June 6, 2025
~ PREMIER COLLECTIONS ~
Ida Manheim Antiques, 409 Royal Street, New Orleans; Select Property from Estates and Private Collections; Southern Fine Art, Antique Furniture and Decorative Objects, Jewelry and Couture, Fine Silver, Chandeliers and Lighting, Sculpture, Carpets, Porcelain, Mirrors, and more!
EXHIBITION
Monday, May 26 through Thursday June 5, 10 a.m. to 5 p.m.
SATURDAY EXHIBITION
Saturday, May 31, 10 a.m. to 3 p.m.
EVENING EXHIBITION
Tuesday, June 3, 5 p.m. to 7 p.m.
LIVE & ONLINE AUCTION
Friday, June 6, beginning at 11 a.m., lots 1-542
IDA MANHEIM ANTIQUES
Neal Auction is pleased to present the entire contents of Ida Manheim Antiques, 409 Royal Street.
Ida Manheim was born into the antiques business. She is the third generation of the Manheim family of antiquarians. Her grandfather, Bernard Manheim, emigrated from Austria to New Orleans at the turn of the last century, opening an antique gallery and small cabinet shop at 409 Royal, Manheim Galleries, in 1919. Her father, Abe Manheim, joined Bernard in the family business. As a child of nine, Ida began accompanying her father on European buying trips; she would join the firm fulltime as a young woman.
The Manheim family, through Manheim Galleries and later Ida Manheim Antiques, have catered to an international following of discriminating buyers for over 100 years. With her exceptional knowledge, Ida provided a clientele of serious collectors, foreign dignitaries and famous celebrities an unparalleled experience.
B. Manheim Antiques sign; ca. 1919; iron, gilding; by Smith the Sign Man (New Orleans). HNOC, 2016.0089
AUCTION DAY
Friday, June 6, 11 a.m.
LOTS 1-534
1. British School 19th c., “Portrait of a Spaniel”, oil on canvas, unsigned, framed. 38 1/4 x 50 5/8 in. (97.2 x 128.6 cm.), Frame: 45 x 57 x 3 in. (114.3 x 144.8 x 7.6 cm.)
[$700 - 1,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
4. Henry Andrews, British, 1796-1868, “Dog Skipping Rope”, oil on canvas, initialed lower left, framed. 30 1/2 x 46 in. (77.5 x 116.8 cm.), Frame: 37 x 52 1/4 x 2 1/2 in. (94 x 132.7 x 6.4 cm.)
[$600 - 800]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
2. Edward Charles Barnes, British, 1830-1894, “Woman Walking the Fields with Her Dogs”, oil on canvas, signed lower right, inscribed with artist on stretcher; “James Connell & Sons Fine Art Dealers & Publishers, Glasgow, Scotland” label on reverse of frame, “Geo Rowney & Co., London” canvas stamp en verso, framed.
30 1/4 x 25 1/4 in. (76.8 x 64.1 cm.), Frame: 40 1/4 x 36 1/4 x 3 in. (102.2 x 92.1 x 7.6 cm.)
[$400 - 600]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
3. Alexander Rosell, British, 1859-1922, “Best Friends”, oil on canvas, signed lower left, canvas stamp “B&S” en verso, UK shipping label on reverse of frame, framed.27 x 20 in. (68.6 x 50.8 cm.), Frame: 36 x 29 x 4 in. (91.4 x 73.7 x 10.2 cm.)
[$800 - 1,200]
Provenance: Bonhams Knightsbridge, London, June 19, 2012, lot 7: Ida Manheim Antiques, 409 Royal St., New Orleans.
6. Paul Beiremans, Belgian, 1876-1922, “Hailing the Ferry”, oil on canvas. signed lower right, after the 1888 original by Daniel Ridgway Knight (American, 1839-1924), “Artiges & Fils, Brussels, Belgium” label on reverse of frame, framed with artist plaque. 35 1/2 x 44 1/4 in. (90.2 x 112.4 cm.), Frame: 45 1/4 x 54 1/4 x 3 in. (114.9 x 137.8 x 7.6 cm.) [$500 - 700]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
3 1/2 in. (79.4 x 90.8 x 8.9 cm.) [$500 - 700]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
5. Benjamin Williams Leader, British, 1831-1923, “Sunny Fishing Date”, oil on board, 1871, signed and dated lower left, framed. 16 x 24 in. (40.6 x 61 cm.), Frame: 27 1/2 x 36 x 3 1/4 in. (69.9 x 91.4 x 8.3 cm.) [$800 - 1,200]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
British School 19th c., “Cottage alongside a River”, oil on
25 x 30 in. (63.5 x 76.2 cm.),
34 3/4 x 39 3/4 x 3 1/4 in. (88.3 x 101 x 8.3 cm.) [$500 - 700]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
8.
canvas, unsigned, framed.
Frame:
7. Tony Torta, British, 19th c., “Market Scene”, oil on canvas, signed lower left, pencil-inscribed “Caire 4/29” on center stretcher bar, framed. 21 1/4 x 25 3/4 in. (54 x 65.4 cm.), Frame: 31 1/4 x 35 3/4 x
9. Edward Holmes, British, 1841-1891, “La Vieille Chaumiere”, oil on canvas, signed lower right (under frame), framed with artist and title plaque. 26 3/4 x 36 1/2 in. (67.9 x 92.7 cm.), Frame: 36 1/4 x 46 1/4 x 4 in. (92.1 x 117.5 x 10.2 cm.)
[$1,200 - 1,800]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
10. George Lance, British, 1802-1864, “Still Life with Fruit”, oil on canvas, 1856, signed and dated lower right, framed with artist plaque. 36 1/4 x 48 1/4 in. (92.1 x 122.6 cm.), Frame: 44 x 56 x 2 3/4 in. (111.8 x 142.2 x 7 cm.)
[$1,500 - 2,500]
Ref.: The Exhibition of the Royal Academy of Arts. MDCCCLVI. (1856). The eighty-eighth., 1856, London: William Clowes and Sons, 14, Charing Cross, p. 25.
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
11. Louis Bosworth Hurt, British, 1856-1929, “Shetland Cattle Coming Down the Mountain”, oil on canvas, signed lower left, framed. 20 x 30 in. (50.8 x 76.2 cm.), Frame: 26 1/2 x 36 1/2 x 2 1/4 in. (67.3 x 92.7 x 5.7 cm.)
[$2,500 - 3,500]
Louis Bosworth Hurt was born in 1856 in Ashbourne, Derbyshire, England. The son of a tailor, Hurt began his career as an apprentice draper, only painting in his spare time under the tutelage of landscapist, George Turner and his son William Lakin Turner. Eventually he became a full-time painter and began exhibiting at the Royal Society of British Artists and the Royal Academy at twenty-four years of age.
Hurt was known for his hazy, romantic landscapes of the Scottish Highlands, often including the region’s famous Highland cattle, as in the lot offered here which features a herd making its way down a winding beaten path with magnificent foggy peaks recessed in the distant horizon. Hurt’s ability to accurately depict the majesty of the terrain and its inhabitants is well captured in the luminous, wispy clouds and detailed vegetation as well as the realism with which he paints the scruffy and beleaguered cattle.
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
(123.8 x 112.4 x 3.8 cm.) [$800 - 1,200]
12. Hermann Ottomar Herzog, German/American, 1832-1932, “Alpine Lake with Figures on a Village Road”, oil on canvas, 1862, signed and dated lower right, framed. 24 3/4 x 37 3/4 in. (62.9 x 95.9 cm.), Frame: 37 1/4 x 49 1/2 x
13. Maximilien Lambert Gelissen, Belgian, 1786-1867, “Landscape with Travelers by a Stream and Distant Castle”, oil on canvas, unsigned, framed with artist plaque. 22 x 28 in. (55.9 x 71.1 cm.), Frame: 29 1/4 x 35 x 2 3/4 in. (74.3 x 88.9 x 7 cm.)
[$1,000 - 1,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
14. Alexis Nys, Belgian, 1844-1930, “Two Young Women Reading a Newspaper”, oil on canvas, signed lower right, inscribed “No. 77” on tape on stretcher, framed. 45 1/4 x 40 1/2 in. (114.9 x 102.9 cm.), Frame: 48 3/4 x 44 1/4 x 1 1/2 in.
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
17. French Marble Bust of a Woman, unsigned, granite base. 25 1/4 x 23 x 11 in. (64.1 x 58.4 x 27.9 cm.), Overall Height: 32 in. (81.3 cm.)
[$1,500 - 2,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
15. Louis Derickx, Belgian, 1835-1895, “Chariot Attelé sur Fond de Paysage Montagneux”, oil on canvas, 1861, signed and dated lower left, framed. 34 1/4 x 49 5/8 in. (87 x 126 cm.), Frame: 48 x 63 1/4 x 3 3/4 in. (121.9 x 160.7 x 9.5 cm.) [$2,500 - 3,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
16. Georges-Jules-Auguste Cain, French, 1856-1919, “Pajou Sculpting the Bust of Madame du Barry”, oil on canvas, signed lower right, framed.32 x 39 1/2 in. (81.3 x 100.3 cm.), Frame: 44 3/4 x 53 3/4 x 3 1/2 in. (113.7 x 136.5 x 8.9 cm.)
[$1,200 - 1,800]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
18. Continental School 19th c., “Still Life of a Vase of Flowers”, oil on canvas, unsigned, “Charles G. Firby Fine Arts” label on stretcher bar, framed.31 1/2 x 25 1/2 in. (80 x 64.8 cm.), Frame: 38 1/4 x 32 1/4 x 2 in. (97.2 x 81.9 x 5.1 cm.)
[$700 - 1,000]
19. After Leonetto Cappiello, Italian, 1875-1942, “Pâtes Baroni”, reproduction advertisement poster, unsigned, “The Creative Process, Mandeville, LA” label on backing paper, framed. Sheet: 43 1/2 x 30 1/2 in. (110.5 x 77.5 cm.), Frame: 48 x 35 x 1 1/4 in. (121.9 x 88.9 x 3.2 cm.)
[$400 - 600]
20. Tiffany & Co. Retailed Polished Bronze of the Crouching Venus, early 20th c., after the early 19th century antique, retailer’s stamp of “Tiffany & Co.” and spurious signature “Clodion” on self-base. 16 1/4 x 11 x 8 in. (41.3 x 27.9 x 20.3 cm.)
[$800 - 1,200]
“Antiques, Collectables Auction”, Neal Auction Company, New Orleans, LA, Jul. 22, 2006, lot 85.
21. Konstantin Yegorovich Makovsky, Russian, 1839-1915, “Siblings”, gouache on silk laid on board, signed “C. Makowsky” lower left/center, “Sotheby Parke Bernet, Paris” and “Vito Giallo Collection” labels and “Atelier Constantin Makowsky, Paris” stamp en verso, unframed. 14 3/8 x 27 in. (36.5 x 68.6 cm.)
[$1,500 - 2,500]
22. Robert Balcke,German, 1880-1945, “Venezia - Palazzo Ducale”, oil on canvas, 1924, signed and dated lower right, titled en verso, framer’s label “S.T. Blessing, Canal Street, New Orleans” on reverse of frame, framed. 27 1/2 x 36 in. (69.9 x 91.4 cm.), Frame: 34 1/2 x 42 3/4 x 2 in. (87.6 x 108.6 x 5.1 cm.) [$800 - 1,200]
Neal Auction Company, New Orleans, LA, Dec. 7, 2008, lot 949.
23. George Hendrik Breitner, Dutch, 1857-1923, “Ship at Low Tide”, oil on canvas, signed lower right, framed. 14 x 20 in. (35.6 x 50.8 cm.), Frame: 23 x 29 3/4 x 3 1/8 in. (58.4 x 75.6 x 7.9 cm.) [$7,000 - 10,000]
Neal Auction, Oct. 28, 1990, lot 361.
26. Carl Fleischmann, German, 1853-1935, “Still Life with Cabbages, Potatoes, Gourds and Leeks”, oil on canvas, 1922, signed, dated and localized lower right, “Bush Antiques, New Orleans” and “Circle Gallery, New Orleans, LA” labels on reverse of frame, framed. 16 x 20 in. (40.6 x 50.8 cm.), Frame: 20 x 24 x 1 in. (50.8 x 61 x 2.5 cm.) [$500 - 700]
24. Karl Köpke, German, late 19th/early 20th c., “Views of Cairo, Egypt”, 5 watercolors on paper laid on board, 1938, 4 signed, localized and dated lower right, one lower left, each with “Durel-Hares, LTD, New Orleans” label on backing paper, framed alike. 9 3/4 x 13 1/2 in. (24.7 x 34.3 cm.) or 13 1/2 x 9 3/4 in. (34.3 x 24.7 cm.), Frames: 16 5/8 x 19 3/4 x 1 in. (42.2 x 50.2 x 2.5 cm.) or 19 3/4 x 16 5/8 x 1 in. (50.2 x 42.2 x 2.5 cm.) (5 pcs.)
[$800 - 1,200]
25. Hippolyte Hartmann, French/Martinican, 1818-c.1902, “Helena”, “Marietta” and “Chazlesia”, 3 sepia-toned cartes-de-visite, each pencil-titled en verso, each with printed “Hartmann, Phot” lower margin and “Photographie d’Outre-Mer Hartmann St. Pierre Martinique” along with crest en verso, unframed. Sheets: 4 1/4 x 2 1/2 in. (10.8 x 6.4 cm.) [$500 - 700]
27. George William Sotter, American/Pennsylvania, 1879-1953, “Public Gardens, Santa Maria de la Salute - Venice, Italy”, oil on canvas laid on board, 1907, pencil-signed, titled and dated on label and board en verso, 2 “Mobile Art Center, Koch Galleries” labels on backing paper, one with artist and title, framed with artist plaque. 7 1/2 x 9 1/2 in. (19.1 x 24.1 cm.), Frame: 14 x 16 x 2 1/2 in. (35.6 x 40.6 x 6.4 cm.) [$3,000 - 5,000]
Provenance: Neal Auction, July 22, 2006, lot 445.
28. Nikolai Efimovich Timkov, Russian, 1912-1993, “Road to the Woods” oil on board, 1960, signed and dated lower right, pencil-signed, dated, inscribed and artist label en verso, framed. 19 1/2 x 27 1/2 in. (49.5 x 69.9 cm.), Frame: 27 x 35 x 2 1/4 in. (68.6 x 88.9 x 5.7 cm.)
[$1,200 - 1,800]
29. Nikolai Efimovich Timkov, Russian, 1912-1993, “Landscape with Pond and Dense Trees”, oil on board, 1962, signed and dated lower right, pencilsigned, dated, illegibly inscribed and handwritten label en verso, framed. 10 x 13 3/4 in. (25.4 x 34.9 cm.), Frame: 14 1/4 x 18 1/4 x 1 in. (36.2 x 46.4 x 2.5 cm.)
[$800 - 1,200]
30. Mikhail Viktorovich Rundaltsov, Russian, 1871-1935, “Miami Beach, FL”, oil on canvas laid on board, 1923, signed lower right, titled and dated en verso, framed.16 x 20 in. (40.6 x 50.8 cm.), Frame: 22 1/2 x 26 1/2 x 1 in. (57.2 x 67.3 x 2.5 cm.) [$1,500 - 2,500]
31. George Van Hook, American/ New York, b. 1954, “At the Window”, oil on canvas, signed lower right, gallery label with artist and title in stretcher bar, framed. 24 x 20 in. (61 x 50.8 cm.), Frame: 30 1/2 x 26 1/2 x 2 in. (77.5 x 67.3 x 5.1 cm.)
[$600 - 800]
32. Irving Ramsey Wiles, American/New York, 18611948, “Portrait of a Lady”, oil on canvas, signed lower right, unframed. 28 x 22 in. (71.1 x 55.9 cm.)
[$700 - 1,000]
33. Monumental Bronze Figural Group of “Rattlesnake”, after Frederic Remington, signature inscribed on self-base; 62 x 24 x 45 in. (157.5 x 61 x 114.3 cm.)
[$2,000 - 3,000]
34. Charles Arthur Fries, American, 1854-1940, “Self Portrait”, oil on canvas, signed lower right, framed. 17 3/4 x 17 1/4 in. (45.1 x 43.8 cm.), Frame: 20 3/4 x 20 x 1 in. (52.7 x 50.8 x 2.5 cm.)
[$1,200 - 1,800]
36. Louis XV/XVI Transitional-Style
Bronze Mounted Marquetry Mahogany
Dining Table, 19th/early 20th c., molded top, foliate inlaid apron, square tapered legs, X-form stretcher, bronze cup feet, one leaf.
[$1,000 - 2,000]
35. Pair of Louis XV/XVI Transitional-Style
Bronze Mounted Parquetry and Tulipwood Marquetry Commodes, 19th c., molded marble top, banded door with foliate urn inlay, shaped apron, cabriole legs, sabots, 34 x 36 1/2 x 20 in. (86.4 x 92.7 x 50.8 cm.) [
$2,000 - 3,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
38. Italian Neoclassical Fruitwood
Marquetry Petite Commode, 18th c., probably Lombardy, extensive floral and figural inlay throughout, single door, square tapered legs, 31 x 21 x 15 1/2 in. (78.7 x 53.3 x 39.4 cm.)
[$1,000 - 1,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
37. Louis XVI-Style Carved Walnut Canapé en Corbeille, 19th c., ribbon carved molded crest rail, padded conforming arms, molded seat rail, fluted tapered legs44 x 92 x 32 in. (111.8 x 233.7 x 81.3 cm.)
[$1,000 - 1,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
39. French Empire-Style Bronze Mounted Mahogany Center Table, 19th c., marble top, cabriole supports with paw feet, triangular plinth base, disk feet. 27 3/4 x 33 in. (70.5 x 83.8 cm.)
[$1,500 - 2,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
40. Louis Philippe Rosewood and Mahogany Bookcase, 19th c., molded top, three molded glazed doors, molded glazed sides, shaped apron, conforming feet74 x 78 x 17 in. (188 x 198.1 x 43.2 cm.)
[$1,500 - 2,500]
41. Louis XV-Style Bronze Mounted Parquetry and Marquetry Console , 18th c., molded marble top, foliate and banded frieze, cabriole legs. [$2,000 - 3,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
42. Louis XVI-Style Parquetry Mixed Woods Cylinder Desk, late 18th/ early 19th c., tambour doors, roll top with fitted interior, frieze drawers, square tapered legs 56 x 46 x 24 in. (142.2 x 116.8 x 61 cm.)
[$2,000 - 3,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
Provenance: Ida
44. Edwardian Painted Satinwood Carlton House Desk, late 19th c., fitted superstructure, decorated with portrait medallions and floral swags, pull-out leather writing surface, two frieze drawers, tapered legs. 38 1/2 x 50 x 24 in. (97.8 x 127 x 61 cm.) [$2,000 - 3,000]
43. French Provincial Carved Walnut Bombe Commode, 18th c., molded top, two short drawers above two long drawers, paneled sides, cabriole legs. 37 x 48 x 25 in. (94 x 121.9 x 63.5 cm.) [$2,000 - 3,000]
Manheim Antiques, 409 Royal St., New Orleans.
45. Louis XV-Style Bronze Mounted Rosewood Butterfly Table de Toilette, late 19th c., made by Henri Nelson, Paris, France, stamped H. Nelson 2067, pear shaped, banded lift top with mirror, frieze with two butterfly drawers, shaped cabinet door, cabriole legs. 29 x 17 1/2 x 18 in. (73.7 x 44.5 x 45.7 cm.)
[$2,000 - 3,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
46. Louis XVI-Style Giltwood Console
Table, 18th c., molded marble top, molded foliate carved frieze, fluted tapered legs. 36 x 68 x 26 in. (91.4 x 172.7 x 66 cm.)
[$2,500 - 3,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
48. Continental Porcelain Centerpiece Bowl, reticulated bowl, over couples dancing around a tree, h. 21 in., dia. 13 in. [$400 - 600]
47. Pair of Louis XV-Style Bronze Mounted Inlaid Burlwood Serpentine Commodes, 19th c., molded shaped top, two banded conforming drawers, cabriole legs. 29 1/4 x 24 3/4 x 17 1/4 in.
(74.3 x 62.9 x 43.8 cm.) [$800 - 1,200]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
49. Pair of Large Ginori Majolica Polychrome Urns, c. 1880, each marked and titled, fantastical beast handles, the painted reserves depicting the Abduction of Persephone and the Allegory of Divine Wisdom. 21 1/2 x 11 1/4 x 10 1/4 in. (54.6 x 28.6 x 26 cm.) [$800 - 1,200]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
52. Set of Four Chinese Famille Rose Porcelain Inset ‘Eight Immortals’ Wall Panels, each central panel painted with a pair of Daoist immortals mounted between flanking calligraphy panels, each overall 43 3/4 in. x 11 3/4 in. Accompanied by a copy of an appraisal letter from Manheim Galleries, New Orleans, dated November 22, 1977. [$7,000 - 10,000]
Provenance: Manheim Galleries, New Orleans, dated November 22, 1977.
50. Pair of Worcester Porcelain Rhyton Vases, h. 7 in., w. 7., d. 4 in. [$200 - 300]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
51. Davenport Porcelain Child’s Tea Set, largest pc. h. 5 1/4 in., w. 5 1/2 in., d. 3 1/2 in. [$100 - 150]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
53. Large and Impressive Chinese Carved Giltwood ‘Dragon and Phoenix’ Plaque on Stand, deeply relief carved with a dragon and phoenix amid cloud scrolls aside two apsara playing musical instruments, plaque dia. 32 1/2 in., d. 7 1/2 in., stand, overall h. 40 3/4 in. [$600 - 800]
54. Ten Chinese Porcelain Vases, various designs, tallest 5 3/4 in. [$500 - 700]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
55. Pair of Chinese Crackle Glaze Porcelain Lamps, with four-toed dragon design, h. to socket 24 in.,dia. 8 1/2 in.
[$300 - 500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
56. Pair of Georgian-Style Carved Mahogany Ribbon Back Armchairs, 20th c., probably Irish, rocaille crest, bowknot and entwined ribbon splat, acanthus carved knees, ball and claw feet. [$500 - 700]
57. Georgian Inlaid Mahogany Chest on Chest, late 18th/early 19th c., dentil molded cornice, upper case with two short drawers over three long drawers, string inlay, lower case with dressing slide, three drawers, molded base, bracket feet. 75 x 43 1/2 x 22 in. (190.5 x 110.5 x 55.9 cm.)
[$2,000 - 3,000
58. George III-Style Inlaid Thuya and Satinwood Ladies Double Writing Slope on Stand, 19th c., double hinged top, fitted interior, floral paint decoration, frieze drawer, square tapered stretchered legs, spade feet, h. 32 in., w. 15 1/2 in., d. 25 in. h. 32 in., w. 15 1/2 in., d. 25 in.
[$800 - 1,200]
59. George III-Style Satinwood and Painted Occasional Table, 19th c., segmented top centering portrait medallion, molded top, frieze drawer, square tapered legs, X-form stretcher, h. 29 in., w. 22 in., d. 18 in. h. 29 in., w. 22 in., d. 18 in.
[$800 - 1,200]
60. Regency-Style Carved Mahogany Settee, 19th c., reeded crest rail, turned arm support with rosettes , conforming seat rail, turned tapered legs, casters. 33 1/2 x 76 x 27 in. (85.1 x 193 x 68.6 cm.)
[$800 - 1,200]
65
13
(208.3 x
[$1,000 -
61. Regency Brass Inlaid Rosewood Games Table, 19th c., baize-lined fold over top, tablet centered frieze, vasiform standard, plinth base, sabre legs, brass paw casters27 1/2 x 35 1/4 x 17 1/2 in. (69.9 x 89.5 x 44.5 cm.)
[$800 - 1,200]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
62. William IV Mahogany Reclining Library Chair, 19th c., possibly Scottish, scrolled rectangular back, padded scrolled arms, turned legs, castors. 40 x 24 1/2 x 27 1/2 in.
(101.6 x 62.2 x 69.9 cm.)
[$700 - 1,000]
64. English Chippendale-Style Carved Mahogany Chest on Stand, 19th and later c., molded lift top, paneled front, two drawers, pierced carved apron, cabriole legs, ball claw foot, h. 37 in., w. 56 1/2 in., d. 25 3/4 in.
