PORTFOLIO
NAWAF E. BADGHAISH
KING ABDULAZIZ UNIVERSITY ARCHITECTURE AND PLANNING DEPARTMENT. 2021-2024
,>345F=>'@DJ2I PDHJ?<552'@DJ2I >253<5'>3;<=L3<=?E'3?4'=?I;=2=?E'45I=E?I-'CK'I<3K=?E' G25I@'3?4'=??DL3<=L5'IDHJ<=D?I'<D'53>@';2DV5><-'AK'ED3H' =I'<D'>253<5'L=IJ3HHK'I<J??=?E'45I=E?I'<@3<'H53L5'3' H3I<=?E'=F;3><-
*2%3'$ !)45'/+
!"#!$%&!''($)"*('+,$-$.,/01,($%&"2.&2% !"#$%&'()*+,$'''-.&//,0'''''''''''''''''''''''123456'789 :'#';32<=>=;3<54'=?'<@5'A,B0#C,'!2DE23F'E=G<54'3?4'<3H5?<54'I<J45?< :'#';32<=>=;3<54'=?'(>DJ<I'GD2'GDJ2'K532I'3?4'25>5=L54'?JF52DJI'M34E5I' 3?4'3>>DH345I-
3,&!2('1$)2#122$-$,1&!"/2&/012 N#$1',C/)*,O#O')$#P&"(#+Q''-.&//,0'''''''''''''''''''''''123456'8-8R'S'T-U
3?4';2DV5><'I<J4=5I-
!01,2',)$,
*,1/-/"+2$,1&!"/2&/$789$#1,*!"&$)2%"#.21 (,CC,10'&$1#$&&"#$1'%X$()*+,$+(',$/',((X%#,+&'Y(&%,Z'''-.&//,0
#1,*!"&$)2%"#.21 (,B+'&/)%,+#X$'''-.&//,0
"./21.$,1&!"/2&/ 0X)(&'X]'&^!&"+:'],%)*+Q'X]',"%0#+&%+)"&',$/'!*,$$#$1'''-.&//,0 *,1/-/"+2$,1&!"/2&/ ,"%0#+&%+)"&'+&,A'''-.&//,0 5122(,.&2$#1,*!"&$)2%"#.21
*$+',-,.,)&/
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
ABOUT ME PAGE 1
!"#$%&'()
.,4,5$26$3,)#!,"%!
*#&($%" 67 2019
JEDDAH MEDIA CENTER
- JEDDAH’S MEDIA CENTER 2024
URBAN DESIGN - URBAN PROJECT ( THE EDGE ) 2023
BOUTIQUE HOTEL - MOSQUE
- AL - KHURIJI FARM BOUTIQUE HOTEL - MOSQUE 2023
FREELANCE
2021 - 2024
- MULTIPLE PROJECTS
(( MORE INFORMATION WILL BE AVAILABLE UPON REQUEST ))
PART-TIME
- ARCHITECTURE TEAM
- SECA ( SABBAGH ENGINEERING CONSULTANTS & ASSOCIATES ) 2023
02
JEDDAH MEDIA CENTER
CONTAIN OF 2 PHASES ( URBAN & ARCHITECTURE PROJECT )
URBAN DESIGN
CONTAIN OF 1 ARCHITECTURAL PROJECT.
03
BOUTIQUE HOTEL - MOSQUE
CONTAIN OF 2 ARCHITECTURAL PROJECTS.
CONTENT PAGE 2
05
PART-TIME PROJECTS
CONTAIN OF MULTIABLE ARCHITECTURAL PROJECTS.
GRAPHIC/VISUALS PROJECTS
CONTAIN OF DIFFRENT ASPECTS OF PROJECTS.
CONTENT PAGE 3
04
PORTFOLIO PAGE 4
( PHASE 1 )
PORTFOLIO PAGE 5
PROJECT
01
GRADUATION
01 Project Brief
The Edge epitomizes the fusion of academia, commerce, culture, and innovation, revitalizing the western edge of King Abdulaziz University (KAU) in Jeddah, Saudi Arabia into a dynamic Edge featuring four main Hubs: Business, Commercial, Cultural, and Academic. Its multifaceted design establishes a blueprint for integrated development, driving forward-thinking projects and fostering a vibrant sense of community.
02 Project Hubs
The Business Hub at King Abdulaziz University is a vibrant ecosystem that empowers businesses to thrive, fostering entrepreneurship and driving economic development while shaping the future of business innovation in the region.And its consest of: THE EDGE TOWER - BUISSNES PARK - BUISSNES INCUBATOR Business Hub
Commercial Hub
The Commercial Hub at King Abdulaziz University is a vibrant marketplace and social hub that enhances the university experience with diverse amenities and fosters convenience, innovation, and community. And its consest of: KAU FRONT - VIA TECHNO
The Cultural Hub at King Abdulaziz University celebrates the university's rich history and values through exhibits, events, and educational programs. It inspires pride, fosters dialogue, and strengthens the bond with the community. And its consest of: CULTURE CENTER - KAU MEDIA CENTER- MUSEUM & EXHIBITION CENTRE Culture Hub
Academic Hub
The Academic Hub at King Abdulaziz University empowers students and promotes academic excellence through comprehensive resources, a supportive environment, and collaborative initiatives, shaping the future of education and advancing knowledge. And its consest of:
SKILL SPRINT ACADEMY -STUDENT HUB
PORTFOLIO PAGE 6
JEDDAHMEDIACENTER
PORTFOLIO PAGE 7 03 Project Guidelines JEDDAH COMMUNITY EDGE PRO ECT KAU COMMUNITY $ $$$ $$ $$ $ $$ $ $$$ $$ $$ $
Environmental Building Rotation Different levels on site Different levels on Building Acceptability Id and Character Ventilation Shading Water Features Green Spaces Rentable Vehicles Profetable Projects Solar Uses I&E ( INCOME & EDUCATION )
Architecture
Link Different Activities Social Economic D P 34 7 1 1 D P 34 3 1 0 D P3430 8 D P3101 D P3612 4 D P 3 6 123 D P 35 1 1 7 D P 34 7 1 4 D P 34 7 1 3 D P311 2 4 7 D P3913 4 D P3612 5 D P 36 1 2 2 D P 32 0 3 D P3984 0 D P3101 D P3822 8 D P 3 6 123 D P 39 4 3 6 D P 38 1 2 7 D P 39 2 3 5 D P361 1 9 D P3471 5 D P3953 7 D P 36 1 2 0 D P 38 3 3 0 D P 3 1 0 2 4 3 D P 3 1 0 24 2 D P3843 1 D P31014 1 D P31114 6 D P31024 4 D P 38 2 2 9 D P310 1 4 1 D P3923 5 D P 3 4 30 9 D P 32 0 5 D P 38 4 3 3 D P 31 0 24 2 D P3973 9 D P361 2 1 D P320 4 D P 39 7 3 9 D P3102 4 2 D P 3 1 3148 D P 31 1 34 8 D P 31 0 14 1 D P 31 1 14 5 D P310 2 4 3 D P3131 5 0 D P3102 4 4
Plazas
The landscape was designed by creating plantings resembling buffer zones for the public, cooling the area, establishing pathways, and also adding water to certain areas to achieve specific goals on the site.
