Architecture Portfolio- Neha Arora

A EH N RA O

AR

P

O

R

T

F

O

L

O I

2

C

O

N

T

E

N

T

S

1. RESUME................................................................................4 2. COMMUNITY ORIENTED WORK FOR SUSTENANCE (COWS) Live Action Project 2017-18- Rethinking public space at Thaltej .....................6

3. LIFE ON TERRACE Research thesis 2015-16- Terrace as a living space- Its spatial resolution and human responses...............................................................14

4. HOME FOR THE OLD Design thesis 2014- Old Age Society........................................................28

5. LITERARY SOJOURN Design Studio 5, 2012- A place for lovers of literature..................................38

6. OFFICE WORK Interior Design and details, 2016- Bhutoria Residence Working drawings and details, 2017- Housing Project at Siliguri....................44

7.

FORM, TEXTURES AND COLORS Clay and ceramics 2015.......................................................................50

8. THE WAY OUR FOLKS PAINTED Tribal Art 2015- Warli, Madhubani, Mud and Mirror...................................52

9. WASTE TO PAPER Paper Making 2011-13........................................................................53

10. EXPERIENTIAL LEARNING AT NEPAL Related Study Programme III, 2013- Measured drawings of Changu Narayan Temple.......................................................................54

11. WEFTS AND WARPS Weaving 2014.......................................................................55

3

NEHA ARORA RESUME Birth date:18th May 1992 neharora.18@gmail.com +918511258332 Ahmedabad, India

4

EXPERIENCE

EDUCATION

July, 2016- July, Assistant Architect at Inscape 2017 architects

August, 2017present

Anant Fellowship Anant National University, Ahmedabad

2010-2016

Bachelor of Architecture CEPT University, Ahmedabad

2016

Research Thesis Terrace as a living space: Its spatial resolution and human responses

2014 February-June

Student exchange Semester 8, Ecole Nationale Supérieure d’Architecture de ParisBelleville, Paris

2010

Others Sketching, Hand drafting, Model Making, Designing

Higher Secondary XII - CBSE Science- 89% Maharaja Agrasen Vidyalaya, Ahmedabad

2008

Secondary X - CBSE - 89% Maharaja Agrasen Vidyalaya, Ahmedabad

INTERESTS

PARTICIPATION

Exploring new places Molding clay and glazing Writing poetry Baking Painting with different mediums Paper making Playing Badminton, carom

Took part in the competition of Sustainable campus in ISCN OIKOS. (Group effort) Won the semi-final round.

2015

Student Assistant, Weaving Workshop,CEPT University for one year

June to November, 2013

Intern at Prashant Pradhan Architects, Gangtok

SKILLS Software MS Office, Autodesk Autocad, Adobe Photoshop, Google Sketchup, Adobe Indesign

LANGUAGES

Participated in 3-day workshop in Earth construction at Hunnarshala, Bhuj Took part in the JKLU competition for designing spaces to enhance student interaction Took part in 120 hours to design ‘A room for communication‘

Hindi, English, Punjabi (basic), Gujarati (basic), French (A1 Level)

5

COMMUNITY ORIENTED WORK FOR SUSTENANCE (COWS)

Live Action Project 2017-18-Rethinking public space at Thaltej TEAM: Aliza Mehnaz, Marian Asante, Navin Selva, Neha Arora, Renuka Sampagao

6

A huge pile of garbage, with cows feeding on it, was an everyday situation outside Mathura Nagari (AUDA) Awaas, an EWS housing in Hinglajnagar, built under JNNURM. Waste dumping at this public place had resulted in persistent foul smell, breeding of mosquitoes and outbreak of diseases. It was affecting the residents of the society and also the young kids in the neighbouring Anganwadi.

Lack of ownership and prevailing social discord formed the basis of underutilized public space and thus opensing it to garbage disposal. Bringing behavioral change through community participation was need of the hour.

7

PROBLEM STUDY

Interaction and Interviews They put food on the gutter top.

There is a large dustbin near Gunjan Park; we throw our garbage there.

