New England Conservatory 152nd Commencement Program

Page 1

152ND Commencement Exercises

Sunday, May 21, 2023 at Symphony Hall Boston, Massachusetts

Greetings from the Board of Trustees

Thomas W. Blumenthal, Chair

Remarks by the President

Andrea Kalyn

Greetings from the Alumni Association

Mei-Ann Chen ’95 BM, ’98 MM, Conductor

Announcement of the Tourjée Alumni Scholarship Award

Student Speaker

Brittany Bryant ’23 BM

Announcement of the Donald Martino Award for Excellence in Composition

Announcement of the Peter Lyman Row Global Musicianship Award

Announcement of the Award for Excellence in the Liberal Arts

Announcement of the Entrepreneurial Musicianship Spark Award

Recognition of Faculty and Staff

Benjamin Sosland, Provost and Dean of the Faculty

Announcement of the Louis and Adrienne Krasner Teaching Excellence Award

Musical Interlude

Alexander Tcherepnin—Suite for Solo Cello Op. 76, Movement 4

Leland Ko ’24 AD, Cello

Conferring of Honorary Degrees

Commencement Address

George E. Lewis, Composer/Musicologist

Presentation of the George Whitefield Chadwick Medal

Conferring of Bachelor of Music Degrees

Presentation of the Gunther Schuller Medal

Awarding of Graduate Performance Certificates

Awarding of Graduate Diplomas

Conferring of Master of Music Degrees

Awarding of Artist Diplomas

Conferring of Doctor of Musical Arts Degrees Recessional

Processional

CANDIDATES FOR THE DEGREE BACHELOR OF MUSIC

* Kabir Adhiya-Kumar Jazz Studies Performance

* Julius Daesung Ahn Vocal Performance A

T Litha Elizabeth Ashforth Contemporary Improvisation

Misha Bjerken Double Bass Performance A

π Natalie Joy Boberg Violin Performance with a Liberal Arts Minor A

Tristen Broadfoot Clarinet Performance

* Jádon Brooks Vocal Performance

π Brittany Faith Bryant Vocal Performance with a Liberal Arts Minor A

Ari Chais Jazz Studies–Performance

* Anthony Kachun Chan Violin Performance A

Sung Chi Chang Violin Performance

Anne Chao Flute Performance A

Eric Charles Chen Violin Performance A

Jing Chen Vocal Performance

Linxi Chen Composition A

π Aixin Cheng Cello Performance A

John Clark Viola Performance A

Patrick Dempsey Composition A

π Andrew Minoo Dixon Composition A

Sophia Grace Donelan Vocal Performance A

Hannah Ruby Joskow Dunton Jazz Studies–Performance A

π Zion Dyson Jazz Studies–Performance A

Jacob Isaac Earnhart Euphonium Performance A

π Benjamin Eugene Eidson Jazz Studies–Performance A

Edward R. Ferran Vocal Performance

π Christopher David Ferrari Jazz Studies–Performance A

E Molly Irene Flynn Vocal Performance A

π William Fredendall Jazz Studies–Performance A Garrett Frees Jazz Studies–Performance A