There are 10 buildings in the project, and each building is unique in order to create 10 quality projects that achieve the goals of the university.
The movement areas consist of a main thoroughfare that cuts across the entire site from start to finish. Additionally, there are dedicated pathways for bicycles, as well as pathways for golf carts and scooters.
There are four zones in the project: the Business Zone, the Commercial Zone, the Cultural Zone, and the Academic Zone.
This is the complete layout of the site with all the aforementioned features, allowing us to visualize the proportions specific to the project.
This is the basement level, which includes parking spaces, plazas, loading areas, pedestrian walkways, and car lanes.
PORTFOLIO PAGE 8 Landscape layer 5 Masses layer 4 Movement layer 3 2 Zoning layer 1 ALL LAYERS 0 INFRASTRUCTURE LAYER
COMMERCIAL ACADEMIC -ZONE PARKINGS ( 493 DROP OFF PLAZA LOADING CULTURE -ZONE PARKINGS ( 1451 ) DROP OFF PLAZA LOADING TOTAL PARKINGS ( 2842 ) COMMER -ZONE PARKINGS 376 DROP OFF PLAZA LOADING BUISNESS -ZONE PARKINGS 522 ) DROP OFF PLAZA LOADING ZONE CONNECTING CULTURE CULTURE CENTER MUSEUM & EXHIBITION CENTRE VIA TECHNO KAU FRONT SKILL SPRINT ACADEMY STUDENT HUB BUISSNES PARK BUISSNES INCUBATOR THE EDGE TOWER BUISNESS-ZONE MAIN PLAZA BUISNESS TOWER BUISNESS INCUPATOR BUISNESS PARK COMMER-ZONE MAIN PLAZA BOULEVARD VIA - TECHNO CULTURE-ZONE MAIN PLAZA SUB-PLAZA KAU MEDIA CENTER CULTURE CENTER MUSEUM & EXHIBITION CENTRE STUDENT
STUDENT HUB MAIN PLAZA STUDENT HUB PLAZA KIDZEEN MAIN AXIS AL EHT F AL A T T F A CI L Y OF NERSC E S OUN D A D TION YEAR S T
Buissnes ACADEMIC
-ZONE
MEDIA CENTER
JEDDAH
PORTFOLIO PAGE 9 Create a dynamic business area supporting students and attracting investments through a business park concept. Offer a seamless user experience within the park. Business Hub Attract investments and support students through a business-centric area. Apply the business park concept, linking its elements for a cohesive environment. Oppenings made for more efficent ventulation movement and lightning in basement Create a complete user experience in the park. Enhance university life and connect with the surrounding environment. Create attractions for the external community while maximizing university profitability. Commercial Hub Improve university life and connect with the surrounding environment. Create attractions for the external community. Maximize profitable returns for the university. Green Trees level is from the basement level to make more connectivity
PORTFOLIO PAGE 10 Combine learning and work environments to create a vibrant socio-cultural atmosphere. Provide a distinctive entertainment experience. Culture Hub Combine learning and Create a socio-cultural atmosphere. Provide a distinctive entertainment experience. Platform were made for efficent continious visual for users Offer an interactive environment to prepare users for university careers. Connect the university and local community through educational activities, creating a unique learning experience. Academic Hub Offer an interactive environment to prepare users for their university careers. Using Of Transfer Slab in The Basement Slab & The Platform Slab 1.00m 1.00m
(PHASE 2 )
PORTFOLIO PAGE 11
PROJECT
01
GRADUATION
Film production refers to the process of creating a film or a movie. The prevailing problem at hand revolves around the conspicuous absence of a well-established cinema infrastructure in the Kingdom of Saudi Arabia, despite the promising emergence of the Saudi cinema industry. This critical deficiency of essential facilities and resources severely impedes the growth, enrichment, and overall advancement of the Saudi cinema landscape. Consequently, the lack of a comprehensive cinema ecosystem hinders the country's ability to fully embrace and nurture its burgeoning film industry, stunting its potential for creativity, cultural expression, and economic stimulation. Addressing this pressing issue and establishing a robust cinema infrastructure will be paramount in fostering the sustainable development and flourishing of the Saudi cinema sector.
