RODNEYSHA RUFFIN Architectural Designer
C: 678.837.8014 |E: rodneyshalruffin@gmail.com I became a professional in the field of architecture because it would allow me to be present in the discussion with reference to today’s design challenges as it relates to occupants’ experience. I would be able to create spaces that help those around me whether they’re in hospitality, healthcare, education, or corporate work spaces.
EXPERIENCE
Syntony Design Collaborative Architectural Design Intern (July 2022 - March 2023) Health Care Center - Autism Complete, Atlanta, GA Design Development to Construction Phases - Assisted with the coordination efforts following meetings with MEP Engineers, clients, and the contractors - Produced floor plans, interior/exterior elevations, sections, and reflected ceiling plans in Revit Commercial Center - Stonecrest Mall, Stonecrest, GA - Site surveys to confirm existing conditions such as structural column locations, interior walls, doors, finishes, etc. to assist design team with critical decisions - Produced floor plans and reflected ceiling plans in Revit Marketing - Produced marketing materials for firm’s social media posts across various platforms (i.e.: Instagram, Facebook, etc.)
EDUCATION Hampton University
Master of Architecture (2023) Research Thesis: “Defining a Residential Architectural Language for Contemporary African Americans Living in Gainesville, AL” - Tau Sigma Delta - AIAS - NOMAS Norcross High School (2018) - International Baccalaureate Candidate - Senior Beta Club - Spanish National Honor Society - International Thespian Honor Society
CERTIFICATIONS - LEED Green Associate
SOFTWARE ACADEMIC LEADERSHIP - Hampton University Grad Assistant (2022-2023) Responsible for overseeing the daily activities for over 60 undergraduate students’ living within the residence halls. - Hampton AIAS Chapter President (2022-2023) Responsible for planning all student activities within the Architecture Department including fundraising and community outreach efforts - Hampton NOMA Chapter President (2022 - 2023) The student liason between faculty/staff and the student body, providing student support services (tutoring, workshops, firm visits) - Hampton Teaching Assistant (2021 - 2022) Helped teach Environmental Systems and Integrated Building Systems to 3rd and 4th year architecture students
CONTENTS
03 |House on Freemason & Botetourt St. pg 21
01| Virginia Museum of Fine Arts pg 5
02| ViBe District Museum pg 13
05|Third Anchor pg 29
04| The Quarantine Home pg 25
06|Graduate Thesis pg 38
CULTURAL “Art isn’t in the tools, material, equipment you use. It’s in the way you see the world.” - Rick Rubin
Virginia Museum of Fine Arts Addition
Rodneysha Ruffin, Designer
ViBe District Museum
4
Virginia Museum of Fine Arts Addition • Located in Richmond, Virginia • VMFA Addition Brief was provided by SmithGroup • Addition to include galleries, an event space, and support spaces for both the public and the museum’s employees
5
Main Museum Buildings
Surrounding Buildings
Museum Addition
6
Big Idea: Ascending • Ascending: increasing in size or importance • The importance of art increases over time because sometimes it’s the only evidence of past civilizations, events, landmarks, cities, etc. Art can also serve as the connection between the past and the present. How? • “Set back” portions of building in order for it to appear that it’s ascending • Terraces that expand beyond the interior
2D Spatial Study
Building Mass Study
East Elevation
North Elevation
West Elevation 7
---
Cafe Sunroom Event Space
4
1
Kitchen/Catering Prep Area
5
Cafe
3
Cart Hold Space
6
Women's Restroom
Men's Restroom
7
-
8
-
9
10
12
General Storage
Visitor's Services Desk
Event Space Green Room
11
---
AV Storage
UP
-
-
VMFA Addition
UP
Art Handling Station Event Space Furniture Storage
Atrium
54
Atrium
13
18
17
Art Handling Station
15
Art Handling Station
49
Art Handling Station
Electrical
14
UP
Elevator Room
AV Storage Cafe
Large Scale Print Room
Cafe Sunroom
16
Cart Hold Space Mechanical
Electrical
UP
46 Janitor's Closet
Art Handling Station
Art Handling Station
Art Handling Station
19
20
21
Elevator Room
51
Event Space Event Space Furniture Storage Event Space Green Room General Storage Photography Gallery
Photography Gallery
Janitor's Closet
2
2
Kitchen/Catering Prep Area Large Scale Print Room Mechanical Men's Restroom Photography Gallery 0'
-
4'
8'
16'
32'
Visitor's Services Desk
---
Women's Restroom
