, where linebacker Jackson Woodard recovered it for a touchdown, quickly extending the Rebels’ lead to 17-7.
By James Wolfgang Perez
Photo Courtesy of Nevada Athletics
Derek Raridon/Nevada Sagebrush
Maddie Gomes/Nevada Sagebrush
By Dominic Gutierrez
Nevada Women’s Basketball Falls 75-59 to Colorado in
College Basketball Game at Tahoe Blue Event Center
By: Dominic Gutierrez
The Nevada women’s basketball team made history with Colorado, being the first two basketball teams to play at the Tahoe Blue Event Center. Unfortunately for Nevada, history ended in a 75-59 loss against the Buffaloes.
Colorado took control of the game early on, starting with a 5-0 run. Around the sevenminute mark, Nevada guard Audrey Roden got the Pack on the board with a layup to make it 5-2 Colorado.
The Buffaloes extended the lead to 18-7 at the two-minute mark, but a buzzer-beater three by Nevada guard Dymonique Maxie capped off a 6-0 run to end the first quarter 18-15 Colorado.
The second quarter started similarly, with Colorado pulling away but Nevada not far behind. After falling nine points down, Nevada clawed back in with a 7-0 run to bring the deficit within two. Colorado got a bit of a streak going, ending the first half with a 34-26 lead. Nevada hit a roadblock heading into the second half, losing the third quarter 24-17. The Buffaloes shot 53 percent from the field in the third quarter and outrebounded Nevada 11-3.
In total, Colorado outrebounded Nevada 4025.
Nevada head coach Amanda Levens said after the game that the rebounds stood out the most on the stat sheet.
“We knew we had to be about even to have a good chance to win this game,” Levens said.
“And, you know, credit them. I thought they were quicker with the ball tonight, and they just played really hungry.”
The offense for Nevada continued to struggle heading into the fourth quarter, losing 58-43. Nevada forward Lexie Givens scored 11 of her team-leading 17 points in the second half.
Givens also collected eight rebounds on the night, with Kennedy Lee not far behind in the scoring department with 15 points.
While Givens and Lee gave Nevada good performances, Levens said the team still needs to find an identity outside of them.
“We need some extra help around them,” Levens said. “I think we’re still struggling to find who else is going to step up and score. Some of our perimeter scoring has struggled so far this season, and we have to keep trying
to be creative and help them get going.”
Levens also said a key to finding that extra help will be getting forwards Amelia Raidaveta and Kendra Hick fully healthy. Raidaveta has been playing limited minutes while Hicks is expected to return in December.
While Nevada took the loss, this roster and team will be etched in Lake Tahoe history along with Colorado. As the basketball scene will potentially grow in Lake Tahoe, looking back at the first team to do it will be special.
“I think as things move forward in here, more college teams come in, and our players, you know, grow up and get out there and have jobs and things like that, to look back and be like, oh, when Nevada took on Colorado in 2024, they’re going to be part of something bigger than themselves forever,” Levens said.
Nevada will travel to Southern California on Thursday, November 14, to play UC Santa Barbra. Tip-off is scheduled for 7 p.m. PST.
Nevada Falls Flat in 68-57 Loss to Washington State
By: James Wolfgang Perez
The Nevada men’s basketball team dropped to 6-2 following an uncharacteristic 68-57 loss to the Washington State Cougars on Monday, Dec. 3. The Pack’s offense struggled, committing a season-high 15 turnovers, with guard Kobe Sanders standing out as the only player to shoot above 50 percent. Both teams struggled offensively to start the game, combining for 0-8 from the field until a layup by Washington State forward Lejuan Watts broke the scoreless stretch. A three-pointer by guard Xavier DuSell sparked the Pack’s early offense, followed by Sanders hitting a pull-up jumper and forward Nick Davidson throwing down a dunk off a Cougars turnover to give Nevada a 7-4 lead in the first five minutes. Washington State refused to back down, as forward Rihards Vavers sank two fast-break three-pointers and added two free throws. Forward Ethan Price followed with a three-
pointer of his own, giving the Cougars a 15-13 lead with eight minutes remaining in the first half. Despite Nevada staying competitive, the Cougars’ success from beyond the arc kept the Pack at bay. Guard Tomas Thraasterson hit a three-pointer, followed by another from Watts. Adding to Nevada’s struggles, the defense allowed Watts to slip free under the rim with two seconds left, catching an inbound pass and scoring a last-second layup. The play handed the Pack their first halftime home deficit of the season, trailing 31-21. Nevada entered halftime down by 10 after scoring a season-low 21 points in the first half. The team shot just 26 percent (935) from the field and 7 percent (1-15) from beyond the arc, with Sanders leading the way with six points. Out of the break, the Pack struggled to find points, quickly falling behind by as many as
Balanced Attack Leads Nevada Past
By James Wolfgang Perez & Maddie Gomes
The Nevada men’s basketball team improved to 4-0 with a commanding 8565 victory over the Santa Clara Broncos on Saturday, Nov. 16. The Pack led from start to finish, never trailing, and saw four starters score in double figures. The victory marked head coach Steve Alford’s 100th win at Nevada, making it the fourth program where he has reached this milestone, following Iowa, New Mexico and UCLA.