01 PROJECT
02 PROJECT TYPES An outdoor movie set refers to a location specifically designed and arranged for shooting film or video productions that take place outdoors. It typically includes various elements and setups to create realistic outdoor environments, such as streets, parks, gardens, forests, or any other outdoor setting needed for the story. outdoor movie set An indoor movie set refers to a controlled environment designed and constructed specifically for filming scenes that take place indoors. It provides filmmakers with complete control over lighting, sound, and other production elements, allowing them to create the desired atmosphere and setting for the story. indoor movie set These are large-scale entertainment complexes that integrate film and television production facilities with retail, dining, and cinema spaces. They aim to create a comprehensive entertainment destination that caters to both production needs and public engagement. studio city STUDIO 5 STUDIO 5 CINEMA 04 PROJECT GOALS 03 PROJECT TIMELINE WEAK STRONG FILM COMMISSION 2030 VISION 1 1 2 3 4 5 6 7 8 9 10 2 3 4 5 6 7 8 9 10 1- Developing the Saudi Arabian film industry SAUDI FILM COMMISSION GOALS : 2- Attracting international productions 3 - Creating job opportunities 4 - Promoting cultural exchange 5- Building a film-friendly ecosystem 6 - Encouraging cultural and artistic expression 7 - Enhancing the local film infrastructure 8 - Facilitating co-productions and collaborations 9- Promoting tourism and economic growth 10- Supporting film education and training 1- Diversification of the economy SAUDI 2030 VISION GOALS : 2- Empowering Saudi youth 3 - Strengthening the private sector 4 - Developing a vibrant society 5- Enhancing healthcare services 6 - Promoting tourism and heritage 7 - Building a digital society 8 - Preserving the environment 9- Strengthening governance and accountability 10- Enhancing international cooperation 1932 1932 1937 1937 1950 1950 1979 1979 2017 2017 NOW NOW These significant figures in film history include George Eastman, of Eastman Kodak fame, one of the creators of the film 1877 1877 the Lumière brothers in 1895 who developed a practical movie camera in france. Thomas Edison who projected film and built an early studio 1902 1902 In 1932, the film "Sons of the Desert" was released, which was the first Egyptian talkie film starring Youssef Wahbi and Amina Rizk. 1895 1895 1932 1932 who introduced cinema to the KSA were the employees of the Arabian American Oil Company (ARAMCO) in the city of Dhahran. Prior to the establishment of government television, film production in Saudi Arabia was limited. In 1950, Saudi Aramco produced a health awareness film called "Al-Dhubbab" After the incident at the Grand Mosque in 1979, the Saudi government decided to close movie theaters and cinema halls in an attempt to contain the anger of the Saudi Islamic movement following the incident. 1937 1937 1950 1950 1979 1979 In Saudi Arabia, the film industry has been developing rapidly in recent years, and although the country may not have traditional movie studios in the same sense as Hollywood, there are various ways in which movies are produced and shot.2017 - NOW 2017 - NOW PORTFOLIO PAGE 12
BRIEF
05 CASESTUDIES
ARCHITECTURALLY
CONCEPTUAL STUDIO MASS
benefited from this example in terms of understanding and visualizing a similar shape for the mass
EARTH SMART HUB, US
This example was beneficial in understanding how the design of the studio plan and the spaces were created.
CIENMA CENTER, RUSSIA
I benefited from this similar example in terms of the layout Massing of the building and how it is work
STUDIO ARDETE, FRANCE
I benefited from this example in terms of the design for the walls and celling matrials
STUDIO BABELSBERG, GERMANY
benefited here from an architectural section example that illustrates the heights of the photography studio.
SONY PICTURES STUDIO, US
In this case study we see the functional program in it
ENVIROMENTALLY
MVRDV, NETHERLANDS
This project used green roofs for the studios and all project components.
OPENAIR CINEMA CZECH
I benefited from this similar example in terms of the distribution of blocks at the site plan level and how the entrances and exits of the site should be.
MVRDV, NETHERLANDS
This project used green roofs for the studios and all project components.
GRAND PALAIS CINEMA, FRANCE
The use of open facades was employed to rely on local winds as an alternative to air conditioning.
ECONOMICALLY
BERLIN MIXED USE STUDIOS
There are rental shops that can be utilized in the project.
SONY PICTURES STUDIOS, US
Sony is a company that rents out studios for filming movies, TV shows, and other productions.
HOLLYWOOD TOUR
In this project, external trips are organized to explore the interior of the project, learn, and enjoy the experience.
SOCIALLY
FILMSTATIONEN, DENMARK
This example was beneficial in realizing the existence of co-working spaces.
MVRDV, NETHERLAND
One of the key aspects of this project is the pre-cinema or pre-photography studio social spaces.
TONKREUZ, GERMANY
Inside the building, there are rental spaces such as offices, studios, dressing rooms, and storage rooms.
FILMSTATIONEN, DENMARK filmstationen is a company that rents out studios for filming movies, TV shows, and other productions.
D’LUCK CINEMATIC THEATRE
In this project, the hall is available for rent to make use of it as a cinema or theater.
FILMSTATIONEN, DENMARK
There are also dining areas, seating areas, and lounges where people can sit and relax.
MVRDV, NETHERLAND
In this project, there are dedicated spaces for learning through cinema.
CINEMA KØBENHAVN, DENMARK
I benefited from this similar example in terms of the distribution of blocks at the site plan level and how the entrances and exits of the site should be.
HISTORIC CENTER, BRAZIL
I benefited from this example in terms of the using the existing matrials from brazil old town
HOME FIRE STUDIOS, UTAH
Here we can see that there are cafes and outdoor seating areas within the site space.
CINEMA DE RIOM, FRANCE OPEN CINEMA HALL THAT BRINGS ALL THE PEOPLE TOGEATHER
PIC
STUDIO STUDIO CINEMA RETAIL 26.20m Dressing Room 11 Storages 4 Offices 13 W.C 4 HEIGHT
PIC
PIC
PIC STUDIO STUDIO RETAIL STAGE 30
PORTFOLIO PAGE 13
SONY PICTURES STUDIO STAGE 10
Studio placement within a complex like Sony Pictures Studios is typically designed to optimize space utilization and facilitate efficient operations. This includes considerations such as the size and number of sound stages, their proximity to each other, and their accessibility to support facilities.