I go everyday on cycle to throw.

-SUJAL My father also goes there to throw garbage. This place is so smelly that we can’t even stand there.

- KARAN

All the garbage problem is because of the people of the AUDA Awas. Before they came it was very clean.

- SEJAL BEN

After we came, there is more garbage. If we stop anyone, they reply back saying we will put it here itself. There is always a cold war between people. People keep fighting for the same. The chairman takes money but does nothing.

-CHANDRIKA BEN

HINGRAJ SOCIETY

AUDA AWAS

If this situation is presented to the CM only then something can be done. The BJP MLA stays in the next lane. If he can’t do anything what can you do.

Also, their place is clean. In fact, people from that side also come here to throw garbage. It is because of the careless attitude of public; no one wants to throw the garbage in the dustbin.

-MOHAN BHAI During holi, they clean everything and celebrate here. They wash it with water and put sand to cover it up to play holi.

-DIPIKA

All the politicians need to be killed. Giving 20, 30, 100, 500 applications is just not possible, you will die one day.

Today,everybody is running away from the problem. Nobody wants to face it. Noone wants to do anything.

- PUJARI

ANGANWADI

Public here is not aware. They throw garbage from their window. The guard ran away when he was hit by garbage one time - CHHAGAN BHAI (CHAIRMAN) SLUMS

I am concerned about my kids. They are prone to diseases.

- SULEKHA BEN (ANGANWADI SUPERVISOR)

8

Activity Mapping

Inferences and Findings Poor civic sense

Lack Knowledge on Waste Segregation

Majority of waste disposal is done by Female & Children

SOCIAL DISCORD

Auda Aawas is the major contributor of the waste

Space is poorly integrated

Most of the Cows are abandoned

9

METHODS USED Saheli- OST (Open Space Technology) with Women circle

We started meeting a group of women, where we discussed about waste segregation and composting, health issues due to waste, etc. Participatory design workshop was held to know their opinions on how they wish their surroundings to be.

Collaboration with AMC - Chanelling waste disposal system

We collaborated with AMC and convinced them to send a van to collect garbage regularly from AUDA Awaas.

A meeting was held between the community and the AMC to discuss the issue and the probable solution for the same.

10

Awareness and Community Involvement - Team Up Clean Up

We realized that any solution would have long lasting success if it included participation from all stakeholders. They organised an event 'Team up to Clean up' on Sunday, 1st July, in collaboration with AMC, Maharaja Agrasen Vidyalaya and Samvedna Trust, in presence of the MLA Bhupendrabhai and councillor Laljibhai. Students from Maharaja Agrasen Vidyalaya performed a nukkad natak on Swachh Bharat to raise awareness amongst the people of the community. Students and faculty of Anant National University, volunteers from Samvedna Trust and the local residents then came together to clean the place. The event came to a close with the resident children planting trees inside the AUDA Awaas area so that it can remain clean and green.

11

Awareness and Community Involvement - Waste Segregation Activity with kids

Physical Intervention - Anganwadi Redesigning

The existing Anganwadi has no outdoor space for kids to play. We proposed to convert the existing hardscape into softscape and use discarded tyres and other waste materials for the kids playground. Open rainwater harvesting and natural percolation pit has been incorporated for the kids to observe and learn. Anganwadi is used for 4 hours at maximum, so it is possible to make it multi-use keeping it open to women and kids to use it during later part of day.

12

Kitchen garden Natural soak pit Store

Kitchen

Toilet

Play area Classroom

Sand pit

Semi open Classroom

Store

Kitchen

Toilet

Rainwater tank

Plan- Anganwadi redesign

Additional elements for kids to play and to make the environment better 13

LIFE ON TERRACE

Research thesis 2015-16- Terrace as a living spaceIts spatial resolution and human responses GUIDE: Yatin Pandya

14

ABSTRACT Terrace is an open to sky, elevated and horizontal plane. It is a resource, which connects to sky; surroundings and can serve as an immediate outdoor space. Various spatial, notional and functional, situational and environmental aspects affect the use of space. 
They fulfill social needs of people and of recreation. Due to scarcity of land, it is important to use each resource to its full extent and terrace is one such opportunity.

