September 12 & 13, 2015 Auction Catalogue

Neal Auction Company Neal Auction Company September 12 & 13, 2015

Important Estates Auction • September 12 & 13, 2015

Neal Auction Company John R. Neal Neal Alford Katherine Hovas Chairman President Senior Vice President Rachel Weathers Vice President Paintings & Fine Art

Marc Fagan Vice President Consignments

Michelle LeBlanc Leckert, CAI Vice President Bettine Field Carroll Vice President Business Development

ADMINISTRATION

CONSIGNMENTS

Director of Administration & Finance

Michelle LeBlanc Leckert, CAI Database Manager

Jackie Hernandez Client Services

Rebekah Abernathy Administrative Assistant/Internet Auction Administrator

Lisa Weisdorffer Administrative Assistant

Cameron McHarg

Furniture & Decorative Arts

Neal Alford; Rachel Weathers Paintings, Prints & Photography

Rachel Weathers; Marney Robinson Books, Maps & Natural History Prints

Marc Fagan Silver & Decorative Arts

Katherine Hovas Asian Arts

Bettine Field Carroll Consignments & Evaluations

Claire Thriffiley Inventory Coordinator

Stephen Dewey Consignments Administrator

Johanna Darilek

GENERAL MANAGER

Jason Leckert

GRAPHICS Art Director, Catalogue Design

Emory Nolan Graphics Assistant

David Roberts

AUCTION SERVICES Director of Museum Services & Research

Douglas Lewis, Ph.D., F.A.A.R. Trust & Estates Advisor

Henry G. McCall Senior Appraiser Fine Arts

Amanda Mantle Winstead Appraisals

Rachel Weathers; Marc Fagan

Photography

Jason Leckert

Tom Simpson

Jason Kruppa

OPERATIONS Director of Operations

Charles Lee

CATALOGUE CONSULTANTS

Operations Staff

Charlie Clay

Kelvin Gibson

Jerry Majors

Larry Sudds

Robert Wilson

EXHIBITION STAFF

Mimi Abbott Cecile Ballard Sybil Lawson Ann Mahorner

Cammie Mayer Clare Stewart Carolyn Wogan

AUCTIONEERS

Neal Alford #797 Michelle LeBlanc Leckert #1514 Bettine Field Carroll #1874

Paintings & Fine Arts

Claudia Kheel Furniture & Decorative Arts

Doris Mollenkopf Newcomb Pottery & Decorative Arts

Sally Main Silver

Carey Mackie Decorative Arts & Victoriana

Ann M. Masson Asian Arts

Richerson Rhodes

Important ESTATES AUCTION September 12 & 13, 2015 On Our Premises 4038 Magazine Street & 3923 Carondelet Street FEATURING: Part II, Important Furniture, Period Lighting and Decorative Objects from the Service Collection, Estate of Grant A. Oakes, Warren, OH Period Furniture and Decorations from the c. 1833 Paul La Croix Townhouse, 837 Royal Street, New Orleans Select Masterworks from the D. Benjamin Kleinpeter, Sr. Collection, Baton Rouge Furniture and Decorative Arts from the Historic William Harris House, Natchez Paintings Descended in the Family of Marshall J. Smith, Jr. (1854-1923) Property from Temple Heights, Columbus, MS Property Descended in the Family of New York Socialite Peggy Chew Welch Fine Furniture and Decorative Arts from a Georgia Collection Contemporary Fine Art Deaccessioned from an Important Corporate Collection

EXHIBITION both galleries beginning Monday, August 31, 10 a.m. to 5 p.m.

Special Saturday Preview, September 5, 10 a.m. to 5 p.m.

Closed Monday, September 7 in observance of Labor Day Evening Preview Reception, Thursday, September 10, 5 to 7 p.m.

AUCTION SCHEDULE Saturday, September 12, 10 a.m., 4038 Magazine Street Sunday, September 13, 11 a.m., 3923 Carondelet Street

Neal Auction Company Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 • 504-899-5329

1-800-467-5329 • Fax: 504-897-3808 • www.nealauction.com LA Auc. Lic., Neal Auction Co. #AB-107, Alford #797, LeBlanc #1514, Carroll #2014

THE WILLIAM HARRIS HOUSE, NATCHEZ Neal Auction Company is pleased to offer property from this handsome Italianate townhouse which was built c. 1834-1835 by Natchez planter and merchant William Harris. Beautifully restored and furnished with period American, English and French furniture and decorations, the house has been featured in Susan Sully’s The Southern Cosmopolitan and Meryl Schoenbaum’s “Refreshing as a Mint Julep” article in Romantic Homes, Oct. 2012.

Photos courtesy of Eugenia Uhl.

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Neal Auction Company is pleased to offer a fine French Quarter collection of period furniture and decorative arts in the Classical taste. For many years this collection graced the Creole townhouse built c. 1833 at 837 Royal Street for Dr. Paul La Croix. The historic property was restored in the 1980s, and received the Vieux Carre Commission Recognition Award in 1987.

Additional information at www.nealauction.com

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Session One Saturday, September 12, 10 am 4038 Magazine

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1. Charles Jones (British, 1836-1892), “A Mixed Bag: Fur and Feather”, 1856, oil on canvas, signed and dated lower right, titled on label en verso, 14 in. x 18 in., framed with artist plaque. $1500/2500 Provenance: Estate of Margaret “Peggy” Chew Welch (1927 1976), Syosset, Long Island; thence by descent.

3. Manner of the Bassano Family (Venetian, late 16th c.), “Scenes of the Vintage”, 19th c., oil on panel, unsigned, 14 1/8 in. x 20 1/8 in., framed. $1000/1500 Provenance: Estate of Margaret “Peggy” Chew Welch (1927 1976), Syosset, Long Island; thence by descent.

5. French School, late 19th c., “Fisherman by a Grove of Cypress Trees”, oil on wood panel, illegibly signed lower left, 3 7/8 in. x 5 1/2 in., unframed. $500/800

2. Continental School, 19th c., “Study of an Old Man with Cane”, in the manner of Sir Peter Paul Rubens’ c. 1618 portrait of “One of Three Magi, possibly Gaspar” at the Museo de Arte de Ponce, Puerto Rico, oil on canvas, unsigned, inscribed “J. Mulrany / Loaned by Miss A. S. Hallam” on label en verso, 27 in. x 22 in., framed. $1000/1500 Provenance: Estate of Margaret “Peggy” Chew Welch (1927 1976), Syosset, Long Island; thence by descent.

4. Italian School, 19th c., “The Bacino di San Marco”, in the manner of Francesco Guardi (1712-1793), oil on canvas, unsigned, 14 in. x 17 in., framed. $700/900

6. Six Hand Colored Lithographs of French Chateaux, by Petit, Paris, 1861, each sight 12 in. x 16 in., framed. $700/900 7. Four Antique Prints of British Luminaries, 19th c., incl: Lord Byron, Major General Thomas Dundas, William IV and Lord Nelson, sights 9 3/4 in. x 6 1/4 in. to 23 1/2 in. x 17 1/2 in., antique frames. $500/700 Provenance: Temple Heights, Columbus, MS.

8. Six Antique Prints of British Ladies, 19th c., incl: Elizabeth Craven, Lady Hamilton, The Royal Box” and other genre images, sights 4 in. x 3 in. to 14 1/2 in. x 11 in., antique frames. $500/700 Provenance: Temple Heights, Columbus, MS.

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9. Moleville, Bertrand de, The Costume of the Hereditary States of the House of Austria, London, William Miller,

1804, folio (14 1/4 in. x 10 1/2 in.), green morocco, with 50 hand colored engravings, text in French and English. $600/900

10. Pair of English Colored Engravings, Naval scenes of “Malta” and “St. Helene”, dated 1794 (one foxed); together with small print of Napoleon (after Boilly), (3 pcs.) $150/300

11. Giovanni Battista Piranesi (Italian, 1720-1778), 2 engravings from Diverse Maniere d’Adornare i Cammini ed Ogni Altra Parte degli Edifizi..., 1769, plates 33 and 35, 9 1/2

in. x 15 1/4 in., framed alike. $300/500

12. After Giovanni Battista Piranesi (Italian, 1720-1778) and Francesco Piranesi (Italian, 1758 1810), 15 prints incl. “Veduta del Piedestallo dell’Apoteosi di Antonio Pio e di Faustina: Trofeo O Sia Magnifica Colonna Coclide”; “Outils de Macons et D’Agriculteurs Trouves a Pompeia: Antiquites de la Grande Grece”; and others, etchings laid on paper, 21 in. x 15 3/4 in. to 30 1/2 in. x 43 1/2 in., unframed. $500/800 Provenance: Estate of James R. Lamantia, New Orleans, LA.

13. Lucio Fontana (Italian, 1899-1968), “Concetto Spaziale”, 1968, aquatint, carborundum, embossing and punctures on CM Fabriano, pencil signed, dated and numbered “126/210” lower margin, published by International Graphic Arts Society, New York, sheet 18 3/4 in. x 25 1/8 in., framed. $2000/3000

14. Pair of American Rococo Carved Rosewood Tables, mid-19th c., octagonal marble tops, conforming frieze with carved pendants, tripartite supports, scrolled legs, pad feet, h. 29 1/4 in., dia. 26 1/2 in. $1000/1500

15. Fine American Carved Walnut Hanging Cabinet, mid-19th c., probably Daniel Pabst, Philadelphia, shingle carved superstructure, central mirrored cupboard flanked by shelves with mirror backs, apron carved with spreadwing eagle and banner “Richard Luedeke”, h. 34 in., w. 32 in., d. 9 in. $500/1000

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

16. Pair of Carved Walnut Griffins and Oak Columnar Pedestals, c. 1880, fully carved, the sculptural bodies on later plinths, h. 27 in. $2500/3000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Additional information at www.nealauction.com

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17. Very Rare American Renaissance Burled, Gilt-Incised, Parcel Ebonized, Bronze-Mounted and Marquetry Center Table, c. 1870, New York, oblong top with central reserve of tigers in a jungle setting, urns and floral border; stop-fluted legs, shaped stretchers centering an urn, pad feet, casters, h. 31 in., w. 55 in., d. 30 in. $12000/20000

18. Rare American Rococo Carved and Laminated Rosewood Méridienne, c. 1850-1860, attr. to the “Bird Pattern” Maker, New York, undulating reticulated crest, serpentine seat rail, cabriole legs, casters, h. 43 1/2 in., w. 71 1/2 in., d. 29 in. $3000/5000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Note: Several features seen here relate to known “Bird Pattern” examples of seat furniture made in New York City in the middle of the 19th c.; notably: the distinctive reticulation of the crestrail, form of the central crest and sophisticated seven-layer laminated construction and dramatic reticulation, the construction of the rear legs, and the molded form of the arm support, seatrail and front legs.

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Note: The proportions, form and fine inlay on this table, relate to three well-known center tables, one conserved by the Museum of the City of New York; one at the Art institute of Chicago (acc. 1993.122); and a third sold by Neal Auction Company as lot 192, September 13, 2014. The marquetry on the top of the Art Institute of Chicago example is signed “J. Cremer” for Joseph Cremer.

Ref.: An identical méridienne to the lot offered here is illustrated in Meyer, Priscilla.

Victorian Detail, a Working Dictionary. Armonk, NY: Oak Cottage Farm, p. 32.

The examples mentioned above have similar stretcher configuration and modified hoof feet to those seen here.

Ref.: Johnson, Marilynn. 19th-Centry America: Furniture and Other Decorative Arts (New York, 1970), fig. 188; Laux, Barbara. “The Furniture Mounts of P.E. Guerin,” The Magazine Antiques (May 2002), pp. 140-149.

19. American Gothic Carved and Grained Rosewood Dressing Chest, c. 1840, crocketed mirror, fluted supports, marble top with outset chamfered corners, conforming case with 3 paneled drawers, shaped feet, h. 96 1/2 in., w. 51 1/2 in., d. 25 in. $7000/10000 Provenance: Acquired c. 1974 from a St. Charles Avenue home, New Orleans.

Note: Bedroom furniture in the Gothic Revival mode is rare, as taste makers like Alexander Jackson Davis and Pugin favored forms for foyers, libraries and parlors. Examples of Gothic Revival bedroom furniture with the monumental proportions and fine execution of this dresser and washstand in the subsequent lot are known from the Henry Clay/ Rosedown suite by Crawford Riddell and an important bed from the collection of Lee Anderson.

Ref: Dallas Museum of Art (acc.

2000. 324). www.dma.org/ collection/artwork/crawford-riddell/ bed; Sotheby’s, New York, lot 471, January, 2013.

20. American Gothic Carved Rosewood Washstand, c. 1840, crocketed inset marble backsplash, with outset chamfered corners, marble top, drawer, arched panel doors below, shaped feet, found en suite with preceding lot h. 60 in., w. 40 1/2 in., d. 24 in. $4000/6000 Provenance: Acquired c. 1974 from a St. Charles Avenue home, New Orleans.

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21. Good William IV Carved Mahogany Trolley, early 19th c., galleried tiers, lotus carved turned supports, bulbous turned feet, brass cups casters, h. 45 in., w. 48 in., d. 20 in. $1000/1500

23. French Aesthetic Gilt Bronze Mounted Beechwood and Onyx Stand, late 19th c., probably Gustave Viardot, onyx inset top, reticulated frieze, onyx inset shelves, shaped legs mounted with salamanders, scrolled feet, h. 30 1/2 in., w. 16 in., d. 16 in. $500/800

22. George III Mahogany Oval Cellarette, c. 1800, fitted interior, bale handles, casters, h. 28 in., w. 24 in., d. 18 in. $800/1200

24. Italian Rococo Polychromed Leather Four Panel Screen, 18th c., arched panels painted with an extensive landscape with figures, h. 75 in., w. 88 in. $1200/1800

25. Pair of Antique Empire-Style Bronze Mounted Side Chairs, 19th c., rounded splat backs, carved stiles, horseshoe shaped slip seat, sabre legs; together with a bronze mounted ottoman, molded frame, eagle mounted cabriole legs, paw feet, ottoman h. 19 in., 20 in. square. $1200/1800

26. Yvonne Canu (French, 19212008), “Corte, Corse (France)”, oil on linen, signed lower right, titled en verso and on “Le Monde Galleries, New York” label on stretcher, 21 1/4 in. x 25 5/8 in., framed. $4000/6000 Provenance: A Shreveport, LA Collector.

Additional information at www.nealauction.com

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28. Raymond Thibesart (French, 1874-1968), “Cherry Blossoms”, oil on canvas, signed lower left, 25 3/4 in. x 32 in., framed. $4000/6000 Provenance: Estate of Margaret “Peggy” Chew Welch (1927-1976), Syosset, Long Island; thence by descent.

27. Jacques Martin Ferrières (French, 1893-1972), “Le Port à Collioures [sic]”, oil on canvas, signed lower right, titled on “Le Monde Galleries, New York” label on stretcher, “G. DEIFINO, NICE” framer’s label en verso of frame, 24 1/2 in. x 19 3/4 in., framed. $6000/8000 Provenance: A Shreveport, LA Collector.

30. Paris Porcelain Partial Dinner Service, 19th c., several pieces stamped “Jh Klotz & Cie/Paris”, lavender and gilt borders, “M” monograms, incl. 30 dinner plates; 10 luncheon plates; 9 soup plates; 2 celery dishes; gravy boat with underplate; covered sauce tureen; footed bowl; 2 compotes; 2 cake stands; 3 graduated platters, largest l. 15 1/4 in.; l. 15 1/4 in.; covered tureen h. 8 1/2 in., and covered vegetable tureen, h. 5 1/4 in., l. 9 1/2 in., (63 pcs.) $800/1200

29. Four Antique Prints of European Royalty, 19th c., incl. Empress Elizabeth of Austria, Leopold I, The Prince of Orange, and Louis Philippe, sights 8 1/4 in. x 5 1/4 in. to 18 in. x 14 in., antique frames. $500/700 Provenance: Temple Heights, Columbus, MS.

31. Austro-Hungarian Porcelain Plaque, 19th c., impressed “CF/1”, possibly by Carl Fischer for Pirkenhammer, depicting a maiden consoled by her retinue, inscribed, 1 1 1/2 in. x 8 1/4 in., framed. $800/1200

32. Twelve Porcelain Dessert Plates, after the Russian Imperial Porcelain Factory designs for the “Kremlin Service”, central roundels with double headed eagle within Cyrillic border: “Nicholas, Emperor and Autocrat of All the Russias”, dia. 8 7/8 in. $500/700

Provenance: The Gotlib Collection.

33. Royal Copenhagen “Flora Danica” Cachepot, 20th c., No. 3570, branch and flower handles, reserves with “pretty cinquefoils” and “European blackberries”, h. 4 3/4 in. $600/800

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34. Sèvres Polychrome Porcelain Plateau, 19th/20th c., interlaced Ls mark, painted with Louis XVI banded by 8 portrait busts of court beauties, ringed base with sitter’s names, dia. 19 7/8 in. $800/1200

35. Sèvres Polychrome Porcelain Plateau, 19th/20th c., interlaced Ls mark, painted with Louis XVI in coronation regalia, after the 1788 portrait by Antoine Francois Callet, dia. 19 3/4 in. $800/1200

36. Minton Parian Porcelain Group of “Ariadne and the Panther”, mid 19th c., marked, probably John Bell after the original by Johann Heinrich von Dannecker (German, 1811-1895), h. 14 in., l. 12 in. $400/600 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Atterbury, The Parian Phenomenon, Somerset, 1989, p. 64, fig. 80.

37. Minton Parian Porcelain Group of “Una and the Lion”, mid 19th c., molded cartouche marks, John Bell (British, 1811-1895), h. 14 1/4 in., l. 14 1/2 in. $400/600 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Atterbury, The Parian Phenomenon, Somerset, 1989, p. 64, fig. 80.

38. Pair of Polychrome Pottery Inset Giltwood Wall Brackets, h. 9 3/4 in., w. 17 1/4 in.; together with pair Chinese Export style porcelain cranes, h. 16 3/4 in. (4 pcs.) $600/900

39. Seventeen Limited Edition Polychrome Porcelain Cabinet Plates, 1970s/80s, incl. 8 Pickard “Lockhart Birds”, gilt and green rims, dia. 10 3/4 in.; and 9 Lenox “Woodland Wildlife”, after Boehm, gilt and cobalt rims, dia. 10 3/4 in. $200/400

40. Antique Louis XV-Style Gilt Bronze Chenet, late 19th c., with floral bouquets on rocaille scrollwork, h. 17 1/2 in., w. 50 in. $400/600 41. Pair of Charles X Brass Candlesticks, early 19th c., columnar shafts, circular feet, guilloche decoration, h. 9 1/8 in. $400/600

42. Pair of Baroque-Style Bronze Chenets, late 19th c., each with a cherub surmounting a globe supported by dolphins, h. 24 in. $1000/2000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Additional information at www.nealauction.com

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43. Fine Napoleon III-Style Gilt Bronze and Cut Glass Cave à Liqueur, 19th/20th c., faux bamboo and foliate case, fitted interior with 4 stoppered decanters and 14 liqueur glasses, h. 11 3/8 in., w. 14 1/4 in., d. 11 1/2 in. $700/1000

44. French Porcelain and Gilt Metal Mounted Centerpiece in the Style of Sèvres, probably 20th c., decorated with a courting couple, h. 11 1/4 in., w. 16 1/2 in. $400/600

46. Pair of French Cabinet Bronzes of Antique Warriors, 19th c., h. 6 3/4 in. and 6 1/2 in. $600/800

47. French Empire-Style Cut Glass and Gilt Bronze Figural Tazza, 19th c., green marble base, height 10 1/2 in. $500/800

48. French Bronze Inset Marble Roundel, 19th c., relief cast centered with Ceres and other gods, d. 8 1/2 in. $400/600

45. Italian Grand Tour Patinated Bronze Model of a Fountain Well Head, 19th c., after the late 16th c. originals in the Palazzo Ducale Courtyard, Venice, with “plumbing” remnants, centered by a miniature reduction of the Pompeiian figure of Narcissus, conforming three step marble base, h. 10 in., dia. 18 in. $2000/3000

49. Antique Small Brass Scale and Weights, inset malachite reserve, signed “P. Mannino...”. $100/150

51. Georgian Mahogany and Satinwood Piano Form Sewing and Music Box, early 19th c., fitted interior with original sewing implements, h. 6 1/4 in., l. 12 in, w. 7 3/8 in. $500/700 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

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50. Fine Continental Enamel Inset Hardwood Gaming Box, fitted interior with gaming pieces, h. 3 1/4 in., w 12 3/4 in., d. 9 2/3 in.; together with Chinese cloisonné enamel box, early 20th c., marked “China”, h. 1 1/2 in., w. 6 1/2 in., d. 4 5/8 in.; and Chinese Export gilt decorated black lacquer box, late 19th/early 20th c., h. 1 3/4 in., w. 7 3/8 in., d. 3 7/8 in., (3 pcs.) $200/400

52. English Brass Inlaid Mahogany Decanter Case, 19th c., brass handles, fabric lined fitted interior with 6 gilt decorated stoppered decanters, h. 8 5/8 in., w. 10 1/2 in., d. 7 in. $400/600

53. American or French Gilt Bronze Figural Sinumbra Lamp, 19th c., Gothic standard, large eagle on cylinder base, rams’ heads and garland decoration, glass shade cut with lyre and floral motifs, h. 39 in., dia. 10 1/2 in. $2500/3500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

54. Antique Diminutive Gilt Bronze and Brass Figural Sinumbra Lamp, c. 1850, marked “Manufactured by/W. Carleton/ Boston”, Classical female figure on a bronze mounted marble base, cut glass shade with geometric design, h. 17 in., dia. 7 in. $1000/2000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 178.

56. Pair of Louis XVI-Style Gilt Bronze and Onyx Three Light Candelabra, 19th c., urn standards, scrollwork and foliate branches, paneled oval bases, acorn finial snuffers, h. 16 in., w. 9 in., d. 4 in. $500/1000 55. Pair of English or French Gilt Bronze Six Light Figural Candelabra, mid-19th c., standard modeled as two Muses dancing, vintage decorated pedestal, supporting foliate branches, h. 31 in., dia. 16 in. $2000/3000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

57. [Fore Edge Paintings], Poetical Works of Sir Walter Scott..., Edinburgh, 1801, leather, with split fore edge paintings, both of Edinburgh: and Cervantes, History of Don Quixote, illustrated by Dore, London, c. 1865, folio (12 in. x 9 in.), leather, with vertical fore edge painting of Dore’s illustration “A world of disorderly notions, picked out of his books...”. $500/700

58. American Rococo Carved Walnut Floor Screen, mid 19th c., pierced shell crest, foliate frame, arched trestle legs ending in dolphin heads, needlepoint and stumpwork panel of peacock and flowers, h. 72 in., w. 41 in. $1500/2500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

59. American Classical Ormolu Mounted, Carved Giltwood, Mahogany, Rosewood and Brass Inlaid Pier Table, c. 1815-1820, New York, marble top, blind frieze drawer, acanthus carved scrolled supports, paneled pilasters flanking mirrored back, incurvate plinth, acanthus carved turned feet, h. 36 1/2 in., w. 41 3/4 in., d. 17 1/2 in. $7000/10000 Provenance: Didier Inc., New Orleans.

60. Pair of American Classical Ebonized and Gilt-Stenciled Carved Mahogany Games Tables, early 19th c., New York, foldover swivel top, wide lozenge pattern banding, anthemion cartouche frieze, interior with original marbled paper lining, acanthus carved standard, arched acanthus carved legs, paw feet, casters, h. 30 1/2 in., w. 36 in., d. 17 3/4 in. $5000/7000 Additional information at www.nealauction.com

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62. Fine George III Carved Giltwood Mirror, c. 1790, molded cornice, frieze centering a Wedgwood black jasperware plaque depicting Achilles delivered to the centaur Chiron by Thetis, impressed mark on reverse, clustered columnar stiles with Corinthian capitals, molded and blocked base, h. 50 in., w. 29 7/8 in. $1200/1800

61. Regency Carved Giltwood Girandole Mirror, c. 1815, surmounted by an eagle clutching pendant chains, rockwork and acanthus crest, scrolled candle arms, convex mirror plate, h. 46 in., w. 37 in. $5000/7500

63. French Empire Gilt and Patinated Figural Mantel Clock, c. 1815, figure of Diana and hound, on bronze mounted sienna marble base, h. 19 in., w. 14 1/4 in., d. 5 1/2 in. $700/900

Provenance: Didier, Inc., New Orleans.

64. French Aesthetic Brass and Enameled Mantel Clock, c. 1890, striking bell movement, beveled glass, finely painted vignettes of birds amongst trees, h. 12 in., w. 7 1/4 in., d. 6 in. $300/500 65. Rare English Brass Ship’s Argand Lamp, 19th c., marked “Miller & Sons/179 Piccadilly”, gimballed wall mount, weighted base, removable for desk use, flared floral shade, h. 16 in., w. 6 1/4 in., d. 13 1/2 in. $800/1200 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

66. William IV Gilt Bronze Three Light Argand Chandelier, c. 1835, foliate canopy, central urn font, arms cast with cabochons, foliage and berries, cut glass shades, h. 33 in., dia. 24 in. $3000/5000

Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 224.

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 200.

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67. American Classical Carved Rosewood “Voltaire” Armchair, mid 19th c., New York, school of Duncan Phyfe, arched crest, padded arms, S scroll supports, straight seat rail, saber legs, casters. $800/1200

68. Biedermeier Mahogany Piano Chair, early 19th c., fan back, adjustable seat, chamfered pedestal, incurvate plinth, arched feet, h. 32 in., w. 13 3/4 in., d. 14 in. $700/900 Provenance: Neal Auction Company, Oct. 2, 2004, lot 510.

69. American Classical Carved Mahogany Sofa, c. 1820, New York, tablet crest, scrolled acanthine arms, paneled seat rail, cornucopia bracketed hairy paw feet, casters, h. 38 1/4 in., w. 91 in., d. 24 in. $1500/2500

70. American Federal Inlaid Mahogany Bowfront Chest of Drawers, c.

1800, probably Boston, rosewood string inlay, graduated drawers, “French” feet, h. 36 5/8 in., w. 41 5/8 in., d. 22 3/4 in. $1500/2500

71. Fine American Classical Carved Mahogany Bookcase, c. 1820, blocked stepped cornice, pilasters flanking glazed sliding doors over paneled doors, gadrooned acanthus and melon carved feet, h. 96 in., w. 67 in., d. 21 in. $6000/8000 Provenance: Didier Inc., New Orleans.

72. American Classical Carved Mahogany Two Part Dining Table, c.

1805-1825, Baltimore, drop-leaf D end top with reeded edge, one center leaf, conforming frieze, turned reeded legs, h. 28 7/8 in., l. 116 in., w. 44 in. $4000/6000 Provenance: Didier Inc., New Orleans.

Note: The distinctive reeded legs and tall feet on this table are very similar to those on several examples in the Maryland Historical Society, including a writing table believed to be from “Cremona,” St. Mary’s Co. (acc. 59.620); a dining table descended in the family of Col. William Pechin, d. 1849, (acc. 83.16); and a games table descended in the Turnbull and Shoemaker families (acc. 75.54. 2).

Ref.: Weidman, Gregory. Furniture in Maryland, 1740-1940: the Collection of the Maryland Historical Society. Baltimore: Maryland Historical Society, 1984, pp. 142 and 182, figs, 101, 152, and 153.

Additional information at www.nealauction.com

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73. Six American Classical Carved Mahogany Side Chairs, c. 1825, paneled crest rail, stiles with Ionic capitals, foliate carved back slat, trapezoidal reeded seat rail, turned and reeded legs, accompanied by custom linen “summer dress” slip covers. $3000/5000 Provenance: Didier, Inc., New Orleans.

74. American Classical Carved Mahogany Games Table, c. 1825-1830, Boston, foldover swivel top, paneled frieze, tapered pillar, incurvate plinth, volute scroll feet, casters, h. 30 in., w. 36 in., d. 17 1/2 in. $1500/2500 Provenance: Didier, Inc., New Orleans.

75. American Classical Carved Mahogany Gondola Armchair, early 19th c., New York, possibly the workshop of Duncan Phyfe, arched crest, shaped stiles, scrolled arms, lappet carved saber legs. $3000/5000 Provenance: Mr. Ike Hay, Pennsylvania; Didier, Inc., New Orleans.

76. Fine American Federal Mahogany Astragal End Work Table, c. 1810, lift top, demilune compartments centered by fitted lift out tray, reeded case, tapered legs, cuff casters, h. 29 3/4 in., w. 26 1/4 in., d. 15 1/4 in. $2500/3500 Provenance: Didier, Inc., New Orleans, LA.

77. Regency Satinwood Pole Screen, early 19th c., chinoiserie needlepoint panel, flame finial, adjustable rod, turned and reeded vasiform standard, incurvate triangular plinth with ebonized finials, turned feet, h. 60 1/2 in., w. 13 in. $600/800

79. Regency Mahogany Sarcophagus Form Cellarette, 19th c., chamfered corners, gilt bronze lion mask handles, reeded melon form feet, h. 22 in., w. 30 1/2 in., d. 22 1/2 in. $1200/1800

80. George III Mahogany and Satinwood Fitted Cabinet, c. 1790-1800, with patera inlay, single door enclosing drawers, “French” feet, h. 12 in. $200/400 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

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78. George III Rosewood Inlaid Mahogany Pembroke Table, late 18th c., oval drop leaf top, frieze drawer, square tapered legs, cuff casters, h. 29 in., w. 23 in., d. 30 in. $500/700

81. English Rosewood Miniature Chest of Drawers, mid-19th c., graduated drawers, h. 18 in., w. 15 in., d. 8 1/2 in. $500/700

82. Suite of Eight Regency Carved Mahogany and Brass Inlaid Dining Chairs, early 19th c., tablet crest with scroll inlay and rosettes, star inlaid reeded splat, caned seat, saber legs. $1500/2500

83. George II-Style Carved Giltwood Console, 19th c., inset marble top, foliate border, pierced acanthus and floral carved frieze, canted acanthus carved S scroll legs, stretcher, foliate blocked feet, h. 34 in., w. 48 in., d. 20 1/2 in. $1500/2500

85. Pair of Empire-Style Carved Mahogany, Parcel Ebonized and Gilded Fauteuils, scrolled stiles, molded arms, sphinx uprights, shaped seat rail, hock legs, paw feet. $1500/2000

84. Very Fine George III-Style Inlaid Satinwood Bureau à Cylindre in the Adam Taste, 19th c., domed retractable lid with bellflower inlay and bookmatched fitted interior, tooled leather writing surface, demilune drop leaves, lyre form supports, saber legs, cuff casters, h. 39 in., w. 30 in., d. 20 in. $2500/3500

86. Louis XV Provincial Carved Fruitwood Tea Table, 18th c., inset tooled leather top, molded edge, shaped apron, cabriole legs, hoof feet, h. 26 3/4 in., w. 34 3/4 in., d. 24 1/2 in. $800/1200 87. Empire Bronze Mounted Mahogany Sécrétaire à Abattant, early 19th c., marble top, frieze drawer, tapering columnar stiles, fall front opening to well fitted interior with arched niche and colonnettes, pair of cupboard doors below, conforming disc feet, h. 56 3/4 in., w. 38 1/4 in., d. 17 3/4 in. $1000/1500 88. Louis XVI Bronze Mounted Walnut Rafraîchissoir, 18th c., inset marble top fitted with bottle wells, beaded molding, small frieze drawer, turned tapered legs, stretcher shelf, h. 27 3/4 in., w. 18 1/4 in., d. 18 1/4 in. $700/1000

Additional information at www.nealauction.com

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89. Directoire-Style Bronze Mounted Mahogany Bureau Plat, 20th c., the style of Maison Jansen, tooled leather top, writing slides, frieze with 3 drawers, opposing side paneled, fluted tapered legs, ferrules, h. 29 1/2 in., w. 53 1/2 in., d. 26 1/2 in. $2000/3000

91. Pair of Italian Gilt and Copper Decorated Faience Chargers, late 19th/early 20th c., marked “A. R. Italy”, wells painted with Classical Roman scenes, old paper labels, dia. 20 1/2 in. $500/800

92. Set of Sixteen Bodley Porcelain Turtle Soup Plates, late 19th c., marked, tortoise motif, gilt accents, dia. 8 in. $500/700

Provenance: Park Avenue, NY, Urban Interior Collection of Mr. and Mrs. George Hornig.

95. Chinese Export “Canton” Enamel Dragon Charger, probably late 19th c., shallow lobed body decorated with yellow panels enclosing gilt dragons pursuing flaming pearls on a blue ground, h. 2 in., w. 18 5/8 in., d. 15 5/8 in. $700/900

99. Chinese Brass Mounted Carved and Polychromed Black Lacquer Box, hinged rectangular body carved to the top with a boating scene, interior fitted with 2 lift out compartmented trays, h. 4 7/8 in., w. 22 5/8 in., d. 9 1/2 in. $500/700

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96. Chinese Export Gilt and Copper Decorated Black Lacquer Miniature Chest on Stand, 19th c., doors enclosing fitted compartment with drawers, footed stand, overall h. 13 in., w. 13 in., d. 8 3/8 in. $300/500

100. Five Antique Walking Sticks, early 20th c., first with hidden dice handle, probably by Fayet; second of shark vertebrae and bone; third with carved alligator handle; fourth carved throughout with serpents; and fifth of fruitwood, tallest h. 36 in. $500/700

90. Pair of Russian Neoclassical-Style Bronze Mounted Mahogany Commodes, early 20th c., tops with canted corners, reeded bronze molding and inset variegated marble, conforming case with drawers and square tapered legs, h. 33 3/4 in., w. 38 in., d. 19 in. $3000/5000

93. Pair of Chinese Export Famille Rose Porcelain Pseudo Tobacco Leaf Plates, 18th c., decorated with leaves and flowering branches, “Shreve, Crump & Low” labels, dia. 9 1/4 in. $1000/1500

94. Chinese Export Famille Rose Porcelain Dish, probably 18th c., decorated with a central chrysanthemum and butterfly scroll form panel atop prunus branches, rim with rocks and waves, dia. 9 in. $300/600

Provenance: Shreve, Crump & Low Co., Boston.

Provenance: New Orleans Estate.

97. Chinese Export Porcelain Teabowl and Saucer, c. 1750, decorated with gilt floral sprays on a pale turquoise blue ground, saucer dia. 5 3/8 in.; together with famille rose decorated powder blue porcelain helmet jug, late 18th c., h. 5 3/8 in., w. 6 1/4 in., (3 pcs.) $500/700 Provenance: Ex Peter H.B. Frelinghuysen, Jr. Collection, New Jersey; Christie’s, NY, Jan. 24, 2012, lot 61.

101. American Carved Giltwood Eagle, 19th c., h. 11 1/2 in., w. 29 1/4 in., later wood and brass armature, overall h. 12 1/2 in. $150/250

98. Chinese Export Blue and White Porcelain Lozenge Form Dish, late 19th/early 20th c., decorated with figures in a waterscape setting, h. 2 1/4 in., l. 11 3/8 in., w. 9 in., wood stand, overall h. 3 5/8 in. $100/150 Provenance: New Orleans Estate.

102. Three French Gilt Bronze Furniture or Porcelain Mounts, 19th c., two lion form, one dragon form, tallest h. 5 3/8 in. $200/300

103. French Terracotta Bust of a Beauty, 19th c., after Joseph Charles Marin (French, 1759 1834), inscribed “Marin.F” on rear truncation, h. 10 1/2 in., marble base, overall h. 15 1/2 in. $600/800

107. Near Pair of French Aubusson Tapestry Pillows, 19th c., first woven with scene of Poseidon in seahorse drawn carriage, l. 24 in., w. 16 in.; second with Ceres and male attendant; l. 24 in., w. 18 in. $200/300

104. Pair of Continental Gilt and Patinated Metal Candlesticks, palm tree standards, foliate bases surmounted by hounds, h. 12 1/2 in., w. 6 1/2 in. $500/750

108. Framed Continental Needlepoint Tapestry, 19th c., with a tree and two stags, sight 34 1/4 in. x 33 1/4 in.; framed 36 1/2 in. x 35 3/4 in. $500/700

111. Pair of Louis XV-Style Gilt Bronze Sconces, foliate scroll backplate and candlearms, h. 19 in., w. 11 in., d. 4 1/2 in. $150/300 112. [Fore Edge Painting], Gleanings from the English Poets..., London and Edinburgh, Gall & Inglis, c.

1875, tooled, full leather, with vertical fore edge painting of “Leda and the Swan”. $300/500

115. George III Satinwood Wheel Barometer, c. 1810, marked “Jos. Somalvico & Co./ 16 Charles Street/ Hatton Garden”, incorporating a thermometer and hygrometer dial, h. 46 in., w. 14 1/2 in., d. 2 1/2 in. $600/800

116. American or English Blown Glass Trumpet Vase, late 19th/early 20th c., cranberry with opalescent ribs, domed circular foot, h. 38 1/4 in. $800/1200

105. Two Continental Bronze Figures of Napoleon, 19th c., one bust inscribed “A GLADENBECK”, h. 6 1/2 in.; the other standing, h. 7 3/4 in.; together with a French Revolutionary soldier, inscribed “RIVIERE”, h. 9 1/4 in., (3 pcs.) $400/600

109. Pair of French “Pâte-surPâte” Porcelain Lamps, celadon ground, cherub decoration, h. 13 1/4 in., h. to socket 16 in. $150/300

113. [Fore Edge Painting], Thomas, Arnold, Introductory Letters..., London, 1885, full leather, with fore edge painting of a whaling scene. $300/500

106. English Mother of Pearl Inlaid and Ebonized Necessaire, 19th c., sarcophagus top opening to divided compartment, doors enclosing drawers and fold-out writing surface, h. 13 1/2 in., w. 13 1/2 in., d. 9 3/4 in. $500/750

110. An Italian Carved Marble Figural Lamp, c. 1900, green dolphin encircling rouge marble anchor, plinth base, h. 15 1/4 in., dia. 6 in. $500/700

114. [Fore Edge Paintings], The Andria of Terence, Westminster, 1894, full calf, with fore edge painting of a harbour scene; and Crabbe, The Borough: a Poem..., London, 1813, with a fore edge painting of an English village scene, two paintings total. $500/700

117. Two Art Nouveau Bronze Portrait Busts of Ladies, 20th c., first cast with flowers, inscribed “J.Rennater”; second cast with shawl, marked ‘Retour/du/Bal’, inscribed “E.Villanis”, both h. 16 3/4 in. $800/1200

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Additional information at www.nealauction.com

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118. Three Bronze Animalier Figures, incl. lion, inscribed “M. Marx”, h. 6 1/4 in.; tiger, h. 3 1/2 in.; and retriever with pheasant, h. 4 1/4 in. $300/500

119. French Neoclassical Bronze of “Cincinnatus Preparing for War”, early 19th c., after the antique marble discovered in the 1580s in Rome, purchased by Louis XIV in 1685, and deposited in the Louvre before 1800, h. 25 1/2 in. $1200/1800

120. Pair of Louis XV-Style Gilt Bronze Mirrors, cartouche form, reticulated crest, beveled mirror plate, h. 35 in., w. 22 in. $1000/1500

122. Important American Rococo Carved and Laminated Rosewood Sofa, c. 1850-1860, attr. to John Henry Belter, New York, in the pattern known as “Cornucopia”, tall crest carved in high relief, acanthus carved uprights, exuberant serpentine seat rail with massive floral carvings, carved cabriole legs, casters, h. 50 1/2 in., w. 87 in., d. 31 in. $40000/60000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Dubrow, Richard. American Furniture of the 19th c. Atglen, PA: Schiffer, 1983, p. 75.

Note: The sofa offered here is among a remarkable small group of related examples noted for their sculptural aspect and virtuosity, including examples now conserved by the Museum of the City of New York (acc. 38.53.1); the Virginia Museum of Fine Arts, Richmond (acc. 54.15.1-2); the Milwaukee Art Museum, Wisconsin (acc. M1987.16); The High Museum of Art, Atlanta (acc. 1981.1000.61); the Metropolitan Museum of Art, New York (acc. 1999/396) and the Victoria and Albert Museum (acc. W-22.1983). These examples share similar arm, seatrail and leg carvings.

The “Cornucopia pattern” as manifested here and in the Museum of the City of New York example, is currently rare among known collections. The three strapwork and cabochon cartouches on the crestrail of this and the MCNY sofa make them unique among examples listed above, incorporating a forward-looking Renaissance Revival detail into an exuberant Rococo form.

Ref.: Davidson, Gail, et.al. Rococo: The Continuing Curve, 1730-2008. New York: Smithsonian, Cooper Hewitt. 2008. pp. 204-205, fig. 15.

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121. Venetian Etched Glass Mirror, 20th c., shield shape with segmented surround, h. 49 1/2 in., w. 36 5/8 in. $400/600

123. Fine American Rococo Carved and Laminated Rosewood Armchair, c. 1850-1860, attr. to John Henry Belter, New York, in the pattern known as “Cornucopia”, tall crest carved in high relief, acanthus carved uprights, exuberant serpentine seat rail with massive floral carvings, carved cabriole legs, casters, h. 46 1/2 in. $20000/30000

124. Fine American Rococo Carved and Laminated Rosewood Armchair, c. 1850-1860, attr. to John Henry Belter, New York, in the pattern known as “Cornucopia”, tall crest carved in high relief, acanthus carved uprights, exuberant serpentine seat rail with massive floral carvings, carved cabriole legs, casters, h. 46 1/2 in. $20000/30000

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

125. Fine Pair of American Rococo Carved and Laminated Rosewood Side Chairs, c. 1850-1860, attr. to John Henry Belter, New York, in the pattern known as “Cornucopia”, tall crest carved in high relief, acanthus carved uprights, exuberant serpentine seat rail with massive floral carvings, carved cabriole legs, casters, h. 38 1/2 in. $10000/15000

126. Fine Pair of American Rococo Carved and Laminated Rosewood Side Chairs, c. 1850-1860, attr. to John Henry Belter, New York, in the pattern known as “Cornucopia”, tall crest carved in high relief, acanthus carved uprights, exuberant serpentine seat rail with massive floral carvings, carved cabriole legs, casters, h. 39 in. $10000/15000

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren OH.

Provenance: The Service Collection, Estate of Grant A Oakes, Warren, OH.

Ill.: One of the pair offered here, Dubrow, Richard. American Furniture of the 19th c. Atglen, PA: Schiffer, p. 77.

Additional information at www.nealauction.com

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128. Very Rare American Rococo Carved Rosewood Footstool, mid 19th c., New York, serpentine floral and foliate carved frame on cabriole legs, scrolled toes, casters, h. 14 in., w. 19 in., d. 17 in. $1000/1500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

127. Rare American Rococo Carved and Laminated Rosewood Piano Chair, c. 1850-1860, attr. to John Henry Belter, New York, in the “Rosalie with Grapes� pattern, floral and grape arched crest, floral carved shaped seat rail, adjustable foliate carved standard, scrolled legs. $1500/2500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Note: The carved crest on this chair relates to that on the noted parlor suite at Rosalie, Natchez. The upper portions here are nearly identical to a piano stool in the Manney Collection.

Ref.: Schwartz, Marvin. The Furniture of John Henry Belter and the Rococo Revival. New York: Dutton, 1981, p. 67, fig. 44.

129. American Late Classical Bronze Mounted Rosewood and Gilt Pier Table, c. 1830, attr. Meeks Firm, New York, reeded slate top, mounted frieze, canted S scroll supports, pilasters flanking mirrored back, incurvate plinth base, turned tapered feet, discs, h. 36 in., w. 44 in., d. 17 1/2 in. $3000/5000 Provenance: Didier Inc., New Orleans.

130. American Classical Carved Mahogany, Gilded and Brass Mounted Sideboard, early 19th c., paneled backsplash with brass gallery, King of Prussia marble top, frieze drawers over doors flanked by foliate gilt capitals, stop-fluted colonettes, blocked base, beehive feet on brass spherules, h. 50 3/4 in., w. 73 1/2 in., d. 25 1/2 in. $8000/12000 Provenance: Didier, Inc., New Orleans.

131. American Classical Carved Mahogany Sofa, c. 1820, Boston, shaped crest rail centered by acanthus and volute cartouche with dolphin terminals, scrolled arms with carved anthemion petals, molded seat rail, Corinthian capital carved feet, recessed casters, h. 29 1/2 in., w. 84 in., d. 28 in. $3000/5000 Provenance: Didier, Inc., New Orleans.

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133. Pair of Regency Egyptian Revival Gilt and Patinated Bronze Argand Lamps, c.

1820, possibly William Bullock, classical oil lamp form, serpent handles, mounted with laurel wreaths and pharaoh heads, paw feet, floral cut glass shades, h. 13 1/2 in., w. 14 in., d. 8 in. $5000/7500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 186.

132. Fine English Gilt Bronze Four Light Argand Chandelier, early 19th c., urn font with Bacchus masks and garlands, arms with ornate foliate detail, ending in masks, whole suspended from dolphin hooks with elaborate cast chains, h. 60 in., dia. 26 in. $8000/12000

134. American Classical Carved Mahogany Side Table, 19th c. and later, after the designs of Edward Priestley, Baltimore, rectangular top with indented center, conforming frieze with bolection molded drawers, tapered reeded supports with turbaned busts and articulated feet, stop fluted pilasters flanking mirror plate, stretcher shelf, finely cast brass hairy paw feet, h. 45 1/2 in., w. 78 1/8 in., d.

18 1/4 in. $1200/1800

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Ref.: Hurst, Ronald. Southern Furniture 1860-1830. New York: Harry Abrams, 1997, pp. 525-529, pl. 159; Weidman, Gregory. Furniture in Maryland 1790-1840, Baltimore: Maryland Historical Society, 1984, p. 140 pl. 100; Feld, Stuart. In Pointed Style, New York: Hirschl and Adler, 2006, p. 36-37, fig. 4.

135. American Classical Brass and Wirework Fire Screen, c. 1830, brass urn-form finials, h. 11 in., w. 41 1/2 in., d. 16 in. $400/600

136. American Classical Mahogany Stool, early 19th c., New York, boxed upholstery, ogee frame, ogee bracket feet, h. 14 in., w. 21 1/2 in., d. 18 in. $400/600

137. American Classical Carved Mahogany Pier Table, early 19th c., marble top, frieze with rosettes and foliate scroll, acanthus carved columnar supports, paneled pilasters flanking mirrored back, plinth base, acanthus carved feet, h. 38 in., w. 44 in., d. 22 3/8 in. $2500/3500

Provenance: Didier, Inc., New Orleans.

Provenance: Didier, Inc., New Orleans.

Additional information at www.nealauction.com

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138. Fine American Federal Carved Mahogany Day Bed, early 19th c., New York, out-scrolled paneled ends, reeded balusters, tapered reeded legs, brass ball feet, h. 33 in., l. 74 in., w. 24 in. $4000/6000 Provenance: Sotheby’s, NY, Jan. 21 & 22, 2000, lot 589.

Note: A closely related bedstead by Lannuier is illustrated in Peter M. Kenny’s Honoré Lannuier: Cabinetmaker from Paris, p. 88, plt. 40.