* John William Fulton Bassoon Performance

Abisal Gergiev Piano Performance

Dermot Haven Gleeson Guitar Performance

Isabella Gorman Violin Performance A

Nayeon Gu Piano Performance

* Shengying Gu Composition

π Yujin Han Piano Performance A

Michael Harms Trumpet Performance

π Sarah Ellen Heimberg Trumpet Performance A

* David Grant Helder Vocal Performance

Joan Herget Cello Performance A

Riccardo Lucas Hernández Vocal Performance

Hyeonah Hong Violin Performance

Yi-En Ian Hsu Violin Performance

Yu Ting “Christine” Huang Piano Performance

π Miu Ishikawa Piano Performance A

Bella Hyeonseo Jeong Violin Performance

Caroline Elisabeth Jesalva Violin Performance with a Liberal Arts Minor

Aaron Kaufman-Levine Jazz Studies–Performance A

Mattias Kaufmann Contemporary Improvisation A

π Haeun Honney Kim Violin Performance A

Sunmin Kim Piano Performance

π Wanjoong Kim Piano Performance A

Yeonsoo Kim Violin Performance A

Elizabeth Anne Kleiber Flute Performance A

Alexander Benjamin Lenser Oboe Performance A

Che Li Piano Performance

Li, Pengyi Composition A

π T Yunqi Li Composition A

Lin Chenrui Clarinet Performance

Yeh-Chun Lin Viola Performance

Bairun Liu Piano Performance

Huimin Mandy Liu French Horn Performance A

Álvaro Emiliano López Reyes

Contemporary Improvisation A

William Mabuza Jazz Studies–Performance

Shaocheng Man Composition A

π Nikita Manin Contemporary Improvisation with a Music Theory Minor A

Yechan Min Flute Performance A

Tristan Gu Yang Murphy Piano Performance

π Nikki Naghavi Violin Performance A

Tejas G. Nair Contemporary Improvisation

π Ayano Alicia Nakamura Viola Performance A

Subin Oh Flute Performance

Jonathan Young Gwang Paik Jazz Studies–Performance A

Claire Park Cello Performance

π E Lydia Eileen Plaut Viola Performance A

π Gabriel Avi Randall Contemporary Improvisation A

Theresa Kathleen Reagan French Horn Performance A

Samantha Reiss Jazz Studies–Performance

* Eva Sánchez-Vegazo Ropero Cello Performance A

Rafe Lei Schaberg

Christopher Schrieber

Piano Performance

Jazz Studies–Composition

† Lila Claire Searls Saxophone Performance A

Jonathan Senik

Piano Performance

π Dianne Seo Flute Performance A

Xingrong Shao

Piano Performance

Haoyang Shi Viola Performance

Aria Jiaruo Shi Composition A

Luke Sieve Trombone Performance A

William Stark Jazz Studies–Performance

π Jenna Stokes French Horn Performance A

Hechen Sun Cello Performance

* Jon-Michael Taylor Trumpet Performance A

Joseph Anthony Vasconi Piano Performance A

π Ranfei Wang Piano Performance with a Liberal Arts Minor A

Leo Weisskoff Jazz Studies–Performance A

Madeleine Therese Wiegers Vocal Performance

Olivia Wilkins-Becker

Contemporary Improvisation A

* Zhangying (Jade) Wu Saxophone Performance

* Liyuan Xie

Violin Performance

Yi-I Stephanie Yang Cello Performance A

Ziang Yin

Piano Performance

Alex Yoo Jazz Studies–Performance

Chae Lim Yoon

Violin Performance

Ruoran Yu Violin Performance A

π Xiaoqing Yu Violin Performance A

Yue Yu Piano Performance

Yukun Zhang

Zhuoya Zhu

Guitar Performance

Piano Performance A

CANDIDATES FOR THE GRADUATE PERFORMANCE CERTIFICATE

Angela Jiye Bae Chamber Music–The Art of String Quartet Playing (BM Rice University, MM New England Conservatory)

Justin DeFilippis Chamber Music–The Art of String Quartet Playing (BM, MM Rice University. GD New England Conservatory)

Russell Houston Chamber Music–The Art of String Quartet Playing (BM Northwestern University, MM Rice University, GD New England Conservatory)

Marisa Ines Sardo (MM Indiana University–Bloomington) Guitar Performance

Benjamin Zannoni Chamber Music–The Art of String Quartet Playing (BM The Juilliard School, MM Rice University, GD New England Conservatory)

CANDIDATES FOR THE GRADUATE DIPLOMA

Chihiro Asano Vocal Performance (BM Tokyo College of Music, MM New England Conservatory)

Allyson Marie Bennett (BM, MM New England Conservatory) Vocal Performance

Thomas Weixin Burrill (BM, MM New England Conservatory) Collaborative Piano

Javier Mariano Castro Flute Performance (BM Baylor University, MM New England Conservatory)

Chiau-Rung Chen (BM, MM New England Conservatory) Viola Performance

Tong Chen (BM, MM New England Conservatory) Violin Performance

Su Jin Choi (MM Yonsei University) Collaborative Piano

Darby Marie Clinard Vocal Performance (BM James Madison University, MM New England Conservatory)

* Isabelle Ai Durrenberger Violin Performance (BM Cleveland Institute of Music, MM New England Conservatory)

Jeffrey Ho Cello Performance (BA University of California Los Angeles, MM University of Southern California)

Yiliang Jiang (BM, MM New England Conservatory) Violin Performance

Juliette Lee Kaoudji (BM, MM New England Conservatory) Vocal Performance

Elgin Lee (BM University of Minnesota–Twin Cities) Collaborative Piano

Ilhee Lee (BM Seoul National University) Vocal Performance

Hao Liu (MM, GD Peabody Conservatory of Music) Piano Performance

James Paul Lorusso (MM McGill University) Collaborative Piano

* Sarah Bernadette Matsushima Contemporary Improvisation (BM Berklee College of Music, MM New England Conservatory)

Adithya Muralidharan Cello Performance (BM University of North Carolina School of the Arts, MM New England Conservatory)

Dilshod Narzillaev Cello Performance (BM Park University, MM New England Conservatory)

Soyeon Park Clarinet Performance (BM Kyung Hee University, MM New England Conservatory)

Justus McKinley-Odell Ross (MM University of Southern California) Violin Performance