Ground Floor Plan -
8
African Art Gallery
22 Ancient Art Gallery
23
DN
Restroom
28
Mechanical
Temporary Art Storage
26
31
VMFA Addition
UP DN
21st Century Gallery
Janitor's Closet
52
Restroom
27
Exhibit Prep Storage and Staging
Exhibit Shop Material Storage
29
30
African Art Gallery Ancient Art Gallery Electrical
Electrical DN
25
Exhibit Prep Storage and Staging Exhibit Shop Material Storage Janitor's Closet
DN
Mechanical Restroom Temporary Art Storage 21st Century Gallery
24
0'
4'
8'
16'
32'
African Art Gallery 22 Ancient Art Gallery
23
DN
Temporary Art Storage
Mechanical 26
0'
4'
8'
16'
32'
Restroom 28
DN
52
Restroom 27
Second Floor Plan
31
UP
Janitor's Closet Exhibit Prep Storage and Staging
Exhibit Shop Material Storage
29
30
Electrical DN
25
DN
21st Century Gallery
24
9
Board Committee Room
Board Committee Room
37
38
Board Room 36
Staff Break Room 39
Board Room Coat Closet
Women's Restroom
Board Room Acquisitions Gallery
Special Exhibitions Gallery
41
47
40
35
Men's Restroom
Board Room AV Closet
48
42
DN
34
Mechanical
DN
Janitor's Closet 53 DN
Electrical 33
VMFA Addition Board Committee Room Exhibit Paint Spray Booth
Board Room
DN
Board Room Acquisitions Gallery
50
Special Exhibition Exit Experience
Board Room AV Closet
44
Exhibition Production Wood Shop
Board Room Coat Closet Electrical
32
Special Exhibition Galleries
Special Exihibitions Crate Storage
45
43
Exhibit Paint Spray Booth Exhibition Production Wood Shop Janitor's Closet Mechanical Men's Restroom Special Exhibition Exit Experience Special Exhibition Galleries Special Exhibitions Gallery Special Exihibitions Crate Storage Staff Break Room
0'
Third Floor Plan
4'
8'
16'
Women's Restroom
32'
10 0'
4'
8'
16'
32'
North Elevation
East Elevation
West Elevation
South Elevation
11
Interiors: Event Space
Time: 6 AM
Time: 8 PM
View from Main Museum
View of the Skybridge from the Sculpture Garden
12
ViBe District Museum • Located in Virginia Beach, Virginia • Task: Art museum that could support the local artists’ within the Vibe District • Must include 3 galleries - each with a different lighting requirements 13
Building Concept Diagrams
14
Material Board Exterior White Brick
Concrete Walkway
Exterior Metal Panels
Site Plan
15
---
Museum Filing Room
Learning Center
3
4
Art Office Cafe Electrical
UP
Filing Room -
Cafe
Lobby
---
2
1
Learning Center Lobby Pantry
Pantry
Electrical
7
8
Storage Room
Art Office
5
6
Storage Room
Ground Floor Plan
0'
Lobby
4'
8'
16'
32'
Cafe
16
-
-
---
---
Mech./Elect.
Mech./Elect.
10
15
---
Mech./Elect.
16
Conference Room
11 UP
DN
Large Gallery
9
-
-
---
---
Medium Gallery
Director's Assistant Office
14
17
---
Small Gallery
DN
12 Museum Director Office
13
0'
4'
8'
16'
32'
0'
Second Floor Plan Museum Conference Room Director's Assistant Office Large Gallery
4'
8'
Third Floor Plan Museum
16'
32'
0'
4'
8'
16'
32'
Fourth Floor Plan Museum
Mech./Elect.
Mech./Elect.
Medium Gallery
Small Gallery
Mech./Elect. Museum Director Office
Large Gallery
Medium Gallery
Small Gallery 17
0'
4'
8'
16'
32'
East Elevation
0'
4'
8'
16'
Section I
32'
0'
4'
8'
16'
32'
West Elevation 18
0'
4'
8'
16'
0'
32'
4'
8'
16'
32'
South Elevation
North Elevation
0'
Section II
4'
8'
16'
32'
19
RESIDENTIAL “The ache for home lives in us, the safe place where we can go as we are and not be questioned.” - Maya Angelou
House on Freemason & Botetourt St.
Rodneysha Ruffin, Designer
The Quarantine Home
20
House on Freemason & Boutetourt St • Located at the intersection of Freemason & Botetourt St in Norfolk, VA • Currently an empty lot that was once occupied by a single family home and is surrounded by both traditional single family and townhomes • The task was to create a residential dwelling that would best fit the context of the neighborhood
21
Site Plan
22
DN
Private Living Space
11
Bedroom #2
Bedroom #4
8
9
---
Formal Living Room Bedroom #5 Bedroom #3
10
Bonus Room
7
6
Second Floor Plan 0'
4'
8'
16'
32'
---
Formal Living Room 1
Dining Room
3 Car Garage
3
12
Kitchen + Great Space
Open Kitchen + Great Room
5
---
Laundry/Mudroom
W
D
UP
4
Primary Suite 2
First Floor Plan
Private Living Space 23
0'
4'
8'
16'
32'
0'
North Elevation
4'
8'
16'
32'
South Elevation
-
---
-
-
---
---
0'
0'
Section A
4'
8'
16'
4'
8'
16'
32'
32'
Section B
24
The Quarantine Home • Location: Livingston, Alabama • The task was to create a space specifically for myself where I could quarantine during the Covid-19 Pandemic 25
---
W/D
0'
4'
8'
16'
32'
---
Floor Plan
Range
REF
Wine Stg.
