Portfolio for UCL Architectural Computation - Aulia Rahma Nastiti

Nationality Indonesia

Address Ngemplak, Sleman, D.I .Yogyakarta, Indonesia 55584

Subject of Interest Architecture, Technology, Building Performance, Sustainable Built Environment

Email nastiti.auliarahma@gmail.com

Linkedin www.linkedin.com/in/auliarahmanastiti08

Personal Statement

Since my undergraduate program, I have developed an early interest in advanced technology, building performance, and the sustainable built environment because I see them as a necessity and an inseparable subject of the future. My interest has matured after more than three years of practising as an architect and BIM Engineer on several projects in Indonesia. As the ultimate career goal, I intend to use my knowledge and experience by intensively contributing to the development and implementation of advanced technologies to achieve highperformance architectures and a sustainable built environment. Working alongside academics, practitioners, government, and other relevant stakeholders in the development of the Architecture, Engineering, and Construction (AEC) sector of my country and globally.

Education

Universitas Islam Indonesia (UII) Faculty of Civil Engineering and Planning (FCEP) Departement of Architecture

2018-2019 | Bachelor of Professional Architect

Summa Cum Laude with GPA 4.00 /4.00 | Number of Credits : 36

2014-2018 | Bachelor of Architecture

Cum Laude with GPA 3.98 /4.00 | Number of Credits : 150

Organization

2019 - Current | Member Member Number : 20042 191 400

2021 | Registered Architect

Indonesian Architect Registration Certificate (STRA)

2020 | Greenship Associate

Green Building Council Indonesia (GBCI)

2020 | Professional Architect (License)

The Construction Services Development Institution (LPJK), Indonesia

Work Experience

2019 - Today | Architect & BIM Engineer PT Cakra Manggilingan Jaya

2018 - 2019 | Research Asisstant

Sustainable Built Environment Center (SUSBEC), Dept. of Architecture, FCEP, UII

2017 - 2018 | Lecture Asisstant

Dept. of Architecture, FCEP, UII

Certification Presentation

Oct 19th, 2022 | Webinar Speaker

Socialization of BIM Implementation for the Directorate of Water Supply Development, Directorate General of Human Settlements, Ministry of Public Works.

July 2nd, 2022 | Webinar Speaker

Weekend BIM Talk 2022 : BIM Coordination On Project; Archilantis-Pamerindo

June 3rd, 2022 | Panel Discussion Speaker

‘Implementation of BIM in Construction Management’, Association of Indonesian Construction Management Experts (HAMKI)

Honour and Awards

2019 | Summa Cum Laude Graduate Bachelor

Graduated Bachelor of Professional Architect with Summa Cum Laude (GPA 4.00/4.00)

2018 | Cum Laude Graduate Bachelor

Graduated Bachelor of Architecture with Cum Laude (GPA 3.98/4.00)

2018 | 1st Prize Blue Ribbon Award

The Best Architectural Final Project, Universitas Islam Indonesia

2016 | 1st Prize Best Academic Achievement

Best Student Academic Achievement 2015/2016, FCEP, Universitas Islam Indonesia

2015 | 1st Prize Best Academic Achievement

Best Student Academic Achievement 2014/2015, FCEP, Universitas Islam Indonesia

Publication

Sugini and Aulia Rahma Nastiti, 2018. Rethinking the Traditional Architecture Based on Building Science Technology Perspective: How Does Javanese Traditional Architecture Form the Acoustic Behavior of Gamelan Music? (A Case Study of Srimanganti Bangsal of Keraton Yogyakarta). Journal of Engineering and Applied Sciences,13: 3610-3617.

Aulia Rahma Nastiti and Noor Cholis Idham, 2019. The Effect of Building Envelope Design Characteristics on Building Energy Conservation, Case Study: Muhammadiyah Hospital Tengaran and Advanced Pharmaceutical Science Learning Center UGM. National Conference of Built Environment Innovation

Proceeding 2019.