[$600 - 900]
65. Georgian-Style Carved Mahogany Partner’s Desk, 19th c., molded tooled leather top, frieze drawers, paneled cabinet doors, plinth base. 29 x 49 1/2 x 72 1/2 in.
(73.7 x 125.7 x 184.2 cm.)
[$2,000 - 3,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
63. French Restauration-Style Mahogany Bookcase, 19th c., molded cornice, glazed doors, molded plinth base. 82 x
x
1/2 in.
165.1 x 34.3 cm.)
1,500]
66. Set of Four Chippendale-Style Carved Mahogany Side Chairs, benchmade by Manheim Galleries, New Orleans, pierced carved ribbon splat, trapezoid seat, molded seat rail, bellflower knees, cabriole legs, ball and claw feet. 42 x 23 1/2 x 23 in. (106.7 x 59.7 x 58.4 cm.)
[$700 - 1,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
67. William IV Inlaid Mahogany Loo Table, 19th c., molded oval top, turned baluster supports, outscrolled legs, scrolled toes, 20 x 53 x 40 1/4 in. (50.8 x 134.6 x 102.2 cm.) [$800 - 1,200]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
68. Georgian-Style Carved Oak Diminutive Chest of Drawers, 19th c., two short drawers above three long drawers, bracket feet. 26 x 24 x 11 1/4 in. (66 x 61 x 28.6 cm.)
[$300 - 500]
69.George III-Style Carved Mahogany Desk, 19th c., probably Irish, molded banded top with inset tooled leather, two frieze drawers, carved figural knees, cabriole legs, ball and claw feet. 32 x 54 1/2 x 27 1/2 in. (81.3 x 138.4 x 69.9 cm.)
[$1,200 - 1,800]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
George III-Style Mahogany Wake Table, 20th c., oval top with drop leaves, gated Marlborough legs. [$800 - 1,200]
70.
71. Pair of Antique English Carved Walnut Wing Chairs, 19th c., arched back with shaped wings, outswept arms, h. 51 1/2 in., w. 34 1/2 in., d. 35 in. h. 51 1/2 in., w. 34 1/2 in., d. 35 in. [$700 - 900]
72. William IV Carved Rosewood Library Table, 19th c., in the manner of Thomas Hope, D ends, frieze drawers, beaded molded frieze, trestle supports, paw feet. 29 1/4 x 33 1/2 x 54 in. (74.3 x 85.1 x 137.2 cm.) [$2,000 - 3,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
73. Set of Eight Chinese Chippendale-Style Carved Mahogany Dining Chairs, 20th century., probably benchmade by Manheim Galleries, New Orleans, pagoda crest, pierced carved splat, scrolled arms, foliate knees, cabriole legs, ball and claw feet. 38 3/4 x 22 x 17 1/2 in. (98.4 x 55.9 x 44.5 cm.), armchair: 39 1/2 x 24 1/2 x 18 1/2 in. (100.3 x 62.2 x 47 cm.) [$2,000 - 3,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
74. William IV Parcel Gilt and Rosewood Rent Table,, 19th c., tooled leather top, four molded frieze drawers, incurvate triangular standard with gilt pineapples, conforming plinth base, lobed disk feet. 28 x 46 x 46 in. (71.1 x 116.8 x 116.8 cm.) [$1,200 - 1,800]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
75. Regency Brass Inlaid Rosewood Sofa Table, 19th c., D end drop leaves, frieze drawers; square molded tapering standard, incurvate plinth, sabre legs, brass paw feet, casters. 27 3/4 x 37 1/2 x 26 3/4 in. (70.5 x 95.3 x 67.9 cm.) [$1,500 - 2,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
76. Italian School 18th/19th c., “Penitent Mary Magdalene”, oil on canvas, unsigned, framed. 40 1/4 x 32 1/2 in. (102.2 x 82.6 cm.), Frame: 46 1/2 x 38 1/2 x 2 in. (118.1 x 97.8 x 5.1 cm.)
[$600 - 800]
77. After Domenichino, Italian, 1581-1641, “Saint Cecilia Playing the Viol”, oil on canvas, unsigned, framed. 62 1/4 x 48 in. (158.1 x 121.9 cm.), Frame: 72 1/2 x 58 x 4 in. (184.2 x 147.3 x 10.2 cm.)
[$1,500 - 2,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
79. Govert Van Emmerik, Dutch, 1808-1882, “Ships in Rough Seas”, oil on canvas, 1881, signed lower right, handwritten label with artist and date in French on stretcher, printed label with artist information in Dutch on reverse of frame, framed. 16 5/8 x 28 3/4 in. (42.2 x 73 cm.), Frame: 22 1/2 x 34 3/8 x 2 in. (57.2 x 87.3 x 5.1 cm.) [$700 - 1,000]
Ref: “Exceptional Auction - Asia - Europe”, Goldfield, Weiswampach, Luxembourg, Oct. 31, 2021, lot 168.
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
78. Henri Daniel Verbeeck, Flemish, 1817-1863, “Riders in a Landscape”, oil on canvas, 1843, indistinctly signed and dated lower right (partially obscured by frame), framed. 42 1/4 x 57 1/4 in. (107.3 x 145.4 cm.), Frame: 50 1/4 x 66 x 3 1/2 in. (127.6 x 167.6 x 8.9 cm.)
[$600 - 800]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
80. Victor de Grailly, French, 1804-1889, “River Landscape with Boat, Figures and Cattle”, oil on canvas, signed lower left, framed. 21 3/8 x 28 7/8 in. (54.3 x 73.3 cm.), Frame: 29 1/2 x 37 1/4 x 2 3/4 in. (74.9 x 94.6 x 7 cm.) [$1,000 - 1,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
81. Cast Bronze Figure of Ulysses Stringing His Bow, after Jacques Bousseau, 1715, signature and date inscribed on self-base. 18 3/4 x 8 1/4 x 7 1/2 in.
(47.6 x 21 x 19.1 cm.)
[$1,000 - 1,500
82. Continental School 19th c., “Antwerp Harbor”, oil on canvas, unsigned, illegibly pencilinscribed and “2448” on stretcher, framed. 45 x 66 in. (114.3 x 167.6 cm.), Frame: 59 x 80 x 3 1/4 in. (149.9 x 203.2 x 8.3 cm.) [$3,000 - 5,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
83. Carl Zewy, Austrian, 1855-1929, “Allegory of Music”, oil on canvas, signed upper right, framed with artist plaque. 37 5/8 x 23 3/4 in. (95.6 x 60.3 cm.), Frame: 45 3/8 x 31 3/8 x 2 1/2 in. (115.3 x 79.7 x 6.4 cm.)
[$2,000 - 3,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
84. Robert Charles Gustave Laurens Mols, Belgian, 18481903, “Nature Morte de Fleurs”, oil on canvas, signed lower right, framed. 59 1/2 x 39 1/2 in. (151.1 x 100.3 cm.), Frame: 67 1/4 x 47 1/4 x 1 3/4 in. (170.8 x 120 x 4.4 cm.) [$600 - 800]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
85. Henry Schouten, Belgian, 1859-1927, “Hauling Hay”, oil on canvas, signed lower left, framed. 26 x 36 in. (66 x 91.4 cm.), Frame: 34 1/4 x 44 x 3 1/4 in. (87 x 111.8 x 8.3 cm.)
[$600 - 800]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
86. Henry Schouten, Belgian, 1859-1927, “Cows in a Stream”, oil on canvas, signed lower left, framed. 19 3/4 x 29 1/2 in. (50.2 x 74.9 cm.), Frame: 29 1/4 x 38 3/4 x 3 1/4 in. (74.3 x 98.4 x 8.3 cm.) [$700 - 1,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
87. Henry Schouten, Belgian, 1864-1927, “Shepherd with his Flock”, oil on canvas, signed lower left, framed. 31 3/8 x 47 3/8 in. (79.7 x 120.3 cm.), Frame: 41 3/4 x 57 3/8 x 3 1/2 in. (106 x 145.7 x 8.9 cm.) [$400 - 600]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
88. Jacobus Johannes Van Poorten, Dutch, 1841-1914, “Along the Forest Path”, oil on canvas, 1892, signed and dated lower right, 3 “Hargesheimer & Günther Auktion” labels on reverse of frame and stretcher, framed. 31 x 40 in. (78.7 x 101.6 cm.), Frame: 46 x 54 1/2 x 4 in. (116.8 x 138.4 x 10.2 cm.) [$800 - 1,200]
Ref: “19th Century Paintings”, Hargesheimer & Günther Auktion, Düsseldorf, Germany, Sept. 9, 2021, lot 1756;
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
89. Richard Benno Adam, German, 1873-1937, “Tandem Ride with Mr. Miller Albert in Neusäß”, oil on canvas, 1923, signed, dated and illegibly inscribed lower right, artist label with title on stretcher, framed. 33 1/2 x 51 1/2 in. (85.1 x 130.8 cm.), Frame: 38 x 56 x 1 3/4 in. (96.5 x 142.2 x 4.4 cm.)
[$600 - 800]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
90. Govert Van Emmerik, Dutch, 1808-1882, “Stormy Seas”, oil on canvas, 1851, signed and dated lower left, handwritten label with artist on stretcher, framed. 31 x 41 3/8 in. (78.7 x 105.1 cm.), Frame: 35 1/2 x 46 x 1 3/4 in. (90.2 x 116.8 x 4.4 cm.)
[$800 - 1,200]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
91. Francois Dumont, Belgian, b. 1850, “The Bar Maiden”, oil on canvas, 1900, signed and dated lower right, framed. 25 3/4 x 19 3/4 in. (65.4 x 50.2 cm.), Frame: 31 1/4 x 25 1/2 x 1 1/2 in. (79.4 x 64.8 x 3.8 cm.)
[$600 - 800]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
92. Continental School early 20th c., “Still Life of Flowers, Fruit and Parrot in a Landscape”, oil on canvas, unsigned, framed. 50 1/2 x 71 1/4 in. (128.3 x 181 cm.), Frame: 59 x 79 3/4 x 2 in. (149.9 x 202.6 x 5.1 cm.)
[$1,000 - 1,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
93. Cesare Lapini, Italian, 1848-1893, “Girl with a Tambourine”, carved alabaster, 1886, signed and dated on self-base. 17 1/2 x 20 1/2 x 12 1/4 in. (44.5 x 52.1 x 31.1 cm.)
[$1,000 - 1,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
96. Albert Reiger, Austrian, 1834-1905, “Mountain Waterfall with Mill”, oil on canvas, signed lower right, signed and titled in German on label on stretcher, framed. 39 1/2 x 29 1/4 in. (100.3 x 74.3 cm.), Frame: 46 1/2 x 36 x 3 3/4 in. (118.1 x 91.4 x 9.5 cm.) [$800 - 1,200]
Ref: “Art & Antiques | Jewelry Auction”, Hargesheimer & Günther, Düsseldorf, Germany, Sept. 9, 2022, lot 1530;
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
94. Continental School 1885, “Venetian Trompe l’oeil”, oil on canvas, signed “S. Simon” and dated lower right, framed. 79 x 59 1/4 in. (200.7 x 150.5 cm.), Frame: 92 3/4 x 83 x 6 in. (235.6 x 210.8 x 15.2 cm.)
[$1,500 - 2,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
95. Paul Van der Vin, Belgian, 1823-1887, “Place of Rest”, oil on canvas, signed lower left, “P. VanDerVin 1888” estate stamp lower right, framed. 27 1/2 x 39 1/2 in. (69.9 x 100.3 cm.), Frame: 35 x 46 3/4 x 3 1/2 in. (88.9 x 118.7 x 8.9 cm.) [$400 - 600]
Ref: “European and Asian Art Auction”, Loeckx Auctioneers, Gent, Belgium, Sep. 14, 2021, lot 483;
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
97. Auguste Henri Musin, Belgian, 1852-1923, “Fishing Boats in Zeeland”, oil on canvas, unsigned, certificate from “Bart Wouters, Brasschaat” with provenance attached en verso, framed with artist plaque. 26 1/2 x 48 3/4 in. (67.3 x 123.8 cm.), Frame: 33 1/2 x 55 3/4 x 1 1/2 in. (85.1 x 141.6 x 3.8 cm.)
[$800 - 1,200]
Collection of Mrs. Mercier, purchased from artist family, Belgium; Bart Wouters, Brasschaat, Belgium; Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
98. Cornelis Lieste, Dutch, 1817-1861, “Landscape with Wagon and Figures”, oil on panel, signed and inscribed lower right, framed. 12 1/4 x 16 1/4 in. (31.1 x 41.3 cm.), Frame: 18 1/2 x 22 1/2 x 2 1/4 in. (47 x 57.2 x 5.7 cm.)
[$600 - 800]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
99. Alfred Chanut, French, 1851-1918, “Family Gathering”, oil on canvas, 1910, signed and dated lower left, art supply store “Hardy Alan, Paris” stamp en verso and on stretcher, framed. 87 1/4 x 57 1/2 in. (221.6 x 146.1 cm.), Frame: 97 x 66 1/2 x 2 1/2 in. (246.4 x 168.9 x 6.4 cm.)
[$2,500 - 3,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
100. Continental School 19th c.,“Still Life with Flowers, Fountain, Fruit and Birds”, oil on canvas, signed “V. de Salles” lower right, framed. 38 1/8 x 51 1/4 in. (96.8 x 130.2 cm.), Frame: 47 1/2 x 61 x 2 3/4 in. (120.7 x 154.9 x 7 cm.) [$600 - 800]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
101. Carved Marble Figural Group of “Romeo and Juliet”, inscribed “Vicente Sica - Italia 1887”. 38 1/2 x 19 x 13 1/2 in.
[$2,000 - 3,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
102. Fritz Wagner, Swiss, 1872-1967, oil on canvas, “Making Music”, signed and inscribed “Mch.” lower right, inscribed “F4668” on stretcher bar, framed with artist plaque. 23 3/4 x 29 1/2 in. (60.3 x 74.9 cm.), Frame: 34 x 41 x 1 3/4 in. (86.4 x 104.1 x 4.4 cm.) [$400 - 600]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
103. Hermanus Koekkoek II, Dutch, 1836-1909, “Windmill over Dutch Harbor”, oil on canvas, signed with pseudonym “J Van Couver” lower right, framed with artist plaque. 20 x 30 in. (50.8 x 76.2 cm.), Frame: 26 3/4 x 36 3/4 x 3 1/4 in. (67.9 x 93.3 x 8.3 cm.) [$300 - 500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
104. Dutch Carved Mahogany Serpentine Chest of Drawers, 19th c., shaped molded top, conforming four drawers, shaped apron, ball and claw feet. 29 1/2 x 29 1/2 x 18 1/2 in. (74.9 x 74.9 x 47 cm.)
[$800 - 1,200]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
105. Austrian or German Mother of Pearl Inlaid Rosewood Work Table, 19th c., molded lift top, fitted interior with mirror, reeded standard, octagonal stepped molded plinth base, turned feet. 33 1/2 x 21 x 17 1/4 in. (85.1 x 53.3 x 43.8 cm.) [$700 - 1,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
106. Dutch Carved Walnut Bombe’ Vitrine, 18th c., molded arched cornice, glazed molded door, tgraduated drawers, ball and claw feet. 78 1/2 x 34 1/2 x 19 in. (199.4 x 87.6 x 48.3 cm.) [$1,000 - 1,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
107. Anglo-Colonial Carved and Inlaid Hardwood Center Table, 19th c., octagonal segmented foliate bordered top, pierced carved frieze, acanthus carved standard, foliate carved C-scrolled legs. [$2,000 - 3,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
109. Spanish Carved Walnut and Wrought Iron Refectory Table, 19th c., plank top, arched iron support, ring turned supports and stretcher, turned feet. 30 1/2 x 37 x 60 in. (77.5 x 94 x 152.4 cm.) [$700 - 1,000]
111. German Inlaid Walnut Commode, 18th c., molded banded top, inlaid stiles, three drawers, square tapered legs. 33 x 49 x 25 in. (83.8 x 124.5 x 63.5 cm.) [$2,000 - 3,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
108. Pair of Anglo-Colonial/Ceylonese Carved Ebony Hall Chairs, 19th c., pieced carved gothic tracery crest and back flanked by finials, foliate carved supports, now with slip seats, scrolled seat rail, turned legs, h. 51 ¾ in., d. 18 in., w. 20 in. [$800 - 1,200]
110. Spanish Colonial-Style Parcel Gilt and Hardwood Butaca, 20th c., pierced carved scalloped crest, tooled leather back and seat with nailhead trim, padded arms, curule legs. 42 x 25 x 25 in. (106.7 x 63.5 x 63.5 cm.) [$500 - 700]
112. Biedermeier Fruitwood Center Table, 19th and later c., segmented top, molded frieze, vasiform standard, tripod base with rosettes, ball feet. 31 x 40 in. (78.7 x 101.6 cm.) [
$1,500 - 2,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
11
115. Continental Carved Marble Allegorical Figure of Harvest, winged cherub, holding a sheath of wheat and a scythe. 18 1/2 x 8 1/2 x 7 1/2 in. (47 x 21.6 x 19.1 cm.)
[$400 - 600]
114. Antique Continental Giltwood
, 19th c., 15 1/2 x 21 x 11 in. (39.4 x 53.3 x 27.9
[$300 - 500]
116. Pair of Napoleon III Gilt Bronze-Mounted Marble Cassolettes, late 19th c., scroll handles, floral garlands. 22 x 11 x 9 1/2 in. (55.9 x 27.9 x 24.1 cm.) [$1,000 - 1,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
118. Large Empire-Style Carved Giltwood and Painted Three-Shelf Figural Bracket, winged cherub, flanked by ram heads. 42 x 27 x 6 in. (106.7 x 68.6 x 15.2 cm.) [$700 - 1,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
Baldachin Corona
cm.)
117. Two Antique French Enameled Boxes, box one attributed to Jean V Mussard (1681-1754) depicting “The Alliance Between Love and Wine”, enamel on copper; box two polychrome painted enamel on copper; larger box h. 1 1/2 in. [$200 - 300]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
113. Pair of French Bronze Plume Sconces, h. 19 in., w.
1/4 in., d. 5 in. [$300 - 500]
119. Louis XVI-Style Marble Mantel, white and rouge, rectangular top, sides with rosette and fluted design. 43 x 48 3/4 x 14 in. (109.2 x 123.8 x 35.6 cm.) [$2,000 - 3,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
121. Neoclassical-Style Gilt Bronze Chenets, h. 21 1/4 in., w. 14 in., d. 6 3/4 in. [$1,000 - 1,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
120. Antique Louis XV-Style Carved Marble Mantel, serpentine top and opening, canted and fluted corners. 41 1/2 x 52 3/4 x 15 in. (105.4 x 134 x 38.1 cm.) [$2,000 - 3,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
122. Pair of French Rococo Gilt Bronze Chenets, with scrolling acanthus and geometric patterned orbs, h. 28 in., w. 13 1/2 in., d. 8 in. [$1,000 - 2,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
Large Empire-Style Gilt and Patinated Bronze Figural Fireguard, centered by urn and floral garland, flanked by sphinxes, h. 18 1/2 in., variable w. 56-66 in., d. 10 in. [$800 - 1,200]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
123.
124. Pair of Louis XVI-Style Bronze
Mounted Marble Pedestals, late 19th c., square swivel top (14 1/2 in. x 14 1/2 in.), support, with torch and foliate mounts, h. 44 in., w. 14 1/2 in., d. 14 1/2 in.
[$1,500 - 2,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
125. Napoleon III Gilt Bronze
Mounted Red Griotte Marble Pedestal, late 19th c., square swivel top (13 1/8 in. x 13 1/8 in.), h. 44 3/4 in. [$800 - 1,200]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
126. Napoleon III Bronze
Mounted Onyx Pedestal, late 19th c., square top (12 in. x 12 in.), over an Ionic capital, lower collar cast with laurel leaves, h. 46 in., w. 12 in., d. 12 in.
[$800 - 1,200]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
127. Large Antique English Marble Pedestal, carved banner with motto “SELF-HELP”, revolving top (dia. 16 3/4 in.), octagonal base, h. 36 1/4 in., dia. 19 in.
[$1,000 - 1,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
128. Pair of Black Porcelain Lamps with Greek Key and Classical Frieze, h. 22 in., dia. 11 in. [$150 - 250]
129. Pair of Neoclassical Ebonized and Gilt Metal Figural Candle Holders, ebonized plaster mounted on marble, larger piece h. 15 3/4 in. [$100 - 150]
130. Pair of Antique Italian Gilt and Creme Peinte Pricket Candlesticks, h. 31 in., dia. 11 in. [$500 - 700]
131. Pair of Continental TwoLight Floor Lamps, hung with prisms, 67 in., w. 15 1/2 in., d. 7 in. [$600 - 900]
132. Louis XV Bronze Mounted Rosewood and Parquetry Commode en Tombeau, mid 18th c., stamped G Schwingkens, JME, molded shaped marble top, two short drawers over two conforming long drawers, flared feet. 33 1/2 x 47 1/4 x 24 in. (85.1 x 120 x 61 cm.) [$3,000 - 5,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
133. Louis XV-Style Tulipwood Marquetry Bureau a Pente, 19th c., in the manner of Jacques-Philippe Carel (1724-1750), foliate inlay, fall front, fitted interior, cabriole legs. 34 1/2 x 24 1/2 x 16 in. (87.6 x 62.2 x 40.6 cm.)
[$1,000 - 1,500]
134. French Belle Epoque Bronze Mounted Mahogany Demilune Commode, 19th c., in the manner of Francois Linke, marble top, mirrored back galleried shelves flanking glazed door with foliate cornucopia bronze mount, molded base, bronze feet. 39 1/2 x 51 1/2 x 20 in. (100.3 x 130.8 x 50.8 cm.)
[$2,500 - 3,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
Louis
and
26 in. (111.8 x 151.1 x 66 cm.) [$1,500 - 2,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
135.
XVI-Style Carved Giltwood Salon Suite, 19th c., canape and two armchairs, molded crest rail, padded back
arms with acanthus carving, conforming molded seat rail, fluted tapered legs, chair 41 1/2 x 29 1/2 x 24 in. (105.4 x 74.9 x 61 cm.), sofa 44 x 59 1/2 x
136. Louis XVI-Style Bronze Mounted Kingwood Parquetry Bouillotte Table, 19th c., pierced brass gallery, inset marble top, frieze drawers, square tapered legs
30 3/4 x 31 1/2 in. (78.1 x 80 cm.)
[$1,500 - 2,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
137. Dutch Rococo Burl Walnut Bombe Slant Front Bureau, 18th c., fall front with tooled leather surface, fitted interior, two short drawers above two conforming long drawers, molded base, bracket feet. 42 x 44 x 24 in. (106.7 x 111.8 x 61 cm.)
[$1,500 - 2,500]
Provenance: Manheim Antique Gallery, Neal Auction Feb. 22nd, lot # 161
138. French Provincial Carved Walnut Commode Chair, 19th c., floral carved crest, caned back, hinged cane seat, deep carved apron, cabriole legs35 1/2 x 18 1/2 x 16 in. (90.2 x 47 x 40.6 cm.)
[$300 - 500]
139. Louis XV-Style Parcel Gilt and Crème Peinte Fauteuil, 19th c., Aubusson upholstery, foliate carved arched crest rail, padded scrolled arms, conforming seat rail, cabriole legs. 37 x 29 x 26 in. (94 x 73.7 x 66 cm.)
[$500 - 700]
140. French Rococo-Style PaintDecorated Poudreuse, early 19th c., foliate decoration, tripartite lift top with mirror, three drawers, cabriole legs.
48 1/2 x 36 x 19 1/2 in. (123.2 x 91.4 x 49.5 cm.), closed 31 1/2 in. (80 cm.)
[$800 - 1,200]
141. Rococo-Style Carved Walnut Settee, 18th c., probably Dutch, molded scrolled crest rail, padded arms, shaped seat rail, cabriole legs. 40 x 78 x 29 in. (101.6 x 198.1 x 73.7 cm.) [$1,200 - 1,800]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
142. French Provincial Fruitwood and Marquetry Stand, 19th c., molded foliate inlaid top, three drawers, cabriole legs. 29 x 17 1/4 x 11 1/2 in. (73.7 x 43.8 x 29.2 cm.)