140. American Restauration Carved Rosewood Bedside Commode, early‑to‑mid 19th c., molded white marble top with chamfered corners, conforming case with single drawer and paneled door, shelf interior, h. 32 1/2 in., w. 17 in. $500/750 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

141. English Ebonized and Mother‑of‑Pearl Inlaid Music Stand, mid‑19th c., Cartland, Birmingham patent, urn inlaid music rest, adjustable brass standard on ebonized and polychromed support with scrolled legs, h. 39 in., w. 17 in., d. 16 in. $600/800

139. American Federal Carved Mahogany Armoire, c. 1800, possibly Duncan Phyfe, NY, cove molded cornice, pair of highly figured paneled doors flanked by fluted stiles, headed by blocked rosettes, shelf interior, molded base, turned legs, brass ball feet, h. 82 3/8 in., w. 54 in., d. 23 5/8 in. $2500/3500

142. Regency Carved Mahogany Sofa, early 19th c., shaped crest rail centered by birdseye maple panel, reeded scrolled arms terminating in brass rosettes, reeded seat rail, spiral turned tapered legs, brass ferrules, casters, h. 39 1/4 in., w. 85 in., d. 25 1/4 in. $1000/1500

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145. Fine Regency Patinated Bronze Argand Lamp, early 19th c., urn‑shaped font, foliate arms, cistern supported by dolphins, chamfered pedestal with ram’s heads and sphinxes, plinth base, etched and cut glass shades, now electrified, h. 27 in., w. 22 in., d. 7 in. $1200/1800

143. English Gilt Bronze Figural Sinumbra Lamp, c. 1835, marked “Messenger & Sons/ London & Birmingham/ Manufactured for/Jones, Low and Ball/Boston”, reeded standard with spreadwing eagle, stepped base, cut‑glass shade with dove and leaf design, h. 40 in., dia., 12 1/4 in. $2000/3000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 146.

144. Pair of Continental Rock Crystal Lamps, faceted and lobed standard, gilt metal base, h. 23 1/4 in. $4000/6000

Provenance: Neal Auction Company, Nov. 20, 2010, lot 66.

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

147. American Rococo Carved Rosewood Cheval Mirror, c. 1850‑1860, arched mirror with flower basket crest, turned, fluted and rope‑twist supports, floral carved trestle base, h. 70 1/4 in., w. 42 3/4 in. $1200/2000

Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 152.

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

146. Rare English Gilt Bronze Figural Solar Lamp, c. 1850, base stamped “Messenger & Sons Published As The Act Directs”, with figure of Napoleon supporting a globe, pedestal with a recumbent winged figure, inscribed “Isle D’Elbe”, cut‑glass shade, h. 31 in., dia. 9 in. $1500/2500

148. Very Fine American Rococo Carved and Laminated Rosewood Étagère, c. 1850‑1860, attr. to John Henry Belter, New York, in the “Rosalie with Grapes” pattern, elaborately carved and pierced crest with acorns and clusters of fruit, keyhole mirror flanked by graduated shelves, serpentine base with conforming molded white marble top, disc feet, casters, h. 88 1/4 in., w. 60 in., w. 15 7/8 in. $15000/25000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Dubrow, Richard. American Furniture of the 19th c., 1840-1880.

Atglen PA: Schiffer, 1983. p. 146-147.

Note: The proportions, mirror form, supports, and base on this étagère are nearly identical to those on the historic étagère found in the double parlor at Rosalie, Natchez. Though the crests are very similar on these two étagères, the example offered here has a greater proliferation of grape clusters and finely carved floral forms.

Ref: Otto, Cecilia Jackson. American Furniture of the 19th c. New York: Viking Press, 1965, fig. 298.

Additional information at www.nealauction.com

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149. American Rococo Carved Laminated and Rosewood Center Table, c. 1850‑1860, attr. to John Henry Belter, New York, original serpentine molded carrara marble top, conforming base with reticulated apron carved with clusters of flowers, grapes and foliage, cabriole legs with carved flowers and vines, shaped stretcher centered with a flower basket and turned pendant, h. 28 7/8 in., w. 39 1/2 in., d. 28 5/8 in. $25000/35000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Dubrow, Richard. American Furniture of the 19th c.. Atglen, PA: Schiffer, 1983, p. 131.

Note: The finely carved legs and stretcher seen here on lot 149, relate closely to an important center table from the Service Collection sold by Neal Auction Company as lot 157, January 31, 2015, also the table by John Henry Belter in the “Lincoln” bedroom at the White House, a table attributed to Belter installed in the Rococo Revival period room at the Metropolitan Museum of Art, New York, and a console in the noted collection of Richard and Gloria Manney.

Ref.: Leish, Kenneth. The White House. New York: Newsweek, 1972; Davidson, Marshall.

The American Wing, The Metropolitan Museum of Art. New York: Harrison House, 1985, pp. 82-83; Dubrow, Richard. American Furniture of the 19th c.. Atglen, PA: Schiffer,

1983, p. 127.

150. American Late Classical Carved Mahogany Sofa, c. 1820s, Boston, attr. to Vose and Son, carving probably by Thomas Wightman, carved crest rail, blocked bracketed uprights, molded seat rail, acanthus carved feet, inset casters, h. 33 1/2 in., w. 81 1/2 in., d. 26 1/2 in. $1500/2500 Note: With its broad, flat expanses of mahogany and exuberantly carved foliate motifs, this sofa stands as a fine example of French Restauration-style furniture. It is most likely the work of the expert cabinet making firm, Isaac Vose and Son, with carving by Thomas Wightman, whose documented work on an 1823 sofa, now at the Colonial Society of Massachusetts, shows the same fluidity of carving and similarly carved bulbous feet.

151. American Classical Coin Silver Water Pitcher, Ball, Tompkins & Black, Successors to Marquand & Co., New York, wc.

1839‑1851, vase form with scroll handle and applied heart motif borders, h. 13 3/8 in., wt. 30.35 troy ozs. $1000/1500 Provenance: A New Orleans Estate.

152. American Classical Coin Silver Tea Service, Ball, Tompkins & Black, Successors to Marquand & Co., New York, wc. 1839‑1851; incl. teapot, covered sugar, covered creamer and waste bowl, seed pod finials, domed covers, paneled bodies, applied heart motif borders, teapot h. 10 in., combined wt. 65.90 troy ozs. $2000/3000 Provenance: A New Orleans Estate.

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154. Tiffany Sterling Silver Flatware Service, in the “English King” pattern, pat. 1885, incl. 6 dinner forks, 10 luncheon forks, 12 knives, 12 fish forks, 12 dessert spoons, 12 bouillon spoons, 12 teaspoons, 5 tablespoons, 6 ice tea spoons and cheese knife(fh); together with 11 Continental .800 silver gilt coffee spoons, total wt. (weighable) 157.75 troy ozs., (99 pcs.) $3000/5000

153. Pair of Continental Neoclassical‑Style Specimen Marble Obelisks, typical form, pedestal bases, h. 40 1/2 in., w. 9 in., d. 9 in. $3000/5000

155. Eight S. Kirk & Son Sterling Silver Julep Cups, mid‑20th c., pattern 277, h. 3 1/2 in., wt. 33.60 troy ozs. $1200/1800

156. Pair of Fine Antique Gorham Sterling Silver Repoussé Vegetable Dishes, c. 1890, floral and shell decoration, engraved armorial with motto “EST CONCORDIA FRATRUM”, h. 3 3/4 in., w. 12 1/4, d. 8 5/8 in., wt. 71.05 troy ozs. $1800/2500 Provenance: Descended in the Family of Copper Magnate Marcus Daly, sold in these rooms December 4, 1999, lot 134.

158. Pair of Neo‑Grec Bronze Torchères, distinctive standards supported by tripod bases with palmettes, lion’s heads and massive paw feet, h. 61 in., dia. 18 in. $1500/2500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

157. Pair of French Empire‑Style Gilt and Patinated Bronze Six‑Light Candelabra, 19th c., “Winged Victory” figural standards, scrolled candlearms, engine‑turned columns on octagonal plinth bases, h. 30 in., w. 11 1/2 in. $2500/3500

159. English Patinated Bronze Figural Two‑Light Argand Lamp, c. 1840, standard with Hercules dressed in lion skin, supporting campagna urn‑form font, fitted with cut glass shades on foliate arms, vintage‑decorated base, h. 33 in., w. 21 in., d. 9 in. $2500/3500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 184.

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161. Pair of American Classical Carved Mahogany Armchairs, c. 1820, Boston, leaf and fan carved tablet crest, medial rail with foliate terminals, reeded scrolled arms, reeded tapered legs. $1200/2000 Provenance: Didier, Inc., New Orleans.

160. Rare Fine English Patinated Bronze Two‑Light Figural Argand Lamp, c. 1835, probably Messenger & Sons, London, urn‑form font, foliate arms, tapered and reeded standard with addorsed cranes, cut and etched‑glass shades, h. 40 in., w. 24 in., d. 10 1/2 in. $5000/7000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 212.

162. Pair of American Classical Carved Mahogany Armchairs, c. 1820, Boston, leaf and fan carved tablet crest, medial rail with foliate terminals, reeded stiles, scrolled arms, reeded tapered legs. $1200/2000 Provenance: Didier, Inc., New Orleans.

163. American Classical Carved Mahogany Sofa, early 19th c., tubular crest rail, leaf and rosette brackets, scrolled arms with rosettes, molded seat rail, blocked corners, reeded sabre legs, brass paw feet, casters, h. 37 3/4 in., w. 85 in., d. 24 in. $3000/5000 Provenance: Didier, Inc., New Orleans.

164. Pair of American Classical Carved Mahogany Armchairs, c. 1820, Boston, leaf and fan carved tablet crest, medial rail with foliate terminals, reeded scrolled arms, reeded tapered legs. $1200/2000 Provenance: Didier, Inc., New Orleans.

165. American Late Federal Carved Mahogany Secretary‑Bookcase, c.

1825, cove‑molded cornice, glazed doors, adjustable shelves, base with 2 short drawers above a fall-front sécrétaire interior with inset baize‑lined writing surface, drawers and cubbyholes, pair of doors below flanked by over reeded colonettes, melon feet, brass spherule feet, h. 93 in., w. 45 5/8 in., d. 22 3/4 in. $3000/5000 Provenance: Didier, Inc., New Orleans.

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166. American Rococo Carved and Laminated Rosewood Parlor Table, mid‑19th c., attr. to J. & J.W. Meeks, New York, original shaped carrara marble top, conforming reticulated floral carved frieze, S scroll floral carved legs, reticulated stretchers with urn finials, scrolled toes, casters, h. 31 1/8 in., w. 46 1/4 in., d. 30 in. $15000/25000 Provenance: Neal Auction Company, May 16, 1992, lot 559.

Note: This table is similar in form, proportion and carved ornament to a table illustrated in Dubrow, Richard. American Furniture of the 19th c.. Atglen, PA: Schiffer, 1983, p. 130.

167. American Rococo Carved and Laminated Rosewood Étagère, c. 1850‑1860, attr. to John Henry Belter, New York, superstructure with serpentine shelves, mirrored back with foliate scroll supports, base with shaped floral carved frieze, cabriole legs carved with floral clusters, shaped stretchers, h. 71 in., w. 40 in. $5000/7500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Note: The étagère offered here is nearly identical in proportion and carving to an étagère bearing the label of John Henry Belter, also from the Service Collection, and sold by Neal Auction Company as lot 179, January 31, 2015.

Ref.: Dubrow, Richard. American Furniture of the 19th c. Atglen, PA: Schiffer, 1983, p. 143.

168. American Rococo Carved Rosewood Parlor Cabinet, mid‑19th c., superstructure with reticulated serpentine gallery shelf, conforming base, frieze drawer, shaped glazed doors, shelf interior, foliate apron, cabriole legs, casters, h. 52 1/2 in., w. 39 in., d. 16 in. $1500/2500

169. American Classical Carved Rosewood Piano Chair, early 19th c., scrolled crest, lappet-carved stiles, adjustable round seat, reeded flared legs, h. 34 1/2 in., w. 14 in., d. 15 1/2 in. $300/500

170. American Carved Rosewood Prie-Dieu, c.

1860, reticulated crest and back, arm rest with small drawer, ropetwist supports, tufted upholstery, scroll feet, h. 39 1/2 in., w. 22 in., d. 22 1/2 in. $800/1200 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

171. Large American Rococo Carved and Laminated Rosewood Méridienne, mid‑19th c., attr. to John Henry Belter, New York, in the “Grape” pattern, C and S scrolled volute crest with cornucopia and intertwined grapevines, scrolled arm, serpentine seat rail, cabriole legs, scroll toes, casters, h. 42 1/2 in., w. 77 1/4 in., d. 30 in. $8000/12000 Provenance: Sold by Neal Auction Company as lot 682, February 23, 1991.

Note: The crestrail, arm and carved legs on this méridienne are nearly identical to those on a sofa descended in the family of John Henry Belter.

Ref.: Meyer, Priscilla. Victorian Detail, A Working Dictionary. Armonk, NY: Oak Cottage Farm, 1980, p. 28.

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172. American Carved Mahogany Piano Stool, 19th c., dolphin carved seat rail, volute splat, bulbous floral carved support, arched acanthine legs, paw feet, adjustable, h. 28 1/2 in., w. 15 in., d. 16 in.

173. Antique American Walnut and Cast Iron Work Table, late 19th c., molded top, slide over single drawer, cast iron lyre and spreadwing eagle supports, stretchers, flattened disc feet, h. 34 1/4 in., w. 24 in., d. 21 1/2 in. $800/1200

$300/500

174. American or English Aesthetic Carved Rosewood Armchair, late 19th c., shaped crest surmounted by ball finials, spindled back, conforming arms, ring‑turned legs joined by stretchers. $100/200

175. American Classical Mahogany Drop‑Leaf Dining Table, c.

1835, attr. to Roswell A. Hubbard, New York, frieze with Moorish arch and floral vines, massive baluster standard with ebonized and gilt decoration, drum plinth, acanthus legs, paw feet, casters, h. 30 in., l. 47 1/2 in., extended w. 66 1/2 in. $800/1200

178. American Late Federal Mahogany and Flame Mahogany Corner Washstand, early 19th c., shaped backsplash, top with cut out for bowl, vasiform supports, medial shelf, fitted with drawers, turned legs, brass ball feet, h. 46 in., w. 25 in., d. 17 1/2 in. $700/900 Provenance: Neal Auction Company.

177. Very Fine American Classical Carved Mahogany Chest, c. 1815, probably Salem, MA, acanthus carved scrolled gallery centered by urn with boss finial, superstructure with shaped drawers, outset frieze drawers over long drawers flanked by pineapple and spiral turned colonettes, turned feet, h. 57 1/2 in., w. 47 3/8 in., d. 21 in. $1500/2500

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179. American Federal Brass Andirons, c. 1800, attr. to John Molineux, faceted finials, bulbous shaft, arched legs, snake feet, h. 21 1/4 in., w. 19 in., d. 11 1/4 in. $400/600

176. Miniature American Classical Carved Mahogany Sideboard, early 19th c., Pennsylvania, 2 drawers, turned supports, stretcher shelf, turned feet, poplar secondary wood, h. 12 1/4 in., w. 11 1/2 in. $800/1200

180. Twelve American Sterling Silver Chargers, Norbert Mfg. Co., NY, act. c.

1950‑1965, repoussé floral scroll border with cornucopiae, dia. 12 1/4 in., wt. 256.05 troy ozs. $3500/4500

181. Eleven Gorham Sterling Silver Goblets, pattern 892, h. 6 5/8 in., wt.

50.10 troy ozs. $1200/1800

182. Five‑Piece American Coin Silver Presentation Tea Service, Mitchell & Tyler, Richmond, Virginia, wc.

1845‑66, marked “MITCHELL & TYLER” in rectangle on waste bowl and the kettle‑on‑stand, incl. teapot, creamer, covered sugar, waste bowl and kettle‑on‑stand, Rococo Revival repoussé chased pear‑shaped forms, openwork scroll feet, allover design of scrolling grapevines, kettle‑on‑stand with floral and scroll decoration, all with matching finials and feet, engraved “Presented to / Frederick Boyden / By his Friends./ Richmond, Va./ July 1851” on one side and engraved script initials “FB” on the other, kettle‑on‑stand h. 14 3/4 in., combined wt. 124.55 troy ozs. $6000/9000

183. New Orleans Coin Silver Repoussé Goblet, Hyde & Goodrich, wc. 1828‑1861, marked “HYDE & GOODRICH” incuse in arc, floral garland decoration, beaded borders, h. 5 in., wt. 4.40 troy ozs. $500/750

187. Edwardian Sterling Silver Asparagus or Sandwich Tongs, London, 1906, maker C & S. Co. Ld. untraced, l. 9 in., wt. 4.50 troy ozs.; together with a similar silverplate example. $200/400

184. Robert E. Lee Monument Sterling Silver Souvenir Spoon, A.M. Hill, New Orleans, act. 1874‑1909, pat. April 25, 1891, l. 6 in.; together with 4 New Orleans/Louisiana sterling silver souvenir spoons, incl. Paye & Baker “St. Louis Cathedral” and “Mardi Gras”, Inman “Evangeline”, Weidlich “Jackson Square” and an unattributed “Mardi Gras” example; combined wt. 3.35 troy ozs. $250/350

188. American Art Deco Sterling Silver Cocktail Shaker, marked “PATENTED JANUARY 11, 1927”, trademark rubbed, h. 11 1/8 in., wt. 20.85 troy ozs. $400/600

185. American Art Nouveau Emerald Glass and Sterling Silver Overlay Vase, silver by Alvin Mfg. Co., ret. Black, Starr, & Frost, c. 1890‑1910, h. 10 in., with restoration. $200/400 Provenance: M.S. Rau, New Orleans.

189. Group of American Sterling Silver “Fiddle Thread” Pattern Flatware, Frank Smith, Gardner, MA, pat. 1902, incl. 12 each cocktail forks, grapefruit spoons and ice tea spoons, 2 tablespoons, sugar tongs and olive fork; together with 2 Continental .800 silver “fiddle thread” tablespoons, Merklein, Germany, late 19th/early 20th c., and a Towle “Old English” pattern lettuce fork, pat. 1892, (43 pcs.), combined weight 43.85 troy ozs. $800/1200

186. Two American Sterling Silver‑Mounted Etched Glass Decanters, c. 1915‑1920, reticulated repoussé mounts marked Mount Vernon Co. Silversmiths, h. 11 7/8 in. and 11 3/8 in. $400/600 Provenance: Dixon and Dixon, New Orleans.

190. Two Pair of Britannia Standard Silver Goblets, Bulgari, London, 1973, both with knopped stems, h. 6 in. and 5 1/2 in., wt. 33.60 troy ozs. $500/700

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191. Gorham Sterling Silver Vintage Motif Dessert Stand, h. 5 1/4 in., dia. 14 5/8 in., wt. 37.50 troy ozs. $600/800 Provenance: New Orleans Estate.

192. American Sterling Silver Footed Centerbowl, Mauser, New York, act.

1887‑1903, everted rim with reticulated rose, rose leaf and scroll border, h. 5 5/8 in., dia. 15 in., wt. 72.10 troy ozs. $1500/2500 Provenance: New Orleans Estate.

193. Pair of Ilias Lalaounis Hand‑Hammered Sterling Silver Goblets, h. 4 1/4 in., wt. 7.40 troy ozs. $250/500

194. Austrian .800 Silver Tastevin, Vienna, after 1922, inset with a Maria Theresa thaler, l. 4 3/8 in.; together with an antique .900 silver repoussé picture frame, probably Mexican, 8 7/8 in. x 7 1/2 in.; and a vintage Brooks Brothers silverplate cocktail shaker, fitted with citrus juicer and strainer, h. 7 7/8 in. $300/400

195. American or English Hall Lantern, 19th c., vasiform shade cut with star, thumbprint and ribbon, repoussé mounts, retains smoke bell, h. 23 in., dia. 12 1/2 in. $700/1000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Provenance: Gift of Boyd Cruise to friend and French Quarter neighbor, Bessie Jones, thence by descent.

196. American Gilt Brass Student Argand Lamp, c.

1840, marked “Manufactured By/H.N. Hooper & Co./ Boston”, disc‑form font on adjustable base, tôle shade, h. 20 in., w. 5 in., d. 9 in. $700/1000

197. American Gothic Gilt Bronze Torchère, 19th c., tapered triangular standard with tracery and quatrefoils, conforming base, h. 54 1/2 in., top dia.

10 1/2 in., base dia. 17 1/2 in. $800/1200

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Provenance: The Service Collection, Estate of Grant A. Oakes, Wareen, OH.

Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 76.

198. Antique English Brass Double‑Arm Newell Post Lamp, c. 1900, fonts marked “Messengers/ Patent”, reticulated standard, female terms, now on conforming marble base, h. 29 in., w. 25 in., d. 11 in. $800/1200

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199. Continental Gilt Bronze Mounted Onyx and Ebonized Coffer, hinged cover with rocaille mounts and surmounted by a sphinx, beribboned floral mounts on canted corners, gilt bronze paw feet, h. 15 in., w. 15 1/2 in., d. 12 in. $800/1200

201.

Hutschenreuther Porcelain Portrait Plaque of Napoleon, early 20th c., impressed shield mark and “311”, well painted, signed “Wagner”, 7 1/8 in. x 5 in., gilt shadowbox frame. $1200/1800

200. Antique Patinated Bronze Warwick Vase, frieze relief with satyr busts, twisted vine handles, classical motifs throughout, stem foot, h. 7 1/2 in., w. 12 in. $500/700

202. Louis XVI‑Style Tôle and Gilt Brass Fireplace Garniture, 19th/20th c., pair of urn‑form chenets joined by a pierced garland adjustable rail, h. 16 in., closed w. 39 in., d. 4 1/2 in. $700/1000

203. French Gilt Bronze Figural Group of “Seated Silenus Holding the Infant Bacchus”, early 20th c., after the Antique marble conserved in the Louvre, on white marble base, h. 19 in., w. 14 1/2 in., d. 8 in. $1000/1500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

205. French Bronze Figure of “Diana of Gabii”, base inscribed “F. BARBEDIENNE. Fondeur.” underside marked “68518/org.rl”, h. 27 in. $700/900

204. An English Ebonized Stick Barometer in the Manner of Daniel Quare (1649-1724), 19th c., signed “Casella, London”, brass box with canted silvered scales, rotating collar for yesterday’s reading, tapered trunk with barley‑twist base, brass‑molded cistern, h. 35 1/4 in. $800/1200

206. French Patinated Bronze Figure of the “Venus de Milo”, late 19th c., after the Antique, inscribed “F. Barbedienne.Foundeur” rear truncation with “A. Collas Réduction Méchanique” seal on base reverse, overall h. 33 1/2 in. $2500/3500 Provenance: “The Service Collection”, Estate of Grant A. Oakes, Warren, OH.

207. Regency Carved Mahogany and Caned Library Chair, early 19th c., shaped crest, barrel back, lappet‑carved arms, serpentine molded seat rail, turned tapered reeded legs, casters. $1000/1500

Additional information at www.nealauction.com

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208. Louis XV/XVI Chinoiserie Decorated Sécrétaire à Abattant, 18th c., ogee molded frieze drawer, shaped fall front, fitted interior, pair of cabinet doors, sabot mounted legs, h. 53 in., w. 33 in., d. 13 1/4 in. $1500/2500

209. English Tooled Leather Necessaire, 19th c., sarcophagus top enclosing fitted tray with toiletries, over doors enclosing shelves. $800/1200

210. George III Carved Mahogany Armchair in the French Taste, 18th c., rounded crest, shaped arms, serpentine upright, serpentine seat rail, molded cabriole legs, repairs. $1000/1500

211. Provincial Louis XV Fruitwood Side Table, 18th c., molded top, shaped frieze, end drawer, cabriole legs, h. 28 in., w. 27 in., d. 16 in. $700/1000 Provenance: Accompanied by a copy of the Samuel Fields & Co., NY, invoice, dated April 4, 1973; New Orleans Estate.

212. Regency Carved Mahogany Sarcophagus‑Form Cellarette, c. 1810, cover with radial reeding and canted corners, conforming tapered case, winged paw feet, h. 23 in., w. 29 in., d. 19 in. $3000/5000 Provenance: Sotheby’s, NY, October 3, 2003, lot 397.

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213. French Provincial Walnut Bombé Commode, probably 18th c., shaped molded top, conforming case, 3 drawers, foliate carved hoof feet, h. 32 3/4 in., w. 47 1/4 in., d. 26 1/2 in. $2500/3500

214. Specimen Marble and Iron Table by Ilana Goor (Israel, b. 1936), colorful top with foliate scrolls, patinated base with strapwork decoration, h. 29 in., w. 60 in., d. 38 in. $2500/3500

215. Small Sicilian Rococo Bronze‑Mounted Carved and Burl Walnut Petite Commode, 18th c., serpentine marble top, 2 conforming drawers, cabriole legs, h. 30 1/4 in., w. 28 1/4 in., d. 16 1/2 in. $1200/1800

216. Pair of Louis XV Carved Fruitwood Fauteuils, 18th c., acanthus carved back, padded arms, serpentine seat rail, cabriole legs. $1500/2000

217. Venetian Rococo Polychrome Bombé Dressing Mirror, 18th c., shield‑shaped mirror, floral crest, faceted tapered supports, domed case with 2 drawers, shell‑carved base molding, h. 40 1/2 in., w. 26 1/4 in., d. 10 in. $1500/2500

218. Pair of Venetian‑Style Painted Consoles, serpentine marble top, conforming pierced frieze, cabriole legs, acanthus carved toes, floral decoration with gilt accents, h. 34 3/4 in., w. 47 in., d. 23 1/2 in. $2500/3500

219. Four Continental Neoclassical‑Style Painted and Parcel Gilt Side Chairs, backs with frolicking putto reserves, acanthus uprights, serpentine seat rails with rosette blocks, stop-fluted tapered legs. $1500/2000

Additional information at www.nealauction.com

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220. Albert Wenk (German, 1863‑1934), “Italian Villa, Isle of Capri”, oil on canvas, signed and inscribed lower right, “Cavalier Fine Art, Houston, Texas” label en verso, 43 1/2 in. x 47 1/2 in., framed. $3000/5000

221. Italian School, 19th c., “The Virgin as Queen of Heaven with the Christ Child and Five Angels”, oil on canvas, in the manner of the Florentine School, inscribed en verso, dia. 20 in., period frame. $1200/1800

223.

Neoclassical‑Style Carved Marble Bust of Julius Caesar, red variegated marble toga and breastplate, wood pedestal, bust h. 29 1/2 in., overall h. 71 1/2 in. $3000/5000

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222. Large Sienna Marble Bust, after Michelangelo’s David, self base, h. 27 in., w. 18 in., d. 15 1/2 in. $2000/3000

224. French Bronze “Bacchanal” Figural Group, 19th c., cast as a nymph and two satyrs, in the manner of Claude Michel “Clodion” (French, 1738‑1814), inscribed “GRAUX‑MARLY Frères, BRONZIERS/À PARIS” on self‑base, h. 22 3/4 in., wood and velvet stand, overall h. 27 1/4 in. $2500/3500

225. Edmund Wodick (Swiss, 1817‑1886), “Portrait of an Engineer”, and “Portrait of his Wife”, 1857, each oil on canvas, wife signed and dated mid‑right, inscribed by restorer “L Brignis, 1905” and “Schwartzer & Co., Zurich” label en verso, each 49 1/2 in. x 39 1/2 in., antique frames. $2000/4000

226. Nine Antique French Prints Relating to Napoleon, 19th c., incl.

Josephine, Caroline Murat, Maria Louisa and Napoleon, sights 4 1/4 in. x 6 1/4 in. to 15 1/4 in. x 9 1/2 in., antique frames. $700/1000 Provenance: Temple Heights, Columbus, MS.

227. Antique Georgian‑Style Silverplate Five‑Light Candelabrum, removable flame finial and bobêches, convertible to a three‑light candelabrum or a single candlestick, gadroon borders throughout; together with a matching candlestick fitted with removable candle lamp (electrified) and retaining fitting to convert to a three‑light candelabrum, incl. flame finial and bobêche; candelabrum h. 21 3/4 in. $500/750

228. Irish George V Sterling Silver Dish Ring in the George III Taste, T. Weir & Sons, Dublin, 1912, reticulated, with bright‑cut decoration, h. 4 3/8 in., dia. 8 3/8 in., wt. 13.10 troy ozs. $300/500

231. George IV Sterling Silver Dressing Spoon, James Thomas, London, 1825, mark reg. 1824, “fiddle shell” pattern, l. 12 1/8 in., weight 4.50 troy ozs.; together with a silverplate “rat tail” dressing spoon, 20th c., l. 13 1/8 in. $200/300 229. George VI Gentleman’s Nécessaire de Voyage, Pittway Brothers, London, c. 1927, leather case extensively fitted with sterling silver gilt toilet articles, hallmarked A.P, London, 1927, including hand mirror, button hook, shoehorn, comb, pr. of hairbrushes, pr. of clothes brushes, pin cushion, toothbrush holder, and various cut and etched glass bottles and jars, all monogrammed “JM”, retains dust cover, also monogrammed “JM” h. 5 1/2 in., w. 20 1/4 in., d. 15 1/4 in. $1000/1500

230. Good Pair of English Silverplate Corinthian Column Candlesticks, removable bobêches, h. 12 3/8 in. $300/500

Additional information at www.nealauction.com

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232. William IV Sterling Silver Toast Rack, Edward, Edw. Jr., John & William Barnard, London, 1836, mark reg.

1829, h. 5 3/8 in., l. 6 5/8 in., wt. 11.80 troy ozs. $300/400

233. Late Georgian Sheffield Plate Hot Water Urn, early 19th c., gadroon borders, lion’s mask and loop handles, retains heating element, h. 18 in. $600/900

236. French Restauration 1st Standard Silver Cruet Frame, 1819‑1838, azure cut glass bottles, h. 10 7/8 in., w. 8 1/4 in.; together with Neoclassical‑style silverplate‑mounted cobalt glass pail; silver wt. (weighable) 13.15 troy ozs. $700/1000

234. French Restauration Fused Silverplate Tea Tray, early 19th c., oblong with straight gadroon border and lotus motif loop handles, 28 1/4 in. x 18 3/4 in., note exposed copper $250/350

237. Continental Carved Rock Crystal Bowl, shell‑form body with horsehead handle, flower foot, l. 11 in., w. 8 in. $800/1200

Provenance: New Orleans Estate.

238. Four Neoclassical‑Style Carved, Painted and Parcel Giltwood Three‑Light Sconces, turquoise ground, foliate and swag motifs, h. 29 in., w. 18 1/4 in., d. 10 1/2 in., electrified. $1400/1800

239. Pair of French Chinoiserie Painted Wood Jardinières on Stands, probably 20th c., hexagonal jardinières on columnar stands, h. 57 3/4 in., w. 19 in., d. 16 1/2 in. $3000/5000

240. Pair of Italian Patinated Bronze Figural Lamps, late 19th c., after Michele Amodio (Italian, 19th c.), inscribed “M. Amodio Napoli”, standards modeled as the Antique figure of Silenus found in Pompeii, cut glass shades, h. 32 in., dia. 9 1/2 in. $3000/5000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

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235. George III Sterling Silver Dressing Spoon, Peter, Ann & William Bateman, London, 1803, mark reg. 1800, engraved armorial, l. 11 3/4 in.; together with a Georgian sterling silver berry spoon, mark rubbed, London, probably Hester Bateman, l. 8 5/8 in., total wt.

5.50 troy ozs. $250/350

241. Pair of Italian Belle Époque Argenté Bronze, Rock Crystal and “Amethyst” Chandeliers, vasiform standard, scrolled arms, h. 37 in., dia. 33 in. $7000/10000

242. Antique Empire‑Style Bronze‑Mounted Carved Mahogany Bergère, bound reeds crest rail, guilloche banding, arms with classical bust mounts, square tapered legs, bronze cuffs. $2500/3500

244. English Chinoiserie Tilt‑Top Tea Table, mid‑19th c., black ground with polychrome decoration and mother-of-pearl inlay, circular top, tripod base, casters, h. 29 1/2 in., dia. 36 1/2 in. $1200/1800

243. Four Regency Rosewood Side Chairs, c. 1835, labeled “J. Kendall & Co.”, molded back with stylized lyre splat, trapezoidal slip seats, chamfered turned tapered legs. $1200/1800

245. Georgian‑Style Carved Mahogany Partner’s Desk, probably Edwardian, tooled leather inset serpentine top, 3 frieze drawers on each side, shell and acanthus carved cabriole legs, ball and claw feet, h. 32 in., w. 65 in., d. 42 in. $2000/3000

Additional information at www.nealauction.com

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246. William IV Carved Mahogany Cellarette, 19th c., oval lid with pineapple finial, conforming case with reeded baluster supports, tapered feet, tôle peinte liner, reeded flared legs, cuff casters, h. 20 1/2 in., w. 27 in., d. 20 in. $1000/1500

247. Pair of Late Regency Black Lacquered Mother‑of‑Pearl Inlaid Gondola Chairs, early 19th c., arched crest rail with oval medallion, X‑form splat centered by a circular reserve, caned seat, cabriole legs, casters. $1000/1500

248. Regency Mahogany Center Table, early 19th c., manner of Thomas Hope, dished marble top, incurvate triangular pedestal, carved paw feet, h. 25 7/8 in., dia. 32 3/8 in. $700/900

249. Very Fine George III Inlaid Mahogany Pembroke Table, c. 1790, demilune drop leaves, frieze drawer, square tapered legs, cuff casters, h. 28 in., w. 33 in., d. 21 in. $1200/1800

251. George III Carved Mahogany Library Armchair, late 18th c., padded back and arms, scroll supports, serpentine seat rail, tapered fluted legs. $500/800

250. Regency Mahogany Bookcase, early 19th c., cornice with reeded frieze above a pair of glazed doors, adjustable shelves, lower case with inlaid doors, shelf interior, bracket feet, h. 90 in., w. 53 1/2 in., d. 18 1/2 in. $2000/3000

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252. Pair of George III‑Style Inlaid Mahogany Cutlery Urns, telescoping lids, retain fitted interiors, closed h. 27 3/4 in. $3000/5000 Provenance: Northeast Auctions, Portsmouth, NH, November 5, 2005, lot 835.

253. Antique Dutch Marquetry and Ebonized Cushion Mirror, 19th c., arched scrolled crest. $1200/1800

254. Antique Regency‑Style Carved Giltwood Overmantel Mirror, 19th c., blocked cornice with pendant acorns, frieze with Venus flanked by cherubs and lions, bracketed sides, divided mirror plates, blocked foliate base, h. 54 in., w. 73 in. $1200/2000

256. Four Silver‑Mounted Rock Crystal Candlesticks, rope-twist shafts, ball feet, h. 11 1/2 in. $2000/3000 255. Fine Napoleon III Gilt Bronze and White Marble Centerpiece, mid‑19th c., navette‑form ornamented with laurel swags and winged busts, hoof feet and foliate stemmed supports, cruciform plinth, toupie feet, h. 20 in., w. 22 1/2 in., d. 12 3/4 in. $2500/3500 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

257. Empire‑Style Bronze “Grand Tour” Oil Lamp, late 19th c., winged figure with an amphora, boat‑form font, paw feet, h. 10 in., w. 3 3/4 in., d. 9 1/2 in. $500/700 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

258. Pair of Charles X‑Style Gilt and Patinated Bronze Six‑Light Candelabra, 19th c., fluted columns, paw feet, incurvate triangular plinths, now mounted as lamps, h. 26 1/2 in., dia. 11 in. $700/1000 Additional information at www.nealauction.com

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259. Beaux Arts Gilt Bronze Three‑Piece Clock Garniture, c. 1890, case mounted with foliate scrolls and Renaissance‑style medallions of Classical gods and heroes, carved giltwood base, with conforming candelabra, clock height with base 23 in. w. 18 in., d. 9 3/4 in., candelabra h. 25 in. $2000/3000 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

261. Louis Philippe Gilt Bronze and Marble Mantel Clock, c. 1848, silk‑thread movement, dial marked “a Paris”, with gryphon supports, on toupie feet, h. 14 in., w. 8 1/2 in., d. 3 3/4 in. $800/1200

264. Pair of Decorative Silverplate Five‑Light Candelabra, 20th c., marked “Royal Castle/Sheffield/EP”, in the Rococo taste, foliate arms, reeded standard, floral foot, h. 28 in., dia. 18 in. $1000/1500

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260. Louis Philippe Patinated Bronze and Marble Figural Mantel Clock, mid‑19th c., surmounted by bronze figure of Châteaubriand, architectonic base, h. 22 in., w. 17 in., d. 8 in. $800/1200 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

262. Louis Philippe Patinated Bronze and Marble Figural Mantel Clock, c. 1845, movement and dial marked “Raingo Fres. a Paris”, surmounted by maiden reading a book, base with frieze of cherubs playing musical instruments, h. 30 1/4 in., w. 17 1/2 in., d. 5 1/2 in. $800/1200

263. Austrian Carved and Inlaid Mahogany Regulator Wall Clock, 19th c., porcelain dial with gilt bronze bezel, signed “Andreas Fettinger In Wien”, single weight, h. 40 in., w. 12 in., d. 4 1/2 in. $800/1200

265. Regence Provincial Carved Walnut Commode, 18th or 19th c., serpentine molded top, conforming case with 3 drawers, rounded blocked feet, h. 32 1/2 in., w. 52 3/4 in., d. 25 3/4 in. $2000/3000

266. Louis XVI-Style Chinoiserie Decorated Armoire, early 19th c., arched molded cornice, paneled frieze, paneled doors, open interior, stepped base, shaped bracket feet, h. 93 1/4 in., w. 56 3/4 in., d. 22 in. $2500/3500

267. Régence‑Style Bronze‑Mounted Kingwood Parquetry Commode, shaped marble top, 2 over 2 drawers, rounded stiles, shaped base, disc feet, h. 33 in., w. 51 in., d. 24 in. $4000/6000

268. Louis XV Bronze‑Mounted Chinoiserie Decorated Bureau Plat, 18th c. and later, in the manner of Jacques Dubois (1694‑1763), inset leather top, shaped frieze with 3 drawers, cabriole legs with allegorical bust mounts and sabots, h. 30 in., w. 65 in., d. 33 1/2 in. $15000/20000

269. Pair of Neoclassical‑Style Bronze Doré and “Coromandel” Paneled Side Tables, rectangular tops and stretcher shelves inset with Chinese carved and polychromed brown lacquer panels, button feet, h. 21 1/4 in., w. 19 3/4 in., d. 10 in. $1500/2000

270. Antique Italian Grotto Tête‑à‑Tête, 19th c., serpentine dolphin carved crest and arms, scallop shell back and seat, seahorse carved cabriole legs, h. 29 3/4 in., w. 48 1/2 in., d. 18 in. $4000/6000 Additional information at www.nealauction.com

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271. Petite Antique Louis XVI‑Style Bronze‑Mounted Mahogany Console, late 19th c., shaped marble top, conforming frieze drawers and shelves, brass galleries throughout, fluted tapered legs, ball feet, h. 31 3/4 in., w. 29 3/4 in., d. 14 1/2 in. $1000/1500

272. Louis XV/XVI Provincial Carved Fruitwood Settee, late 18th c., shaped molded crest rail, winged arms, conforming seat rail, cabriole legs, h. 38 in., w. 79 in., d. 27 in. $2000/3000

274. Italian Carved and Polychromed Bust of a Woman in Renaissance Dress, 18th c. $1200/1800

273. Spanish Baroque Carved Inlaid Walnut Vargueño‑on‑Chest, probably 17th/18th c., upper case with paneled and arcaded drawers and doors; associated base with 4 carved drawers, bracket feet, iron hardware, h. 56 in., w. 42 1/2 in., d. 18 1/2 in. $8000/12000 276. Pair of Regency‑Style Paint-Decorated Armchairs, 20th c., X splat square back, caned seat, turned tapered legs; together with 2 Aubusson seat cushions. $300/500

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275. Pair of Louis XVI‑Style Crème Peinte and Gilt Fauteuils, late 19th c., foliate beaded crests, fluted stiles, padded arms, acanthus carved uprights, rounded seat rails with rosette blocks, fluted tapered legs. $1500/2500 Provenance: New Orleans Estate.

277. Régence-Style Carved and Gilded Fauteuil, 19th c., padded back, arms and seat, serpentine seat rail centered by a foliate cartouche, cabriole legs, scroll toes, Aubusson upholstery. $700/1000

278. Antique Italian Renaissance‑Style Carved Walnut Credenza, shaped demilune top, conforming case with drawers over doors, shelf interior, Renaissance bust mounted fluted stiles, bracket feet, h. 48 in., w. 88 3/4 in., d. 23 1/2 in. $3000/5000

279. George III Carved Mahogany Supper Table, late 18th c., dished scalloped tilt‑top, vasiform support, arched legs, pad feet, h. 27 1/4 in., w. 35 in., d. 34 1/2 in. $1000/1500

280. Louis XV Provincial Carved Fruitwood Writing Table, 18th c., inset tooled leather top, shaped frieze with 2 drawers, bronze pulls and escutcheons, cabriole legs, h. 30 in., w. 45 in., d. 25 3/4 in. $1000/1500

281. Fine Pair of Louis XV/XVI‑Style Bronze‑Mounted Marquetry and Parquetry Inlaid Demilune Cabinets, shaped marble tops, mounted frieze, cabinet door opening to shelf interior, ram’s head mounted stiles, cabriole legs, acanthine hoof feet, h. 43 1/4 in., w. 37 1/4 in., d. 18 3/4 in. $10000/15000 Additional information at www.nealauction.com

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282. Italian Neoclassical Inlaid Burled Walnut Cabinet on Chest, 18th c., stepped cornice, paneled doors; lower case with frieze drawer over long drawers flanked by ebonized colonettes, blocked feet, h. 72 in., w. 44 1/4 in., d. 22 3/4 in. $1500/2000

283. Spanish Renaissance Carved Walnut Hall Table, probably 18th c., paneled top, carved frieze drawers, serpentine legs, iron stretcher, h. 30 3/4 in., w. 49 in., d. 23 3/4 in. $2000/3000

284. Antique Italian Neoclassical Carved Walnut Triple Back Settee, probably late 18th c., arched molded crest, patera carved pierced splat, shaped arms, molded shaped arms, molded slip seat rail, fluted tapered legs, h. 37 1/2 in., w. 54 3/4 in., d. 18 in. $600/800

285. Antique Miniature Bone and Exotic Woods Inlaid Vargueño in the Moorish Taste, fall front case, fitted interior of drawers and prospect niche, spindled supports, trestle base. $1000/1500 286. Portuguese Colonial‑Style Carved Rosewood Console Table, 19th c., top with rope‑molded edge, 3 drawers to one side, faux end drawers, bulbous spiral and ring‑turned legs, conforming stretcher base, h. 35 in., w. 55 in., d. 32 in. $2000/3000 287. Fine Georgian Mahogany, Rosewood and Yewwood Inlaid Miniature Cabinet, early 19th c., English or Dutch; together with an English sterling silver miniature teaset and tray, and various other silver and glass miniature items, h. 17 in., w. 5 3/4 in., d. 4 1/2 in. $200/400

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288. Antique Renaissance‑Style Carved Walnut and Iron Miniature Table, 19th c., shaped molded top, turned supports, incurvate iron base, paw feet, medial stretcher. $400/600

289. Carved Stone Celtic Cross, 19th/20th c., interlaced decoration, h. 45 in., w. 12 in., d. 9 in. $1000/1500

292. Florentine School, Bust of a Young Lady, late 19th/early 20th c., marble set in alabaster, alabaster socle, overall h. 20 in. $700/1000

290. Rare Regency Gilt and Patinated Bronze Hanging Argand Lamp in the “Antique Roman” Style, early 19th c., sea serpent handles, original surface, burner intact, double pronged on/off valve, h. 26 in., w. 10 1/2 in., d. 11 in. $1500/2500

291. Carrara Marble Bust of “Apollo Belvedere”, after the antique, socle base, h. 23 in., w. 17 in., d. 10 in. $1200/1800

295. Antique Continental Neoclassical Carved Giltwood Mirror, 19th c., foliate medallions centering 8 bracket shelves, retaining original gilt, h. 101 in., w. 39 in. $2500/3500

293. Sicilian Baroque‑Style Églomisé Mirror, octagonal paneled surround with floral scrolls interspersed by medallions, h. 41 1/2 in., w. 32 in. $1000/1500

294. Rococo-Style Dresden Porcelain Girandole Mirror, early 20th c., with applied putto figures, richly encrusted with flowers, h. 30 in. Note: Small losses. $1000/1500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Additional information at www.nealauction.com

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296. Henry John Hudson (British, 1881‑1919), “Portrait of Mary Doris Reed”, 1910, oil on canvas, monogrammed and dated upper right, 50 in. x 40 in., framed. $3000/5000

298. Pair of Empire‑Style Bronze‑Mounted Mahogany Fauteuils, 19th c., tablet crest, shaped arms terminating in star‑mounted ebonized spheres, sphinx uprights, shaped seat rail, square tapered legs, bronze cuffs. $2000/3000

297. Silvered Center Table in the Anglo-Colonial Style, inset mirrored top, egg and dart molded edge, acanthus and anthemion standard, incurvate triangular base, paw feet, h. 32 3/4 in., dia. 38 in. $7000/9000

299. Regency Carved Rosewood Center Table, early 19th c., circular tilt‑top, faceted vasiform standard, foliate collar, molded plinth, paw feet, h. 30 1/4 in., dia. 47 in. $2000/3000 301. Pair of English Carved Mahogany Hall Chairs, mid‑19th c., back with polychromed achievement of arms, gothicized crest, lion’s mask terminals, padded seats, curule legs centering a mask, paw feet. $500/750

300. William IV Carved and Limed Oak Reading Chair, early 19th c., padded horseshoe shaped diapered crest, foliate carved back, swivel seat, bracketed trestle base, shaped feet. $800/1200

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302. English Carved Rosewood Canterbury, mid‑to‑late 19th c., labeled Edwards & Roberts, London (act. 1845‑1899), divided superstructure, low drawer, turned feet, brass ferrules, casters, h. 22 1/2 in., w. 26 1/2 in., d. 17 in. $700/1000

303. American Neo-Grec Ebonized, Incised and GiltDecorated Walnut Pedestal, late 19th c., Kilian Brothers, New York, square top, segmented standard, square plinth base, h. 41 in. $800/1200

304. American Classical Carved Mahogany Extension Dining Table, early 19th c., Boston, stamped “Croome Maker / Boston”, circular top opening with concertina action to receive 3 leaves, fluted columnar pedestal containing 2 interior legs, incurvate plinth, leaf carved scrolled feet, casters, h. 29 1/4 in., l. 118 1/4 in., w. 48 in. $5000/7000

305. Suite of Eight American Gothic Carved Mahogany Dining Chairs, c.

1845, possibly Charles Baudouine (active 1829c.1854), New York, incl. 2 armchairs and 6 side chairs, shaped pierced crest rail with half rosettes, splats surmounted by ogee arches, trapezoidal seat, shaped legs, retaining old attractive finish. $2500/3500 Note: Gothic Revival chairs with s-shaped front legs and backs containing splats surmounted by ogee arches have been attributed to New York City cabinetmakers, such as Alexander Roux and John & Joseph W. Meeks. The chairs offered here bear similarities to these examples, but exhibit a number of details that are not found in the chairs made by Roux or by the Meeks firm. The chairs associated with these two cabinetmakers feature a slightly scrolled crest rail pierced with trefoils. The chairs in the current lot are distinguished by a shaped crest rail with “peaks” or points, inside of which are lobed fans. In place of the pierced trefoils is a kidney-shaped opening that serves as a hand grip. Additionally, moldings outline the ogee arches as well as the splats.

This detail is not found on the chairs by Roux or by J. and J.W. Meeks. Features such as the hand grip and the lobed fan are found individually on chairs made by Charles A. Baudouine, including a set of forty-two rosewood chairs produced c. 1845 for the State Dining Room of the White House during the administration of President James K. Polk, and a pair of armchairs that were part of a rosewood parlor suite supplied in 1849 to Betsy Hart of Troy, New York.

Ref.: Bucher, Douglas G., Stacy Pomeroy Draper et al. The Marble House in Second Street: Biography of a Town House and its Occupants, 1825, 2000, p. 38, fig. 41; Howe, Katherine S. and David B. Warren. The Gothic Revival Style in America, 1830-1870, 1976, p. 13-14, figs. 2 & 4; Monkman, Betty C. The White House: Its Historic Furnishings and First Families, 2000, p. 103.