Sha,Wenxin (MM University of Hartford) Vocal Performance

Pei-Hsuan Shen Collaborative Piano (BFA, MM National Taiwan Normal University, AC Bard College)

Evelyn Chen Song (BM Cleveland Institute of Music) Violin Performance

* Yutong Sun (BM, MM New England Conservatory) Piano Performance

Lisa Sung (BM The Juilliard School) Viola Performance

Yi-Mei Templeman Chamber Music–The Art of Piano Trio Playing (BM New England Conservatory)

Yihe Wang Vocal Performance (BA Xi’An Conservatory of Music, MM New England Conservatory)

Luther William Warren (BM, MM New England Conservatory) Violin Performance

Jaewon Wee (MM The Juilliard School) Violin Performance

Xiao Xiao (MM, PC Manhattan School of Music) Vocal Performance

Shuqi Yang Vocal Performance (MA Shanghai Conservatory of Music, MM New England Conservatory)

CANDIDATES FOR THE DEGREE MASTER OF MUSIC

Thomas Dillon Acey (BM Jacksonville University) Clarinet Performance A

Junghyun Ahn (BM New England Conservatory) Viola Performance

Yuri Ahn (BM New England Conservatory) Cello Performance

Cameron Loren Alan-Lee (BM Cleveland Institute of Music) Violin Performance A

Carlos Arcos (BM Queens College, City University of New York) Vocal Performance

* Hyeonseon Baek (BM Conservatory of Maastricht) Jazz Studies Performance A

Jake Howell Baldwin (BFA Carnegie Mellon University) Trumpet Performance

π Michael Banwarth (BM Iowa State University) Collaborative Piano A

Andrew Christopher Barnwell Chamber Music–The Art of Piano Trio Playing A (BM New England Conservatory)

Isaac James Berglind (BM Eastman School of Music) Cello Performance

* Nicholas Biagini (BM University of Massachusetts–Amherst) Jazz Studies Performance A

Yuchen Bian (BM New England Conservatory) Composition A

π Justine Evelyn Boonstra (BM Gordon College) Vocal Performance A

Tyler J. Bourque (BM Louisiana State University–Baton Rouge) Clarinet Performance A

* Jacob Edward Britton (BM Oberlin College) Jazz Studies–Composition

Andrew Brooks (BM University of North Texas) Bassoon Performance

Jennifer Caroline Burks (BM University of Arkansas–Fayetteville) Vocal Pedagogy A

Minchao Cai (BA Central Conservatory of Music) Conducting–Instrumental Emphasis

Solomon O’Casey Caldwell Contemporary Improvisation (BM University of North Carolina School for Arts)

Elizabeth Camele (BFA Carnegie Mellon University)

Vocal Performance A

Xiaowei Cao (BM University of Miami) Composition A

* Sin Ying Chan (BM Curtis Institute of Music)

Violin Performance

π Tiffany Chang (BM New England Conservatory) Violin Performance A

π Magdalyn Rose Chauby (BM Ithaca College)

Bo Wen Chen (BM Taipei National University of the Arts)

Vocal Performance A

Violin Performance A

Chiyang Chen (BM New England Conservatory) Double Bass Performance A

* Guangcong Chen (BA Xinghai Conservatory of Music)

Puyuan Chen (BM Manhattan School of Music)

Youngji Choi (BM Seoul National University)

Hyunwoo Chun (BA Kyung Hee University)

Kristina Marie Costello (BFA Carnegie Mellon University)

Saxophone Performance

Trombone Performance A

Violin Performance A

Clarinet Performance A

Vocal Performance A

Yvonne Cox (BM University of Arizona) Harp Performance A

Calandra E. Damouras (BM State University of New York at Potsdam) Vocal Performance A

Audrey Daum (BM Wheaton College, IL)

Ryan Foster Devlin (BM University of Central Florida)

Vocal Performance A

Jazz Studies–Performance A

Lila Kenny Dunn (BM University of North Carolina at Chapel Hill) Vocal Performance A

Iverson Eliopoulos (BA Tufts University)

Andrew Flurer (BM Indiana University–Bloomington)

Bree Fotheringham (BM The Colburn School)

Benjamin Michael Parisoli Friedland

Conducting–Instrumental Emphasis

Bassoon Performance A

Violin Performance

Jazz Studies–Performance (BM Cleveland Institute of Music)

* Nadav Friedman (BM Jerusalem Academy of Music and Dance) Jazz Studies–Performance A

Chenxi Fu (BM Xiamen Music School)

* Santiago José Galeano (BM Berklee College of Music)

Aidan Thomas Garrison (BM New England Conservatory)

Vocal Performance

Jazz Studies–Performance

Viola Performance A

Michael J. Gerace (BFA University of Michigan–Ann Arbor) Jazz Studies–Performance A