The study focuses on the identification of human responses towards this asset. Based on the deep understanding of the terraces, its situational responses and attributes, they have been classified and organized into categories. It further includes categorization and character of the elements, which make up the space. It also consists of examples from Indian traditional architecture and approaches of various architects. Finally, three case studies have been selected and analyzed based on the same aspects.

15

THE VOICE OF TERRACE Need sun in winter, climb the steps and come to me, Need breeze in summer, raise your steps alternately and come to me, Bring your umbrellas, or come without them, Stretch your arms, and collect the gems.

I was nothing before you created me, I was nothing before you garnished me, I would not let down the labor and hopes of mirth, But I cannot calibrate the movement of the earth.

I don’t need, to clean me a hundred hands, I catch the tears of clouds before they reach down the lands.

Save bulbs and tubes for the closed rooms, The sun and moon constantly fill me with bloom.

Open your doors towards me and I shall herald the next, Push me out and I will introduce to the world of motion and rest.

Feeling lost on ground amongst the crowd, See your world from the top and shout loud.

When you were busy flying the kite, A part of me held you and another kept you protected When you had secret love moments, A part of mine rose high to keep you enclosed.

Want to know where the worlds meet, Growing tomatoes and rice is with what I can greet A journey of a hundred steps within the vicinity, Ends into the expanse of infinity.

All I do is for what I am generated, My occurrence can be accelerated but not debated.

Objects and devices find their position, A human, a bird, a flower can all find admission without acquisition.

-Neha Arora (author of thesis)

16

TOPMOST PLANE ELEVATED SLAB PASSAGE ADJACENT

SITUATION

EXTENSION COURTYARD GROUPED INTERLOCKED

LINEAR

EXTENSION OF GROUND

SUBTRACTIVE

MULTIPURPOSE

FORM

CULTIVATION AMUSEMENT

CLUSTERED PLANAR

USE

STEPPED

ENERGY

INDIVIDUAL

STORAGE

ACCESSIBILITY

NATURAL

GROUP PUBLIC

ARTIFICIAL

MATERIAL

NATURAL

COMPOSITE

MATERIAL

ARTIFICIAL

DEPRESSED

COMPOSITE MODULATED

ELEVATED

SUGGESTIVE ELEMENT FORM

MULTI-LEVELED

FLOOR

BELOW EYE LEVEL

UNIFORM

HEIGHT

TERRACE

ROUGH SMOOTH TEXTURE

ORGANIC

ABOVE EYE LEVEL EXTENDED COMPOSITE

EDGE ELEMENTS

INCLINED

GEOMETRIC VOLUME

COMPOSITE TOPOGRAPHY

WIDENED RECESSED EXTENDED

ENVIRONMENTAL ASPECTS

LANDSCAPE

SOLID

CLIMATE

POROUS

ORGANIZATION

MASS AND VOID

MOVEMENT

FRAMED

EDGE ELEMENT FLOOR

HOLLOWED OUT

COMPOSITE ENCLOSURE

SPATIAL ASPECTS

SHELTER

PERGOLA

SHELTER ELEMENTS

SCALE AND PROPORTION

PAVILION CANOPY

LANDSCAPE AND WATER ELEMENTS

NOTIONAL AND FUNCTIONAL ASPECTS VIEWS SAFETY TERRITORIALITY

QUALITATIVE ASPECTS

NOISE CONTROL

17

ANALYSIS Framework of Analysis In order to understand the spatial resolution and human responses towards a terrace following framework has been followed: Criteria for selecting case studies The criteria for selecting case studies is to get diverse approaches of using terraces from different periods of time having certain similar conditions.

Sr. no.

Case study

Built in year

Built by

Situation of Building

Building type

Type of Architecture

1

City Palace, Udaipur

16th century

Started by Rana Udai Singh and extended by his successors.