306. English Carved Mahogany Campaign Chest, 19th c., brass banded corners, 2 short over 3 long drawers, turned feet, h. 47 in., w. 41 1/2 in., d. 19 1/2 in. $1000/1500

308. Rare American Aesthetic Carved and Ebonized Lady’s Armchair, late 19th c., New York, in the Egyptian Revival taste, tufted crest rail above a reticulated panel, padded arms on winged sphinxes, carved seat rail, lotus‑carved legs, casters. $3000/5000 Note: This armchair is nearly identical to an armchair in the Virginia Carroll Crawford Collection at the High Museum of Art, Atlanta (acc. 1983.195) and a chair sold by Neal Auction Company as lot 539, July 22, 2006. Notably, the chair offered here retains the original India rubber casters.

307. American Late Classical Center Table, 19th c., molded circular marble top, conforming frieze, vasiform faceted standard, incurvate plinth, scroll feet, h. 31 in., dia. 30 in. $700/1000

Ref.: Pierce, Donald. Art and Enterprise, Art Decorative Art, 1825-1927, The Virginia Carroll Crawford Collection. Atlanta: High Museum of Art, 1999. p. 144, fig. 73.

Additional information at www.nealauction.com

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309. Very Rare American Aesthetic Carved and Ebonized Divan, late 19th c., New York, in the Egyptian Revival taste, spiral tufted crest centered by a pharaoh bust, padded arms on winged sphinxes, carved seat rail, lotus‑carved legs, casters, h. 44 3/4 in., w. 64 in., d. 30 1/2 in. $8000/12000

310. American Aesthetic Carved and Ebonized Gentleman’s Armchair, late 19th c., New York, in the Egyptian Revival taste, padded back and arms on winged sphinxes, carved seat rail, lotus carved turned legs, casters. $5000/7000 Note: A closely related chair is found in Virginia Carroll Crawford Collection, High Museum of Art; a nearly identical chair sold Neal Auction Company, July, 2006, lot 539.

311. American Neo-Grec Inlaid, Gilded, Ebonized and Polychromed Walnut Pedestal, attr. to Kilian Bros., New York, molded top, shaped frieze, bracketed columnar support, octagonal plinth base, bracket feet, h. 40 1/4 in., w. 16 3/4 in., d. 11 1/2 in. $1200/1800

311A. American Aesthetic Incised Cherrywood Floor Screen, late 19th c., New York, floral incised crest, sunflower frieze, pair of panels painted with exotic birds and foliage, signed “A.H. Little”, block feet, reverse fabric covered, h. 54 in., w. 43 in. $400/600

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312. Rare Pair of Antique Bone Inlaid and Carved Fruitwood Folding Yachting Chairs, late 19th c., probably American, finialed stiles, padded backs and seats, X‑form legs, h. 30 1/2 in., w. 14 in., d. 23 1/4 in. $400/600

313. English Lacquered, Mother‑of‑Pearl Inlaid and GiltDecorated Writing Desk on Frame, mid‑19th c., fitted lift off gameboard, revealing a fitted sewing drawer, scrolled lyre supports, shaped trestle base, arched scrolled legs, h. 32 1/4 in., w. 20 1/2 in., d. 15 1/2 in. $600/800

314. William IV Carved Mahogany Bedsteps, mid‑19th c., lift‑top compartment, 2 inset leather treads, turned feet, h. 26 3/4 in., w. 30 1/2 in., d. 17 in. $500/750

315. Caribbean Hardwood and Caned Planter’s Chair, 19th c., arched crest rail, scrolled arms, leaf carved uprights, paneled seat rail, reeded tapered legs to the front, scrolled legs to the rear, paw feet, h. 35 in., w. 24 in., d. 27 in. $800/1200 Provenance: Neal Auction Company, June 27, 2009, lot 161.

317. West Indies Carved Mahogany Four Post Bed, early 19th c., possibly Jamaica, boldly carved pineapple and acanthine posts with ball finials, flat canopy, scrolled headboard centering a palmette accented with brass rosettes, straight rails and foot board, acanthine legs, brass ferrules, h. 92 in., interior l. 82 1/2 in., interior w. 57 in. $5000/7500 Provenance: An old New Orleans collection found in a distinguished estate of the Garden District.

Note: The robust pineapple-carved posts and the exuberant palmette carved headboard on this bed relate closely to those seen on two beds at Rose Hall Great House, Montego Bay, Jamaica.

316. Fine American Late Federal Mahogany Tilt‑Top Table, early 19th c., New York, octagonal top, vasiform standard, reeded saber legs, ball feet, h. 28 3/8 in., w. 23 1/4 in., d. 17 3/4 in. $1000/1500 Provenance: Sotheby’s, NY, Jan. 30, 1994, lot 1061; Northeast Auctions, Portsmouth, NH, Aug. 3, 2002, lot 629.

Ref.: Slesin, Susan and Stafford Cliff. Caribbean Style. New York: Clarkson Potter, 1985, pp. 142; see also Connors, Michael. Caribbean Elegance. New York: Harry Abrams, 2002, pp. 114-115.

318. American Federal Inlaid Mahogany Sideboard, late 18th/early 19th c., shaped top, conforming case with secretary drawer, over long drawer flanked by drawer and cupboard to each side, square tapered legs, cross banding and stringing overall, secretary drawer with inscription “James Palmer.../ October 16th.../ Day...”, h. 39 7/8 in., w. 64 3/8 in., d. 27 in. $4000/6000 Provenance: D. Benjamin Kleinpeter, Sr. Collection, Baton Rouge.

Additional information at www.nealauction.com

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319. American Late Federal Mahogany Dining Table, early 19th c., highly figured mahogany drop‑leaf ends, conforming molded frieze, acanthus spiral‑carved legs, brass ferrules, casters, h. 29 1/2 in., l. 102 3/4 in., w. 48 1/4 in. $3000/5000 Provenance: Didier Inc., D. Benjamin Kleinpeter, Sr. Collection, Baton Rouge.

321. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Bayou Landscape with Live Oak and Cabin”, 1911, oil wash on board, signed and dated lower left, 15 1/2 in. x 20 in., framed. $3000/5000 320. Southern School, “Portrait of Madame Sosthéne Delphin Barre, née Ursule Evelina Haydel (1829‑1920)”, c. 1850, oil on canvas, unsigned, pencil‑inscribed “E. Haydel, NOLA 1850”, “G. Rowney & Co.” stamp and partial framer’s label en verso, 30 in. x 25 in., antique gilt frame. $4000/6000 Note: The great-great-granddaughter of Ambroise Haydel, who founded Whitney Plantation (formerly Habitation Haydel) in St. John the Baptist Parish, Evelina Haydel was the daughter of Alphonse Haydel (1792-1832) and Milicert Webre (1805-1866). Evelina was also the niece of Marie Azelie Haydel (17901863), who inherited Whitney Plantation from her husband, Marcellin Haydel (1788-1839). She married Sosthène Barre in 1847, and the couple is listed on the 1850 United States Federal Census as living with their children, Evelina’s widowed mother, and her siblings, on Alphonse Haydel’s estate near her aunt’s property. Whitney Plantation has recently been beautifully restored and opened to the public as the only historical plantation museum with a focus on slavery.

322. American School, 19th c., “Ship Constitution, Capt. Peabody of Boston, off South Point N. Orleans”, c. 1841, ink wash with white highlights on paper, titled lower margin, 14 1/4 in. x 21 in., framed. $1500/2500

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323. Andres Molinary (American/New Orleans, 1847‑1915), “North Shore, Lake Pontchartrain (Fisherman’s Cabin)”, 1884, oil on canvas, signed and dated lower right, 24 in. x 36 in., original giltwood frame. $60000/90000 Provenance: Walker Ronaldson, Jr., New Orleans, LA; D. Benjamin Kleinpeter, Sr. Collection, Baton Rouge, LA. Ill.: Pennington, E.C., Downriver: Currents of Style in Louisiana Painting 1800‑1950, Pelican Pub. Co., 1991, p. 139.

Note: Known for painting a variety of subject matter, including portraits, landscapes, genre scenes, and still lifes, Andres Molinary embraced the realist style of Academic Art that was prevalent in late 19th century American painting. Although portraiture was his main source of income, Molinary was highly involved in many aspects of the art community in New Orleans, including working with photography and co-founding and teaching at the Southern Art Union and the Artists’ Association of New Orleans.

Frequenting the F. W. Seebold salons, as well as starting the “Cup and Saucer Club,” which took place at his studio, Molinary’s acquaintances and friends included a diverse group of artists.

Molinary was known for traveling outside of New Orleans and exploring the surrounding bodies of water – rivers, lakes, and bayous – to find interesting compositions for his landscapes. The landscape here depicts an idyllic scene by Lake Pontchartrain; two figures interact on the porch of a cabin while a third mends fishing nets near the edge of the water. The low horizon line, a large portion of the canvas devoted to the sky and clouds, and the central position of the cabin indicate a traditional composition favored by Academic artists, while the feathery brushwork of the clouds and the cypress trees in the background bring a slightly more contemporary feel to the painting. This is particularly true when comparing Molinary’s work to earlier landscape artists such as Richard Clague, whose painting style was more influenced by the French Barbizon School.

An artist, a teacher, and an organizer of the arts community, Molinary’s varied interests were as diverse as his background – a Spaniard from Gibraltar whose travels took him through Italy, Africa, and Mexico, to finally settle in New Orleans. His colleagues worked in manners as wide-ranging as the Academic technique of classically trained Paul Poincy to the Impressionistic style of the Woodward brothers. Overall, this broad-minded approach served Molinary well in creating a well-rounded oeuvre, including portraits of prominent New Orleans citizens and beautifully detailed Louisiana landscapes such as the exhibition quality work offered here.

Ref.: Bonner, Judith H., et al, ed. The New Encyclopedia of Southern Culture: Volume 21: Art and Architecture. Chapel Hill: University of North Carolina Press, 2013. Pennington, Estill Curtis. Downriver: Currents of Style in Louisiana Painting 1800-1950. Gretna, LA: Pelican Publishing Company, 1991.

324. Marshall Joseph Smith, Jr. (American/ New Orleans, 1854‑1923), “Sunrise” and “Rising Moon”, 1879, each oil on canvas affixed to boards, both initialed “M.J.S. Jr” and dated lower right, both titled lower center, 7 in. x 5 in., framed alike, (2 pcs.) $15000/25000 Provenance: Family of the artist; by descent.

Additional information at www.nealauction.com

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326. Achille Perelli (Italian/New Orleans, 1822‑1891), “Nature Morte: Green‑Winged Teal”, watercolor on paper, signed and inscribed “N.O.” lower left, sheet 27 1/2 in. x 21 1/4 in., period frame. $12000/18000 325. George Louis Viavant (American/Louisiana, 1872‑1924), “Nature Morte: Goggle‑Eye Bream Fish”, 1924, watercolor on paper, signed, dated and inscribed “N.O.” lower left, sheet 20 1/4 in. x 13 3/4 in., period frame. $7000/10000

Provenance: D. Benjamin Kleinpeter, Sr. Collection, Baton Rouge.

Provenance: D. Benjamin Kleinpeter, Sr. Collection, Baton Rouge, LA.

329. Alvyk Boyd Cruise (American/New Orleans, 1909‑1988), “Burgundy St., French Quarter”, 1937, watercolor on paper, signed and dated “Oct. 1937” lower right, titled en verso, 15 in. x 21 in., framed. $1500/2500 327. Anne Wells Munger (American/ Mississippi, 1862‑1945), “In Frenchtown”, oil on canvas board, signed lower left, artist label with title en verso, 15 3/4 in. x 13 1/2 in., period frame. $1800/2500

328. Alvyk Boyd Cruise (American/ New Orleans, 1909‑1988), “Family Tomb, City of the Dead, New Orleans”, watercolor on paper, signed lower center, 21 in. x 15 in., framed. $1500/2500 Provenance: Gift of Boyd Cruise to friend and French Quarter neighbor, Bessie Jones; thence by descent.

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Provenance: Gift of Boyd Cruise to friend and French Quarter neighbor, Bessie Jones; thence by descent.

330. Fine and Rare Creole Inlaid Mahogany Armoire, Louisiana, c. 18101830, molded cornice, frieze inlaid with dianthus, recessed panel doors, false stile inlaid with egret and cattails, arrow pattern string inlay throughout, fiche hinges, pressed brass escutcheons, well-fitted interior with belt of drawers and shelves, spurred and scalloped skirt, cabriole legs, cypress secondary wood, h. 83 3/4 in., w. 60 in., d. 23 in. $15,000/25,000 Provenance: Estates of William and Sarah McGehee, Dr. Dubs House, Natchez, MS. Ill. Holden, Bacot, et al. Furnishing Louisiana: Creole and Acadian Furniture, 1735-1835. New Orleans: The Historic New Orleans Collection, 2010, p. 186, fig. 78.

331. American Classical Mahogany Armoire, c. 1820, probably Louisiana, molded cornice, punched doors with pressed brass escutcheons, fiche hinges, interior belt of drawers, shelves, fluted legs, brass ball feet, h. 91 in., w. 60 in., d. 21 in. $5000/8000 Provenance: Houmas House Plantation, Burnside, LA; Neal Auction Company, April 5, 2003, lot 258.

Note: The proportions, use of finely figured veneers, poplar and pine secondary woods, fiche hinges, pressed brass escutcheons, restrained plinth with finely reeded legs and brass ball feet on this armoire are very similar to an armoire in the collection of Michael Hopping and an armoire from the collection of Lita D. Lide, sold by Neal Auction Company as lot 322, June 27, 2015. Interestingly the armoire offered here has a plain center stile and no side cabinet, unlike the aforementioned examples.

Ref: Holden, Jack, et. al. Furnishing Louisiana, Creole and Acadian Furniture, 1735-1835. New Orleans: The Historic New Orleans Collection, 2010, pp. 165-166, figs. 53-54.

Additional information at www.nealauction.com

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332. American Classical Carved Mahogany Work Table, c. 1820‑1830, New York, manner of Duncan Phyfe, drop leaf top, 2 drawers and pull out work basket, columnar supports, incurvate plinth, disc feet, casters, h. 29 1/2 in., w. 19 in., d. 18 1/2 in. $1000/1500

333. American Classical Carved Mahogany Rocking Chair, c. 1830, padded back, scrolled arms carved with anthemion petals, bolection molded seat rail, scroll legs, rockers, h. 39 1/2 in., w. 24 in., d. 37 in. $800/1200

Provenance: Didier, Inc., New Orleans.

Provenance: Didier, Inc., New Orleans.

334. Harry Armstrong Nolan (American/ New Orleans, 1891‑1929), “Woman Wearing a Tignon, Toulouse Street Doorway, French Quarter”, 192?, oil on canvas board, signed and dated lower right, typewritten note en verso, 16 in. x 12 in., framed. $1500/2500

335. Marshall Joseph Smith, Jr. (American/New Orleans, 1854‑1923), “Tuscan Terrace” and “Lakeside Villa”, 1875, 2 oils on canvas affixed to boards, both signed, dated and inscribed “Roma” lower right, 10 3/4 in. x 17 1/4 in. and 11 1/2 in. x 17 1/2 in., matching period frames; ACCOMPANIED by vintage albumen photograph of Marshall J. Smith, Jr., unknown photographer, 14 in. x 11 in., unframed, (3 pcs.) $10000/15000 Provenance: Family of the artist.

Note: The two canvases offered here represent a brief but important moment in the career of Marshall Joseph Smith, Jr. Born in Norfolk, VA, Smith spent most of his early life in New Orleans and took his first art lessons from Adolphe Jacquet in 1866. In 1870, he became a pupil of Richard Clague, the city’s foremost landscape painter, who is credited as Smith’s greatest artistic influence. Following Clague’s death in 1873, Smith left New Orleans to travel Europe and study in Rome, where he completed the landscapes offered here. Inspired by his travels throughout Italy, each canvas reflects the technical expertise in composition that Smith undoubtedly learned from Clague, as well as highlights the artist’s skill in depicting water and foliage that can be seen in his famous Louisiana bayou scenes.

Ref.: Louisiana Landscape and Genre Paintings of the 19th Century. Shreveport: The R.W. Norton Art Gallery, 1981.

337. Continental School, early 19th c., “Portrait of a Young Officer”, oil on canvas, unsigned, 34 in. x 27 in., period frame. $2000/4000 Provenance: Ex-Collection David Calcote, Natchez, MS; Temple Heights, Columbus, MS.

336. Arthur Fitzwilliam Tait, N.A. (British/American, 1819‑1905), “The Fold”, 1904, oil on canvas, signed “A.F. Tait, N.A., N.Y.C.” lower right, signed, titled, dated and inscribed “(C.M.), Ludlow Park/ Yonkers, NY.” en verso of original backing board, 14 1/4 in. x 22 1/4 in., framed. $4000/6000

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338. Rare American Cased Sixth‑Plate Daguerreotype of Judah P. Benjamin, c. 1847, probably Louisiana, gilt‑tooled, embossed faux‑leather case. $8000/12000

339. Elizabeth O’Neill Verner (American/ Charleston, 1883‑1979), “St. Philip’s Portico, Charleston”, etching on paper, pencil‑signed, titled and numbered “6/80” lower margin, sheet 16 in. x 12 1/2 in., framed. $1000/1500

Note: Often referred to as “the brains of the Confederacy”, Judah P. Benjamin served as Attorney General, Secretary of War, and Secretary of State to the Confederacy from 1861 to 1865. Born in the Virgin Islands, Benjamin immigrated with his family to Charleston, SC, where his father helped found the nation’s first Jewish Reform congregation. From a young age, Benjamin showed great talent and at the age of 14 enrolled in Yale University, where he studied law. Eventually, Benjamin returned to the South and settled in Louisiana, where he began a career as a prosperous attorney and later a US Senator.

The photograph presented here is believed to be the earliest known photograph, and only known daguerreotype, of Judah P. Benjamin. By repute, the image was taken in the late 1840s, when Benjamin had settled in Louisiana and had begun his legal practice prior to his illustrious career in politics. Benjamin became the confidante of Jefferson Davis and architect of the Confederacy. Remarkably, Benjamin emerged unscathed and built a second career as a British barrister.

Ref.: Evans, Eli N. Judah P. Benjamin: The Jewish Confederate. New York: Free Press, 1989; Meade, Robert Douthat. Judah P. Benjamin: Confederate Statesman. Baton Rouge: Louisiana State University Press, 2001.

343. Two Antique New Orleans/ West Florida Maps, “A Map of Part of West Florida...”, 1772, by Lodge for The Gentleman’s Magazine; and “Partie de la Coste de la Louisiane et de la Floride...”, 1744, by Bellin, 7 1/4 in. x 13 3/4 in. and 7 3/4 in. x 16 3/4 in. $600/900 342. Caribbean‑Style Tropical Hardwood Campeche Chair, shaped crest rail, scrolled arms, curule legs, turned stretchers, boss details. $300/500

346. Antique American Cast Iron Table, 19th c., pierced circular top, serpentine griffin legs, stretcher shelf, trifid feet, h. 23 in., dia. 29 3/8 in. $300/500

340. William Woodward (American/Louisiana, 1859‑1939), “Schooners Racing at Beacon (Mississippi)”, 1932, drypoint etching on paper, signed and dated in plate lower left, pencil‑signed and titled lower margin, 4 in. x 6 in., sheet 7 1/2 in. x 10 in., matted and framed. $500/700

344. Three Antique New Orleans Maps, 18th c., incl: two from Bellin’s Petit Atlas Maritime and one published by London Magazine, sights 7 1/2 in. x 9 in. to 8 1/2 in. x 11 3/4 in., framed alike. $500/700

341. John James Audubon (American, 1785‑1851), The Quadrupeds of North America, volume I only, with Rev. John Bachman, New York, V.G. Audubon, 1856, octavo, tooled full‑leather, with 50 hand‑colored lithographs. $700/1000

345. Philippe Buache (French, 1700‑1773), “Carte de la Barbarie de la Nigritie et de la Guinee”, “Carte de l’Egypte de la Nubie de l’Abissine” and “Carte du Congo et du Pays des Cafres”, 1745,. maps making up the whole of Africa, in outline color, based on Delisle’s 1707 work, each 19 1/4 in. x 24 in., (3 pcs.) $500/700

347. Pair of Antique American or English Cast Iron “Laurel” Pattern Settees, late 19th c., after the Coalbrookdale model, foliate‑carved backs, conforming arms, pierced incurvate seats, winged griffin legs, trifid feet, h. 29 1/2 in., w. 42 1/2 in., d. 24 1/2 in. and h. 29 1/2 in., w. 43 in., d. 30 in. $1000/2000

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349. Pair of Cast Iron Garden Urns, mid‑19th c., squat campagna bodies with leafy scroll handles, h. 17 in., w. 36 in., d. 24 in. $500/700

348. Antique American Cast Iron “Fern” Pattern Garden Settee, late 19th c., Kramer Bros., Dayton, OH, continuous back and arms, pierced seat splayed legs, h. 35 1/2 in., w. 58 in., d. 22 1/2 in. $1200/1800

350. Louis Oscar Griffith (American, 1875‑1956, act. New Orleans, 1916‑1917), “A View of St. Louis Cathedral with Ursuline Nuns”, oil on canvas, signed lower right, 30 in. x 28 1/4 in., framed. $40000/60000 Note: Louis Oscar Griffith spent the winter of 1916-1917 in New Orleans with fellow artist Robert Grafton. The two were commissioned by the St. Charles Hotel to paint murals for the hotel, both of which received much praise and critical acclaim. Griffith found inspiration in the architecture, waterways and people of the city and created a wonderful body of work while in New Orleans. The historic buildings and active daily life of the Vieux Carré were a favorite subject matter. The painting offered here is a brilliant rendering of St. Louis Cathedral. Several nuns and well-dressed figures walk through Jackson Square in the foreground. Griffith masterfully depicts the effects of sunlight and shadow with the foliage set aglow and the figures casting their long shadows. A beautiful example of American Impressionism, this dazzling, large composition depicts New Orleans’ most iconic locale and is one of Griffith’s most accomplished paintings of the city.

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351. Walter Inglis Anderson (American/Mississippi, 1903‑1965), “Dancing Billy Goats”, watercolor and pencil on paper, unsigned, inscribed by artist en verso, 8 1/2 in. x 11 in., framed. $10000/15000 Provenance: Descended in the family of the artist, Ocean Springs, MS. Note: This rare and important watercolor by Walter Anderson bears the following inscription in pencil en verso: “The dance is not always believably a dance but sometimes where the consciousness of being part of the dance permeates all action.” Anderson depicts two billy goats reared up on their hind legs, striking whimsical dance poses. Whether these goats were a product of the artist’s fertile imagination or actual dancing goats is not known. They are painted in Anderson’s characteristic style, utilizing strong outlines of bold color contrasted with negative space.

352. Walter Inglis Anderson (American/Mississippi, 1903‑1965), “Pompano”, c. 1960s, watercolor and pencil on paper, unsigned, “Tilden‑Foley Gallery, American Art, New Orleans” exhibition label with title and date en verso, 11 in. x 8 in, framed; accompanied by Certificate of Authenticity from the Estate of Walter Anderson, signed by Jean Gilley, May 17, 1992; Tilden‑Foley Gallery, 1992 exhibition postcards for “Walter Anderson: Paintings, Watercolors and Drawings” with “Pompano” illustrated; photocopy review of exhibition by D. Eric Bookhart in Gambit entitled “Anderson Emerging as Mythic Figure in American Art”, January 24, 1992 with “Pompano” illustrated and other ephemera. $8000/12000 Provenance: D. Benjamin Kleinpeter, Sr. Collection, Baton Rouge, LA.

353. Loïs Mailou Jones (American, 1905‑1998), “Portrait of a Haitian Woman Dressed in White”, 1959, oil on canvas board, signed and dated lower left, 20 in. x 24 in., framed. $8000/12000 Provenance: A New York Estate.

Note: A painter who studied at many of Boston’s most prestigious art schools, Loïs Mailou Jones was a member of the Harlem Renaissance who helped bring attention to the art of countless African, African-American, and Haitian artists of the 20th century.

After taking courses at the School of the Museum of Fine Arts in Boston and the Boston Normal Arts School and exhibiting at the William E. Harmon Foundation, Jones received a fellowship to study at the Académie Julian in Paris. She later completed additional studies at Harvard, Columbia, and Howard universities as well. Developing friendships with artists and writers of various ethnicities and nationalities, such as Dorothy West, Langston Hughes, Céline Marie Tabary, and Louis Pierre-Noel (whom she would eventually marry), Jones became interested in African, French, and Haitian art and literary movements including Négritude and the Harlem Renaissance. She visited Haiti, France, and many African countries throughout her career and continued to advocate for artists of African and Caribbean descent.

Almost twenty years after meeting, Loïs Mailou Jones and Louis Pierre-Noel were married in 1954 and began traveling to Haiti during the summer months. The work offered here depicts a 1950s Haitian woman in a white dress and hat, seated in a colorful interior - Jones’ palette had become bright and her paintings full of vitality since the beginning of her Haitian period in the 50s, no doubt reflecting the colorful and energetic character of the Haitian people she so admired.

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354. Newcomb College Art Pottery Vase, 1916, decorated by Anna Frances Simpson in the Moon and Moss design, matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. IJ67, and shape no. 138, h. 10 in., dia. 8 in. $7000/10000

355. Newcomb College Art Pottery Vase, 1923, decorated by Anna Frances Simpson in the Moon and Moss design, matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. NF84, and shape no. 211, h. 11 in. $7000/10000

Ill.: Bragg, Jean and Dr. Susan Saward. The Newcomb Style, New Orleans: Jean Bragg Gallery, 2002, p. 110, no. 169.

357. Newcomb College Art Pottery Vase, c. 1922‑1924, decorated by Sadie Irvine with relief‑carved mespilus blossoms, matte glaze with blue, green, yellow and pink underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. MV or NV, and shape no. 181, h. 6 1/4 in. $2000/3000 356. Early and Rare Newcomb College Art Pottery High Glaze Vase, 1901, decorated by Olive Webster Dodd with a pattern of clovers and stylized foliage in underglaze blue and green, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. B5, early triangular date mark, and Q for buff clay body, h.

14 7/8 in. $12000/18000 Provenance: Jean Bragg Antiques, New Orleans, 1995.

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358. Newcomb College Art Pottery Vase, 1912, decorated by Anna Frances Simpson with relief carved Easter lilies, semi‑matte glaze with green, yellow and blue underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. FG‑49 and “B” for buff clay body, h. 6 in. $4000/6000

360. Newcomb College Art Pottery Vase, 1930, decorated

by Sadie Irvine with relief‑carved Moon and Moss design, matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Jonathan Hunt’s potter’s mark, reg. no. SF25, and shape no. 18, h. 5 1/8 in. $1200/1800

359. Pair of Newcomb College Art Pottery Candlesticks, 1923, decorated by Corinne Chalaron with a stylized floral design in low relief, matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, reg. no. NH6, and shape no. 232, one retains original paper label, h. 7 1/2 in. $1500/2500

361. Newcomb College Art Pottery Vase, 1932, decorated by Sadie Irvine with a relief‑carved Moon and Moss design, matte glaze with blue and green underglaze, base marked with Newcomb cipher, decorator’s mark, Kenneth Smith’s potter’s mark, and reg. no. UC31, h. 4 7/8 in., dia. 5 1/2 in. $2000/3000

363. Anne Wilson Goldthwaite (American/Alabama, 1869‑1944), “Young Nude Woman in a Hat”, oil on canvas, signed lower right, 25 in. x 21 in., framed. $3000/5000 Note: Born in Alabama, Anne Goldthwaite always considered the South to be her home though she traveled extensively throughout her life and lived in both Paris and New York. At the age of twenty-three, Goldthwaite began art studies at the National Academy of Design. In 1906, she continued her education in Paris where, through her friendship with Gertrude Stein, she became acquainted with such notable artists as Henri Matisse and Pablo Picasso. While in Paris, she joined a group of young artists who exhibited together each spring and founded the Académie Moderne.

At the onset of the World War I Goldthwaite returned to the United States in 1913, where she participated in the famed Armory Show in New York of that year.

362. Pair of Newcomb Guild Art Pottery Table Lamps, mid‑20th c., decorated by Sadie Irvine and thrown by Kenneth Eugene Smith, cylindrical incised red clay bodies in cumulus glaze, not marked, body h. 11 1/4 in.; natural color yarn shades, on removable wooden bases, overall h. 23 3/4 in. $800/1200

Though associated with many abstract artists, Goldthwaite’s artistic style, exemplified in the work offered here, remained more expressive with loose, artistic brushstrokes and recognizable subject matter. After returning to New York, she taught at the Art Students League for twenty-three years and worked as an advocate for both women’s and minorities’ rights. She painted many portraits of close friends, one of which may be the subject of the portrait offered here, and honed her skills at printmaking. Goldthwaite executed 320 prints between 1895 and 1942, with subjects generally relating to her paintings. An etching of 1929 features identical seated nude figure with hat.

Provenance: Jean Bragg Gallery, New Orleans.

Despite her active participation in the New York art scene, Goldthwaite returned home to Alabama every summer. It was there that she painted genre scenes of the South which furthered her national acclaim. Edith Halpert, owner of the Downtown Gallery in New York, gave Goldthwaite several one-woman shows between 1929 and 1934, one of which may have included the work offered here.

Ill.: Bragg, Jean Newcomb College Arts & Crafts Sales Exhibition, New Orleans: Jean Bragg Gallery, 1998. p. 116, no. 124.

Ref.: Breeskin, Adelyn Dohme. Anne Goldthwaite: A Catalogue Raisonné of the Graphic Work.

Montgomery, AL: Montgomery Museum of Fine Arts, 1982.

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365. Will Henry Stevens (American, 1881‑1949), “Abstract Landscape in Blue”, 1945, oil on canvas, signed and dated lower right, sight 15 1/2 in. x 13 1/2 in., framed. $15000/25000 Provenance: Estate of the artist; Blue Spiral 1 Gallery, Asheville, NC. Note: The 1945 canvas offered here is a masterful example of the fully developed abstract style that made Will Henry Stevens a pioneer of Modernism in the South.

364. Wayman Adams (American/New Orleans, 1883‑1959), “Portrait of a Negro Woman”, oil on canvas, unsigned, “Hoosier Artists: Family and Friends...” exhibition label en verso, 27 in. x 19 in., framed with artist and title plaque; accompanied by copy of certificate of authenticity from Austin National Bank, February 14, 1979. $3000/5000

Ref.: An Exhibition of Late Works by Will Henry Stevens. Greenville County Museum of Art, 1967; Pennington, Estill Curtis. Will Henry Stevens: An eye transformed, a hand transforming.. Augusta, GA, Morris Museum of Art, 1993; York, Richard T. Will Henry Stevens: A Modernist’s Response to Nature. New York: Richard York Gallery, 1987.

Exh.: Hoosier Artists: Family and Friends ‑ Selected from Private Collection of Mr. and Mrs. Richard Wise, Union City, IN, 1980.

Provenance: Estate of the Artist.

367. Walter Inglis Anderson (American/Mississippi, 1903‑1965), “Horn Island Landscape”, watercolor and pencil on paper, unsigned, estate stamp lower right, 8 1/2 in. x 11 in., framed. $4000/6000 \Provenance: Acquired Shearwater Pottery, Ocean Springs, MS, c. 1970. \Note: In the 1950s and 1960s, Walter Anderson would spend a great amount of time on Horn Island painting the flora and fauna. The composition here depicts a stand of golden rod with a tree trunk in the left background. The work shows how Anderson developed his paintings; first by sketching in pencil, then by creating an outline with watercolor. In this painting, Anderson utilizes the negative space to create the picture, filling in more color in certain small areas, a technique often found in this series of work.

366. Alberta Kinsey (American/New Orleans, 1875‑1952), “New Orleans Street Scene”, oil on canvas, signed lower right, 26 in. x 22 in., framed. $5000/7000

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368. James Lamantia (American/New Orleans, 1923‑2011), “Sunset Landscape”, 1966, oil on canvas, signed and dated lower right and en verso, 42 in. x 47 in., framed. $2500/3500

369. Kenneth Noland (American, 1924‑2010), “Plaid”, 1978, mixed media on pulp paper, signed and dated lower left, “Richard Anderson Designs, New York City” label en verso, 19 1/2 in. x 23 in., framed. $2000/3000

371. George Rodrigue (American/Louisiana, 1944‑2013), “Blue Dog Looking for a Home”, c. 1995, acrylic on canvas, signed lower right, 60 in. x 50 in., framed. $50000/80000 Provenance: Galerie Blue Dog, Carmel, CA. 370. Peter Max (German/New York, b. 1937), “Statue of Liberty”, 1992, oil on canvas, signed upper right, signed, dated and inscribed “12879” en verso, 72 in. x 36 in., unframed. $10000/15000 Note: Peter Max began his Statue of Liberty painting series in 1976 when he combined efforts with Chrysler CEO Lee Iacocca to restore the iconic American monument.

Note: George Rodrigue made use of unique and repetitive motifs from his early oak trees to his Blue Dogs, however he was constantly refining and adapting these images throughout his career. The aspects that remained consistent as Rodrigue grew as an artist were his attention to strong design and his keen understanding and passion for color.

In art school, Rodrigue’s professors described him as a “colorist,” an ironic title when one considers his dark early oak trees from the 1970s. Yet, in even his darkest canvases Rodrigue’s color palette is multifaceted. With his change from oil to acrylic paint in the early 1990s, the artist made his love for primary colors more obvious, and over the years, his canvases began to grow brighter and brighter.

In the work offered here, the green background and yellow fluorescent halo surrounding the Blue Dog highlight the brilliant cobalt blue of the dog. Another interesting feature of this canvas is the slight modification to the shape of the Blue Dog. Rodrigue knew that by changing the elements of the dog’s face ever so slightly, the Blue Dog’s expression could vary, and the slight deviation of the proper right ear gives this Blue Dog a questioning, whimsical appeal perfectly befitting the playful (and appropriate) title.

Ref.: Rodrigue, Wendy. “Red Dog.” Musings of an Artist’s Wife. January 28, 2010. www.wendyrodrigue.com. Accessed July 28, 2015.

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372. George Rodrigue (American/ Louisiana, 1944‑2013), “Through the Lavender Woods”, 1992, oil and acrylic on canvas, signed lower left, 20 in. x 30 in., framed. $20000/40000 Provenance: Galerie Blue Dog, Carmel, CA. Note: In the early Blue Dog painting offered here, George Rodrigue can be seen experimenting with the Louisiana landscape. In “Through the Lavender Woods”, the sky and ground are composed of expressionistic, vibrant and dynamic swirls of magenta, purple and blue, highlighting Rodrigue’s interest in color. The movement of these colors gives emphasis to the shapes of the Blue Dog and crescent moon and are broken only by the dark shapes of the trees. The moon serves to not only add a luminescent quality to the work, but it also is a symbol of a city that was increasingly important to the artist. From 1990 to 1992, Rodrigue’s newly-opened New Orleans gallery led to his growing fame nationwide, as the loup-garou of the mid-1980s and early 1990s transitioned on the canvas to the iconic Blue Dog seen in the work offered here.

374. Francis X. Pavy (American/Louisiana, b.

1954), “Carencro, Louisiana”, 1989, oil on canvas, signed, titled, dated, inscribed and “Simms Fine Art, New Orleans” label with title and date en verso, 48 in. x 36 1/4 in., framed. $2000/3000 Exh.: “Peinture de Francis Pavy, Artiste de Louisiane”, in association with Rennes Music Festival, Salon Jaunes, Rennes, France, November 1 ‑ December 14, 1990.

373. Jean Seidenberg (American/New Orleans, b. 1930), “Portrait of a Woman within a Red and Black Interior”, 1959, oil on canvas, signed and dated “1/17/59” mid‑left, 29 in. x 35 in., framed. $3000/5000

Note: In this painting, Louisiana native and highly acclaimed artist Francis X. Pavy draws inspiration from the small city of Carencro situated near Lafayette. Derived from the Cajun French word for buzzard Carencro refers to the large flocks of buzzards that once roosted in local cypress trees. Pavy incorporated the stylized image of the buzzard flying across the evening sky.

375. Hunt Slonem (American/ Louisiana, b. 1951), “Blue Pearl”, 2013, oil on canvas, signed, dated, titled and inscribed “Hunt Slonem Studio” en verso, 39 3/4 in. x 60 in., unframed. $6000/8000

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376. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Cluster #1”, 1973, oil on canvas, signed and dated lower right, 69 in. x 104 in., original frame. $40000/60000 Provenance: William Sawyer Gallery, San Francisco, 1975.

Exh.: Painting in the South: 1564-1980. Virginia Museum of Fine Arts, Richmond; Birmingham Museum of Art, Alabama; National Academy of Design, New York, 1983-1984.

Ill.: Kuspit, Donald, et.al., Painting in the South: 1564-1980. Richmond: Virginia Museum of Fine Arts, 1983, p. 328, fig. 159.

Note: In the early 1970s, Ida Kohlmeyer emerged from Abstract Expressionism and began a style of expressive and vividly colored painting. The Cluster series was begun in 1973 and is characterized by a dominating grid form. Art historian Michael Plante notes: “the series represents the first style that was identified solely with Kohlmeyer, and she embraced it as expressive of her artistic aims.” By its title, Cluster #1, is seemingly the first painting created for this important series. A massive canvas which shows a grid five units wide and three rows tall, each square in the grid is similar in size and shape but is painted in a different color and with varying expressive gestural brushwork. The grid is supported and balanced by the white canvas around the forms, a characteristic of all of the Cluster paintings.

Cluster #1 was curated for the seminal 1983 exhibition on Southern art, Painting in the South: 1564-1980 at the Virginia Museum of Fine Arts in Richmond. This ground breaking show,

which traveled to several prominent museums, was the first to comprehensively examine the art of the American South.

Ref.: Plante, Michael. Ida Kohlmeyer: Systems of Color New York: Hudson Hills Press, 2004, p. 16; Kuspit, Donald, et.al., Painting in the South: 1564-1980. Richmond: Virginia Museum of Fine Arts, 1983, p. 328.

378. Hunt Slonem (American/Louisiana, b. 1951), “Azure Magpie”, 1991, oil on canvas, signed, dated, titled and inscribed “Hunt Slonem Studio” en verso, 30 in. x 40 1/4 in., unframed. $2000/3000 377. George Bauer Dunbar (American/New Orleans, b. 1927), “Coin du Lestin”, gold leaf, clay and oil on board, signed lower center, 32 in. x 28 in., framed. $7000/10000 Additional information at www.nealauction.com

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380. George Dunbar (American/Louisiana, b.

1927), “Heart”, palladium leaf, beige clay, signed lower center, 11 in. x 8 7/8 in., unframed. $1000/1500

379. Ida Rittenberg Kohlmeyer (American/New Orleans, 1912‑1997), “Cut Out No. 3”, 1977, mixed media on canvas mounted on paper, signed and dated lower right, signed, titled and dated en verso, 24 1/4 in. x 19 1/4 in., framed. $5000/7000

381. George Dunbar (American/Louisiana, b.

1927), “Heart”, gold leaf, red and beige clay, signed lower center, 11 in. x 8 1/8 in., unframed. $1000/1500

382. George Dunbar (American/Louisiana, b. 1927), “Bridge”, palladium leaf, blue clay, signed lower left and right, 22 in. x 36 in., framed. $8000/12000

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383. George Rodrigue (American/Louisiana, 1944‑2013), “Untitled (Rodrigue Studio Blue Dog)”, 1992, mixed media on canvas board, signed lower left, 14 in. x 11 in., framed. $3000/5000

385. Alberta Kinsey (American/New Orleans, 1875‑1952), “The Iron Gate, French Quarter Courtyard”, oil on canvas affixed to board, signed lower right, remnant of signature lower left, framer’s label en verso, 17 in. x 13 in., period frame. $1200/1800

384. James Michalopoulos (American/New Orleans, b. 1951), “Homus Grecus”, 1996, oil on canvas, signed lower right and en verso, 28 in. x 22 in., framed. $4000/6000

386. Steele Burden (American/Louisiana, 1900‑1995), “At Sunset, Pirogue on the Louisiana Bayou”, 1989, oil on canvas, signed and dated lower right, inscription regarding frame by M. Harville en verso, 18 in. x 30 in., hand‑crafted cypress frame. $4000/6000 Provenance: Acquired from the artist.

387. Francis X. Pavy (American/Louisiana, b. 1954), “Barnyard with Oilwells”, 1997, oil on canvas, signed, dated and titled en verso, 5 in. x 5 in., unframed. $500/800

388. George Rodrigue (American/Louisiana, 1944‑2013), “Crawfish Salesman”, c. 1988, oil on canvas, signed lower left, signed and titled en verso, 24 in. x 18 in., framed. $20000/40000 Provenance: Purchased from the artist.

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389. Emerson Bell (American/ Louisiana, 1932‑2006), “Crucifix”, 1995, carved wood, 19 1/4 in. x 14 1/4 in. $500/800

390. Helen Hunt Bencker Hoie (American, 20th c., act. New Orleans, 1930‑1940), “French Market, Vieux Carré”, oil on paperboard, unsigned, Carnegie exhibition label en verso, 14 in. x 16 in., unframed. $800/1200

391. Knute Heldner (Swedish/New Orleans, 1875‑1952), “Cabin on the Bayou with a Man in a Pirogue”, oil on canvas board, signed lower right, 16 in. x 20 in., framed. $2500/3500

392. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Live Oaks on the Louisiana Bayou”, oil wash on paper, signed lower left, sight 19 1/2 in. x 29 1/2 in., period frame. $2500/3500

Provenance: Succession of Charles Duke Zucker (1925‑2014), New Orleans, LA.

393. James Lamantia (American/New Orleans, 1923‑2011), “Grove with Palms”, watercolor on paper, signed lower right, sight 11 in. x 18 in., framed. $300/500

394. Max Pollak (Austrian/California, act. New Orleans, 1939‑1941), “Street Scene, New Orleans”, 1941, oil and graphite on wood panel, signed, titled and dated lower left, 12 in. x 15 1/2 in., period frame. $600/800

395. Terry DeLapp (American, b. 1934), “The Blue House ‑ Patterson (Naked Ladies)”, acrylic on canvas, signed lower right, titled en verso, 26 in. x 26 in., framed. $2500/3500

396. Philippe Henri Noyer (French, 1917‑1985), “Blue Jeans”, 1967, oil on linen, signed lower left, titled in ink and on “Le Monde Galleries, New York” label on stretcher, “Hammer Galleries” stamped en verso of frame, 39 1/2 in. x 19 7/8 in., framed. $2000/3000 Provenance: A Shreveport, LA Collector.

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397. Sue Ferguson Gussow (American/New Orleans, b.

1935), “A Plumed Turban”, 1964, lithograph, pencil‑signed, dated, titled and numbered “18/20” lower margin, 18 in. x 23 1/2 in.; together with Robert Helmer (American/New Orleans, 1922‑1990), “French Quarter”, lithograph on paper, signed mid‑right, 19 1/4 in. x 12 1/2 in., each framed, (2 pcs.) $150/250

398. Emilio Sanchez (Cuban/New York, 1921‑1999), “La Casa Amarilla”, 1970, lithograph, pencil‑signed lower right, titled and numbered “82/100” lower left, 30 in. x 22 in., framed. $300/500

400. Elaine Mayes (American, b. 1936), “Haleakala, Sunrise, Maui” 1990, and “Bandon Beach Sunset, Face Rock, Cats and Kittens, Oregon”, 1995, 2 c‑prints, signed, titled and dated en verso, editions of 12, 20 in. x 24 in., framed alike, (2 pcs.) $1500/2500

399. Catherine Ames (Swiss/American, b. 1962), “Foggy Fields, Near Aix‑en‑Provence” and “Trees of New Almaden Mike”, 1994, two silver gelatin prints, both signed, titled, dated and numbered lower margins, 16 in. x 20 in. and 20 in. x 16 in., matching frames, (2 pcs.) $700/900

401. Wright, Frank Lloyd, Selected Drawings Portfolio (Second Portfolio), New York, Horizon Press, 1980, folio (16 in. x 21 1/2 in.), 50 mounted plates, loose, as issued, blue cloth clam shell box, number A237 of only 700. $500/700

403. Arman (French/American, 1928‑2005) for Artcurial, Violin Necklace, 18 kt. yellow gold, signed and numbered “Arman 12/50”, marked “ARTCURIAL”, weight 9 dwt.; together with a silver example, signed and numbered “Arman 88/500”, marked “ARTCURIAL”. $800/1200

402. Sonia Delaunay (Russian/French, 1885‑1979) for Artcurial, “Danse: Rythme Sans Fin” Pin/Pendant, 18 kt. yellow gold and cloisonné enamel, signed and numbered “S. Delaunay 18/150”, marked “ARTCURIAL” and with French hallmarks, 1 5/8 in. x 2 7/8 in.; with a French 18 kt. yellow gold neck ring; combined weight 1.45 troy ozs., in original box. $800/1200 404. Cartier 18 kt. Yellow Gold, Sapphire and Diamond Frog Brooch, set with 30 round faceted sapphires and 7 round faceted diamonds. $2000/3000

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406. 18 kt. Yellow Gold, Rock Crystal and Jeweled Magnifying Glass, l. 7 3/8 in. $250/500

405. David Webb 18 kt. Yellow Gold Bull’s Head Belt Buckle, marked, l. 2 3/8 in., wt. 7.05 dwts., on a black alligator belt, marked “Maida’s/BELTS & BUCKLES/Houston, Texas”, size 40. $2000/3000 407. Antique Art Deco Platinum, Emerald and Diamond Clip/ Pendant, bezel set with 1 approx. 6.25 ct. emerald‑cut emerald, 1 approx.

2 ct. pear‑shaped emerald, 2 pear‑shaped emeralds with an approx. total wt.

1.5 ct., 1 approx. 1.2 ct. emerald‑cut diamond, 1 approx. .15 ct. trapezoidal diamond, channel set with 10 shaped baguette diamonds graduated in size with an approx. total wt. 1 cts., 3 baguette‑cut diamonds graduated in size with an approx. wt. .18 ct., 7 pave set single‑cut diamonds with an approx. total wt. .21 ct. and 36 full cut diamonds with an approx. total wt. 1.80 ct., clip has safety chain and pin, approx. 12.19 dwts., appraisal available with approx. GIA diamond grading. $12000/18000

408. Platinum and Diamond Ring, set with a 7.11 ct. emerald‑cut diamond, K‑L color, VS‑1 clarity, flanked by 6 baguette diamonds totaling 1.20 ct.; ACCOMPANIED with a European Gemological Laboratory Diamond Certificate for the center stone. $60000/80000

409. Albert Paley (American, b. 1944), “Chrysalis Vessel #1”, 1994, steel sculpture, signed, numbered “AP95 06”, h. 61 in., w. 28 in. d.

13 in. $4000/6000 Provenance: Galerie Simone Stern, New Orleans, LA.

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411. Margaret “Peggy” Astor Drayton Reventlow (British/American, 1915‑2014), “Elephant and Turbaned Lady”, 1964, bronze fountain, signed and dated on self‑base, h. 32 1/2 in., w. 17 1/4 in., d. 46 in., together with a period photograph of the fountain in‑situ, sight 6 3/4 in. x 9 3/8 in., framed, (2 pcs.) $1000/1500 410. Marvin Lipofsky (American, b. 1938), “Stockholm Series #11”, c. 1989‑1991, cut and sandblasted mold‑blown glass, h. 14 in., w. 16 in., d. 12 in. $2000/3000

412. Takis (Greek/New Orleans, 20th c.), “Flowering Pomgranate”, 1995, painted mixed media sculpture, signed and dated on root, h. 12 in., w. 7 in., d. 9 in. $250/350

Provenance: Estate of Margaret “Peggy” Chew Welch (1927‑1976), Syosset, Long Island; thence by descent.