[$500 - 700]
143. Fine Pair of Restauration BronzeMounted Figured Walnut Commodes, early 19th c., marble tops, outset frieze drawer over three graduated drawers flanked by gilt bronze mounted columns, block feet. 36 1/2 x 49 1/4 x 24 in. (92.7 x 125.1 x 61 cm.)
[$3,000 - 5,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
144. Fine Pair of Napoleon III Bronze Mounted Marquetry and Parquetry Games Tables, 19th c., probably Paris, musical trophee inlay and satinwood banding, foldover top with baize-lined playing surface, concertina action, fluted tapered legs. 28 1/4 x 36 1/4 x 18 in. (71.8 x 92.1 x 45.7 cm.)
[$3,000 - 5,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
145. Regence Carved Walnut Bombe’ Commode, 18th c., molded shaped top, three molded drawers, scrolled scalloped apron, cabriole legs, scrolled toes. 37 x 56 1/2 x 27 in. (94 x 143.5 x 68.6 cm.)
[$3,000 - 5,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
146. George III Tortoiseshell Tea Caddy, pagoda-form, lower band of pressed design, interior with two lidded compartments. 5 1/2 x 7 1/4 x 4 in. (14 x 18.4 x 10.2 cm.) [$800 - 1,200]
148. Diminutive Georgian Green Tortoiseshell Tea Caddy, push-button lid, single interior lidded compartment. 4 1/4 x 3 x 2 3/4 in. (10.8 x 7.6 x 7 cm.) [$800 - 1,200]
147. George III Tortoiseshell Tea Caddy, domed lid, interior with two lidded compartments. 5 1/2 x 6 x 4 in. (14 x 15.2 x 10.2 cm.) [$800 - 1,200]
149. Georgian Tortoiseshell Tea Caddy, pagoda-form lid, bombe case, interior with two lidded compartments. 5 3/4 x 6 1/2 x 4 1/4 in. (14.6 x 16.5 x 10.8 cm.) [$800 - 1,200]
150. George III Mother-of-Pearl Inlaid Tortoiseshell Tea Caddy, breakfront form, interior with two lidded compartments. [$1,000 - 1,500]
151. Georgian Green Tortoiseshell Tea Caddy, bowfront, interior with two lidded compartments. 4 x 5 1/4 x 2 3/4 in. (10.2 x 13.3 x 7 cm.) [$800 - 1,200]
152. Persian Carpet, central medallion, 9 ft. 7 in. x 13 ft. 1 in.
[$700 - 1,000]
153. Persian Carpet 10 ft. 1 in. x 13 ft. 9 in. [$700 - 1,000]
Provenance.: Lou Talebloo Carpets, New Orleans.
154. Persian Sarouk Carpet early 20th c., floral medallion design, red ground, palmette and vine border, 12 ft. x 16 ft. 10 in. [$1,000 - 1,500]
155. Two Chinese Persian-Style Silk Rugs 2 ft. x 3 ft. and 3 ft. x 5 ft. [$600 - 900]
156. Antique Tribal Rug red ground, repeating designs, 4 ft. 7 in. x 5 ft. 8 in. [$700 - 1,000]
157.Antique Persian Carpet repeating medallions, 11 ft. 2 in. x 12 ft. 1 in. [$600 - 900]
158. Antique Persian Carpet repeating floral designs, 11 ft. x 14 ft. 5 in.
[$1,200 - 1,800]
159. Heriz Carpet central medallion, 9 ft. 2 in. x 11 ft. 8 in.
[$1,200 - 1,800]
160. Antique Persian Runner
3 ft. 11 in. x 17 ft. 6 in.
[$1,000 - 1,500]
9 ft. 3 in. x 11 ft. 1 in.
[$2,500 - 3,500]
161. Mashad Carpet
8 ft. 11 in. x 12 ft. 2 in.
[$2,000 - 3,000]
162. Mahal Carpet
8 ft. 11 in. x 11 ft. 5 in.
[$2,000 - 3,000]
164. Persian Kerman Carpet
9 ft. 6 in. x 13 ft. 1 in.
[$4,000 - 6,000]
163. Oushak Carpet
166. Persian Serapi Carpet
4 ft. 10 in. x 7 ft. 4 in.
[$1,400 - 1,800
168. Sultanabad Carpet
8 ft. 11 in. x 12 ft. 9 in.
[$3,000 - 4,000]
165. Persian Heriz Carpet
8 ft. x 11 ft. 8 in.
[$2,500 - 3,500]
167. Tabriz Runner
2 ft. 6 in. x 10 ft.
[$900 - 1,200]
169. Persian Mahal Carpet
9 ft. x 11 ft. 6 in.
[$2,000 - 3,000]
170. Agra Carpet
12 ft. x 16 ft.
[$5,000 - 7,000]
171. Zebra Skin Rug
101 x 67 in. (256.5 x 170.2 cm.)
[$800 - 1,200]
172. Louis XV-Style Bronze Mounted Marquetry and Parquetry Rosewood Dressing Table, 19th c., stenciled A. Hebert, Paris, elaborate foliate and urn inlaid top, bronze molded, double hinged top with inset mirrors, frieze drawers, side drawers, cabriole legs, sabots.
[$2,000 - 3,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
173. Louis XVI-Style Ormolu Mounted Marquetry
Table a Ecrire, by Paul Sormani, lockplate signed P. Sormani, Paris, 10, Rue Charlot, molded banded top, frieze drawer, cabriole legs, sabots.28 1/2 x 32 x 22 1/8 in. (72.4 x 81.3 x 56.2 cm.)
[$3,000 - 5,000]
Provenance: A.B. Levy Rare Antiques & Fine Art, Ida Manheim Antiques, 409 Royal St., New Orleans.
175. Louis XV
[$3,000
M
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
174. Set of Four Louis XVI-Style Carved Giltwood Fauteuils, 19th c., rose centered foliate crest rail, padded arms with acanthus leaves, conforming seat rail, fluted tapered legs. 39 3/4 x 27 3/4 x 22 3/4 in. (101 x 70.5 x 57.8 cm.)
[$2,000 - 3,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
176. Fine French Rococo Giltwood Console, 19th c., molded breche violette
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
Bronze Mounted Inlaid Rosewood Commode en Tombeau, 18th and later c., stamped
back left corner, molded shaped marble top, two short drawers above two long drawers, shaped apron, flared legs. 33 x 53 x 24 in. (83.8 x 134.6 x 61 cm.)
- 5,000]
marble top, extensively carved foliate frieze , scrolled supports, X-form stretcher, scrolled toes. [$5,000 - 7,000]
177.Louis XV Bronze Mounted Kingwood Parquetry Commode en Tombeau, 18th c., stamped ‘J.C. Saunier, JME, molded marble top, two short drawers over two long drawers, flared feet.
[$6,000 - 8,000]
Provenance: Coutau-Begarie Paris, France May 30, 2012 lot# 358, Ida Manheim Antiques, 409 Royal St., New Orleans.
179. Antique Louis XV-Style Tulipwood Table Mecanique, 19th century., modeled after JeanPierre Latz, foldout writing surface, rising fitted drawer section, cabriole legs. 35 1/8 x 20 1/2 x 15 1/2 in.
(89.2 x 52.1 x 39.4 cm.)
[$700 - 1,000]
178. Rare Louis XVI Parcel Gilt and PaintedLit de Repos, c. 1780s, attributed to Claude II Séne (French, 1769-1783) stamped C. SENE., nailhead trimmed upholstery, foliate urn form supports with finials, carved molded seat rail, twist fluted tapered feet.
[$7,000 - 9,000]
180. French Empire Bronze Mounted Specimen Marble Top Center Table, 19th c., segmented inlaid top, molded frieze, reeded standard, incurvate triangular plinth base, disk feet. 30 x 43 1/2 x 43 1/2 in. (76.2 x 110.5 x 110.5 cm.) [$3,000 - 5,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
181. Louis XV-Style Tulipwood Marquetry Commode, early 19th c., shaped banded foliate inlaid top, two conforming drawers, cabriole legs with foliate inlaid shelf stretcher.
29 1/2 x 19 1/2 x 14 1/2 in.
(74.9 x 49.5 x 36.8 cm.)
[$700 - 1,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
182. Directoire-Style Brass Mounted Mahogany Dining Table, 20th c., molded banded top, paneled molded frieze, fluted tapered legs, two leaves 30 x 59 1/2 x 59 1/2 in. (76.2 x 151.1 x 151.1 cm.), open 30 x 59 1/2 x 102 1/2 in. (76.2 x 151.1 x 260.4 cm.) [$700 - 1,000]
Provenance: Nina Sloss, New Orleans.
183. Neoclassical-Style Carved Giltwood Fauteuil, 20th c., urn centered crest rail flanked by finials, foliate carved seat rail, turned tapered legs. 39 x 24 x 23 in. ( 99.1 x 61 x 58.4 cm.)
[$700 - 1,000]
184. Fine George II Carved Giltwood Console, 18th c., probably Irish, molded marble top, scrolled foliate frieze centered by Prince of Wales Plumes, cabriole legs with foliate carvings, ball and claw feet. 32 1/4 x 50 3/4 x 25 3/4 in.
(81.9 x 128.9 x 65.4 cm.) [$4,000 - 6,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
185. French Provincial Carved Walnut Commode, 19th c., molded top, two conforming drawers, paneled sides, foliate carved apron, cabriole legs. 32 1/2 x 49 1/2 x 22 3/4 in. (82.6 x 125.7 x 57.8 cm.)
[$1,000 - 1,500]
187. George I Giltwood Mirror, c. 1720, cartouche crest, mirrored surround with foliate designs. 63 x 25 1/2 x 4 in. (160 x 64.8 x 10.2 cm.)
[$1,200 - 1,800]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
188. Empire Parcel-Gilt and Mahogany Pier Mirror, early 19th c., arched pediment with green ground, flowers and a bow with arrows, the lower frieze with lion mask and oak leaves. 89 1/2 x 34 x 5 1/2 in. (227.3 x 86.4 x 14 cm.)
[$1,000 - 1,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
186. Pair of Louis XV Giltwood Mirrors, 18th c., opposing scroll crests, detailed vining design. 43 1/2 x 28 x 4 in. (110.5 x 71.1 x 10.2 cm.)
[$1,800 - 2,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
189. Empire Bronze-Mounted and Ebonized Burlwood Mirror,early 19th c., pediment with central torch, flanked by sphinxes, over oak-leaf vines. 64 x 41 x 5 in. (162.6 x 104.1 x 12.7 cm.)
[$1,000 - 1,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
191. Pair of Antique French Rococo-Style Giltwood
, scrolling surround, incorporating six shelves. 67 x 39 x 7 in. (170.2 x 99.1 x 17.8 cm.) [$1,000 - 1,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
190. Monumental Napoleon III Giltwood Overmantel Mirror, late 19th c., broken pediment crest, central oval and spandrels fitted with beveled mirror plates, flanked by cherubs holding floral garlands. 84 x 72 x 6 1/2 in. (213.4 x 182.9 x 16.5 cm.) [$2,000 - 3,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
192. Pair of Large Napoleon III
Mirrors, 19th c., branch-form surrounds, avian and foliate crests. 88 x 52 x 5 in. (223.5 x 132.1 x 12.7 cm.) [$1,200 - 1,800]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
- 2,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
Giltwood
Bracket Mirrors
193. Louis XV Giltwood Creme Peinte Trumeau Mirror, 18th c., foliate bordered surrounds, the painting depicting a coq with floral bouquet. 89 x 37 x 2 in. (226.1 x 94 x 5.1 cm.) [$1,500
[$700 - 1,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
[$700 - 1,000]
Provenance: Ida
Provenance:
194. Antique Dutch Giltwood Mirror, scroll and foliate border.
77 x 29 x 3 in. (195.6 x 73.7 x 7.6 cm.)
196. Louis Philippe Giltwood Mirror, 19th c., molded and beaded border. 52 x 40 in. (132.1 x 101.6 cm.) [$600 - 900]
195. Antique Louis XV-Style Giltwood Mirror, floral urn crest, foliate surround. 87 x 48 x 4 in. (221 x 121.9 x 10.2 cm.)
Manheim Antiques, 409 Royal St., New Orleans.
197. Continental Creme Peinte and Gilt Trumeau Mirror, foliate surround, with painting of figures in a garden. 54 x 42 x 2 in. (137.2 x 106.7 x 5.1 cm.) [$1,000 - 1,500]
Mac Maison, New Orleans.
199.Set of Six Regency Carved Mahogany Side Chairs, mid-19th c., attr. to Gillows of Lancaster, pierced carved crest, nailhead upholstery, padded back and seat, reeded seat rail, lobed tapered legs castors. 34 x 19 x 19 in. (86.4 x 48.3 x 48.3 cm.)
[$1,200 - 1,800]
200. Regency Carved Mahogany Library Armchair, 19th c., nailhead leather upholstery, scrolled crest, molded crest rail, padded scrolled arms, conforming seat rail, turned lobed legs, casters. 51 1/2 x 31 1/2 x 25 1/2 in.
(130.8 x 80 x 64.8 cm.)
[$500 - 700]
198. Set of Six Regency Chinoiserie Decorated Side Chairs, late 19th c., curved crest rail, cane seat, turned tapered legs. 32 x 18 x 17 in.
(81.3 x 45.7 x 43.2 cm.)
[$1,000 - 1,500]
201. William IV Burl and Carved Walnut Library Table, 19th c., probably Irish, molded top, tooled leather writing surface, molded frieze, C-scrolled cabriole legs, paw feet. 29 x 40 x 78 in. (73.7 x 101.6 x 198.1 cm.) [$2,500 - 3,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
202. George III Satinwood Inlaid Mahogany Sideboard, 18th c., string inlaid top, center drawer flanked by two drawers and cellarette drawer, square tapered legs. 36 1/2 x 66 x 30 1/2 in.
(92.7 x 167.6 x 77.5 cm.)
[$2,500 - 3,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
203. William and Mary Oyster Inlaid Chest of Drawers, 19th c., banded molded top, two short drawers above three graduatde long drawers, molded base, bun feet. 35 1/2 x 36 x 22 in. (90.2 x 91.4 x 55.9 cm.) [$2,000 - 3,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
204. George I Figured Walnut Double Dome Bureau Bookcase, 18th c., molded cornice, glazed arched molded doors, slant front with book holder, fitted interior, two short drawers above two long drawers, molded base, bracket feet. 84 x 40 1/2 x 21 in. (213.4 x 102.9 x 53.3 cm.)
[$2,500 - 3,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
206. Diminutive Georgian-Style Inlaid Mahogany Bowfront Sideboard, 19th c., banded top, three banded drawers, tambour door, square tapered legs, spade feet. 35 1/2 x 48 x 20 1/4 in. (90.2 x 121.9 x 51.4 cm.) [$1,000 - 1,500]
205. Georgian-Style Figured Mahogany Demilune Serving Table, 19th c., banded top, molded frieze, square reeded legs, spade feet. 36 1/2 x 73 1/2 x 31 in. (92.7 x 186.7 x 78.7 cm.)
[$800 - 1,200]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
207. Regency-Style Inlaid Mahogany and Ebonized Sewing Stand, late 19th c., hinged top, inlaid foliate name plaque, fitted interior, ebonized dolphin supports, plinth base turned feet. 29 1/2 x 22 1/2 x 17 in. (74.9 x 57.2 x 43.2 cm.)
[$500 - 700]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
208. Associated Set of Eight George III Dining Chairs in the Hepplewhite Taste, incl. pair of oak armchairs and 6 elm side chairs, arched crests, pierced vasiform splats, padded seats, tapered legs, H stretchers, armchairs with shaped arms, outside stretchers, armchair h. 39 1/2 in., w. 21 1/2 in., d. 16 in.; side chair h. 38 in., w. 19 1/2 in., d. 15 3/4 in. 37 1/2 x 20 x 16 in. (95.3 x 50.8 x 40.6 cm.), Armchair: 38 x 22 x 18 in. (96.5 x 55.9 x 45.7 cm.) [$800 - 1,200]
Provenance: Nina Sloss, New Orleans, 1968.
209. Georgian Mahogany Demilune Console, 19th century., molded top, conforming frieze, square tapered legs. 33 1/2 x 78 x 29 in. (85.1 x 198.1 x 73.7 cm.) [$1,000 - 1,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
210. Monumental Napoleon III Gilt and Patinated Bronze and Rouge Griotte Marble Three-Piece Clock Garniture, 19th c., striking bell movement stamped Raingo Freres, pendulum starter stamped “E. Lourdelet”, the bronze figural group of Bacchantes after Claude Michel Clodion, h. 40 in., w. 24 in., 13 in., with a pair of conforming eleven-light candelabra, h. 37 1/2 in., dia. 16 in. [$5,000 - 7,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
211. George II Chinoiserie Tall Case Clock, c. 1835., cartouche marked “Wm. Kipling/ London”, 8-day movement, dial with subsidiary seconds and calendar aperture, green ground case with Chinoiserie genre scenes and foliate decoration. 83 1/4 x 20 x 10 in.
(211.5 x 50.8 x 25.4 cm.)
[$2,000 - 3,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
212. Fine Dutch Baroque Burl Walnut Automaton Tall Case Clock, 18th c., dial signed “Jan Hermelink, Amsterdam”, surmounted by a figure of Atlas, flanked by trumpet playing angels, 8-day repeating Dutch two-bell movement, elaborate painted dial with moon dial, alarm, subsidiary seconds dial; calendar aperture; month and day of the week apertures with different painted figures; automaton features a man fishing, falling well water, windmill, and a working tower clock, case lenticle with bronze surround. 117 x 20 1/2 x 11 1/2 in.
(297.2 x 52.1 x 29.2 cm.)
[$8,000 - 12,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
213. Empire Bronze-Mounted Mahogany Console Clock, c. 1815, 8-day movement, striking on gong, dial with porcelain chapter ring and engine-turned center, mounted with portrait busts, Classical figures, and rosettes. 75 1/2 x 25 x 14 3/4 in. (191.8 x 63.5 x 37.5 cm.)
[$1,500 - 2,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
214. Belgian Liegeoise Brass Inlaid Tall Case Clock, c. 1815, dial signed “J.F.J. Martin a Huy”, concave porcelain dial with sweep second hand, 8-day movement rings in the Dutch method. 104 1/2 x 20 x 9 1/2 in. (265.4 x 50.8 x 24.1 cm.)
[$1,500 - 2,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
215. Queen Anne Marquetry Tall Case Clock, c. 1710, signed “Peter King Long Acre/ London”, caddy top with brass finials, case with ebony ground, veneered with birds, Classical figures, and foliate designs, dial with subsidiary seconds and calendar aperture, 8-day movement. 99 1/2 x 21 x 11 in. (252.7 x 53.3 x 27.9 cm.)
[$3,000 - 5,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
216. Belgian Burl-Walnut Tall Case Clock, c. 1700, dial signed “Jac. Willmore a Malines”, surmounted by carved giltwood finial, 8-day repeating movement, subsidiary seconds dial, alarm, calendar aperture. 104 x 20 1/2 x 11 1/2 in. (264.2 x 52.1 x 29.2 cm.)
[$2,000 - 3,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
217. Fine Dutch Burl-Walnut Musical Tall Case Clock, c. 1730, dial signed “Jacob van der Cloesen, Leyden”, surmounted by giltwood finials, Dutch strike on two bells, 3-train musical movement on 8 bells, time movement with moon dial, date of the month, day of the week, month, and unusual year aperture (1725-1740); chamfered case, a gilt frieze under the hood showing the 12 signs of the zodiac, raised on paw feet. 102 x 23 x 13 in. (259.1 x 58.4 x 33 cm.)
[$4,000 - 6,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
218. Louis Philippe Giltwood and Ebonized Clock and Barometer Set, 19th c., the clock dial and striking bell movement signed “Michel a Paris”, movement also signed “Pons, MEDAILLE D’OR, 1837”, ribbon-form crest, the cases surmounted by cherubs engaged in various pursuits, incl. studying a globe and chiseling a marble bust. 35 x 10 x 5 in. (88.9 x 25.4 x 12.7 cm.)
[$1,800 - 2,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
219. Restauration Bronze Mounted Mahogany Clock Barometer, early 19th c., dial signed “Gohin, Rue Neuve St. Eustache No. 24”, bud finial, case with rosette and mask mounts, incorporating a hygrometer, thermometer, clock, weather dial, and bubble level, the lower knob operates the set hand.
52 x 14 x 2 3/4 in. (132.1 x 35.6 x 7 cm.)
[$800 - 1,200]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
220.Continental School Musical TableauHorloge, 19th c., oil on canvas with clock tower, striking gong movement, case also incorporating a cylinder musical movement activated by rods, canvas signed lower right, framed. 32 1/2 x 39 x 7 1/2 in. (82.6 x 99.1 x 19.1 cm.)
[$800 - 1,200]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
221. German Black Forest Carved Walnut Clock, c. 1900, surmounted by a pair of fully carved pheasants, over branch and rockwork case, now with electric movement. 29 1/2 x 17
3/4 x 9 in. (74.9 x 45.1 x 22.9 cm.)
[$700 - 1,000]
222. American Mahogany Tall Case
Tubular Bell Clock, early 20th c., dial marked with retailer “J. Bolland Jewelry Co./St. Louis MO”, dial arch with moon dial. 91 x 24 x 14 in. (231.1 x 61 x 35.6 cm.)
[$700 - 1,000]
223. Fine Georgian Mahogany Breakfront Secretary Bookcase, late 18th c., upper case with molded cornice and glazed doors, lower case with fallfront writing drawer with tooled leather writing surface, flanked by molded oval paneled doors with drawers and linen shelves, plinth base. 96 1/2 x 96 x 24 in. (245.1 x 243.8 x 61 cm.)
[$5,000 - 7,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
224. Georgian-Style Inlaid Plum Pudding Mahogany Three Pedestal Dining Table, benchmade by Manheim Galleries, New Orleans, LA., satinwood banded top with carved edge, sabre legs, ball and claw feet, two leaves. 29 x 48 x 146 in. (73.7 x 121.9 x 370.8 cm.), Frame: 28 x 48 x 188 in. (71.1 x 121.9 x 477.5 cm.)
[$2,000 - 3,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
225. Set of Six Queen Anne-Style Carved Burl Walnut Dining Chairs, 19th c., two arms, four sides, shell center crest rail, vasiform splat, shell and bellflower knees, cabriole legs, ball and claw feet. 42 x 23 x 18 in. (106.7 x 58.4 x 45.7 cm.), Armchair: 41 1/2 x 26 x 19 1/2 in. (105.4 x 66 x 49.5 cm.) [$1,200 - 1,800]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
- 10,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
226. Monumental William IV Carved Mahogany Pedestal Sideboard, early 19th c., probably Irish, in the manner of George Smith, molded backsplash, stepped molded pedestals with drawer and paneled door, bowfront center section, frieze with carved lion heads centered by mythological scene, reeded sabre supports, paw feet. [$7,000
227. Fine Chippendale-Style Carved Mahogany Secretary Bookcase, 19th c., upper case with broken arch pediment with pierced fretwork, glazed doors, lower case with fall front writing drawer, fitted interior, paneled doors with trophies carving, molded base, bracket feet. 96 x 44 x 23 in. (243.8 x 111.8 x 58.4 cm.)
[$3,000 - 5,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
228. George III-Style Carved Walnut Serpentine Console, late 18th and later c., probably Irish, molded shaped marble top, foliate frieze with central shell carving, foliate knees, cabriole legs. 32 x 73 1/2 x 30 1/2 in. (81.3 x 186.7 x 77.5 cm.) [$3,000 - 5,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
229. Fine English Regency Carved Mahogany Easy Chair, 19th c., after a Thomas King Design, padded back and seat, arms with serpent carvings, scrolled supports, slide out padded leg rest. 36 x 25 x 36 in. (91.4 x 63.5 x 91.4 cm.)
[$1,200 - 1,800]
230. Set of Four Regency Gilt and Paint-Decorated Armchairs, 19th c., cane back and seat, black ground with foliate decor, splayed legs.
[$800 - 1,200]
232. Dutch Satinwood and Mahogany Tambour Corner Cabinet, late 18th c., molded foliate crest, inlaid stiles, tambour doors with shelf interior, two medial drawers, inlaid tapered. 100 x 47 x 28 in. (254 x 119.4 x 71.1 cm.)
