January 31 & February 1 - Lot 285

Neal Auction

Important Winter Estates Auction January 31 & February 1

A Rare American Patinated Zinc Equestrian Group of Andrew Jackson Lot 285 • January 31, 2015

Lot 285 Saturday, January 31, 2015

A Rare American Patinated Zinc Equestrian Group of Andrew Jackson, 19th c., Cornelius and Baker, Philadelphia, after the 1853 original in Washington, D.C., by Clark Mills (American, 1810‑1883), stone shaped base marked “Patented, May 15, 1855,” h. 22 1/8 in., l. 19 in., w. 8 1/2 in. [$12,000/18,000]

Clark Mills created an iconic image of America’s past, exemplified in the Andrew Jackson sculptural group being offered at Neal Auction Company on January 31, 2015 as lot 285. The larger than life size original of this Clark Mills Andrew Jackson equestrian statue was unveiled in 1853 in Washington D.C.’s Lafayette Square (Fig. 1).

The sculptor ambitiously chose the moment when Jackson, reining in his rearing horse, reviews his troops prior to the pivotal Battle of New Orleans. In preparation, Mills studied the uniform worn by Jackson that was displayed in the Washington D.C. Patent Office.

The statue’s design astounded everyone, since the only portions of the sculpture to touch the ground were the horse’s hind feet.

According to a contemporary account, the statue was lauded for, “...exhibiting the features, the person, the apparel, the attitudes, and almost the action, which belonged to him [Jackson] at the moment of rendering the highest service to his country.” This monument was the first equestrian statue erected in the United States, as well as the first major bronze cast. A second statue was placed in Jackson Square in New Orleans in 1856 (Fig. 2), and a third in Nashville in 1880.The unveiling of the statue in New Orleans took place amidst great celebration; there was a procession of local dignitaries to the site, music, speeches, and a 100 cannon salute from the levee. In 1840 on the 25th anniversary of the Battle of New Orleans, during his last visit to the city, General Andrew Jackson had laid the cornerstone in the “Place d’Armes” where his statue was eventually to reside. Based on the “Place des Vosges” in Paris, the park was not re-named in Jackson’s honor until 1851, several years after his death. Today, the view of Jackson Square with its synonymous statue is one of the most iconic images of New Orleans.

View of Lafayette Square in Washington, D.C., 1894.

George Francois Mugnier, “St. Louis Cathedral and Andrew Jackson Memorial,” 1880-1920, photograph, Louisiana State Museum, George Francois Mugnier Collection, Accession # 09813.949.1

Neal Auction Company • www.nealauction.com

Lot 285 Saturday, January 31, 2015 Clark Mills is considered one of America’s first sculptors. Born in upstate New York, he ran away from home at the age of 13, eventually settling in Charleston where he began to work as an ornamental plasterer and sculptor. Initially he was hesitant to enter the contest for the Jackson Sculpture commission, fearing he was neither qualified nor experienced enough. Mills was awarded the Jackson commission based in part on the success of his bust of the revered South Carolina statesman John C. Calhoun, 1782-1850 (Fig. 3). To prepare for the sculpture’s production, Mills practiced by casting large-scale bells. He eventually sold the design rights to the prominent Philadelphia firm of Cornelius & Baker (in partnership 1851-1861), a company known for its lighting fixtures and one of the pioneers in zinc casting. The company’s skills are readily evident in this rare patinated zinc reduction. The technique was so advanced and innovative that Cornelius and Baker had the process patented.

Clark Mills (American, 1810-1883), “John C. Calhoun,” c. 1844-45, bronzed plaster, 24 3/8 x 14 x 9 3/8 in., Smithsonian American Art Museum.

Examples of Cornelius & Baker Jackson sculptures are in the collections of the National Portrait Gallery in Washington D.C., the Tennessee State Museum, the Morris Museum in Georgia, the Virginia Museum of Art in Richmond, the New York Historical Society, the Andrew Jackson Historical Park Museum in South Carolina, and The White House.

References: Barber, James. Andrew Jackson - A Portrait Study. National Portrait Gallery. 1991.pp. 212-216. ; Benezit. Dictionnaire des Peintres. Librairie Grund, 1976, vol. 7, p. 424. ; Ward, John William. Andrew Jackson - Symbol for an Age. Oxford University Press, London, 1962.

For inquiries contact Marc Fagan 800.467.5329 fagan@nealauction.com An 1859 view of Cornelius & Baker’s storefront on 710 Chestnut St. in Philadelphia, PA, from Dewitt C. Baxter, Panoramic Business Directories, Athenaeum of Philadelphia, 1880.

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Neal Auction Company

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Auctioneers & Appraisers of Antiques & Fine Art 4038 Magazine Street, New Orleans, Louisiana 70115 504-899-5329 • Fax: 504-617-6431 • www.nealauction.com

Confidential Absentee / Telephone Bid Form

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Please Review Guidelines For Absentee & Telephone Bidding: 1. Telephone bidding will be taken at the discretion of Neal Auction Company. Each item must have a low estimate of $500 or more.