Table of Content

Mangkubumi Youth Biophilic Mall

Pasar Godean

Smart and Green Learning Center (SGLC) UGM

Project Information

Status / Type of Work Academic / Individual

Year / Duration 2016 / 3 Weeks

Site Area 25 m2

Subject Level 2nd year, Architecture Elective Course, Advanced Archuitectural Modelling

Supervisor

Syarifah Ismailiyah A, ST, MT, IAI

syarifah.alathas@uii.ac.id

CITY GARDEN GRID SHELL

Parametric Shelter Instalation

On 25 sqm Area

Installation of a parametric shelter with a Grid Shell structure with an area of 25 sqm. An introductory level product on exploring and implementing parametric methods for form finding, developing surfaces of a series of lines that form an irregular 3D geometry.

Fig 1.3. Left Elevation

Fig 1.1. Front Elevation

Fig 1.2. Right Elevation

Fig 1.4. Interior Space View

Form Finding Design Process

The initial design started in the rhinoceros software, creating 4 different lines as a reference inserted in the grasshopper plugin. The line is a reference/boundary to form a surface that will be the plane/where the grid shell frame is made.

The surface that has been formed from these lines is then divided into several domains. The domain will divide the surface into several U and V to create a boundary line for each domain. The domain is helpful as a grid shell framework in the next step.

Then a transverse line is made between the domains by connecting the points at the corner of the existing domain. This line will also become the grid shell frame and is the bracing that will strengthen the previous frame.

It finally made a 3D frame on the lines that have been made previously. At this stage is the final result of designing a grid shell with a reference line on the rhinoceros before baking.

Fig 1.5. Grasshopper Scripting and Rhinoceros Form Visuals

#1 Boundary Curves Line #2 Surface Form #3 Grid Line on Surface #4 3D Frame

YENI CAFE

Historical Commercial Cafe

Halıcıoğlu Park, Istanbul, Turkey

Yeni Cafe is a waterfront building of the Golden Horn Sea which is here to celebrate environmental and historical values in Istanbul, Turkey. Intended as a space to enjoy and flashback to Turkey’s historical atmosphere, it juts out to sea and overlooks the Istanbul city scape. Accommodating exploration of historical and cultural values transforming iconic or ethnic patterns of vernacular buildings in Istanbul, Turkey. Two way sight seeing ottoman architecture cafe, bridging the experience of old and new city of Istanbul as the meaning of the Golden Horn Sea.

Yeni Cafe is a Summerschool Joint Studio Project of the Department of Architecture at the Islamic University of Indonesia and Fatih Sultan Mehmet Vakif University, Istanbul, Turkey. Working together on a master plan project with Sena Degan, which focuses on building a youth centre.

This project required me to investigate and transform Turkish historical, cultural and environmental relations in cafe design. Carrying the concept of Recreation of a Historical Place delivered with modern Ottoman architecture, such as:

1) Turkish vernacular building forms such as konak (cantilever space), windows and domes, curved columns and, walls on building halls, Turkish housing layout, Karniyarik.

2) Materials such as Wood, Solid stone, limestone, and brick

3) Historical flashback with views of the Haskoy city and across the Golden Horn Sea. Includes a replica of a historic tram rail as a minibar above the existing tracks.

Project Information

Status / Type of Work Academic / Teamwork Subject Level 2nd year, Summerschool Joint Studio Studio Partner Sena Dogan, FMSVU Architecture Student

Subject Level Dept.Architecture UII and Dept. Architecture FMSVU Istanbul, Turkey

Year / Duration 2016 / 20 Days

Height 2 Stories

Supervisor

Ir. Hastuti Saptorini, MA Prof. Dr. Mine Topcubasi Cilingroglu

Fig 2.1. Summerschool Joint Studio Final Asessment Presentation

Site Location

Yeni (New) Cafe is located on the banks of the Golden Horn river. The river, which used to be a port where ships unloaded goods and docked, separates the European side of Istanbul from the old city (Haskoy) to the new city.