Support facilities are strategically positioned to enhance the production process. These may include production offices, dressing rooms, makeup and wardrobe departments, construction workshops, and post-production suites. The placement of these facilities is designed to create a cohesive workflow and promote collaboration between different departments.
Studio Babelsberg is one of Europe’s largest film studio complexes, offering 21 state-of-the-art sound stages, flexible backlots and vast production facilities on a 42-acre lot. Take advantage of our exceptional production services, internationally experienced crews, and the diversity of attractive film locations, only a few steps from the vibrant city of Berlin that make Studio Babelsberg one of the most attractive film and TV production sites in Europe For Rent. POTSDAM ,GERMANY
PROJECT PLAN STUDIOS PLACEMENT CIRCULATION PATHWAYS SUPPORT FACILITIES STUDIO STUDIO STUDIO 26.20m 43.90m 644m2 1.20m circulation Studio Floor Plan Circulation Filming Total Area Support facilities Dressing Room 11 Storages Offices 13 W.C
Steel Structure GROUND PIT 4m Circulation 25.30m X 51.00m the total area for the filming area 1290m2 Matrial: sprung floor L = 21.49m W = 15.50m 160 seats 333 m2 L = 21.49m W = 15.50m 203 seats 391 m2 For many reasons, parallel side walls – making the room shaped like a shoebox - are very common when it comes to cinema design. A shoebox shape is usually more effective than other shapes when auditoriums are stacked in a multiplex Support facilities are strategically positioned to enhance the production process. PARALLEL SIDE WALLS The room height in a cinema auditorium depends on where it is measured. If the room is shaped like a shoebox, the room height is often given by the height from floor at Row 1 to the ceiling. Usually there is an internal acoustical ceiling, ROOM HEIGHT Circulation Seating In many auditoriums, the side walls are not parallel. If the walls are only slightly angled, this will be good for acoustics and still allow for a large picture size. ANGLED SIDE WALLS Circulation Seating 0.40m 4.00m The minimum escape width might be fixed (usually 400 –450 mm) or increasing with number of seats (or distance) to the closest aisle (usually 350–500mm). SEATING ROW DISTANCE 0.35-0.50m 0.20-0.30m The stairways to get from one row to the next in a stadium are different from regular stairways. One could argue that the aisle consists of one stairway per row. But still local regulations might apply. For each row there must be one deep step, to give a safe entrance to the passage between the seats. AISLES WIDTH The stairways to get from one row to the next in a stadium are different from regular stairways. One could argue that the aisle consists of one stairway per row. But still local regulations might apply. For each row there must be one deep step, to give a safe entrance to the passage between the seats. STAIRWAYS IN THE AISLES 1.20m 1.20m In a cinema, everyone should see the whole picture. To achieve this, the auditorium must be designed to give acceptable sightline clearance from every seat. It is common to use 1200 mm as referenceheight from floor to eye for a seated person. SIGHTLINE CLEARANCE A relaxed, seated person will look 15° downward. The comfortable viewing zone is +/–15° relative to this sightline. Such conditions are almost never achievable in a cinema auditorium. However, chairs with head rest and recliners can improve comfort, especially on the first rows. VERTICAL VIEWING ANGLES GOOD VALUE C > 0.20m Acceptable VALUE 0.15m < C < 0.20m Poor VALUE 0.12m < C < 0.15m c c c 1.20m 1.5 to 2 times the screen width 06 BUILDING
PORTFOLIO PAGE 14
STUDIO BABELSBERG
COMPONENTS
07 SPACE MATTRIX 08 PROJECT CONCEPT COMPLEX STUDIO All functions Filming Studio Production offices Workshops and construction facilities Wardrobe and makeup departments Screening rooms Amenities and support facilities fitness areas Prop storage Set design and construction offices Restrooms (W.C) Cafeteria Control rooms Cinema Staff Lounge Kitchen Laundary Room Filming Studio Production offices Workshops and construction facilities Wardrobe and makeup departments Screening rooms Amenities and support facilities fitness areas Prop storage Set design and construction offices Restrooms (W.C) Cafeteria Control rooms Cinema Staff Lounge Kitchen Laundary Room Filming Studio 1171.5m2 15.00m2 52.00m2 13.20m2 30.00m2 20.00m2 50.00m2 46.00m2 25.00m2 16.00m2 92.00m2 15.00m2 21.00m2 30.00m2 14.00m2 364.5m2 Production offices Workshops and construction facilities Wardrobe and makeup departments Screening rooms Amenities and support facilities fitness areas Prop storage Set design and construction offices Restrooms (W.C) Cafeteria Control rooms Cinema Staff Lounge Kitchen Laundary Room FUNCTIONS TOTAL AREA AREA M2 1981.2m2 MEDIA CENTER COMPLEX
09 PROJECT OBJECTIVES HORIZONTAL EXPERIENCE CONCEPTUAL SKETCH VERTICAL EXPERIENCE CINEMATIC JOURNEY BULKY MASS RED CARPET INTERSECTION USERS JOURNEY ENTERTAINMENT & INDUSTRY LEARNING ENTRANCE EXPERINCE DIFFRENT LEVELS OF EXPERINCE EYES JOURNEY BIG SCREEN $ $ $ PORTFOLIO PAGE 15
The project idea is to create a cinematic world within a building, where individuals can immerse themselves in this world and connect the film industry with the joy of watching movies.
09 PROJECT SYSTEMS
The Module Were Taken From The Dimension Of A Full Studio Spaces. The Dimension is 30x20m For One Module, And Each Companision Will Give Us A diffrent Space.