Transverse Section Through Kitchen
0'
4'
8'
16'
32'
Longitudinal Section 26
North Elevation
South Elevation
East Elevation
West Elevation
Bedroom
Living Room
Kitchen
27
M I X E D-U S E
“Beauty is the harmony of function and form.” - Alvar Aalto
Third Anchor
Rodneysha Ruffin, Designer
28
Third Anchor • Located in Norfolk, Virginia • At the intersection of E. Freemason St. and Monticello is a vacant lot that once house MacArthur Center Park • City of Norfolk proposed an idea of a mixed use development • This proposal includes a 9-story apartment building, with ground floor retail and food + beverage services, and a 9-story hotel
29
Site Model
Aerial View
Roof Terrace 30
---
DN
UP
UP
Room Legend
Room Legend
Pharmacy
DN
21
DN
Apartment Entry
Entertainment Center
Grocery Store
Game Room
Mechanical/Electrical
Gym
Pharmacy
Lounge
Restaurant
Mechanical/Electrical Sauna Yoga Room Yoga Room
3
---
Gym
5
DN
DN
DN
DN
DN
DN
Sauna
1
Restaurant
20
Game Room
2 Grocery Store
Entertainment Center
19
4
Apartment Entry
45
Lounge
6
UP
Mechanical/Electrical
Mechanical/Electrical
28 DN
27
0' 0'
Apartments’ Ground Floor Plan
4'
8'
16'
4'
8'
16'
32'
32'
Apartments’ Second Floor Plan 31
-
-
---
---
DN
UP
UP
W/D
Room Legend
W/D W/D
W/D
W/D
W/D
Foyer Mail Room Mechanical/Electrical
W/D
W/D
W/D
W/D
W/D
W/D
Storage
W/D
W/D
W/D
-
W/D
-
---
---
W/D
W/D
W/D
W/D
W/D
W/D
W/D
W/D
W/D
Mail Room 31
42
Mail Room
W/D
UP W
D
Study W/D
22
Leasing Office 34
UP
Mechanical/Electrical
UP
33
Mechanical/Electrical 43
0'
4'
8'
16'
32'
Typical Floor Plan for Floors 3-7
0'
4'
8'
16'
32'
Typical Floor Plan for Floors 8-9
32
---
---
0'
4'
8'
16'
32'
Longitudinal Section Through Apartments
0'
North Elevation
4'
8'
16'
32'
East Elevation
33
Mail Room W/D
W/D
W/D
W/D
Studio Apartment Plan
35
37
Storage W/D
Two Bedroom Apartment Plan Version 1
One Bedroom Apartment Plan
W/D
D
W/D
W/D
Storage
One Bedroom Living Space
UP
37
Studio Apartment 34
25
Storage
24
Walk In Closet W/D
D
Three Bedroom Apartment Plan
W/D W/D
Penthouse Plan (Eighth Floor)
W/D
Mailroom
Two Bedroom Apartment Plan Version 2
22
W/D
W/D
Study
W/D
W/D
UP
W/D W
0'
4'
8'
16'
32'
Entertainment Room
23
Walk In Closet
24
Two Bedroom Living Space
Storage
Home Office
25
26
0'
DN
4'
8'
16'
32'
Penthouse Living Space
Penthouse Plan (Ninth Floor)
35
UP
Gym 7
Hotel Lobby 48
Sauna
Yoga Room
8
9
Gym Interior DN
Office
Office
12
13
DN
Office
Office
15
16
Women's Bathroom 17
Room Legend Conference Room
Men's Bathroom 18
Employee Lounge
Conference Room
Gym
11
Hotel Lobby
Employee Lounge 14
Men's Bathroom Office Sauna
UP
Women's Bathroom Yoga Room 0'
Hotel Ground Floor Plan
4'
8'
16'
32'
Hotel Entrance 36
-
-
---
---
Housekeeping 29
UP
DN
Housekeeping
DN
39
Vending Machine Room
40
Room Legend 30
Vending Machine Room
Storage
38
Housekeeping Vending Machine Room
Typical Floor Plan Floors 3,5,7, and 9
Typical Floor Plan Floors 2,4,6, and 8
UP
DN
0'
4'
8'
16'
32'
0'
Standard Double Queen Size Room
Queen Room Interior
4'
8'
16'
Standard King Size Room
32'
King Room Interior 37
THESIS “Your home should tell the story of who you are, and be a collection of what you love.” - Nate Berkus
Defining a Residential Architectural Language for Contemporary African Americans Living in Gainesville, Alabama Rodneysha Ruffin, Designer
38
Initial Line of Inquiry
39
The Larger Context Where?