On the hill top overlooking lake

Palace (Residential and Administrative)

Rajput (Traditional)

2

Indraprastha 8, Frangipani, Ahmedabad

2013

Hiren Patel Architects and Deep Builders

Next to street in urban area.

(Not a major used street)

Residential Apartments

Contemporary

3

Agashiye, Ahmedabad

1920’s

Abhay Mangaldas

Edge of the old city visible far from bridge in a highly used area

Urban heritage Restaurant and Hotel

A mix of traditional and contemporary

View of Mor Chowk, City Palace, Udaipur 18

Badi Mahal, City Palace, Udaipur

12

10

8

6

5

11 9

13

Indraprastha 8- Frangipani, Ahmedabad

7

4

3

2

1

Agashiye, Ahmedabad 19

AGASHIYE, AHMEDABAD CASE STUDY

Scale and Proportion

Organisation The roof of house of MG and house of CG consist of pitched roof and terraces. This consists of combination of open terraces with built spaces in between. The terraces built are at different levels connected to each other through steps or staircase or to a covered space through which another terrace is accessed. e transition to closed space from a terrace happens through a semi open space.

20

Landscape elements

Movement The presence of built space define the movement of the space. The level of terraces continuously decreases from the level of terrace at the entrance descended through the steps. Different staircases and lifts connect the terrace to the lower floors as required. Movement around a terrace can happen through a semi open space or the terrace on other levels.

DECREASING LEVELS MOVEMENT AROUND TERRACE VERTICAL MOVEMENT DIRECTION OF MOVEMENT

21

Edge Elements Various terraces have been enclosed by different kinds of edge elements like igh parapets or walls with low parapets and fence in between or a line of columns of the semi open space surrounding the terrace, or a lot of plants before the parapet.

m’ m’ m’

12

Floor Modulation p’

n’

11 o’ 10

8

r’

k’

j’ i’ 9

h’ b’

q’

The terrace can be seen as a big terraces splitted into levels and differentiated through the textures and patterns. The diagram shows the level changes, varying textures of grass, mosaic work, tiles, shore gravel flooring, etc. Many terraces with mosaic work or the tiling pattern are bordered by different kind of pattern of mosaic or tiles demarcating boundary of the space.

l’

g’

d’

u’

13 x’ s’ w’14

f’

c’

t’

v’

e’ n

a’ 6 y

z

p q t

x w

m

3

o

u

4

5 v

l

r

k j

s

2

h

d e

i

a

b f

1 g

22

c

Additional elements on terrace The terrace of the haveli has the character of tradition of Gujarat. The involvement of various elements on the terrace make it more comfortable and pleasant experience.The maximum use of terrace is in evenings and nights of summer and during a ernoon and night in winter.

23

MINIATURE PAINTINGS

Notional and Functional aspects of terraces

Jawan Singh playing holi at Amar vilas by Ghasi in 1830

Human response Badi Mahal is the place of repose and entertainment for the Maharana during festivals. The terrace is with few chambers and jharokhas overlooking the city and lake below. The garden, pavilions, verandahs, water channels and the animated flooring patterns enhance the festive mood. Terraces in tropical climate allowed people to spend summer evenings and nights on them satisfying the psychology of being in pleasant and private environment.

24

Only men are on the terrace whereas all women are in the interior suggesting the culture and beliefs of that time where the space for women was confined but they could view the happenings at the same time. The terrace is suitable for large gatherings as it accommodates more than 100 people at once as shown in the painting, which also helps to sense the proportion of the space.

Spatial organization and components The focal point of the painting is the central pool filled with red colored water. The floor around it is also red due to presence of color and the rest of the walls and floor show same texture highlighting the central part around which the festival is being celebrated. The difference between the colored and cleaned part of the floor suggests the use of levels on the terrace where the upper one is clean but shows the colored prints of the limbs and the closed part is absolutely clean with carpet is laid for the royal woman to sit. The semi open space is used by women. Hence the terrace elements in and around play an important role in enhancing spatial richness of the space. The arches were decorated differently to suit the occasion suggesting that the architecture of that time had space to fulfill their social and cultural needs.