Jiawei Gong (BA Sichuan Conservatory of Music)

Conducting–Choral Emphasis

* π Killian Justus Grider (BA Skidmore College) Music Theory A

Jiangcheng Guan (BM Berklee College of Music)

Jiawen Eric Guan (BM New England Conservatory)

Yihong Guo (BM Zhejiang Conservatory of Music)

* Lily Uijin Gwak (BA Korean National University of Arts)

Erika Ingrid Hallenbeck (BM Montclair State University)

Contemporary Improvisation A

Piano Performance

Jazz Studies–Performance A

Cello Performance

Jazz Studies–Performance A

*

Linhui He Jazz Studies–Performance

(BENG Shandong Agricultural University, MM Shangdong University of Arts)

Alexandra Marie Henderson (BM Southern Methodist University) Vocal Performance A

Benedict Thomas Hensley (BM Northwestern University) Vocal Performance A

π Maegan Lynne Hoogerhyde (BM Montclair State University) Vocal Pedagogy A

Grant Houston Violin Performance and Chamber Music–The Art of Piano Trio Playing A (BM New England Conservatory)

Joy Lee Hsieh (BM University of Georgia–Athens) Viola Performance A

Bennet Huang (BM University of Iowa) Cello Performance A

Ye-Eun Hyun (BM, MM Korean National University of Arts) Piano Performance A

Aadam Ibrahim (BM Oberlin College) Viola Performance A

Aidan Ip (BM University of Michigan–Ann Arbor) Violin Performance

π Tianfang Jia (BM Central Conservatory of Music) Composition with a Music Theory Minor A

Jingyue Jiang (BA Shanghai Conservatory of Music) Vocal Performance

Oscar Yu-Cheng Jiang (BM The Juilliard School) Piano Performance A

Shannon Johnson (BM Northwestern University) Vocal Performance A

V Thai Stephen Johnson (BA, AD Columbus State University) Vocal Performance

Zachary Johnson (BM University of North Texas) Trombone Performance A

Karlee Joan Kamminga (BM Western Michigan University) French Horn Performance A

Anna R. Kevelson (BM University of Miami) Flute Performance A

Daniel Junghoon Kim (BM Northwestern University) Cello Performance

Claire Deokyong Kim (BM New England Conservatory) Cello Performance

Jaegone Kim (MM Manhattan School of Music) Composition

Josephina You Kyung Kim (DP Longy School of Music) Cello Performance

Kyuree Kim (BM Seoul National University) Piano Performance A

So Jeong Kim (BM Yonsei University) Oboe Performance A

* Taehyun Kim (BM New England Conservatory) Jazz Studies–Performance

Wooyoung Kim (BM Kyung Hee University) Vocal Performance A

Yoona Kim (BM Seoul National University) Contemporary Improvisation A

π Kaitlyn Chase Knudsvig Contemporary Improvisation with a Music Theory Minor A (BM Eastman School of Music)

Youjin Ko (BA University of California Los Angeles) Cello Performance A

Hyelim Kong (BM Yonsei University)

Soobin Kong (BM Yonsei University)

Jawoon Koo (BM Hanyang University)

Viola Performance

Cello Performance

Vocal Performance A

Stephanie Krichena (BM Oklahoma City University) Percussion Performance A

Kwong Man To (BA The Chinese University of Hong Kong)

Viola Performance

Mathew David Lanning (BM University of Arizona) Composition

Josie Aurelia Larsen (BM Brigham Young University Utah)

Vocal Performance

Christopher Steven Laven (BM Rice University) Double Bass Performance A

* ‡ Nathan Christopher Le (BA Harvard College) Cello Performance A

Gayeon Lee (BM Hanyang University)

Hyun Ji Lee (BM Seoul National University)

Seunghee Lee (BM Seoul National University)

SooBeen Lee (BM New England Conservatory)

* Arreanna Lerner (BM Berklee College of Music)

Michael Alexander Lewis

Vocal Performance A

Violin Performance

Violin Performance

Violin Performance

Jazz Studies–Performance A

Conducting–Instrumental Emphasis (BS Georgia State University)

π Andrew Li (BA Harvard College)

Xiang Li (BM New England Conservatory)

Qi Liang (BM New England Conservatory)

Wanchun Liang (BA Xi’an Conservatory of Music)

Piano Performance A

French Horn Performance

Piano Performance A

Vocal Performance

Pualina Lim Mei En (BM National University of Singapore) Collaborative Piano A

Delvan Lin (BM Eastman School of Music)

Boxianzi Ling (BM San Francisco Conservatory of Music)

Yang Liu (BM New England Conservatory)