[$2,000 - 3,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
233. Pair of Portuguese Carved Mahogany Sidechairs, 19th c., shell centered crest rail, pierced carved splat, fluted supports, drop in seat, foliate knees, cabriole legs. 42 x 21 x 17 in. (106.7 x 53.3 x 43.2 cm.) [$700 - 1,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
234. George III Inlaid Mahogany Demilune Sideboard, late 18th/ early 19th c., banded top, frieze drawer flanked by deep drawers and cabinet doors, molded case, square tapered legs. 36 x 75 x 28 1/2 in. (91.4 x 190.5 x 72.4 cm.)
[$2,000 - 3,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
236. Pair of Antique English Brass Andirons, h. 29 in., w. 12 in., d. 27 in. [$250 - 350]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
235. Chippendale Carved Figured Mahogany Chest on Chest, 18th c., carved cornice, chamfered blind fretwork corners, upper case with two short drawers above three long drawers, lower case with three long drawers, bracket feet. 73 x 47 1/2 x 22 in. (185.4 x 120.7 x 55.9 cm.)
[$2,500 - 3,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
231. Regency Parcel Gilt Carved Mahogany and Rosewood Games Table, 19th c., in the manner of Thomas Hope, gadrooned molded top, inset pietra dura gameboard, tapered support, incurvate plinth base, winged scrolled paw feet. 31 x 31 x 31 in. (78.7 x 78.7 x 78.7 cm.)
[$2,500 - 3,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
237. John James Audubon (American, 1785-1851), “Summer or Wood Duck”, Plate 206, hand-colored aquatint with engraving, from The Birds of America, Havell edition, “J.Whatman 1835” watermark, framed. Sheet: 38 x 25 1/4 in., Frame: 52
x
238. John James Audubon (American, 1785-1851), “American Snipe”, Plate 114, hand-colored aquatint with engraving, from The Birds of America, Havell edition, “J.Whatman/1834” watermark, framed. Sheet: 25 1/4 in. x 38 1/2 in., Frame: 36 1/2 in. x 43 in. x 1 in.
[$1,200 - 1,800]
239. John James Audubon (American, 1785-1851), “Scarlet Ibis”, Plate 397, color lithograph, from The Birds of America, Amsterdam edition, framed. Sight: 26 1/2 in. x 31 1/2 in., Frame: 36 in. x 41 in. x 1 in.
[$500 - 700]
241. Baird, Spencer, John Cassin and George Lawrence, The Birds of North America; The Descriptions of Species Based Chiefly on the Collections in the Museum of the Smithsonian Institution, Philadelphia, J.B. Lippencott & Co., 1860, Atlas only, folio (11 1/2 x 9 1/2 in.), with 100 hand-colored lithographed plates.
[$600 - 900]
240. Audubon, John James and Bachman, John, The Viviparous Quadrupeds of North America by John James Audubon and the Rev. John Bachman, New York, published by J.J. Audubon and V.G. Audubon, 1846-18511854, first edition, three volumes, octavo (10 2/8 x 7 in.), with 155 hand-colored lithographed plates after J.J. & J.W. Audubon, printed and hand-colored by J.T. Bowen and Nagel & Weingaertner, original three-quarter leather, raised bands, gilt lettering, with marbled covers, edges, and endpapers.
[$4,000 - 6,000]
242. Münster, Sebastian (1489-1552), Cosmographia, das ist: Beschreibung der gantzen Welt..., Basel…, Henricpetri, 1628, last German edition of Munster’s Cosmographia, folio (14 5/8 in. x 9 3/8 in.), original pigskin with intricate tooling, over wooden boards, elaborate brass bosses, clasps, and catchplates, front central boss engraved with an armorial, the verso boss engraved “Gotthardt Bitter Junior fecit Anno 1684”, page edges red, letterpress title page in black and red with portrait of Munster verso, additional title page by Merian, 26 double-page woodcut maps, also 73 double-page views and over 1400 woodcut illustrations in text with rare and exotic beasts incl. a unicorn, mermaid, dragon, rhino, elephant, and others. [$8,000 - 12,000]
243. Matthaus, Merian, Topographia Bavariae, das ist Beschreibung und Eigentliche Abbildung der Vornembsten Stätt und Orth in Ober und Nieder Beyern, der Obern Pfaltz und andern .. Landschaften, Frankfurt, 1644, full calf, raised bands, gilt lettering, folio (12 1/4 x 7 1/2 in.), with 58 plates (13 fold-out) showing 90 views, 2 maps, 1 armorial in plate. [$2,000 - 3,000]
244. Imhoff, Andreas Lazarus von, Neu-eroffneter Historischer Bildersaal, Nurenberg, Johan Leonhard Buggel et al, 1733-1775, 19 vols., full calf, gilt lettering, marbled edges, 8 in. x 5 in., with hundreds of illustrations. [$800 - 1,200]
245. Humboldt, Alexander (1769-1859) and Bonpland, Aime (1773-1858), Voyage de Humboldt et Bonpland. Sixieme Partie, Botanique. Monographie des Melastomacees. Rhexies, Paris: Chez Gide Fils., 1823, folio (19 1/2 in. x 13 in.), marbled boards, gilt-lettered leather spine, from the monumental work Voyage aux Regions Equinoxiales du Nouveau Continent, fait en 1799-1804, with 60 stipple engravings printed in colors and finished by hand, after Poiteau and Turpin, first edition of the second section of the sixth part of Humboldt’s and Bonpland’s monumental scientific survey of Central and South America. [$700 - 1,000]
246. Goering, Anton, Vom tropischen Tieflande zum ewigen Schnee. Eine malerische Schilderung des schönsten Tropenlandes Venezuela, Leipzig, Adalbert Fischer’s Verlag, (1892), illustrated cover, folio (16 1/2 x 12 1/2 in.), 75 pgs. of text, with 12 mounted chromolithographs, and 54 illustrations in text. [$400 - 600]
247. Warner, Robert (1814-1896), Benjamin Samuel Williams (1822-1890) and Thomas Moore (1821-1887), The Orchid Album, Comprising Coloured Figures and Descriptions of New, Rare, and Beautiful Orchidaceous Plants. London: B.S. Williams, at the Victoria and Paradise Nurseries, Upper Holloway, London, 18821897, royal quarto (12 14 in. x 9 3/4 in.), 3/4 leather with gilt lettering, marbled boards, top edges gilt, with 528 color lithographs, finished with hand-coloring, after John Nugent Fitch, across 11 volumes. [$8,000 - 12,000]
248. Beer, Johann Georg, Beitrage zur Morphologie und Biologie der Familie der Orchideen. Vienna, Austria: Druck und Verlag von Carl Gerold’s Sohn, 1863, folio (15 1/4 x 11 3/4 in.), leather spine with gilt lettering, marbled paper boards and endpapers, 44 pgs. text, 12 lithographed plates of orchid seeds (11 in color). [$700 - 1,000]
249. Norden, Frederick Lewis, Travels in Egypt and Nubia ... Translated from the Original ... and Enlarged with observations from ancient and modern authors ... by Dr. Peter Templeman. London: Lockyer Davis and Charles Reymers, 1757. 2 volumes in one, with 159 plates (as called for). [$1,000 - 1,500]
250. Gessner, Salomon, La Mort d’Abel, Poëme, traduit par Hubert. Paris: Defer de Maisonneuve, 1793, frontispiece and five plates stipple-engraved by Colibert, Casenave and Clement, after Nicolas Andre Monsiau, folio (13 1/4 x 9 3/4 in.), full calf, gilt tooling, marbled paper to endpapers, small oval gilt-tooled armorial to front pastedown. [$800 - 1,200]
252. [18th c. Map of Africa], “Africa nach Robert Vaugondy, Rennel’s und Sotzmann’s Skizze des nördlichen Theils von Africa…”, Nurnberg, Schneider & Weigel, 1794, hand-colored engraved map, sight 20 in. x 23 1/4 in., framed. [$600 - 900]
Kitchin, Thomas, “Kaart van de Golf van Mexico, de Eilanden en de Aangrenzende Landschappen”, Amsterdam, 1778, engraved map from the Dutch edition of Robertson’s History of America, sight 12 1/4 in. x 19 in., framed.
251. Antonio Zatta, “L’Arabia Divisa in Petrea, Deserta, e Felice, from Atlante Novissimo” and “La Nubia ed Abissinia”, 1784, two hand-colored engraved maps, sight 14 in. x 17 in., framed. [$600 - 900]
253. Lotter, Tobias Conrad, “Mappa Geographica Regionem Mexicanam et Floridam…Tobiæ Conradi Lotteri, Geographi et Chalcographi Augustæ Vindel”, Augsburg, c. 1758, 4 inset coastal charts at upper right, large vignette at lower leftnaval battle with people on shore watching while others are engaged in various activities, hand-colored map, sight 20 in. x 23 1/4 in., framed. [$500 - 700]
255. Willem Janszoon Blaeu, “Terra Firma et Novum Regnum Granatense et Popayan”, Amsterdam, c. 1640, hand-colored engraved map of Colombia, part of Ecuador extending south, and Venezuela extending east nearly to Caracas, sight 16 1/2 in. x 20 1/2 in., framed. [$300 - 500]
254.
[$400 - 600]
256. Antique Book-Form Bookends, gilt-tooled leather on wood, comes with three real leather books.
6 3/4 x 4 1/2 x 4 1/2 in. (17.1 x 11.4 x 11.4 cm.)
[$150 - 200]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
257. English Aesthetic Movement Carved Mahogany
Sideboard, late 19th/ early 20th c., attr. to Maple and Co., broken arch crest, superstructure with molded shelves, turned support, mirrored back, lower case with molded top, two bowfront drawers flanked by drawers over cabinets, incised foliate carving, h. 100 in., w. 72 in., d. 28 in.
258. English Aesthetic Movement Hall Lantern, copper and brass with etched glass, Islamic mission design, h. 9 1/4 31 1/2 in., dia.; wired. [$400 - 600]
[$500 - 700]
259. Neoclassical-Style Gilt Bronze and Crystal Thirty-Light Chandelier, c. 1890, acanthus-cast corona, central vasiform standard with lion masks holding grape vines, hung throughout with drop chains, lozenge pendants and prisms, foliate arms ending in glass drip pans, tapering faceted terminal. 52 x 45 in. (132.1 x 114.3 cm.)
[$4,000 - 6,000]
Provenance: Christie’s, New York, April 24, 2001, lot 131. Ida Manheim Antiques, 409 Royal St., New Orleans.
260. Pair of Antique Empire-Style Gilt and Patinated Bronze Four-Light Candelabra, torch standard, foliate arms, dark green patination, h. 23 1/2 in., dia. 12 in. [$1,000 - 1,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
Rouge
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
262. Pair of Napoleon III Gilt and Patinated Bronze and Rock Crystal Four-Light Girandoles, realistic branch-form, hung with beads and prisms, on round base. 30 x 22 x 10 1/2
Provenance: Ida Manheim
Provenance:
263. Pair of Louis XVI-Style Gilt Bronze Two-Light Sconces, in the style of Henry Dasson. 28 x 12 1/2 x 8 1/2 in. (71.1 x 31.8 x 21.6 cm.) [$800 - 1,200]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
Four
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
261. Pair of Antique Dutch Bronze and
Griotte Marble Candlesticks, h. 7 1/4 in. [$300 - 500]
265.
Napoleon III Gilt and Enameled Bronze Three Light Sconces, flaming torch backplate, fluted arms, hung with crystal prisms. 29 x 13 x 9 in. (73.7 x 33 x 22.9 cm.) [$1,200 - 1,800]
in. (76.2 x 55.9 x 26.7 cm.) [$1,200 - 1,800]
Antiques, 409 Royal St., New Orleans.
264. Large Beaux Arts Gilt Bronze FourteenLight Candelabrum, c. 1890, floral form. 20 x 24 in. (50.8 x 61 cm.) [$800 - 1,200]
Ida Manheim Antiques, 409 Royal St., New Orleans.
266. Pair of Empire-Style Gilt Bronze Three Light Sconces, foliate arms. 18 1/2 x 13 x 8 in. (47 x 33 x 20.3 cm.) [$700 - 1,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
268. Pair of Belle Epoque Gilt and Patinated Bronze Three Light Candelabra, foliate arms, held by cherubs, on tall, fluted bases, h. 41 in., dia. 15 in.
[$1,200 - 1,800]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
267. Pair of French Gilt-Bronze and Crystal Nine Light Girandoles, pyramidal finial, hung with prisms, h. 32 in., dia. 20 in. [$800 - 1,200]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
269.Pair of Large Napoleon III Gilt Bronze Ten-Light Figural Candelabra, 19th c., foliate branches, the standard modeled as Neptune astride a dolphin as a young merman looks on. 38 x 18 x 12 in. (96.5 x 45.7 x 30.5 cm.) [$2,500 - 3,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
270. Pair of Empire-Style Gilt Bronze Two-Light Sconces, flaming torch and ribbon backplate, over winged cherub, flanked by cornucopia arms. 32 x 15 1/2 x 7 in. (81.3 x 39.4 x 17.8 cm.) [$800 - 1,200]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
271. Pair of Antique Empire-Style Gilt Bronze and Cut-Crystal Five-Light Sconces, ribbon and harp backplate, issuing foliate arms. 36 x 21 x 12 in. (91.4 x 53.3 x 30.5 cm.)
[$1,500 - 2,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
[$700
273. American Gilt Bronze Four-Light Chandelier, foliate arms, clear and yellow shades. 35 x 21 in. (88.9 x 53.3 cm.)
- 1,000]
272. Group of Four Louis XVI-Style Gilt Bronze Six-Light Sconces, elaborate backplate, scroll and foliate arms, electrified, h. 34 in., w. 24 in., d. 12 in. [$2,500 - 3,500]
274. Pair of Regency-Style Mahogany Knife Urns, telescoping lids, fitted interiors lined in baize, h. 20 1/2 in., dia. 9 1/2 in. [$500 - 700]
275. Monumental Antique Silverplate Candelabrum/Epergne, probably English, with grape, grapevine and grapeleaf decoration, the central basket fitted with crystal bowl, four scrolling candlearms with urn-form candle nozzles, footed scroll base, one foot marked “2458 E”. H. 34 in. [$2,000 - 3,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
277. Pair of Antique English Silverplate Wine Coolers in the Georgian Taste, campagna form with robustly scrolled handles and removable collar, interior bottle liner, engraved crest and monogram, engraved presentation on underside. H. 11 1/2 in., w. 11 in. [$500 - 700]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
276. Pair of Monumental Antique English Silverplate Five-Light Candelabra, associated, the late Georgian Sheffield bases marked for Roberts, Smith & Co., c. 1840; associated candlearms of flower and scroll design, removeable finial. H. 24 1/2 in. [$1,500 - 2,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
278. Louis XV-Style Silverplate Plateau, molded rocaille surround, fitted mirror plate. 31 1/2 in. x 19 1/2 in. [$800 - 1,200]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
279. Pair of Georgian Sterling Silver Three-Light Candelabra in the Neoclassical Taste, associated, the bases marked Sheffield, 1788, maker TD, possibly Thomas Daniell; the removable candlearms 1887, removable bobeches hallmarked London, various engraved crests. H. 19 1/2 in., w. 14 1/2 in. [$800 - 1,200]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
280. Fine American Sterling Silver Water Pitcher, Dominick & Haff, New York, NY, act. 1872-1928, chased neoclassical decoration; marked with the Dominick & Haff trademark, “STERLING/964/90/ 4 1/2 PTS”, footrim engraved “... NOERENBERG...”; h. 10 7/8 in., weight 37.40 troy ozs. [$800 - 1,200]
282. Fine Antique American Sterling Silver Repousse Covered Hot Milk Pitcher, 1876, Dominick & Haff, New York, NY, act. 18721928, ret. Bailey & Co., Philadelphia, act. 18471878); ewer form, pod finial, fine floral repousse on stippled ground, loop handle with heat insulators, spreading foot, reserved with old script monogram; marked “BAILEY & CO/ PHILADELPHIA/Dominick & Haff trademark (1876)/STERLING/!00,” engraved presentation on footrim “J.V.R.T. Jan. 23, 1877 from E.F. de L.”. H. 9 5/8 in., weight 20.65 troy ozs. [$500 - 750]
284. Set of Eight Sterling Silver Water Goblets, mid-20th c., marked “STERLING/950”. h. 6 3/4 in., total weight 50.55 troy ozs. [$800 - 1,200]
281. Fine American Sterling Silver Four Piece Coffee Service, Dominick & Haff, New York, NY, act. 1872-1928; incl. coffee pot, covered sugar, creamer and waste bowl, chased neoclassical decoration, marked with the Dominick & Haff trademark, “STERLING/857/90/ 2 3/4 PTS”, footrim engraved “...NOERENBERG...”;Coffee pot h. 10 7/8 in., total weight 76.05 troy ozs. [$1,500 - 2,500]
283. German Sterling Silver Reticulated Centerbowl in the 19th Century Taste, 20th c., elaborately chased. H. 6 in., w. 12 1/8 in., d. 12 1/2 in.; weight 48.40 troy ozs. [$800 - 1,200]
285. Tiffany “Faneuil” Pattern Sterling Silver Flatware Service, pat. 1910, incl. 8 forks (l. 7 5/8 in.), 20 forks (l. 7 in.), 20 knives (hh, 9 1/4 in.), 12 salad forks, 20 dessert spoons (l. 7 1/8 in.), 17 teaspoons, 12 dessert/tea knives (fh, l. 7 7/8 in.), 23 butter knives (fh), 3 demitasse spoons, 1 cocktail fork, berry spoon, cold meat fork (l. 9 in.), vegetable serving spoon (l. 9 3/4 in.), salad serving fork (l. 10 in.), serving fork (l. 8 5/8 in.), vermeil serving fork (l. 8 5/8 in.), gravy ladle, cream ladle, 3 sugar shells, sugar tongs, master butter knife (hh), master butter knife (fh), and cheese knife (hh); together with Tiffany “Feather Edge”: 6 cream soup spoons, 6 bouillon spoons and youth fork and spoon; total weight (weighable) 264.30 troy ozs. 165 pcs. total. [$4,500 - 5,500]
286. Tiffany “Tiffany” Pattern
Sterling Silver Flatware Service, pat. 1869, designer Edward C. Moore; incl. 21 forks (l. 8 in.), 17 forks (l. 7 1/8 in.), 14 teaspoons, 6 grapefruit spoons, 21 demitasse spoons, fish slice (l. 12 1/4 in.), berry scoop (l. 9 1/4 in.), gravy ladle (l. 7 1/4 in,) and sauce ladle (l. 6 1/4 in.); total weight 118.05 troy ozs. 82 pcs. total. [$2,000 - 3,000]
287. Set of Twelve Tiffany & Co. Sterling Silver Knives, (hh, l. 10 1/2 in.), engraved ensuite with cipher, ferrules marked “”TIFFANY & CO” and “STERLING”, silverplate blades marked “VR/JOSEPH RODGERS & SONS/CUTLERS TO HER MAJESTY”, mark used 1860-1870; together with 8 Tiffany & Co. sterling knives with stainless steel blades marked “TIFFANY & CO/NEW YORK”, l. 10 1/8 in. [$300 - 500]
289. Gorham “Versailles” Pattern Sterling Silver Flatware Service, pat. 1888, designer F. Antoine Heller, multi-motif, incl. 6 each: forks (l. 7 3/4 in.), knives (hh, l. 9 3/4 in.), salad forks, cocktail forks, cream soup spoons, teaspoons, iced tea spoons and butter knives (hh), 3 tablespoons, master butter knife (fh) and sugar spoon; 53 pcs.. total weight (weighable) 62.10 troy ozs. [$1,200 - 1,800]
288. Tiffany “Ailanthus” Pattern Sterling Silver Flatware Service, pat. 1899, designer Burnett Tiffany, incl. 18 fish forks (l. 8 in.), 18 fish knives (hh, sterling blades, l. 7 1/2 in.), 6 cream soup spoons, 8 teaspoons, 12 grapefruit spoons, 8 ice cream spoons, 11 demitasse spoons, 1 dessert/tea knife (hh, sterling blade, l. 7 1/4 in.), serving spoon with monogrammed kidney-shaped gilt washed bowl (l.9 3/8 in.), ladle (l. 11 1/8 in.), ice cream server (gilt washed blade, l. 11 3/8 in.), vegetable serving fork (l. 8 1/2 in.) and cheese scoop; total weight 106.50 troy ozs. 87 pcs. [$2,500 - 3,500]
290. Fine American Renaissance Coin Silver Medallion Pattern Soup Ladle, Wood & Hughes, New York, NY, act. 1846-1899; cast medallion of Shakespearian gentleman on stippled ground, gilt wash bowl, marked “900/1000” and “W&H,”. L. 18 1/8 in., weight 9.30 troy ozs.
[$300 - 500]
291. Extensive Tiffany “St. Dunstan” Pattern Sterling Silver Flatware Service, pat. 1909, designed by Albert A. Southwick, incl. 12 forks (l. 7 3/4 in.), 42 forks (l. 7 in.), 33 knives (hh, l. 9 1/8 in.), 6 fish knives (hh, sterling blades, l. 7 3/4 in.), 9 dessert/tea knives (hh, sterling blades, l. 7 1/2 in.), 12 butter knives (fh), 11 gumbo spoons (l. 7 1/4 in.), 5 dessert spoons, 14 teaspoons, 6 grapefruit spoons,9 ice cream spoons, 2 bouillon spoons, 1 demitasse spoons, 7 tablespoons, cold meat fork (l. 8 3/4 in.), “spork” serving spoon (l. 8 3/8 in.), sandwich tongs (l. 8 1/4 in.), carving fork and knife (hh,, l. 11 5/8 in.), cake/pie knife (hh) and cheese plane (hh); total weight (weighable) 225 troy ozs. 175 pcs. [$6,000 - 8,000]
292. Tiffany & Co. Sterling Silver Sugar and Creamer, 19th c., marked “TIFFANY & Co.”, “NEW YORK”, “925 STERLING” and “26”, footed open forms with loop and ball handles, guilloche border and gilt wash interiors, creamer h. 5 3/4 in., sugar w. 7 in., combined weight 14.75 troy ozs. [$400 - 600]
294. Rare Anna Eicher Arts and Crafts Hand Wrought Sterling Silver Flask, act. Park Ridge, IL, c.1900-1925, marked “STERLING/ HAND WROUGHT” and with Eicher’s punch mark, tall rectangular form with applied monogram “B” and “A”. H. 11 1/4 in., weight 23.45 troy ozs, [$500 - 700]
293. Georg Jensen Sterling Silver Bowl, No. 180B, designed by Georg Jensen in 1912, date mark for 1982, Ref. Taylor & Laskey. Georg Jensen Holloware: The Silver Fund Collection, p. 97. H. 4 1/2 in., dia. 5 1/2 in., weight 10.70 troy ozs. [$500 - 700]
295. Turkish Sterling Silver Coffee and Tea Service, Lale, Istanbul, 20th c., incl. coffee pot, teapot, covered sugar and covered creamer; each with tapered quatrefoil body with geometric banding, scroll handles; marked “Lale/925/ Sterling”. Coffee pot h. 8 3/8 in., weight 81.45 troy ozs. [$1,500 - 2,500]
296. American Arts and Crafts Sterling Silver Child’s Cup and Plate, c. 1910, Wm. B. Kerr & Co., Newark, NJ, act. 1880s-1927; each with acid-etched scenes from nursery rhymes, the cup includes Old King Cole, His Fiddlers Three and Miss Muffet; the plate with Tom Thumb, The Pied Piper, Little Bo Peep and Tom Thumb.. cup h. 3 1/4 in., plate dia.6 1/2 in., weight 11.10 troy ozs. [$300 - 500]
298. Monumental Antique Gorham
Sterling Silver Bride’s Basket, late 19th/early 20th c., chased and reticulated neoclassical decoration, swing handle; marked with Gorham trademark, “STERLING” and RCC”; height (to top of handle) 25 in., weight 46.30 troy ozs.