Function and mood Rana is seen playing holi with his courtiers and nobles on terrace. The rana appears thrice, among a throng of sardars and male relations. Firstly seated or standing waist deep in a tank of red water, secondly, wielding a water syringe charged with yellow or red liquid, and then drinking and smoking afterwards with the assembled company.

This shows the sequence of celebration and use of different parts of the place.

25

CONCLUSION Potential The terrace becomes a floor without roof simultaneously being a shelter. The function of it being a ceiling is taken care of whereas the attribute of being an elevated open space is not paid much attention on, at the time when the land is scarce. So it becomes important to revisit and the studies throughout the thesis show how the resource can be used spatially, functionally, formally, climatically and culturally to satisfy human needs.

Role of elements of terraces Enclosure of terrace is an important aspect defining privacy, relation with the surrounding landscape and hence the spatial quality. Edge elements play an important role, becoming a bench, providing a break, becoming high and then again low, from opaque to transparent.These variations allow the use to be maximized.

Flexible and versatile nature A terrace has to be architecture in response to landscape to function well leading to evolution of new forms. Just like on the ground open spaces occur in different shapes and forms, like a passage, a courtyard, a street, etc. these could be taken to a height to form a terrace. ‘Function may be a product of an existing programmatic requirement, when interpreted in terms of associated emotions, becomes the active force which expresses image of the form.’ A terrace like any other space can cater to all genders and age groups with the proper design of edge elements ensuring the safety of kids differentiating in scale and proportion depending on the number of people it has to accommodate at once.

Elevated/ upper level space The instinct to climb up to some high place from where we can look down and survey our world brings us to a terrace from where we can see our lives on the ground but vice-versa is not possible.

Just like a hilltop gives the view of the valley a terrace of a tall building gives the view of the city.

Also placement of terraces at particular level and direction can control the views and climatic conditions.

Spatial considerations People need green and open spaces to interact with nature and it becomes possible if the space is near. Usually the terraces are the topmost planes of the size of the footprint of the building with some space occupied by the lift/staircase shaft bounded by a parapet. So these are a result of a building and not part of a design. Due to such treatment remain unused, waste and a dead space. People use a space only if designed as a positive space. Open spaces require a view to look at, some green spaces and something to sit on. Also the space become positive if it lies somewhere between the building than the top surrounded by the building wings, plants, arcades, shaded paths getting some kind of enclosure.

26

Link to full thesis report Teraace As Living Space https://issuu.com/nehaarora18/docs/terrace_as_a_living_space__by_neha_

27

HOME FOR THE OLD Design thesis 2014- Old Age Society FACULTY:

28

Pratyush Shankar, Milind Patel, Purvi Bhatt, Aditya Patel

The program is an old age society built specially for the retired people to live their lives peacefully for mental, physical and social fitness. So it consists of their personal residences bought by them and along with it are the facilities and services for them.

29

Housing society

Old Age Society Ground

Bopal Lake Housing society

Housing society

LOCATION The site is in Bopal near the lake. There are many small shrines around the site and the nearest hospital is at a distance of 4 minutes from the site. Delhi Public school is also nearby.

PROJECT SPECIFICATIONS Total Site area- 9315 m2 1BHK type A, Area- 88 m2, 8 units 1BHK type B, Area- 102 m2, 16 units 1BHK type C, Area- 88 m2, 22 units 2BHK type D, Area- 130 m2, 8 units 2BHK type E, Area- 145 m2, 4 units Servant rooms- Area- 26 m2, 4 units Nurse quarters- Area- 52 m2, 4 units Other facilities include Common dining hall and 30

kitchen,prayer hall, library, community gathering spaces at different levels, watchman’s cabin, administration, Medical clinic, Physiotherapy, Swimming pool and changing rooms, laundry, common plaza and garden.

The housing is to give elderly people a chance to live happily and pursue their hobbies and interests and live a leisurely life after retirement where their health is also given a priority. It is to give them independence and importance.

CONCEPT Old people are more likely to sit and spend time in the outside spaces than the inside. So the main architectural idea is to build from outside to inside and shape the outside spaces.