* Yuran Liu (BFA Minzu University of China)

Yuxin Liu (BM China Conservatory)

Piano Performance A

Violin Performance

Flute Performance

Vocal Performance

Vocal Performance A

* Pei Hsien Lu (BM Yong Siew Toh Conservatory of Music) Percussion Performance

Jiaqing Luo (BM Oberlin College)

Piano Performance A

Miranda Rae Macias (BM Southern Methodist University) Bassoon Performance A

V Benjamin Maines (BM Michigan State University)

Vocal Performance

Margaret Adair Malone (BM University of Kentucky Lexington) Vocal Performance

* Yizhu Mao (DIPP Oberlin College, BM New England Conservatory) Viola Performance

Brandon Markson (BA Occidental College) Composition A

π Keegan Marshall-House (BM Berklee College of Music) Jazz Studies–Performance A

Aleksis Martin (BM New England Conservatory) Clarinet Performance A

Kimberly Rose Martínez (BM Montclair State University) Vocal Performance

Passacaglia Mason (BM Columbus State University)

Violin Performance A

Carson McHaney (BM Oberlin College) Contemporary Improvisation

Mary Huntley McSwain (BM Belmont University)

Jazz Studies–Performance

Hannah Esther Messenger French Horn Performance A (BA, BS Case Western Reserve University)

π V Sara Mitnik (BA Syracuse University)

Vocal Performance A

‡ Ria Modak (BA Harvard College) Guitar Performance A

π Nozomi Grace Murayama (BA, BM Eastman School of Music) Violin Performance A

* Sahana Priyadarshini Narayanan (BA Columbia University) Jazz Studies–Performance A

Nan Ni (BM New England Conservatory) Piano Performance A

Hannah O’Brien (BM University of Michigan–Ann Arbor)

Haerim Oh (BM New England Conservatory)

Yeonjo Oh (BM, MM Kyung Hee University)

Violin Performance A

Violin Performance

French Horn Performance A

Parker Olson (BM New England Conservatory) Percussion Performance A

* Sebastian Ortega (BM New England Conservatory)

Evren Ozel (BM New England Conservatory)

Jimin Park (BM New England Conservatory)

Jooyeon Park (BM Kyung Hee University)

Jeffrey S. Pearson (BA Williams College)

Ruoxi Peng (BM New England Conservatory)

Cello Performance

Piano Performance A

Vocal Performance A

Vocal Performance

Violin Performance A

Vocal Performance A

Carles Pereira Romero (BM Berklee College of Music) Jazz Studies–Composition A

Cara Pogossian (BM Curtis Institute of Music)

Yulia Jessica Price (BM, BS, BA East Carolina University)

Yuzhe Qiu (BM New England Conservatory)

Dimitri Raimonde (BM Montclair State University)

Viola Performance

Violin Performance

Violin Performance

Trumpet Performance

Samuel Rockwood (BM University of Washington) Oboe Performance A

π Erika J. Rohrberg (BM University of Hartford) Flute Performance A

Paolo Dante Rosselli (BM University of Toronto)

French Horn Performance A

Jonathan McCord Salman (BM New England Conservatory) Cello Performance A

Andres Eduardo Sanchez (BM Curtis Institute of Music) Cello Performance

Tasha Meyer Schapiro (BM Eastman School of Music)

Felicitas Schiffner (BM Hochschule für Musik Frankfurt)

French Horn Performance A

Violin Performance A

Rebekah Rosa Luxon Schweitzer (BA Oberlin College) Vocal Performance A

Jiho Seo (BM Yonsei University)

Cello Performance

Wonjeong Seol (BM Estonian Academy of Music) Viola Performance A

* Jianlin Sha (BM Shanghai Conservatory of Music)

Matthew Shifrin (BM New England Conservatory)

Trombone Performance

Vocal Performance A

* Morgan Mackenzie Short Harp Performance A (BM University of North Carolina School for Arts)

π Wenhao David Shou (BM New England Conservatory)

π Amir Siraj (BA Harvard College)

Erica Sho Smith (BM Eastman School of Music)

Piano Performance A

Piano Performance A

Clarinet Performance

Halle Hayoung Song (BM Korean National University of Arts) Percussion Performance A

Sophie Steger (BM Northwestern University)

‡ Clayton Stephenson (BA Harvard College)

French Horn Performance A

Piano Performance

‡ William C. Swett (BA Harvard College) Double Bass Performance A

π Macintyre Taback (BM Eastman School of Music)

