TRUST NEWS|WESTERN AUSTRALIA EDITION 03 | AUGUST 2016 - OCTOBER 2016
Andrew Batt-Rawden inaugural Feilman Foundation composer in residence GINA PICKERING | EDITOR
Andrew Batt-Rawden was plucked from a one room apartment in Potts Point, Sydney and imbedded in Perth’s Swan riverscape. He’s the inaugural Feilman Foundation composer in residence living in Gallop House at Dalkeith, a two storey 1870s former farm house.
ABOVE: Inaugural
Feilman Foundation Composer in Residence, Andrew Batt-Rawden takes in the view at Gallop House. G Pickering
audience and also across artistic disciplines.”
He’s elegant, energetic, kind, considered, shy and shocking all at once.
poetry, visual art and technology and that links to a wider audience,” Andrew said.
Recognised for his exceptional talent in musical composition, Andrew combines entrepreneurial expertise, publishing and support for up and coming composers. He’s changing the landscape of his own industry in his own right through his not for profit company Chronology arts, magazine Limelight and his music.
His first Perth appointment was a life drawing class as a model. Stripping down in comfort is part of his preparation for an upcoming August performance called Butt Naked Salon, which will see him collaborate with The Australian Art Quartet and Archibald Prize winner artist Wendy Sharpe. Music includes the work of Shostakovich, Ravel and BattRawden will be both the life model and composer at the performance.
“We have to respond to the times we live in and whilst acknowledging the past, I am finding new ways of communicating to an audience with my art that involves multiple media,
Redefining how music is listened too is a focus of his work. Technology, bio data and new compositions are linked to locations and the heartbeats of listeners. His commitments while at Gallop House also include composing a piano concerto for Australian classical pianist Roger Woodward AC OBE and the Canberra Symphony orchestra. It is expected to be Andrew’s biggest work yet of pure music without lyric.
“It will introduce a music crowd to visual arts practice. It’s about mixing
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