Building Concept Transformation

Yeni Cafe applies the Recreation of a Historical Place, delivered with modern Ottoman architecture—transforming form and material elements found in Turkish vernacular architecture, Turkish Traditional House Space Layout, and Historical flashbacks adopting tram on the existing rail for cafe’s attraction.

Turkish Building Forms and Materials

Site Analysis and Mass Organization

The site was chosen because of its strategic position. There is a flexible sirculation that help the site to reach historical element. The site includes the historical train rail (trem line).

Space Layout

The type called “Karniyarik” had been widely applied in Istanbul. In the houses with separate harems, the building section consisting of two rooms and a hall (sofa) had been expanded by adding to the first plan of “Karnıyarık”. This type is located on the 2nd floor while the 1st floor is used for basic service facilities such as kitchen, bathroom, etc.

Historical Flashback

Apart from adjusting the design to enjoy views of objects outside the site, Yeni Cafe also incorporates historical elements into the building. Utilizing the tram rail lines that pass through the site as a base for replicas of the Historical ‘trem’ Train (minibar).

Fig 2.3. Joint Site Superposition Fig 2.4. Site Potentials

Fig 2.5. Site Potentials

Fig 2.2. Site Location

Fig 2.6. Form and Material Sampling

Fig 2.7. “Karniyarik” Type

Fig 2.8. Outdoor View and Pedestrian Fig 2.9. Historical ‘trem’ Train

Design Overview

Building Section

Building Elevation

Building Perspectives

Fig 2.12. Site Section

Fig 2.11. Floor Plan

Fig 2.10. Siteplan

Fig 2.13. Building Sections

Fig 2.18. Roof Top

Fig 2.19. Trem Minibar Interior

Fig 2.14. Front Sea Elevation

Fig 2.15. Right Side Elevation

Fig 2.16. Park Entrance Elevation

Fig 2.17. Left Side Elevation

UMAH TIRTA

Cultural House of Wisdom

Lemahwungkuk, Cirebon, West Java, Indonesia

A waterfront building that supports the existence of the Kriyan River and the Cirebon Kasepuhan Palace, one of Indonesia’s historical and cultural heritage sites. Intended as a new tourism landmark in the historical area of Cirebon City, with its main functions as a library and exhibition space. Accommodating historical and cultural values exploration by transforming the traditional architecture of the Kasepuhan Palace and involving part of the river into the Umah Tirta landscape and main building design.

Umah Tirta was my third year academic project, which requires me to investigate and transform cultural, social, and environmental relationships between building design. It is situated in Cirebon, one of the tourism destinations with historical and cultural values of the Islamic kingdom in Indonesia. The task was to propose a reinterpretation of the house of wisdom in the designated site, an area near the Kasepuhan Palace; a royal complex built of raw brick without any adhesive material in 1529; and the Kriyan River. I conducted historical and cultural research, and I found that the palace complex was the centre of government and activities supported by the Kriyan River as the gateway to Cirebon City from the Java Sea. Hence, I proposed a cultural and ecological house that focuses as an educational space for the culture, history, and ecology of the Kriyan River to preserve those values.

Located right on the edge of the Kriyan River, I decided to face the building towards the palace and the river with a waterfront concept. The building design consists of 2 building masses with 1 main building and other building surrounding it, transforming the spatial pattern of the Kasepuhan Palace. The water element from the Kriyan River is injected into the landscape and inside the building as a passive cooling strategy as well as the main element of the building. Umah Tirta serves as a place to introduce education in the form of a library, exhibition space, public park, and amphitheater to support tourism activities in Cirebon. The waterfront concept will present a river space experience for the surrounding community and tourists and a new landmark of the city of Cirebon.