When taking the 1/2 module, we have two separate mini studios with their own services, and the actors and staff do not overlap.
Here begins the journey of the person from the ground floor to the first floor, passing through the studios, where they can see the actors without the pathways of movement overlapping.
The journey within the building starts at the main entrance, where visitors first enter. From there, they proceed to gather in the lobby area, which serves as a central meeting point. After spending some time in the lobby, the cinematic experience begins. Visitors ascend the ramp, which leads them to the film studios. Here, they have the opportunity to explore and observe the various movie sets and production areas. Following the studio visit, visitors settle down in a designated cinema space where they can enjoy either an indoor or outdoor screening,
The circulation system in the plan is designed as an indirect path due to various points of interests.
08 PROJECT JOURNEY
FIRST SCENARIO CINEMA CINEMA SECOND SCENARIO GALLERY + EXPERINCE OUTDOOR CINEMA
FULL STUDIO STUDIO 1 STUDIO 2 EXPERIENCE CONNECTION ENTRANCE LOBBY CINEMATIC JOURNEY SEEING STUDIOS INDOOR/OUTDOOR CINEMA PORTFOLIO PAGE 16
BEGINNING OF JOURNEY
HERE WE SEE THE ENTERTAINMENT BUILDING, WHICH INCLUDES THE DOUBLE HEIGHTS LOBBY AND TWO CINEMA HALLS. WE ALSO SEE THE STUDIOS BUILDING WITH ITS DEDICATED SERVICES.
GROUND FLOOR 1 ENTRANCE 2 LOBBY 3 WAITING 4 GALLERY RAMP 5 CONCESSION 6 BOH 7 CINEMA HALL 10 EMERGENCY EXIT 11 STUDIO 12 SERVICES 13 MAKEUP ROOM 14 SHOWER ROOM 8 W.C 9 CORE LEGEND : 1 2 3 7 7 10 10 10 10 11 11 12 0m 5m 15m 30m ENTRANCE SCULPTURES A A A 1 2 3 4 B C D A# B# C# D# 1# 2# 3# 4# 5# 6# 7#
PORTFOLIO PAGE 17
MIDDLE OF JOURNEY
ON THE FIRST FLOOR, WE CAN SEE THE COMPLETION OF THE JOURNEY WITH THE RAMP, WHERE THE CINEMA EXHIBITION IS LOCATED. WE CAN ALSO HOLD EXHIBITIONS SUCH AS THE RED SEA FILM FESTIVAL. ON THE OPPOSITE SIDE, THERE ARE TWO LARGER CINEMA HALLS. FIRST FLOOR SCALE 1/200
0m 5m 15m 30m 16 CORE 17 CONCESSTION 18 BOH 19 WAITING 20 STORAGE 21 W.C 22 CINEMA 23 GALLERY 24 EMERGENCY EXIT 25 OFFICE 26 LAUNDRY 27 LOUNGE
: RAMP DESIGN 16 17 18 19 20 22 22 23 24 24 24 27 A A A 1 2 3 4 B C D A# B# C# D# 1# 2# 3# 4# 5# 6# 7# PORTFOLIO PAGE 18
LEGEND
SECOND FLOOR SCALE 1/200
LEGEND :
25 CORE
26 CONCESSTION
27 BOH
28 WAITING
29 W.C
30 OUTDOOR CINEMA
EMERGENCY EXIT
END OF JOURNEY
FINALLY, THE JOURNEY CONCLUDES WITH AN OUTDOOR CINEMA ON THE ROOFTOP, OFFERING A UNIQUE AND EXCEPTIONAL EXPERIENCE.
0m 5m 15m 30m
31
25 31 31 28 29 30 27 A A A 1 2 3 4 B C D A# B# C# D# 1# 2# 3# 4# 5# 6# 7#
PORTFOLIO PAGE 19
SECTION A-A 02 Ground level +6.00 03 1st Level +11.00 03 Studio Level +14.00 04 Second level +20.00 05 Roof Level +21.00 02 Ground level +6.00 03 1st Level +11.00 03 Studio Level +14.00 04 Second level +20.00 05 Roof Level +21.00 SOUTH ELEVATION EAST ELEVATION 02 Ground level +6.00 03 1st Level +11.00 03 Studio Level +14.00 04 Second level +20.00 05 Roof Level +21.00 PORTFOLIO PAGE 20
PORTFOLIO PAGE 21
URBANDESIGN THEEDGE
02 PORTFOLIO PAGE 22
THE EDGE OVERVIEW
TRANSITIONING FROM A CURRENT IDENTITY TO A NEW IDENTITY THAT OFFERS NEW EXPERIENCES AND MAKES USERS COMFORTABLE CAN BE AN EXCITING PROCESS.