413. Baroque‑Style Carved Walnut Griffin Mirror, c. 1900‑1920, winged figure grasping a mirror plate, with folding stand, h. 39 1/4 in., w. 30 in. $800/1200 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

414. John Gadsby Chapman (American, 1808‑1898), “Young Florentine in the XIV Century”, after a fresco by T. Gadda at S. Croce in Florence, watercolor, gold tempera and pencil on paper, titled lower margin, “Estate of John Gadsby Chapman” label and typed artist biography en verso, sight 4 7/8 in. x 3 5/8 in., framed. $400/600

416. Enrique Alferez (Mexican/ New Orleans, 1901‑1999), “Standing Draped Woman”, graphite on paper, unsigned, 28 1/4 in. x 18 in., framed. $800/1200 Provenance: Acquired from the artist, descended in a New Orleans family.

415. Edgar Albert Whitney (American/ New Orleans, 1891‑1987), “Maine Lumber Mill”, watercolor on paper, signed lower right, signed and titled en verso, 15 in. x 22 1/2 in., framed. $400/600

417. Ida Kohlmeyer (American/ New Orleans, 1922‑1997), “Cupid’s Work”, 1979, from the “Diminutive” series, color screenprint, printed by Terry Weldon’s workshop, pencil‑initialed, dated and numbered “51/100”, 6 1/2 in. x 4 in., on the original mount, 14 in. x 11 3/8 in., unframed. $400/600 Additional information at www.nealauction.com

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418. Henri Matisse (French, 1869‑1954), “Cusin..”, 1948, lithograph, from Florilège des Amours de Ronsard, unsigned, later pencil inscription “273/300 / Matisse Ill. For Ronsard” and various numbers lower margin, 15 in. x 11 1/8 in., unframed. $400/600

419. John Marin (American, 1870‑1953), “St. Germain‑des‑Pres, Paris”, 1906, etching on paper, pencil‑signed and titled lower margin, signed and dated in plate lower left, 2 gallery labels en verso, 8 in. x 5 1/2 in., framed. $500/800

421. Line Vautrin (French, 1913‑1997), Adam and Eve Pendant, designed 1938, gilt bronze, signed “LINE VAUTRIN”, 2 7/8 in. x 2 5/8 in., presented on black cord; together with a Line Vautrin gilt bronze brooch, 1 3/4 in. x 2 1/2 in. $700/1000

420. Jacques Villon (French, 1875‑1963), “L’Abside de L’église de Beaugency”, 1939, etching and drypoint, pencil‑signed lower right and numbered “48/50” lower left, artist title and date identified on “M. Knoedler & Co., New York” label en verso, 9 in. x 6 3/8 in.; accompanied by “Composition”, color lithograph on paper, pencil‑signed lower right, sheet 15 in. x 22 in., each framed, (2 pcs.) $700/900 Provenance: Joel N. Weinstock Collection, New Orleans, LA.

422. 14 kt. Yellow and White Gold and Diamond Solitaire Ring, set with princess‑cut diamond, approx. 1.1 cts., clarity I2‑I3, color KL, size 6 3/4 in. $800/1200

423. Opera Length Necklace of 9 mm.

White Cultured Pearls, 14 kt. yellow gold barrel clasp marked with Henry of Hong Kong trademark, l. 36 in. $3000/4000 Provenance: Henry Jewellery Manufacturer Co. Ltd., Hong Kong.

424. French 18 kt.

Yellow Gold, Peacock Feather and Silk Cord Pendant Necklace, signed O.J. Perrin, Paris, marked “OR 750” and with French hallmarks. $300/500 425. French Sterling Silver and Black Cord Pendant Necklace, signed and numbered “P. Curie 3/35”, French hallmarks, maker PT untraced, pendant weight approx. 5.10 troy ozs. $300/500

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426. Good Group of Art Deco Earrings, incl. pr. of Continental silver, white and black bakelite and marcasite; pr. of onyx, pr. of carved green glass and marcasite, and pr. of green glass and black bakelite; together with a Retro black and white bakelite link bracelet, (9 pcs). $250/350

428. 14 kt. Yellow Gold New Orleans Women’s Golf Association Pin, wt. 6 dwts. $300/500 427. 18 kt. Yellow Gold and Cobalt Enamel Multi‑Band Ring, signed Cartier, c. 1970, wt. 4 dwts. $200/300

429. Lalique Molded Glass Pendant, on silk cord, in original box; together with abalone shell and mother‑of‑pearl brooch. $200/300

430. Group of Antique and Vintage Sterling Silver Jewelry, incl. an oval rococo belt buckle, London import marks for 1892, 3 1/4 in. x 2 1/4 in.; oval reticulated “flower child”, 2 1/8 in. x 1 5/8 in.; and French octagonal brooch with fleur de lis, 2 in. x 1 3/4 in. $150/250

431. 14 kt. Yellow Gold, Blue Enamel and Diamond Pendant/Brooch, oval filigree border and central fleur‑de‑lis, set with 21 small single cut diamonds, with 14 kt. yellow gold chain, l. 18 in. $1200/1800 432. Neoclassical‑Style Crème Peinte and Gilt Overmantel Mirror, cavetto crest with spherules, frieze with chariot pulled by lions and interspersed by acanthus and rosettes, central oval mirror plate with anthemion corners, Classical columns flanking side mirror plates, h. 42 1/4 in., w. 56 in. $600/900

433. Eva Stettner (American, 20th c.), “Torsos”, 1984, 2 terracotta sculptures, each approx. 24 in. x 21 in. $300/500

435. William Spratling (American/ Taxco, 1900‑1967), sterling silver “Petate” brooch, mark for 1931‑1945, 2 1/2 in. x 3 in.; together with a Mexican sterling silver cuff bracelet, unattributed; combined weight 4.25 troy ozs. $400/600

434. French Louis XVI‑Style Walnut and Ebonized Morbier Tall Case Clock, 19th c., enamel dial with coq, arched cornice, glazed door, columnar stiles, case with engaged columns flanking door, base with lozenge carved panels, h. 97 1/4 in., w. 18 1/2 in., d. 12 1/2 in. $1000/1500

436. French Gilt Bronze Figural Mantel Clock, late 19th c., maiden with attributes of astronomy, h. 17 3/4 in., w. 13 1/4 in., d. 5 in. $700/1000

437. American or English Mahogany Collector’s Cabinet, 19th c., probably Edwardian, pair of highly figured doors enclosing shelves and various sized satinwood drawers, conforming lower case with pair of doors, shelf interior, blocked base, h. 83 in., w. 42 in., d. 23 in. $1400/1800 Additional information at www.nealauction.com

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438. American Aesthetic Carved Cherrywood Breakfront Bookcase, late 19th c., spindled crest centered by sunflower panel, glazed doors, adjustable shelf interior, conforming base with drawers over garland carved doors, fluted stiles, h. 103 1/2 in., w. 78 1/2 in., d. 21 1/2 in. $2500/3500 439. English Regency Brass Inlaid Rosewood Secretary Bookcase, early 19th c., pedimented cornice, pair of glazed doors, adjustable shelves, lower case with fitted writing drawers, pair of doors, blocked base, h. 96 in., w. 48 1/2 in., d. 21 1/2 in. $2500/3500

440. Antique George III‑Style Inlaid and Paint‑Decorated Mahogany Chest in the Adam Taste, graduated drawers, bracket feet, neoclassical inlay throughout, h. 33 1/2 in., w. 33 in., d. 17 1/2 in. $800/1200 Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL.

443. French Walnut Bergère á Oreilles, 20th c., arched crest, cabochon carved winged sides, scrolled arms, floral carved seat rail, cabriole legs, scrolled toes. $1200/1800 Provenance: Kevin Stone Antiques, New Orleans.

444. Louis XIV‑Style Giltwood Pier Table, 20th c., inset marble top, dentilated molding, shaped cartouche carved frieze, blocked tapered legs, shaped stretcher, h. 32 in., w. 52 in., d. 23 in. $1500/2500

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441. George VI Limed Oak Coronation Stool, 1937, stamped Maple & Co., London, shaped seat, square molded legs, h. 18 1/2 in., w. 17 5/8 in., d. 12 3/8 in. $300/500

442. Early Georgian Oak Writing Box, 18th c., slant‑front lid, fitted interior with small drawers, molded base, h. 7 1/2 in., w. 29 in., d. 18 1/2 in. $250/350

445. Pair of Russian Neoclassical‑Style Bronze‑Mounted Mahogany Commodes, early 20th c., stepped molded top above paneled drawers, one fitted as a sécrétaire drawer with inset writing surface and small drawers, square molded tapered legs, h. 35 1/2 in., w. 35 3/4 in., d. 15 1/2 in. $3000/5000

446. French Art Nouveau Exotic Woods Inlaid Two‑Tier Serving Table, early 20th c., shaped bronze‑mounted top, fluted uprights, conforming tier with carrying handles, molded legs, incised signature, h. 30 1/4 in., w. 34 in., d. 25 in. $1200/1800

447. French Louis XVI‑Style Bronze‑Mounted Parquetry and Marquetry Games Table, 19th c., removable tray top with interior scene reversing to game board, inset leather below, frieze drawers, square tapered legs, bronze cuffs, h. 31 1/2 in., dia. 28 1/4 in. $1200/1800

448. Pair of Louis Philippe‑Style Carved Mahogany Fauteuils, shaped backs, padded scrolled arms on cornucopia supports, boxed slip seat, lappet‑carved legs, scroll toes. $1200/1800

450. Dutch Bronze‑Mounted Mahogany and Marquetry Tall Chest, 19th c., dentilated top, 6 drawers, columnar stiles, blocked feet, h. 60 in., w. 40 3/4 in., d. 20 1/4 in. $1200/1800

449. French Terracotta Figural Group of “Putto & Cherub Hunting”, late 19th/early 20th c., in the manner of Claude Michel “Clodion” (French, 1738‑1814), mythological hunting scene, h. 18 in.; oval giltwood base, overall h. 20 1/2 in. $700/1000

451. Italian Bronze of Perseus with the Head of Medusa, early 20th c., after the Renaissance bronze

by Benvenuto Cellini, inscribed “Benvenutus Cellinus” and “Vincenzo Salamone Foundry/Crafted in Naples, Italy”, base with figures of Mercury, Danae, Jupiter and Minerva in niches, marble plinth, h. 36 1/2 in., w. 11 1/2 in. $800/1200

Additional information at www.nealauction.com

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453. Napoleon III Gilt and Patinated Bronze and Marble Figural Mantel Clock, mid‑19th c., dial marked “...MARCHAND R. RICHLIEU 59”, allegorical figure representing learning, tall bronze mounted marble base, h. 27 in., w. 23 in., d. 8 1/2 in. $1000/2000 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

452. Antique Empire‑Style Bronze‑Mounted Cheval Mirror, 19th c., circular mirror with foliate border, columnar supports, paneled base, trestle legs with acanthus scroll mounts, h. 69 in., w. 44 1/2 in. $3000/4000

454. Napoleon III Gilt and Patinated Bronze Figural Mantel Clock, mid‑19th c., movement marked “Raingo Freres Paris”, reclining Classical maiden, rocaille case, h. 16 in., w. 25 in., d. 7 1/4 in. $800/1200 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

455. Pair of Gilt Bronze‑Mounted Chinese Export Imari Porcelain Covered Vases, 18th c., fluted bottle‑form bodies and domed covers, bronze grape finials, swag‑reticulated rims, wreath‑hung goat mask handles, circular bases with hairy paw feet, h. 11 3/4 in. $3000/5000

456. Six Regency Carved Mahogany Side Chairs, 19th c., gadrooned crest rails, pierced medial rails, slip seats, saber legs. $1200/1800

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457. Antique English Tôle Peinte Tray, 19th/20th c., now mounted on bamboo-form stand, h. 17 7/8 in., w. 30 1/8 in., d. 22 1/8 in. $250/350

458. English Walnut Drop‑Leaf Table, mid‑19th c., oval top, frieze drawer, turned faceted legs, casters, h. 29 in., l. 51 1/4 in., w. 25 1/2 in. $400/600

459. English Papier‑Mâché and Mother‑of‑Pearl Inlaid Sewing Table, mid‑19th c., shaped top with scene of Westminster Abbey along the Thames, finely fitted original interior, faceted tapered standard, oval plinth, scroll feet, casters, h. 29 3/4 in., w. 20 3/4 in., d. 15 1/2 in. $1000/1500

461. Louis XV Provincial Painted Side Table, 19th c., molded top, frieze with end drawers, cabriole legs, scrolled toes, later paint surface, h. 28 1/2 in., w. 31 in., d. 23 1/2 in. $800/1200

460. French or American Late Classical Mahogany Chaise Voltaire, mid‑19th c., lenin upholstery, nailhead trim. $1200/1800

463. Diminutive Provincial‑Style Painted Commode, serpentine molded top, carved drawers, shaped base, cabriole legs, h. 32 in., w. 32 1/2 in., d. 19 1/4 in. $1000/1500

462. Continental Chinoiserie Tilt-Top Tea Table, 19th c., black lacquer ground with gilt court scene and dragon border, turned support, arched sabre legs, paw feet, h. 28 3/4 in., dia. 25 in. $700/1000

464. William and Mary Walnut and Marquetry Chest of Drawers, 18th c. and later, banded top, 2 over 3 drawers with floral reserves, molded base, ball feet, h. 36 1/2 in., w. 39 in., d. 20 1/4 in. $800/1200

465. Charles II Oak Chest of Drawers, late 17th c., molded top, molded paneled drawers, molded base, block feet, h. 34 1/2 in., w. 35 1/2 in., d. 21 1/2 in. $800/1200

Provenance: A.B. Closson, Cincinnati, with label.

Additional information at www.nealauction.com

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466. Chinese Export Reverse Painting on Glass, probably 19th c., painted with 9 gentlemen in a garden setting, sight 24 1/8 in. x 27 1/4 in., period carved wood frame. $800/1200

467. Pair of Chinese Export Blue and White Porcelain Covered Tea Canisters, rectangular bodies and square lids decorated with figural landscapes, h. 12 1/4 in., w. 7 in., d. 7 in. $700/1000 470. American Federal‑Style Inlaid Mahogany Corner Cabinet, probably 19th c., molded cornice, plain frieze, glazed doors, shelf interior, base with frieze drawer flanked by small compartments, doors below, shaped apron, bracket feet, h. 83 3/4 in., w. 51 in., d. 25 in. $1200/2000

468. Georgian Carved Mahogany and Parcel Gilt Mirror, 18th c., broken arch pediment surmounted by eagle, scrolled ears, scalloped borders, pendant leaves. $800/1200 469. Regency Carved Mahogany Cheval Mirror, c. 1810, ring‑turned and blocked frame with ebonized molding, lion’s head cast brass knobs, trestle base, brass cup casters, h. 53 in., w. 24 in., d. 20 1/2 in. $300/500

471. American Late Federal Mahogany and Birdseye Maple Gentleman’s Dressing Chest, early 19th c., paneled backsplash, crossbanded drawers, tall bracket feet, h. 52 1/2 in., w. 47 1/4 in., d. 21 in. $500/1000

472. Good English Carved Mahogany Long Bench, mid‑19th c., upholstered cushion, scrolled legs, turned stretcher, h. 17 in., w. 49 1/2 in., d. 22 in. $1000/1500

473. George III Inlaid Satinwood Pembroke Table, 18th c., crossbanded drop‑leaf top, frieze drawer, chamfered support, spider legs, brass cuffs, casters, h. 28 in., w. 33 in., d. 22 1/2 in. $700/900

474. George III Inlaid Mahogany Bowfront Sideboard, late 18th/early 19th c., banded top, frieze drawer flanked by deep drawers, square tapered legs, spade feet, h. 36 in., w. 53 3/4 in., d. 25 5/8 in. $700/900 Provenance: Alfred Bullard, Inc., Philadelphia.

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475. William IV Carved Mahogany and Needlework Pole Screen, c.

1830‑1840, paneled adjustable frame, turned support, triangular plinth base, disc feet, h. 67 in., w. 26 1/4 in., d. 22 1/4 in. $400/800 476. Pair of Regency Mahogany Side Chairs, early 19th c., bead and spiral turned crest, conforming stiles with brass tacks, caned back and seat, sabre legs. with Old Governor’s Mansion label. $400/600

477. Virginia Battle Betts (American/ Mississippi, 1880‑1942), “Still Life of Mixed Bouquet with Roses in an Urn”, oil on canvas, signed lower right, 38 in. x 44 in., framed. $500/1000 Provenance: Adolphus Hotel, Dallas, TX.

478. Thomas Bigelow Craig, A.N.A. (American, 1849‑1924), “Return from Pasture, October Afternoon”, oil on canvas, signed lower left, signed and titled en verso, 18 1/4 in. x 26 in., framed. $800/1200

479. Walter Laurent Palmer (American, 1854‑1932), “Landscape with Tree Reflected in the Pond”, oil on canvas, signed with artist monogram lower right, 6 in. x 9 in., framed. $800/1200

Provenance: A New York estate.

Provenance: Estate of the artist; by descent.

480. After Raphael Sanzio (Italian, 1483‑1520), “Madonna Terranuova”, after the original in the Staatliche Museum, Berlin, oil on board, dia. 24 in., framed. $3500/4500

481. Joseph Leopold Ratinckx (Belgian, 1860‑1937), “Portrait of a Man”, 1892, pen and ink, signed and dated lower center, “P. Mellet / Encadrements / Paris” label and various inscriptions en verso, sight 11 in. x 7 in., framed. $200/300

482. Russian School Icon, 20th c., “Mother of God”, tempera and gold on panel, 8 3/4 in. x 7 in., framed within a wooden case. $400/600

483. William Shakespeare Burton (British, 1824‑1916), “East Barnet Bridge (North London, England)”, watercolor on board, signed lower right, titled lower left, 11 in. x 8 3/4 in., framed. $700/1000

484. Attributed to John Marshall (British, 1840‑1896), “City along a River at Sunset”, 1891, oil on canvas, signed “J.V. Marshall” and dated lower left, 25 in. x 39 in., framed. $800/1200 Additional information at www.nealauction.com

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485. Three Antique Prints of George IV, 19th c., one as Prince of Wales, sights 6 1/2 in. x 5 in. to 18 3/4 in. x 13 in., antique frames. $500/700 Provenance: Temple Heights, Columbus, MS.

486. Fourteen French Engravings of Mythological Scenes, from “Les Images ou Tableaux de Platte Peinture des Deux...” by Philostratus, incl. Antee, Hippolyte, Midas, Les Satyres and others, engraved by Jaspar de Isaac (French, c.

1585‑1654) and others, sights 12 1/2 in. x 8 1/8 in., framed alike (14 pcs.) $800/1200

487. Pair of Sevres‑Style Porcelain Jardinières, bleu celeste ground, reserves of cherubs and flowers, lion’s mask feet, h. 6 1/2 in., w. 13 3/4 in., d. 7 1/4 in. $700/1000

488. Group of American Federal Fireplace Accessories, late 18th/early 19th c., incl. brass andirons with double lemon top standards, h. 18 in., w. 17 in., d. 8 in.; matching pair of tongs; and brass and wirework fire fender, h. 13 1/2 in., w. 44 in., d. 12 in., (4 pcs.) $500/700 Provenance: Estates of William and Sarah McGehee, Dr. Dubs House, Natchez, MS.

489. French Gilt Brass and Tôle Fireplace Enclosure, 19th c., reticulated panels, chamfered reeded pilasters, paw feet., h. 32 1/4 in., w. 35 3/4 in., d. 15 1/2 in. $1200/1800

490. American Late Federal Brass and Wirework Fire Fender, c. 1820., urn-form finials, h. 13 in., w. 47 1/2 in., d. 16 in. $300/500

492. Chinoiserie Lacquered Wood Low Table, waisted rectangular top decorated with mounted figures, square legs, hoof feet, h. 18 1/2 in., w. 48 in., d. 24 in. $400/600

491. Antique Bronze‑Mounted Sèvres‑Style Porcelain Covered Urn in the Empire Taste, eagle finial, entwined serpent handles, gilt decoration on green ground, h. 12 3/4 in. $1000/1500

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492. Antique Carved Mahogany Music Cabinet, late 19th c., probably English or American, dentilated cornice, strapwork bound doors, stop‑fluted supports, paneled back, blocked plinth base, bun feet, h. 47 in., w. 34 3/4 in., d. 14 1/4 in. $400/800

494. Pair of Louis XV‑Style Gilt Bronze and Chinese Blue and White Porcelain Seven‑Light Candelabra, modeled as a pair of Buddhistic lions crouching on rectangular plinths, foliate candlearms mounted with colorful flower heads, rocaille bases, h. 40 3/4 in., w. 23 in. $6000/8000

495 French Empire‑Style Gilt and Patinated Bronze and Malachite Corbeille, reticulated basket over female terms, malachite plinth, h. 36 in., w. 16 in., d. 16 in. $3000/5000

497. Robert de Vaugondy (French, 1723‑1786), “Carte Generale de l’Empire des Russes en Europe et en Asie...”, 1753, engraved map on two sheets (not joined), hand‑colored in outline, with elaborate cartouche showing wind heads, polar bears and the Imperial Eagle, each 18 1/8 in. x 23 3/4 in., (2 pcs.) $600/900

498. Philippe Buache (French, 1700‑1773), “Carte de la Terres Ferme du Perou, Bresil, et du Pays des Amazones” and “Carte du Paraguay du Chili du Detroit de Magellan”, 1745, two sheet maps making the whole of South America, in outline color, from the 1703 version by Delisle, 19 in. x 25 3/4 in., (2 pcs.) $500/700

496. Pair of Monumental Rouge Marble Obelisks, typical form, paneled pedestals, molded plinths, h. 80 in., w. 19 1/2 in., d. 19 1/2 in. $3000/5000

499. Jean Baptiste Bourguignon d’Anville (French, 1697‑1782), “Premiere Partie de la Carte d’Asie...”, “Seconde Partie de la Carte d’Asie...” and “Troisieme Partie...”, 3 maps, each with 2 sheets, hand‑colored, Paris, 1751‑53, showing the whole of Asia, with ornate cartouches, joined 29 in. x 31 in.; 38 in. x 27 in. and 20 in. x 42 in. $600/900 Additional information at www.nealauction.com

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500. Baccarat “Geode” Glass Vase, marked, circular cut and molded pattern, h. 9 7/8 in. $300/500

501. Baccarat “Twist” Glass Vase, marked, h. 7 1/8 in.; together with Baccarat “Lalande” clear glass pencil holder, h. 4 1/8 in.; accompanied by original “Twist” box. $200/300

Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

504. Pair of Val St. Lambert Glass Candlesticks, marked, h. 9 1/2 in.; together with pair of Baccarat “Camel” glass ashtrays, stamped, dia. 4 1/2 in.; and small Baccarat glass dish, w. 8 in., (5 pcs.) $300/500 Provenance: New Orleans Estate.

508. Four Steuben Molded Glass Table Articles, each signed, incl. footed center bowl; “snail” dish; clear‑to‑amethyst “grotesque” bowl; and clear “grotesque” bowl, tallest h. 6 1/4 in. $800/1200 Provenance: New Orleans Estate.

502. Two Baccarat “Pacifique” and “Oceanie” Clear and Blue Glass Vases, marked, second with removable bud holder, h. 9 3/4 in. and 8 1/4 in. $300/500 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

506. Tiffany Favrile Pink Pastel Glass Compote and Candy Dish, each marked, h. 4 3/8 in. and 2 in. $400/600 505. Steuben Molded Glass Ship’s Decanter, signed, ringed neck, circular stopper, h. 10 in.; together with creamer, signed, h. 3 1/8 in.; and sugar bowl, signed, h. 2 5/8 in., (3 pcs.) $300/500

Provenance: New Orleans Estate.

Ill.: Steeg, Moise S. Tiffany Favrile Art Glass. Atglen: Schiffer, 1997, p. 169 & 172.

503. Baccarat “Harmonie” Glass Water Pitcher, marked, h. 8 1/3 in.; together with pair of covered mustard jars with spoons, marked, h. 4 1/2 in.; and covered jam jar, marked, h. 5 3/4 in., (4 pcs.) $400/600 Provenance: New Orleans Estate.

507. Six Steuben Molded Glass Table Articles, each signed, incl. center bowl; fruit bowl; pair of footed tazzas; scrollwork candelabrum; and vase, tallest h. 6 3/4 in. $700/1000 Provenance: New Orleans Estate.

Provenance: New Orleans Estate.

509. Three Lalique Art Glass Pieces, each marked, incl. a “Filicara” green bud vase, h. 4 1/2 in.; an “Enfants” lidded box, h. 3 1/4 in.; and a “Duncan” perfume bottle, h. 7 7/8 in. $400/600

511. Four Meissen Porcelain Figural Groups, crossed swords marks, incl. couple picking apples, h. 10 3/8 in.; cherub climbing a tree, h. 9 1/4 in.; flower‑laden beauty with dog, h. 7 3/4 in.; and bowing gallant, h. 7 1/2 in. $400/800 510. Italian Patinated Bronze Equestrian Group of “Bartolomeo Colleoni on Horseback”, 20th c., after the Renaissance bronze by Andrea del Verrocchio, h. 25 in. $1200/1800

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Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

512. Chinese School, probably 20th c., “Tall Cliffs and Sailing Vessels”, ink and color on paper, inscribed and sealed upper left, sight 35 in. x 19 7/8 in., framed. $800/1200

513. Pair of Paris Porcelain Covered PotPourri Urns, 19th c., campagna urns with lion mask handles, polychrome birds and flowers, gilt accents, h. 9 3/4 in. $500/700

514. Paris Porcelain Portrait Cup and Saucer, mid‑19th c., cup h. 3 3/8 in., saucer dia. 7 in.; together with Jacob Petit candlestick, “J.P.” mark, h. 4 5/8 in.; pair of “schneeballen” encrusted scent bottles, h. 6 1/2 in.; and 2 figures representing “Winter” and “Fall”, crown over crossed batons marks, h. 14 in. and 14 1/4 in., (7 pcs.) $200/400

515. Pair of Chinese Jade “Trees”, naturalistic fabric‑wrapped branches with spinach green leaves and creamy white flowers, in rectangular cloisonné enamel jardinières, h. 15 in. $500/700

Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

516. Monumental Pair of Chinese Bronze Buddhist Lions, each modeled crouching with its front paws resting on a lion pup, h. 29 in., w. 43 in., d. 19 in. $4000/6000

517. Thai Bronze Head of a Crowned Buddha, cast with a down‑turned serene expression beneath a crown with four curving points, seal mark, h. 13 1/4 in., mounted on a marble base, overall h. 18 in., w. 9 1/4 in., d. 6 1/8 in. $500/700

518. Chinese Carved Hardwood Waisted Corner‑Leg Table, probably Huanghuali, framed four panel top, narrow waist, apron and squared scrolled legs exuberantly carved with dragons and cloud scrolls, block feet, h. 33 in., w. 80 1/2 in., d. 39 1/2 in. $5000/7000

519. American “Laurel” Pattern Cast Iron Bench, mid‑19th c., foliate back, griffin cabriole legs, claw feet, h. 28 in., w. 42 1/4 in., d. 29 in. $1000/1500

520. Pair of American Cast Iron Garden Urns, 19th c., mask handles, figural relief, h. 27 in., w. 24 1/2 in., d. 19 in. $800/1200

Additional information at www.nealauction.com

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522. Americo Makk (Hungarian/Hawaii, b.

1951), “Gondolas”, oil on canvas, signed lower right, signed and titled en verso, 20 in. x 16 in., framed with brass artist plaque. $1500/2500

521. Felix Albert Gendrot (American, 1866‑1955), “After the Rain”, oil on canvas, signed lower right, “Third Annual Exhibition of Cleveland Artists” label with title en verso, 14 in. x 20 in., framed. $700/900 525. English Delft Polychrome Pottery Chinoiserie Charger, 18th c., decorated with a figure in a landscape, rim banded with rock and floral outcroppings, dia. 13 1/2 in. $500/1000 523. Bohemian Porcelain Partial Dinner Service, 19th c., marked “J.F. LENZ OF ZELL”, incl. 23 dinner plates, (dia. 10 in.), 4 salad plates; 3 saucers; 2 serving platters, l. 14 1/2 in.; covered sauce tureen; covered vegetable dish; compote; trivet; and candle snuffer, (37 pcs.) $400/600

524. Twelve Brownfield & Son Porcelain Botanical Plates, late 19th c., marked, gilt and cobalt borders, dia. 9 3/8 in. $150/250

Provenance: Estate of Dorothy Cooke, Wilson, NC.

Provenance: Gift of Boyd Cruise to friend and French Quarter neighbor, Bessie Jones, thence by descent.

526. Eight Mason’s Ironstone Blue and White Dishes, 19th c., variously marked, incl. pitcher, h.

7 1/4 in.; bowl, dia. 9 3/4 in.; and 6 plates, dia. 9 3/8 in.; together with pair Mason’s polychrome dishes, dia. 8 1/2 in., blue and white ironstone basket, l. 10 3/4 in., and ironstone dish, dia. 7 1/8 in., (12 pcs.) $300/500 Provenance: New Orleans Estate.

527. Pair of Louis XVI‑Style Gilt Bronze‑Mounted Porcelain Jardinières, polychrome floral reserves, h. 5 1/2 in., w. 7 1/4 in., d. 6 1/4 in. $500/750

528. Antique Keshan Carpet, signed, tan ground, diamond central medallion, overall stylized floral motif, 11 ft. 2 in., 8 ft. 11 in. $800/1200

529. Semi‑Antique Persian Carpet, pale rose ground, cream border, overall stylized floral motif, 13 ft. 1 in. x 12 ft. 11 in. $1200/1800

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530. Semi‑Antique Persian Carpet, navy blue ground, tan border, overall stylized floral motif, 13 ft. 11 in. x 10 ft. 8 in. $1200/1800

533. Semi‑Antique Persian Heriz Carpet, red‑orange central field, navy blue border, overall stylized foliate pattern, 10 ft. x 13 ft. 3 in. $3500/4500

536. Persian Ardabil Carpet, light brown central field, cream border, overall stylized floral pattern, 6 ft. 10 in. x 9 ft. 8 in. $1000/1500

531. Antique Persian Bactairie Carpet, red, cream, and navy blue central field with repeating stylized “garden” motifs, 9 ft. 2 in. x 12 ft. 6 in. $3000/4000

532. Semi‑Antique Persian Tabriz Carpet, red central field, floral central medallion, overall stylized floral pattern, 9 ft. 7 in. x 12 ft. 8 in. $2000/3000

534. Semi‑Antique Persian Shiraz Carpet, red central ground with lozenges, navy blue border, overall stylized foliate pattern, 7 ft. x 9 ft. 1 in. $800/1200

535. Persian Hamadan Carpet, red central field, navy blue border, overall stylized floral pattern, 5 ft. 5 in. x 9 ft. 6 in. $1000/1500

537. Semi‑Antique Persian Shiraz Carpet, red central ground, hexagonal central medallion, stylized animal and floral motifs, 6 ft. 10 in. x 9 ft. 1 in. $800/1200

538. Antique Persian Qashqai Carpet, red‑orange central ground, overall stylized geometric pattern, 5 ft. 5 in. x 8 ft. 7 in. $800/1200 Additional information at www.nealauction.com

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539. Antique Persian Qashqai Carpet, red central ground, overall stylized geometric pattern, 5 ft. 5 in. x 8 ft. $800/1200

542. Oushak Rug, sage green ground, overall stylized floral motif, 12 ft. 7 in. x 5 ft. 1 in. $400/600

545. Six Antique Maps of Europe, 1700‑1760, hand‑colored in outline, incl.

“La Sicile” and “Le Royaume de Danemark” by Jaillot; “Les Couronnes du Nord Comprenant de Suede, Danemarck et Norwege” by Janvier; and “Cartes de la Grece”, “Carte de Suisse”, “Carte de la Turquie...” by Buache/Delisle, sheets 21 in. x 29 in. $500/700

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540. Antique Persian Mahal Carpet, red central ground, diamond‑shaped central medallion, overall stylized floral pattern, 4 ft. 1 in. x 6 ft. 9 in. $600/800

543. Persian Kerman Carpet, navy blue central ground, “Tree of Life” central medallion, overall foliate and floral pattern, 11 ft. 6 1/2 in. x 15 ft. 5 in. $1200/1800

546. Four Antique French Maps of Holland and Belgium, incl.

“Partie Septentrionale des Pays Bas...”, “Partie Meridionale des Pays Bas”, both

by Janvier, 1760, with cartouche on stern of a ship; “Carte du Comte de Flandre...”, 1745, by Buache (after Delisle’s 1704 version); and “Picardie, Artois, Boulenois...”, 1769, by Vaugondy; outline color, each about 19 in. x 25 in. $500/700

541. Peshawar Carpet, red ground, cream border, overall stylized floral motif, 11 ft. 8 in. x 8 ft. 10 in. $1000/1500

544. Sixty‑Four Antique French Maps, 1761, from Atlas Methodique et Elementaire de Geographie..., published

by Louis Desnos, Paris, hand‑colored engravings, 14 showing astronomical subjects, many of historical views, sheets 18 in. x 24 in. $600/900

547. Lalique Amber Frosted Glass Plate, engraved “Lalique France”, molded floral rim, dia. 12 3/4 in. $150/250 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

548. Two Baccarat “Tornado” and “Spirale” Glass Vases, marked, h. 10 5/8 in. and 9 in. $500/700 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

550. Four Baccarat Glass Candlesticks, marked, molded geometric pattern, h. 2 in. $150/250 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

549. Two Baccarat “Edith” and “Rose” Glass Vases, marked, h. 7 1/4 in. and 11 1/3 in. $200/300 Provenance: Estate of Dr. Roger Hatchette, New Orleans, LA.

553. Pair of Bohemian White Cut‑to‑Cranberry Glass Lusters, late 19th c., gilt‑decorated baluster‑form bodies hung with cut glass prisms, h. 12 3/8 in. $700/1000

551. Hawkes Brilliant Cut Glass Covered Jar, late 19th/early 20th c., marked, with hobstars, pinwheels, and diamonds, h. 9 3/4 in. $300/500

552. Jules Printemps (French, 1831‑1899), “Bust of a Lady in Lace Bodice”, 1886, marble, inscribed “Printemps” and dated, h. 29 1/4 in. $500/700 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

554. Portuguese‑Style Horn Mirror, ripple molded borders, ogee surround. $700/1000

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

555. English Carved Rosewood Canterbury, mid-19th c., pierced lyre form dividers, h. 17 3/8 in., w. 22 1/4 in., d. 17 in. $400/600

556. Pair of Paris Porcelain Amphora Vases, 19th c., with courting couples and floral panels on a gilt decorated green ground, gilt scroll handles, h. 11 1/2 in. $300/500

557. Antique Lemaire Paris Mother‑of‑Pearl and Brass Opera Glasses, adjustable h. 2 1/8 in. to 2 7/8 in., original leather case. $100/150 Provenance: New Orleans Estate.

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

559. Pair of American Carved Oak Wall Brackets, 19th c., opposing eagle supports with fruit, scalloped shelves, h. 23 in., w. 21 1/2 in., d. 9 in. $500/1000 558. Pair of Baccarat‑Style Gilt Metal‑Mounted Cut Crystal Vases, swan handles, tall plinth, mounted as lamps, vase h. 18 in. $800/1200

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Additional information at www.nealauction.com

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560. [20th Century Artist Reference Books], 12 books incl. D. Duncan, Picasso’s Picasso, 1961 (2 copies); K. Gallwitz, Picasso, The Heroic Years, 1985; W. Rubin, ed., Picasso and Portraiture: Representation and Transformation, 1996; Doreen Bolger and Marc Simpson, eds., William M. Harnett, 1992; J. Zilczer, Willem DeKooning from the Hirshhorn Museum Collection, 1993; H. Adams, Thomas Hart Benton: An American Original, 1989; C. Marks, World Artists, 1950‑1980, 1984; and others.

$150/250

561. [Mardi Gras], Mystick Krewe of Comus Parade Bulletin, February 26th, 1895, “Carnival Edition of the Picayune”, T. Fitzwilliam & Co. lithographer, New Orleans, theme: “The Songs of Long Ago”, framed. $400/600

562. [Mardi Gras], Krewe of Proteus Parade Bulletin, February 18th 1890, “Carnival Edition of the Picayune”, T. Fitzwilliam & Co., lithographer, New Orleans, theme: “Elfland”, framed. $400/600

563. [Mardi Gras], “1957 Rex Court, Rex Clifford F. Favrot, Queen Charlotte Parker and Maids Suzanne Penick, Constance Carriere, Carol Stanley, Elizabeth Pratt, Mary Kay Oakley, Kathryn Eshleman, Jane Anderson and Alice Duffy”, off set lithograph, sight 18 3/4 in. x 15 in., framed. $200/400

564. Group of Mardi Gras Memorabilia, 20th c., incl. Comus Reception goblet engraved from Mr. Pickwick, Reed & Barton sterling silver; silverplate Elves of Oberon and Knights of Momus centennial. $150/250

565. [Mardi Gras], Knights of Momus, centennial sterling silver and enamel ball favor pin, 1972, theme “Merry Moments of Momus”; and Rex, lady’s pin, 2002, theme “Royal Jazz”, with original box. $100/200

567. Three Vintage Framed Butterfly Specimens, 14 1/2 in. x 19 in. $400/600

568. Two Vintage Framed Butterfly Specimens, 15 3/4 in. x 19 1/2 in. $400/600

569. [Costume Reference Books], 10 books incl. M. Davenport, The Book of Costume, 2 vols, 1948; L.S. Dubin, The

566. [Mardi Gras], “Rex Mardi Gras Proclamation”, March 2nd, 1965, sight 18 1/2 in. x 13 1/2 in., framed. $100/200

History of Beads from 30,000BC to the Present, 1987; J. Evans, The History of Jewelry, 1100‑1970, 1970; D. Gorsline, What People Wore, 1952; M. Contini, Fashion, From Ancient Egypt to the Present Day, 1965; and others. $150/250

571. Pair of Charles X‑Style Gilt Bronze‑Mounted Cut Glass Jardinières, diaper pattern bodies, ram’s head handles, bun feet, h. 10 1/2 in., w. 16 1/2 in., d. 13 3/4 in. $2000/3000

572. St. Louis “Bubbles” Pattern Red Crystal Stemware, incl. 8 champagne flutes, h. 9 1/4 in.; 8 hocks, h. 9 1/2 in.; and 8 dessert coupes, most with original boxes, h. 4 3/4 in., (24 pcs.) $700/1000

570. Pair of Monumental French Orientalist Cold Painted Metal Urns, c.

1900, Louis Hottot, Paris, inscribed “L. Hottot”, each with tiered pairs of opposing Nubians, h. 46 in., w. 20 1/2 in. $4000/6000

573. St. Louis “Bubbles” Pattern Green Crystal Stemware, incl. 8 champagne flutes, h. 9 1/4 in.; 7 hocks, h. 9 1/2 in.; and 8 dessert coupes, most with original boxes, h. 4 3/4 in., (23 pcs.) $700/1000

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574. St. Louis “Bubbles” Pattern Chartreuse Crystal Stemware, incl. 12 champagne flutes, h. 9 1/4 in., 11 hocks h. 9 1/2 in., and 10 dessert coupes, most with original boxes, h. 4 3/4 in., (33 pcs.) $600/800

575. St. Louis “Bubbles” Pattern Amethyst Crystal Stemware, incl. 8 champagne flutes, h. 9 1/4 in., 8 hocks, h. 9 1/2 in., and 8 dessert coupes, most with original boxes, h. 4 3/4 in., (24 pcs.) $500/700

Additional information at www.nealauction.com

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578. Korean Inlaid Celadon Stoneware Bowl, Goryeo Dynasty (918‑1392), interior white slip‑inlaid with five lychee clusters centering a chrysanthemum floret, exterior with floral medallions in white and iron slip, Sotheby’s lot tag, h. 2 5/8 in., dia. 8 in. $1000/1500

576. Collection of African Objects, Jewelry and Textiles, incl. Ivory Coast carved wood figural weaving pulling, h. 6 1/2 in.; 2 harps, h. 14 1/2 in. and 7 1/4 in.; 2 Nigerian copper bracelets, dia. 2 in.; Nigerian iron necklace, l. 25 5/8 in.; Ghanian leg rattle, dia. 4 3/4 in.; 2 Asante bronze weights, h. 2 3/8 in.; and 6 cotton textiles, incl. tunic, l. 51 in., (15 pcs.) $125/150 Provenance: Property of the High Museum of Art, Atlanta, GA; sold to benefit future acquisitions.

577. Bong Tae Kim (South Korean, b. 1937, act. California, 1960s‑70s), “Fugue III”, c. 1974, intaglio on paper, pencil‑signed, titled and numbered “24/75” lower margin, 20 in. x 39 1/4 in., framed. $400/600

Provenance: Accompanied by a copy of the Sotheby’s, NY, lot 271, invoice, dated Dec. 7, 1983.

Provenance: Acquired from the artist.

579. Korean Blue and White Porcelain Water Dropper, probably 19th c., octagonal body, scroll spout, 8 incurvate feet, top freely decorated with foliage, h. 1 1/2 in., w. 2 3/4 in. $400/600 Provenance: Uptown New Orleans Collection.

580. Chinese Green Glazed Pottery Dog, probably Han Dynasty (206 BCE‑220 CE), standing foursquare with open‑mouthed raised head and pricked ears wearing a harness and collar, overall degraded iridescent green glaze, h.

12 1/2 in., l. 12 1/2 in. $1000/1500

581. Chinese Pottery Warrior, probably Han Dynasty (206 BCE‑220 CE), modeled standing with arms crossed at chest, trace pigment, h. 7 1/2 in., wood stand, overall h. 8 3/8 in. $600/800

Provenance: Accompanied by a copy of the Allen’s Antiques (Author and Collector Anthony J. Allen), New Zealand, invoice, dated June 28, 1999.

Provenance: Ed Murphy, American antiques dealer, Sept. 8, 1976.

583. Rare Chinese Partial Glazed Pottery Bodhisattva, probably Tang Dynasty (618‑907), crowned figure with leaf‑form mandorla wearing long robes standing on a waisted lotus base, Christie’s lot tag, h. 7 1/4 in. $1000/1500 Provenance: Accompanied by a copy of the Apr. 16 & 17, 1985 Christie’s, London, catalogue page for lot 113.

584. Chinese Partial Glazed Pottery Earth Spirit, probably Tang Dynasty (618‑907), unicorn guardian modeled seated on its haunches with tall curling horn, large ears and severe human face, h. 12 in. $1000/1500 Provenance: Accompanied by a copy of the Apr. 16 & 17, 1985 Christie’s London catalogue page for lot 116.

582. Chinese Stone Panel, probably Northern Wei Dynasty (386‑534), rectangular wall‑form with Han‑style roof, carved to the face with birds, horse, and figure, h. 7 in., w. 8 7/8 in., wood stand, overall h. 8 5/8 in., w. 9 3/8 in. $1500/2500 Provenance: C. K. Chan Gallery, NY, Jan. 27, 1980.

586. Chinese Junyao Stoneware “Bubble” Bowl, probably Song/Yuan Dynasty (960‑1368), milky‑blue glaze thinning to mushroom at the mouth, reddish‑purple splash to interior and on glazed base, h. 2 1/8 in., dia. 4 3/8 in. $1000/1500

585. Pair of Chinese Pottery Equestriennes, probably 20th c., galloping horses mounted by female riders holding birds, h. 10 5/8 in., l. 15 1/4 in., wood stands, overall h. 12 3/4 in., accompanied by Milton Nussbaum correspondence, dated Apr. 3, 1977 concerning the purported provenance. $200/300 Provenance: Reputedly, with Mr. and Mrs. Karl Hoblitzelle, Dallas; Milton Nussbaum, New Orleans; New Orleans Estate.

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Provenance: Accompanied by a copy of the Robert C. Eldred & Co., MA, lot 58, invoice, dated Aug. 22, 1984.

587. Chinese Anhua Decorated Blue and White Porcelain Footed Dish, probably Yuan Dynasty (1271‑1368), bell‑form sides tapering toward the foot, interior decorated with a mandarin fish amid water reeds encircled by an anhua floral band beneath scrolling vines at the rim, exterior with vining flower heads above radiating petal lappets, “heaping and piling” throughout, h. 2 in., dia. 4 1/2 in. $5000/7000 Provenance: Present owner indicates that this lot was acquired from an old New England collection.

588. Chinese Cizhou Pottery Figure, probably Ming Dynasty (1368‑1644), male figure modeled seated behind a mythical beast, h. 11 in. $400/600 Provenance: The Oriental Impression, 1984.

589. Chinese Turquoise Blue Glazed Pottery Covered Censer, probably Ming Dynasty (1368‑1644), lingzhi‑finialed and ruyi‑pierced cover, waisted tiered neck, flange handles, bulbous rectangular body molded with dragons‑and‑pearls and characters, mask feet, h. 10 1/2 in., w. 7 in., d. 4 3/4 in. $1000/1500

590. Large Chinese Blue and White “Kraak” Porcelain Deep Dish, probably late Ming Dynasty (1368‑1644), decorated with a central deer amid foliage, cavetto with flower sprays beneath a floral and diaper rim, h. 3 5/8 in., dia. 15 1/8 in. $600/800 Provenance: New Orleans Estate.

591. Pair of Chinese Bronze Figures of Longnü and Shancai, probably Ming Dynasty (1368‑1644), each modeled wearing celestial scarves standing on a lotus base borne on waves, Longnü carrying the pearl of light and Shancai with palms joined at his chest, h. 5 7/8 in. $2000/3000

Additional information at www.nealauction.com

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592. Chinese Blue and White Porcelain “Lotus Bouquet” Dish, probably Ming Dynasty (1368‑1644), shallow bowl‑form body decorated with a central ribbon‑tied bouquet of lotus and other plants, cavetto and exterior with foliate bands, “heaping and piling” throughout, unglazed base, h. 2 3/8 in., dia, 12 3/4 in. $15000/20000 Provenance: Present owner indicates that this lot was acquired from an old New England collection.

593. Chinese Partial Gilt and Lacquered Bronze Buddha, probably Ming Dynasty (1368‑1644), modeled seated in dhyanasana atop a double lotus base with hands held in dhyana mudra and bhumisparsha mudra, h. 9 1/4 in, w. 5 5/8 in. $1200/1800

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594. Chinese Blue and White Porcelain Sleeve Vase, probably 17th c., decorated with 4 warriors in a rocky landscape beneath a band of upright leaves encircling the waisted neck, h. 15 1/2 in. $6000/8000

595. Chinese Wucai Porcelain Covered Jar, probably mid‑17th c., ovoid body decorated with 3 mythical beast panels, domed cover with Buddhist emblems, h. 14 1/4 in. $1200/1800

596. Chinese Yellow Glazed Porcelain Dish, probably 17th c., interior walls and well incised with dragons pursuing the flaming pearl, exterior with waves and rocks, h. 1 1/4 in., dia. 5 5/8 in. $1500/2500

Provenance: Accompanied by a copy of the China House of Arts, NY, invoice, dated Apr. 5, 1982; New Orleans Estate.

599. Chinese Gilt Bronze Buddha and Silk‑Wrapped Scroll, probably 17th c., crowned figure modeled seated in dhyanasana atop a double lotus base with hands held in dhyana mudra, h. 6 in., w. 4 1/8 in.; the “scroll” wrapped in yellow silk cover, l. 4 in., (2 pcs.) $2000/3000 597. Chinese Blue and White Decorated Copper Red Ground Porcelain Jar, probably Qing Dynasty (1644‑1911), tapering globular body decorated with a band of 2 dragons pursuing the flaming pearl beneath radiating leaf tips at the shoulder and floral scrolls above the tall foot, base with Longqing mark, h. 8 in. $3000/5000

598. Chinese Famille Verte Porcelain “Four Seasons” Dish, probably 17th c., interior painted with a central flower head encircled by radiating panels of prunus, peony, lotus, and chrysanthemum, exterior with flower sprays, base marked, h. 2 5/8 in., dia. 14 1/8 in. $800/1200

Note: The scroll that accompanies this lot was found within the incense filled cavity of the figure after the base plate was removed.