Architecture Found in African American Neighborhoods in Sumter County
Uniontown, AL
Lowndes County, AL
Image Source: https://www.theguardian.com/usnews/2019/apr/15/were-not-a-dump-poor-alabama-townsstruggle-under-the-stench-of-toxic-landfills
Image Source: https://www.planetizen.com/news/2020/11/11127 4-legacy-structural-poverty-alabama
Uniontown, AL Image Source :https://www.theguardian.com/usnews/2019/apr/15/were-not-a-dump-poor-alabamatowns-struggle-under-the-stench-of-toxic-landfills
Architecture Found in Gainesville, AL
The Magnolia Home (built circa 1845) Image Source: https://www.ruralswalabama.org/attraction/themagnolia-home-1845/
Old Gainesville Bank (built circa 1845) Image Source: https://www.ruralswalabama.org/attraction/gainesville-bankgainesville-al/
Clark Chapel United Methodist Church Image Source: https://www.ruralswalabama.org/attraction/clark-chapelunited-methodist-church-gainesville-al/
40
The Architectural Design Problem
What does it look like?
Private sleeping areas are often designed small
Current design doesn’t allow for cook + entertain combo
Kitchen insufficient accommodate multiple people cooking
Small porch; doesn’t feel like an extension of home
Not a lot of open space to host gatherings
Living & entertaining space not sufficient for large gatherings
Trailer Home Model
Shotgun House Model
Small window = not a lot of natural light
Lack of space/area that serve as exterior/interior extension
Small window = not a lot of natural light
No use of local materials.
There is no formal architectural language due to erasure that addresses African American’s contribution living in Gainesville, Alabama.
41
Case Studies That Influenced Design Case Study 1: Ola Mae’s Porch Location: Greensboro, AL Owner: Ola Mae Architect: Rural Studio Year of Construction: 2003
- Extension and modification of current infrastructure to address today’s needs - Emphasis on “in between” space, both porch and sunroom - Use of local timber for construction
Case Study 2: Alabama’s Rib Shack Location: Gainesville, AL Owner: Jamie Lee Mitchell Architect: Jamie Lee Mitchell Year of Construction: 2021
- Use of Dove Wood native to Gainesville used in construction - Emphasis on outdoor and indoor spaces feeling like one space to gather and fellowship
42
Architectural Claim: An architectural language can be formed by creating homes that are culturally specific to how African Americans live in Gainesville, Alabama. What Needs to Change? What needs to change? Textures & materials used on exterior Form and/or of the home
Textures, Color Palette, and Furnishings for the interior
Addition or manipulation of interior spaces that correspond to human activity
Colors used on the exterior
The evidence behind why I find this to be true: 1. The home can be described as the center of Gainesville culture – it’s the pilar of the community and where fellowship takes place 2. Designing the interior spaces of the home allows for needs to be met based on specific human activity 3. An emphasis must be placed on the exterior spaces because the human activity that takes place within the home often overflows into the yard or action starting in the yard will flow into the kitchen, living room, or dining room. Research Plan
43
Phase I: Symbolism + Form
Umoja
Kujichagulia
Ujima
Ujamaa
Nia
Kuumba
Imani
3
2+5
2 6 1 10 5
9 4
7+8
10
8
7
44
Phase II: Interior Spaces and Human Activity
45
Phase III: Gardens + Yards Context: 300’ x 400’ block within Gainesville Historic District. All three design iterations could realistically fit on one blockand still have one quadrant open for future construction.
46
Phase III: Gardens + Yards Private Yard
Garden Public Yard
Public Yard
Roses
Petunias Four O’Clock’s
Garden Design for Theme I
47
Phase IV: Interior Quality & Exterior Materiality
A. Covered Porch Iteration
B. Sunroom Iteration
C. Open Terrace Iteration
48
Whether expanding upon current research or going beyond the initial scope of the architectural claim, what further design research could be done that would contribute to creating an architectural language for Gainesville?
At the time of the initial design research, the interior’s color palette was based on the exterior garden and landscape. Additionally, splitting the interior color palette and the exterior materiality into two different phases might prove to be more beneficial.
49
Contact: E: rodneyshalruffin@gmail.com C: +1 (678)-837-8014
50