Ultimatelly, Umah Tirta was designed to meet the community’s need for cultural and historical preservation facilities that support the existence of the Kasepuhan Palace area and the Kriyan River.

Site Location

Design Concept

Concerning the issues (1) The lack of education and preservation of historical and cultural sites; (2) Degradation of the quality of the Kriyan river due to innapropriate habits; (3) Lack of city green space, Umah Tirta proposed a building with the concept of :

“Historical - cultural and river waterfront education center of Cirebon City”.

Umah Tirta will accommodate 2 functions in 1 building, a historical education room and a river conservation space with a different character, Involving water in the building. With this concept, the Umah Tirta building will merge with the landscape as part of the site’s green space. Transforming the main architectural form, layout, and materials of the Kasepuhan Palace Complex to deliver the Cirebon vernacular architectural atmosphere.

Zoning Organization

The selected site is very close to the historical site of the former administrative centre of Cirebon City. Its strategic location makes this area dense with community and tourist activities. This site has the potential to become a place for tourist destination centre, supporting the existence of Cirebon’s historical, cultural, and environmental values.

Keraton Kasepuhan places all functions of space in one complex, which is then transformed into:

1. King’s Unit as a viewing spot (cafe) to see and enjoy performances on stage.

2. Advisor Unit as a Library and Exhibition Area.

3. Personal Guard Unit as the management office.

4. Retinue Unit as a Mosque (serving God)

Fig 3.1. Site Location

Fig 3.3. Diagram of Breakdown Issues

Fig 3.2. Keraton Kasepuhan (Palace)

Fig 3.4. Kasepuhan Palace’s Space Organization

Fig 3.5. Zoning Transformation

1. Adopted the Candi Bentar formation in the Kasepuhan Palace.

Divided into 3 parts of the composition and step shape on the top, transformed into the mass of the building with terraces concept.

2. Adopting Tajug Roof and Main Material

Implemented a 2 layers pointed roof. The main materials in Kasepuhan architecture are also applied, such as shingles for roof coverings, red bricks, and wooden structures.

3. Adopting the concept of open space with a high floor elevation.

Keraton Kasepuhan has a building that is specifically identified with elevated floors, this is transformed with a split level system on a terraced building as a way to highlight the hierarchy of space.

Fig 3.8. Exploded Floor Plan

Fig 3.6. Keraton Kasepuhan Architecture Analysis

Fig 3.7. Building Transformation Concept

Building Elevation

Building Section

In the elevation, the hierarchy of space shown through the split level elevation in a circular building. The building uses exposed brick on the walls and wide openings.

In the middle, there is a library building and a mosque which is distinguished by an open building with a conical roof and a wooden structure.

In addition to the ramp in the building, there is a ramp on the exterior of the building that connects the waterfront landscape with the circular roof of the building. This is done to provide an atmosphere that blends between the building and nature.

Perspectives

Fig 3.13. Building Section

Fig 3.9. South Elevation (Entrance)

Fig 3.10. East-West Elevation

Fig 3.11. North Elevation (Waterfront)

Fig 3.12. Building Materials

Fig 3.14. Drone Perspective

Fig 3.17. Pond Under Glass Floor Library

Fig 3.15. River Waterfront Landscape

Fig 3.18. Mosque

Fig 3.16. Main Building (Cafe)

Fig 3.19. Cafe Interior

Project Information

Mangkubumi Youth Biophilic Mall

Commercial Building

Mangkubumi, Jetis Kota, Yogyakarta, Indonesia

A commercial building that bridges historical, cultural, tourism and social values in the central area of Yogyakarta City, Mangkubumi. To deliver these potentials in the design, the concept of biophilic architecture and analysis of the urban context is applied. The mall is planned to be able to accommodate shopping or other recreational activities while increasing the cognitive and creativity on physical, and psychological creative expression of local teenagers in supporting the cultural tourism area in Mangkubumi.