Cello Performance A

Jeremy Tai (BM Northwestern University) Cello Performance A

Wanrou Tang (BA Jilin University) Conducting–Choral Emphasis A

Danielle Lee Tobin (BA Seattle Pacific University) Vocal Performance A

π Teresa Elizabeth Tucci (BM Sheridan College) Vocal Performance A

π Emma J. Ujifusa (BA Pepperdine University) Vocal Pedagogy A

Richard Vculek (BM Indiana University–Bloomington) Bassoon Performance A

Nathalie Graciela Vela (BM Indiana University–Bloomington) Oboe Performance A

Hao Wang (BM New England Conservatory) Cello Performance

Libang Wang (BM Xiamen Music School) Vocal Performance A

Minyi Wang (BM New England Conservatory) Double Bass Performance

V Margot Emma Wegman (BM Ithaca College) Vocal Performance A

* An-Ni Wei (BFA National Taiwan Normal University) Composition A

* π Henry Lindenbaum Wilson Contemporary Improvisation A (BM University of California–Santa Cruz)

‡ π Leigh MacFarlane Wilson (BA Harvard College) Percussion Performance A

* Huanhuan Xie (BM University of North Carolina–Greensboro) Vocal Performance

* π Hsin-Hao Yang (BM California State University–Fullerton) Piano Performance A

Yi Yao (BM Xinghai Conservatory of Music) Composition

* Yiming Yao (BM New England Conservatory) Percussion Performance

Sung Ho Yoo (BA Korean National University of Arts) Piano Performance

Jin Yu (BM Xi’An Conservatory of Music)

Vocal Performance

Yuhan Zhai (BM Temple University) Music Theory A

Zhiqiao Zhang (BM New England Conservatory)

Wenbo Zhao (BFA Tianjin Conservatory of Music)

Piano Performance

Vocal Performance

Shiwen Zhong (BM Wuhan Conservatory, MA Guangxi Arts University) Composition A

Jie Zhou (BM Oberlin College)

CANDIDATE FOR THE ARTIST DIPLOMA

Jonathan Algot Swensen (BM Royal Danish Academy of Music)

Piano Performance A

Cello Performance

CANDIDATES FOR THE DEGREE DOCTOR OF MUSICAL ARTS

Sarah Camille Darling Viola Performance (BA Harvard College, MM New England Conservatory)

Nicholas Grondin Jazz Studies–Performance (BA Macalester College, MM New England Conservatory)

Corey Dalton Hart Vocal Performance and Pedagogy (BM Furman University, MM Bard College)

YooJin Jang Violin Performance (BM Korean National University of Arts, MM, GD, AD New England Conservatory)

Mina Kim Cello Performance (DP Longy School of Music, BM Emerson College, MM New England Conservatory)

* Andrew Schiller Jazz Studies–Performance (BM Arizona State University Tempe, MM New England Conservatory)

Shuxiang Yang Violin Performance with a Musicology Minor (BM Northwestern University, GD National University of Singapore, MM New England Conservatory)

* Degree awarded December 2022

† New England Conservatory/Tufts University Double Degree Program

‡ New England Conservatory/Harvard University Double Degree Program

π Pi Kappa Lambda nominee

Academic Honors (A) will be awarded to candidates who maintain honors-level cumulative grade point averages and are approved by Faculty Council.

(E) Awarded Music-in-Education Concentration

(T) Awarded Music Technology Concentration

(V) Awarded Vocal Pedagogy Concentration

This listing includes students who were eligible to participate in this ceremony as of May 15, 2023. Students who did not pass departmental or program examinations may participate in the Commencement ceremony, but will not receive their diplomas. Those who complete their final requirements in September 2023 will subsequently receive diplomas signifying graduation in December 2023.

ALUMNI MARSHALS

Raquel Jimenez ’08 BM

David Reffkin ’73 BM

STUDENT MARSHALS

Vladyslav Dovhan ’24 MM

Corinne Beth Luebke-Brown ’24 BM

PROCESSIONAL PERFORMED BY

Christopher Ferrari ’23 BM, clarinet

Michael Gerace ’23 MM, trombone

Mark Tipton ’24 DMA, trumpet

Alex Yoo ’23 BM, percussion

RECESSIONAL PERFORMED BY

G Korth-Rockwell ’24 BM, guitar

Carson McHaney ’23 MM, violin

FACULTY AND STAFF

On the occasion of New England Conservatory’s 152nd Commencement, the Board of Trustees recognizes the following faculty and staff:

Faculty Emeriti 2023

Ruth Lepson

Charles Peltz

Deborah Stein

Faculty and staff celebrating their 35th year of service to New England Conservatory

Lisa Nigris

Robert Winkley

Faculty and staff celebrating their 25th year of service to New England Conservatory

Frank Carlberg

Patrick Keppel

Jason Palmer

Faculty and staff celebrating their 10th year of service to New England Conservatory

Guy Fishman

Richard Frost

Max Levinson

James Markey

Cynthia Meyers

Retiring from the faculty

Karen Holvik

Martha Strongin Katz

Charles Peltz

Richard Ranti

Bert Seager

Deborah Stein

THE TOURJÉE ALUMNI SCHOLARSHIP AWARD

The Tourjée Alumni Scholarship Award is given each year to an alumnus/a or graduating student to pursue graduate work at New England Conservatory. The recipient must demonstrate outstanding musicianship, scholarship, and enterprise, as well as potential for success in graduate study and the field of music.