Transition New ID 90 degree Slope Curved Current ID The
6m 6m 5m 6m 6m 5m 6m 6m 5m 5m 2m EXISTING : PROPOSAL : EXISTING PROPOSAL : FIRST LRT TRACK SECOND LRT TRACK PORTFOLIO PAGE 23
masses Distribustion and shaping depends on : Wind direction , Human scale using golden ratio
MAIN OBJECTIVE EXPERINCE THERMAL COMFORT SOCIAL CONNECTION IDENTITY TRANSITION DIFFRENT LEVELS MATRIALS VARIARTIONS TRANSITION PHASES JOURNEY ADAPTABILITY WELOCOMING SENSE OUTDOOR ACTIVITIES INTERACTIVE MOVEMENT TRACK SHADE BY BUILDING VENTILATION WATER FEATURES GREEN SYSTEM LEGIBILITY CHANGING SITE ORIGIN USES ?? ?? ! GARDEN? Propotion Propotion 1 : 90 Degree Detect wind Direction Propotion Propotion 2 : 90 Degree to Slope Detect wind Direction Propotion Propotion 3 : Slope Detect wind Direction Propotion Propotion 4 : Slope to Curve Detect wind Direction Straight line trading is a line that goes from point A to point B and its disadvantage is that it is so obvious and transparent A zigzag line is a line that connects more than one point so that you do not see the end of the line so that it preserves the element of surprise Dot attracted to mass Do attracted to mass Dot attracted to mass Do attracted to mass Dot attracted to mass Do attracted to mass A zigzag line is a line that connects more than one point so that you do not see the end of the line so that it preserves the element of surprise Propotion Propotion 5 : Dynamic Propotion 6 : Merged Dynamic Detect wind Direction Propotion Propotion 1 : Stright Line Cerculation Propotion 2 : Stright Line Cerculation to Zigzag Line Propotion 3 : Zigzag Line Propotion 4 : Zigzag Line to Curve Line Cerculation Propotion 5 : Devided Curve Line Cerculation Propotion 6 : Clusterd Detect wind Direction Reshaping Curved line trading is a line that goes from point A to point B and its disadvantage is that it is so obvious and transparent A zigzag curved line is a line that connects more than one point so that you do not see the end of the line so that it preserves the element of surprise The Clusterd is to connect all the dots so that together so that all the dots are connected and all the dots are visible so that the element of surprise will be lost Straight line trading is a line that goes from point A to point B and its disa vantage is that it is so obvious and transparent
1 : Stright Line Cerculation Propotion 4 : Zigzag Line to Curve Line Cerculation G een attracted to do edge G een attracted to dot edge Straight line trading is a line that goes from point A to point B and its disa vantage is that it is so obvious and transparent Straight line trading is a line that goes from point A to point B and its disa vantage is that it is so obvious and transparent
1
Stright Line Cerculation Propotion 4 : Zigzag Line to Curve Line Cerculation Straight line trading is a line that goes from point A to point B and its disa vantage is that it is so obvious and transparent Water attracted to G een edge Water attracted to G een edge PORTFOLIO PAGE 24
Propotion
Propotion
:
PORTFOLIO PAGE 25
PORTFOLIO PAGE 26
PORTFOLIO PAGE 27
PORTFOLIO PAGE 28
PORTFOLIO 2021-2024
BOUTIQUEHOTEL AL-KHURIJI FARM
PORTFOLIO PAGE 29
03
PORTFOLIO PAGE 30
PORTFOLIO PAGE 31
AL-KHURIJI FARM
OVERVIEW
On our last visit to the Madinah, we went to Al Masjid an Nabawi and visited several places, and then we went to the Quba Mosque and we noticed that there are campaigns for visitors to take them to visit Al Masjid an Nabawi and the Quba Mosque as a kind of tourism, so the idea came from here to take advantage of ( the well ) located in the farm to be a shrine for tourists and Then they will go to the museum (Al Khuraiji building) to learn about the history of the farm and the building
PHASE 1
The idea of the project is to create a journey for the visitor with a unique experience about the story of the building on this farm. The person’s journey in the project consists of stages that tell about the past of the farm connected to the present to create a unique Experince
This is the percentage of the Target group to be present at the site
This is the percentage of the local visitors expected to be present at the site Take it the percentage of tourists expected to be on the site This is the percentage of the local visitors expected to be present at the site
PHASE 2
PHASE 3 PHASE 4
PORTFOLIO PAGE 32
1500 B.H UNKNOWN A.H UNKNOWN A.H
The target group that comes to visit the holy sites
AL MASJID AN NABAWI QUBA MOSQUE THE WELL
To Achieve The Main Concept ( That The Vistor will experince the 4 phases of The farm throught time ) there are a 4 objectives which is :
1- Thermal Comfort
2- Experince
3- Social Connection
4- Respect The Existing Ratio & Craftsmanship
For Each Objective There Are 2 Design Guids That will guide us to achive our Main Goal ( Concept ) .
OBJECTIVE4: RESPECTTHEEXISTING
OBJECTIVE 1 : EXPERINCE
Interactive,pedestrian movement contributes to some kind of communication between people, whether visual, auditory or sensory
OBJECTIVE 1 : EXPERINCE
Creating different areas for hospitality that take care of all individuals, whether a visitor from the local area or from abroad
OBJECTIVE 2 : SOCIAL CONNECTION
The link between the past and the present to make the visitor feel a sense of the time difference and the development that took place on the farm
OBJECTIVE 4 : THERMAL COMFORT
Preserving the existing elements while consolidating them to make them better and to preserve the old handicrafts
OBJECTIVE 4 : THERMAL COMFORT
Preserving the old proportion of the openings for the facades to preserve the identity
OBJECTIVE 4 : RESPECT THE EXISTING RATIO
The same previous methods will be used to deal with the wind, such as the orientation of the buildings and the locations of the openings
OBJECTIVE 4 : RESPECT THE EXISTING RATIO
This Journey was designed on the basis of the time periods that the farm went through and the events that took place
OBJECTIVE 2 : SOCIAL CONNECTION Journey
One of the most important things to achieve thermal comfort is to control natural lighting and shading
If the residential units are arranged in a way that they are adjacent to each other, it can lead to reduced privacy as well as reduced accessibility to the units. This is because the units may share common walls or spaces, which can result in more noise and disturbance from neighboring units. Additionally, the entryways to the units may be narrower or more difficult to access, making it challenging for residents to move in and out of their homes with ease. To address these issues, it is important to consider the design and layout of the residential units, as well as the use of soundproofing materials and other techniques to enhance privacy and accessibility If the residential units are shifted or staggered relative to each other, it can provide a balance between privacy and accessibility. This is because the units are not directly adjacent to each other, which can reduce noise and disturbance from neighboring units and provide more privacy. However, the units are still close enough to each other to allow for easy accessibility and a sense of community. To enhance the privacy and accessibility of these units, it is important to consider the design and layout of the residential area, as well as the use of landscaping and fencing to provide natural barriers between neighboring units. This can help create a comfortable and welcoming living environment for the residents.