Concept Sketches

The old city of Ahmedabad is a good example of climate responsive open spaces and streets and formed a major part of the case studies done. Other case studies included the old age homes designed by Herman Hertzberger and Muni Seva Ashram in Waghodia.

31

PROPOSAL On the ground are the open plaza and the garden and on the upper floors there are small community spaces between the residential units. The units are connected at places to another units at all levels.

Open space has different character on ground and on upper floors, so the units on upper floor are staggered to obtain a verandah in front for the units on ground and balconies and terraces on upper floors. There is a street forming in between to catch light and experience of getting inside.

32

Cluster plan- Second floor

Cluster plan- First floor

Cluster Plan- Ground floor

33

Section AA

Section BB

Section CC

34

35

I will never be an old man. To me, old age is always 15 years older than I am.

- Francis Bacon

36

37

LITERARY SOJOURN Design Studio 5, 2012- A place for lovers of literature FACULTY: Neelkanth Chhaya, Vishwanath Kashikar, Hemant Wala, Smit Vyas

38

A place where authors, playwrights and poets could meet regularly to read, discuss ideas with like minded, study stay for short period.The institution comprised of an admin, an auditorium, a library, temporary residences, and outdoor recreational spaces.

39

SITE CONTEXT Site was located on a slope near Sheelaj lake. The surroundings included vegetation and trees but no other built form.

40

CONCEPTUAL SKETCHES OF BATHING SPACES An initial exercise was to sketch the bathing space representing through light and shadow. This was more to understand the spatial quality and functioning of the space

CONCEPT In response to the slope of the site the concept was to make variations in volume of spaces by keeping the skyline a straight plane and accomodating natural height variations due to slope. Also the view towards the lake becoming wider as one goes from road towards it through the built.

Section through the admin, library and the gathering space

Sectional view showing library and the open space 41

Section through living quarters and library

Section through Admin and library

Plan at 1500 mm 42

Plan at -1500 mm

Plan at -4500 mm

43

OFFICE WORK

Interior Design and details, 2016- Bhutoria Residence Office work: Inscape Architects

The project is a house of a rich businessman of Kolkata. I worked on the interior design, conceptualization and details such as indoor and outdoor flooring, working drawings of furniture, toilet and staircase. Various moodboards were prepared for furniture selection and designing. An extensive list was prepared having details of each piece of furniture and upholstery of each floor. Attention was paid to use material effectively while execution.