My final project/thesis in my fourth year is the most challenging and exciting project I have ever done. This project involves advanced technology to realize high-performance building design and its reconciliation with a region’s economic, social, and cultural aspects.

Mangkubumi Youth Biophilic Mall is located in the Mangkubumi area, a commercial area supporting tourism and culture in the center of Yogyakarta City. Through researching the social, economic, and cultural aspects of this area, I discovered the potential of the area, such as (1) Commercial tourism; (2) Heritage architecture; (3) Connected with the Kali Code urban settlement; (4) Active regional economic and creative activities initiated by youth. Hence, I proposed a commercial building (mall) that accommodates the recreational activities of tourists and urban village residents, as well as the creative expression activities space for teenagers to increase the value of the Mangkubumi cultural tourism area.

In the design, I use a transformation approach of 8 biophilic patterns that can increase the user’s cognitive, physical, and psychological creativity. The existence of Code Settlements and heritage buildings also influences the circulation design, mass management, shape and facade, as well as the acoustic quality of buildings and sites.

Mangkubumi Youth Biophilic Mall functions as a commercial mall and local restaurant/street food, open hall, outdoor exhibition area, and Javanese archery sports arena (Jemparingan).

In the end, one of the biophilic parameters; thermal variability and airflow; was simulated and tested using Autodesk Flow. The results showed that the design succeeded in providing optimal thermal variability associated with wind dynamics in the building.

Site Location Design Concept

Based on research in the context of the Mangkubumi area, Mangkubumi is seen as a (1) Trade and servicebased development area that supports the existence of the Tugu, Malioboro, and Yogyakarta Palace tourism areas; (2) Strategic area for youth creative expression spaces, such as music performances, art exhibitions, and murals.

Responding to these, Mangkubumi Youth Biophilic Mall proposed the concept:

“A Recreational Commercial Facility with Biophilic Approach as Youth Expression Space in Mangkubumi, Yogyakarta”

Biophilic architecture is the right approach to provide a space that supports improving cognitive function and user creativity, besides improving well-being and accelerating healing (Terrapin Bright Green, 2012).

Site History and Value

The concept of the arrangement of the city of Yogyakarta uses a layered pattern (concentric delineation) centred on the Yogyakarta Palace (Keraton Yogyakarta). The Mangkubumi area is one part of the central circle that is considered strategic from the economic aspect, especially as a tourism targeted area.

Site Potencies and Youth Activity

This area’s tourism and economic activities have become a magnet for youth activities. Many groups of teenagers enjoy street food vendors, music, and painting on the walls around the Mangkubumi area.

Site Analysis

Site Context

The site has a strategic position, on the west: parallel to the imaginary axis of Yogyakarta (a straight line connecting Mount Merapi to the south coast); on the east: the Code River urban settlement; on the south: adjacent to the cultural heritage building ‘Toegoe Hotel’.

I see this location as a potential crossing point between the main road (Jl. Margo Utomo) on the west side of the site and the Kali Code village on the east side.

In response, the mall’s landscape design accommodate connected access from the main road and Code village and the transition from commercial building to community area. In addition to the landscape, the character of the building will be distinguished on those side. West side: a mall building with the transformation of cultural heritage architecture; East side: an open building (plaza) to provide openness of design to the community of Kali Code.

Fig 4.1. Site Location

Fig 4.4. Concept Diagram

Fig 4.5. Zone Organization and Site Micro Climate Analysis

Fig 4.3. Street Food Vendors Fig 4.2. Street Art

Biophilic Patterns - Historical - Youth Expression Transformation in Design

Visual connected to nature - Historical & Cultural building connection

Combining visual connection with nature and architectural heritage, Hotel Tugu which is right in the south of the site.

Non-Visual connected to nature - Youth expression

Transformed with dynamic composition and solid-void that allows various sensor stimuli to enter the building (air flow, temperature, texture).