PORTFOLIO PAGE 33
MAIN OBJECTIVES OBJECTIVE1:EXPERINCE OBJECTIVE2:SOCIALCONNECT I ON OBJECTIVE3:THERMALCOMFORT RATIO&ELEMENTS
Interactive Movement Track Link Between The Past & Present Hospitality Areas
Craftsmanship Elements
Facade Ratio
Wind Sunlight UNIT 4 UNIT 3 UNIT 2 UNIT 1 UNIT 4 UNIT 3 UNIT 2 UNIT 1
Each residential unit has unique features that distinguish it from others. The units on the ground floor have a private pool, while the units on the upper floor have a private garden. The diagram illustrates the idea of the pool, where after use, the pool water is poured into the planting area opposite the residential unit. A passage was created at the end of each residential unit that leads residents to the second floor at the back. This was done to provide a beautiful experience and high privacy in movement.
"THE HISTORIC BUILDING (AL-KHARJY'S BUILDING) WAS USED TO CREATE THE GRID SYSTEM CONSISTING OF 45 AND 90 DEGREE ANGLES. THE ANGLES WERE ROUNDED OFF TO CREATE CLEAN ANGLES."
THE ARCHITECTURAL SECTION WAS TAKEN IN A CIRCULAR SHAPE, AND THEN THE SECTORS WERE SPREAD OUT AND ASSEMBLED TO FORM A SINGLE LONG SECTION.
PORTFOLIO PAGE 34 4.20m 4.20m 4.20m 4.20m 5.40m 6.40m 4.20m 4.20m 4.20m 4.20m 13.20m 6.80m 2.40m 2.40m 9.00m 19.30m 4.20m A A B C C B D D E F G WATER PATHWAY CAFE 0 2 4 6 8 10 Ground On Site SECTION
90 DEGREE IN VERTICAL 90 DEGREE IN HORIZENTAL 45 DEGREE
SYSTEM
PORTFOLIO PAGE 35 Phase 1
Visitors Lobby
Guests Lobby Cafe
THE fiRST PHASE INCLUDES THE RECEPTION AREA FOR VISITORS AND GUESTS, WHICH LEADS TO THE EXTERNAL COURTYARD OF AL- KHRIJI HOUSE, WHICH CONTAINS THE TENTS,MUSEUM, AND GALLER Y THE END OF THE MUSEUM JOURNEY EXPRESSES THE SIMPLICITY THAT THE SITE ONCE HAD. THE SECOND PHASE REPRESENTSWATER, AND IT IS ONE OF THE MAIN LANDMARKS OF THE SITE DUE TO THE WELL LOCATED THERE. IT CONTAINS WATER PASSAGES AND A CAFE THE THIRD PHASE REPRESENTS THE GREEN AREAS, WHICH ARE THE ORIGIN OF THE FARM AND WERE USED FOR AGRICULTURE AND HARVESTING. IT INCLUDES A PLAZA. THE FOURTHPHASE REPRESENTS HOSPITALITY WHICH WAS THE FUNCTION OF THE AL- KHRIJI HOUSE IT INCLUDES RESIDENTIAL UNITS, A RESTAURANT, AND A SERVICE HOUS E
Al
Khriji House
Restaurant Back of house Unit
PORTFOLIO PAGE 36
PORTFOLIO PAGE 37
PORTFOLIO PAGE 38
PORTFOLIO PAGE 39
PORTFOLIO 2021-2024
THIRD YEAR MOSQUE
PORTFOLIO PAGE 40
03
Umayyad Era:
Umayyad dynasty, also spelled Omayyad, the first great Muslim dynasty to rule the empire of the caliphate (661–750 ce), sometimes referred to as the Arab kingdom (reflecting traditional Muslim disapproval of the secular nature of the Umayyad state).
Umayyad dynasty, alsospelledOmayyad, the first great Muslim empire of the caliphate(661–750ce), sometimes referred to dom (reflecting traditionalMuslimdisapproval of the secular natureoftheUmayyad state).
Umayyad Era:
Umayyad dynasty, also spelled Omayyad, the first great Muslim dynasty to rule the empire of the caliphate (661–750 ce), sometimes referred to as the Arab kingdom (reflecting traditional Muslim disapproval of the secular nature of the Umayyad state).
PORTFOLIO PAGE 41
Abbasid Era
also spelled Omayyad, dynasty to rule the aliphate (661–750 ce), as the Arab kingaditional Muslim disapnature of the Uma-
Fatimid Era:
Umayyad dynasty, also spelled Omayyad, the first great Muslim dynasty to rule the empire of the caliphate (661–750 ce), sometimes referred to as the Arab kingdom (reflecting traditional Muslim disapproval of the secular nature of the Umayyad state).
Ottoman Era:
Umayyad dynasty, also spelled Omayyad, the first great Muslim dynasty to rule the empire of the caliphate (661–750 ce), sometimes referred to as the Arab kingdom (reflecting traditional Muslim disapproval of the secular nature of the Umayyad state).