[$1,200 - 1,800]
297. American Art Nouveau Sterling Silver Centerbowl, c. 1900, J.E. Caldwell & Co., Philadelphia, act. 1848-2009; everted rim cast with lilies and scrolls, molded scrolled body; marked “J.E. Caldwell & Co./925/STERLING/1000/ PHILADELPHIA” and “654”. H. 2 1/2 in., dia. 11 5/8 in.; weight 15.75 troy ozs. [$400 - 600]
299. Jean-Noel Delarue (b. Bacalans, Bordeaux, 1776, d. New Orleans 1842, act. New Orleans, 1802-1842), Coin Silver Soup Ladle, marked “Delarue” in elongated oval flanked by flowers in octagonal cartouches, downturned fiddle handle, double drop on back of bowl, script monogram “SF” for Silvestro Festorazzi. l. 14 1/4 in., weight 7.25 troy ozs. [$1,000 - 2,000]
Ref. Crescent City Silver, pgs. 66-67, mark ill. p. 125.
Provenance: Silvestro Festorazzi (b. Recolo Varenna, Lake Como, Italy, 1819, d. 1897, Mobile, Al), thence by descent.
300. Group of Four Pieces of Emilia Castillo Hardstone Inlaid Hammered Silverplate Tableware, Mexico, incl. vase, covered bowl, covered sugar bowl with spoon and frog and lilypad wine coaster, registration numbers TA-01 and TO-85. tallest piece h. 6 in.
[$700 - 1,000]
301. Regency Carved Rosewood Reading/Library Armchair, 19th c., in the manner of Gillows, Lancaster, tufted nailhead leather upholstery, swing arm bookstand, roundabout padded arm, scroll supports, lobed tapered legs, casters. 43 x 27 x 22 1/2 in.
(109.2 x 68.6 x 57.2 cm.)
[$1,200 - 1,800]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
302. Regency Parcel Ebonized Burlwood Library Table, 19th c., string inlaid top, two molded frieze drawers, square reverse tapered molded standard, scroll legs, rosettes on toes. [$1,000 - 1,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
303. George III-Style Inlaid and Paint
Decorated Satinwood Games Table, early 19th ., demilune fold over top, banded top with foliate scrolled decor, foliate swag frieze, square tapered legs. 29 1/2 x 37 x 18 in. (74.9 x 94 x 45.7 cm.), OPEN 29 1/2 x 37 x 37 in. (74.9 x 94 x 94 cm.)
[$800 - 1,200]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
304. Fine Scottish Georgian-Style Inlaid Mahogany Secretary Bookcase, 19th c., by Robert Wilson, stamped R.G.Wilson and APound, molded swan’s neck crest, glazed doors, fall front writing drawer with fitted interior, over banded flush panel doors with fitted four drawer, interior, bracket feet. 99 x 49 x 23 1/2 in. (251.5 x 124.5 x 59.7 cm.)
[$2,000 - 3,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
305. Regency Parcel Gilt Palisander Tilt Top Table, 19th c., molded top with gilt edge, turned standard, out swept legs, brass paw casters. 28 1/2 x 62 x 46 1/2 in. (72.4 x 157.5 x 118.1 cm.) [$1,200 - 1,800]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
307. Regency-Style Satinwood Inlaid Mahogany Center Table, benchmade, Manheim Galleries, New Orleans, banded circular top, reeded edge, turned supports, sabre legs brass paw casters. 29 x 60 in. (73.7 x 152.4 cm.)
[$1,500 - 2,500]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
308. Regency Carved Mahogany Metamorphic Armchair/Library Steps, 19th c., after a design by Morgan and Sanders, incurvate crest rail, scrolled arms, sabre legs, opening to four tooled leather steps. 33 1/2 x 22 x 19 in. (85.1 x 55.9 x 48.3 cm.) [$700 - 1,000]
Georgian-Style
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
306. Set of Twelve Sheraton-Style Carved Mahogany Dining Chairs, benchmade , Manheim Galleries, New Orleans, carved molded crest rail, pierced carved splat, H-form stretcher, square legs. 36 1/2 x 21 x 19 in. (92.7 x 53.3 x 48.3 cm.), armchair: 38 x 23 x 20 in. (96.5 x 58.4 x 50.8 cm.)
[$1,200 - 1,800]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
309. Georgian Inlaid Mahogany Linen Press, 19th c., molded cornice, banded panel doors enclosing linen shelves, two short drawers above two long drawers, shaped apron, French feet. 81 1/2 x 49 1/2 x 23 1/2 in. (207 x 125.7 x 59.7 cm.)
[$1,000 - 1,500]
311. George III Satinwood Inlaid Mahogany
, late 18th c., conforming case with drawers and cabinet doors,
legs. 37
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
Serpentine Sideboard
patera inlay, fluted square tapered
x 66 x 32 in. (94 x 167.6 x 81.3 cm.) [$2,000 - 3,000]
310.
Inlaid Mahogany Bowfront Chest of Drawers, 19th c., banded top and drawers, two short drawers above three long drawers, shaped apron, french feet. 42 x 42 x 23 1/2 in. (106.7 x 106.7 x 59.7 cm.) [$1,200 - 1,800]
312. Regency-Style Carved Mahogany Jardiniere, 19th c., tole liner, molded frieze, scroll supports, turned standard, triangular plinth, disk feet. 35 1/4 x 26 x 23 in.
(89.5 x 66 x 58.4 cm.)
[$500 - 700]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
313.Georgian Carved Mahogany Dumb-Waiter, 19th c., three graduated molded tiers, turned standard, cabriole legs, castors. h. 40 in., d. 24 in. [$300 - 500]
314. English Marquetry-Inlaid Ashford Marble and CutCrystal Standish, c. 1850, h. including inkwell 8 in., w. 20 1/2 in., d. 15 1/2 in. [$400 - 600]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
315. Georgian Brass and Mahogany Boullework Standish, single drawer, with cut-glass ink pot and sander. 7 x 17 x 11 in. (17.8 x 43.2 x 27.9 cm.) [$500 - 700]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
316. Georgian Tortoiseshell Tea Caddy, push-button lid, interior with two-lidded compartments. 4 x 5 x 3 1/2 in.
(10.2 x 12.7 x 8.9 cm.)
[$800 - 1,200]
317. Galle Enameled Glass Vase, signed “E. Galle/depose”, fluted shaft, foliate design, h. 19 1/2 in., dia. 7 1/4 in.
[$700 - 1,000]
320. Steuben Glass Scroll Footed Vase, h. 10 in, dia. 4 1/2 in. [$150 - 250]
318. Steuben Glass “Ship’s Decanter”, designed by Donald Pollard, h. 9 3/4 in., dia. 7 1/2 in. [$200 - 300]
319. Steuben Glass “Agnus Dei” Vase, designed by Sidney Waugh c. 1937, h. 7 1/4 in, dia. 4 in [$300 - 500]
Provenance: Steuben New York 1967; Collection of Dr. Isidore Cohn, Jr. (1921-2015), New Orleans, Neal Auction, June 12, 2020, lot 89.
Exh.: Crystal Clear: Steuben Glass from the Collection of Marianne and Isidore Cohn, Jr., New Orleans Museum of Art, Nov. 2004 – Jan 2005.
Ill.: Keefe, John Webster. Crystal Clear: Steuben Glass from the Collection of Marianne and Isidore Cohn, Jr. exhibition catalogue, pl. 10, p. 37.
321. Steuben Glass Bowl signed, spherical feet, h. 5 7/8 in., dia. 8 3/4 in. [$200 - 300]
322. Two Antique American Cast-Iron Planters, similar designs, both with drainage holes, on scroll feet, 14.5 x 28 x 14 and 14 x 30 x 14.
[$500 - 700]
323. Bronze FIgural Garden Fountain, cherub holding a small basin, over lower basin with spouting fish, dolphin base. 60 x 24 in. (152.4 x 61 cm.)
[$1,000 - 1,500]
324. American Rococo Carved Mahogany Duchesse Dressing Table,, 19th c., possibly New Orleans, foliate and C-scrolled crested mirror, C-scroll molded supports, molded shaped marble, frieze drawer with fitted interior, cabriole legs, X form stretcher surmounted by basket. 73 x 45 x 20 in. (185.4 x 114.3 x 50.8 cm.)
[$800 - 1,200]
325. American Late Classical Carved Mahogany Armoire, 19th c., New Orleans, in the manner of Prudent Mallard, flared, beaded, stepped cornice, molded mirrored door, spiral turned corners, ogee drawer, molded base, bracket feet.100 x 58 x 25 in. (254 x 147.3 x 63.5 cm.)
[$1,200 - 1,800]
by
Provenance: Abe Manheim, Ida Manheim Antiques, 409 Royal St., New Orleans.
329. American Late Classical Carved Mahogany Pot Commode, 19th c., molded inset marble top, cylindrical case, molded plinth base. 29 x 15 in. (73.7 x 38.1 cm.)
[$700 - 1,000]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
326. American Classical Carved Mahogany Slipper Settee, 19th c., shaped crest rail, padded back and seat, ripple molded conforming seat rail, bracket feet. 33 x 46 1/2 x 20 in. (83.8 x 118.1 x 50.8 cm.)
[$500 - 700]
328. Southern Federal String Inlaid Mahogany Breakfront Sideboard, 19th c., possibly Tennessee, three molded drawers above cabinet doors, center door flanked by deep drawers, square tapered legs. 40 x 61 1/2 x 26 in. (101.6 x 156.2 x 66 cm.) [$2,000 - 3,000]
330. American Late Classical Brass Mounted Mahogany Drum Table, 19th c., New York or Boston, molded top, frieze drawer with brass molding, faceted standard, triangular plinth base, bun feet, h. 28 in., dia. 37 in. [$700 - 1,000]
327. American Painted Slate Top Games Table, benchmade
Manheim Galleries, New Orleans, LA., top with four suits in corners, central gameboard, molded frieze, square tapered legs. [$700 - 1,000]
331. American Victorian Carved Rosewood Center Table, 19th c., attributed Thomas Brooks, New York, inset molded marble top, molded and carved frieze, columnar standard, scroll brackets, triangular plinth, scrolled feet.30 x 36 in. (76.2 x 91.4 cm.) [$1,000 - 1,500]
332. George III Carved Mahogany Cumberland-Action Dining Table, 19th c., D-end drop leaves, reed edge top, turned supports, sabre legs, brass cap castors, h. 28 in., w. 60 in., d. 50 in. [$400 - 800]
334. Fine Louisiana Inlaid Carved Mahogany Campeche Chair and Ottoman, 1-15-2000., signed and dated Ruppert Kohlmaier, Sr. and Jr., New Orleans, shaped volute crest rail with center shell inlay, shaped stiles, scrolled arms, rounded seat rail, curule legs, conforming ottoman, leather upholstery. [$8,000 - 12,000]
333. Set of Four Georgian-Style Carved Mahogany Dining Chairs, benchmade by Manheim Galleries, New Orleans, LA, carved crest rail with ears, pierced carved splat, drop in seats, H-form stretcher, square legs. [$500 - 700]
Provenance: Ida Manheim Antiques, 409 Royal St., New Orleans.
336. Louisiana School 19th c., “Bayou Campfire”, oil on canvas, unsigned, framed. 18 1/4 x 40 in. (46.4 x 101.6 cm.), Frame: 27 1/2 x 49 1/2 x 3 in. (69.9 x 125.7 x 7.6 cm.)
[$1,500 - 2,500]
335. George Louis Viavant, American/Louisiana 1872-1925, ”Ascending the Treacherous Path”, watercolor on paper, signed lower left, after a Joseph Wolf (Prussian/British, 1820-1899) illustration from The Life and Habits of Wild Animals, framed. 20 3/4 x 13 3/4 in. (52.7 x 34.9 cm.), Frame: 25 5/8 x 19 x 1 in. (65.1 x 48.3 x 2.5 cm.)
[$3,000 - 5,000]
337. American School 19th c., “Moonlight on the Water”, oil on canvas, unsigned, framed. 24 1/2 x 29 3/4 in. (62.2 x 75.6 cm.), Frame: 32 1/4 x 37 1/2 x 3 in. (81.9 x 95.3 x 7.6 cm.) [$600 - 800]
339. Alexander John Drysdale, American/Louisiana, 1870-1934, “Louisiana Bayou”, oil wash on board, signed lower left, framed. 20 x 30 3/8 in. (50.8 x 77.2 cm.), Frame: 26 1/4 x 36 3/4 x 1 1/4 in. (66.7 x 93.3 x 3.2 cm.) [$1,200 - 1,800]
338. American School 19th c. “The Steamboat LaFourche on a Run to New Orleans”, oil on canvas, initialed “E.W.” lower right, typed label with title on stretcher, framed. 12 x 16 in. (30.5 x 40.6 cm.), Frame: 18 x 22 x 2 in. (45.7 x 55.9 x 5.1 cm.) [$1,000 - 1,500]
340. Louise Colledge Beeson, American/Louisiana, 1933-2021, “Canvas Back Ducks in the Marsh”, oil on paper, 1994, signed and dated lower right, framed. 18 x 23 3/4 in. (45.7 x 60.3 cm.), Frame: 24 1/2 x 30 1/4 x 2 in. (62.2 x 76.8 x 5.1 cm.) [$700 - 1,000]
Note: Born in 1933 in Fremont, Nebraska, Louise Colledge Beeson later went to Georgia, where she married Edward Lee Beeson, Jr. in 1959. The couple moved to New Orleans where Edward became a professor of physics at the University of New Orleans. A talented artist, Beeson’s scenes of Louisiana landscapes and birds are rendered in an expert hand with impressionist flair as is evident in the lot offered here. She also was a beloved painting conservator who restored pieces for The Gallier House, UNO and Tulane University’s collection.
341. Peter Brooke, British/American, b. 1965, “Relaxing Bear”, bronze, 1998, signed, dated and numbered “4/12” on reverse. 8 3/4 x 18 3/4 x 14 in. (22.2 x 47.6 x 35.6 cm.)
[$4,000 - 6,000]
342. Jack Wilkinson Smith, American/California, 1873-1949, “Landscape”, oil on canvas laid on board, signed lower right, framed. 12 x 16 in. (30.5 x 40.6 cm.), Frame: 18 1/2 x 22 1/4 x 1 in. (47 x 56.5 x 2.5 cm.) [$2,500 - 3,500]
343. Dwight Clay Holmes, American/Texas, 1900-1986, “Northern Florida”, oil on canvas board, 1961, signed and dated lower left, titled en verso, framed. 8 x 10 in. (20.3 x 25.4 cm.), Frame: 10 x 12 x 1 1/4 in. (25.4 x 30.5 x 3.2 cm.)
[$500 - 700]
344. Charles William Bartlett, British/Hawaii, 1860-1940, “Katamarangs, Ceylon”, hand-colored dry point etching, pencil-signed and numbered “20/75” lower margin, titled and monogrammed in plate, inscribed and “Treasure House, Ltd.” gallery label on backing paper, framed. 15 x 10 in. (38.1 x 25.4 cm.), Frame: 21 3/4 x 15 3/4 x 3/4 in. (55.2 x 40 x 1.9 cm.)
[$800 - 1,200]
345. Arnold E. Turtle, British/ Louisiana, 1892-1954, “Sailboats on the Lake”, oil on masonite, signed lower left, framed. 16 x 20 in. (40.6 x 50.8 cm.), Frame: 21 x 25 x 2 in. (53.3 x 63.5 x 5.1 cm.)
[$800 - 1,200]
15 1/2 x 1 1/2 in. (45.4 x 39.4 x 3.8 cm.) [$1,200 - 1,800]
0 7/8 in. (44.5 x 34.9 x 2.2 cm.) [$300 - 500]
346. Alberta Kinsey, American/Louisiana, 1875-1952, “St. Louis Cathedral”, oil on canvas laid on board, signed lower left, framed. 14 x 11 3/4 in. (35.6 x 29.8 cm.), Frame: 17 7/8 x
348. Colette Pope Heldner, American/Louisiana, 1902-1990, “Madam John’s Legacy - Old French Quarter Courtyard on Dumaine Street - Vieux Carré New Orleans”, oil on canvas board, 1935, signed, dated and inscribed “New Orleans” lower left, pencil-signed titled and dated en verso, “The Farish Art Store, New Orleans” label en verso, framed. 20 x 15 7/8 in. (50.8 x 40.3 cm.), Frame: 24 1/8 x 20 1/8 x 2 1/4 in. (61.3 x 51.1 x 5.7 cm.) [$2,000 - 3,000]
347. Marie Tebo Williamson, American/Louisiana, 20th c., “French Quarter Courtyard”, oil on canvas board, signed lower right, framed. 15 3/4 x 11 7/8 in. (40 x 30.2 cm.), Frame: 17 1/2 x 13 3/4 x
349. Howard J. Schuler, American, 1887-1985, “French Quarter Street Scene”, watercolor on paper, 1949, signed and dated lower right, framed. 15 7/8 x 11 7/8 in. (40.3 x 30.2 cm.), Frame: 23 3/4 x 19 3/4 x 1/2 in. (60.3 x 50.2 x 1.3 cm.) [$500 - 700]
350. Ellsworth Woodward, American/Louisiana, 1861-1939, “Loggia”, oil on canvas, signed lower right, inscribed “Ellsworth Woodward / New Orleans, LA” on stretcher, framed. 15 1/8 x 10 1/8 in. (38.4 x 25.7 cm.), Frame: 18 1/4 x 13 1/4 x 1 1/4 in. (46.4 x 33.7 x 3.2 cm.)
[$1,200 - 1,800]
351. Sadie A. E. Irvine, American/Louisiana, 1886-1970, “Swans”, watercolor on paper, unsigned, framed. Sheet: 9 x 12 in. (22.9 x 30.5 cm.), Frame: 16 3/4 x 19 3/4 x 1 1/4 in. (42.5 x 50.2 x 3.2 cm.) [$800 - 1,200]
Provenance: Jean Bragg Gallery, New Orleans, LA
Ill. Bragg, Jean and Dr. Susan Saward. The Newcomb Style. New Orleans: Jean Bragg Gallery, 2002, p. 100.
352. Knute Heldner, Swedish/Louisiana, 1877-1952, “Sunny Afternoon, French Quarter”, oil on canvas board, signed lower left, illegibly inscribed en verso, “The Farish Art Store, New Orleans” label en verso, framed. 16 x 20 in. (40.6 x 50.8 cm.), Frame: 21 3/4 x 25 1/2 x 2 in. (55.2 x 64.8 x 5.1 cm.)
[$4,000 - 6,000]
353. Colette Pope Heldner, American/Louisiana, 1902-1990, “Patio at Antoine’s, New Orleans”, oil on panel, signed lower right, “Ben’s Studio, New Orleans” label on backing board, framed. 10 1/2 x 18 in. (26.7 x 45.7 cm.), Frame: 17 x 24 3/4 x 2 3/4 in. (43.2 x 62.9 x 7 cm.)
[$1,200 - 1,800]
Provenance: Neal Auction, Nov. 20, 2021, lot 305.
354. Alberta Kinsey, American/ Louisiana, 1875-1952, “Blue Door, French Quarter”, oil on paper laid on foamcore, signed lower left, framed. 10 x 8 in. (25.4 x 20.3 cm.), Frame: 11 x 9 1/4 x 1/2 in. (27.9 x 23.5 x 1.3 cm.)
[$800 - 1,200]
Provenance: Neal Auction, Dec. 3, 2016, lot 540.
355. William Woodward, American/Louisiana, 1859-1939, “Sailing Boat at Sunset”, raffaelli crayon on flint paper, initialed lower left, “No. 1, Three-M-Flint Paper, St. Paul, Minnesota” printed en verso, framed. 7 x 5 in. (17.8 x 12.7 cm.), Frame: 7 3/4 x 5 3/4 x 1/2 in. (19.7 x 14.6 x 1.3 cm.)
[$800 - 1,200]
Provenance: Neal Auction, Nov. 19, 2017, lot 926.
356. Alberta Kinsey, American/Louisiana, 1875-1952, “French Market”, oil on canvas laid on board, signed lower right, framed. 11 1/4 x 14 in. (28.6 x 35.6 cm.), Frame: 14 x 17 x 1 in. (35.6 x 43.2 x 2.5 cm.) [$2,000 - 3,000]
Provenance: Neal Auction, June 22, 2019, lot 226.
357. Sarah Katherine Smith, American/California, 20th c., “French Market, New Orleans”, pastel on board, pencil-signed lower right, illegibly pencil-signed lower left, framed. 11 x 14 in. (27.9 x 35.6 cm.), Frame: 13 1/2 x 16 1/2 x 3/4 in. (34.3 x 41.9 x 1.9 cm.) [$400 - 600]
Provenance: Neal Auction, Aug. 4, 2021, lot 132.
Manuel G. Runyan, American/Florida, 1872-1954, “New Orleans Courtyard”, oil on canvas laid on board, 1931, signed and dated lower left, framed. 12 x 9 in. (30.5 x 22.9 cm.), Frame: 13 1/2 x 10 1/2 x 3/4 in. (34.3 x 26.7 x 1.9 cm.) [$600 - 800]
Clarence Millet, American/Louisiana, 1897-1959, “The Archway”, oil on canvas laid on board, signed lower right, pencil-titled en verso, framed. 9 x 10 in. (22.9 x 25.4 cm.), Frame: 11 1/2 x 12 1/2 x 1 in. (29.2 x 31.8 x 2.5 cm.) [$2,000 - 3,000
Provenance: Neal Auction, Apr. 13, 2019, lot 186.
359. Charles Oglesby Longabaugh, American/Louisiana, 1885-1944, “Old Plantation House”, watercolor on paper, 1942, initialed and dated lower left, pencil-signed and titled on mat, framed. 7 1/4 x 6 in. (18.4 x 15.2 cm.), Frame: 14 1/2 x 12 3/4 x 3/4 in. (36.8 x 32.4 x 1.9 cm.) [$600 - 800]
361. Clarence Millet, American/Louisiana, 1897-1959, “Madison St.New Orleans”, oil on canvas board, signed lower left, inscribed with artist and title on backing paper, framed. 20 x 16 in. (50.8 x 40.6 cm.), Frame: 25 3/4 x 21 1/2 x 1 1/2 in. (65.4 x 54.6 x 3.8 cm.) [$4,000 - 6,000]
360.
358.
362. Knute Heldner, American/Louisiana, 1875-1952, “Old Three Oaks Plantation”, oil on canvas board, signed lower left, framed. 8 x 10 in. (20.3 x 25.4 cm.), Frame: 10 3/4 x 12 1/2 x 1 1/4 in. (27.3 x 31.8 x 3.2 cm.)
[$1,500 - 2,500]
363. Emmett Fritz, American/Florida, 1917-1995, “Street Scene”, oil on canvas board, signed lower right, framed. 8 x 10 in. (20.3 x 25.4 cm.), Frame: 11 1/2 x 13 1/4 x 1 1/4 in. (29.2 x 33.7 x 3.2 cm.)
[$700 - 1,000]
364. Steele Burden, American/Louisiana, 1900-1995, “Weighing Cotton, Rural Life Museum, Baton Rouge”, oil on canvas board, c. 1980, unsigned, inscribed with artist, title and circa date en verso, signed and personalized on backing paper, framed. 8 x 10 in. (20.3 x 25.4 cm.), Frame: 10 x 13 x 2 in. (25.4 x 33 x 5.1 cm.)
[$700 - 1,000]
365. Clementine Hunter. American/Louisiana, 1886-1988, “Funeral Procession”, oil on board, 1970, monogrammed and dated mid-right, framed. 18 x 23 3/4 in. (45.7 x 60.3 cm.), Frame: 18 7/8 x 24 1/2 x 1 in. (47.9 x 62.2 x 2.5 cm.) [$5,000 - 7,000]
Note: This lot has been authenticated by renowned Clementine Hunter expert Tom Whitehead.
Clementine Hunter. American/Louisiana, 1886-1988, “African House”, oil on board, monogrammed lower right, “Casell Gallery, New Orleans, LA” label on backing paper, framed. 18 x 24 in. (45.7 x 61 cm.), Frame: 19 x 25 x 1 in. (48.3 x 63.5 x 2.5 cm.) [$4,000 - 6,000]
Note: This lot has been authenticated by renowned Clementine Hunter expert Tom Whitehead.
366.
368. Clementine Hunter. American/ Louisiana, 1886-1988, “Picking Cotton”, oil on canvas board, monogrammed lower right, partial sketch and inscribed en verso, framed. 16 x 20 in. (40.6 x 50.8 cm.), Frame: 17 x 21 x 1 1/2 in. (43.2 x 53.3 x 3.8 cm.)
[$4,000 - 6,000]
Note: This lot has been authenticated by renowned Clementine Hunter expert Tom Whitehead.