600. Chinese Famille Rose Porcelain “Sanduo” Bowl, Qianlong Mark and probably Period (1736‑1795), deep, rounded sides decorated with fruiting peach, pomegranate and lychee branches, base with Qianlong seal mark, h. 2 3/4 in., dia. 5 7/8 in. $15000/25000 Provenance: Doyle New York.

Additional information at www.nealauction.com

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601. Chinese Gold‑Splashed Bronze Censer, rectangular body with square loop handles on 4 square feet, base with Xuande mark, h. 3 3/4 in., w. 8 1/2 in., d. 4 3/4 in., reticulated zitan cover with soapstone ruyi finial and zitan stand, overall h. 12 1/2 in. $1000/1500

603. Fine Antique Chinese or Korean Gilt Bronze Maitreya, modeled seated deep in thought in the position of ‘royal ease’ upon an openwork barrel‑form throne borne on 4 sinuous dragons encircling the round base, h. 7 1/2 in., accompanied by a copy of a Kenneth Jay Linsner appraisal report opining that the figure offered here dates to the Northern Song Dynasty. $4000/6000

602. Chinese Blue Silk Kesi Panel, worked in slit‑weave technique with a beautiful lady holding a censer beside a spotted deer, h. 47 1/2 in., w. 27 in., fringe. $1200/1800

605. Chinese “Blanc‑de‑Chine” Porcelain Buddhist Lion, probably Qing Dynasty (1644‑1911), seated on a rectangular plinth resting a paw on a brocade ball and grasping a ribbon in its jaws, a joss stick holder at its back side, h. 10 1/2 in. $600/800 Provenance: Lark Mason, NY, c. 2012.

606. Chinese Blue and White Porcelain Dragon Jar, probably late 18th/19th c., decorated with a dragon amid clouds in pursuit of the flaming pearl, h. 8 in., wood cover and stand, overall h. 11 3/8 in. $800/1200 604. Chinese Hardstone and Mother‑of‑Pearl Embellished Black Lacquer Panel, shaped rectangular form with applied bird‑and‑flower decoration, h. 28 7/8 in., l. 38 1/8 in., cloisonné enamel hanger. $2500/3500

Provenance: Ex‑Collection Mr. and Mrs. William C. Heuston, Boulder, CO, accompanied by a copy of their purchase invoice from Ming’s, Honolulu, dated Sept. 1, 1950.

Exh.: The Boulder Arts Center, Mar. 15 to Apr. 5, 1979.

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607. Pair of Chinese Blue and White Porcelain Lotus Bowls, probably 19th c., thinly potted bell‑form bodies decorated around the exteriors with scrolling lotus, bases with Qianlong marks, h.2 1/8 in., dia. 3 5/8 in. $1000/1500

608. Chinese Celadon Porcelain Vase, probably 19th c., rectangular spade‑form body with elephant mask handles, finely carved and slip‑decorated with lotus heads and foliage, base with Qianlong mark, h. 4 3/8 in. $1000/1500

609. Chinese Soapstone “Eight Immortals” Mountain, probably 18th/19th c., celadon boulder finely carved with the Eight Daoist Immortals carrying their attributes amid clouds and rocks, h. 15 1/8 in., w. 12 in. $6000/8000 Provenance: Accompanied by a copy of the Ashkenazie & Co., SF, invoice, dated July 25, 1985.

610. Large Chinese Bronze Censer, waisted neck, globular body with upright scroll handles, lion’s mask feet, elaborately relief‑cast with dragons pursuing flaming pearls, apocryphal Qianlong mark, h. 17 3/4 in., w. 19 1/4 in., carved marble stand, overall h. 22 3/4 in. $1800/2500

611. Three Chinese Cream Glazed Pottery Vessels, probably 19th c. and earlier, incl. garlic head bottle vase with handles, h. 11 1/2 in.; pitcher, h. 7 7/8 in.; and bottle vase encircled by dragon, h. 5 7/8 in. $300/500 Provenance: New Orleans Estate.

612. Three Chinese Porcelain Bottle Vases, probably 19th c. and earlier, incl. copper‑red, blue and white, h. 4 in.; blue and white, h. 6 3/4 in.; and celadon, h. 5 1/4 in. $300/500 Provenance: The celadon vase accompanied by a copy of the Manheim Galleries, New Orleans, invoice, dated July 15, 1976; New Orleans Estate.

613. Three Chinese Porcelain Seal Paste Boxes, probably Qing Dynasty (1644‑1911), incl. 2 blue and white, dia. 2 3/4 in. and 2 7/8 in.; and 1 peachbloom, dia. 3 in. $150/250 Provenance: New Orleans Estate.

614. Large Chinese Famille Verte Decorated Powder Blue Ground Porcelain Baluster Vase, probably 19th c., slender body decorated with figural and flowering branch panels on a blue ground with gilt scrolling vines, h. 20 1/2 in., now mounted as a lamp, h. (to socket) 27 in. $1000/1500

615. Sino‑Tibetan Gilt Bronze Mahakala, probably 19th c., crowned figure with flame‑like hair wielding a double‑edged sword standing in prataylidhasana atop the prone figures of a human and horse on separate base, h. 6 3/8 in. $1500/2500

Additional information at www.nealauction.com

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617. Chinese Cloisonné Enamel Meiping Vase, probably late 19th/ early 20th c., decorated with 5 dragons pursuing the flaming pearl above a band of crashing waves at the foot, base with Qianlong mark, h. 13 1/4 in. $1500/2500

616. Chinese Chased Pewter Portable Food Container, probably late 19th/early 20th c., quadrilobed body, bail handles, ruyi feet, cover surmounted by 2 qilong, interior fitted with 4 covered bowls and 3 stem saucers, touchmarks, h. 6 1/2 in., w. 14 in., d. 14 in. $600/800

618. Chinese Cloisonné Enamel Vase, probably early 20th c., ribbed baluster body decorated with flower heads, characters and auspicious emblems, base with Qianlong mark, h. 15 1/4 in. $1000/1500

620. Chinese Duan Stone Inset Hardwood Table Screen, probably 20th c., rectangular panel carved with a pine tree, rocks and grasses, reverse inscribed, Jiaqing mark, h. 12 in., w. 16 in., set in a hardwood stand, overall h. 17 1/4 in., w. 17 1/4 in., d. 7 1/8 in. $1200/1800

619. Large Chinese Bronze Qilin, probably 20th c., modeled in striding position with head and tail held erect, Qianlong mark, h. 20 in., w. 23 in. $1200/1800

621. Two Chinese Silver Cups, probably 19th/early 20th c., incl. hexagonal‑form with prunus decoration, marked “WH” for Wang Hing, h. 1 3/8 in.; and floriform with dragon handle and floral decoration, marked, h. 1 3/8 in. $500/700

624. Chinese Wucai Porcelain Dragon Bowl, probably 19th c., exterior decorated with four Daoist Immortals, pine trees and tasseled lanterns, interior with dragon roundel, base with Wanli mark, dia. 5 3/8 in. $400/600 622. Chinese Scholar’s Rock, naturalistically modeled reddish craggy stone rising to a head from a tapered base, h. 26 1/4 in., wood stand, overall h. 30 1/2 in. $800/1200

625. Pair of Chinese Famille Rose Porcelain Wine Cups, probably 20th c., bell‑form bodies decorated with flowering plants, bases with Yongzheng marks, h. 2 3/4 in., dia. 3 1/4 in. $150/250

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623. Chinese Blue, White and Copper Red Decorated Celadon Porcelain Baluster Vase, probably 20th c., relief‑molded with Immortals on a slightly crackled pale green ground, h. 22 1/4 in. $400/600 626. Chinese Famille Rose Porcelain Brush Pot, probably 20th c., cylindrical body finely enameled with boaters on a lake within a mountainous village landscape, inscribed and sealed, red‑orange glazed base with gilt Qianlong poem, h. 5 3/8 in., dia. 4 1/4 in. $1000/2000 627. Chinese Famille Rose Porcelain Bottle Vase, probably Republic Period (1912‑1949), pear‑form body decorated with the “Seven Sages of the Bamboo Grove” and two attendants, base with Qianlong mark, h. 6 5/8 in. $1000/1500

629. Chinese Jadeite Bangle Bracelet, semi‑translucent green stone with a large lavender patch, dia. 2 7/8 in. $400/600

630. Chinese Jadeite Bangle Bracelet, semi‑translucent green, white and pale lavender stone, dia. 3 1/4 in. $300/500

631. Chinese Jadeite Bangle Bracelet, semi‑translucent white stone with pale green patches, dia. 2 3/4 in. $200/400

628. Chinese Hardstone Tripod Censer, probably early 20th c., domed cover with Buddhist lion finial, globular body carved with dragons, lion’s mask‑loose ring handles, lion’s mask feet, base with Qianlong mark, h. 6 1/4 in., w. 8 1/2 in. $2000/3000

632. Chinese Bronze Covered Censer, rectangular body with side flanges and square loop handles, reticulated cover with Buddhist lion final, base with seal mark, h. 9 1/2 in., w. 10 in., d. 5 1/2 in. $800/1200

636. Two Chinese Pale Celadon Jade Openwork Plaques, incl. rectangular‑form, carved with the He He twins, h. 2 1/4 in., w. 2 1/2 in.; and ruyi‑form, carved with three sages, h. 2 1/4 in., w. 3 1/8 in. $200/400

640. Chinese Partial Green Painted Cinnabar Lacquer Circular Box and Cover, probably early 20th c., slightly lobed body carved to the top with figures before a series of pavilions, sides with auspicious fruit and Daoist Immortals, base with Qianlong mark, h. 4 1/8 in., dia. 7 1/2 in. $600/800

633. Pair of Chinese Polychrome Porcelain Vases, probably early 20th c., square baluster bodies with lion‑mask ring handles, painted in muted enamels with birds and flowering branches, two facets with inscriptions, h. 22 1/4 in. $800/1200

637. Five Chinese Pale Celadon Jade Pendants, each of circular form with carved and pierced decoration, 1 banded in white metal, dia. 2 in. to 2 1/4 in. $150/250

641. Near Pair of Chinese Lacquer Covered Baluster Jars, decorated throughout with leafy scrolling vines on orange‑red grounds, h. 15 3/4 in. $600/800

634. Large Chinese Famille Rose Porcelain Rouleau Vase, probably early 20th c., overall applied decoration on a pale turquoise blue ground strewn with flowers, branches, fruit, and auspicious emblems, base with Tongzhi mark, h. 23 1/2 in., wood stand, overall h. 25 3/8 in. $700/900

638. Pair of Chinese Translucent Green “Beijing” Glass Vases, faceted bottle‑form bodies, h. 8 1/2 in. $500/700

635. Pair of Chinese Appliqué Embellished Silk Fans, probably late Qing Dynasty (1644‑1911), each decorated with celebrating figures before a gate, h. 20 1/2 in., shadowbox frames. $300/500

639. Chinese Pressed Amber or Amber‑Like Figure of Guanyin, probably 20th c., modeled seated on a double lotus base before a flaming aureole, h. 14 in., w. 6 3/4 in., d. 3 3/4 in. $300/500

642. Japanese Arita Blue and White Porcelain “Namban” Bowl, probably late Edo Period (1603‑1868), octagonal body decorated on the exterior with alternating figural and patterned panels, interior well with a kirin, base with collection numbers, h. 4 1/4 in., dia. 7 7/8 in. $1000/2000 Provenance: Lark Mason, NY, 2014.

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643. Pair of Japanese Patinated Bronze‑Mounted Polychrome Porcelain Vases, probably Meiji Period (1868‑1912), ovoid bodies painted with geese in flight on a moonlit night, bronze foliate rims and reticulated bases on scroll feet, h. 15 1/4 in. $1000/1500

646. Japanese School, “Birds beneath Seasonal Branches”, 3 paintings, each ink and color on paper, 2 inscribed and sealed lower right, 1 inscribed and sealed lower left, 47 in. x 14 1/2 in., each mounted alike as hanging scrolls (2 roller ends lacking), inscribed box. $400/600 Provenance: Estate of Representative Joe D. Waggoner (1918‑2007), Bossier Parish, LA.

644. Pair of Gilt Bronze‑Mounted Japanese Imari Porcelain Covered Jars, Meiji Period (1868‑1912), faceted ovoid bodies and domed covers decorated with flowers, flowering branches and shishi panels, bronze acorn finials, rims and plinth bases, h. 14 1/2 in. $700/900

647. Hiroshi Yoshida (Japanese, 1876‑1950), “Castle of Chillon” and “Isola Bela [sic]”, 2 woodblock prints, each signed and sealed in plate, pencil signed lower margin, titled lower left, image 5 x 3 1/4 in. and 3 1/4 in. x 5 in., sheet 8 5/8 in. x 6 5/8 in. and 6 1/4 in. x 8 1/2 in., matted and framed alike, (2 pcs.) $300/500

650. Pair of Japanese Imari Porcelain Jardinières, tapering U‑form bodies with wide everted rims, decorated with potted plants and rabbit cartouches, h. 13 1/2 in., dia. 15 in. $1000/1500

652. Pair of Japanese Kutani Porcelain Vases, bottle‑form bodies with ruffled rims decorated with figural and landscape panels on exotic bird‑and‑flower grounds, h. 23 3/8 in. $700/900

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653. Pair of Japanese Patinated Bronze Vases, bottle‑form bodies, phoenix bird handles, urn‑form bases, relief‑decorated with birds and branches, h. 11 3/4 in., now mounted as lamps on footed stands, h. (to socket) 10 5/8 in. $400/600

648. Hiroshi Yoshida (Japanese, 1876‑1950), “Garden in Summer” and “Shakujii”, 2 woodblock prints, each signed and sealed in plate, pencil titled and signed lower margin, Shakujii with watermarks, image 14 1/2 in. x 6 1/4 in. and 9 in. x 12 in., sheet 15 3/4 in. x 10 3/4 in. and 10 3/4 in. x 15 3/4 in., matted and framed alike. $800/1200

645. Monumental Japanese Imari Porcelain Charger, 19th c., shallow bowl‑form body decorated with central flower pot roundel encircled by band of alternating floral and architectural panels, exterior with branches and grasses, base with pomegranate mark, h. 3 7/8 in., dia. 22 in. $800/1200

649. Pair of Japanese Imari Porcelain Garden Seats, barrel form bodies with pierced cash symbols and raised bosses, h. 18 in. $1000/1500

651. Group of Japanese Imari Porcelain, Meiji Period (1868‑1912), incl. near pair of covered jars with bird‑and‑flower decoration, h. 14 7/8 in. and 14 in.; and covered tureen with dragon‑pearl decoration, h. 10 1/8 in., w. 17 1/4 in., (3 pcs.) $1200/1800

654. Japanese Brass Dragon Panel, 20th c., relief‑cast with dragons amid clouds, inscribed and sealed lower left, sight 16 7/8 in. x 25 3/8 in., framed. $200/400 655. Japanese Sumida Pottery Vase, late 19th/early 20th c., baluster body encircled by an applied scaly dragon on a red ground, Inoue Ryosai signature cartouche, h. 14 1/4 in. $400/600

Session Two Sunday, September 13, 11 am 3923 Carondelet

657. Louis XVI‑Style Gilt Bronze and Porcelain‑Mounted Mantel Clock, mid-19th c., striking bell movement marked “Popon a Paris” and with “S. Marti” stamp; garlanded urn over square case mounted with rams’ heads, Sèvres‑style inset plaques, toupie feet, h. 20 in., w. 8 1/2 in., d. 9 in. $800/1200 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR. 656. German Polychrome Porcelain Three‑Piece Clock Garniture, probably early 20th c., incl. Meissen mantel clock, crossed swords mark, floral urn surmounting rocaille‑molded case with applied putti, h. 15 3/4 in., w. 9 in., with an associated pair of covered amphora vases, Carl Thieme Potschappel marks, encrusted with flowers and painted with Classical scenes, h. 18 in. $1000/2000 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR. 658. Large Dresden Porcelain Urn, probably early 20th c., SP Dresden mark, with applied putti and flowers, h. 22 in.; together with 4 French porcelain dishes, late 19th and early 20th c., incl. pair of Le Rosey, painted with “Faust and Marguerite” and “Le premier Nuage”, dia. 9 1/2 in.; and pair with court ladies, dia. 9 3/8 in.; and Continental serving dish, “beehive” mark, with Classical maidens, dia. 12 3/4 in., (6 pcs.) $400/600 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

659. Antique French Porcelain Plaque, signed “Conlaud”, depicting a musician courting 2 maidens, 11 3/8 in. x 15 3/8 in; together with a Continental porcelain portrait plaque, late 19th c., depicting a musketeer toasting, 12 1/4 in. x 8 3/4 in., gilt frame. $300/500 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

661. Parian Porcelain Figural Group of “Ino and the Infant Bacchus”, mid‑19th c., h. 12 in., l. 9 1/2 in. $200/400 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

662. Pair of Neoclassical‑Style Bronze Chenets, 19th c., pinecone finials, h. 10 in., w. 12 1/2 in., d. 3 in. $200/300 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

664. Louis Philippe Mahogany Tric‑Trac Table, leather inset lift‑off top, ebonized and paint-decorated game boards in well, molded frieze, tapering square legs, sabots, h. 29 1/8 in., w. 45 1/2 in., d. 22 3/4 in. $800/1200

660. English Porcelain Partial Dessert Service, late 19th c., bird and flower wells, incl. 12 plates, pair covered sauce tureens with underplates, 6 cake dishes and compote; largest cake dish l.

11 1/2 in., compote h. 6 1/2 in., (23 pcs.) $300/500 Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL.

663. Baker Furniture Regency‑Style Mahogany Guéridon, labeled, gilt-banded top, conforming shelf, saber legs, brass capped feet, h. 29 1/4 in., dia. 29 in. $800/1200

665. Louis XV/XVI‑Style Bronze‑Mounted Kingwood Parquetry Commode, probably late 19th c., rouge marble top, drawers, sabot-mounted feet, h. 34 1/2 in., w. 46 in., d. 19 1/2 in. $1000/1500 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

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667. Louis XVI‑Style Mahogany and Gilt Metal‑Mounted Vitrine, 20th c., shaped marble top, conforming case with beveled glass door, fluted stiles, toupie feet, h. 68 1/2 in., w. 43 1/2 in., d. 18 1/8 in. $700/900

666. French Provincial Carved Walnut Desk, 19th c. and later, composed of antique elements, shaped top, kneehole configuration of drawers, cabriole legs. $700/1000

668. Napoleon III Gilt Bronze and White Marble Figural Clock, mid‑19th c., Classical maiden reclining with a book, stepped marble base, bracket feet, h. 14 in., w. 19 1/2 in., d. 6 1/2 in. $400/600 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

669. Louis XV‑Style Gilt Bronze Mantel Clock, 19th c., Rococo case with winged putto, rocaille base, h. 22 1/2 in., w. 16 in., d. 8 1/2 in. $1000/1500 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

671. Three Chinese Marble Inset Carved Hardwood Stands, probably 19th c., first hexagonal with mother‑of‑pearl inlay, h. 21 in., w. 19 in., d. 19 in.; second barrel‑form, h. 19 1/2 in., w. 16 1/2 in., dia. 15 in; third of square form, h. 18 in., w. 14 in. $200/400 Provenance: Estate or Ursula Johns Gill, Austin, TX.

674. Two Chinese Blue Glazed Pottery Jars, each with Jian ding wax seal, incl. ovoid, with molded floral and geometric bands, h. 8 1/2 in.; and tapering cylindrical, carved with bird and flower panels, 9 1/2 in. $200/300

670. Beaux Arts Patinated Bronze Three‑Piece Clock Garniture, late 19th c., clock with architectonic case, associated pair of figures representing music and astronomy, clock h. 21 in., w. 12 1/2 in., d. 6 1/2 in. $1000/1500

672. Chinese Olive Green Glazed Porcelain Bottle Vase, base with apocryphal Wanli mark, h. 9 7/8 in. $200/400

673. Large Pair of Chinese White Glazed Porcelain Vases, downturned foliate rims, scroll handles, cylindrical bodies molded with panels of Daoist Immortals, h. 24 1/8 in. $700/900

675. Large French Gilt Bronze Mounted Faience Three‑Piece Clock Garniture, mid‑19th c., dial marked “Latreille/a Bordeaux”, octagonal vases marked in blue, with bold lion handles, now mounted as lamps, clock h. 30 1/2 in., w. 13 in., d. 11 3/4 in. $1200/2000 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

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676. Ornate Silvered Metal Repoussé Salon Set in the Style of the British Raj, incl. sofa and 2 armchairs, pierced foliate back, scrolled arms, lion’s mask uprights, serpentine seat rail, cabriole legs, paw feet, sofa h. 43 in., w. 74 1/2 in., d. 25 in. $4000/6000 678. Pair of Art Nouveau Carved Mahogany Side Chairs, c. 1900, probably French, asymmetrical carved and pierced back, serpentine seat rail, foliate cabriole legs, original upholstery. $300/500

679. Swedish Classical‑Style Crème Peinte and Parcel Gilt Pier Table, 20th c., marble top, rosette frieze, scroll supports, blocked plinth base, h. 34 1/2 in., w. 38 1/2 in., d. 19 in. $800/1200

677. Louis Philippe Rosewood Escritoire, mid‑19th c., superstructure with pierced gallery, scrolled supports, mirrored back, and short drawers, top with inset leather writing slide, pair of frieze drawers, cabriole legs, h. 49 in., w. 43 in., d. 21 1/2 in. $500/1000

680. Regency‑Style Inlaid Walnut Dining Table, circular top, opening to receive one leaf, conforming frieze, 4 outswept supports, incurvate plinth, paw feet, h. 29 3/4 in., dia. 72 in. $1500/2500

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681. Antique Louis XVI‑Style Painted and Gilt Trumeau, early 20th c., frame with applied shell carving, painted panel, shaped mirror plate, h. 63 in., w. 44 in. $1500/2500

682. Louis XV‑Style Crème Peinte Bibliothèque, 20th c., molded cornice, guilloche frieze with rosette blocks, adjustable shelves, base with center slide above paneled doors, toupie feet, h. 95 in., w. 92 1/2 in., d. 22 in. $2000/3000

683. Louis III‑Style Fruitwood Buffet à Deux Corps, 19th c. and later, molded cornice above shaped panel doors, carved center stile, conforming base with doors, shaped feet, h. 82 in., w. 53 7/8 in., d. 25 in. $1000/1500

684. Antique Louis XVI‑Style Crème Peinte Settee, 19th c., shaped crest rail, acanthus carved padded arms, rounded seat rail, stop fluted tapered legs, h. 36 1/8 in., w. 63 in., d. 25 in. $1200/1800

685. Pair of Italian Rococo‑Style Crème Peinte and Parcel Gilt Armchairs, shield shaped molded backs, scrolled arms, serpentine shell carved seat rail, cabriole legs. $700/1000

686. Pair of Louis XVI‑Style Bronze‑Mounted Kingwood Parquetry Tables, 19th c., inset marble tops, swagged frieze, fluted support, hinged lift tops, fluted tapered legs, h. 31 1/2 in., dia. 15 in. $1500/2500

687. Four Neoclassical‑Style Verte Peinte and Carved Giltwood Doors, upper panels carved with putti among floral swags, h. 83 in., w. 32 1/4 in. $2500/3500 Additional information at www.nealauction.com

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688. Pair of Napoleon III Gilt and Patinated Bronze and Rouge Marble Six‑Light Candelabra, mid‑19th c., in the Empire taste, vasiform standard, on 3 addorsed classical maidens, tall plinth base, h. 31 in., dia. 11 1/2 in. $1000/2000 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

689. Continental Gilt Bronze Eight‑Light Chandelier, 20th c., fluted vasiform standard, scrolled supports, mounted with portrait busts, electrified, h. 28 in., dia. 32 in. $1000/1500

690. Pair of French Gilt Bronze Three‑Light Sconces, probably late 19th c., palmette and scroll backplates, scroll arms, h. 20 1/4 in., w. 17 3/4 in. $800/1200

691. Pair of Belle Époque‑Style Gilt Bronze Nine‑Light Candelabra, c. 1910, figural standard holding cornucopia, h. 27 1/2 in., dia. 12 in. $800/1200 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

692. Pair of English Brass Torchères, probably late 19th c., font labeled “Hinks & Sons Patent”, font in reticulated bowl with classical masks and foliage, Corinthian columnar standards, pedestals, stepped plinth, h. 56 1/2 in., w.

13 3/4 in. $300/500 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

693. Paul Lambert (French, b. 1910), “Notre Dame, vue de l’Isle Saint‑Louis”, oil on canvas, signed lower left, signed, titled and stamped en verso, 20 1/8 in. x 16 1/8 in., framed; together with French School, 20th c., “View of Notre Dame”, oil on canvas, illegibly signed lower left, inscribed “Van Donnell” en verso, 20 in. x 24 1/8 in., framed.(2 pcs.) $700/900

696. Josef Cornelius Correns (Flemish, 1814‑1907), “Portrait of a Lady with a Pearl Earring”, 1888, oil on wood panel, signed, dated and inscribed “Antwerp fecit” mid‑right, 22 7/8 in. x 17 3/4 in., framed. $700/900 695. Edward Randolph Glen (Canadian/France, 1887‑1963), “Market, Étaples, France”, oil on panel, signed lower left, signed and titled en verso, 6 in. x 8 1/2 in., framed. $250/500 694. Dutch School, 18th/19th c., “Combing Hair”, oil on wood panel, unsigned, imprint of seal in red wax en verso, 14 in. x 11 3/4 in., antique frame. $500/800

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697. Andre Gisson (American, 1921‑2003), “A Day at the Beach”, oil on canvas, signed lower right, 24 in. x 36 in., framed. $800/1200

699. Louis Philippe Mahogany Sécrétaire à Abattant, 19th c., frieze drawer over fall front, fitted interior, 3 drawers below, bracket feet, h. 55 in., w. 39 in., d. 20 in. $800/1200

698. Antonio Cirino (Italian/America, 1889‑1983), “Hauling Nets, Maine”, oil on canvas board, signed lower right, 8 in. x 10 in., framed. $1500/2500

700. Louis XVI‑Style Kingwood, Parquetry and Gilt Metal‑Mounted Side Table, early 20th c., shaped top, frieze drawer, mounted tapered legs, h. 29 in., w. 32 in., d. 20 in. $250/350 Provenance: Estate of Aloyis Lee Sonneborn, Mobile, AL.

702. Antique Continental Carved Walnut Cabinet, 19th c., molded cornice, double paneled retractable doors, shelf interior, molded base, blocked feet, h.

73 in., w. 74 3/4 in., d. 32 in. $800/1200

701. French Provincial Walnut Dining Table in the Louis XIV Taste, late 19th c., carved cabriole legs, conforming stretchers, h. 31 1/2 in., l. 92 in., w. 44 1/2 in. $1500/2500 Provenance: Inessa Stewart’s Antiques and Interiors, Baton Rouge, LA. 704.

Directoire‑Style Gris Peinte SlantFront Sécrétaire, fitted interior, 3 drawers, tapered square legs, h. 50 1/4 in., w. 48 in., d. 25 1/2 in. $1200/1800

703. Pair of Antique Louis XVI‑Style Crème Peinte Bergères à Oreilles, leather upholstery with nailhead trim. $1500/2500

Additional information at www.nealauction.com

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705. Two Antique Classical‑Style Crème Peinte Bedside Commodes, shaped top, frieze drawer over door, fluted stiles, tapered fluted legs, h. 31 in., w 22 1/2 in., depth 22 1/2 in. $1000/1500

706. Swedish Classical‑Style Crème Peinte Center Table, oval top, conforming frieze, tapered faceted standard, incurvate plinth, outswept feet, h. 29 in., w. 45 in., d. 30 1/2 in. $800/1200

708. Antique Louis XVI‑Style Bergère, beaded crest rail, fluted stiles, padded arms, stop fluted uprights, rounded seat rail, fluted tapered legs. $300/500 Provenance: New Orleans Estate.

707. Pair of Directoire‑Style Crème Peinte and Parcel Gilt Side Chairs, caned tablet crests, tapered stiles, shaped seat, tapered square legs. $800/1200

709. Classical‑Style Gilt Patinated Metal and Marble Low Table, inset travertine top, curule legs, stretcher. $800/1200

711. Pair of Empire‑Style Faux Marbre and Faux Tortoise Side Cabinets, molded top, frieze drawer, cylinder cabinet, mounted columnar supports, plinth base, turned feet, h. 32 1/2 in., w. 23 1/4 in., d. 19 in. $1500/2000

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710. Classical‑Style Gilt Patinated Metal and Marble Low Table, en suite with preceding lot. $800/1200

712. Pair of Contemporary Custom‑Made Taupe Cotton Sofas, by Slovack‑Bass Custom Furniture, Houston, with loose cushions, h. 29 in., w. 83 1/2 in., d. 37 1/2 in. $2000/3000

713. Leonetto Cappiello (Italian/French, 1875‑1942), “Chaussures J.B. Torrilhon”, 1906, color lithograph poster, painted by Vercasson, Paris, 54 in. x 38 in., framed. $800/1200

714. Pierre Falize (French, 1876‑1953), “Prunier Livre Vite et Bein”, c. 1935, color lithograph poster, 80 in. x 49 in., framed. $800/1200

716.

Venetian‑Style Crème Peinte and Parcel Gilt Mirror, shield shaped, h. 66 3/4 in., w. 41 in. $800/1200

715. James Rosenquist (American, b. 1933), “In Celebration of the 40th Anniversary of the Brandeis University National Women’s Committee, 1948‑88”, 1988, color lithograph, signed and dated lower right, numbered “27/250” lower left, 25 in. x 40 in.; together with Kendall Shaw (American/New Orleans, b. 1924), “Emma Lottie Marches for the Right to Vote”, 1979, mixed media on color lithograph, signed and dated lower right, titled and numbered “13/50” lower left, 20 1/4 in. x 20 1/4 in., each framed, (2 pcs.) $700/1000 Provenance: Joel N. Weinstock collection, New Orleans, LA

717. Bronze Figural Fountain, mid‑20th c., Classical maiden and duck seated atop a circular well head with oxidized surface, h. 53 in., w. 54 in., d. 43 1/2 in. $2000/3000

718. Continental Cast Iron Figural Fountain, cherub with basket, over octagonal basin, acanthus-decorated base, h. 81 in., dia. 45 in. $2000/3000 Additional information at www.nealauction.com

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719. Belle Époque Art Pottery and Gilt Metal Six‑Light Chandelier, late 19th c., faceted chains, bulbous center bowl, scrolling arms, candle sockets, h.

27 in., w. 15 1/2 in. $300/500

720. French Neoclassical‑Style Gilt Bronze and Marble Mantel Clock, late 19th c., the allegorical figure representing Knowledge, on green and white marble base, h. 16 3/4 in., w. 27 1/2 in., d. 9 in. $800/1200 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

721. Pair of Neoclassical‑Style Bronze Doré Tables, after the Antique, inset malachite tops, paired bamboo turned legs, cruciform stretcher, hoof feet, h. 28 1/2 in., dia. 23 1/2 in. $3000/4000

722. Eight “Hollywood” Regency‑Style Dining Chairs, 20th c., plush wool upholstery, shaped backs and seats, ebonized square tapered legs, h. 38 1/2 in. $1500/2500

724. Mario Villa (Nicaraguan/New Orleans, b. 1953), “Nefertiti” Patinated Wrought Steel and Brass Coffee Table, 21st c., signed, glass top, caryatid legs, X stretcher, dragonfly finial, h. 23 3/8 in., w. 47 in., d. 21 in. $500/1000 Provenance: Acquired from the artist.

723. Eames Lounge Chair and Ottoman, c. 1977, Herman Miller labels, $1500/2500

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725. Jean Seidenberg (American/New Orleans, b.

1930), “Kneeling Female Nude”, bronze relief mounted on wood plaque, indistinctly monogrammed and dated lower right, overall h. 13 1/8 in., w. 13 1/8 in. $500/800

726. Contemporary Custom‑Made Club Chair, horseshoe shaped back, conforming arms, loose cushion, swivel base. $500/700

727. Chelsea “Yacht Wheel” Ship’s Bell Clock, c. 1925, Chelsea Clock Co., Boston, bronze, brass and mahogany, base stamped with serial #172642, 5 1/2 in. silvered dial marked with retailer “Tiffany & Co./New York”, and “Ship’s Bell”, h. 17 1/4 in., w. 14 in., d. 5 3/8 in. $800/1200

728. Paul Dufour (American/Louisiana, 1922‑2008), “Abstract Study”, 1979, signed and dated, stained glass, dia. 16 in. $500/700

730. Ellen Steinfeld (American, 20th c.), “Primeval Garden”, 1984, acrylic on wood, signed and dated lower right, 66 in. x 56 in. x 6 in. $3000/5000 729. Irena Kononova (Russian/California, 20th c.), “Doorway”, 1995, oil, sand and marble dust on canvas, signed and dated lower right, 68 in. x 48 in., framed. $3000/5000 Note: Russian born, Irena Kononova’s work explores the relationship between human advancement and nature. After receiving a degree from the Pennsylvania Academy of Fine Arts, Kononova moved to the San Francisco Bay Area, where her art has been exhibited at numerous galleries, universities and museums, including the Sandra Lee Gallery, University of California at Berkeley, and the Maturango Museum in Ridgecrest.

Note: A celebrated Buffalo, NY artist, Ellen Steinfeld’s work has been featured in over 30 solo exhibitions and over 95 group exhibitions in museums and galleries throughout the country. Her work is included in the permanent collections of the Albright-Knox Art Gallery; New York State Museum, Albany; the Castellani Museum; the Burchfield-Penney Museum; Washington State Art in Public Places Collection; State of Florida Art in Public Buildings Collection; Absolut Vodka; and many others. The artist’s fascination with nature and the idea of art as a way to reconstruct the world is reflected in her work. Steinfeld is known for interweaving shapes and colors with imaginary organic forms, combining spatial relationships and exploring the microscopic.

In the work offered here, lot 729, Kononova unites an intriguing architectural element with a strong interest in formal composition. Her use of texture, a saturated palette and delicate glazes create a world of visual richness and subtly that in the artist’s own words: “… provoke the viewers into contemplating the ever widening gap between our civilization and the eternal world of nature through an exploration of the form of expansive landscapes and their juxtaposition with human-made interiors.”

Ref.: “Bio”. Irena Kononova. http://www.irenakononova.com. Accessed July 28, 2015.

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731. Anne McKenzie Nickolson (American/Indiana, 20th c.), “What’s Out There?”, 1992, embroidered, pieced and appliquéd cotton, initialed “A.M.N.” lower right, 40 in. x 40 in., framed. $1200/1800

732. Rebecca Welz (American, 20th c.), “Untitled”, Plexiglas®, wire and pole, unsigned, 44 1/2 in. x 24 in. $3000/5000

733. Robert “Bob” Huff (American/Miami, 1945‑2014), “Nevsky Portico”, 1991, oil, gold leaf and mixed media on canvas with aluminum sculptural element, titled and dated en verso, 42 in. x 115 1/2 in. x 7 in., wall‑mounted. $2000/3000

734. Jackie Battenfield (American, b. 1950), from the “Mizu Series” incl. “Caesura 6”, “Connect 19”, and “Dervish 2”, 1992‑1993, 3 mixed media collages, pencil‑signed, titled and dated lower right, images 6 in. x 24 in., sheets 22 in. x 38 in., framed alike. (3 pcs.) $2500/3500

735. Norman Galinsky (American, b. 1942), “Healing Paradigm #8”, 1992, oil on paper, pencil‑signed, titled and dated en verso, 29 1/2 in. x 41 1/4 in., framed. $1000/1500 Provenance: Commissioned from the artist.

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736. Shelly Inez Lependorf (American/Philadelphia, 20th c.), “The Way In” and “The Way Out”, c. 1992, mixed media on black paper, signed center right and lower right respectively, each 30 in. x 22 in., framed together. $500/700

738. James McGarrell (American/ Indiana, b. 1930), “Study of a Woman”, 1988, mixed media on paper, signed lower left, artist label with title and date en verso, 30 in. x 44 in., framed. $600/800

737. Malcolm Jagamarra (Australian, b. 1955), “Lander River Warlpiri, Willowra, Wardapi”, 1999, acrylic on canvas, signed, titled and dated en verso, 22 1/4 in. x 36 in., framed. $800/1200

739. Shirley Grode (American/New Orleans, 1925‑2003), “Gold Abstract”, 1965, mixed media on paper, signed and dated lower right, 8 in. x 14 1/2 in.; together with Marilyn Conrad (American/New Orleans, b. 1923), “Abstract Landscape”, mixed media on paper, signed lower right, sight 9 1/4 in. x 14 3/4 in., each framed, (2 pcs.) $250/500

740. Marilyn Conrad (American/ New Orleans, b.

1923), “Street Scene”, gouache on paper, signed lower left, 4 1/2 in. x 8 1/4 in., and “Figures”, woodcut on paper, signed upper left, 11 in. x 8 in., each framed, (2 pcs.) $150/250

742. Robert Gordy (American/New Orleans, 1933‑1986), “Blue Bathers”, 1974, acrylic on canvas, 78 in. x 88 in., framed. $2500/3500 Provenance: Collection of Artist Charles Fritchie (b. 1936), New Orleans, LA. Exh.: “Robert Gordy Paintings & Drawings: 1960‑1980”, New Orleans Museum of Art, 1981, p. 68 of the accompanying catalogue.

741. George Valentine Dureau (American/New Orleans, 1930‑2014), “Man Standing beside a Tripod”, oil on canvas, signed lower right, 76 in. x 47 1/4 in., unframed. $4000/6000 Provenance: Joel N. Weinstock Collection, New Orleans, LA. Additional information at www.nealauction.com

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743. Ronald Davis (American/New Mexico, b. 1937), “Untitled: Music Series”, 1984, acrylic and mixed media on paper, signed, dated and inscribed “P/P EA” lower right, 22 3/4 in. x 30 in., framed. $1500/2500

744. Ronald Davis (American/New Mexico, b. 1937), “Composition in Indigo and Lime: Object Series”, 1982, acrylic and mixed media on paper, signed, dated and inscribed “G1” lower right, 11 1/2 in. x 15 1/2 in., Plexiglas frame. $1500/2500 Note: Ron Davis is a nationally reknowned West Coast artist who came into prominence in the 1970s and 1980s for his geometric, lyrical and illusional abstract paintings.

746. Sandra Burshell (American/New Orleans, b. 1950), “Outdoor Market in Israel: Bedouin Series” and “Outdoor Cafe”, oil on canvas and oil on canvas board, signed lower left and right, 16 in. x 31 1/2 in. and 12 in. x. 16 in., framed, (2 pcs.) $800/1200

745. Harold Thurman (American/New Orleans, mid‑20th c.), “Landscape”, ink on handcrafted paper, signed lower right, “Downtown Gallery, 521 St. Ann, New Orleans” label en verso, 9 in. x 12 1/2 in.; together with Hasmig Vartanian (Israeli/ Louisiana, b. 1946), “Architectural Drawing #1”, 1997, mixed media and collage on paper, pencil‑signed lower right, “Galerie Simonne Stern, New Orleans” label with title and date en verso, 4 1/2 in. x 14 7/8 in., each framed, (2 pcs.) $500/700

747. Robert Mercer Davis (American/ Mississippi, 1901‑1987), “Clown”, oil on canvas, signed en verso; “Mardi Gras King”, oil on paper, signed lower right; “Figures and Church”, oil on paper, initialed lower right; and “Modernist Landscape with Nun and Figure”, oil on paper, unsigned, 20 in. x 16 in. to 10 3/4 in. x 8 in., 2 framed. (4 pcs.) $500/700

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Note: A graduate of Tyler School of Art at Temple University, Sandra Burshell furthered her painting studies at the New Orleans Academy of Fine Art. In 1978, Burshell spent a year in Israel, where she developed a fascination with the people and culture of the seminomadic Bedouin Tribes.

748. George Thompson Pritchard (New Zealand/California, 1878‑1962), “A Southern Bayou: Cypress Trees”, oil on canvas, signed lower left, 25 in. x 30 in., framed. $1200/1800 Note: After World War II, the New Zealand artist, George T. Pritchard made a tour of the South where he lectured and exhibited at colleges and universities.

749. Two New Orleans School Watercolors, late 19th/early 20th c., “Cypress Tree: Design for Newcomb Pottery or Metalwork” and “Live Oak Trees with Spanish Moss”, each unsigned, 13 1/4 in. x 10 in. and 9 1/4 in. x 6 in., both framed. $700/1000

750. Jack Hastings (American/Louisiana/ Tennessee, 1925‑2013), “Street Scene with Figures”, 1953, oil on canvas, signed and dated lower right, 36 in. x 30 in., framed. $2000/3000

751. Gerald Deloach (American/ Mississippi, b. 1935), “Wiley’s Corner, Fall Afternoon, Mississippi”, 2001, oil on masonite, signed lower right, signed, titled, dated and “Cole Pratt Gallery Ltd., New Orleans” label en verso, 23 in. x 25 in., framed. $3500/4500

752. Newcomb College Art Pottery Bowl, 1917, decorated by Sadie Irvine with spiderwort modeled in low relief, matte glaze with blue, green, white and yellow underglaze, base marked with Newcomb cipher, decorator’s mark, Joseph Meyer’s potter’s mark, and reg. no. IV43, h. 1 3/4 in., dia. 3 3/4 in. $700/1000

754. Charles Kruvand (American/Texas, late 20th c.), “Juniper & Morman Tea, South Rim Grand Canyon, Arizona “, 1996, cibachrome, signed, titled, dated and numbered “print # 3” lower margin, 16 in. x 20 in., framed. $400/600

755. Good American Sterling Silver Water Pitcher in the Art Nouveau Taste, Towle, wc. 1882 to present, iris and daffodil motif, h. 9 1/4 in., wt. 42.10 troy ozs. $400/600

Provenance: Acquired from the artist.

758. Wallace “Poppy” Pattern Sterling Silver Bowl, 20th c., h. 2 in., dia. 9 7/8 in., wt. 13.55 troy ozs. $250/350

759. Group of American Sterling Silver Hollow Ware, 20th c., various makers and forms incl. Randahl “Revere” bowl, Wallace “Antique” bread tray and compote, Gorham bread tray, Lunt baby cup, Wendell creamer and “Revere” bowl marked “G”, total wt. 58.40 troy ozs. $400/600

753. William Collins (American/New Orleans, 20th c.), “Cabildo Alley” and “Pere Antoine Alley”, 1963, 2 hand‑colored lithographs on paper, each signed and dated lower right, sights 14 in. x 9 in., framed alike. $400/600

756. Group of Southern Yacht Club Memorabilia, incl. 4 S. Kirk & Son sterling silver goblets, mid‑20th c., pattern 72, each engraved “COMMODORE F. EVANS FARWELL”, h. 6 5/8 in., wt. 20.20 troy ozs.; and a silverplate tea tray engraved “COMMODORE F. EVANS FARWELL/ FROM/HIS FRIENDS IN THE/SOUTHERN YACHT CLUB/MARCH 27, 1952”, l. 27 1/4 in., w. 16 1/4 in. $300/500

760. Group of American Sterling Silver Trays and Bowls, 20th c., various makers incl. Gorham, Towle, Alvin, Watson, Lunt and M. Fred Hirsch, 6 pcs., dia. from 8 1/4 in. to 10 7/8 in., total wt.

56 troy ozs. $400/600

757. Five American Sterling Silver Goblets, 20th c., 4 Wallace and 1 Gorham, h. 6 5/8 in.; together with 6 reticulated sterling silver highball sleeves, Meriden Britannia, h. 4 1/4 in., combined wt. 43.40 troy ozs. $300/500

761. Gorham Sterling Silver Lobed Bowl, dia. 12 5/8 in., together with an Art Deco sterling silver dish by Watson, dia. 10., total wt. 37.35 troy ozs. $300/500

Additional information at www.nealauction.com

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762. Sailor’s Carved Coconut Flask, late 19th c., inscribed “A Mon Neveu/1874”, carved with a face, flags, cannons and monogrammed “E H” within shield, l. 5 1/2 in., dia. 3 1/4 in. $200/300

764. Two Shearwater Pottery Storybook Figurines, c. 1970‑1980s, designed by Walter Inglis Anderson, incl.

“Sancho Panza and Mule” and “Frog Prince”, marked, h. 4 3/4 in. and 9 3/4 in. $200/300

765. Eight Shearwater Pottery “Oldfield Series” Figurines, c.

1970‑1980s, designed by Walter Inglis Anderson, incl. 2 seated men, bathing woman, bathing man, man with plow, man with steering wheel, anchorman, and fisherman, 4 marked, tallest h. 6 1/4 in. $300/500

767. Johnny Donnels (American/New Orleans, 1924‑2009), “Jazz Intermezzo”, “Eubie in Concert”, “Jazz on a Sunday Afternoon” and “Vesnice Mrtvych (Village of the Dead), Prague”, 4 silver gelatin prints dry mounted on boards, all signed and titled, 8 1/4 in. x 13 in. to 10 1/4 in. x 13 1/4 in., unframed. $200/400

768. Contemporary Painted Metal Weather Vane, 20th c., flamingo form, rectangular base, h. 50 1/2 in., w. 23 1/4 in. $200/400

763. Pair of Diminutive Shearwater Pottery Baluster Vases, c. 1930s, impressed circular marks, alkaline blue glaze, h. 4 1/2 in. $700/900

Provenance: Descended in the Hincks Family, New Orleans, LA.

766. Three Shearwater Pottery Baseball Figurines, late 20th c., designed by James “Mac” Anderson, incl. pitcher, catcher, and umpire, marked, tallest h. 6 in. $150/250

769. Steele Burden (American/Louisiana, 1900‑1995), “Soldiers Cry Too” and “Natchez Trace”, 2 crackle glazed ceramics, both signed and titled on the base, titles incised lower left and incised “SB” initials lower left and right respectively, h. 3 1/2 in., w. 6 1/4 in., and h. 6 in., w. 5 in. $500/800

770. Steele Burden (American/Louisiana, 1900‑1995), “LSU Student” and “Gone with the Wind”, 2 white crackle glazed ceramics, each signed and titled on the base, h. 5 in., w. 4 1/2 in. and h. 7 in., w. 9 in. $500/800

771. Steele Burden (American/Louisiana, 1900‑1995), “Dueling under the Oaks at City Park”, 1993, white crackle glazed ceramic, signed, titled and dated on base, incised “SB” initials lower right, h. 4 1/2 in., w. 9 in. $300/500

773. Marcel Stockmans (American/Mississippi, 1936‑2009), “On the Dock”, acrylic on masonite, signed lower left, “Bryant Galleries, Inc., Jackson and New Orleans” label en verso, 16 in. x 20 in., framed. $1000/1500 Provenance: Bryant Galleries, Inc., Jackson and New Orleans.

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772. Michael Aloysius Ledet (American/Louisiana, b.