PORTFOLIO PAGE 42
MOSQUE OVERVIEW
A MOSQUE (MASJED) IS A PLACE OF PRAYER FOR MUSLIMS, WHERE THE ACT OF SUJIOD IS PERFORMED. MOSQUES ARE USUALLY COVERED BUILDINGS, BUT CAN BE ANY PLACE WHERE PRAYERS ARE PERFORMED, INCLUDING OUTDOOR COURTYARDS, ETC... EARLY MOSQUES WERE EXTREMELY SIMPLE AND DEVELOPED ATTRIBUTES AND ELEMENTS THAT FORMS THE MOSQUES
PORTFOLIO PAGE 43
PORTFOLIO PAGE 44
PORTFOLIO PAGE 45
0m 5m 10m 20m Ground Floor On Site
PORTFOLIO PAGE 46 Placing The Services Building Final Form Total Site Area 3000m 2 The Built-up Area lot Size 1000m2 Following The Amannah Regulations Which is: 80% of the built-up Area for the Mosque and 20% for the services 80% 20% Connect The Site walk System by Placing the Mosque in the Middle and Creating a Court In The Middle Although the e are many mthods of ransporting the concept ocuses on pedestrian movement mainly Users Movemen Place of Interest Collector ) The p ace of interest in this site is the ga den ocated in the same block and it will be the beginning o the spiritual journey when people set out for the mosque Destinition Place O nteres Starting Point
PART-TIME ARCHITECT ARCHITECTURE TEAM
04 PORTFOLIO PAGE 47
PORTFOLIO PAGE 48
I DESIGNED AND PRODUCED THE BUILDING FACADE, AS WELL AS THE PLANS FOR THE TWO BUILDINGS, DURING MY INTERNSHIP WITH THE ARCHITECTURE TEAM.
PORTFOLIO PAGE 49
K NG ABDULAZ STREET P E DE S T R A N W A Y N E G H B O U R B 02 2 0 02 02 01 01 01 01 01 01 01 01 3 03 0 03 04 04 02 B DAY CARE SHOP CAFE LOBBY OUTDOOR SEAT NG AREA
I DESIGNED AND PRODUCED THE SILVER LOUNGE, AS WELL AS THE PLANS FOR THE LOUNGE, DURING MY INTERNSHIP WITH THE ARCHITECTURE TEAM.
TV SEAT NG AREA SEAT NG AREA SEAT NG AREA BAR AREA BUFFET AREA Access Door Access Door
PORTFOLIO PAGE 50
PORTFOLIO PAGE 51
TV SEAT NG AREA EA NG AREA EAT NG AREA BAR AREA BUFFET AREA Access Door Access Doo PORTFOLIO PAGE 52
TV SEAT NG AREA S AT NG AREA S AT NG AREA BAR AR A BUFFET AREA Access Doo Acce s Doo PORTFOLIO PAGE 53
PART-TIME SECA
04 PORTFOLIO PAGE 54
B935
This is one of the eight buildings in which I participated. The plan has been improved and optimized, including calculating the areas and quantities for each different building.
PORTFOLIO PAGE 55 4.25 7.07 12.15 A B C A B C 1 2 3 4 6 1 2 3 4 6 5 5 12.17 7.78 1.64 2.82 1.06 1.63 1.63 2.02 1.29 11.95 1.28 2.03 0.89 7.07 A B C A B 1 2 3 4 1 2 3 4 6 6 5 5 C 1.27 2.12 1.24 1.99 1.04 2.91 1.70 1.01 6.98 7.85 2.06 0.88 2.07 1.19 2.05 1.52 2.01 1.13 0.87 3.51 12.11 0.78 12.26 1.29 2.09 1.06 2.98 2.99 5.22 1.62 5.99 1.70 3.30 4.17 9.47 3.25 2.78 1.85 2.81 2.12 1.78 A B C A B 1 2 3 4 1 2 3 4 6 6 5 5 C 12.33 8.05 0.83 2.18 0.61 2.60 0.83 7.04 12.29 0.83 2.79 0.61 2.84 1.80 1.67 1.74 7.12 2.39 1.45 2.13 3.22 3.04 3.33 3.16 4.48 3.04 A B C A B 1 2 3 4 1 2 3 4 6 6 5 5 C
In addition, Photoshop was employed to enhance the visual representation of the building, creating a realistic simulation by accurately applying the materials and textures that would be present in the physical construction. This technique allowed for a more immersive and lifelike depiction, enabling stakeholders to better visualize the final outcome and make informed decisions regarding the design and aesthetic aspects. By utilizing the power of Photoshop, the building's appearance was brought to life, showcasing its potential in a visually compelling manner.
PORTFOLIO PAGE 56 B935
GROUND FLOOR FIRST FLOOR SECOND FLOOR THIRD FLOOR ISOMETRIC 1 ISOMETRIC 2 STAIRS ISOMETRIC ISOMETRIC SECTION
B834
Photoshop was employed to enhance the visual representation of the building, creating a realistic simulation by accurately applying the materials and textures that would be present in the physical construction. This technique allowed for a more immersive and lifelike depiction, enabling stakeholders to better visualize the final outcome and make informed decisions regarding the design and aesthetic aspects. By utilizing the power of Photoshop, the building's appearance was brought to life, showcasing its potential in a visually compelling manner.
PORTFOLIO PAGE 57
GROUND FLOOR
FIRST
FLOOR
SECOND
FLOOR THIRD FLOOR
ISOMETRIC 1
ISOMETRIC 2
ISOMETRIC SECTION
ISOMETRIC SECTION
In addition, a comprehensive analysis was conducted for all the buildings, including the following assessments:
Illumination Analysis: The intensity of lighting was analyzed at different times of the day and across the months. This analysis helps in understanding how natural and artificial lighting would interact with the buildings' design, allowing for adjustments to optimize illumination levels and minimize potential glare or shadows.
Shadow Analysis: The impact of shadows was analyzed throughout the day and over the course of the year. This analysis provides insights into how shadows cast by the buildings or surrounding objects would affect different areas and spaces. By understanding the shadow patterns, adjustments can be made to optimize natural lighting, mitigate undesirable shadowing effects, and ensure an optimal balance of light and shadow.
PORTFOLIO PAGE 58 B834
GROUND FLOOR
FIRST
FLOOR SECOND FLOOR THIRD FLOOR
FIRST
GROUND FLOOR
FLOOR
SECOND
FLOOR
THIRD
FLOOR
PORTFOLIO 2021-2024
THANK YOU!