369. Clementine Hunter. American/Louisiana, 1886-1988, “Flowers in Sugar Kettle”, oil on board, monogrammed lower right, artist information label en verso, “The Tulip Tree, New Orleans, LA” label on backing paper, framed.12 1/4 x 11 3/4 in. (31.1 x 29.8 cm.), Frame: 15 5/8 x 15 x 3/4 in. (39.7 x 38.1 x 1.9 cm.) [$5,000 - 8,000]
Note: This lot has been authenticated by renowned Clementine Hunter expert Tom Whitehead.
367. Clementine Hunter. American/ Louisiana, 1886-1988, “Baptism”, oil on canvas board, 1970, monogrammed and dated mid-right, inscribed en verso, framed. 14 x 18 in. (35.6 x 45.7 cm.), Frame: 14 5/8 x 18 5/8 x 1 in. (37.1 x 47.3 x 2.5 cm.)
[$4,000 - 6,000]
Note: This lot has been authenticated by renowned Clementine Hunter expert Tom Whitehead.
370. Clementine Hunter. American/Louisiana, 1886-1988, “House with Birds”, oil on canvas laid on board, monogrammed lower right, “The Tulip Tree, New Orleans, LA” label on backing paper, framed. 9 x 12 in. (22.9 x 30.5 cm.), Frame: 11 x 14 x 3/4 in. (27.9 x 35.6 x 1.9 cm.) [$5,000 - 8,000]
Note: This lot has been authenticated by renowned Clementine Hunter expert Tom Whitehead.
372. Clementine Hunter. American/ Louisiana, 1886-1988, “Zinnias”. oil on canvas board mounted to board, monogrammed lower right, framed. 20 x 24 in. (50.8 x 61 cm.), Frame: 32 1/4 x 28 1/4 x 1 in. (81.9 x 71.8 x 2.5 cm.)
[$4,000 - 6,000]
Note: This lot has been authenticated by renowned Clementine Hunter expert Tom Whitehead.
373. Clementine Hunter. American/Louisiana, 1886-1988, “Melrose Plantation Auction”, oil on board, monogrammed mid-right, “Casell Gallery, New Orleans, LA” label on backing paper, framed.23 7/8 x 24 in. (60.6 x 61 cm.), Frame: 29 x 29 x 1 1/2 in. (73.7 x 73.7 x 3.8 cm.) [$5,000 - 7,000]
Note: This lot has been authenticated by renowned Clementine Hunter expert Tom Whitehead.
371. Clementine Hunter. American/ Louisiana, 1886-1988, “Nativity”, oil on board, monogrammed lower right, “Casell Gallery, New Orleans, LA” label on backing board, framed. 18 x 24 in. (45.7 x 61 cm.), Frame: 19 1/4 x 25 1/4 x 1 1/4 in. (48.9 x 64.1 x 3.2 cm.)
[$4,000 - 6,000]
Note: This lot has been authenticated by renowned Clementine Hunter expert Tom Whitehead.
374. Clementine Hunter. American/Louisiana, 1886-1988, “Funeral”, oil on canvas board. monogrammed lower right, partial sketch and inscribed en verso, framed. 18 x 24 in. (45.7 x 61 cm.), Frame: 21 1/2 x 27 1/2 x 1 1/4 in. (54.6 x 69.9 x 3.2 cm.) [$4,000 - 6,000]
Note: This lot has been authenticated by renowned Clementine Hunter expert Tom Whitehead.
375. Howard Finster, American/Georgia, 1916-2001, “Home Guard Cat”. marker and paint on cut-out panel. 1991, signed and titled lower center, signed, dated, inscribed and partial sketch en verso. 22 x 17 1/4 in. (55.9 x 43.8 cm.) [$2,000 - 3,000]
377. Howard Finster, American/Georgia, 1916-2001, “Cadalac [SIC] Message I Never Had”, glitter, marker and paint on cut-out panel, 1993, signed and titled center, signed, dated, inscribed and partial sketch en verso, unframed. 6 x 20 in. (15.2 x 50.8 cm.) [$1,800 - 2,500]
376. Howard Finster, American/Georgia, 1916-2001, “American Work Oxen”, marker and paint on cut-out panel, 1992, signed and titled lower center, signed, dated, inscribed and partial sketch en verso, unframed. 10 x 16 1/4 in. (25.4 x 41.3 cm.) [$2,000 - 3,000]
378. David Butler, American/Louisiana, 1898-1997, “Fantastic Dinosaur”, enamel on cut-out metal, initialed en verso, together with acrylic stand. 11 1/2 x 29 1/4 x 3 in. (29.2 x 74.3 x 7.6 cm.) (2 pcs.) [$1,000 - 1,500]
379. Sister Gertrude Morgan, American/Louisiana, 1900-1980, “New Jerusalem the home of ... saved come on in this house give up those wicked ways”, “Dry Bone” and “The Laband [sic] Bride (The Lamb Bride)”, 3 mixed media on paper, 1 signed lower center, 1 en verso with partial sketch, 1 unsigned, each titled along top edge, newspaper article attached to backing board, framed together.
From: 3 1/2 x 3 3/4 in. (8.9 x 9.5 cm.) to: 5 1/2 x 3 1/2 in. (14 x 8.9 cm.), Frame: 13 1/4 x 12 3/4 x 1 1/2 in. (33.7 x 32.4 x 3.8 cm.)
[$6,000 - 8,000]
380. Mary Kirk Kelly, (American/Alabama 1918-2013), 10 ceramic vegetables, incl. squash, corn, eggplant, yam, sweet potato, radish, and cauliflower; tallest piece h. 3 1/2 in., dia. 5 3/4 in. [$500 - 700]
381. Mary Kirk Kelly, (American/Alabama, 1918-2013), Ceramic Fruits, Vegetables, and Leaves, together with Cabbage with Hidden Bunny Rabbit, incl. cherries, yam, brussel sprout stalks, apple, strawberry, grapes, banana, yellow pear, eggplant, corn, maple leaf, and gourd leaf, together with cabbage and hidden bunny rabbit; largest piece 11 1/4 in. [$700 - 1,000]
382. Newcomb College Art Pottery Vase, 1928, decorated by Sadie Irvine, with low relief carved “Oak, Moss, at Twilight” design, matte glaze with blue, green and pink underglaze, base marked with Newcomb cipher, decorator’s mark, Jonathan Browne Hunt’s potter’s mark, and reg. no. RG 33, h. 5 1/4 in., dia. 5 3/4 in. [$2,500 - 3,500]
383. Newcomb College Brass
Inlaid Rosewood Frame, late 19th c., 10 7/8 in. x 9 in.; oval opening 8 in. x 6 in. [$700 - 1,000]
384. Shearwater Pottery
“Geometric” Vase, c. 1940, designed and carved by Walter Inglis Anderson, thrown and glazed by Peter Anderson, Antique Green exterior glaze, lilac interior, h. 8 1/4 in., dia. 5 3/4 in., accompanied by a 2010 Shearwater Pottery certificate. [$2,000 - 3,000]
385. Shearwater Pottery Plate, c. 1950s, jiggered by Peter Anderson, decorated by Walter Anderson in rooster and sun design, white, green, blue, and ochre slip decoration, quartersize impressed mark, diameter 8 1/2 in., accompanied by a 2014 Shearwater Pottery certificate. [$1,000 - 1,500]
386. Shearwater Pottery Bowl, c. 1992, decorated by James McConnell “Mac” Anderson with a street scene, black and white lobed design around the base, fully marked, height 3 5/8 in., diameter 7 1/2 in. [$800 - 1,200]
388. Shearwater Pottery “Totem Pole” Lamp, h. 12 1/2 in., with green felt covered shade, total h. 21 in. [$200 - 300]
387. Five Shearwater Pottery “Pirate” Figures, tallest 8 in. [$200 - 300]
389. Shearwater Pottery Alligator Pitcher, 2011, 6 1/2 x 12 3/4 x 5 in. (16.5 x 32.4 x 12.7 cm.) [$400 - 600]
391. [Louisiana Club Men Caricatures], “Club Men of Louisiana in Caricature”, drawings by W.K. Patrick, printed by the Roycrofters, East Aurora, NY, 1917, with a preface by the late Elbert Hubbard “Written shortly after his visit to New Orleans”, octavo (10 1/2 x 8 in.), leather-covered wraps, featuring 354 caricatures of various New Orleans luminaries by the “Times-Picayune” cartoonist, with index (Roster). [$500 - 700]
Note: The cover title is Club Men of New Orleans..., a mistake by the publisher.
390. [Mardi Gras-Comus], “Scenes from the Metamorphoses of Ovid, Illustrated by the Mysticke Krewe”, New York: Corlies, Macy & Co., 1878, gilt decorated leather, embossed “M.K.C. 1878”, ex libris from Ursuline Convent High School Library (cover and interior), 7 1/2 x 5 1/4 in.
[$400 - 600]
Note: Distributed in 1878 at the Comus ball held at the French Opera House in the Vieux Carre. It contains illustrated selections from Ovid’s Metamorphoses, the theme of that year’s parade and ball.
392. [New Orleans Fire Department Book], HISTORY OF THE FIRE DEPARTMENT OF NEW ORLEANS. FROM THE EARLIEST DAYS TO THE PRESENT TIME… Edited by Thomas O’Connor, Chief Engineer of the New Orleans Fire Department. New Orleans, 1895. octavo (10 1/4 x 8 in.), giltillustrated binding, profusely illustrated with 135 photographs and numerous pages of advertising. [$400 - 600]
393. Pamphlets and Booklets Regarding the New Orleans Sewerage and Water System, (and Related), circa 1851-1930s. Various imprints. 32 items. Representative titles: An Address on the Sanitary Condition of New Orleans as Illustrated by Its Mortuary Statistics (1851); Report of the Committee on Construction and Management of Privies...N.O. Auxiliary Sanitary Association (1880); The New Orleans Sewerage System, Commenced with Inaugural Ceremonies (1894); Address from the Executive Committee of the Citizens Draining and Paving Ass’n...The Drainage Ordinance (1889)., Program of the Inauguration of the Sewerage System of New Orleans (1903)., 32 pcs. [$300 - 500]
Provenance: Harold J. Gorman, Executive Director of the New Orleans Sewage and Water Board (1986-2003).
394. [New Orleans Historical Photograph Books], two books, incl. “New Orleans Louisiana The Crescent City/ The Book of the Picayune also of the Public Bodies and Business Interests of the Place”, New Orleans, Geo. Engelhardt, 1903, small folio (12 1/4 x 9 1/2 in.), 244 pgs., with numerous photos of luminaries, businesses and private homes; and “New Orleans Illustrated in Photo Etching from New and Original Plates with Descriptive Text”, Chicago and New Orleans, Craig and Hansell, 1892, oblong (8 3/4 x 11 in.), with numerous photos of businesses, monuments, and private homes, 2 pcs. [$300 - 500]
395. 1st Louisiana Native Guard Double-Barrel Percussion Shotgun, c. 1860, one side of the lockplate marked “NEW ORLEANS, LA”, the other marked “COOPER”, top of the barrel marked “FINE TWIST”, the walnut stock engraved “1st. LA.NG”, double trigger, checkered wrist, barrel length 38 in. [$4,000 - 6,000]
Note: The 1st Louisiana Native guard was formed in 1861 and consisted of Creoles of color.
397. Antique Miniature Mahogany Tester Bed, fluted back columns
27 1/4 x 16 1/2 x 22 3/4 in. (69.2 x 41.9 x 57.8 cm.) [$300 - 500]
396. Five Contemporary Gullah Sweetgrass Baskets, signed and dated on underside by Corey Alston, Karen Alston, & poss. Mary Jane Habersham; tallest h.14 1/4 in., w. 12 1/4 in., d. 19 3/4 in. [$400 - 600]
Corey Allston and wife Karen are fifth generation Sweetgrass Basket Weavers, working in Gullah-Geechee weaving traditions developed by the enslaved West Africans brought to the marshy and coastal Lowcountry regions of South Carolina. Sweetgrass basket weaving was adapted to winnow rice seeds from the chafe, which was key to the foodways of South Carolina. A Corey Alston sweetgrass basket is in the collection of the Smithsonian American Art Museum, currently on view in “Traditional to Contemporary” in the Renwick Gallery.
398. American Late Classical Mahogany Extension Dining Table, 19th c., probably New York, molded frieze, octagonal molded standard, molded legs with rosettes, casters, two leaves. 29 x 54 x 53 1/2 in. (73.7 x 137.2 x 135.9 cm.), open 29 x 54 x 85 1/2 in. (73.7 x 137.2 x 217.2 cm.)
[$1,000 - 1,500]
399. Set of Eight Classical Carved Mahogany Dining Chairs, 19th c., Philadelphia, two arm and six side chairs, period-appropriate woven haircloth upholstery, tablet crest, rosette corners, saber legs. Side 32 1/2 x 19 x 19 1/2 in. (82.6 x 48.3 x 49.5 cm.), arm 32 x 22 x 20 in. (81.3 x 55.9 x 50.8 cm.) [$1,500 - 2,500]
Note: Near identical chair is pictured in Philadelphia Empire Furniture by Allison Boor page 316, figure 172
400. American Rococo Carved Rosewood Games Table, 19th century., attr. to Charles Baudouine, New York, concertina action, molded folding top, scroll molded frieze, C-scroll and bellflower knees, cabriole legs. 28 3/4 x 35 x 18 in. (73 x 88.9 x 45.7 cm.)
[$800 - 1,200]
401. Two American Rococo Carved Rosewood Parlor Chairs, 19th c., New York, commonly referred to as single rose pattern, pierced carved scrolled crest with rose center, padded arms, molded shaped seat rail, cabriole legs, casters, side 39 x 18 x 17 1/2 in. (99.1 x 45.7 x 44.5 cm.)
[$700 - 1,000]
402. American/English Gothic Revival Carved Mahogany Vitrine, 19th c., sarcophagus top, glazed door with gothic tracery molding, mirrored back, shelved interior, plinth drawer, turned feet. 63 x 29 1/2 x 17 in. (160 x 74.9 x 43.2 cm.)
[$800 - 1,200]
403. American Rococo Carved Rosewood Fire Screen, 19th c., possibly John H. Belter, New York, foliate crest centered by rose, oval beadwork insert, tripod base, scrolled legs.
[$500 - 700]
404. American Renaissance Carved Oak China Cabinet, late 19th/20th c., possibly R.J. Horner, New York, elaborate carved crest, D-case, acanthus carved terms, paw feet, h. 83 1/8 in., w. 54 1/2 in., d. 20 1/2 in.
[$1,000 - 1,500]
405. American Rococo Carved and Laminated Rosewood Settee, c. 1850-60, attr. to John Henry Belter, New York, in the pattern referred to as “Rosalie with Grapes”, arched floral and grape carved crest, serpentine seat rails, shaped and carved arms , cabriole legs, casters. 40 x 71 x 27 in. (101.6 x 180.3 x 68.6 cm.)
[$2,500 - 3,500]
406. Pair of American Rococo Carved and Laminated Rosewood Gentleman’s Armchairs, c. 1850-1860, attr. to John Henry Belter, New York, in the pattern known as “Rosalie with Grapes”, having floral and grape carved crest, serpentine molded arms, round floral carved seat on cabriole legs. 43 x 24 x 21 1/2 in. (109.2 x 61 x 54.6 cm.)
[$1,200 - 1,800]
407. Set of Three American Rococo Laminated and Carved Rosewood Parlor Chairs, mid-19th c., attributed to John Henry Belter, New York, in the pattern known as Rosalie with Grapes, the fruit and floral carved crest continuing to scrolled stiles, padded sheild-form back, serpentine seat, cabriole legs. 36 1/2 x 17 1/2 x 15 1/2 in. (92.7 x 44.5 x 39.4 cm.)
[$1,000 - 1,500]
408. Rare Pair of American Rococo Carved Rosewood Footstools,c. 18501860, attr. to John Henry Belter, New York, serpentine foliate rail, cabriole legs. 14 1/2 x 18 x 18 in. (36.8 x 45.7 x 45.7 cm.)
[$1,000 - 1,500]
409. Merle Berry Tennyson Montjoy, American/Mississippi, 1920-2008, “Untitled: Birds on Rocks”, latex polymer on masonite, signed lower right, signed and inscribed “Latex” en verso, framed. 24 x 60 in. (61 x 152.4 cm.), Frame: 26 3/4 x 62 1/2 x 1 1/2 in. (67.9 x 158.8 x 3.8 cm.)
[$1,000 - 1,500]
Note: Merle Berry Tennyson Montjoy was born in 1920 to a prominent Mississippi family. She earned her Bachelor of Science degree from Mississippi State College for Women and Master of Arts degree in art education from the University of Mississippi. She studied at the William Fisher Gallery in New York, the summer art colonies in Kennebunkport, Maine and the Penland School in North Carolina, as well as at various workshops sponsored by the Mississippi Art Colony. Montjoy’s mentors included Ida Kohlmeyer, Alvin Sella, Andrew Bucci, Bill Rowell, Malcolm Norwood and particularly Marie Hull. Together, she and Hull were instrumental in recognizing the work of Walter Anderson through significant acquisitions by the Mississippi Art Association. In 1975, Montjoy was one of nine organizers of the Friends of Walter Anderson, a group dedicated to assuring the preservation and recognition of Anderson’s work. This organization played an important role in establishing the Walter Anderson Museum of Art in Ocean Springs, Mississippi.
Montjoy’s own artwork was noted for its innovation and exploration in different media. She frequently exhibited in competitive shows in the South and won a large number of awards. Her many one-person shows included the Mississippi Art Association’s presentation in 1971 of “Recent Paintings by Merle Tennyson,” which produced considerable interest as it featured her series of “Fan” paintings, as well as five acclaimed stylized portraits. In speaking of the “Fan” series in 1974, Charles M. Grass of the Art Department of the University of Mississippi stated: “They are the best series of paintings that I have seen done by a Mississippian.”
410. Eudora Welty, American/Mississippi, 1909-2001, “The Mattress Factory, Jackson, MS”, selenium-toned gelatin silver print on Agfa paper negative creation date c. 1930s, print date 1992, pencil-signed and numbered “42/60”, “Diogenes Editions, Jackson, MS” publisher blindstamp lower left margin, from “The Eudora Welty Portfolio: Mississippi Department of Archives and History and Diogenes Editions”, published by Diogenes Editions, Jackson, MS, printed by James C. Patterson (American/Mississippi, 1959-2018) under the supervision of Welty, matted. Image: 10 x 17 3/4 in. (25.4 x 45.085 cm.), Sheet: 15 1/2 x 20 in. (39.4 x 50.8 cm.), Mat: 17 1/4 x 24 3/4 in. (43.8 x 62.9 cm.)
[$4,000 - 6,000]
411. Eudora Welty, American/Mississippi, 1909-2001, “The Eudora Welty Portfolio: Mississippi Department of Archives and History and Diogenes Editions” 18 selenium-toned gelatin silver prints on Agfa paper, negative creation dates c. 1930s - early 1940s, print date 1992, each pencil-signed lower right margin, pencil-numbered “1/60” lower left margin, “Diogenes Edition, Jackson, Mississippi” publisher blindstamp lower left margin, 17 with “Custom Framing by Art Supply Headquarters, Jackson, MS” label on backing paper, labels inscribed with exhibition order number, published by Diogenes Editions, Jackson, MS, printed by James C. Patterson (American/Mississippi, 1959-2018) under the supervision of Welty, framed alike in Bob Willis (American/Mississippi, 20th c.) handmade white oak and African wenge wood frames selected by the artist with each frame signed and dated by Willis on edge. 10 1/8 x 17 11/16 in. (25.7 x 44.9 cm.) to 17 3/8 x 12 5/8 in. (44.1 x 32.1 cm.), Frames: 23 x 28 7/8 x 1 in. (58.4 x 73.3 x 2.5 cm.) or 28 7/8 x 23 x 1 in. (73.3 x 58.4 x 2.5 cm.) (18 pcs.)
[$50,000 - 80,000]
Exh.: Old Capitol Museum, Jackson, MS, Aug. 1992; Vicksburg Art Association, Old Firehouse Gallery, Vicksburg, MS, Sept. 15 - 27, 1992.
Note: Before publishing her first story, Eudora Welty was an accomplished photographer. Throughout the 1930s and early 1940s, Welty gathered a body of work remarkable for her choice of subjects and ability to put them at ease. The images depict the everyday lives of Mississippians at the height of the Depression. In early 1936, Welty was featured in a one-woman show of forty-five photographs at Lugene Opticians in New York. That same summer, Welty published her first short story, “Death of a Traveling Salesman,” and became a publicity agent, junior grade, for the WPA in Mississippi. Welty traveled throughout the state’s backroads, small towns and rural areas to write articles about WPA projects for community weeklies, snapping pictures along the way. Although taking pictures was not part of her official WPA tasks, the experience helped chart Welty’s literary life. She is quoted in 1989: “In snapping these pictures I was acting completely on my own, though I’m afraid it was on their time; they have nothing to do with the WPA. But the WPA gave me the chance to travel, to see widely and at close hand and really for the first time the nature of the place I’d been born into. And it gave me the blessing of showing me the real State of Mississippi, not the abstract state of the Depression.”
In 1992, Welty combed through the negatives of the photographs she took during the Depression and hand-selected eighteen to best represent this era of her work. She collaborated with Diogenes Editions in Jackson to create a limited run of only sixty portfolios, many of which have since been separated. The rare, complete portfolio offered here is particularly notable in that it is number one of the sixty and has an impressive exhibition history, having been exhibited in the Old Capitol Museum rotunda in Jackson in 1992 and at the Vicksburg Art Association Old Firehouse Gallery later that same year. Additionally, Welty herself worked with the talented Pelahatchie-based master woodworker Bob Willis to carefully design the frames for this set from native white oak with wenge accents to reflect the era in which the photos were taken. The frames were hand-crafted and cut to resemble depression-era furniture.
Ref.: Frail, T.A. “Eudora Welty as Photographer.” Smithsonian Magazine. Apr. 2009. www.smithsonianmag.com. Accessed May 15, 2025; Scanlan, Laura Wolff. “Southern Exposure.” Humanities. Jan./Feb. 2011. www.neh.gov. Accessed May 15, 2025; “Welty Photographs Exhibited.” Mississippi History Newsletter. 36.8 (1992).
412. John McCrady, American/Louisiana, 1911-1968, “Portrait of the Artist on the Levee”, graphite on tracing paper backed by paper, 1963, initialed lower right, inscribed “Self Portrait” lower left, backing paper has partial sketch of the same subject, matted; together with two “WYES Art Auction 1992” information labels. 12 5/8 x 8 1/8 in. (32.1 x 20.6 cm.), Mat: 15 11/16 x 11 1/2 in. (39.8 x 29.2 cm.) (3 pcs.)
[$700 - 1,000]
Provenance: Collection of Mary McCrady, New Orleans, LA; Downtown Gallery, New Orleans, LA; WYES Art Auction, New Orleans, LA, Aug. 1992, lot 640.
Ill.: Marshall, Keith. “John McCrady 1911-1968”. New Orleans: New Orleans Museum of Art, 1975, p 6.
413. Noel Rockmore, American/ Louisiana, 1928-1995,“Woman in the Mississippi River “, pastel on paper, 1988, signed and dated lower right, matted.16 1/4 x 20 in. (41.3 x 50.8 cm.), Frame: 22 x 26 in. (55.9 x 66 cm.)
[$500 - 800]
414. Noel Rockmore, American/Louisiana, 1928-1995, “Rev. Mike Stark”, oil on canvas, 1969, signed, dated and inscribed “New Orleans” lower right, titled upper left, framed. 50 x 33 1/4 in. (127 x 84.5 cm.), Frame: 60 x 43 1/4 x 2 in. (152.4 x 109.9 x 5.1 cm.) [$3,000 - 5,000]
Note: Once proclaimed “King of the Hippies,” Reverend Michael “Mike” Stark (1939-1998) moved to New Orleans from Texas in 1962 to attend the Baptist Theological Seminary. By the mid-1960s, he had made a permanent home in the French Quarter where he was a fixture on the local scene over the next thirty years. He founded or co-founded a dozen or more different projects benefiting the community, including a street ministry for young people that operated a free medical clinic and Baptist mission. In 1982, he established the Mask Market as part of his New Orleans Mask Makers Guild, which helped to promote and support local mask artists. During the World’s Fair of 1984 in New Orleans, Stark operated a shop called the Exposed Flea, just outside the fair’s perimeter, and later with a young business partner, Ann Guccione, and others he owned a mask shop in the French Quarter with a worldwide following called the Little Shop of Fantasy.