1941), “Davashi VII”, 1969, acrylic on canvas, signed and dated lower right, “The Glade Gallery, Toulouse St., New Orleans” artist label with title en verso, 44 in. x 44 in., period slat frame. $800/1200

774. Theodore “Fonville” Winans (American/Louisiana, 1911‑1992), “Ice on the Mississippi”, 1938, silver gelatin print, signed and dated lower right, 16 in. x 20 in., framed. $1000/1500

775. Deborah Luster (American/Louisiana, b. 1951), “One Big Self: Prisoners of Louisiana Series, L.S.P. 96, L.S.P. 132, L.C.I.W. 25, L.C.I.W. 68, L.C.I.W. 80 and L.C.I.W. 130”, c. 1998, 6 silver gelatin emulsion on aluminum plates, pencil‑titled and numbered en verso, editions of 25, each 5 in. x 4 in., all framed alike; ACCOMPANIED WITH original black portfolio box with interior label, pencil‑signed, titled and numbered, (7 pcs.) $1500/2500

778. Charles Fritchie (American/New Orleans, b. 1936), “The Conversation”, 1993, patinated bronzes, artist’s name and date inscribed on bases, h. 38 in., (2 pcs.) $500/700

776. Eugene Delcroix (American/New Orleans, 1892‑1967), 2 hand‑colored silver gelatin prints of the “Brulatour Court, New Orleans” and “Interior Patio Royal, New Orleans”, both signed lower right and titled en verso, sight 6 1/2 in. x 4 1/2 in., period frames; together with C. Bennette Moore (American/New Orleans, 1879-1939), pair of hand‑colored silver gelatin prints of “Two Sisters Court, New Orleans” and “Brulatour Court, New Orleans”, both signed and inscribed “New Orleans” in image and pencil‑titled in lower margin, sight 7 1/2 in. x 5 1/2 in., and “Spiral Staircase”, silver gelatin print, printed signature and title lower left, 5 in. x 3 in., in matching frames, (5 pcs.) $400/600

779. Arnold Turtle (American/New Orleans, 1892‑1954), “Exchange Alley, New Orleans”, enhanced lithograph, signed lower right, titled lower left, sight 16 in. x 11 in., framed. $200/400

777. Charles Fritchie (American/New Orleans, b. 1936), “Female Nude with Arms Crossed”, patinated bronze, self base dated and inscribed “Fritchie”, h. 34 in. $400/600 Provenance: Collection of the Artist.

780. John Clemmer (American/New Orleans, 1923‑2014), “Still Life of Magnolias”, 1968, pen and ink on paper, signed and dated lower right, 13 in. x 10 in., framed. $250/350

Provenance: Acquired in Chicago.

781. Frank Schueler (German/ California, 20th c.), “Phalanx”, 1993, redwood and aluminum, signed and dated on reverse, h. 56 in., w. 15 in., d. 8 in. $800/1200 Note: A native of Germany, Frank Schueler studied electromechanical engineering before moving to the United States in 1955. He took a class in creative wood design a decade later, which led to his career as a sculptor specializing in metal, wood and plastic.

The majority of Schueler’s materials are discarded or found objects, and his finished pieces take inspiration from the landscape surrounding his studio and gallery on California’s scenic northern coast. Schueler’s work has been featured in many solo and group shows throughout the United States and Germany including the California Museum of Art, Santa Rosa, and Hugenottenhalle, Neu-Isenburg, Germany.

782. Marble Standing Figure of David, 20th c., after the Renaissance sculpture by Michelangelo, h. 42 in., w. 15 1/2 in., d. 11 in. $800/1200

Additional information at www.nealauction.com

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783. American Renaissance Highly Carved Oak Partner’s Desk, c. 1880, scrolled frieze fitted with long drawer flanked by short drawers on each side, bellflower swags, canted acanthus carved legs topped by lion’s masks, paw feet, shaped stretcher base, blocked feet, h. 32 in., w. 73 1/2 in., d. 39 in. $5000/8000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

784. American Renaissance Carved Oak Extension Dining Table, late 19th c., top with fluted apron, base with 4 large seated griffins on foliate carved plinths, ball and claw feet, 4 leaves, h. 30 in., closed l. 53 3/4 in., open l. 108 in., w. 53 1/4 in. $2000/4000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

785. Ten American Renaissance Carved Oak Dining Chairs, late 19th c., incl. 2 armchairs and 8 side chairs, elaborately carved backs with opposing pairs of lions flanking shield, acanthus arms, cabriole legs, paw feet, tufted red leatherette upholstery, casters. $2500/5000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

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787. Antique American Gilt Bronze and Cut‑Glass Four‑Light Gasolier, mid‑19th c., cranberry glass cut‑to‑clear standard and bell, foliate arms with masks, cast floral chains, shell and English diamond point‑cut shades, h. 35 in., dia. 26 in. $3000/5000 786. American Carved Oak Sideboard, c. 1880‑1900, probably R.J. Horner, New York, arched crest, glazed cabinets flanking mirrored back, scroll support with female busts, bowfront base with drawers and mask carved door flanked by carved dragons, paw feet, h.

90 1/2 in., w. 62 1/2 in., d. 25 in. $3000/5000

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 216.

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

788. American Brilliant Cut Glass Table Lamp, c. 1900‑1910, in the “Harvard” pattern, mushroom shade, baluster base, cut glass prisms, electrified, h. 24 1/2 in., dia. 12 1/2 in. $1000/1500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

789. Libbey “Colonna” Brilliant Cut Glass Punch Bowl Set, late 19th/early 20th c., signed, incl. two‑part bowl, h. 9 1/2 in., dia.

13 1/2 in.; 12 cups, h. 2 1/8 in.; and Gorham silverplate and cut glass ladle, l. 13 in., (14 pcs.) $800/1200 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

790. American Brilliant Cut Glass Ice Cream Tray, late 19th/ early 20th c., Brunswick stars and hobstars, l. 13 3/4 in. $300/500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

791. American Brilliant Cut Glass Footed Vase, late 19th/early 20th c., possibly Pairpoint, with hobstars and diapered triangles, h. 13 5/8 in. $300/500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Additional information at www.nealauction.com

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792. American Brilliant Cut Glass Trumpet Vase, late 19th/early 20th c., with double stars and hobnails, h. 16 1/2 in. $300/500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. 794. Three Silver Overlay Glass Dressing Table Articles, incl. 2 perfume bottles with globe stoppers, first engraved “Harriet”, h. 6 in., second with “HCV” monogram, h. 4 1/2 in.; and covered jar monogrammed “M”, h. 5 3/4 in. $400/600

793. Libbey “Colonna” Brilliant Cut Glass Ice Bucket, late 19th/early 20th c., signed, h. 5 1/2 in., dia. 7 in. $150/350 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

795. American Brilliant Cut Glass Pitcher and Cruet, early 20th c., with hobstars and fans, h. 8 1/4 in. and 8 3/4 in. $200/300

796. American Brilliant Cut Glass Bowl, 20th c., with stars and hobnails, h. 4 1/4 in., dia. 9 in. $100/200

797. Three Bronze Busts of American Statesmen, 19th/20th c., incl. Robert E. Lee, inscribed “Ezekiel” and “Roma”, h. 8 1/4 in.; George Washington, inscribed “Reduction of Houdon’s Bust...1899”, h. 3 3/4 in.; and Abraham Lincoln, titled, numbered, and inscribed “©1979 Donald Rubin”, h. 7 5/8 in. $300/500 798. George Edwin Bissell (American, 1839‑1920), “Abraham Lincoln”, c. 1898‑1900, bronze, inscribed “Geo. E. Bissell” on side truncation, marble plinth, overall h. 19 3/4 in. $800/1200 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Note: The work offered here is a large bust version of the monumental sculpture of Abraham Lincoln that George Bissell executed for the city of Edinburgh, Scotland to commemorate Lincoln and the Scottish-American soldiers who fought in the American Civil War. Bissell, as well as Gorham foundries under his aegis, cast smaller models for the American public through the early 20th-century. The pose and somber sensitivity with which Bissell modeled Lincoln may well have influenced Daniel Chester French’s famous sculpture for the Lincoln Memorial in Washington, D.C. Bissell served in the Civil War as a private in the 23rd Connecticut Volunteers and as a Navy paymaster with the South Atlantic squadron. After the war, he joined his father’s marble business in Poughkeepsie, NY. He later went on to study sculpture at the Academy of Rome and Arts Décoratifs in Paris.

Ref.: Falk, Peter, ed. Who’s Who in American Art. Vol. 1. Madison, CT: Soundview Press, 1999, pp. 327-28; “Statues of Abraham Lincoln: Excerpts from Newspapers and Other Sources.” From the files of the Lincoln Financial Foundation Collection.

Digitized 2012. www.archive.org. Accessed Jan. 5, 2015.

800. American Carved Marble Roundel of “Buffalo Bill” Cody, 19th c., dia. 14 in. $600/800

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801. American Églomisé Gameboard, c.

1895, sight 16 3/4 in. x 16 3/4 in., carved oak frame. $150/250

799. French Silk Abraham Lincoln Mourning Ribbon, 1865, portrait by Paul Durand over eagle with “E. Pluribus Unum” banner, printed by Guillet, Lyon, sight 5 1/8 in. x 3 5/8 in., framed. $400/600

802. American Highly Carved Oak Mirror, c. 1880‑1900, acanthus carved frame with grotesque mask, beaded inner border, beveled mirror plate, h. 53 in., w. 50 in. $2000/3000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. 803. Monumental Continental Carved Walnut and Giltwood Overmantel Mirror, 19th c., boldly carved with grapes and grapevines, gilded birds and clusters of cat tails, h. 82 1/2 in., w. 63 in. $2500/5000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

804. American Carved Oak Tall Case Clock, c. 1880‑1900, elaborately carved overall with cherubs, lion masks, atlantes, pendant fruit, guilloche and scrolls, works replaced with modern quartz, h. 102 in., w. 22 1/2 in., d. 13 5/8 in. $3000/5000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

805. Black Forest Carved Walnut Regulator Clock, c. 1880, spreadwing eagle crest with acorns and leaves, glazed door flanked by oak leaves and acorns, set on a bird’s nest and oak leaf bracket, h. 79 in., w. 28 in., d. 9 in. $2500/3500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Additional information at www.nealauction.com

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806. American Marble Bust of a Woman with Braided Hair and Lace Bodice, late 19th c., manner of the White Marmorean Flock (c. 1850‑1880), h. 28 1/2 in. $2500/3500

807. Pair of French Patinated Bronze Models of Marley Horses, after Guillaume Coustou (French, 1677-1746), h. 23 1/2 in. $2000/3000

808. American Carved Oak Partner’s Desk, c. 1880‑1900, probably R.J. Horner, New York, molded rectangular top, kneehole configuration of drawers and cupboard with lion’s masks, canted winged griffin legs, paw feet, h. 30 1/2 in., w. 56 1/2 in., d. 34 in.

Note: Kneehole bracket detached. $3000/5000

809. Pair of American Renaissance Carved Oak “Savonarola” Hall Chairs, late 19th c., heraldic back with rampant lions and coat‑of‑arms, scrolled arms, curule legs, paw feet. $1500/2500

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

810. American Renaissance Carved Oak Sideboard, mid-19th c., shaped superstructure, crest with game trophée and hunting dogs, graduated shelves, acanthus supports, base with frieze drawers over doors with game trophées, fruit and nut pilasters, gargoyle masks, blocked plinth base, h. 91 in., w. 64 1/2 in., d. 25 1/2 in. $1500/2500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

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811. American Gilt Bronze and Brass Four‑Light Solar Chandelier, c. 1850, marked “Archer & Warner/Makers/Philadelphia”, reeded shaft mounted with figures of 3 Muses, foliate arms with urn fonts, suspended by cast chains, cut‑glass shades with a block and punty design, h. 40 in., dia. 34 in. $5000/10000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 190.

812. Rare Pair of American Rococo Laminated and Carved Rosewood Méridiennes, c. 1850‑1860, attr. to John Henry Belter, New York, in the pattern referred to as “Rosalie with Grapes”, arched floral and grape carved crest, serpentine seat rails, shaped and carved arms, cabriole legs, casters, h. 37 3/4 in., w. 41 in., d. 27 in. $8000/12000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Note: Distantly derived from Louis XV prototypes, the Rocco Revival méridienne form seen here is an innovation of the 1850’s. Méridiennes nearly identical to those offered here are illustrated in Dubrow, Richard. American Furniture of the 19th c. Atglen, PA: Schiffer, 1983, p. 114.

813. American Rococo Laminated and Carved Rosewood Parlor Suite, c.

1850‑1860, attr. to John Henry Belter, New York, in the pattern referred to as “Rosalie with Grapes”, incl. settee, pair of side chairs and one armchair, arched floral and grape carved crest, serpentine seat rails, shaped and carved arms, cabriole legs, casters, settee h. 38 in., w. 62 in., d. 31 in. $10000/15000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Note: The carved ornament on this suite places it within the group of Belter’s most popular seat furniture, notably the suite in the large parlor at Rosalie, Natchez.

Additional information at www.nealauction.com

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814. American Rococo Carved Rosewood Work Table, c. 1850‑1860, attr. to John Henry Belter, New York, sarcophagus top, fitted satinwood drawer and work basket below, shell carved apron, cabriole legs joined by stretcher centering a basket, h. 33 in., w. 22 in. $1000/1500

815. American Rococo Rosewood Side Table, c. 1860, inset marble top, molded frieze with cartouche, melon‑carved standard, bracket supports, arched legs, scrolled toes, casters, h. 30 in., dia. 20 1/2 in. $500/800 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

816. American Renaissance Carved Walnut Sewing Stand in the Egyptian Revival Taste, c. 1870‑1880, fabric inset swivel top, 4 small drawers and long drawer, mirrored panel frieze, turned support, plinth with pin cup and cushion, open base flanked by pharaoh heads, splayed legs, paw feet, h. 26 in. $300/500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

817. Very Rare American Rococo Carved and Laminated Rosewood Rocking Chair, c.

1850‑1860, attr. to John Henry Belter, New York, open scrollwork back, serpentine seat rail, cabriole legs, rockers. $500/1000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Note: This chair is nearly identical to a rare armchair descended in the Belter/ Springmeyer family and illustrated in Dubrow, Richard.

American Furniture of the 19th c. Atglen, PA: Schiffer, 1983,

p. 102 and 106.

818. American Late Classical Carved Mahogany Hat Rack, mid‑19th c., basket of flowers finial, pineapple and acanthus carved standard, scrolled swan head hooks, cornucopia bracketed paw feet, h. 76 1/2 in. $800/1200 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

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819. Antique American Carved Oak Tabouret, c. 1880‑1900, hexagonal top, gadrooned edge, lion mask legs, paw feet, h. 20 in., dia. 21 in. $300/500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

820. American Renaissance Carved Oak Two Tier Stand, c. 1900, molded foliate carved top, frieze drawer with lion’s mask, spiral turned legs, conforming plinth base, casters, h. 33 1/2 in., w. 19 1/8 in., d. 19 1/8 in. $500/800 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

821. Fine American Rococo Highly Carved and Laminated Rosewood Sofa, mid‑19th c., attr. to John Henry Belter, New York, serpentine crest with entwined vines and baskets of flowers, shaped arms, serpentine seat rail, cabriole legs topped by cartouches, casters, h. 48 in., w. 87 in., d. 27 in. $10000/15000 Provenance: A Long Island, NY collection; Neal Auction Company, Feb. 22, 1992, lot 168.

Ill.: Victorian Homes, 1995.

Note: The floral crests, scrolling rails and reticulation of the crest rail on this sofa are similar to those found on known examples of the Tuthill King and Fountain Elms patterns.

823. American Rococo Carved Rosewood Games Table, c. 1860, attr. to Charles A. Baudouine, New York, serpentine foldover top opening to baize‑lined playing surface, floral frieze centered by a drawer, rose and pendant bud carved S scroll legs, shaped stretchers, acanthus carved feet, casters, h. 30 1/2 in., w. 50 1/2 in., d. 17 in. $1200/1800 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

824. American Gilt Bronze Figural Sinumbra Lamp, c.

1840, marked “Manufactured by/W. Carleton/Boston”, winged Victory figure, the pedestal with a relief of Hercules, cut‑glass shade with lyre and star design, h. 32 in., dia. 9 3/4 in. $1800/2500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. 822. American Classical Carved Mahogany Armoire, c. 1825, molded cornice, arched inset frieze, paneled doors, pineapple and leaf‑carved pilasters, leaf‑carved melon feet, divided interior with shelves and open hanging space, h. 85 1/2 in., w. 49 in., d. 21 in. $1500/2000

Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 172.

Additional information at www.nealauction.com

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825. Pair of Empire Gilt and Patinated Bronze Four‑Light Figural Candelabra, c. 1815, panther‑form branches, tapered shafts, sphinx standards, engine‑turned decoration, h. 18 1/4 in., dia. 7 1/2 in. $3000/5000

825A. English Patinated Bronze Two‑Arm Figural Argand Lamp, c. 1850, attr. to Hooper & Co., Boston, goddess Nike standing on vintage decorated pedestal holding basket of fruit and classical urn font, cut and etched glass shades, h. 33 1/2 in., w. 19 in., d. 13 in. $3000/5000 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 75.

826. English Gothic Revival Gilt Bronze Sinumbra Lamp, c.

1840, marked “Messenger & Sons/63 Hatton Garden London/& Birmingham/ Manufactured for/Alfred Welles/Boston”, cluster column standard with gothic arch base, shade cut in a lyre design, h.

35 in., dia. 12 1/4 in. $1800/2500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 133.

827. Carrara Marble Bust of a Woman in a Lace Shawl, 19th c., h. 29 in., green marble pedestal, overall h. 73 1/4 in. $2000/3000 828. American Rococo Carved Walnut Wall Clock, c. 1860, dial marked “Geo. J. Henkels/Paris and Philadelphia”, carved winged cherub in acanthus foliage above a satyr’s head, h. 28 in., w.

17 1/2 in., d. 4 1/2 in. $1000/1500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

829. Fine American Classical Stenciled, Inlaid and Bronze‑Mounted Mahogany and Rosewood Piano Forte, early 19th c., Loud & Brothers, Philadelphia, extensively decorated case with 2 small drawers, spiral turned tapered legs, brass ferrules, casters, h. 35 1/4 in., w. 70 in., d. 27 3/8 in. $2000/3000

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830. American Classical Mahogany Work Table, c.

1830, 3 drawers, lozenge carved stiles and legs, stretcher shelf, h. 32 in., w. 22 in., d. 16 1/2 in. $800/1200

831. Antique American or English Mahogany Settee, late 18th/early 19th c., molded crest rail, downswept arms, serpentine seat rail, square molded tapered legs, brass ferrules, casters, h. 37 in., w. 66 in., d. 29 in. Note: Repair at seat rail proper left front leg. $800/1200

832. American Renaissance Carved Rosewood Parlor Suite, mid‑19th c., attr. to Alexander Roux, New York, incl. pair of sofas and 4 side chairs, shaped crest rail centered by an acanthine cartouche, shaped arms, guilloche carved uprights, trumpet‑carved legs, casters, sofa h. 45 in., w. 65 in., d. 22 in. $4000/6000 Note: An armchair, side chair and sofa bearing the stenciled mark of the Roux firm with a form, proportion, scroll arms and carved legs very closely related to those in the suite above are illustrated in Dubrow, Richard. Styles of American Furniture 1860-1960 Atglen, Pa: Schiffer, 1997, p. 37.

833. Antique American Cherrywood Breakfront Bookcase, mid‑19th c., Mid‑Atlantic, molded cornice, pair of glazed doors, adjustable shelves, base with a pair of paneled doors flanked by 4 drawers to each side, scalloped base, h. 89 1/4 in., w. 60 1/2 in., d. 19 in. $1200/1800

834. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Two Live Oak Trees, Louisiana Bayou”, 1921, oil wash on board, signed and dated lower left, sight 9 1/4 in. x 29 1/4 in., original frame. $1500/2500

836. Ruby Viavant (American/Louisiana, 1904‑1925), “Nature Morte: Snipe”, 1924, watercolor on paper, signed and dated lower left, sheet 21 1/4 in. x 15 1/2 in., framed. $2500/3500 Provenance: D. Benjamin Kleinpeter, Sr. Collection, Baton Rouge.

835. Alexander John Drysdale (American/New Orleans, 1870‑1934), “Live Oak in the Louisiana Bayou”, oil wash on board, signed lower right, sight 19 1/4 in. x 29 1/4 in., framed. $1500/2500

Additional information at www.nealauction.com

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837. Knute Heldner (Swedish/New Orleans, 1877‑1952), “Shrimp Boats”, oil on canvas, signed lower left, 24 in. x 30 in., framed with artist and title plaque. $5000/7000

838. William Steene (American/Mississippi, 1888‑1965), “Rock Bound Cove, Bar Harbor, Maine”, oil on masonite, signed lower right, titled on period label en verso, 18 in. x 22 in., framed. $800/1200

839. Rhoda Brady Stokes (American/Louisiana, 1902‑1988), “Mamma and the Straw Broom”, 1978, oil on board, signed and dated lower right, titled lower center, 18 in. x 24 in., framed. $1200/1800

840. George Louis Viavant (American/Louisiana, 1872‑1924), “Nature Morte of a Finch”, 1920, watercolor on paper, signed, dated and inscribed “N.O.” lower left, sight 12 in. x 7 in., framed. $2500/3500

841. Frederick Polley (American/ Indiana, 1875‑1957), “Old Absinthe House”, “The Gilded Gate”, “Beauregard Home, Chartres and Ursuline”, “Napoleon House”, “The Corner Store, View of Foreign Quarter, New Orleans”, and “Arts and Crafts Court”, 6 drawings on paper, pencil‑signed and inscribed “New Orleans” either lower right or left, titled lower left or en verso, 11 1/4 in. x 13 1/4 in. to 11 in. x 15 in., unframed. $700/900 Provenance: Lyman Brothers Art Store, Indianapolis to the Clarence and Mildred Long Collection of Indiana Art, Indianapolis in July, 1973, thence by descent to the present owner.

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842. Louise Sarrazin (American/Louisiana, 1888‑1967), “The Conversation: Visiting the Neighbors”, 1945, watercolor on paper, signed and dated lower right, sheet 9 in. x 12 in., framed. $800/1200

843. Louis G. Sicard, Sr. (American/Louisiana, 1897‑1990), “Carriage Ride, French Quarter”, 1974, oil on canvas, signed, dated and inscribed “F.R.S.A.” lower right, label with title en verso, 24 in. x 30 in., framed. $1000/1500

844. Louis Philippe Gilt Bronze and Marble Figural Sinumbra Lamp, c. 1840, winged female figural standard, antico verde and Sienna marble base, palmette and hippocampus mounts, frosted glass shade, h. 26 in., dia. 9 3/4 in. $1500/2500 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. Ill.: Gowitt, 19th Century Lighting, Schiffer, 2002, p. 221.

845. Antique American Pine Blanket Chest, 19th c., molded lid, interior till, dovetailed construction, molded bracket foot base, h. 21 in., w. 37 1/2 in., d. 16 1/2 in. $200/400

846. American Mixed Woods “Plantation” Desk, mid‑19th c., Southern, superstructure with cupboards and drawers, inset leather writing surface, frieze drawers, turned legs, h. 55 in., w. 48 in., d. 25 1/2 in. $800/1200

848. Pair of American Classical Mahogany Pier Mirrors, early 19th c., torus-molded frame with banding, divided mirror plate, h. 47 1/4 in., w. 24 3/4 in. $800/1200

849. American Classical Carved and Gilded Mirror, 19th c., blocked cornice with acorn pendants, shell carved frieze, split baluster frame, blocked corners. $300/500

847. American Federal‑Style Carved Mahogany Four Post Bed, 19th c. and later, molded tester, arched headboard, plain headposts with antique reeded husk carved foot posts, later rails, cuff casters, h. 93 1/2 in., l. 82 in., w. 60 1/2 in. $800/1200

850. Seth Thomas Wall Regulator No. 9 Clock, c. 1896, painted metal dial with black Roman numerals, 2 in. sub seconds dial, signed Seth Thomas, No. 2 movement, brass, 8 day, time only, carved walnut case, h. 45 in., w. 17 in., d. 8 in. $1000/1500

Additional information at www.nealauction.com

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851. John James Audubon (American, 1785‑1851), “The Cougar (Female & Young)”, Plate 97, hand‑colored lithograph, from The Quadrupeds of North America, sheet 20 7/8 in. x 27 1/2 in., framed. $800/1200

852. McKenney & Hall/ Publishers, “Tah‑Ro‑Hon”, “Ma‑Has‑Kah”, “No‑Way‑Ke‑Sog‑Ga” and “Chono‑Ca‑Pe”, 3 color reproductions from The Indian Tribes of North America, sight 20 1/2 in. x 16 1/2 in., framed alike. $600/900

853. McKenney & Hall/ Publishers, “Tah‑Ro‑Hon”, “Ma‑Has‑Kah”, “No‑Way‑Ke‑Sog‑Ga” and “Chono‑Ca‑Pe”, 3 color reproductions from The Indian Tribes of North America, sight 20 1/2 in. x 16 1/2 in., framed alike. $600/900

854. Four Antique Prints of Southern Politicians, 19th c., incl: Jefferson Davis, General Andrew Jackson, and 2 of Henry Clay, sights 9 1/2 in. x 7 1/2 in. to 24 in. x 17 in., antique frames. $700/1000 Provenance: Temple Heights, Columbus, MS. 855. Four Antique Prints of Queen Victoria, 19th c., various views, sights 4 1/4 in. x 3 in. to 14 in. x 10 13/4 in., antique frames. $300/500 Provenance: Temple Heights, Columbus, MS.

856. American Classical Cast Iron Boot Scraper, 19th c., foliate scraper, stiff leaf banded base, h. 10 in., w. 15 in., d. 11 1/2 in. $250/350

857. West Indies Carved Tropical Hardwood and Caned Settee in the Regency Taste, scrolled reeded back centered with a shell, scrolled reeded arms, conforming seat rail with rosettes, spiral turned tapered legs, h. 35 1/4 in., w. 90 1/2 in., d. 28 1/2 in. $800/1200 Provenance: Purchased from Zac Abramson, Abramson Antiques, Florence, AL, c. 2003.

858. Federal Inlaid Mahogany Candlestand, circular tilt top with star inlay, reeded baluster standard, outswept legs, h. 35 3/8 in., dia. 16 in. $250/350

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859. American Classical Cherrywood Server, 19th c., probably Southern, scrolled backsplash, frieze drawer, stretcher shelf, tapered legs, turned ball feet, h. 33 in., w. 39 in., d. 18 in. $300/500

860. British School, 19th c., “Portrait of a Naval Officer”, oil on canvas, unsigned, 36 in. x 28 in., period frame. $1500/2500

861. Frederick Stuart Church, N.A.(American, 1842‑1924), “A Summer Idyll (Nymph with Flamingos)”, watercolor on board, signed and inscribed “Copyright, New York” lower right, exhibition label with title and “S.W. Raymond, The Art Shop, Poughkeepsie, N.Y” label en verso, 11 1/4 in. x 7 3/4 in., board 14 in. x 10 1/4 in., framed. $1500/2500

863. American Rococo Carved Rosewood Duchesse, mid‑19th c., New Orleans, shaped floral carved mirror frame, C and S scroll supports, associated walnut base, h. 67 in., w. 40 1/4 in., d. 18 1/4 in.; together with mahogany balloon back chair, mahogany foliate carved shield back chair and tôle strong box inscribed Jenny Hincks, containing photos and ephemera. $800/1200 Note: A duchesse appears on the bill of sale from Prudent Mallard to J.W. Hincks offered by Neal Auction Company with the Hincks Family Mallard half tester bed as lot 306, Sept. 2006.

862. Jessie Wilcox Smith (American, 1863‑1935), “Young Gardener”, oil on canvas, signed upper right, 31 5/8 in. x 20 1/4 in., framed. $8000/10000

864. James Montgomery Flagg (America, 1877‑1960), “The Proposal”, gouache grisaille on paper, signed lower right, 13 1/2 in. x 10 1/2 in., framed. $500/800 Additional information at www.nealauction.com

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865. Leonard Nelson (American, 1912‑1993), “Cock Fight (unfinished painting en verso)”, 1945, oil on canvas, signed and dated lower left, 24 in. x 20 in., unframed. $1200/1800

866. Pair of Baccarat‑Style Gilt Bronze‑Mounted Cut Crystal Urns, 20th c., mask handles, tall plinths on red variegated marble bases, paw feet, h. 18 1/4 in., w. 11 in., d. 8 1/2 in. $1500/2500

867. Near Pair of French Chinoiserie Decorated Black Lacquer Jardinières, 19th c., each of rectangular form, turned legs and stretcher, bracket feet, removable tin liners, h. 33 1/2 in., w. 21 1/2 in., d. 9 1/2 in. $1000/1500

870. Decorative Louis XVI-Style Trumeau, incorporating an oil on canvas after Fragonard, flanked by carved giltwood candleholders, h. 85 1/2 in., w. 51 1/4 in. $1000/1500

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868. Pair of Antique French Gilt Brass Solar Lamps, labeled “O’din Merveilleux”, urn‑form standards with lion head reliefs, scrolled handles with jester mask terminals, tapered feet, square plinths, fleur‑de‑lis chasing throughout, etched shades, with chimneys, h. 26 3/4 in., w. 8 3/4 in. $600/900

869. Pair of Louis XV‑Style Crystal and Gilt Brass Five‑Light Girandoles, c. 1900, pendeloque prisms, tripartite base, h. 31 1/2 in., dia. 16 in. $800/1200 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

871. Regency‑Style Gilt Bullseye Mirror, spreadwing eagle crest flanked by foliate garland, cavetto frame with spherules, refreshed gilt, h. 34 1/2 in., w. 24 in. $300/500

872. Rococo Carved Rosewood Breakfast Table, mid‑19th c., American or English, circular tilt‑top, lobed support, floral carved cabriole legs, casters, h. 29 in., l. 48 1/4 in., w. 49 in. $800/1200 873. Louis XV Carved Fruitwood Armoire, 18th c., molded cornice, paneled frieze, shaped doors, iron fiche hinges, open interior, serpentine apron, reduced block feet, h. 79 in., w. 55 1/2 in., d. 27 in. $1200/1800

874. French Provincial‑Style Carved Fruitwood Buffet, composed of antique elements, molded top, frieze drawers over pair of doors, shaped apron with basket of flowers, cabriole legs, h. 39 1/4 in., w. 52 3/4 in., d. 23 1/2 in. $1200/1800

875. Pair of Louis XV Provincial Carved Fruitwood Fauteuils, 18th c., acanthus‑carved molded crest rail, caned back, padded arms, serpentine cartouche carved seat rail, caned seat, acanthine cabriole legs. $1500/2000

877. Antique George III‑Style Mahogany Chest‑on‑Chest, old English retailer’s label, molded cornice, 2 short over 3 long drawers, lower case with 3 long drawers, “French” feet, h. 69 1/2 in., w. 46 in., d. 22 in. $800/1200

876. Pair of Moorish Mother‑of‑Pearl and Bone Inlaid Side Tables, geometric banded top, octagonal legs, plinth base, turned feet, h. 30 in., w. 35 3/4 in., d. 18 in. $1200/1800 Additional information at www.nealauction.com

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879. George III Brass Inlaid Mahogany Bedside Commode, galleried top, frieze drawer, tambour door, pull out commode stand, h. 34 1/4 in., w. 20 1/4 in., d. 19 1/4 in. $200/400

878. William IV Inlaid and Burl Walnut Davenport Desk, c. 1840, superstructure with reticulated gallery, cupboard with fitted interior, sloped tooled leather writing surface enclosing fitted well, h. 43 in., w. 22 in., d. 21 1/2 in. $500/800

880. Pair of George III‑Style Armchairs, c. 1900, shaped crest rail, volute intertwined splat, serpentine arms and uprights, molded trapezoidal slip seat, cabriole legs, ball and claw feet. $1000/1500

881. Louis XV‑Style Bronze‑Mounted Kingwood Parquetry and Marquetry Bombé Commode, 19th c., serpentine marble top above 2 drawers, shaped skirt, flared feet, floral sprays overall, h. 34 1/2 in., w. 43 1/2 in., d. 21 in. $1200/1800

882. Neoclassical‑Style Gilt Bronze‑Mounted Agate Pedestal, late 19th c., stepped square top, tapered standard with beribboned foliate mounts, conforming stepped base. $500/700

883. Louis XV Provincial Carved Fruitwood Bergère, arched back, padded shell carved serpentine arms, serpentine shell carved seat rail, cabriole legs, scrolled toes. $1200/1800

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884. Regency Mahogany Sofa Table, early 19th c., drop‑leaf top, 2 frieze drawers, paired turned supports, sabre legs, turned stretcher, brass cuffs, casters, h. 28 1/2 in., w. 35 1/2 in., d. 25 1/2 in. $800/1200

885. George III Carved Mahogany Sofa, late 18th c., serpentine crest, volute arms, serpentine seat rail, feather carved, fluted tapered legs, brass cuffs, casters, h. 36 in., w. 81 in., d. 36 in. $1500/2500

887. American Late Classical Carved Mahogany Four Post Bed, 19th c., acanthus carved scrolled crest, paneled headboard, acanthus and pineapple carved posts, tapered legs, casters, h. 82 in., l. 76 in., w. 57 1/2 in. $2500/3500 Provenance: Hincks Family, New Orleans; thence by descent.

886. Queen Anne Burl Walnut Chest-on-Frame, cove‑molded crest, 2 over 3 graduated drawers, lower case with drawers, shaped skirt, cabriole legs, h. 59 in., w. 41 in., d. 23 in. $1200/1800

888. Ten Antique Maps of Mississippi, 19th c., nine hand‑colored, incl.: Arrowsmith & Lewis, 1812; Lucas Jr., 1823; Tanner, 1839; Bradford, 1835; Finley, 1827; Stone, 1839; and others, largest 11 1/2 in. x 20 in., unframed. $700/1000

889. Two Indian Territory Maps, incl. “Map of Indian Territory”, 1872, from Gray’s Atlas and Asher & Adam’s “Arkansas and portion of Indian Territory”, 1874, 11 1/2 in. x 14 1/2 in. and 15 3/4 in. x 22 1/2 in., framed. $600/900

890. David H. Burr, “Map of the Counties of New York, Queens, Kings, and Richmond” from An Atlas of the State of New York..., 1829, hand‑colored engraving, 13 3/4 in. x 18 1/2 in., framed. $600/900 Provenance: Estate of Margaret “Peggy” Chew Welch (1927‑1976), Syosset, Long Island; thence by descent.

Additional information at www.nealauction.com

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892. American Classical Carved Mahogany “Grecian” Couch, early 19th c., probably New York, molded back rail, scrolled arm, figured seat rail, bracketed boss feet, casters, h. 30 1/4 in., l. 83 in., w. 24 in. $1200/1800 Provenance: Purchased from Neal Auction, c. 1999.

893. George David Coulon (French/ Louisiana, 1822‑1904), “Young Boy in a Scottish Kilt, possibly a Member of the Stanton Family”, 1877, oil on board, signed and dated lower right, 23 1/2 in. x 19 3/4 in., antique frame. $800/1200 Provenance: Showboat Saloon, Wisconsin Dells, WI (formerly known as the Hiawatha Bar and Stanton’s Palm Garden).

891. American Late Federal Carved Mahogany Secretary Bookcase, early 19th c., broken arch crest with scrolled acanthus, glazed doors, foldover top with baize writing surface and compartments, frieze drawers, spiral-turned legs, h. 76 1/2 in., w. 35 3/4 in., d. 21 1/2 in. $1200/1800

894. James McConnell “Mac” Anderson (American/Mississippi, 1907‑1998), “Black‑necked Stilts”, 1987, oil on masonite, signed and dated lower right, artist’s exhibition label with title and “Eddie’s Frame Shop, Ocean Springs, MS” sticker en verso, 16 in. x 24 in., framed. $2000/3000

895. James McConnell “Mac” Anderson (American/Mississippi, 1907‑1998), “Stevedores”, 1989, oil on masonite, signed and dated lower right, 16 in. x 24 in., framed. $2000/3000 Provenance: Acquired from the artist.

Provenance: Acquired from the artist, Ocean Springs, MS. 896. Judith Moffett (American/ Louisiana, 20th c.), “Coming Home, Cabin in the Louisiana Bayou”, 1938, oil on canvas, signed and dated lower right, 23 in. x 27 1/4 in., framed. $1000/1500

897. Rolland Harve Golden (American/New Orleans, b.

1931), “Cabin in the Woods”, 1957, watercolor, signed and dated lower right, sight 18 1/2 in. x 13 in., framed. $1000/1500

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898. Marshall D. Smith (American, 1874‑1973), “The Garden Court, New Orleans”, 1940, oil on board, signed lower right, titled and dated en verso, 17 in. x 14 in., gilt frame with artist plaque. $800/1200

900. Charles Kenneth Sibley (American/ Virginia, 1921‑2005), “Ladies”, watercolor on paper, signed lower left, biography of artist from Olde Towne Gallery, Portsmouth, VA en verso, sight 21 3/8 in. x 14 3/8 in., framed. $500/700

903. Louis Wright (American/ Louisiana, 20th c.), “La Belle Louisiana”, oil on canvas laid down on board, signed lower right, titled en verso, 24 in. x 34 in., framed. $300/500

899. Amy Jackson (American, 1903‑1970), “French Quarter Outdoor Cafe”, watercolor on paper, signed lower right, sight 16 1/2 in. x 13 1/2 in., antique gilt frame. $500/800

901. Charles de Wolf Brownwell (American, 1822‑1909), “A Louisiana ‘Pine Woods Cottage’, G.W. Compton’s Rapides Parish”, graphite on paper, initialed lower right and titled lower center, 8 1/2 in. x 13 1/8 in., unframed. $150/250

902. Chapman Kelley (American/Texas, b. 1932), “Female Nudes”, 1971‑1972, 2 red chalk drawings on paper, both signed lower left and dated lower right, 25 1/2 in. x 20 1/2 in. to 20 1/2 in. x 25 1/2 in., framed. (3 pcs.) $150/250

904. Colette Pope Heldner (American/ Louisiana, 1902‑1990), “Swamp Idyl (Louisiana Bayou Country)”, oil on canvas, signed lower left, signed and titled en verso, 36 in. x 30 in., framed. $800/1200 905. Colette Pope Heldner (American/ Louisiana, 1902‑1990), “Swamp Idyl (Louisiana Bayou Country)”, oil on canvas, signed lower left, signed and titled en verso, 20 in. x 16 in., framed. $800/1200

906. Donny Finley (Alabama, late 20th c.), “The Waders”, 1994, oil on wood panel, signed lower right, 22 in. x 32 in., frame with artist plaque with title. $500/800 907. William C. Rymer (American/ Wyoming, act. 1871‑1895), “Seaside Cave”, 1880, watercolor, signed and dated lower right, sight 12 in. x 8 3/4 in., framed. $200/300

908. Stephen Csoka (Hungarian/ American, 1897‑1989), “In the Studio: Reclining Nude”, 1964, oil on canvas board, signed and dated lower right, 11 in. x 14 in.; accompanied by “Mother and Child at the Window (sketch of “The Conversation” en verso)”, oil on masonite, signed lower right, 10 1/4 in. x 7 in., each framed. (2 pcs.) $500/750 Additional information at www.nealauction.com

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909. American School, mid‑20th c., “Sunset on a Rocky Coast”, oil on canvas, signed “Vicnery” lower left, 28 in. x 38 in., framed. $300/500

910. Benjamin James Bowen (American/Tunisian, 1859‑1930), “Nocturne Sailboats”, oil on canvas, signed lower right, 15 in. x 18 in., period frame. $600/800

Provenance: A Shreveport, LA Collector.

912. George Majewicz (German, 1897‑1965), “Stag in the Woods”, oil on canvas, signed lower left, 28 in. x 24 in., framed. $500/800

913. George Majewicz (German, 1897‑1965), “American Turkeys”, oil on canvas, signed lower right, artist label with title, 2 “William E. Koch Collection, Mobile Art Center and Gallery” labels and artist biography en verso, 24 in. x 36 in., framed. $400/600

911. Edna Martin (American, 1896‑1996), “Tree in Landscape”, 1920, gouache on paper, signed and dated lower right; “Coalman”, charcoal and pastel on paper; “French Fishermen”, 1934, woodblock print, pencil‑signed, titled and dated lower margin, sights 11 1/2 in. x 8 5/8 in. to 18 1/4 in. x 11 5/8 in., framed, (3 pcs.) $500/800

914. Emily Mary Osborne (British, b. 1834, fl. 1851‑1908), “Country Lovers”, 1887, oil on canvas, signed and dated lower left, 17 1/4 in. x 13 3/4 in., framed. $300/500 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

916. Georgian Sheffield Plate Covered Entrée Dish with Warming Stand, early 19th c., oblong with foliate and floral handles and feet, gadroon borders, interior of warming stand retains original tinned surface, h. 7 1/2 in., w. 14 in., d. 8 7/8 in. $300/500 Provenance: Thomas Sidney, New Orleans, LA.

915. Joseph Thors (British, 1843‑1900), “Figures Fishing in the Pool of a Wooded Stream”, c. 1870, oil on canvas, signed lower right, early 20th c. labels “Joseph Cooke...Birmingham” en verso, 20 1//2 in. x 30 1/4 in., original frame. $300/500

918. English Silverplate Corinthian Column Banquet Lamp, with cut glass font, Hinks & Co. patent, now electrified, overall h. 37 1/2 in.; near pair of weighted sterling silver Corinthian column candlesticks, early 20th c., one Gorham, the other Mauser, h. 8 1/8 in.; and Edwardian inlaid mahogany and silverplate gallery tray, l. 27 3/4 in. $400/600

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919. Late Georgian Sterling Silver Sugar Tongs; together with a vintage American sterling silver tea strainer, ret. Shreve, Crump & Low; a sterling silver teapot‑form tea infuser; and a Christofle silverplate corkscrew, (4 pcs.) $200/300

917. Group of Miscellaneous Sterling Silver Flatware incl. 2 English berry spoons and bread fork, Walker & Hall, Sheffield, 1903 and 1912; a Georg Jensen “Acorn” pattern cheese knife and small fork; 3 Tiffany & Co. fiddle typt crested dinner forks, 3 Gelston & Treadwell coin silver fiddle typt crested dinner forks en suite; 6 Continental .800 silver fruit forks, German; 3 relish spoons, 12 Apostle demitasse spoons, and an Australian koala bear motif demitasse spoon, combined wt. (weighable) 27.30 troy ozs. $400/600 Provenance: Gift of Boyd Cruise to friend and French Quarter neighbor, Bessie Jones, thence by descent.

920. Group of Ellis Barker Silverplate, incl. sandwich tray, l. 26 in., w. 9 in.; salver, dia. 11 1/2 in.; oval tray, 16 in. x 12 in.; gravy boat, compote and small oval tray, (6 pcs.) $250/350

921. Ellis Barker Silverplate Vintage Motif Tray, l. 19 1/2 in.; together with a silverplate vintage motif wine cooler, h. 13 5/8 in. $200/300

922. Elkington Silverplate Tea Tray, early 20th c., l. 27 1/2 in., w. 16 1/2 in. $750/1000 Provenance: A New Orleans Estate.

926.

Austro‑Hungarian .800 Silver Decanter, c.

1886‑1922, maker “C.W” in rectangle, vase form, cover surmounted by spread‑wing eagle, h.

11 in., wt. 8.70 troy ozs. $250/350

923. Group of American Sterling Silver Flatware, incl. Old Newbury Crafters “Panel Antique” cold meat fork, l. 10 in., Gorham “Old French” small carving knife, l. 10 in., olive fork, jelly spoon, soup spoon and salad fork; 6 International “Orchid” salad forks, Towle “Old English” olive spoon, Towle “Royal Windsor” luncheon fork, Gorham “Fairfax” salad fork, and Colonial Revival cream ladle, total wt. (weighable) 18.45 troy ozs. $200/300

924. Group of American Coin Silver, 19th c., incl. Wood & Hughes engine‑turned cup engraved “Freddie”, “as is”; Hyde & Goodrich fork, and fiddle thread tea caddy spoon. $100/200

927. American Brass and Gilt Bronze Solar Lamp, c. 1850, attr. to Henry N. Hooper and Co., foliate columnar standard embossed with portrait of Martha Washington, stepped marble base, crystal prisms, etched and cut shade with chimney, h. 23 1/2 in., dia. 7 1/2 in. $200/400.

Note: Lamp is identified as item no. 619 in the company’s 1850 catalog, illustrated in Gowitt, Gerald.

925. Pair of Continental .800 Silver Repoussé Casters, decorated with putti, dolphins and strapwork, h. 5 1/4 in., wt. 7.30 troy ozs. $100/200

19th Century Elegant Lighting. Atglen, PA: Schiffer,

2002, p. 87.

928. American Gilt Brass and Bronze Solar Lamp, c. 1845, possibly Cornelius and Baker, Philadelphia, incurvate triangular standard, scrolled feet, crystal prisms, period cut shade with chimney, overall h. 24 in. $150/250

929. German Carved Oak Barometer, early 20th c., with a thermometer and aneroid barometer, h. 25 1/2 in., w. 8 in., d. 2 in. $150/250

930. Pair of American Cast Iron Campagna Urns, 19th c., lobed bodies, plinth bases, h. 43 1/2 in., dia. 22 in. $1000/1500

931. American “Fern” Pattern Cast Iron Garden Settee, 19th c., pierced back and seat, branchwork legs, h. 34 in., w. 55 in., d. 21 in. $1000/1500

932. Chippendale‑Style Carved Mahogany and Giltwood Looking Glass, 20th c., arched crest with eagle, scrolled ears, molded frame. $250/350

Additional information at www.nealauction.com

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933. American Silvered Metal Figural Mantel Clock, late 19th c., marked “Ansonia”, cherubs on fluted pedestal with garlands, h. 28 1/2 in., w. 11 in., d. 10 in, h. 30 in. $1200/1800 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH. 934. American Patinated Metal Figural Mantel Clock, c. 1890, Ansonia, dial with visible escapement, flanked by figures of “Industry” and “Science”, on paw feet, h. 20 3/4 in., 26 in., d. 9 1/2 in. $700/1000 Provenance: With Albert Lee and Anna Cooper Soulé, St. Charles Avenue, New Orleans, c. 1891; then Arrowhead Plantation, St. Francisville, 1915‑1941; to Levin Cooper Soulé, Sr.; to present owner.

935. American Polychromed Cast‑Iron Figural Novelty Clock, 19th c., base marked “Bradley & Hubbard/ Patented. July 14, 1857”, John Bull figure with blinking eyes, h. 16 in., w. 8 1/4 in., w. 5 1/2 in. $800/1200

936. Antique Queen Anne‑Style Carved Walnut Tea Table, probably 19th c., circular tilt top, birdcage support, vasiform turned standard, arched legs, pad feet, h. 29 in., dia. 34 1/2 in. $500/750

938. Near Pair of American Carved Rosewood Beds, 19th c., h. 47 in., l. 77 in., w. 51 in., h. 54 in., l. 78 in., w. 58 in. $700/1000 Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM. 939. American Classical Mahogany Washstand, mid‑19th c., attr. Prudent Mallard, New Orleans, shaped lift top, interior with mirror and marble splash rail, 4 drawers below, molded base, blocked feet, h. 38 in., w. 35 3/8 in., d. 19 3/4 in; together with an apothecary case with plaque “E. Hincks” containing photos and ephemera. $1000/1500 Provenance: Hincks Family, New Orleans, LA; thence by descent.

937. American or English Carved Mahogany Bookcase, c. 1790, upper case with dentil molded cornice, arched glazed doors, shelf interior; lower case with 2 over 3 graduated drawers, bracket feet, h. 77 1/2 in., w. 42 in., d. 21 1/2 in. $700/900

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Note: A related suite of furniture with a bill of sale from Prudent Mallard to Miss Jenny Hincks was sold by Neal Auction company as lot 306, September, 2006.