Nature Analogies (Shape, texture, organic)

The analogy of the shape of a tree with the main structure such as the trunk and the analogy of the organic form of nature. This is implemented in the shape of the mall building and the shell of the plaza shade. The organic form of the plaza shell also includes completing the acoustic performance (Research by Aulia, 2017). Through its structural system, the space frame structure will create an organic shadow on the plaza floor.

Thermal

Material connection to nature Sensorik Stimuli Prospect (visual clearance)

The facade uses green walls to create a sensory stimulus pattern. In addition to the green wall, there is also a green roof, as well as landscape elements that provide a shadow of the sun that stimulates the natural atmosphere.

Along with the analogy of nature, the use of materials is in harmony with the colors and textures of nature. The material chosen connects the inner space with nature outside, such as the use of glass/other translucent materials.

The shape of the building is designed to be spaced in order to have a wide view as the embodiment of the prospect pattern (visual clarity).

Variability

through Wind Flow (Simulated and Evaluated)

Implemented with openings/voids that allow different amounts of air/wind to flow through each part of the building. This system is achieved mass arrangement and solid-void composition. The air flow through this mass system will then be simulated and evaluated using Autodesk Flow Software.

The mass of the building is designed to support its self-isolating properties. Applied to the composition of the mass composition that is spaced out and shrinks, giving a more human atmosphere.

Fig 4.6. Biophilic-Historic Form Transformation

Fig 4.10. Building Nature Stimuli

Fig 4.7. Biophilic-Dynamic Form Transformation

Fig 4.11. Biophilic Material Implementation

Fig 4.8. Organic Shape Formation

Fig 4.12. Organic Shape Formation

Fig 4.9. Organic Shape Formation

Fig 4.13. Organic Shape Formation

Design Overview

Building - Environment Connection

1. 3D Art Exhibition Stages

Small stages

commercialized for art installation exhibitions.

2. Landscape Sitting Area

Apart from being a noisecanceling element, it is also used as a gathering and hanging out space around the site.

3. Mural Painting Walls

As an added value on wall landscape elements used also for noise suppression.

4. Traditional archery area ‘Jemparingan’

As a forum for sports activities and at the same time socializing traditional archery activities.

Floorplans

Floor Organization

The concept of space in the building Mangkubumi Youth Biophilic Mall integrates space in and outer space. The mall is divided vertically based on the needs of young interests. In the leased area is up to 75% of the total building area, which consists of 57% indoor space (including plaza) and 43% outdoor space.

Fig 4.15. Long Section

Fig 4.14. SItuation

Fig 4.16. Building Floor Plans

Building Structure

Specific structure and material concepts support dynamic structures that show creativity and expression of biophilic concepts.

Building Section

Building Elevation

Design Evaluation

Public Hall (Highlight)

Description of Autodesk Flow simulation results: The red spectrum is the side that receives the most wind. In the other hand, decreasing wind intensity is represented by the transition of the spectrum to blue.

Based on the simulation, it is found that the layout and shape of the design mass allows the wind (mostly the majority from the northwest direction) to enter and go through the building. In the future process, It is hoped that this simulation results will become a design development material to improve the building performance.

Fig 4.20. West Elevation (Main Entrance)

Fig 4.17. Main Building Structure

Fig 4.22. North Elevation

Fig 4.24. Mall Plaza Organic Shell

Fig 4.21. East Elevation (Code’s Entrance)

Fig 4.18. Plaza Organic Shell Structure

Fig 4.19. Cross Section

Fig 4.23. South Elevation

Fig 4.25. Mall Plaza Interior

Fig 4.26. Air Flow Simulation Result Using Autodesk Flow

Fig 4.28. Simulation (North-East View)

Fig 4.27. Simulation (Drone View)

Project Information

Pasar Godean

Traditional Market

Godean, Sleman, Yogyakarta, Indonesia

Traditional market revitalization design transforming Javanese cultural values as a traditional market and new landmark, preserving the existing culture. The design reflects Guyub, as a space for economic, social activities, and the preservation of vernacular culture; Rejo, the principle of a vibrant market that grows and provides prosperity; Sumringah, when the building’s reliability meets the needs of all activity functions; Nguri-uri Ning Bawono, the concept of sustainable buildings through passive technology design.