Mood Board- Dining room

Mood Board- Living room 44

Internal staircase and platform details

Study diagrams- Living room alcoves 45

Working drawing- Terrace flooring details 46

47

OFFICE WORK

Working drawings and details, 2017- Housing Project at Siliguri

500MM BOX CHHAJA

300MM BOX CHHAJA

Office work: Inscape Architects

BASE SURFACE

3000 3000 3000

2400

600

TOP OF LMR AND OHT

2400

600

LMR AND OHT

2400

600

TOP OF LMR AND OHT

13TH FLOOR

3000

2400

600

LMR AND OHT

12TH FLOOR

3000 3000

BEAM BOTTOM

3000

BEAM BOTTOM

3000

BEAM BOTTOM

3000

BEAM BOTTOM

3000

43500

BEAM BOTTOM

3000

BEAM BOTTOM

3000

BEAM BOTTOM

3000

BEAM BOTTOM

3000

BEAM BOTTOM

3000

BEAM BOTTOM

900

1ST FLOOR

2400

600

2ND FLOOR

2400

600

3RD FLOOR

2400

600

4TH FLOOR

2400

600

5TH FLOOR

2400

600

6TH FLOOR

2400

600

7TH FLOOR

2400

600

8TH FLOOR

2400

600

9TH FLOOR

2400

600

10TH FLOOR

2400

600

11TH FLOOR

2400

600

TERRACE

BEAM BOTTOM

4500

3600

BEAM BOTTOM

PARKING

ELEVATION 01

ELEVATION 02

BLOCK 'A' AND 'B' ELEVATIONS

TOP OF LMR AND OHT

LMR AND OHT

3000

2400

600

TOP OF LMR AND OHT

13TH FLOOR

3000

2400

600

LMR AND OHT

12TH FLOOR

3000 3000

BEAM BOTTOM

3000

BEAM BOTTOM

3000

BEAM BOTTOM

3000

BEAM BOTTOM

3000 3000 3000

BEAM BOTTOM

3000

BEAM BOTTOM

3000

BEAM BOTTOM

600

2ND FLOOR

2400

600

3RD FLOOR

2400

600

4TH FLOOR

2400

600

5TH FLOOR

2400

600

6TH FLOOR BEAM BOTTOM

3000

BEAM BOTTOM

2400

43500

BEAM BOTTOM

2400

600

7TH FLOOR

2400

600

8TH FLOOR

2400

600

9TH FLOOR

2400

600

10TH FLOOR

2400

600

11TH FLOOR

2400

600

TERRACE BEAM BOTTOM

900

1ST FLOOR

4500

ENTRANCE FOR APARTMENT

3600

BEAM BOTTOM

PARKING

ELEVATION 05

ELEVATION 04

BLOCK 'A' AND 'B' ELEVATIONS

NOTES: • THIS DRAWING IS THE PROPERTY OF THE PROJECT ARCHITECTS AND IS NOT TO BE COPIED OR USED WITHOUT THEIR PERMISSION. • ALL DIMENSIONS ARE TO BE READ AND NOT TO BE MEASURED. ALL DIMENSIONS ARE IN MM, AND ARE GIVEN FROM STRUCTURAL SURFACES AND DO NOT INCLUDE FINISHES-UNLESS OTHERWISE MENSIONED. • ALL DIMENSIONS SHALL BE CHECKED AND CO-RELATED WITH STRUCTURAL AND OTHER CONSULTANTS DRAWINGS AND ANY AMBIGUITY SHALL BE IMMIDIATELY BROUGHT TO THE NOTICE OF THE PROJECT ARCHITECTS BEFORE COMMENCEMENT OF THE WORK.

48

PRINT IS DATE 15 05 17

500MM BOX CHHAJA 300MM BOX CHHAJA BASE SURFACE

ELEVATION 03

ELEVATION 06

E04 E03

BLOCK A E01

BLOCK B

ANCHOR SHOP

KEY PLAN E02

SSUE:

DRG. TITLE: SCHEMATIC ELEVATIONS, BLOCK

REVISIONS:

RE CL CC EE PHE FR SE NO DATE R0 E

DESCRIPTION

A AND B

DWG NO.: A/REF122/R0 DATE: 15/05/17

ARCHITECT INSCAPE

The project is a large scale housing proectASSOCIATE at AR SCALE: FTS

PRIYANK THAK PROPOSED HOUSING Siliguri.

My responsibilities schematic NO 136 DRAWN: NEHA included SR 308 AAROHI CO AT SILIGURI VIJAY CHAR R

PROJECT:

elevations, unit design, treeFOR plantation I was APPROVAL details.

ISSUED: PROJECT TEL: +91 79 40 162 CHECKED: SN EMAIL: inscape involved in making the drawings for approval from corporation and working drawings of all the blocks and site plan. I was also coordinated with various consultants such as MEP, structure, fire, etc. and incorporating their suggestions in the site.

CLIENT: SHANTI DEVELOPERS, SILIGURI

49

EXPERIENTIAL LEARNING AT NEPAL Related Study Programme III, 2013- Measured drawings of Changu Narayan Temple FACULTY: Pratyush Shankar

50

51

FORM, TEXTURES AND COLORS Clay and ceramics 2015 FACULTY: Snehal Kashikar

52

THE WAY OUR FOLKS PAINTED Tribal Art 2015- Warli, Madhubani, Mud and Mirror FACULTY: Snehal Kashikar

53

WASTE TO PAPER Paper Making 2011-13

54

WEFTS AND WARPS Weaving, 2014

55

THANK YOU