941. American Late Federal Cherrywood Chest, early 19th c., Pennsylvania, cove‑molded cornice, 3 over 4 graduated drawers, molded base, flared “French” feet, h. 58 in., w. 41 1/2 in., d. 21 1/4 in. $1200/1800

942. American Carved Mahogany Armchair, mid‑19th c., bobbin turning throughout, cuff casters, h. 36 in., w. 23 1/4 in., d. 22 in. $700/900

940. American Federal Carved Mahogany Games Table, late 18th/early 19th c., Philadelphia, shaped foldover top with reeded edge, patera-carved frieze, reeded tapered legs, h. 30 in., w. 35 1/2 in., d. 17 5/8 in. $500/800

943. John Akers (American/ Louisiana, 1944‑2006), “Louisiana Heron” and “American Egrets”, 2 hand‑colored etchings, each pencil‑signed and titled lower margin, pencil‑numbered “172/200” and inscribed “Artist Proof” lower left respectively, 17 1/2 in. x 11 7/8 in. and 11 1/2 in. x 17 1/., unframed, (2 pcs.) $150/250

944. Antique Scottish Carved Mahogany Chest‑on‑Chest, 19th c., flared cornice, inset arch frieze, 2 over 3 graduated drawers flanked by colonnettes, base with 3 drawers, turned feet, h. 82 1/2 in., w. 51 in., d. 24 1/4 in. $700/1000

945. Anglo‑Colonial Ebonized and Marquetry Étagère/Cabinet in the Aesthetic Taste, c. 1860/1870s, superstructure with shelves flanking mirror plate, base with frieze drawers over doors flanking a niche, extensively inlaid overall, h. 99 in., w. 54 1/4 in., d. 21 1/2 in. $1000/1500 946. American Mahogany Portfolio Stand, mid‑19th c., stamped “Kane/Patent”, slatted adjustable rack, balusterturned support, arched legs, foliate carved feet, casters, h. 44 in., w. 28 3/4 in., d. 20 1/2 in. $300/500 Provenance: Waldhorn Co., Inc.

947. George III Carved Mahogany Armchair, 18th c., serpentine crest rail, interlaced splat, serpentine arms, needlepoint slip seat, acanthus‑carved cabriole legs, ball and claw feet. $400/800

948. American Classical Carved Mahogany Games Table, early 19th c., foldover top, tapered standard, incurvate plinth, scrolled legs, brass casters, h. 30 in., w. 36 in., d. 18 in. $400/600

Additional information at www.nealauction.com

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950. American Rococo Rosewood‑Grained Walnut Innovative Reclining Chair, mid‑19th c., stenciled “Mitchell & Rammelsburg Sole Manufacturers of Holmes Patent Recliner Chair for the West and South, Cin. O.”, floral carved molded crest and arms, foliate carved cabriole legs, h. 50 1/2 in., l. 24 1/2 in., w. 20 in. $600/900

949. American Late Classical Mahogany Sécrétaire à Abattant, mid‑19th c., marble top, fall front, inset leather writing surface and fitted interior, graduated drawers below, plinth base, turned feet, h. 54 in., w. 37 in., d. 22 in. $500/700

Provenance: Neal Auction Company, December 2004, lot 946.

951. American Renaissance Carved and Burl Walnut Bedroom Suite, probably New Orleans, script signature “Mc & Bro...”, New Orleans, incl. half‑tester bed, dressing chest, washstand (lacking marble), stenciled signature; and armoire with fitted interior, bed h. 116 in., l. 76 1/2 in., w. 59 in.; chest h. 85 1/2 in., w. 44 in., d. 19 3/8 in.; washstand h. 27 in., w. 30 in., d. 16 3/8 in.; armoire h. 107 in., w. 62 in., d. 22 3/8 in. $1500/2500 Provenance: The “Bonnie Burn” Collection of Nan Dennard Kilbourne, East Feliciana Parish, LA; previously in The Cedars, acquired c. 1950.

952. Pair of Classical‑Style Carved Mahogany Figural Pedestals, late 19th c., gadrooned tops, male and female figures atop stepped plinth base, acanthine paw feet, h. 41 5/8 in. $800/1200 Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

953. Antique Anglo‑Colonial Carved Mahogany Corner Étagère, 19th c., 3 tiers, barley‑twist supports, button feet, h. 50 3/4 in., w. 30 3/4 in., d. 21 1/4 in. $400/600

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954. American Gothic Carved Mahogany Armoire, c. 1840, bold ogee molded cornice, arched panel doors, one side fitted with linen trays, the other open, bolection molded drawers below, waisted blocked feet, h. 87 in., w. 69 in., d. 28 1/2 in. $600/800

955. Georgian‑Style Carved Mahogany Extension Dining Table, 19th c., gadrooned oval top with crank mechanism, molded frieze, eagle carved cabriole legs, ball and claw feet, h. 29 in., l. 94 1/4 in., w. 44 in., with 2 leaves. $1200/1800

956. George III Mahogany Camelback Sofa, late 18th c., serpentine crest, scrolled arms, serpentine seat rail, stop‑fluted square tapered legs, block feet, h. 39 in., w. 84 1/2 in., d. 28 in. $1000/2000

957. Late Georgian Carved Mahogany Poster Bed, late 18th/ early 19th c., arched headboard flanked by square posts, chamfered foot posts carved with wheat, straight rails, h. 89 in., interior l. 73 in., interior w. 53 1/2 in. $800/1200

958. George II Figured Walnut Dressing Table, 18th c., molded top, case fitted with 3 drawers, cabriole legs, pad feet, h. 27 3/4 in., w. 30 1/4 in., d. 19 1/2 in. $1000/1500 Additional information at www.nealauction.com

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960. Antique Rococo‑Style Carved Mahogany Triple Back Settee, late 19th/early 20th c., pierced crest rail, husk and vine carved vasiform splats, padded arms and seat, volute cabriole legs, hoof feet, shaped stretchers, h. 40 1/4 in., w. 63 1/2 in., d. 25 1/4 in. $800/1200 959. George III Carved Mahogany Tilt‑Top Tea Table, 18th c., dished top, birdcage support, turned standard, arched legs, “snake” feet, h. 29 in., w. 35 in., d. 34 in. $700/900

961. Group of Mason’s Ironstone Tableware, 19th c., variously marked, incl. platter, l. 21 5/8 in.; covered tureen, dia. 11 1/8 in.; footed center bowl, w. 12 1/4 in., and underplate, dia. 10 3/8 in.; pair covered tureens, h. 6 1/4 in., dia 7 1/4 in., and underplates (one restored), dia. 7 1/8 in.; pair shaped dishes, l. 9 1/8 in.; and pair shaped dishes, l. 11 in., (12 pcs.) $300/500

962. Staffordshire “Blue Willow” Pearlware Cheese Wheel Stand, 19th c., impressed “Clews”, h. 7 1/2 in., w. 16 1/2 in., d. 6 3/4 in. $400/600

963. Wood & Sons “Wincanton” Transferware Partial Dinner Service, early 20th c., in the Imari palette, incl. square lidded tureen, oval platter, oval vegetable dish, serving bowl, 12 dinner plates, 11 salad plates, 10 dessert plates, 12 small bowls, 14 cups and 22 saucers, platter l. 14 3/8 in.

(85 pcs.) $300/500

964. Chamberlain Worcester Polychrome Porcelain Partial Dessert Service, 19th c., marked, incl.

15 dessert plates and cake dish, decorated with floral sprays on an apple green ground, plate dia. 8 1/2 in., cake dish l. 11 3/4 in., (16 pcs.) $200/400 Provenance: New Orleans Estate.

Provenance: New Orleans Estate.

965. Bishop & Stonier Blue and White Ironstone Pitcher and Basin, 19th c., marked “Oriental Ivory” and “Ellesmere”, transfer decorated with ribbon‑tied floral garlands, pitcher, h. 10 1/4 in.; basin h. 4 7/8 in., w. 17 1/2 in., d. 14 in. $300/500

966. English Ashworth Bros.

Ironstone Partial Dinner Service, 19th c., marked, polychrome floral decoration, incl. covered tureen with undertray, large oval platter; square serving platter; vegetable dish; pitcher; 6 dinner plates; 5 salad plates; 2 bowls; 3 saucers; bread plate; l. 14 3/8 in., (23 pcs.) $300/500 Provenance: Ex-Collection of Boyd Cruise

967. American Sterling Silver Platter, R. Wallace & Sons, “Washington” pattern, l. 19 7/8 in., wt. 50.80 troy ozs. $500/750

968. Group of American Sterling Silver Serving Pieces, incl. Stieff “Repoussé” carving knife and fork, l. 14 in. and 11 1/2 in.; S. Kirk & Son Inc. “Repoussé” salad serving fork and spoon, l. 9 1/2 in. and 9 1/4 in.; Watson “Meadow Rose” carving knife and fork, l.

10 3/8 in. and 8 3/4 in.; Gorham “Chantilly” cheese knife and Gorham enameled sugar tongs. $300/500

969. Gorham “Raphael” Pattern Sterling Silver Soup Ladle, pat. 1874, l. 12 3/4 in., wt. 11.85 troy ozs. $400/600

970. Group of American Sterling Silver Hollowware, 20th c., various makers, incl. Arrowsmith bowl, 4 International small urns, 7 ashtrays, 2 matchbox covers, 4 weighted casters, and 6 silver‑mounted glass coasters; together with a Portuguese sterling silver repoussé ashtray, total wt. (weighable) 20.45 troy ozs. $200/300

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971. Partial Set of Whiting “Adam” Pattern Sterling Silver Flatware, pat.

1907, incl. 8 forks, 7 knives, 8 pastry forks, and 7 teaspoons (1 “as is”); together with a Whiting sterling silver serving fork and spoon in the Aesthetic taste, total wt. (weighable) 27.90 troy ozs. $300/400

972. International “Northern Lights” Sterling Silver Bowl, designed by Albert Kintz (American, 1885‑1963), c. 1928, marked “INTERNATIONAL/Sterling/ D105A/Patent Pending” and with Simpson, Hall & Miller/International trademark, w. 12 1/4 in., wt. 13.70 troy ozs. $250/350 Note: An example of the “Northern Lights” bowl is in the collection of the Brooklyn Museum, acc. no. 1993.208.1.

976. Six Georg Jensen Sterling Silver Lobster Picks, in the “Nordic” pattern, no. 76, designed 1937 by O. Gundlach‑Pedersen, l. 6 7/8 in., wt. 7.95 troy ozs. $250/350

974. Two American Sterling Silver Bread Trays, 20th c., incl.

Wallace gladiola motif, and unattributed floral repoussé, probably Baltimore, 13 3/8 in. and 12 1/8 in., total wt. 25.30 troy ozs. $250/350 973. Group of Antique American Sterling Silver Dressing Table Articles, early 20th c., including 2 cut crystal scent bottles, h. 5 1/2 in. and 5 in., and a clothes brush, l. 7 1/4 in. $150/250

977. Group of American Sterling Silver Spoons, late 19th and early 20th c., various makers incl. Dominick & Haff 1893 World’s Columbian Exposition Woman’s Building with bust of Bertha Honoré Palmer, Gorham Thousand Islands, Colorado Prospector, Gorham enamel calla lily, 8 miscellaneous, coin silver master salt, food pusher and mother‑of‑pearl handled rattle (as‑is), total wt. 5.90 troy ozs. $150/250

980. Georgian‑Style Silverplate Meat Dish and Domed Cover, marked “ROYAL CASTLE/ SHEFFIELD/ EP”, dome with foliate scroll handle, well‑and‑tree dish with hot water compartment, scroll feet, h. 13 1/4 in., l. 26 1/4 in., d. 17 in. $800/1200

983. Pair of Antique Silverplate Covered Cups, unmarked, probably English, h. 13 1/4 in. $150/250

982. Pair of Antique Brass‑Mounted Amethyst Glass Lamps, pear‑form fonts, fluted columnar standards, marble plinths, hand‑blown shades, h. 20 1/2 in., electrified. $300/500

975. Pair of American Sterling Silver Casters, Crichton & Co., NY, 1912‑1936, h. 5 1/8 in., wt. 6.20 troy ozs. $100/200

978. American Sterling Silver Flatware, Frank Smith “Bead” pattern, pat. 1917, ret. Rand & Crane, Boston, act.

1886‑1920s, successors to Kennard & Co., incl. 3 forks, 12 soup spoons and 6 tablespoons, total wt. 36.25 troy ozs. $400/600

979. Silverplate Oval Tea Tray, loop handles, grape and grapevine border and feet, l. 31 5/8 in., w. 21 1/4 in. $250/350

981. Pair of English or Continental Bronze‑Mounted Tôle Peinte Lamps, 19th c., vasiform bodies, reserves painted with Classical maidens, mask handles, scrolled feet, h. 26 5/8 in., w. 8 in. $400/600

984. Takehiko Seki Sterling Silver Model of a Clipper Ship, marked “Sterling 960 Seki”, silverplate wave base, mahogany plinth, glass display case with plaque, case h. 12 1/2 in., w. 15 1/2 in., d. 10 1/4 in. $300/500

985. Large Italian Majolica Jardinière, c. 1870, marked with “M” and crown, globular body decorated with Venus, Cupid, and a satyr, leafy branch handles, branch feet, h. 17 in., w. 20 in., d. 14 in. $400/600

Additional information at www.nealauction.com

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986. Pair of Continental Decorative Herbiers, 20th c., dried specimens mounted to hand‑colored and printed card stock, with inked inscriptions, 29 1/2 in. x 21 1/2 in., framed. $150/250

987. Six Antique French Hand‑Colored Lithographs of Birds; 19th c., sight 11 1/2 in. x 14 1/4 in., framed alike; together with a Gould/ Richter hand‑colored lithograph of “Pezoporus Formosus”, sight 12 1/2 in. x 19 in., framed. (7 pcs.) $300/500

988. British School, late 19th c., “View Across a Wheatfield to a Distant Town”, watercolor on paper, signed “Church” lower left, sight 8 3/4 in. x 21 in., framed. $400/600

989. Antique Georgian‑Style Crème Peinte Pine Chest, 19th c., 3 drawers, shaped skirt, “French” feet, h. 36 1/2 in., w. 37 in., d. 18 in. $300/500

990. Pair of Georgian‑Style Carved Mahogany Child’s Chairs, shaped crest rail, acanthus carved splat, scrolled arms, slip seat, cabriole legs, pad feet, h. 32 1/2 in., w. 19 1/4 in., d. 16 7/8 in. $200/400

991. Chippendale‑Style Carved Mahogany Triple Back Settee, 20th c., gothicized splat back, shepherd’s crook arms, acanthus carved cabriole legs, scrolled toes, h. 37 1/2 in., w. 75 in., d. 25 in. $800/1200

992. Queen Anne‑Style Walnut Wing Chair, 20th c., cabriole legs, pad feet. $300/500

994.

Neoclassical‑Style Gilt and Patinated Bronze Figural Lamp, maiden holding cornucopia standard, tall marble base, turned feet, h. 19 in., dia. 5 1/2 in. $300/500

993. English Mahogany Chest of Drawers, mid‑19th c., 2 short and 3 long graduated drawers, “French” bracket feet, h. 39 1/2 in., w. 39 1/2 in., d. 20 in. $200/400

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995. Two Pairs of Chinese Carved Wood Child’s Chairs, shaped crest rails, turned back rungs, inset rectangular paneled seats, one pair with reticulated scrollwork frieze, the other with spindle and disk frieze, squared turned legs, footrests, h. 27 7/8 in., w. 16 in., d. 13 in., (4 pcs.) $150/300

997. American Aesthetic Carved Cherrywood Étagère, c. 1890‑1900, possibly Herter Brothers, New York, molded cornice, pierced frieze, mirrored back, shaped opening enclosing stepped shelves, center bowfront drawer flanked by carved and paneled cupboard doors, open shelves flanking a glazed door, molded base, back impressed with numbers “182” and “1”, h. 76 in., w. 41 in., d.

15 in. $800/1200 Note: The étagère in the lot offered here is most likely an example of the later work of the New York City cabinetmaking and decorating firm of Herter Brothers. The firm continued to use Near Easterninspired styles in the design of its furniture and interior schemes until the end of the nineteenth century, as evidenced by the Turkish Room in the San Francisco residence of John D. Spreckels, decorated in 1900-1904 by Herter Brothers.

996. Vintage Chinese Carved Wood Canopy Bed, c.

1940s, geometric frieze, “bamboo” turned supports, paneled head and footboard, h. 81 1/2 in., l. 84 in., w. 63 1/4 in. $800/1200

The reverse of the cabinet is stamped “182.” Many pieces of furniture by Herter Brothers are marked with either a three- or four-digit number. On November 17, 2012, Fontaine’s Auction Gallery sold as lot 15 a Colonial Revival tall-case clock impressed “Herter Brothers” and bearing a four-digit number.

The case of the clock, like the étagère, appears to be a later work by the firm dating after 1885, indicating that Herter Brothers continued to number its furniture into the final years of its operation.

Ref.: Katherine S. Howe et al., Herter Brothers: Furniture and Interiors for a Gilded Age, (New York, 1994), pp. 238-239.

999. American Classical‑Style Mahogany Tester Bed, molded tester, scrolled headboard with boss terminals, tapered reeded acanthus carved posts blocked at the base, reeded legs with brass caps, h. 105 in., l. 71 7/8 in., w. 55 1/4 in. $800/1200

998. American Late Classical Mahogany SecretaryBookcase, mid‑19th c., ogee molded cornice, bead molded glazed doors enclosing shelves, 2 short drawers, fold‑out writing surface above 3 drawers, bracket feet, h. 71 1/2 in., w. 41 5/8 in., d. 18 1/8 in. $700/1000 Provenance: Descended in the Ellis/Denis/Beauvais‑Decuir family.

1000. American Classical Bronze‑Mounted Mahogany Washstand, 19th c., galleried backsplash, later top, bowfront frieze, mounted columnar supports, shaped paneled back, base with drawer, cone‑shaped feet, h. 38 1/2 in., w.

21 in., d. 18 in. $300/500

1001. American Classical Carved Mahogany Sideboard, c.

1825‑1830, probably New York, architectural backsplash, bolection frieze, h. 64 in., w. 67 in., d. 23 1/2 in. $500/700 Provenance: “Bonnie Burn” Collection of Nan Dennard Kilbourne, East Feliciana Parish, LA. Additional information at www.nealauction.com

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1003. American Rococo Carved Mahogany Dressing Bureau, mid‑19th c., arched mirror, scroll supports with candle shelves, shaped marble top, conforming case, graduated drawers, blocked feet, casters, h.

77 1/4 in., w. 46 in., d. 22 1/2 in. $700/900

1002. American Rococo Carved Mahogany Armoire, mid‑19th c., New Orleans, stepped and beaded cornice, paneled doors, divided interior, scrolled acanthine feet, h. 93 in., w. 69 in., d. 29 1/2 in. $1000/1500

1004. American Rococo Carved Mahogany Washstand, mid‑19th c., stenciled “Lee & Co.”, serpentine backsplash, shaped marble top, conforming case with frieze drawer and doors, block feet, casters, h. 38 in., w. 37 in., d. 19 in. $500/700

1006. Near Pair of Rococo Carved Mahogany Foot Stools, mid‑19th c., serpentine frames, cabriole legs, scrolled toes, h. 15 in., w. 20 1/2 in., d. 16 1/2 in. $300/500 1005. Antique Classical‑Style Mahogany Bedstep, 2 treads with scroll carved sides, h. 17 in., w. 17 in., d. 19 in. $100/200 1008. John Genin (French, 1830‑1895, act. New Orleans, 1860‑1895), “Portrait of Louise ‘Lulu’ M’liss Rolling (1886‑1919) and James Henry Rolling (1885‑1968)”, oil on canvas, signed lower right, 3 “L. Uter, 47 Royal Street, New Orleans” labels en verso, 51 in. x 36 in., original frame; together with Louisiana School, late 19th c., “Portrait of Louise “Lulu” M’liss Rolling in a Bonnet”, pastel enhanced photograph, unsigned, “L. Uter’s Heirs...” label en verso, sight 22 1/2 in. x 17 1/2 in., original frame, (2 pcs.) $800/1200

1007. West Indies Carved Mahogany or Tropical Hardwood Sleigh Bed, 19th c., possibly Cuban, scrolled and paneled head and foot boards, straight rails, outswept scroll feet. $200/400

1009. John Genin (French, 1830‑1895, act. New Orleans, 1860‑1895), “Portrait of Louise ‘Lulu’ M’liss Rolling (1886‑1919), in a Silk Wisteria Trimmed Dress” and “Portrait of Louise Marie Reiss Rolling (1862‑1886)”, 2 oils on canvas, each signed lower right, “L. Uter, 47 Royal Street, New Orleans” label and “W.E. Seebold, Artist’s Supply House, New Orleans” stencil en verso of each, 48 in. x 28 in. and 30 in. x 25 in., original period frames, (2 pcs.) $800/1200 Provenance: Descended in the family of the sitter.

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Provenance: Descended in the family of the sitters.

Note: This is a rare group of family portraits by esteemed portraitist John Genin from the 1880s and 1890s. From a noted New Orleans family, Louise “Lulu” M’Liss Rolling and her elder brother James Henry Rolling were the only children of Henry J. Rolling, Jr. and Louise Marie Reiss. Their grandfather, James J. Reiss (1822-1889), opened the J.J. Reiss Company at 417-423 Decatur Street in New Orleans in 1860 to manufacture confectioneries, crackers and candies. James J. Reiss also was a prominent citizen in the public affairs of the day, serving as director of the old Carrollton Railway and vice president of the Peoples Bank.

Their mother, Louise Marie Reiss (1862-1886), was the second child and only daughter of James J. Reiss.

1010. Spanish School, late 19th/early 20th c., “Church Tower”, watercolor on paper, signed “Gino...” lower right, 3 1/2 in. x 5 3/4 in., framed. $150/250

1011. Billy Price Carroll (American/Tennessee, 1920‑2011), “Forest Rythm”, 1985, oil on canvas, signed lower right, titled and dated on artist label en verso, 27 in. x 20 in., framed. $800/1200 Provenance: Estate of the artist; thence by descent.

1012. Dennis Ainsley (American, 1880‑1952), “A Burgundy Village”, oil on canvas, signed lower left, signed and titled en verso, 15 in. x 19 1/2 in., framed. $400/600 1013. Margery Ryerson (American, 1886‑1936), “Portrait of a Child”, oil on canvas, signed lower right, 32 1/4 in. x 26 in., framed. $400/600

1014. Joe Burke (American/ Georgia, 20th c.), “Deer and Rabbit Hunting”, oil on wood barrel lid, signed “Painted by Joe Burke” lower center, dia.

19 in., unframed. $400/600

1016. Bruce A. Davenport, Jr. (American/New Orleans, b.

1972), “RIP Gators Closed After Katrina: F.W. Gregory Jr. High Gators Marching Band, New Orleans, LA”, 2011, marker on paper, signed, dated and inscribed “A Taurus Da Bull Creations: 6th Series II” lower left, titled upper left, 11 in. x 17 3/4 in., unframed. $200/300

1017. American School, 19th c., “Girl Blowing Bubbles”, pastel and charcoal on paper, unsigned, “Coggins Collection” and “Morris Museum of Art” labels en verso, sight 23 1/4 in. x 17 1/2 in., framed. $150/250

1018. Giuseppe Gheduzzi (Italian, 1889‑1957), “Peasant Woman in a Pasture Beside an Alpine Village”, oil on plywood, signed lower left, “Galleria Bolzani, Milano” label en verso, 19 3/4 in. x 27 1/2 in., framed. $300/500

1015. Bruce A. Davenport, Jr. (American/New Orleans, b.

1972), “T.D.B.C. Presents Melvin and Lois Walker, My Family”, 2015, marker on paper, signed “Dapper Bruce Lafitte”, titled, dated and inscribed lower margin, 20 in. x 25 1/2 in., unframed. $500/800

1019. Five Hand‑Colored Lithographs of Arms, 19th c., four taken from The Gun, London, sight 7 1/2 in. x 10 in. to 9 in. x 11 in., framed alike. $300/500

Note: Sold to benefit the acquisition fund for the Morris Museum, Augusta, GA.

1020. Extensive Mottahedeh Polychrome and Gilt Porcelain “Golden Butterfly” Service, 20th c., in the Chinese Export style, incl. 16 dinner plates, 16 luncheon plates, 13 soup plates, 13 coffee/tea cups, dinner plate dia. 10 1/8 in., (58 pcs.) $500/700

1021. Twelve Aynsley Porcelain Dinner Plates, marked, gilt and apple green rims, dia. 10 1/2 in. $150/250

1022. American Gilt Bronze Three‑Light Gasolier, mid‑19th c., probably Cornelius and Baker, Philadelphia, vasiform standard, dragon shaped arms flanked by masks, corona and standard mounted with garlands and bucrania, cut and etched shades with Roman busts, h. 38 in., w. 26 in. $1000/1500

Provenance: Estate of James P. Raymond (1931‑2011), New Orleans, LA. Additional information at www.nealauction.com

147

1023. American Gilt Bronze Three‑Light Gasolier, 19th c., baluster‑form standard, finialed bowl, S-scroll arms, allover vine decoration, cut and etched shades, h. 45 1/2 in., w.

25 in. $800/1200 Note: This gasolier relates to an example published in Denys P. Myers’ Gaslighting in America, (Washington: U.S. Dept. of the Interior, 1978) pl. 25.

1024. American Gilt Metal Solar Lamp, 19th c., vasiform standard, shade cut with gothic design, h. 24 in., dia. 8 1/2 in. $500/700

1025. Arts and Crafts Hammered Wrought Iron Jardinière Stand, early 20th c., dished circular top, rosette frieze, strapwork decoration, scrolled feet, h. 40 in., dia. 18 in. $200/400

1028. Renaissance Revival Carved and Inlaid Rosewood Side Cabinet, c. 1870, marble top, frieze drawer over door, h. 30 3/8 in., w. 19 7/8 in., d. 19 7/8 in. $800/1200

1026. American Art Glass, Brass and Gilt Metal Adjustable Desk Lamp, c. 1910, Quezal orange and pearl glass shade, h. 23 1/2 in., w. 11 in. $300/500 Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

1027. American Arts and Crafts Gilt Metal and Glass Four‑Light Chandelier, early 20th c., pierced fleur‑de‑lis corona, lyre form, scrolled foliate supports, overall h. 40 in., w. 21 in. $300/500

Provenance: The Service Collection, Estate of Grant A. Oakes, Warren, OH.

1029. Rococo Revival Carved Rosewood Sofa, 19th c., serpentine floral scroll crest, tufted velvet upholstery, seat rail centered by a cabochon, cabriole legs, casters, h. 43 in., w. 80 in., d. 31 in. $500/800

1030. Empire‑Style Bronze‑Mounted Mahogany Desk, 20th c., inset green leather top, kneehole configuration of drawers, columnar legs, incurvate stretchers, ball feet, h. 32 in., w. 36 1/4 in., d. 33 1/2 in. $500/750

1031. Pair of Antique Louis Philippe‑Style Inlaid Rosewood Side Chairs, arch crest, shaped medial slat, saber legs. $150/250

1032. Louis Philippe Carved Mahogany Pier Table, 19th c., later top, ogee molded frieze with blind drawer, scrolled supports, mirrored back, shaped plinth, paw feet, h. 35 1/2 in., w. 38 1/4 in., d. 16 3/8 in. $300/500

148

1033. American Patinated Metal and Glass Three‑Light Chandelier, 20th c., fern frond corona, fluted body, scrolled arms, votive shades, h. 23 in., dia. 25 in. $600/900

1037. Pair of American “Loop/ Leaf” Pattern Pressed Glass Celery Vases, mid‑19th c., probably Boston & Sandwich Co., Sandwich, MA; scalloped rims, paneled sides, circular feet, h. 10 1/4 in. $200/300

1034. Gilt Brass Three‑Piece Figural Girandole Garniture, 19th c., attr. to Cornelius and Baker, “Paul and Virginie”, marble plinths, cut crystal prisms, centerpiece h. 17 1/2 in., w. 15 in. $200/400

1038. Two American Glass Footed Compotes, late 19th/early 20th c., incl. a flint example with scalloped splayed foot, h. 4 1/2 in.; and pressed example in “honeycomb” pattern, probably New England, h. 5 1/2 in. $200/300

1035. Pair of American Pressed Glass Decanters, 19th c., with sawtooth and ovoid motifs, faceted stoppers, h. 12 in.; together with a Baccarat “Talleyrand” decanter, marked, h. 9 1/2 in., (3 pcs.) $400/600

1039. Pair of American Blown Glass Hurricane Shades, 20th c., molded foot rims, h. 14 1/4 in. $150/250

Provenance: Didier, Inc., New Orleans, 2002 (later).

1036. Four American Glass Table Articles, 19th/20th c., incl. a “thumbprint” pattern celery vase, h. 10 1/2 in.; pair of “printie block” pattern tulip‑form vases, h. 9 3/8 in.; and a faceted cut decanter, h. 9 1/2 in. $400/600

1040. Hunt & Sullivan Cut and Engraved Glass Vase, early 19th c., geometric and floral patterns, h. 18 1/2 in.; together with pair of celery vases, marked “1776” and “1876”, h. 7 in.; and a “1901 Pan‑American Exposition” glass paperweight, l. 4 in., (4 pcs.) $300/500 Provenance: Property Sold for the Benefit of a Private Institution.

1041. Victorian Patinated Bronze‑Mounted Glass Bouquet Holder, mid‑19th c., cobalt and white trumpet vase, mask and floral embellished holder, h. 10 in. $100/150

1044. Southern Carved and Polychromed Walnut Walking Stick, early 20th c., shaft with entwined snakes, handle carved “J.M. BONNER”, h. 36 1/4 in. together with southern pine, boxwood and mahogany document box, 18th/19th c., fabric lined interior, h. 4 5/8 in., w. 14 in., d. 7 7/8 in. $150/250 Provenance: Property of the High Museum of Art, Atlanta, GA, sold to benefit future acquisitions.

1042. American Poplar Campaign Chest, 19th c., stenciled “J.M. Towler”, paneled lift top, void interior, retaining remnants of leather straps, later brass hinge reinforcements, sides with inset iron handles, plinth base, h. 20 in., w. 37 in., d. 20 1/2 in. $400/600

1043. Group of Antique English Boxes, 19th c., incl. rosewood jewelry box, fitted interior with lidded compartments, lift out tray, lined in gilt printed paper; rosewood sewing box, fitted interior with lidded compartment and small drawers, lined in green moire; and satinwood Tunbridge ware tea caddy (3 pcs.). $200/400

1045. American Carved Walnut Corner Étagère, early 20th c., shaped gallery, graduated shelves, bobbin-turned supports, h. 60 in., w. 28 in., d. 23 1/4 in. $150/250

1046. Pair of American Federal‑Style Inlaid Mahogany Tester Beds, tapered reeded posts, blocked at the base, shaped headboard, h.

82 in., l. 78 1/2 in., w. 38 1/4 in. $800/1200

Additional information at www.nealauction.com

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1047. French Rococo Carved Oak Buffet, mid‑19th c., superstructure with fruit carved crest, stepped shelves, molded base with 2 drawers over doors, blocked feet, h. 82 in., w. 50 3/8 in., d. 21 1/4 in. $500/800

1048. Continental Pietra Dura Plaque of a Village Scene, late 19th/early 20th c., probably Italian, 20 1/4 in. x 30 1/4 in. $500/750

1050. American Rococo Carved and Giltwood Mirror, mid‑19th c., arched frame with outset crest, h. 45 in., w. 25 in. $300/500

1049. French Wrought Iron Console, 20th c., demilune marble top, conforming verdigris and gilt scrolled base with applied leaves, C and S scroll legs, h. 36 1/4 in., w. 35 3/4 in., d. 13 in. $300/500

1051. American Renaissance Carved Oak Mirror, late 19th c., arched crest centering an angelic bust, foliate scroll surround, h. 49 in., w. 54 1/4 in. $300/500

Provenance: Jacques Antiques, King St., Charleston, SC. 1053. American Rococo Carved Rosewood Dressing Table, mid‑19th c., probably New Orleans, shieldshaped mirror, scrolled supports, serpentine variegated marble top, conforming frieze drawer, scrolled brackets, incurvate stretcher shelf, molded feet, casters, h. 73 in., w. 44 in., d. 21 1/2 in. $500/750

1052. Pair of American Renaissance Carved and Burled Walnut Sofas, c.

1875, shaped back centered by a cartouche, low rounded arms, conforming seat rail, turned feet, h. 40 in., w. 69 1/2 in., d. 24 in; together with American carved walnut armchair. (3 pcs.) $500/700

1054. American Classical Carved Mahogany Dressing Chest, 19th c., New York; superstructure with mirror on S scroll supports, glove drawers below; case with bolection drawer over drawers flanked by scroll supports with Ionic capitals, paw feet, w. 45 1/2 in., d. 22 1/2 in. $1000/1500

150

1055. American Carved Mahogany Side Table, 19th c., serpentine marble top, turned trestle base, shaped feet, stretcher, h. 29 in., w. 29 in., d. 17 in. $200/400

1056. American Gothic Carved Walnut Hall Chair, mid‑19th c., stamped “C. Robinson Rochester New York” on lower stile, crocketed arched quatrefoil crest, padded back, paneled stiles and seat rail, blocked paneled legs, casters, retains old surface and needlepoint. $150/250

1057. Antique American Federal‑Style Mahogany Bergère, rectangular back, padded arms, fluted baluster arm supports, tapered fluted legs. $100/200

1058. Six Chippendale‑Style Carved Walnut Ladder Back Chairs, 19th c., incl. 1 arm and 5 side chairs, shaped crest rail, conforming slats, trapezoidal slip seat, molded legs, H stretchers. $600/900

1059. Georgian‑Style Mahogany Dining Table, 19th c., molded edge top above shaped skirt, tapering legs, ball and claw feet, h. 28 1/2 in., w. 54 in., d. 38 3/4 in. $700/1000

1061. Franklin C. Courter (American/New Jersey, 1854‑1947), “Portrait of a Lady” and “Portrait of a Gentleman”, 1889, 2 oils on canvas, each signed lower left, the former dated, 27 in. x 22 in., framed. $500/700

1064. Klipper (British, 20th c.), “Au [sic] Paris”, etching on paper, signed, titled and numbered “15/50” lower margin, 8 in. x 16 in.; together with Continental School, 19th c., “Cupid Embracing a Putto”, lithograph on paper, numbered “12” lower left margin, 7 1/2 in. x 6 in., each unframed, (2 pcs.) $200/300 Provenance: Property of the High Museum of Art, Atlanta, GA, sold to benefit future acquisitions.

1065. Paris Polychrome Porcelain Vase, urn‑form body and stem foot decorated with birds and flowers, mask handles, h. 13 5/8 in. $400/600

1060. Antique George III‑Style Inlaid Mahogany Kneehole Desk, early 20th c., labeled “Gillows, 406 Oxford St., London”, inset tooled leather writing surface, kneehole configuration of drawers, square tapered legs, casters, h. 30 in., w. 48 in., d. 24 in. $300/500

1062. Antique Hand‑Colored Engraving of New Orleans; together with “Jefferson City, Missouri River”, both pub. by Hermann Meyer, New York, c. 1880, sights 5 1/4 in. x 6 1/2 in., matted. $200/400

1066. Pair of Paris Porcelain Cachepots, mid‑19th c., pineapple finials, reserved with floral bouquets, h. 7 3/4 in., w. 5 1/4 in., d. 5 1/4 in. $400/600

1063. Two Engravings, W. Floyd (British, 19th c.) after Robert Brandard (British, 1805‑1862), “Dover Castle, Kent”, sight 6 1/4 in. x 9 in.; and Alexander L. Dick (American, 1805‑1865) after Edwin Landseer, R.A. (British, 1802‑1873), “Interior of a Highlander’s Cottage”, from The New Mirror, sheet 6 3/4 in. x 7 1/2 in., each framed, (2 pcs.) $200/400

1067. Pair of Paris Porcelain Compotes, 19th c., decorated with fruit, flowers and birds, h. 4 7/8 in., dia. 9 5/8 in. $150/250

Additional information at www.nealauction.com

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1068. Continental Polychrome Porcelain Cup and Saucer, 18th c., decorated with butterflies and flowers, cup h. 3 in., dia. 4 3/8 in., saucer dia. 6 3/4 in. $100/150 Provenance: Estate of Major Philip St. George Ambler IV.

1069. Group of Continental Porcelain Decorative Objects and Tableware, 19th/20th c., incl. encrier; 2 cologne bottles; lidded coffer; slant front desk; figural group; 2 bleu céleste cabinet plates; 6 Limoges dessert plates, retailed

by William Lycett, Atlanta, GA; and reticulated compote, tableware dia. 9 1/2 in. to 10 3/4 in., (15 pcs.) $300/500

1072. Chippendale‑Style Carved Mahogany Library Table, 20th c., inset black leather top, cabriole legs, claw and ball feet, h. 30 in., w. 78 in. d. 39 1/2 in. $500/750

1070. Group of Royal Worcester Consommé Cups and Saucers, ret.

Tiffany & Co., gilt decoration on cobalt ground, incl. 12 cups and 7 saucers, cup h. 2 1/4 in., saucer dia. 5 3/4 in., (19 pcs.) $150/250

1073. American Late Classical Carved Mahogany Sofa, c. 1840, probably New York, palmette carved crest centering a serpentine bolection‑molded rail, outswept arms, shaped seat, scroll bracket feet, casters, h. 37 in., w. 83 in., d. 27 1/2 in. $500/1000

1074. American Carved Walnut Tester Bed, mid‑19th c., molded tester, vasiform turned posts, headboard with arched crest and turned uprights, shaped foot board, conforming rails, h. 97 in., interior l. 75 in., interior w. 58 in. $600/900

1076. American Carved Walnut Dressing Chest, late 19th c., shaped mirror, scrolled supports with candle shelves, white marble top over drawers, shaped bracket feet, h. 83 in., w. 41 3/4 in., d. 19 in. $150/250

152

1071. American Classical‑Style Gilt Brass Two‑Light Candelabra, Classical maiden holding an urn, cherub busts on scrolled arms, stepped marble base, crystal prisms, now mounted as a lamp, tôle shade, h. 29 in., dia. 15 in. $200/400

1077. Pair of American Late Classical Mahogany Sofas, mid‑19th c., serpentine backs, scrolled arms, molded seat rail, acanthus carved disc feet, casters, h. 36 in., w. 83 in., d. 27 in. $700/1000

1075. American Renaissance Carved and Burled Walnut Armoire, late 19th c., molded cornice, paneled frieze and pilasters, beveled mirror doors, interior shelves and hanging compartment, plinth base with drawers, h. 90 in., w. 67 in., d. 24 1/2 in. $800/1200

1078. Two American Renaissance Carved Walnut Side Tables, late 19th c., oval marble tops, bracketed frieze, carved and turned uprights, outswept legs, casters. $250/350

1079. American Carved Walnut Bedroom Suite, mid‑19th c., incl. bedstead, paneled headboard, crest with bust of William Shakespeare, and mirror back dressing chest with marble top, 3 drawers, bed h. 94 in., l. 76 in., w. 60 in.; dressing chest h. 94 in., w. 44 in., d. 21 in. $800/1200 Provenance: The “Bonnie Burn” Collection of Nan Dennard Kilbourne, East Feliciana Parish.

1080. Antique American Carved Oak Bookcase, early 20th c., molded cornice, frieze with rosettes and fluting, glazed doors, paneled plinth base with 2 drawers, h. 90 3/4 in., w. 74 in., d. 20 7/8 in. $800/1200

1081. William IV Mahogany Sunderland Table, 19th c. and later, radial veneered top, columnar supports, incurvate plinth, disc feet, casters, h. 29 3/4 in., w. 36 1/2 in., d. 38 in. $400/600

1085. English Ironstone Washstand Suite, late 19th/early 20th c., stamped “J. & E. Mayer”, gilt accents, incl. large pitcher and basin, small pitcher, vase, and covered pot, largest pitcher h. 11 3/4 in., (5 pcs.) $200/400

1089. Vintage Painted Wire and Wood Birdcage, 20th c., retaining old aqua paint, h. 27 in., w. 26 1/2 in., d. 14 1/2 in. $100/200

1082. Group of Antique French Polychrome and Gilt Porcelain Tableware, 19th/early 20th c., incl. covered tureen, h. 10 1/2 in., w. 13 1/8 in.; shell‑form dish, w. 9 3/4 in.; platter, l.

14 3/4 in.; and 12 matching plates, dia. 7 1/4 in., (15 pcs.) $150/250

1083. Continental Polychrome and Gilt Bisque Figure of a Dandy, rocaille base, h. 18 in., w. 5 in., d. 4 1/2 in. $200/300 Provenance: Ward Hall, Georgetown, KY.

1086. Pair of English Blue and White Pottery Teabowls and Saucers, 18th c., transfer decorated with Chinoiserie scenes, bowl h. 2 1/4 in., saucer dia. 5 3/4 in. $100/150

1087. Edward VIII Coronation Pottery Plate, marked, inscribed “CRHead”, well with raised monogram “EviiiR/1937, checkered rim, dia. 14 1/2 in. $100/150

1084. Polychrome and Gilt Porcelain Covered Urn with Underplate, 20th c., marked, decorated with floral sprays and leaves on gilt decorated blue ground, overall h. 11 5/8 in. $100/150 Provenance: Estates of Eva and Jerry Gotlib, New York, NY and Fort Smith, AR.

1088. Four Continental Polychrome Ceramic Objects, incl. pair of courting couples, tree‑form vase with cherubs, and majolica vase, figure h. 16 1/2 in., (4 pcs.) $500/700 Provenance: “Villa Rose” Collection of Grace Collins Lindblom, Orlando, FL.

1090. Twelve Orrefors Glass Bread Plates, curved rim, dia. 5 3/4 in. $100/200

1091. Continental Gilt Bronze Figure of a Dying Bull, late 19th/early 20th c., modeled with banderillas protruding from the neck and shoulder, h. 8 1/2 in., onyx base. $300/500 Additional information at www.nealauction.com

153

1092. Ben France (American, 20th c.), “Pitchin’ a Fit”, 1977, bronze, base inscribed with artist’s name, date, title, and number “1 of 10”, shaped wood plinth, overall h. 25 in. $800/1200

1093. Large American Patinated Bronze Group, after Charles Marion Russell (American, 1864‑1926), stagecoach pulled by six horses, indistinct cast signature, bronze h. 20 1/2 in., l. 61 in., on stand. $2500/3500

1094. Patinated Bronze of a Cheyenne Warrior on Horseback, 20th c., after the original

by Frederic Remington, base inscribed “copyright/ Frederic Remington”, h. 19 1/2 in. $800/1200

1095. George III‑Style Mahogany Dumbwaiter, dished tiers, turned supports, arched legs, slipper feet, h. 40 1/4 in., d. 24 1/4 in. $250/350

1097. American Églomisé Painting, “Parakeet on a Branch”, mid‑19th c., oil on glass, sight 6 1/2 in. x 4 1/2 in., framed. $150/250

1101. [Leather Bindings], 80 modern leather bindings incl. Herman Melville, Moby Dick, 2 vols; Dostoevsky, The Possessed; Douglas Southall Freeman, Lee’s Lieutenants: A Study in Command, 3 vols.; John Updike, Marry Me; Gore Vidal, Kalki; Eugene O’Neill, Plays; Walt Whitman, Leaves of Grass; Charlotte Bronte, Jane Eyre; Albert Schweitzer, Out of My Life and Thought; Herman Wouk, The Caine Mutiny, and others. $400/600

154

1098. American Rococo Carved and Ebonized Armchair, mid‑19th c., Philadelphia, molded oval back, scrolled arms, serpentine seat rail with cabochon, cabriole legs, casters, period floral cut velvet upholstery. $200/400

1102. [Leather Bindings], Encyclopaedia Britannica, The Historians’ History of the World, 27 vols, 1926; together with John Lord, Beacon Lights of History, 10 vols., 1883 (37 pcs.) $200/400

1096. Queen Anne‑Style Mahogany Tilt-Top Tea Table, 21st c., birdcage support, vasiform turned standard, arched legs, pad feet, h. 28 3/4 in., dia. 30 in. $150/250

1099. Two American Wicker Rocking Chairs, late 19th/early 20th c., both probably Heywood‑Wakefield, MA, one back with scrolled and center spider web design; another back with scrolls, caned trapezoidal seat, scrolling arms, turned bulbous legs. $200/400

1100. Edwardian Inlaid Mahogany Armoire, c. 1900, molded cornice, oval mirrored door, inlaid panels to the sides, base with drawer, bracket feet, h. 78 in., w. 50 3/8 in., d. 20 in. $300/500

1103. [Decorative Leather Bindings], 34 books incl. Anglo‑Saxon

Encyclopaedia Britannica, 14th ed., 24

Classics: Norroena Embracing the History and Romance of Northern Europe, limited

vols., 1929, brown leather bindings. $200/300

edition, 15 vols., full leather, tooled and gilt; Oriental Series: China and Japan, Artists Edition #431 of 500, 12 vols., 1901; together with R.L. Stevenson, Stephenson’s Works, published by Scribner’s, in 7 volumes, 1/2 red leather with marbled boards. $150/250

1104. [Leather Bindings],

1105. [Art Reference Books], 35 books and exhibition records incl. The Worldwide Bibliography of Art Exhibition Catalogues, 1963‑1987, 3 vols, Kraus International, 1992; A. Graves, A Century of Loan Exhibitions, 1813‑1912, 3 vols, 1970; J. Meyer, Great Exhibitions, 1851‑1900, 2006; Revisiting the White City, American Art at the 1893 World’s Fair, Smithsonian Institution, 1993; Perkins and Gavin, Art Exhibition Index, 1927‑74, The Boston Athenaeum, 1980;

and others. $200/300

1106. [Art Reference Books], 25 books incl. C. Dezobry, ed., Dictionnaire generale, Biographie et D’Histoire, 2 vols, 1883; McGraw Hill, Dictionary of Art, 5 vols, 1969; G. Vasari, Lives of the Painters, Sculptors and Architects, 2 vols., 1996; Bryan’s Dictionary of Painters and Engravers, 2 vols, 1886; A Dictionary of Painters, Sculptors, Architects, and Engravers, 1810 (2 copies); F. Gardner, The Painters Encyclopedia, 1901; H. Tuckerman, Book of the Artists, American Artist Life, 1867; Black’s Dictionary of Pictures, A Guide to the Best Work of the Best Masters, 1921; J. Canaday, The Lives of the Painters, 4 vols., 1969; and others.

1107. [American Art Reference Books], 60 books incl. P. Cummings, Dictionary of Contemporary American Artists, 1977; D. Dawdy, Artists of the American West, 3 vols, 1980; Essays on American Art and Artists, 1896; J.G. Huneker, Americans in the Arts, 1890‑1920, 1985; Art of the United States Capitol, 1976; D. Goddard, American Painting, 1990; W. Craven, Colonial American Portraiture, 1986; G. Groce and D. Wallace, The New York Historical Society’s Dictionary of Artists in America, 1957. Who Was Who in American Art: 1564‑1975, P. Hastings ed.,

1108. [Art Reference Books], 40 books incl. Art Index, October 1932‑September 1935 and October 41‑September 1944 (vol 5), Art Index, November 1950‑November 1991 (vols 8‑40, 33 missing); The Cosmopolitan Journal, December 1858; The Art Journal, Appleton, vol I, 1869; The Art Journal, Appleton, vol I, 1875; The Art Journal, Appleton, 1910; C. Cook, Art and Artists of Our Time, vol II, 1888; Rapports du Jury Internationale, Exposition Universelle de 1900. $300/500

3 vols, 1999. $300/500

$200/300

1109. Patinated Bronze of “Paleolithic Man”, after Frederic Sackrider Remington (American, 1861‑1909), cast signature and copyright mark at edge of self base, square green marble base, h. 16 in. $300/500

1113. Three Modern Prints, Jacques Hnizdovsky (Ukrainian/American, 1915‑1985), “Eagle”, 1968, woodcut; Sergio Gonzalez‑Tornero (Chilean, b.