Pasar Godean was a collaborative work for the revitalization design competition of Godean traditional market initiated by IAI (Indonesian Institute of Architects) Yogyakarta. In this project, I had a role as a team member responsible for the design process and design development. Not only as an ordinary market, we designed a melting point space for economic, social and cultural activities as part of traditional shopping tourism objects and regional landmarks.

Research on typology, site, and environmental studies, a thematic approach with the reconciliation of inherent conflict problems was conducted. Hence, we proposed a design transforming 4 Javanese cultural values: Guyub; harmonious ambience embodied in the building as a place of economic activity and social and preserving vernacular culture. Rejo; the principles of a lively market that grows and provides prosperity through high intensity and quality activities. Sumringah; user comfort and happiness through reliable architecture design. Nguri-uri Bawono; The concept of a sustainable built environment in preserving the earth through natural energy optimization.

The building design consists of 2 mass buildings with a split story concept and an amphitheatre in the middle. The natural lighting strategy was carried out through the transformation of the Tobong House chimney principle; production house of clay bricks and tiles in the area. Modifying the chimney into a solar chimney and light tube with an appropriate heliostat in the form of a light column.

In conclusion, the new Godean Market is a space for cultural preservation in the form of a traditional market and tourism destination with advanced building technology as an added value of the building.

Site Location

Design Concept - Javanese Value

Guyub

Rejo (Striving)

As a place of economic activity, as well as social and preserving vernacular culture.

Achieved by flexibility through time-sharing area, which is assisted by warehouse technology and pulley garage to facilitate the change of commodities and area functions.

Achieved through (1) Building reliability; (2) Fulfillment of market buying and selling capacity, support, parking and services; (3) Easy circulation that is not tiring, clear and simple. (4) Health and hygiene are achieved by daylighting and light columns, sufficient wind with a single banked room mass.

Due to its strategic location in the urban agglomeration area, Godean Market is one of the busiest traditional markets. The current situation is very chaotic and disorganized. The physical condition is very poor and is actually no longer suitable for use. Therefore, market revitalization with the Contemporary Vernacular Architecture approach is needed to get a better planning of traditional markets and in harmony with the community environment.

Vernacular Architecture

Based on the site context research, it was found that Godean has a certain vernacular architectural form, Tobong House. A brick smoke tower used for local commodity production of bricks and clay tiles, usually attached to the house.

Sustainable building concept (1) Application of green building regulations on landscape strategy and site plan; (2) rain harvesting as a secondary water source; (3) The concept of a single banked room, terraced composition with low thermal capacity and high heat loss to respond to a humid tropical climate and the use of environmentally friendly materials.

Design Overview

Fig 5.1. Site Location

Fig 5.3. Site Analysis

Fig 5.2. Rumah Tobong

Fig 5.4. Siteplan

Sumringah (Comfort)

Nguri-uri Ing Bawono

Design Highlight

Light Column - Heliostat

The Tobong House chimney principle is transformed into a solar chimney and a light tube with an appropriate heliostat in the form of a light column. This innovation is a strategy to improve the quality of lighting and ventilation in the centre (inside) of the building. This light column component is expected to become an architectural icon and a marker of orientation in the building.

Pulley Garage

To fulfil the time-sharing movement of traders, staple food commodities to antique bicycles, the concept of a pulley and planted warehouse is used. As a flexible and practical warehouse and trading room facility for time sharing.

Utilizing the +1.92 structure in the split level area to become a bicycle market warehouse/garage. The pulley warehouse lifting system uses the simple technology of Garage Pulleys.