THE DONALD MARTINO AWARD FOR EXCELLENCE IN COMPOSITION

The Donald Martino Award for Excellence in Composition was established in his name by family and friends. The award, to be given to outstanding composition students at New England Conservatory, commemorates Martino’s important achievements as a composer and his impact on students and colleagues at NEC.

THE PETER LYMAN ROW GLOBAL MUSICIANSHIP AWARD

The Peter Lyman Row Global Musicianship Award is a cash prize established by the Row family in honor of sitarist Peter Lyman Row, who served as faculty member, dean and provost of the conservatory between 1974 and 2018. The award is approved by Faculty Council and is presented at commencement to a degree or diploma student, undergraduate or graduate, who demonstrates excellence in his/her primary area of study — performance, composition or scholarship — as well as a deep commitment to and in-depth study of a world music tradition, embodying Peter Row’s breadth of interests.

AWARD FOR EXCELLENCE IN THE LIBERAL ARTS

The Award for Excellence in the Liberal Arts is given to a senior who completes outstanding work across multiple disciplines in the Liberal Arts and who serves the NEC community through extracurricular activities that extend beyond their musical studies.

THE ENTREPRENEURIAL MUSICIANSHIP SPARK AWARD

The Entrepreneurial Musicianship Spark Award is given in consultation with the Office of Advancement and Engagement. The award recognizes and supports outgoing students who have a strong entrepreneurial mindset. The recipients can apply their award and advising sessions to advance a project, build an online portfolio, or seek out additional training.

THE LOUIS AND ADRIENNE KRASNER TEACHING EXCELLENCE AWARD

The Louis and Adrienne Krasner Award for teaching excellence commemorates two of the outstanding musicians and teachers of the twentieth century, whom we remember with undying admiration and affection for their service to New England Conservatory’s College and Schools of Preparatory and Continuing Education.

THE GEORGE WHITEFIELD CHADWICK MEDAL

The George Whitefield Chadwick Medal is awarded each year to the senior whose entire New England Conservatory record of achievement has been most distinguished in the candidate’s major field, supplementary studies, extracurricular activities, and good citizenship. George Whitefield Chadwick was director of NEC from 1897 to 1930.

THE GUNTHER SCHULLER MEDAL

The Gunther Schuller Medal is awarded to a graduate student distinguished by having made extraordinary contributions to the life of New England Conservatory. Composer, music historian, and educator Gunther Schuller served as president of NEC from 1967 to 1977.

CANDIDATES

FOR THE HONORARY DEGREE DOCTOR OF MUSIC

by

George E. Lewis is an American composer, musicologist, computer-installation artist, trombonist, and the Edwin H. Case Professor of American Music at Columbia University where he serves as Area Chair in Composition, and Artistic Director of the International Contemporary Ensemble. A Fellow of the American Academy of Arts and Sciences and the American Academy of Arts and Letters, a Corresponding Fellow of the British Academy, and a member of the Akademie der Künste Berlin, Lewis’s other honors include a MacArthur Fellowship (2002) and a Guggenheim Fellowship (2015), a Doris Duke Artist Award (2019), a United States Artists Walker Fellowship (2011), an Alpert Award in the Arts (1999), and fellowships from the National Endowment for the Arts. Lewis studied composition with Muhal Richard Abrams at the AACM School of Music, and trombone with Dean Hey. A member of the Association for the Advancement of Creative Musicians (AACM) since 1971, Lewis’s work in electronic and computer music, computer-based multimedia installations, and notated and improvisational forms is documented on more than 150 recordings. His work, published by Edition Peters, has been presented by ensembles worldwide, and he is widely regarded as a pioneer in the creation of computer programs that improvise in concert with human musicians. Lewis’s central areas of scholarship include the history and criticism of experimental music, computer music, interactive media, and improvisation, particularly as these areas become entangled with the dynamics of race, gender, and decolonisation. An Honorary Member of the American Musicological Society, his widely read book, A Power Stronger Than Itself: The AACM and American Experimental Music (University of Chicago Press, 2008) received the American Book Award and the American Musicological Society’s Music in American Culture Award. Lewis and Benjamin Piekut are the co-editors of the two-volume Oxford Handbook of Critical Improvisation Studies (2016). Lewis holds honorary doctorates from the University of Edinburgh, Harvard University, the University of Pennsylvania, Oberlin College, the School of the Art Institute of Chicago, and Birmingham City University, among others. For more about Lewis, visit https://music.columbia.edu/bios/george-e-lewis.