1927), “Cool World”, 1966, artist proof etching; Ernest Posey (American/ Louisiana, 1937‑2007), “Isotropic Expansion”, 1976, color screen print, each signed, dated and titled, one numbered, 16 1/2 in. x 13 3/4 in. to 26 3/4 in. x 36 3/4 in., each framed, (3 pcs.) $300/500

1110. Three Modern French Prints, Aristide Maillol (1861‑1944), “Market”, artist stamp and numbered “7/100”, 5 in. x 5 in.; Georges Lambert (1919‑1998), “Fall Landscape”, pencil‑signed and numbered “169/175”, 22 1/4 in. x 30 in.; Raoul Dufy (1877‑1953), “Untitled”, lithographic bookplate, initialed in plate, 9 7/8 in. x 6 7/8 in., each framed. $400/600

1111. Karl Schrag (German/ American, 1930‑1995), “Night Sky ‑ Deer Isle”, 1985, color lithograph, pencil‑signed, titled, dated and numbered “6/40” lower margin, sight 24 1/2 in. x 19 in.; together with Johnny Friedlaender (German, 1912‑1992), “Friedlaender Exhibition Poster”, engraving, pencil‑signed lower right, inscribed “To John Weinstock” lower left, 25 3/4 in. x 15 5/8 in., both framed, (2 pcs.) $200/300 Provenance: Joel N. Weinstock Collection, New Orleans.

1114. Sir Francis Seymour Haden (British, 1818‑1910), “Evening”, 1864, etching and drypoint, mounted on artist board, third state (of 3), pencil‑signed, signed and dated in plate, sheet 6 in. x 3 3/4 in., unframed; together with Federico Castellon (American, 1914‑1971), “Abstraction : Madrid”, 1934, color print, signed, titled and dated en verso, sheet 11 1/2 in. x 9 1/2 in., unframed, (2 pcs.) $150/250

1115. Doyle Gertjejansen (American/New Orleans, b.

1948), “Rough Zones”, 1994, etching on paper, pencil‑signed, titled and dated lower margin, sight 10 in. x 11 in.; together with Ernest Noel Posey (American/New Orleans, 1937‑2007), “Scintillae”, 1994, hand‑colored etching, pencil‑signed, titled and dated lower margin, artist proof, sheet 12 in. x 12 in., both framed. (2 pcs.) $300/500

1112. Four American Artworks on Paper, Thomas Browne Cornell (American, 1937‑2012), “Pig”, 1974, etching, pencil‑signed lower right, numbered “16/75”, 5 3/4 in. x 7 3/4 in.; James Milton Meade (American/ Mississippi, 20th c.), “Rocky Shore”, watercolor on paper, pencil‑signed lower right, sight 10 1/2 in. x 7 in.; Jack Perlmutter (American/Washington D.C. 1920‑2006), “Park”, reproduction print, pencil‑signed, titled and embossed “JP” stamp lower margin, sight 9 3/4 in. x 14 1/2 in.; Barbara Putnam (American, 20th c.), “Glyceria Striata”, 2002, woodcut on Japanese rice paper, pencil‑signed, titled, dated and numbered “2/14” lower margin, sight 12 1/2 in. x 12 in., all framed, (4 pcs.) $400/600

1116. Simon Gunning (Australian/Louisiana, b. 1956), “Resting Rhino”, 1983, screenprint on paper, pencil‑signed, dated and numbered “16/50” lower center, 13 1/2 in. x 22 in., framed. $200/300

Provenance: Collection of Artist Charles Fritchie (b. 1936), New Orleans, LA.

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1117. James Louis Steg (American/New Orleans, 1922‑2001), “Battle Scene #2”, 1961, intaglio on paper, pencil‑signed, titled, dated and numbered 8/35 in lower margin, 25 3/4 in. x 31 3/4 in., framed. $300/500 Provenance: Collection of artist and educator George C. Wolfe, New Orleans, LA.

1118. James Louis Steg (American/New Orleans, 1922‑2001), “The Goat Herder (Mexico)”, 1958, intaglio etching on paper, pencil‑signed, titled, dated and inscribed “studio print” lower margin, “Carol Robinson Gallery, New Orleans” card en verso, sight 11 1/2 in. x 18 1/2 in., framed. $200/300 Provenance: Collection of artist and educator George C. Wolfe, New Orleans.

1119. Nine American School Etchings, incl. Terry Baker, “Diestelhorst Bridge”, 1973; Paul Bedamer, “Fishing Fleet, Havana”; Kerr Eby, “Lobster Man”; Walter Locke, “Andote Light”, 1936; Sarah Carothers Rhode, “Camden Harbor”, 1923, color etching; Ernest David Roth, “Untitled (Rainy Street Scene)”, “Home of Mary Washington”, 1928, and “Sesto Fiorenino”, 1924; Walter Curtis Yeomane, “The Covered Bridge ‑ Winter”, 9 in. x 6 in. to 10 in. x 12 1/2 in., all unframed. (9 pcs.) $600/800

1120. Jack Bilander (Polish/ American, 1919‑2008), “Persephone (Queen of the Underworld)”, 1968, etching on paper, pencil‑signed, titled, dated and inscribed “A/P” lower margin, sight 16 1/2 in. x 8 1/2 in.; together with Assadour (Lebanese, b. 1943), “Penelope”, etching on paper, pencil‑signed and numbered “93/100” lower margin, titled in plate lower right, sight 4 1/4 in. x 5 1/4 in., each framed.

(2 pcs.) $200/300

1123. Turkish Kuba Carpet, brown and ivory ground, repeating design, 3 ft. 7 in. x 6 ft. 10 in. $700/1000

1121. Continental School, late 20th c., “Titian, Titian, Venice”, mixed media on canvas, unsigned, 58 in. x 58 in., unframed. $500/800

1122. Four American School Works on Paper, incl. Jan Heath, “The Note”, monoprint collage; Paige Perry, “Reflection”, 1977, etching; Kathy Halbach, “Two Mice”, etching; Leonard Baskin, “Rabbi”, woodcut, each pencil‑signed, 1 dated, 2 pencil‑titled, 3 pencil‑numbered lower margin, 12 in. x 9 in. to 4 in. x 4 1/4 in., three framed, (4 pcs.) $300/500

Provenance: Acquired from Kaskas Oriental Rugs, Inc., Austin, TX, 1983.

Provenance: Robert Maytag Estate, Newton, IA

1124. Maynard First Model Rifle c. 1860, marked “Maynard Arms Co./ Washington” and “Manufactured by/ Mass. Arms Co./Chicopee Fall.”, tape primer, tang sight, possibly Southern State purchase, barrel 26 in. $700/1000

1125. French Large Bore Pinfire Rifle, 19th c., marked “F.Marquis a Paris”, take‑down stock, octagonal‑to‑round barrel 14 1/2 in. $600/900

1126. Frank Wesson Two‑Trigger Sporting Rifle, 19th c., 2nd type, 32 rimfire, serial #3442, 24 in. oct. barrel marked “Frank Wesson Worcester Mass./ Pat’d Oct. 25, 1859 & Nov. 11, 1862”. $500/700

1127. Springfield Model 1873 Trapdoor Musket full stock, barrel sight, barrel 31 in. $400/600

1128. American Percussion Long Rifle, 19th c., marked “Conestoga Rifleworks/Lancaster”, full stock, oct. barrel, double‑set trigger, barrel 39 in., together with a primitive percussion rifle, marked “Blue Gr...”, barrel 38 in. $500/700

1129. Winchester Single Shot Low Wall Rifle, 19th c., falling block, 25/20, marked “Manufactured by the/ Winchester Repeating Arms Co., New Haven Conn. USA”, octagonal barrel 27 in. $500/700

1130. Winchester Model 1873 Rifle, 3rd model, 38 WCF, marked “Winchester’s Repeating Arms New Haven Conn, U.S.A./King’s Improvement Patented March 29, 1866, 0ctober 16, 1860”, octagonal barrel 24 in. Note: Lacking dust cover. $500/700

1131. Two Antique European Percussion Pistols, early 19th c., walnut stocks, English with 8 1/2 in. octagonal barrel, Belgian cavalry with 9 in. round barrel. $300/500

1132. Westley Richards Sporterized Military Musket, 19th c., marked “W. Richards”, percussion, with regimental marks, barrel 34 in. $300/500

1133. Potsdam‑Type Musket, marked with crown and “Danzig, 1836”, with regimental marks, cut‑down, barrel 21 1/2 in. $400/600

156

1134. Two Diminutive American Side Chairs, one Gothic, the other with barley‑twist carving. $200/400 Provenance: Estate of Donald E. Pierce, Greenwood, MS and Santa Fe, NM.

1135. Twelve Harper’s Weekly Prints, 1871‑1886, incl.

“Out of One Into Another”, “The Elephant Walks Around”, “Centerfold is Albany...”, “Dulce et Decorum est Pro Patria Mori”, “Caesar Now Be Still”, “The Only Emergencies We Need Fear” and others, each 16 in. x 11 in., unframed, (12 pcs.) $100/200 Provenance: Property Sold for the Benefit of a Private Institution.

1136. Antique English Bandbox Mounted as a Table, 19th c. and later, floral surround, tooled leather lined interior, later turned legs, h. 21 in., dia.

22 in. $150/250 Provenance: Whitehall, Chapel Hill, NC.

1139. Austrian Ebonized Bentwood Shaving Stand, late 19th c., paper label “J. & J. Kohn”, scrolled mirror, shaped base with bowl cut out, towel bars, small drawers, circular shelf, outswept legs. Note: “Estate” condition. $300/500 1137. Austrian Ebonized Bentwood and Caned Triple Back Settee, late 19th c., Thonet or J. & J. Kohn, entwined back, scroll arms, incurvate seat rail, flared legs; together with a single armchair with open horseshoe back, scroll arms, circular caned seat, flared legs, settee h. 42 1/5 in., w. 57 in., d. 22 in. $500/700

1138. Austrian Ebonized Bentwood Occasional Table, late 19th c., Thonet or J. & J. Kohn, shaped top, narrow frieze, turned standard, S‑scroll supports, h. 28 in., w. 32 1/2 in. $500/700

1140. Neoclassical‑Style Gilt Bronze‑Mounted Marble Lamp, Corinthian columnar standard, stylobate base, h. 27 1/2 in., w. 5 1/8 in. $250/350

1144. Set of Ten Monogrammed Linen Damask Napkins, 22 in. x 21 1/4 in.; together with a linen card table cloth, hem stitched, flower basket embroidery, 39 in. x 19 in. $150/250

1141. Empire‑Style Brass‑Mounted Tooled Leather Table Lamp, 20th c., swan finial, columnar standard, wreath‑mounted pedestal, guilloche borders, overall h. 32 in., w. 5 in. $250/350

1142. American Carved Walnut Crib, 19th c., headboard with scrolled crest, ring‑turned posts, spindled rails, h.

41 1/4 in., interior l. 42 1/2 in., interior w.

28 3/4 in. $200/400

1143. Antique Victor Victrola, c.

1900, case with later stencil decoration, fitted interior, with collection of records, h. 42 in., w. 21 in., d. 17 1/2 in. $300/500

1145. Mark Lassiter (American/Georgia, act.

20th c.), “Nelson Mandela Commemorative Banner”, 1990, inkjet on vinyl, unsigned, 96 in. x 30 in. $500/800 Provenance: Property of the High Museum of Art, Atlanta, GA, sold to benefit future acquisitions.

Note: Soon after being released from prison, the African National Congress (ANC) and anti‑apartheid leader Nelson Mandela made a ten day tour of American cities to great fanfare and celebration. Arriving in Atlanta, GA on June 27, 1990, Mandela and his wife met with Coretta Scott King to place a wreath of flowers at the crypt of Dr. Martin Luther King, Jr. In the evening, Mandela spoke to a standing room only crowd at Georgia Tech’s Bobby Dodd Stadium. This colorful banner was among those commissioned to mark the visit and hang along Auburn Avenue, Peachtree Street and near the Morehouse campus.

1146. Joe C. Michelet, Jr. (American/Alabama, 20th c.), “Take‑Off” and “Landing”, 2 oils on canvas, each signed lower left, each 24 in. x 12 in., framed. $400/600 Additional information at www.nealauction.com

157

Artist Index ✹

September 12 & 13, 2015

A Wayman Adams, 364 Dennis Ainsley, 1012 John Akers, 943 Enrique Alferez, 416 American School, 322, 797, 800, 806, 909, 1017, 1112, 1119, 1122 Catherine Ames, 399 James McConnell “Mac” Anderson, 894, 895 Walter Inglis Anderson, 351, 352, 367 Arman, 403 John James Audubon, 341, 851 B Bassano Family (mnr), 3 Jackie Battenfield, 734 Emerson Bell, 389 Virginia Battle Betts, 477 Jack Bilander, 1120 George Edwin Bissell, 798 Benjamin James Bowen, 910 British School, 7, 8, 10, 485, 855863, 988 Charles de Wolf Brownwell, 901 Steele Burden, 386, 769-771 Joe Burke, 1014 Sandra Burshell, 746 William Shakespeare Burton, 483 C Yvonne Canu, 26 Leonetto Cappiello, 713 Billy Price Carroll, 1011 John Gadsby Chapman, 414 Chinese School, 511, 619 Frederick Stuart Church, 861 Antonio Cirino, 698 John Clemmer, 780 William Collins, 753 Marilyn Conrad, 740 Continental School, 2, 29, 105, 337, 827, 1091, 1121 Josef Cornelius Correns, 696 George David Coulon, 893 Franklin C. Courter, 1061 Thomas Bigelow Craig, 478 Alvyk Boyd Cruise, 328, 329 Stephen Csoka, 908 D Bruce A. Davenport, Jr., 1015, 1016 Robert Mercer Davis, 747 Ronald Davis, 743, 744 Terry DeLapp, 395 Sonia Delaunay, 402 Eugene Delcroix, 776 Gerald Deloach, 751

Johnny Donnels,767 Alexander John Drysdale, 321, 392, 834, 835 Paul Dufour, 728 George Bauer Dunbar, 377, 380382 George Valentine Dureau, 741 Dutch School, 694 F Pierre Falize, 714 Jacques Martin Ferrières, 27 Donny Finley, 906 James Montgomery Flagg, 864 Lucio Fontana, 13 Ben France, 1092 French School, 5, 6, 46, 48, 119, 203, 205, 206, 224, 226, 449, 486, 807, 987, 1110 Charles Fritchie, 777, 778 G Norman Galinsky, 735 Felix Albert Gendrot, 521 John Genin, 1008, 1009 Doyle Gertjejansen, 1115 Giuseppe Gheduzzi, 1018 Andre Gisson, 697 Edward Randolph Glen, 695 Rolland Harve Golden, 897 Anne Wilson Goldthwaite, 363 Robert Gordy, 742 Louis Oscar Griffith, 350 Shirley Grode, 739 Simon Gunning, 1116 Sue Ferguson Gussow, 397 H Sir Francis Seymour Haden, 1114 Jack Hastings, 750 Colette Pope Heldner, 904, 905 Knute Heldner, 391, 837 Helen Hunt Bencker Hoie, 390 Henry John Hudson, 296 Robert “Bob” Huff, 733 I Italian School, 4, 221, 274, 292, 451, 510 J Amy Jackson, 899 Malcolm Jagamarra, 737 Japanese School, 646 Charles Jones, 1 Loïs Mailou Jones, 353 K Chapman Kelley, 902 Bong Tae Kim, 577 Alberta Kinsey, 366, 385 Klipper, 1064 Ida Rittenberg Kohlmeyer, 376, 379, 417

Irena Kononova, 729 Charles Kruvand, 754 L James Lamantia, 368, 393 Paul Lambert, 693 Mark Lassiter, 1145 Michael Aloysius Ledet, 772 Shelly Inez Lependorf, 736 Marvin Lipofsky, 410 Louisiana School, 320 Deborah Luster, 775 M George Majewicz, 912, 913 Americo Makk, 522 John Marin, 419 Joseph Charles Marin (aft), 103 John Marshall (attr), 484 Edna Martin, 911 Maurice Marx (aft), 118 Henri Matisse, 418 Peter Max, 370 Elaine Mayes, 400 James McGarrell, 738 James Michalopoulos, 384 Joe C. Michelet, Jr., 1146 Judith Moffett, 896 Bertrand de Moleville, 9 Andres Molinary, 323 Anne Wells Munger, 327 N Leonard Nelson, 865 New Orleans School, 749 Anne McKenzie Nickolson, 731 Harry Armstrong Nolan, 334 Kenneth Noland, 369 Philippe Henri Noyer, 396 O Jules Olitski, 655 Emily Mary Osborne, 914 P Albert Paley, 409 Walter Laurent Palmer, 479 Francis X. Pavy, 374, 387 Achille Perelli, 326 Giovanni Battista Piranesi (aft), 11, 12 Francesco Piranesi (aft), 11 Max Pollak, 394 Frederick Polley, 841 Jules Printemps, 552 George Thompson Pritchard, 748 R Joseph Leopold Ratinckx, 481 Frederic Remington (aft), 1094, 1109 Margaret “Peggy” Astor Drayton Reventlow, 411 George Rodrigue, 371, 372, 383,

388 James Rosenquist, 715 Charles Marion Russell (aft), 1093 Russian School, 482 Margery Ryerson, 1013 William C. Rymer, 907 S Emilio Sanchez, 398 Raphael Sanzio (aft), 480 Louise Sarrazin, 842 Karl Schrag, 1111 Frank Schueler, 781 Jean Seidenberg, 373, 725 Charles Kenneth Sibley, 900 Louis G. Sicard, Sr., 843 Hunt Slonem, 375, 378 Jessie Wilcox Smith, 862 Marshall D. Smith, 898 Marshall Joseph Smith, Jr., 324, 335 Southern School, 320 Spanish School, 1010 William Spratling, 432 William Steene, 838 James Louis Steg, 1117, 1118 Ellen Steinfeld, 730 Eva Stettner, 433 Will Henry Stevens, 365 Marcel Stockmans, 773 Rhoda Brady Stokes, 839 T Arthur Fitzwilliam Tait, 336 Takis, 412 Thai School, 517 Raymond Thibesart, 28 Joseph Thors, 915 Harold Thurman, 745 Arnold Turtle, 779 V Line Vautrin, 421 Elizabeth O’Neill Verner, 339 George Louis Viavant, 325, 840 Ruby Viavant, 836 Emmanuel Villanis (aft), 117 Jacques Villon, 420 W Rebecca Welz, 732 Albert Wenk, 220 Edgar Albert Whitney, 415 Theodore “Fonville” Winans, 774 Edmund Wodick, 225 William Woodward, 340 Frank Lloyd Wright, 401 Louis Wright, 903 Y Hiroshi Yoshida, 647, 648

Louisiana Purchase Auction™ November 21 & 22, 2015 We are especially interested in American and Southern Regional paintings, prints and photographs • Period American, English and French furniture and decorative arts • Southern coin silver • Newcomb pottery • Historical documents, maps, memorabilia, and Civil War artifacts.

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1. José Francisco Xavier de Salazar y Mendoza (1750-1802), “Portrait of a Gentleman, New Orleans, possibly Andry or Roman Family,” 1801, o/c, 36 1/4 x 27 in., Prov.: Robinson Collection, Harrison, NY. 2. Newcomb College Art Pottery High Glaze Vase, 1904, Harriet Joor, h. 12 in., Prov.: Gerall Collection, New Orleans and Chapel Hill.

6.

4. Fine Natchez Coin Silver Sweetmeat Basket, Emile Profilet (1801-1868), h. 6 7/8 in.

5. Clementine Hunter (1886-1988), “Wash Day with Self Portrait,” c. 1950s, o/artist board, 18 x 24 in.

6. Walter Anderson (1903-1965), “Butterflies,” c. 1947, linoleum block/cotton, 70 x 33 in., Prov.: By descent in the artist’s family; Private Collector.

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7. Marie Adrien Persac (1823-1873), “Capriccio of a Louisiana Landscape, with Bayou and Figures,” gouache/ paper, 5 x 7 in.

8. Historic American Gothic Carved Rosewood Octagonal Center Table, c. 1844, labeled Crawford Riddell, Phila., w. 38 3/4 in., Prov.: Rosedown Plantation, by descent in the Turnbull/Bowman/Fort families.

3. Paul Ninas (1903-1964), “Spanish Colonial Buildings, prob. Havana,” m.m./masonite, 24 x 36 in.

nealauction.com

CONDITIONS OF SALE Placing a bid at auction constitutes buyer’s acceptance of and agreement to these Conditions of Sale.

1. WAIVER OF WARRANTY: All lots are sold “AS IS”. No statement regarding condition, kind, value, or quality of a lot, whether made orally at the auction or at any other time, or in writing in this catalogue or elsewhere, shall be construed to be an express or implied warranty, representation, or assumption of liability. Any such warranty is WAIVED. Regarding works of art, Neal Auction Company does not make any express or implied warranty as to authorship. No statement in the catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. Buyer agrees and acknowledges that: (a) buyer is not relying on Neal Auction Company’s skill or judgment in selecting to purchase any lot; (b) no oral or written statements in the catalogue of Neal Auction Company or elsewhere regarding condition, attribution, kind, quality, value or authorship are the cause of or reason behind buyer’s purchase of any lot; (c) buyer would have incurred the purchase of any lot regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (d) Neal Auction Company did not know and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why buyer decides to purchase any lot; (e) buyer’s purchase of any lot is not intended to gratify a nonpecuniary interest; and (f) Neal Auction Company did not know, nor should it have known, that any oral or written statement about a lot in the catalogue or elsewhere would cause a nonpecuniary loss to buyer.

Notwithstanding the foregoing WAIVER OF WARRANTY, agreements and acknowledgements, Neal Auction Company may in its sole discretion, but shall not be obligated to, consider any reasonable request for rescission of a sale on the basis of authenticity of authorship of a work of art under the following terms and conditions only, all of which must be met: A. Neal Auction Company shall not grant rescission regarding lots identified by Neal Auction Company by the terms “attributed to,” “school of,” “manner of,” “after,” or “signature of.”

B. Neal Auction Company shall not grant rescission regarding any lot unless the buyer notifies Neal Auction Company in writing within 25 calendar days from the date of the auction, and returns the lot to Neal Auction Company in the same condition that the lot was in at the time of sale.

C. Neal Auction Company shall not grant rescission regarding any lot unless the buyer presents to Neal Auction Company a written document signed by a recognized art expert acceptable to Neal Auction Company that the lot in question is a forgery.

D. Neal Auction Company shall not grant rescission to any person (including but not limited to the original buyer’s heirs, legatees, assigns, transferees, or subsequent purchasers) other than the original buyer, and any rights of the original buyer are not transferrable or assignable.

E. Neal Auction Company shall not grant rescission when: (i) there is a conflict of expert opinion as to the authorship; (ii) expert opinion supported authorship at the time of sale, although expert opinion may have changed after the date of sale; and (iii) scientific processes that were unavailable, expensive or impractical at the time of sale have revealed since the time of sale that the author or period Neal Auction Company believed to be accurate at the time of sale was inaccurate.

F. In any dispute between Neal Auction Company and buyer regarding authorship of a work of art, it is stipulated that rescission of the sale and refund of the price paid shall be the buyer’s sole recourse or remedy, if any is available, and Neal Auction Company shall not be responsible or obligated for any damages (including compensatory, general, incidental, exemplary or special damages), non-pecuniary losses, costs, expenses, injury, mental anguish, lost profits, attorney’s fees, or any other monetary or injunctive relief.

2. The auctioneer shall have absolute discretion in determining the successful bidder.

At the fall of the auctioneer’s hammer, title to the offered lot will pass to the bidder acknowledged by the auctioneer. The bidder thereupon assumes full risk and responsibility and will pay full purchase price for the said lot.

3. The auctioneer may decide that any original bid is not commensurate with the value of the article offered, or that any advance thereafter is not of sufficient amount, he may reject the same.

4. The auctioneer reserves the right to withdraw any item at any time before the sale of the item.

5. No merchandise will be released before the end of the auction.

6. If the buyer fails to comply with any of the Conditions of Sale, Neal Auction Company reserves the right to hold such defaulting buyer liable for the purchase price; to cancel the sale, retaining as liquidated damages any payment made by the buyer; resell the property without reserve at public auction or privately on seven days’ notice to the buyer or, take such other actions available by law as deemed necessary or appropriate. If Neal Auction Company resells the property, the original defaulting buyer shall be liable for the payment of any deficiency in the purchase price and all costs and expenses, including warehousing, the expenses of both sales, reasonable attorneys’ fees, commissions, incidental damages and all other charges due hereunder.

ABSENTEE/TELEPHONE BIDS

1. All absentee bids and/or telephone bids must be in our gallery by 5 P.M. CST the Thursday prior to the auction.

2. All arrangements for bidding should be made as early as possible. Telephone bidding will be taken at the discretion of the Neal Auction Company. Each item must have a minimum low estimate of $500.

3. We assume no responsibility for failure to execute bids for any reason whatsoever.

4. We reserve the right to require that advance bids be accompanied by a 25% deposit.

PAYMENT

1. The successful bidder agrees to pay a buyer’s premium in the amount of 25% of the hammer price on each lot up to and including $200,000, plus 10% of the hammer price greater than $200,000. For payments made by cash, check or wire transfer within 15 days of the auction, the buyer’s premium shall be discounted 3% of this 25%.

2. Online bidding is available at a buyer’s premium in the amount of 28% of the hammer price. A cash discount is not available for purchases made online.

3. Unless exempt by law, the buyer will be required to pay Louisiana and local taxes, and, if applicable, any federal luxury or other tax, on the total purchase price.

4. Documentation of tax exemption must be provided upon registration.

5. Payment in full must be made by the successful bidder within 15 days of the auction date. Interest charges will apply to invoices paid after this period expires. We reserve the right to require payment in full of the sales price at the moment of the successful bid.

6. VISA, MasterCard, Discover and American Express are accepted for invoices up to $25,000 per customer.

TERMS

Any customer not accredited by Neal Auction Company must present a letter of reference from their bank or other suitable source acceptable to Neal Auction Company.

Neal Auction Company requires that the merchandise be held on premises until the check clears or money can be wired into the Neal Auction Company account.

SHIPPING

We will assist buyers in making shipping arrangements by furnishing information on packers and shippers. Handling of purchased items by us is at the risk of the buyer.

Final shipping arrangements and agreements are strictly between the buyer and the shipper.

STORAGE

Unless other arrangements are made and confirmed in writing, all items must be removed within 15 days of the auction. On the first business day following that time period, items remaining in the gallery will be turned over to a storage facility. The buyer will be responsible for handling and storage costs. Handling costs will be a minimum of $50. Storage rates will carry a minimum charge of $50 per month per item. All items handled or stored will be at the buyer’s risk. Storage charges are accrued monthly and must be paid in full before items are released. We are not liable for any damage to items after the sale.

MANDATORY AND EXCLUSIVE FORUM SELECTION; AND CHOICE OF LAW

Any action of any nature brought by either party against the other in any court, whether federal or state, shall be brought exclusively in Orleans Parish, Louisiana.

Each party agrees to submit to jurisdiction and venue in federal or state court in Orleans Parish, Louisiana, waives all questions of such jurisdiction or venue, and waives any rights to jurisdiction or venue in any other forum. Any dispute between the parties shall be governed by the law of the State of Louisiana, notwithstanding any conflicts of law principles.

Natchez &Abroad AT HOME

THE

ANTIQUES FORUM

2015

This fall join the Pilgrimage Garden Club and experts from around the country in celebrating the glories of journeys past and their influence on American decorative art. Enjoy premier lectures and lavish parties amid America’s most beautiful and historic Mississippi River town.

Presented by the

Pilgrimage Garden Club

Moderator for this event is Daniel Brooks, Director Emeritus, Arlington House, Birmingham, Alabama

For more information or to register online, please visit www.natchezantiquesforum.org or call 800-647-6742.

November 5-7, 2015 Natchez, Misssissippi

w w w . n a t c h e z a n t i q u e s f o r u m . o r g

Auction Results for June 2015 0001-$836 0002-$2390 0004-$1722 0005-$1195 0006-$1230 0007-$676 0008-$597 0009-$418 0010-$2151 0011-$1098 0012-$298 0013-$597 0014-$799 0015-$478 0016-$358 0017-$418 0018-$4305 0019-$418 0020-$2440 0021-$984 0022-$1553 0023-$3198 0024-$1075 0026-$1075 0027-$597 0030-$1075 0031-$956 0032-$2390 0033-$9840 0034-$717 0035-$1230 0036-$4302 0037-$4920 0038-$2270 0039-$1673 0040-$1195 0041-$239 0042-$1553 0043-$1230 0044-$1792 0045-$307 0046-$478 0047-$597 0048-$896 0049-$1434 0051-$492 0052-$37045 0054-$2390 0055-$956 0056-$4612 0057-$1673 0058-$6765 0059-$1952 0060-$861 0061-$5975 0063-$1195 0065-$2337 0067-$246 0068-$366 0069-$1845 0070-$732 0071-$956 0072-$1599 0074-$861 0075-$676 0076-$738 0077-$2440 0078-$1098 0080-$4182 0081-$1464 0082-$418 0083-$1230 0084-$915 0085-$1434 0086-$1220

0087-$1107 0088-$861 0089-$1476 0090-$984 0091-$1075 0092-$976 0093-$1075 0094-$984 0095-$836 0096-$984 0097-$738 0098-$553 0099-$861 0100-$922 0101-$610 0102-$366 0103-$738 0104-$1107 0105-$615 0106-$984 0107-$549 0108-$1230 0109-$430 0110-$615 0111-$488 0112-$537 0113-$305 0114-$1353 0115-$717 0116-$7687 0117-$1912 0118-$776 0119-$1353 0120-$4182 0121-$19120 0122-$7625 0123-$4182 0124-$2337 0125-$2390 0127-$1553 0128-$1075 0129-$1135 0130-$553 0131-$1476 0132-$478 0133-$537 0134-$2270 0135-$3690 0136-$6457 0137-$5842 0139-$1792 0141-$1476 0142-$478 0143-$2390 0144-$1553 0145-$3585 0146-$1353 0149-$22107 0150-$8066 0151-$4612 0152-$2270 0153-$4780 0154-$1135 0156-$307 0158-$358 0159-$799 0160-$861 0161-$369 0162-$418 0162A-$244 0163-$492 0164-$369 0165-$246 0166-$369 0167-$676

0168-$307 0169-$738 0170-$984 0171-$1107 0172-$369 0173-$492 0174-$984 0175-$597 0176-$478 0177-$676 0178-$738 0179-$1476 0180-$1722 0181-$861 0182-$1168 0183-$1353 0184-$1968 0185-$358 0186-$492 0187-$738 0188-$922 0189-$1107 0190-$922 0191-$676 0192-$799 0193-$553 0194-$738 0195-$1045 0196-$956 0197-$298 0198-$1075 0199-$358 0200-$896 0200A-$418 0201-$358 0202-$537 0203-$717 0205-$418 0206-$537 0207-$2987 0208-$799 0209-$717 0210-$627 0212-$1015 0213-$478 0214-$861 0215-$239 0216-$369 0218-$1230 0219-$3286 0220-$2270 0221-$2270 0223-$4182 0225-$1599 0226-$5377 0227-$537 0228-$418 0230-$597 0231-$184 0232-$328 0233-$717 0235-$2987 0236-$2091 0239-$1314 0240-$2629 0242-$1912 0243-$2031 0246-$1553 0247-$861 0248-$1553 0249-$984 0250-$861 0252-$2214 0253-$717 0254-$492

0255-$1599 0256-$615 0257-$2390 0258-$3704 0259-$4182 0260-$1195 0261-$369 0262-$44215 0263-$7687 0264-$1553 0266-$5078 0267-$1493 0268-$4182 0269-$6572 0270-$4880 0271-$14340 0272-$4481 0273-$6572 0274-$6572 0275-$4481 0276-$3585 0277-$7468 0278-$5490 0279-$53775 0280-$8663 0281-$4780 0282-$9560 0283-$5975 0284-$14340 0285-$7170 0286-$22705 0289-$3585 0290-$478 0291-$239 0292-$478 0294-$2688 0295-$836 0296-$1792 0297-$2987 0299-$16730 0300-$23900 0301-$46605 0302$152362 0303-$35850 0304-$17327 0305-$6710 0306-$7468 0307-$2987 0308-$1195 0309-$8962 0310-$6710 0312-$4182 0313-$2987 0314-$9560 0315-$1107 0317-$32265 0318-$8066 0319-$8302 0320-$7170 0321-$6100 0322-$20912 0323-$2688 0326-$20315 0327-$21510 0328-$5377 0329-$7767 0330-$1912 0331-$1792 0332-$3107 0333-$984 0334-$1314 0335-$1968 0336-$1353 0337-$2460

0338-$1107 0339-$2390 0340-$1195 0341-$2270 0342-$1912 0343-$956 0344-$1098 0347-$1075 0349-$3585 0350-$430 0351-$8052 0352-$3286 0353-$4182 0354-$1220 0355-$1075 0356-$732 0357-$717 0358-$3782 0359-$956 0361-$1220 0362-$478 0363-$956 0364-$732 0365-$738 0366-$3107 0367-$956 0368-$956 0370-$615 0373-$298 0374-$657 0375-$738 0378-$1673 0379-$1792 0380-$1135 0381-$307 0382-$2583 0383-$478 0384-$553 0385-$956 0386-$1434 0387-$1314 0390-$2031 0391-$1464 0393-$1045 0394-$615 0396-$861 0397-$922 0398-$5078 0399-$1314 0401-$4182 0403-$1912 0404-$1673 0405-$1220 0406-$861 0407-$1434 0408-$1912 0409-$956 0410-$1792 0411-$2987 0412-$1476 0413-$984 0414-$1673 0415-$3997 0417-$3690 0422-$1230 0423-$861 0424-$2151 0425-$799 0426-$1314 0428-$717 0429-$492 0430-$956 0431-$776 0432-$976 0433-$358

0434-$478 0435-$717 0436-$6405 0437-$5078 0438-$1553 0439-$2390 0440$134437 0441-$2987 0442-$16730 0443-$9760 0444-$1195 0445-$1195 0446-$3883 0447-$2031 0448-$717 0449-$488 0450-$3883 0451-$9560 0452-$5975 0453-$369 0454-$2151 0456-$492 0457-$427 0458-$239 0460-$896 0461-$9560 0463-$836 0464-$776 0465-$956 0467-$3883 0469-$1107 0471-$738 0472-$478 0473-$369 0474-$799 0475-$478 0476-$1599 0477-$3075 0478-$298 0479-$836 0481-$16730 0483-$1230 0486-$3075 0487-$3585 0488-$2688 0494-$717 0495-$537 0497-$6572 0498-$3660 0500-$3075 0501-$8962 0503-$1673 0507-$3286 0508-$1673 0509-$2509 0510-$1230 0511-$861 0513-$836 0514-$861 0516-$1353 0517-$1722 0519-$2987 0520-$1952 0522-$5246 0523-$239 0525-$1476 0528-$717 0529-$799 0530-$1553 0533-$10455 0535-$1722 0536-$2767 0539-$1195 0540-$861

0541-$597 0546-$5078 0548-$369 0550-$239 0551-$298 0554-$956 0555-$492 0556-$2337 0558-$6457 0561-$732 0562-$615 0563-$854 0564-$298 0567-$1464 0568-$3965 0569-$676 0570-$671 0571-$6273 0574-$1135 0575-$6150 0576-$7687 0577-$1673 0578-$3075 0580-$1195 0581-$776 0582-$1195 0583-$478 0584-$1599 0586-$1673 0587-$6150 0589-$1230 0591-$1168 0592-$1195 0593-$861 0595-$1553 0596-$2031 0597-$717 0598-$1792 0599-$597 0600-$246 0602-$1135 0603-$1912 0605-$1968 0606-$298 0608-$1342 0609-$239 0610-$239 0611-$478 0612-$246 0614-$615 0615-$738 0616-$369 0617-$676 0618-$896 0619-$307 0620-$358 0621-$488 0624-$610 0625-$2031 0626-$615 0629-$1792 0634-$2562 0635-$717 0636-$239 0637-$1792 0638-$615 0639-$239 0640-$5227 0641-$298 0643-$418 0645-$1353 0646-$1792 0647-$119 0648-$366 0649-$492

0650-$492 0651-$1314 0653-$123 0654-$896 0656-$215 0657-$298 0658-$854 0659-$1314 0660-$328 0662-$184 0663-$388 0664-$1037 0665-$1586 0666-$717 0669-$1098 0670-$717 0671-$615 0672-$478 0674-$448 0676-$369 0677-$799 0678-$328 0679-$507 0680-$369 0681-$268 0682-$984 0683-$239 0684-$358 0685-$183 0686-$615 0687-$6765 0688-$522 0689-$836 0690-$1476 0691-$597 0692-$3198 0693-$984 0694-$418 0695-$3585 0696-$6150 0697-$2214 0698-$956 0699-$20315 0700-$567 0701-$2987 0702-$388 0703-$537 0704-$1168 0705-$3704 0706-$676 0707-$478 0708-$430 0709-$276 0710-$1599 0711-$537 0712-$276 0714-$657 0715-$537 0716-$1845 0717-$984 0719-$399 0720-$492 0721-$123 0722-$4612 0723-$399 0724-$149 0725-$246 0726-$5078 0729-$2706 0733-$1912 0734-$338 0735-$307 0736-$657 0737-$922 0738-$430

0739-$268 0740-$183 0741-$492 0744-$246 0745-$4920 0746-$89 0747-$276 0749-$1107 0750-$597 0751-$676 0752-$478 0753-$657 0754-$3286 0757-$209 0761-$213 0762-$492 0763-$861 0764-$246 0765-$492 0766-$95 0767-$123 0768-$1135 0769-$776 0770-$91 0771-$153 0773-$239 0774-$488 0775-$549 0777-$1353 0778-$246 0779-$184 0780-$537 0781-$492 0782-$89 0783-$246 0785-$1045 0787-$307 0788-$615 0789-$179 0792-$239 0793-$123 0794-$597 0795-$799 0796-$307 0797-$246 0798-$246 0799-$239 0800-$305 0801-$149 0802-$239 0803-$179 0804-$418 0805-$298 0806-$717 0807-$717 0808-$1107 0809-$358 0810-$671 0811-$776 0812-$896 0814-$553 0815-$717 0816-$717 0817-$246 0819-$1195 0820-$3050 0821-$488 0822-$676 0823-$239 0825-$2706 0826-$89 0827-$246 0828-$183 0831-$1107 0832-$307

0833-$399 0834-$597 0835-$1195 0837-$1314 0838-$922 0839-$3943 0841-$2562 0843-$799 0844-$430 0845-$615 0846-$239 0848-$358 0849-$1075 0850-$3660 0851-$4780 0852-$896 0853-$122 0854-$922 0855-$239 0856-$427 0857-$717 0859-$776 0860-$717 0861-$1037 0862-$1135 0863-$1015 0864-$1135 0865-$1075 0866-$537 0867-$246 0868-$1434 0869-$1434 0871-$12915 0872-$738 0873-$2270 0874-$1673 0875-$2091 0877-$2629 0879-$478 0880-$1553 0881-$836 0882-$956 0885-$537 0886-$492 0887-$430 0888-$369 0889-$307 0890-$984 0892-$1912 0893-$2270 0894-$488 0896-$1314 0897-$1673 0898-$2151 0899-$478 0902-$488 0904-$1342 0905-$1403 0906-$1075 0908-$1075 0909-$488 0912-$676 0913-$4780 0914-$2440 0915-$358 0917-$1722 0918-$3585 0919-$4481 0921-$1220 0923-$2688 0924-$3883 0926-$369 0929-$8663 0930-$4481 0931-$1792

0932-$10755 0934-$984 0935$107550 0936-$2151 0937-$1912 0938-$836 0939-$478 0940-$2091 0941-$799 0942-$1314 0943-$1107 0944-$358 0945-$2688 0947-$836 0948-$615 0949-$4182 0950-$478 0951-$298 0953-$11053 0956-$3824 0957-$657 0958-$1673 0959-$717 0960-$738 0961-$861 0963-$615 0964-$984 0966-$1792 0967-$2688 0968-$3936 0969-$597 0972-$1476 0973-$358 0974-$896 0977-$246 0978-$5975 0980-$776 0981-$717 0982-$738 0983-$1195 0984-$2031 0985-$1135 0987-$298 0988-$1553 0989-$418 0991-$1344 0992-$896 0993-$896 0997-$776 1000-$615 1002-$4780 1003-$1015 1005-$492 1006-$239 1007-$597 1008-$3690 1011-$5535 1012-$358 1013-$553 1014-$610 1015-$1353 1017-$239 1019-$2868 1020-$3050 1022-$239 1023-$1135 1024-$478 1025-$358 1026-$1434 1027-$1434 1028-$358 1029-$366 1030-$549 1031-$478

1032-$1968 1033-$732 1034-$896 1035-$915 1036-$358 1037-$732 1038-$239 1039-$597 1041-$478 1042-$358 1044-$179 1045-$549 1048-$537 1049-$478 1051-$179 1053-$1708 1054-$1168 1055-$717 1056-$1314 1058-$1792 1059-$478 1060-$418 1061-$1075 1062-$478 1063-$2509 1064-$430 1065-$597 1068-$896 1070-$776 1071-$184 1072-$418 1074-$1135 1075-$597 1076-$1045 1077-$1230 1078-$861 1079-$956 1080-$1015 1081-$984 1082-$184 1083-$418 1084-$358 1086-$732 1087-$1037 1088-$799 1089-$461 1091-$896 1092-$1586 1093-$1342 1094-$2337 1095-$615 1097-$488 1098-$2952 1099-$478 1105-$358 1106-$732 1108-$836 1109-$492 1110-$478 1111-$183 1112-$369 1113-$732 1115-$854 1117-$179 1118-$369 1119-$597 1120-$478 1121-$478 1122-$149 1123-$549 1124-$522 1125-$179 1126-$492 1127-$492 1128-$488

1129-$717 1130-$522 1131-$298 1132-$418 1134-$537 1136-$478 1138-$418 1142-$358 1143-$2151 1144-$2390 1146-$366 1151-$615 1152-$298 1153-$388 1154-$239 1155-$922 1156-$1159 1158-$1342 1159-$448 1160-$478 1161-$239 1163-$836 1164-$369 1165-$717 1167-$478 1168-$461 1170-$717 1171-$246 1172-$358 1173-$246 1174-$298 1175-$610 1176-$276 1177-$149 1178-$358 1179-$448 1180-$388 1181-$358 1182-$215 1183-$776 1184-$298 1185-$149 1186-$246 1187-$1168 1189-$335 1190-$358 1191-$179 1194-$276 1195-$984 1196-$358 1197-$1342 1198-$1135 1199-$1434 1200-$1195 1201-$738 1203-$184 1204-$153 1205-$369 1206-$537 1207-$15860 1208-$1195 1209-$2196 1210-$298 1211-$209 1212-$1195 1213-$1075 1214-$369 1216-$239 1217-$239 1218-$522 1219-$836 1220-$244 1221-$298 1222-$732 1223-$239

1224-$179 1225-$328 1227-$492 1228-$149 1229-$366 1231-$418 1234-$1342 1236-$717 1238-$836 1240-$89 1241-$418 1242-$358 1243-$184 1244-$183 1245-$179 1246-$358 1247-$1434 1248-$298 1249-$2031 1250-$537 1251-$179 1252-$488 1253-$793 1254-$3107 1257-$488 1258-$152 1260-$184 1263-$553 1264-$537 1265-$239 1266-$478 1270-$246 1271-$492 1272-$298 1274-$597 1276-$1195 1277-$597 1278-$717 1279-$657 1280-$418 1281-$358 1282-$369 1283-$239 1284-$239 1285-$215 1286-$854 1287-$430 1288-$307 1289-$246 1291-$430 1292-$369 1293-$246 1294-$338 1295-$358 1296-$307 1297-$478 1298-$246 1299-$657 1300-$430 1301-$179 1303-$399 1305-$1952 1306-$922 1307-$553 1308-$1075 1309-$369 1310-$418 1311-$369 1312-$956 1313-$7767 1314-$1314

Notes

PLEASE SEE NEALAUCTION.COM TO REQUEST AND VIEW CONDITION REPORTS, REGISTER TO BID LIVE ONLINE, AND SUBMIT ABSENTEE/TELEPHONE BIDS.

GLOSSARY OF TERMS Please note that all of the terms and descriptions used in this catalogue are intended as qualified opinions only and are subject to the Conditions of Sale and Limited Warranty set forth elsewhere. Neal Auction Company assumes no express or implied warranty with respect to these terms and descriptions, and they shall not be construed to be a warranty, representation or assumption of liability. Subject to the foregoing, with respect to authorship of works of art, the following terms shall have the following meanings: George Inness - In our qualified opinion, we believe the work is by the artist named.

Attributed to George Inness - In our qualified opinion, we believe the work may be ascribed to the artist named on the basis of style and period, but our opinion is less certain than in the previous category.

Signed “George Inness” - In our qualified opinion, the signature, monogram or other indication of authorship is a signature of the artist.

School of George Inness - In our qualified opinion, the work is of the period of the artist named, by a student or a follower of the artist, but not by the artist.

Manner of George Inness - In our qualified opinion, although the work is in the style of the artist named, it is actually of a later period.

After George Inness - In our qualified opinion, the work is a copy of a known work of the artist named.

Bears signature “George Inness” - In our qualified opinion, although the work bears the signature or monogram of the artist, the work most likely is not that of the artist.

Notes

164

Neal Auction Company John R. Neal Neal Alford Katherine Hovas Chairman President Senior Vice President Rachel Weathers Vice President Paintings & Fine Art

Marc Fagan Vice President Consignments

Michelle LeBlanc Leckert, CAI Vice President Bettine Field Carroll Vice President Business Development

ADMINISTRATION

CONSIGNMENTS

Director of Administration & Finance

Michelle LeBlanc Leckert, CAI Database Manager

Jackie Hernandez Client Services

Rebekah Abernathy Administrative Assistant/Internet Auction Administrator

Lisa Weisdorffer Administrative Assistant

Cameron McHarg

Furniture & Decorative Arts

Neal Alford; Rachel Weathers Paintings, Prints & Photography

Rachel Weathers; Marney Robinson Books, Maps & Natural History Prints

Marc Fagan Silver & Decorative Arts

Katherine Hovas Asian Arts

Bettine Field Carroll Consignments & Evaluations

Claire Thriffiley Inventory Coordinator

Stephen Dewey Consignments Administrator

Johanna Darilek

GENERAL MANAGER

Jason Leckert

GRAPHICS Art Director, Catalogue Design

Emory Nolan Graphics Assistant

David Roberts

AUCTION SERVICES Director of Museum Services & Research

Douglas Lewis, Ph.D., F.A.A.R. Trust & Estates Advisor

Henry G. McCall Senior Appraiser Fine Arts

Amanda Mantle Winstead Appraisals

Rachel Weathers; Marc Fagan

Photography

Jason Leckert

Tom Simpson

Jason Kruppa

OPERATIONS Director of Operations

Charles Lee

CATALOGUE CONSULTANTS

Operations Staff

Charlie Clay

Kelvin Gibson

Jerry Majors

Larry Sudds

Robert Wilson

EXHIBITION STAFF

Mimi Abbott Cecile Ballard Sybil Lawson Ann Mahorner

Cammie Mayer Clare Stewart Carolyn Wogan

AUCTIONEERS

Neal Alford #797 Michelle LeBlanc Leckert #1514 Bettine Field Carroll #1874

Paintings & Fine Arts

Claudia Kheel Furniture & Decorative Arts

Doris Mollenkopf Newcomb Pottery & Decorative Arts

Sally Main Silver

Carey Mackie Decorative Arts & Victoriana

Ann M. Masson Asian Arts

Richerson Rhodes

Neal Auction Company Neal Auction Company September 12 & 13, 2015

Important Estates Auction • September 12 & 13, 2015