In his early days in the French Quarter, Stark was part of a group of bohemians who gravitated around Preservation Hall, where he worked the door and inevitably met the famous artist Noel Rockmore who became a close friend. “He [Stark] loved to dress up,” according to Jo Ann Clevenger (2011) in whose Decatur Street costume shop Stark also worked. The gay former Baptist minister was known for wearing color kaftans and often a hat or headpiece. Rockmore depicts him in this distinctive attire in the significant and near life-size portrait offered here. Seated against backdrop of French Quarter rooftops in a colorful chair and with a pensive expression, Stark embodies the bohemian vibe for which he was known. A classic and colorful New Orleans personality, Stark’s legacy of activism reverberates in the French Quarter to this day.
415. George Valentine Dureau, American/Louisiana, 1930-2014, “Male Figure”, charcoal on paper, 1969, signed and dated lower center, framed. 24 x 18 in. (61 x 45.7 cm.), Frame: 33 1/2 x 27 x 1 1/4 in. (85.1 x 68.6 x 3.2 cm.)
[$400 - 600]
416. George Valentine Dureau, American/Louisiana, 1930-2014, “Policeman”, charcoal on paper, signed lower center, framed. 38 3/8 x 29 7/8 in. (97.5 x 75.9 cm.), Frame: 42 1/2 x 33 1/2 x 1/2 in. (108 x 85.1 x 1.3 cm.)
[$500 - 700]
417. George Valentine Dureau, American/Louisiana, 1930-2014, “Putto” and “Male Figure”, 2 charcoals on paper, 1970, both signed and dated lower center, framed alike. Each: 17 x 14 in. (43.2 x 35.6 cm.), Frames: 18 1/4 x 15 1/4 x 5/8 in. (46.4 x 38.7 x 1.6 cm.) (2 pcs.) [$1,000 - 1,500]
418. George Valentine Dureau, American/ Louisiana, 1930-2014, “Putto”, watercolor, charcoal and pastel on paper, signed lower center, framed. 30 x 23 3/4 in. (76.2 x 60.3 cm.), Frame: 35 1/4 x 31 1/4 x 1 3/8 in. (89.5 x 79.4 x 3.5 cm.)
[$1,200 - 1,800]
Provenance: Collection of Ronald Bourgeois and Chuck East, New Orleans, LA; Neal Auction, Apr. 27, 2014, lot 1062.
419. Robert Gordy, American/Louisiana, 1933-1986, “Study for Night Figures”, marker on paper, 1977, signed and dated lower left, “Galerie Simonne Stern, New Orleans” label with artist and title on backing, framed. 16 x 20 in. (40.6 x 50.8 cm.), Frame: 16 3/8 x 20 3/8 x 1 1/2 in. (41.6 x 51.8 x 3.8 cm.)
[$800 - 1,200]
420. Robert Gordy, American/Louisiana, 1933-1986, “Desert Dawn”, silkscreen, signed and numbered “69/75” lower margin, blind stamp lower left, “Koch Galleries” label on backing paper, framed. 20 x 37 in. (50.8 x 94 cm.), Frame: 25 3/4 x 42 3/4 x 1 1/4 in. (65.4 x 108.6 x 3.2 cm.)
[$600 - 800]
421. Robert Gordy, American/Louisiana, 1933-1986, “Hot Pursuit”, silkscreen, signed and numbered “18/40” upper margin, blind stamp lower margin, Arches watermark lower left, publisher “Topaz Editions, Inc.” stamp en verso, unframed. Sheet: 22 3/8 x 30 1/4 in. (56.8 x 76.8 cm.)
[$600 - 800]
422. Robert Gordy, American/Louisiana, 1933-1986, “Le Parc”, silkscreen, pencilsigned and numbered “30/34” lower margin, blind stamp lower left and right corners, unframed. Sheet: 24 x 31 in. (61 x 78.7 cm.)
[$400 - 600]
423. Robert Gordy, American/ Louisiana, 1933-1986, “Arcady”, silkscreen, pencil-signed, numbered “5/35” and blind stamp lower margin, Arches watermark lower left, pencil-numbered “5/35” and publisher “Topaz Editions, Inc.” stamp en verso, unframed. Sheet: 30 1/8 x 22 3/8 in. (76.5 x 56.8 cm.)
[$400 - 600]
424. Robert Gordy, American/ Louisiana, 1933-1986, “Landscape with Spotted Dog #1”, silkscreen, 1976, signed and numbered “22/75” lower margin, blind stamp and Arches watermark lower left, unframed. Sheet: 22 7/8 x 34 in. (58.1 x 86.4 cm.)
[$300 - 500]
425. Robert Gordy, American/ Louisiana, 1933-1986, “Tortola Stomp”, silkscreen, pencil-signed, titled, numbered “2/20” and blind stamps lower margin, Rives watermark lower right, unframed. Sheet: 20 1/2 x 23 1/4 in. (52.1 x 59.1 cm.)
[$400 - 600]
426. Enrique Alférez, Mexican/Louisiana, 1901-1999, “Reclining Nude”, carved wood, unsigned, wood base. 5 x 16 1/8 x 7 in. (12.7 x 41 x 17.8 cm.), Overall with Base: 7 x 17 1/4 x 7 1/4 in. (17.8 x 43.8 x 18.4 cm.)
[$8,000 - 12,000]
427. Enrique Alférez, Mexican/Louisiana, 1901-1999, “Kneeling Nude”, terracotta, unsigned, wood base, 26 1/4 x 11 3/4 x 14 in. (66.7 x 29.8 x 35.6 cm.), Overall Height: 28 1/2 in. (72.4 cm.)
[$6,000 - 9,000]
Provenance: Neal Auction, July 14, 2018, lot 160.
429. Alan Raymond Flattmann, American/Louisiana, b. 1946, “French Quarter Rooftops”, oil on canvas, 2004, signed lower left, signed, titled and dated en verso, framed.18 x 24 in. (45.7 x 61 cm.), Frame: 26 1/2 x 32 1/2 x 2 in. (67.3 x 82.6 x 5.1 cm.) [$800 - 1,200]
428. Beauregard “Beau” Redmond, American/Louisiana, b. 1933, “Second Line Grand Marshal”, oil on canvas, 1969, signed and dated lower left, framed.24 x 30 in. (61 x 76.2 cm.), Frame: 25 1/2 x 31 1/2 x 1 in. (64.8 x 80 x 2.5 cm.)
[$1,000 - 1,500]
431. William Tolliver, American/ Louisiana, 1951-2000, “Woman with Blonde Hair”, pastel on board, signed twice lower right, one faintly, framed. 30 x 20 in. (76.2 x 50.8 cm.), Frame: 34 x 24 x 1 in. (86.4 x 61 x 2.5 cm.)
[$1,500 - 2,500]
430. Alan Raymond Flattmann, American/Louisiana, b. 1946, “At the Parade”, oil on canvas, 1969, signed and dated lower right, framed. 30 x 20 1/2 in. (76.2 x 52.1 cm.), Frame: 36 1/2 x 26 1/2 x 1 1/2 in. (92.7 x 67.3 x 3.8 cm.) [$1,000 - 1,500]
432. William Tolliver, American/Louisiana, 1951-2000, “Woman Deep in Thought”, serigraph, 1988, signed, titled and numbered “48/250” lower margin, “AM Editions” and “Vargas & Associates Art Publishing, Boston, MA” blind stamps lower margin, framed. Sheet: 41 3/4 x 28 in. (106 x 71.1 cm.), Frame: 46 x 31 x 1 in. (116.8 x 78.7 x 2.5 cm.)
[$1,200 - 1,800]
433. Henry Casselli, American/ Louisiana, b. 1946, “Untitled: Angel Series”, oil on paper, 1974, signed and dated lower left under mat, framed. 29 5/8 x 22 1/4 in. (75.2 x 56.4 cm.), Frame: 37 x 29 1/2 x 1 in. (94 x 74.9 x 2.5 cm.)
[$1,200 - 1,800]
435. Allison Stewart, American/Louisiana, b. 1941, “Floating World #1Panel #3”, acrylic on gallery-wrapped canvas, signed lower right, signed, titled and inscribed “ARG 9427” en verso, signed, unframed. 36 x 36 in. (91.4 x 91.4 cm.)
[$1,500 - 2,500]
434. Allison Stewart, American/Louisiana, b. 1941, “Spartina IV”, acrylic on gallery-wrapped canvas, signed lower right, signed, titled and inscribed “C999” en verso, unframed. 47 x 47 in. (119.4 x 119.4 cm.) [$1,800 - 2,500]
436. Rise Delmar-Ochsner, American/Louisiana, 1944-2025, “For Queen Noor”, acrylic on gallery-wrapped canvas, 2000, signed and dated lower right, signed, titled and dated en verso, unframed. 72 x 60 in. (193 x 154.9 cm.) [$1,200 - 1,800]
Note: Rise Delmar-Ochsner was born and raised in New York City where her mother was an artist. She graduated from Columbia University and later attended Tulane Medical School as one of only a handful of women accepted under the ten percent quota of the time. In New Orleans, she became a successful ophthalmologist and kept a thriving practice until becoming a full-time artist.
She discovered her own love of art while at Columbia and continued to paint through medical school and beyond. An in-demand portraitist, Ochsner earned commissions to paint Mick Jagger for a poster for his New Orleans tour stop, Carol Burnett’s cat and fifty famous chefs including Leah Chase, Emeril Lagasse and Susan Spicer on behalf of Robert and Margrit Mondavi, all winners of the Robert Mondavi Culinary Award of Excellence.
As stated in her obituary from February of this year: “Rise achieved things that were both extremely difficult and extremely rare in her own time, not to mention impossible to imagine replicating today... Rise was never constrained by society’s conventions, glass ceiling, or personal tragedies.” It was only fitting that Ochsner, a remarkable woman, was commissioned to paint this striking and colorful portrait of the poised and equally notable Queen Noor of Jordan.
Born Lisa Halaby to an Arab American family, she was a member of the first class at Princeton that included women in 1969 and received a degree in Architecture and Urban Planning. She worked on urban planning projects internationally and was a well-accomplished professional when she married King Hussein of Jordan in 1978. They stayed together until his tragic passing in 1999. In 1985, Queen Noor founded the Noor Al Hussein Foundation and later the King Hussein Foundation in 1999. “The non-profit non-governmental organizations which Queen Noor chairs were influenced by her innovative, holistic approaches to regional development challenges… the foundations’ programs have advanced development thinking in Jordan and the Middle East through pioneering best practice models in the fields of poverty eradication, women and youth empowerment, microfinance, health, and arts as a medium for social development and cross-cultural exchange. They provide training and capacity-building expertise in these areas in the broader Arab and Asian regions.”
Ref.: “Her Majesty Queen Noor”. King Hussein Foundation. www.kinghusseinfoundation. org. Accessed May 15, 2025. King, Laura and Tracy Wilkinson. “Jordan’s Royal Rift Entangles and American-born Queen”. Los Angeles Times. Apr. 6, 2021. www. latimes.com. Accessed May 15, 2025. “Obituary: Rise Delmar Ochsner”. Dignity Memorial. www.dignitymemorial.com. Accessed May 15, 2025.
437. James Michalopoulos, American/Louisiana, b. 1951, “Blanche Augur”, oil on canvas, 1993, signed “Mitchell” lower left, signed “Mitchell” and “Michalopoulos”, titled and dated en verso, framed. 40 x 30 in. (101.6 x 76.2 cm.), Frame: 43 x 33 x 1 in. (109.2 x 83.8 x 2.5 cm.)
[$3,000 - 5,000]
438. James Michalopoulos, American/ Louisiana, b. 1951, “Bend by Bobbie’s”, oil on canvas, 2000, signed lower left, signed, dated, inscribed “4633” and “Michalopoulos, New Orleans and Boston” gallery label en verso, framed. 40 x 30 in. (101.6 x 76.2 cm.), Frame: 45 1/2 x 35 5/8 x 1 in. (115.6 x 90.5 x 2.5 cm.)
[$5,000 - 7,000]
1/4 x 1 in. (102.2 x 132.7 x 2.5 cm.) [$3,000 - 5,000]
439. James Michalopoulos, American/Louisiana, b. 1951, “Shadow Pass”, oil on canvas, 2000, signed lower right, signed, dated, inscribed “4626” and “Michalopoulos, New Orleans and Boston” gallery label en verso, framed. 48 x 36 in. (121.9 x 91.4 cm.), Frame: 51 1/2 x 40 x 2 1/4 in.
(130.8 x 101.6 x 5.7 cm.)
[$5,000 - 7,000]
x 1 3/4 in.
- 5,000]
441. James Michalopoulos, American/Louisiana, b. 1951, “Kryptic”, oil on canvas, 2023, signed lower left, signed, titled and dated en verso, framed.23 1/2 x 15 1/2 in. (59.7 x 39.4 cm.), Frame: 25 1/4 x 17 1/4
440. James Michalopoulos, American/Louisiana, b. 1951, “Collydia (NOLA Earth)”, oil on canvas, 1992, initialed lower left, signed “Mitchell”, titled, dated and inscribed “1033” en verso, framed. 36 x 48 in. (91.4 x 121.9 cm.), Frame: 40 1/4 x 52
442. George Rodrigue, American/Louisiana, 1944-2013, “Good Morning Blues”, oil on canvas, 1991, signed lower right, signed, titled and dated en verso, original handmade cypress wood frame. 18 x 24 in. (45.7 x 61 cm.), Frame: 26 3/4 x 33 1/4 x 2 in. (67.9 x 84.5 x 5.1 cm.)
[$40,000 - 60,000]
Provenance: The Rodrigue Gallery, New Orleans, 1992.
Provenance: The Rodrigue Gallery, New Orleans, 1992. Note: In 1990 George Rodrigue filled his New Orleans gallery with Blue Dog paintings for Super Bowl XXIV, attracting the attention of both collectors and the national media. These early paintings in the series originated from and still bore striking similarity to their loup-garou predecessors, with textured fur and a light blue-grey color. The Blue Dog remained within the Louisiana landscape of Rodrigue’s Cajun series; however, he began for the first time to think of them as something outside of the bayous and swamps. While in many ways harkening to the visual vocabulary of his Cajun series and previous loupgarou paintings, these first Blue Dogs allowed the artist the opportunity to expand his experimentation with color, shape, texture, meaning and oftentimes humor.
A phenomenon had truly begun. The Blue Dog paintings from the early 1990s, such as “Good Morning Blues” of 1991 offered here, represent a brief, but highly important, transitional moment for Rodrigue - bridging the Cajun series and Blue Dog series. The golden glow of the sunrise illuminating the strong, dark shapes of the oak trees perfectly highlights the dominating Blue Dog and the swirling brushstrokes of the rich foreground – a captivating combination of classic Rodrigue elements at their very best.
Ref.: Rodrigue, Wendy. “Blue Dog: The Ghost of Tiffany, 1990-1992.” George Rodrigue Life & Legacy Foundation. www.legacyarttour.org. Accessed May 15, 2025.
444. George Rodrigue, American/ Louisiana, 1944-2013, “Top Dog: Silver”, silkscreen, 1992, signed and numbered “3/50” lower left, personalized, signed and dated lower right, framed. 22 x 28 in. (55.9 x 71.1 cm.), Frame: 31 1/4 x 36 3/4 x 1 1/4 in. (79.4 x 93.3 x 3.2 cm.)
[$2,000 - 3,000]
Ill.: Rodrigue, George and Wendy Wolfe Rodrigue. George Rodrigue Prints: A Catalogue Raisonne 19702007. New York: Harry N. Abrams, Inc., 2008, p. 55.
445. George Rodrigue, American/Louisiana, 1944-2013, “Waiting for Rex”, silkscreen, 1992, signed and numbered “48/125” lower left, personalized, signed and dated lower right, framed. 23 x 28 3/4 in. (58.4 x 73 cm.), Frame: 32 3/8 x 38 x 1 1/4 in. (82.2 x 96.5 x 3.2 cm.) [$1,800 - 2,500]
Ill.: Rodrigue, George and Wendy Wolfe Rodrigue. George Rodrigue Prints: A Catalogue Raisonne 1970-2007. New York: Harry N. Abrams, Inc., 2008, p. 58.
443. George Rodrigue, American/ Louisiana, 1944-2013, “Wrong Century”, direct image transfer on board, signed in plate lower left, signed lower right, two “©1996 George Rodrigue” stamps en verso, framed. 24 x 36 in. (61 x 91.4 cm.), Frame: 32 1/4 x 44 1/4 x 2 in. (81.9 x 112.4 x 5.1 cm.)
[$3,000 - 5,000]
446. Bayou Brew Brothers Jolie Blonde Beer Spécial, 6 btls, 12 oz., bottled 1984, label by George Rodrigue (American/Louisiana, 1944-2013), brewed and bottled by Pearl River Brewing Co., San Antonio, TX for Bayou Brew Brothers Inc., New Iberia, LA, with original six-pack carton. (7 pcs.) [$200 - 300]
447. William Dunlap, American/Mississippi, b. 1944, “Snowy Country Scene”, oil, gesso and mixed media on gallery-wrapped canvas, 1986, signed and dated lower left, unframed. 24 x 82 3/4 in. (61 x 210.2 cm.) [$10,000 - 15,000]
448. Andrew LaMar Hopkins, American/Louisiana, b. 1977, “Greek Revival Gentleman”, acrylic on canvas board, 2010, signed and dated lower right, signed, titled and artist label en verso, framed. 9 x 12 in. (22.9 x 30.5 cm.), Frame: 11 3/4 x 14 3/4 x 1 1/4 in. (29.8 x 37.5 x 3.2 cm.)
[$5,000 - 7,000]
449. Hunt Slonem, American/Louisiana, b. 1951, “Bunny on White”, oil on panel, 2020, signed, dated and inscribed “CSR 0291” en verso, framed. 11 x 8 7/8 in.
(27.9 x 22.5 cm.), Frame: 14 1/4 x 12 3/10 x 1 1/8 in.
(36.2 x 31.4 x 2.9 cm.)
[$4,000 - 6,000]
450. Hunt Slonem, American/Louisiana, b. 1951, “Paula”, oil on panel, 2021, signed, titled,dated and inscribed “TDO649” en verso, framed. 10 x 7 7/8 in. (25.4 x 20 cm.), Frame: 11 1/2 x 9 1/2 x 3/4 in. (29.2 x 24.1 x 1.9 cm.)
[$4,000 - 6,000]
Provenance: Madison Gallery, Solana Beach, CA.
451. Hunt Slonem, American/Louisiana, b. 1951, “Harry”, oil on panel, 2022, signed, titled, dated and inscribed “CXO918” en verso, framed. 12 x 9 in.
(30.5 x 22.9 cm.), Frame: 15 1/2 x 12 1/2 x 2 3/8 in.
(39.4 x 31.8 x 6 cm.)
[$5,000 - 7,000]
Provenance: Madison Gallery, Solana Beach, CA.
452. Melissa Bonin, American/Louisiana, b. 1960, “Survivor”, oil on gallery-wrapped canvas, 2005, signed, titled, dated and inscribed en verso, unframed. 24 x 24 in. (61 x 61 cm.)
[$4,000 - 6,000]
453. Melissa Bonin, American/Louisiana, b. 1960, “The Red Bridge”, oil on gallery-wrapped canvas, 2009, signed lower right, signed and dated on edge, signed, titled, dated and inscribed en verso, unframed. 11 7/8 x 11 7/8 in. (30.2 x 30.2 cm.)
[$2,000 - 3,000]
454. Jacques Hnizdovsky, Ukranian/American, 1915-1985, “Winter Orchard”, woodcut on washi paper, 1978, pencil-signed, titled, dated and numbered “9/150” lower margin, label with artist, title and edition on mat, matted with plastic window. Sheet: 18 1/4 x 28 1/8 in. (46.4 x 71.4 cm.), Mat: 22 1/2 x 31 1/4 in. (57.2 x 79.4 cm.) [$400 - 600]
455. Jacques Hnizdovsky, Ukranian/American, 1915-1985, “Andy from the Bronx Zoo”, woodcut on washi paper, 1965, pencil-signed, titled, dated and numbered “73/100” lower margin, label with artist, title and edition on mat, matted with plastic window. Sheet 18 3/4 x 25 in. (47.6 x 63.5 cm.), Mat: 24 3/4 x 28 3/8 in. (62.9 x 72.1 cm.) [$400 - 600]
456. Alexander Calder, American, 1898-1976, “Elephants”, lithograph in colors on Arches paper; 1975, pencilsigned lower right, pencil-numbered “67/175” lower left, from “Our Unfinished Revolution” portfolio, created for the National Civil Liberties Committee on its 25th anniversary, printed by Mourlot, Paris, published by Alba Editions Inc., New York, Arches watermark visible, framed. 22 x 29 7/8 in. (55.9 x 75.9 cm.), Frame: 32 5/8 x 39 1/4 x 1 3/8 in. (82.9 x 99.7 x 3.5 cm.)
[$1,000 - 1,500]
Provenance: Arthur Roger Gallery, New Orleans, LA.
457. Hermès “Feux du Ciel” Silk Scarf 90, designed by Kuwami Sefedin, labeled, 35 in. x 35 in. (As this scarf is hand-rolled, the dimensions indicated may vary.); with original Hermès box. [$200 - 300]
Hermès “Le Carnaval de Venise” or “Fetes
, designed by Hubert de Watrigant, labeled, 35 in.
in. (As this scarf is hand-rolled, the dimensions indicated may vary.); with original Hermès box. [$200 - 300]
459.
Venitiennes” Silk Scarf 90
x 35
458. Hermès “Grand Apparat” Silk Scarf 90, designed by Jacques Eudel, labeled, 35 in. x 35 in. (As this scarf is hand-rolled, the dimensions indicated may vary.); with original Hermès box. [$200 - 300]
Please Note: Payment for all jewelry and all couture items MUST be made by cash, check or wire transfer.
460. Art Deco Style 18 kt. Yellow Gold, Emerald, Diamond and Enamel Ring, center GIA certified octagonal mixed cut emerald, wt. exact 2.87 cts., 11.76 x 6.97 x 4.83 mm; bezel with 24 round brilliant cut diamonds, total wt. approx. 0.81 cts.; size 6.75; GGA and GIA reports. [$2,500 - 3,500]
462. Modern Art Deco Style 18 kt. Yellow Gold and Diamond Ring, center bezel set kite step cu diamond, wt. approx 1.40 cts., H color, SI1 clarity; flanked by 2 bullet cut diamonds, total wt. approx. 0.33 cts. size 6.25; GGA report. [$6,000 - 8,000]
464. 14 kt. Yellow Gold and Diamond Line Necklace, mounted with 133 round brilliant cut diamonds, total wt. approx. 12.87 cts., G-H color, SI1-SI2 clarity; l. 16 1/2 in.; GGA report. [$8,000 - 12,000]
461. 14 kt. Yellow Gold, Emerald and Diamond Pendant on Gold Chain, sliding pendant with octagonal mixed cut emerald, wt. approx. 1.35 cts.; bezel with 18 round brilliant cut diamonds, total wt. approx. 0.40 cts.; l. 16 in.; 7.52 dwts.; GGA report. [$1,800 - 2,500]
463. 14 kt. Yellow Gold and Diamond Tennis Bracelet, mounted with 36 round diamonds, total wt. approx. 12.70 cts.; l. 7 in.; 11.72 dwts. [$7,000 - 9,000]
465. 14 kt. Yellow Gold and Diamond Man’s Ring, center round brilliant cut diamond, wt. approx 1.53 cts.; accented with 36 round brilliant cut diamonds, total wt. approx. 0.25 ct.; shoulders with stars; size 10; 6.27 dwts.; GGA report. [$3,000 - 5,000]
466. Cartier Santos 18k Gold Watch, c. 1980s, case width 29mm, automatic, ref. 2960, cal. 077, 25 jewels, enamel dial, Roman numerals, bluesteel hands, sapphire crystal, winder fitted with a faceted blue sapphire cabochon, 18k gold Cartier bracelet with deployant buckle, with box and manual. [$4,000 - 6,000]
467. Corum 18k Gold “$20 Coin” Watch, manual wind, ref. C293, 41 x 35mm, 18 jewels, diamond-set crown, hour markers to bezel, 14k gold mesh band marked Z & F (Zelman & Friedman. [$2,000 - 3,000]
469. 18 kt. White Gold and Diamond Ring, center round brilliant cut diamond, wt. approx. 0.57 ct.; flanked by 2 Old European cut diamonds, total wt. approx. 0.02 ct.; openwork shoulders; size 5.5; GGA report.