Ann Hobson Pilot

Presented by Marcus Thompson

Ann Hobson Pilot is an internationally renowned classical harpist, now retired from the Boston Symphony and Boston Pops Orchestras after 40 years. As an African American woman in the classical music world, she broke barriers of both race and gender, and she is devoted to expanding access to musical training for underserved students and to raising awareness about issues of diversity and inclusion of underrepresented musicians in orchestras. She was born in Philadelphia and is a graduate of the Philadelphia High School for Girls and the Cleveland Institute of Music where she was a student of Alice Chalifoux. In 1966, she was hired by the National Symphony (Washington, D.C.) as Principal Harpist, making her the first Black Principal (for any instrument) in an American orchestra. She joined the Boston Symphony Orchestra in 1969 and was named Principal Harp in 1980. An international soloist, Ms. Pilot has performed with orchestras in Europe, New Zealand, South Africa, and Argentina as well as with many American orchestras. Committed to harp education, she recently retired from the faculties of

the New England Conservatory of Music and Boston University and stepped down as Director of Boston University-Tanglewood Institute’s Young Artists Harp Program. Among her many honors, she has received the Gold Baton from the League of American Orchestras and three honorary doctorates including one from Tufts University and one from the Cleveland Institute of Music, her alma mater, where she was the commencement speaker. In a PBS documentary (A Harpist’s Legacy: Ann Hobson Pilot and the Sound of Change), the full impact of Ms. Pilot’s legacy is affirmed by her students and celebrated by James Levine, Yo-Yo Ma, and John Williams. Paying homage to her artistry, Maestro Williams composed a harp concerto for her when she retired from the Boston Symphony Orchestra (“On Willows and Birches”) saying that “it was a privilege to be asked,” and describing her as “a magician in the harp world.” Winding down her solo career, Pilot gave a performance at the Library of Congress on June 4, 2022 with the Ritz Chamber Players where she performed the Ravel “Introduction and Allegro”, the Debussy Trio and “Ennanga” by William Grant Still. The performance is available on the Library of Congress website. She and her husband Prentice Pilot are currently residents of Sarasota, FL. www.annhobsonpilot.com

David Zinman

Presented by Hugh Wolff

Conductor Laureate of the Tonhalle-Orchester Zürich, having completed his 19-year tenure as Music Director in summer 2014, David Zinman has held positions as Music Director of the Rotterdam Philharmonic, Rochester Philharmonic and Baltimore Symphony orchestras and more recently at the Orchestre Français des Jeunes, Principal Conductor of the Netherlands Chamber Orchestra, Distinguished Visiting Artist at the Eastman School of Music, and Music Director of the Aspen Music Festival, School and American Academy of Conducting. He has long-standing collaborations with soloists such as Mitsuko Uchida, Joshua Bell, Yefim Bronfman, Radu Lupu, Truls Mørk, Lisa Batiashvili, Gil Shaham, Julia Fischer, Renée Fleming, Yo-Yo Ma, Emanuel Ax and András Schiff. In addition to his guest conducting engagements, Zinman also gives regularly world-renowned masterclasses which he began as part of his tenture in Zurich — most recently students at the Sibelius Academy and Royal Academy of Music have benefitted from his expertise as a teacher and coach. Last season included masterclasses in collaboration with the Tonhalle-Orchester Zürich and Orchestre National de Lyon. David Zinman’s extensive discography of more than 100 recordings has earned him numerous international honours, particularly for his interpretation of Beethoven’s symphonies with the Tonhalle-Orchester Zürich, including five Grammy awards, two Grand Prix du Disque, two Edison Prizes, the Deutsche Schallplattenpreis and a Gramophone Award. Recent releases include a 50 CD box set David Zinman: Great Symphonies — The Zurich Years, which commemorates his recording legacy with the Tonhalle-Orchester. In 2000 the French Ministry of Culture awarded David Zinman the title of Chevalier de’Ordre des Arts et des Lettres, and in October 2002 the City of Zürich Art Prize was awarded to him for his outstanding artistic efforts — making him the first conductor and first non-Swiss recipient of this award. More recently, Zinman received the prestigious Theodore Thomas Award in recognition of outstanding achievement and extraordinary service to one’s colleagues in advancing the art and science of conducting. In 2008 he won the Midem Classical Artist of the Year award for his work with the Tonhalle-Orchester Zürich. He was also the 1997 recipient of the prestigious Ditson Award from Columbia University in recognition of his exceptional commitment to the performance of works by American composers.

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