Absentee bids are gladly accepted for all items below $500.

2. All absentee bids and/or telephone bids must be in our gallery by 5 P.M. CST the Friday prior to the auction.

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7. In the event of discrepancies, lot number and not lot description will take precedence.

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1. WAIVER OF WARRANTY: All lots are sold “AS IS”. No statement regarding condition, kind, value, or quality of a lot, whether made orally at the auction or at any other time, or in writing in this catalogue or elsewhere, shall be construed to be an express or implied warranty, representation, or assumption of liability. Any such warranty is WAIVED. Regarding works of art, Neal Auction Company does not make any express or implied warranty as to authorship. No statement in the catalogue or elsewhere, orally or in writing, shall be construed as an express or implied warranty, representation or limitation of liability as to authorship. Any such warranty is WAIVED. Buyer agrees and acknowledges that: (a) buyer is not relying on Neal Auction Company’s skill or judgment in selecting to purchase any lot; (b) no oral or written statements in the catalogue of Neal Auction Company or elsewhere regarding condition, attribution, kind, quality, value or authorship are the cause of or reason behind buyer’s purchase of any lot; (c) buyer would have incurred the purchase of any lot regardless of any oral or written statements about condition, attribution, kind, quality, value, or authorship made in the catalogue or elsewhere; (d) Neal Auction Company did not know and could not have known that condition, attribution, kind, quality, expressed value, or authorship is the cause or reason why buyer decides to purchase any lot; (e) buyer’s purchase of any lot is not intended to gratify a nonpecuniary interest; and (f) Neal Auction Company did not know, nor should it have known, that any oral or written statement about a lot in the catalogue or elsewhere would cause a nonpecuniary loss to buyer.

Notwithstanding the foregoing WAIVER OF WARRANTY, agreements and acknowledgements, Neal Auction Company may in its sole discretion, but shall not be obligated to, consider any reasonable request for rescission of a sale on the basis of authenticity of authorship of a work of art under the following terms and conditions only, all of which must be met: A. Neal Auction Company shall not grant rescission regarding lots identified by Neal Auction Company by the terms “attributed to,” “school of,” “manner of,” “after,” or “signature of.”

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E. Neal Auction Company shall not grant rescission when: (i) there is a conflict of expert opinion as to the authorship; (ii) expert opinion supported authorship at the time of sale, although expert opinion may have changed after the date of sale; and (iii) scientific processes that were unavailable, expensive or impractical at the time of sale have revealed since the time of sale that the author or period Neal Auction Company believed to be accurate at the time of sale was inaccurate.

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The auctioneer may decide that any original bid is not commensurate with the value of the article offered, or that any advance thereafter is not of sufficient amount, he may reject the same.

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All absentee bids and/or telephone bids must be in our gallery by 5 P.M. CST the Thursday prior to the auction.

All arrangements for bidding should be made as early as possible. Telephone bidding will be taken at the discretion of the Neal Auction Company. Each item must have a minimum low estimate of $500.

We assume no responsibility for failure to execute bids for any reason whatsoever.

We reserve the right to require that advance bids be accompanied by a 25% deposit.

PAYMENT 1.

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The successful bidder agrees to pay a buyer’s premium in the amount of 22% of the hammer price on each lot up to and including $200,000, plus 10% of the hammer price greater than $200,000. For payments made by cash, check or wire transfer within 15 days of the auction, the buyer’s premium shall be discounted 2.5% of this 22%.

Online bidding is available at a buyer’s premium in the amount of 25% of the hammer price. A cash discount is not available for purchases made online.

Unless exempt by law, the purchaser will be required to pay Louisiana and local taxes, and, if applicable, any federal luxury or other tax, on the total purchase price.

Documentation of tax exemption must be provided upon registration.

Payment in full must be made by the successful bidder within ten days of the auction date. Interest charges will apply to invoices paid after this period expires. We reserve the right to require payment in full of the sales price at the moment of the successful bid.

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TERMS Any customer not accredited by Neal Auction Company must present a letter of reference from their bank or other suitable source acceptable to Neal Auction Company. Neal Auction Company requires that the merchandise be held on premises until the check clears or money can be wired into the Neal Auction Company account.

SHIPPING We will assist buyers in making shipping arrangements by furnishing information on packers and shippers. Handling of purchased lots by us is at the risk of the purchaser. Final shipping arrangements and agreements are strictly between the buyer and the shipper.

STORAGE We will be glad to store certain items purchased at auction until transportation is arranged. Unless other arrangements are made and confirmed in writing, all items must be removed within one week of the auction. On the first business day following that time period, merchandise remaining in the gallery will be turned over to a storage facility. The owner will be responsible for handling and storage costs. Handling costs will be a minimum of $50. Storage rates will carry a minimum charge of $15 per month. For a list of our storage charges by item category, please ask our customer service personnel at the front desk area. All items handled or stored will be at the purchaser’s risk. Storage charges are billed monthly and must be paid before merchandise is released. We are not liable for any damage to merchandise after the sale.