Building Elevation

Building Section

The free barrier design is applied to building vertical transportation. A split level strategy is used to get a user-friendly elevation angle and ramp length. So that all groups of people can comfortably use the building.

Perspectives

Fig 5.9. South Elevation (Main Entrance)

Fig 5.5. Light Column Concept

Fig 5.6. Pulley Garage Concept

Fig 5.10. North Elevation (Secondary Entrance)

Fig 5.8. Long Section

Fig 5.7. Cross Section

Fig 5.11. West Elevation

Fig 5.12. East Elevation

Fig 5.15. Traditional Dance Show in Amphitheatre Fig 5.16. ‘Lesehan’ On Floor Selling Type

Fig 5.13. Drone View Fig 5.14. Light Column Inside Building

Smart and Green Learning Center

Academic High-Rise Building

Gadjah Mada University, Sleman, Yogyakarta

The Smart and Green Learning Center (SGLC) is included in project developments for the Gadjah Mada University (UGM) campus that involves collaboration between local and international Japanese consultants. SGLC is an integrated classroom building for all engineering faculty departments. The building design uses the smart and green building concept reflected in building system design and BIM method involvement, also the PLATINUM green building certification target from the Green Building Council Indonesia (GBCI).

The SGLC building is a collaborative work between Indonesian and Japanese consultants. In this project, I served as an assistant architect and BIM engineer responsible for exterior design and building information modelling during the design development phase.

The SGLC building is divided into 2, the Tower (11 floors) and the podium (3 floors) connected by a bridge. The towers primarily function as classrooms and co-working spaces, while the podium houses the faculty offices and auditorium.

The SGLC design targets the achievement of a Platinum green building certificate – the highest predicate of green building performance achievement from the Green Building Council Indonesia (GBCI). To optimize the control, collaboration, and communication processes to minimize design errors found during the construction period, this building design and construction supervision also apply the Building Information Modeling (BIM) method with an LoD of 300 (planning) and 400 (construction).

Project Information

Status Professional Project Consultant Services

Year 2019 - 2022

Site Area 6.680 m2

Building Area 15.696 m2

Height 11 Stories + Basement

PT Cakra Manggilingan Jaya

Supervisor Role in Project Team

Ir. Listiyanto Kadarono Co-Team Leader

Aulia Rahma Nastiti, IAI

Asst. Architect & BIM Engineer

Fig 6.1. Construction Progress

Design Overview

Building Information Modeling (BIM) Implementation

The implementation of BIM during the construction period was agreed upon with the assignor using the early phase 4D BIM with LoD 400. As a BIM Engineer in a construction management consultant, the implementation of BIM with contractors is used mainly as a medium of communication and control to minimize rework.

BIM Authorizing Software

During the construction period, the Contractor makes a BIM-based shop model to be reviewed by Construction Management consultant experts from all disciplines through me as BIM Engineer. The results are then implemented in the revised BIM and exported as 2D shop drawings.

BIM on Field

Building Section

The approved shop model is then used as a construction process control tool in the field. For example on the shown picture, field supervisor, I as BIM Engineer, and structural expert assistant were confirming the installation position of the podium building roof truss with the shop model.

BIM for Communication, Control, and Coordination

The communication and control process uses BIMCollab and BIMCollab Zoom software, BCF manager is also used as a plug-in in the authorization software Archicad. However, because the stakeholders of the work environment are not thoroughly familiar with the BIM method. Discussing clash detection and solutions is still done by combining BIMCollab and weekly technical meetings.

Building Elevation

Fig 6.6. South Elevation

Fig 6.4. Long Section

Fig 6.2. Siteplan Fig 6.3. Design Highlight

Fig 6.7. East Elevation (Main Entrance)

Fig 6.5. Cross Section

Fig 6.8. Model and Build Coordination

Fig 6.9. Design Clash Coordination and Reconciliation