[$800 - 1,200]
471. Pair of 14 kt. White Gold and Diamond Stud Earrings, 2 round brilliant cut diamonds, total wt. approx. 3.04 cts., G-H color, I1 clarity; AIGL report. [$4,000 - 6,000]
468. Geneve 14 kt. White Gold, Diamond Ladies Watch, quartz movement, mounted with 39 round brilliant cut diamonds, total wt. approx. 0.80 ct.; l. 6 3/4 in.; GGA report. [$1,500 - 2,500]
470. Pair of 14 kt. White Gold and Diamond Stud Earrings, 2 round brilliant cut diamonds, total wt. approx. 2.00 cts., H color, I1 clarity; AIGL report. [$2,500 - 3,500]
472. Pair of 14 kt. White Gold and Diamond Stud Earrings, 2 prong set round diamonds, each wt. approx. 1.98 cts. and 1.99 cts.; 1.52 dwts. [$8,000 - 12,000]
473. 18 kt. White Gold and Diamond Necklace, mounted with 7 round diamonds, total wt. approx. 3.09 cts.; chain l. 16 3/4 in.; 4.16 dwts. [$3,000 - 5,000]
474. 18 kt. White Gold and Solitaire Diamond Pendant on Chain, center round diamond, wt. approx. 1.70 cts.; chain l. 17 3/4 in.; 1.98 dwts. [$4,000 - 6,000]
475. Mid Century Style 14 kt. White Gold and Diamond Ring, center round brilliant cut diamond, wt. approx. 1.50 cts., H color, VS1 clarity; accented 54 round brilliant cut diamonds, total wt. approx. 2.05 cts., F-G color, VS1-SI1 clarity; size 6.25; GGA report. [$6,000 - 8,000]
476. Art Deco Style 18 kt. White Gold, Diamond, Sapphire and Ruby Ring, center round diamond, wt. approx. 1.00 ct.; accented by 6 rubies and 4 sapphires; size 7; 2.61 dwts. [$2,000 - 3,000]
477. 14 kt. White Gold and Diamond Tennis Bracelet, set with 40 round diamonds, total wt. approx. 9.65 cts.; l. 7 in. ; 8.56 dwts. [$5,000 - 7,000]
478. Platinum and Diamond Tennis Bracelet, mounted with 42 round brilliant cut diamonds, total wt. approx. 12.19 cts., G-I color, SI2-I2 clarity; l. 7 1/4 in.; AIGL report.[$8,000 - 12,000]
480. 14 kt. White Gold and Graduated Diamond Necklace, mounted with numerous round diamonds, total wt. approx. 12.81 cts.; l. 16 1/2 in.; 10.79 dwts. [$7,000 - 9,000]
479. 18 kt. White Gold and Diamond Tennis Bracelet, mounted with 34 round diamonds, total wt. approx. 13.17 cts.; l. 7 1/4 in.; 11.61 dwts. [$10,000 - 15,000]
481. 14 kt. White Gold and Graduated Diamond Necklace, mounted with numerous round diamonds, total wt. approx. 15.31 cts.; center diamond wt. approx. 0.77 ct.; l. 17 1/2 in.; 14.38 dwts. [$12,000 - 18,000]
482. Very Fine Platinum and Graduated Diamond Necklace, mounted with 82 round brilliant cut diamonds, total wt. approx. 46.33 cts., 4.30-7.90 mm, G-I color, SI1-I1 clarity; l. 17 1/2 in.; AIGL report.
[$40,000 - 60,000]
483. 18 kt. Two Tone Gold, Diamond and Yellow Diamond Ring, center princess cut diamond, wt. approx. 6.01 cts., 9.34 x 9.06 mm, K color, SI1 clarity; flanked by 2 half moon cut fancy yellow diamonds, total wt. approx. 2.27 cts.; size 6.25; GGA report. [$25,000 - 30,000]
484. 18 kt. Two Tone Gold, Yellow Diamond and Diamond Ring, center cushion modified brilliant cut fancy yellow diamond, wt. 7.01 cts., 10.17 x 10.09 x 6.98 mm; inner bezel with 28 round brilliant cut fancy yellow diamonds, total wt. approx. 0.26 ct.; outer bezel and shoulders set with 80 round brilliant cut diamonds, total wt. approx. 0.47 cts.; size 6.5; AIGL and GIA reports. [$60,000 - 80,000]
485. 14 kt. Yellow Gold and Golden South Sea Pearl Necklace, strad of 37 round cultured pearls, 10.00-14.00 mm; hand knotted; l. 17 1/2 in.; AIGL report. [$1,500 - 2,500]
486. 14 kt. White Gold and South Sea Pearl Necklace, strand of 35 dark grey near round cultured south sea pearls, 11.00 to 14.00 mm; l. 18 in.; GGA report. [$1,200 - 1,800]
487. Platinum, Columbian Emerald and Diamond Ring, center octagonal mixed cut emerald, wt. approx. 1.04 cts.; ballerina bezel with 24 round brilliant and baguette diamonds, total wt. approx. 0.81 ct.; size 7.75; GGA and GIA reports. [$1,800 - 2,500]
488. Art Deco Style 18 kt. White Gold, Diamond and Emerald Ring, center round diamond, wt. approx. 1.03 cts.; accented by 2 bullet cut emeralds; size 7; 3.03 dwts. [$2,000 - 3,000]
489. 14 kt. White Gold and Emerald Dangle Earrings, mounted with 32 octagonal mixed cut emeralds, total wt. approx. 18.65 cts.; l. 2 1/2 in.; GGA report. [$1,800 - 2,500]
490. Pair of 14 kt. White Gold, Emerald and Diamond Dangle Earrings, 2 emerald cut emeralds, total wt. approx. 7.48 cts.; accented by 2 heart shape and 2 pear shape diamonds, total wt. approx. 1.01 cts.; l. 3/4 in.; 3.44 dwts. [$3,000 - 5,000]
491. Platinum, Emerald and Diamond Ring, center octagonal step cut emerald, wt. approx. 2.52 cts., 8.82 x 6.80 x 5.42 mm; double bezel and shoulders set with 66 round brilliant cut diamonds, total wt. approx. 1.39 cts.; size 6.5; AIGL and GIA reports. [$2,500 - 3,500]
492. Platinum, Emerald and Diamond Ring, center GIA certified octagonal step cut emerald, wt. approx. 13.02 cts., 15.38 x 12.42 x 8.73 mm; bezel with 32 rectangular, marquise and round diamonds, total wt. approx. 2.10 cts.; size 8; AIGL and GIA reports. [$10,000 - 15,000]
493. Platinum, Emerald and Diamond Pendant on Chain, center octagonal step cut emerald, wt. 9.11 cts., 14.69 x 12.52 x 6.39 mm; triple bezel with 155 round brilliant cut diamonds, total wt. approx. 1.95 cts.; pendant l. 1 3/8 in.; chain l. 18 in.; AIGL and GIA reports. [$6,000 - 8,000]
494. Platinum, Russian Emerald and Diamond Ring, center Russian oval modified brilliant cut emerald, wt. approx. 4.64 cts., 12.27 x 9.39 x 7.02 mm; bezel and shoulders set with 30 round brilliant cut diamonds, total wt. approx. 0.79 ct.; size 6.75; AIGL and GIA reports. [$3,000 - 5,000]
495. Pair of 14 kt. Yellow Gold, Emerald and Diamond Earrings, 2 center oval cabochon emeralds, total wt. approx. 4.37 cts.; ornate bezels with numerous diamonds; l. 3/4 in.; 6.88 dwts. [$2,500 - 3,500]
496. 18 kt. Yellow Gold, Columbian Emerald and DIamond Necklace, center octagonal step faceted cut Columbian emerald, wt. approx. 9.59 cts., 13.24 x 12.66 x 9.31 mm; three strands set with 107 marquise, princess, pear, oval and round cut diamonds, total wt. approx. 16.34 cts.; l. 17 1/2 in. ; GGA report. [$30,000 - 50,000]
497. 18 kt. Yellow Gold, Emerald and Diamond Ring, 2 center octagonal step cut emeralds, total wt. 5.95 cts.; and 4 rectangular step cut diamonds, total wt. approx. 0.62 ct., E color, VS1 clarity; size 6.25; AIGL report. [$5,000 - 7,000]
498. 18 kt. Two Tone Gold, Emerald and Diamond “Toi et Moi” Ring, 2 oval mixed cut emeralds, total wt. approx. 2.45 cts.; bezels and shoulders set with 84 round brilliant cut diamonds, total wt. approx. 1.77 cts.; size 6.75; AIGL report. [$2,500 - 3,500]
499. 14 kt. Two Tone Gold, Emerald and Diamond Bracelet, mounted with 19 octagonal and oval mixed cut emeralds, total wt. approx. 45.98 cts.; linked by 69 round brilliant cut diamonds, total wt. approx. 1.00 ct.; l. 7 in.; GGA report. [$6,000 - 8,000]
500. 18 kt. Yellow Gold, Ruby and Diamond Ring, center marquise mixed ruby, wt. approx. 1.10 cts.; 18 marquise and baguette cut diamonds, total wt. approx. 1.08 cts.; size 5; GGA report. [$1,500 - 2,500]
501. 14 kt. Yellow Gold, Ruby and Diamond Ring, center bezel set oval mixed cut unheated ruby, wt. approx. 3.99 cts.; surrounded by 50 round brilliant cut diamonds, total wt. approx. 1.90 cts.; size 6.75; AIGL report. [$2,500 - 3,500]
502. 18 kt. Yellow Gold, Burmese Ruby and Diamond Ring, center oval mixed cut ruby, wt. approx. 3.66 cts.; ballerina bezel with 30 baguette and 34 round brilliant cut diamonds, total wt. approx. 3.00 cts.; size 6.25; GIA and GGA reports. [$5,000 - 7,000]
503. 14 kt. Yellow Gold, Burmese Ruby and Diamond Bracelet, mounted with 20 oval mixed cut rubies, total wt. approx. 11.29 cts.; and 294 round brilliant cut diamonds, total wt. approx. 2.58 cts.; l. 7 in.; GGA and GIA reports. [$4,000 - 6,000]
504. 14 kt. Yellow Gold, Burmese Ruby and Diamond Necklace, mounted with 52 oval mixed cut rubies, total wt. approx. 25.25 cts.; bezels with 756 round brilliant cut diamonds, total wt. approx. 4.83 cts.; l. 17 in.; AIGL and GIA reports. [$10,000 - 12,000]
505. Art Deco Style 18 kt. White Gold, Ruby and Diamond Bracelet, mounted with 54 baguette faceted cut rubies, total wt. approx. 5.94 cts.; and 258 round brilliant cut diamonds, total wt. approx. 1.53 cts.; l. 7 in.; GGA report. [$4,000 - 6,000]
506. Art Deco Style Platinum, Diamond and Ruby Ring, center round brilliant cut diamond, wt. approx. 1.01 cts.; surround by 16 mixed cut rubies, total wt. approx. 0.99 ct.; and 38 round brilliant cut diamonds, total wt. approx. 0.45 ct.; size 6.75; GGA report. [$3,000 - 5,000]
507. Platinum, Ruby and Diamond Ring, center oval mixed cut ruby, wt. approx. 1.04 cts.; sunburst bezel and shoulders set with 36 round brilliant cut diamonds, total wt. approx. 0.87 ct.; size 6.75; AIGL and GIA reports. [$1,800 - 2,500]
508. Platinum, Ruby and Diamond Ring, center octagonal step cut ruby, wt. approx. 2.17 cts.; bezel and openwork shoulders set with 52 round brilliant cut diamonds, total wt. approx. 0.69 ct.; size 7.25; AIGL and GIA reports. [$1,800 - 2,500]
509. 14 kt. Rose Gold and Pink Sapphire Earrings, mounted with 14 triangular mixed cut pink sapphires, total wt. approx. 6.39 cts.; dia. 1 in.; GGA report. [$800 - 1,200]
510. 14 kt. Rose Gold, Morganite and Diamond Ring, center octagonal step faceted cut morganite, wt. approx. 16.60 cts.; bezel and shoulders with 94 round brilliant cut diamonds, total wt. approx. 0.85 ct.; size 7.25; GGA report. [$2,000 - 3,000]
18
and
and
511.
kt. Yellow Gold
Multicolor Sapphire Ring, 3 purple, pink
blue sapphires, total wt. 3.19 cts.; size 6.5; GGA report. [$1,500 - 2,500]
512. Art Deco Style 14 kt. White Gold, Tourmaline and Diamond on Chain, central octagonal mixed cut green tourmaline, wt. approx. 7.88 cts.; oval mixed cut rubellite tourmaline, wt. approx. 0.66 ct.; geometric openwork bezels with 129 round brilliant cut diamonds, total wt. approx. 0.68 ct.; pendant l. 2 in.; l. 18 in. [$2,500 - 3,500]
513. Modern Platinum and Brown Diamond Ring, center bezel set shield step cut fancy intense brown diamond, wt. approx. 5.07 cts.; size 7; AIGL report. [$7,000 - 9,000]
514. Art Deco Style Platinum, Burmese Sapphire and Diamond Ring, center oval mixed cut no heat sapphire, wt. approx. 1.41 cts.; bezel and shoulders set with 14 round brilliant cut diamonds, total wt. approx. 0.56 ct.; size 6.75; AIGL and GIA reports. [$2,000 - 3,000]
515. Platinum, Ceylon Sapphire and Diamond Ring, center oval brilliant faceted cut sapphire, wt. approx. 1.87 cts.; bezel with 32 baguette and 20 round brilliant cut diamonds, total wt. approx. 0.40 ct.; size 8.75; GGA and GIA reports. [$2,500 - 3,500]
516. Platinum, Ceylon Sapphire and Diamond Ring, center oval mixed cut no heat blue sapphire, wt. approx. 8.07 cts., 12.44 x 10.00 x 7.56 mm; bezel with 36 round, marquise and baguette cut diamonds, total wt. approx. 1.55 cts.; size 6.75; AIGL and GIA reports. [$12,000 - 18,000]
517. Platinum, Kashmir Sapphire and Diamond Ring, center oval brilliant mixed cut blue sapphire, wt. approx. 0.71 ct.; openwork bezel and shoulders set with 60 round brilliant cut diamonds, total wt. approx. 0.54 ct.; size 7; AIGL and GIA reports. [$1,200 - 1,800]
518. 14 kt. White Gold, Kunzite and Diamond Ring, center emerald cut kunzite, wt. approx. 11.54 cts.; bezel and shoulders with numerous round brilliant cut diamonds, total wt. approx. 0.57 ct.; size 6.75; IAS report. [$800 - 1,200]
519. Platinum, Aquamarine and Diamond Pendant on Chain, center GIA certified cushion mixed cut aquamarine, wt. approx. 29.22 cts., 22.46 x 16.70 x 11.24 mm; bezel and link with 215 round brilliant cut diamonds, total wt. approx. 2.49 cts.; pendant l. 2 in.; chain l. 17 in.; GGA and GIA reports. [$12,000 - 18,000]
520. Oscar Friedman Platinum, Multicolor Sapphire and Diamond Bib Necklace, mounted with 165 marquise mixed cut sapphires, total wt. approx. 142.83 cts.; and 368 round brilliant cut diamonds, total wt. approx. 5.46 cts.; l. 17 in.; AIGL and GIA reports. [$40,000 - 60,000]
521. 14 kt. White Gold, Kashmir Sapphire and Diamond Bracelet, mounted with 15 oval, pear and rectangular mixed cut pinkish purple unheated sapphires, total wt. approx. 27.25 cts.; linked by 112 round brilliant cut diamonds, total wt. approx. 0.99 ct.; l. 7 in.; GGA and GIA reports. [$5,000 - 7,000]
522. 18 kt. Two Tone Gold, Purplish Pink Sapphire and Diamond Ring, center oval brilliant faceted cut purplish pink sapphire, wt. approx. 2.64 cts.; shoulders and bezels with 46 round brilliant cut diamonds, total wt. approx. 0.84 ct.; size 6.5; GGA report. [$2,000 - 3,000]
523. Platinum, Kashmir Sapphire and Diamond Ring, center octagonal step cut purple-pink sapphire, wt. approx 2.32 cts.; bezel and shoulders with 86 round brilliant cut diamonds, total wt. approx. 0.72 ct.; size 6.75; AIGL and GIA reports. [$2,000 - 3,000]
524. Platinum, Sapphire and Diamond Pendant on Chain, center Kenyan triangular mixed cut unheated purplish pink sapphire, wt. approx. 2.07 cts.; accented by 37 round brilliant cut diamonds, total wt. approx. 0.34 cts.; pendant l. 3/4 in.; chain l. 18 in.; AIGL and GIA reports. [$1,500 - 2,500]
525. Platinum, 18 kt. Yellow Gold, Alexandrite and Diamond Flower Ring, center oval mixed cut blue green alexandrite, wt. approx. 0.69 ct.; petal bezel mounted with 48 round brilliant cut diamonds, total wt. approx. 0.69 ct.; size 7; AIGL and GIA reports. [$2,000 - 3,000
526. Platinum, Paraiba Tourmaline and Diamond Ring, center pear modified brilliant cut blue green tourmaline, wt. approx. 3.05 cts.; ornate bezel and shoulders with 67 round brilliant cut diamonds, total wt. approx. 0.75 cts.; size 7; AIGL and GIA reports. [$3,000 - 5,000]
527. Platinum, Opal, Pink Sapphire, Diamond and Enamel Ring, center pear shape cabochon opal, wt. approx. 7.94 cts.; flanked by 2 octagonal mixed cut phink sapphires, total wt. 1.02 cts.; and 8 round brilliant cut diamonds, total wt. 0.13 cts.; size 7.25; GGA report. [$1,200 - 1,800]
528. 14 kt. White Gold, Baroque Pearl and Blue Topaz Pendant on Chain, center cultured freshwater baroque pearl, 9.60-13.20 mm; mounted with 2 pear mixed cut blue topaz, total wt. approx. 1.92 cts.; and 3 round brilliant cut diamonds, total wt. approx. 0.22 cts.; pendant l. 2 in.; chain l. 17 in.; GGA report. [$800 - 1,200]
529. Platinum, Tanzanite and Diamond Dangle Earrings, mounted with 2 triangular and 2 marquise mixed cut tanzanites, total wt. approx. 8.25 cts.; bezels with 64 round brilliant cut diamonds, total wt. approx. 1.14 cts.; l. 1 1/4 in.; GGA report. [$3,000 - 5,000]
531. Platinum, Tanzanite and Diamond Ring, center oval brilliant faceted cut tanzanite, wt. approx. 13.84 cts.; elaborate bezel with 27 round brilliant and baguette cut diamonds, total wt. approx. 1.82 cts.; size 7; GGA report. [$7,000 - 9,000]
533. Platinum, Turquoise and Diamond Ring, center oval cabochon sleepy beauty turquoise, wt. approx. 1.66 cts.; accented by pave round brilliant cut diamonds, total wt. approx. 0.15 ct.; size 6.75; IAS report. [$600 - 800]
530. Platinum, Tanzanite and Diamond Ring, center octagonal mixed cut tanzanite, wt. approx. 4.75 cts.; bezel and openwork shoulders set with 106 round brilliant cut diamonds, total wt. approx. 0.52 cts.; size 6.75; GGA report. [$2,000 - 3,000]
532. Platinum, Tanzanite and Diamond Pendant, center GIA certified heart shape mixed cut tanzanite, wt. approx. 7.70 cts.; mounted with 87 round brilliant cut diamonds, total wt. approx. 0.72 ct.; pendant l. 1 1/4 in.; chain l. 18 in.; AIGL and GIA reports. [$4,000 - 6,000]
534. 14 kt. White Gold, Cabochon Sapphire and Diamond Pendant on Chain, center oval cabochon dark blue sapphire, wt. approx. 30.30 cts.; accented with round brilliant cut diamonds, total wt. approx. 0.16 ct.; pendant l. 1 1/2 in.; chain l. 17 in.; IAS report. [$800 - 1,200]
535. American Rococo Faux Grained and Rosewood Half-Tester Bed,19th c., attributed to Mitchell and Rammelsberg, Cincinnati, Ohio, stamped 7P on parts, foliate crest, associated serpentine beaded tester, molded square posts, arched paneled headboard, shaped side rails, conforming foot board, foliate mounted corners 124 x 59 x 80 in. (315 x 149.9 x 203.2 cm.)
[$3,000 - 5,000]
536. AAmerican Rococo Carved Rosewood Armoire, 19th c., New York, molded foliate crest flanked by finials, molded cornice, molded mirrored door above molded drawer, plinth base with drawer. 103 x 47 1/2 x 23 in. (261.6 x 120.7 x 58.4 cm.)
[$500 - 800]
537. American Rococo Carved Mahogany Bookcase , 19th c., New York, arched molded cornice flanked by finials, glazed doors, carved lions and foliate stiles, frieze drawer, molded paneled doors, plinth base. 103 x 58 x 25 in. (261.6 x 147.3 x 63.5 cm.)
[$2,000 - 3,000]
x 23 1/4 x 74 in. (96.5 x 59.1 x 188 cm.) [$700 - 1,000]
538. American Rococo Inlaid Carved Rosewood Credenza, 19th c., New York, possibly Alexander Roux, molded conforming marble,all doors with foliate and butterfly inlay, cabinet door flanked by incurvate molded doors, large C-scroll and foliate supports. 38
539. America Renaissance Revival Carved Walnut and Mahogany Armoire, 19th c., probably Mitchell and Rammelsburg, Cincinnati, pierced carved crest with flanking finials, arched molded cornice, paneled doors, two drawers, scalloped base. 117 1/2 x 65 1/2 x 22 in. (298.5 x 166.4 x 55.9 cm.)
[$800 - 1,200]
American
Incised
Provenance: Displayed at Auburn, Natchez, MS.
,
- 2,500]
540. Fine American Neo-Grec Gilt Incised Mahogany Bedroom Suite, 19th c., New York, possible Alexander Roux, including half tester bed and dresser; molded finialed tester centered by Porcelain portrait plaque, architectonic paneled molded headboard center by porcelain plaque, conforming rails and footboard, dresser with mirrored back with fluted supports, centered porcelain plaque, marble top, three drawers, plinth base, disk feet. Ext. measurements H. 125 in. W. 68 in. D. 83 in. Inside measurements W. 60 in. D. 77.5 in. Dresser 98 x 52 1/2 x 25 in. (248.9 x 133.4 x 63.5 cm.) [$4,000 - 6,000]
Provenance: Displayed at Auburn, Natchez, MS.
542. American Renaissance Carved Walnut Settee, 19th c., probably retailed by Henry N. Siebrecht, New Orleans, arched crest rail centering medallion, terminating in volutes, padded back, bowfront seat rail, trumpet-form tapering legs. 42 1/2 x 66 x 23 in. (108 x 167.6 x 58.4 cm.) [$1,000 - 1,500]
Note: Reputedly loaned to the White House during the term of Rutherford B. Hayes, 1877-1881.
541.
Neo-Grec Gilt
Walnut Triple-Door Wardrobe
19th c., New York, arched molded crest centered porcelain plaque, molded mirrored door, three drawers plinth base. [$1,500
AUCTION SCHEDULE
July 3 - Mid-Century, Modern & Contemporary Art and Design Auction
September 12 - Premier Collections Auction
October 23 - Mid-Century, Modern & Contemporary Art and Design Auction
November 21 - Louisiana Purchase AuctionTM
December 4 - Fine Jewelry & Couture Auction
* dates may be subject to change
Michelle LeBlanc Leckert, CAI President
Katherine Hovas
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Michelle LeBlanc Leckert #1514
Bettine Field Carroll #1874
Marc Fagan #1935
Marney Robinson #2155
Cameron McHarg #2184
John R. Neal (1940-2018), Founder
Marc Fagan Vice President Consignments
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