Nevada carried its offensive momentum from the Weber State game into this matchup, with the Pack’s starters connecting on their shots early. Forward Tre Coleman made the first splash play, converting on a long threepointer, with guard Xavier DuSell hitting back-to-back threes. Forward Brandon Love added to the surge, slamming home a dunk off an inside pass from guard Kobe Sanders, giving the team a quick 12-4 lead in the first three minutes. Sanders rattled in a turnaround jumper, followed by forward Nick Davidson sinking a three-pointer and scoring a layup off a Broncos turnover. Coleman drained a three on a fast-break possession, while Love powered to the rim for a layup and converted
the and-one. DuSell capped the run with a step-back jumper over defenders, extending the Pack’s lead to 29-10 with 8:54 remaining in the first half.
The team exchanged free throws before Coleman set up Davidson for a basket at the rim. Love followed with a dunk, and Coleman added a jumper. Love then tipped in a second-chance dunk, and Coleman turned in a jumper. The Pack’s lead increased to 21 points, as they took a strong 47-26 advantage into the break.
Three players reached double figures in scoring: Davidson with 12 points, Love, who contributed 10 points and five rebounds, and Coleman with 10 points. The team recorded 20 rebounds and scored seven points off turnovers while shooting 63% from the field.
Both teams battled at the start of the second half, with Sanders and Coleman combining to score the Pack’s first seven points. Love added a turnaround jumper, and Davidson capitalized on another Broncos turnover with a layup. James Wolfgang Perez & Maddie Gomes can be reached via email at
19. They committed seven turnovers, while Washington State guard Isaiah Watts drained three pull-up three-pointers, extending his team’s lead to 54-35 with seven minutes remaining.
Both teams traded points for the remainder of the game, with the Cougars holding an 18-point with under a minute to go. The Pack would go on a late 7-0 run to make it an 11-point margin at the end, but it was too little, too late as the team suffered its first home loss of the season against a Washington State team that was missing its best player in Cedric Coward due to injury.
The Pack trailed most of the game as they could not find consistent offense throughout.
Sanders scored 14 points and was the only Nevada player who shot above 50 percent (4-6), while the team shot a combined 39 percent (22-57) while only converting four three-pointers in the game.
Nevada men’s basketball head coach Steve
Alford emphasized that, despite the extended break, their game preparation remained consistent with any other week.
“We had a really bad week of practice. We have not played well in practice for about three days, and it showed up tonight,” Alford said. “Bad practices mean bad performances, and we have to do a better job coaching them. We’ve got seven seniors, so it’s shocking. This was maybe the worst offensive performance our team has had since I’ve been here.” The Wolf Pack’s next challenge will be on the road. They’ll travel to Los Angeles, Calif., to take on the LMU Lions on Saturday, Dec. 7, at 6:00 p.m. PST.
James Wolfgang Perez can be reached via email dominicgutierrez@unr.edu or via X @ JamesWPerezUNR
By Dominic Gutierrez
The Nevada women’s basketball team played UC Santa Barbara in Southern California on Thursday night. The teams battled through an overtime thriller, which went in favor of the Pack, as the team won 80-73. It didn’t appear this game would favor the Pack after the first quarter. UC Santa Barbara outscored Nevada 20-8 and held the Wolf Pack to 15.4 percent from the field. Nevada also had issues with the personal fouls early on, racking up eight through the first ten minutes. The second quarter was a complete turnaround for Nevada, who scored 24 points and shot 47 percent from the field and 50 percent from three. It also included a buzzer-beater layup from guard Audrey Roden, which gave her 1,000 career points. Head coach Amanda Levens credited Roden for the long-lasting impact she’s had on the program and how much of a competitor she is.
” I feel like she’s really helped elevate our team since she’s been here,” Levens said.
“We bring recruits in, and they’re like, gosh, I love how number 4 plays, she definitely stands out. So, not just the fans, not just our program, but her legacy. If we’re getting recruits that are influenced by the way we have a current player playing, that impact is long-lasting.” Guard Izzy Sullivan led the second quarter with eight points and a perfect 2-2 shooting from the three. Sullivan finished the night with a team-high 24 points, shooting 5-8 from beyond the arc. Levens said Sullivan scoring early was a good sign after a slow start to her season.
“I think once she saw the ball go in, you could just kind of see her relax a little bit,” Levens said.” So I was glad she got that bucket early, and it just got her going.”
Derek Raridon/ Nevada Sagebrush