Many of you will have seen our web article and social media statement in early July, but for those of you that haven’t here’s the TL;DR – our September issue will be our last printed edition. It’s coming up on 20 years since I started NARC., and in that time we’ve featured, championed and supported hundreds of thousands of artists and creatives (and that number isn’t even an exaggeration, I really did do the maths), but the time has come for me to move on to other projects and explore new challenges personally and professionally. It hasn’t been an easy decision to make, and I’ve agonised over it for several months; NARC. is – and always will be – a huge part of my life, and I’m lucky that – pandemics and recessions notwithstanding – it has been a success. Upon the announcement of our plans in July, I was incredibly moved by the messages of love and support, and the genuine warmth of feeling towards the magazine and the work we do. I feel certain that we’ve played a vital part in the success of the region’s amazing music and culture scenes, and that’s not too bad a legacy, I reckon.
Never fear though! Our website will remain alive and kicking, so we’ll continue to be your one-stop-shop for North East alt. music and culture news – we’ll tell you more about that in the coming weeks.
So, this is our penultimate edition! I hope you enjoy it, and find something awesome to do or listen to, and thank you for picking up this little bundle of paper – it really does mean more than you know.
Editor
Claire Dupree info@narcmedia.com
Assistant Editor
Steve Spithray
Editorial Assistants
Isabel Johnson / Mack Sproates
Website
David Saunders narcmagazineonline@gmail.com
Creative
El Roboto
Advertising
Claire Dupree info@narcmedia.com
Cover Image
Rhiannon Banks Live Photography
Rhiannon Banks / Paul W Dixon / George Driver / Amelia Read Contributors
Neil Ainger / Jade Mia Broadhead / Iam Burn / Laura Doyle / Lee Fisher / Nat Greener / Michaela Hall / Lee Hammond / Emily Ingram / Gus Ironside / Ben Lowes-Smith / Simon Lunt / Matthew McDonnell / Robert Nichols / Michael O’Neill / Stephen Oliver / Kai Palmer / Niamh Poppleton / Lily Pratt / Ben Robinson / Laura Rosierse / Elodie A Roy / Dominic Stephenson / Linsey Teggert / Luke Waller / Robin Webb / Ali Welford / Cameron Wright / Matt Young
PREVIEWS
4 HIGHLIGHTS
Some of the best events in August, plus what’s online at narcmagazine.com
6 PREVIEWS
Live shows from Prolapse, Yummy Fur, Dean & Britta, Alan Sparhawk, Rainbow Girls, Sharon Van Etten & The Attachment Theory, Arab Strap, YARD, This Is The Kit, Be Quiet. Shout Loud!, King Creosote, Escuela Grind and many more; comedic chuckles from Bill Bailey at Stockton Globe, Kelly Edgar at The Stand and Terry Christian at The Stand; stunning stage productions including Billingham International Folklore Festival of World Dance, Big Gay Cabaret at The Cumberland Arms, Snoligoster at Alphabetti, and Pits, People & Players at various venues; plus Hartlepool Mural Festival, Blyth Celebrates, Sex Worker Weekender and loads more!
shows from JD McPherson,
Nichols, Tim Minchen, Father John Misty, Fontaines D.C., Jessica Pratt, Rhys Darby, Des Demonas, Me Lost Me and many
Reviews of singles and EPs from local artists including Jim Dixon, Malik Abdul & Uncle Mezz, Groundbird, Hels Pattison, Tommy Arch, Citrus, Swannek, El Muerte, Harry Speakup, Specky Cult, KDEL and Phantom Bagman
Reviews of new releases from The Beths, Gulp, Jimmy McKenna, Eiko Ishibashi & Jim O'Rourke, Modern Nature, Nova Twins, Darren Hayman, The Technicolors, CMAT, No Joy and more
Chris Cobain and David Saunders from Tees Music Alliance tip some of their favourite regional artists
Issue out 27th August
28
DEATH
Linsey Teggert talks to Newcastle’s TV Death about creating explosive psych rock with a social conscience
PREVIEWS
AUGUST’S ALT. OFFERINGS INCLUDE SURREAL SILLINESS, GERIATRIC TWINKS, HONORARY GEORDIES AND MUCH MORE…
MUSIC
MUSIC
FRI 1
THE PRIMITIVES
Heading to one of Newcastle’s most stunning venues are The Primitives, a jangly indie pop band who initially formed in the mid 80s and reformed post-hiatus in 2009. Expect fun, sparkly harmonies, unforgettable earworm-y hooks, and an infectious punk attitude – go and hear their poppy chart toppers for yourself.
The Common Room, Newcastle www.theprimitivesmusic.bandcamp.com
ART & LIT
FRI 1
KAWWAFA: ALIA TARGUM
Artist Alia Targum debuts her first solo exhibition, exploring her Libyan heritage through works in fabric, metal and salted pigment. The title translates to the feminine of ‘to be fearful’ in Arabic, this exhibition explores childhood memories, loss of culture and displacement, conveying how the western gaze defines veiled women. Open Sat & Sun until 10th Aug.
36 Lime Street, Newcastle www.36limestreet.co.uk
MUSIC
SAT 2
VISIONS ALLDAYER
Programmed by the brilliant Tees Music Alliance with Toofache Musique, this free entry mini-fest takes over two stages, promoting some of the fantastic local talents Teesside has to offer such as Scruffy Bear, Dawks, The Ransoms, Crescent, Deer Shed, Cardiac, Stockholm, Jake Diaz, The Long Thereafter and Alvo Jade.
The Georgian Theatre, Stockton www.georgiantheatre.co.uk
ART
&
LIT THURS 7 FRAGMENTS: CAROLINA ROSAS
Newcastle-based multimedia artist Carolina Rosas heads to BottleWorks with a new exhibition which covers the ideas of memory, growth and the beauty of everyday moments. Using oil, acrylic and digital methods, expect impressionism, florals, bursts of colour and visual feelings of warmth and renewal. No excuses, it’s free! Runs until 12th Aug. BottleWorks, Newcastle www.carolinaartsstudio.com
IS HAPPENING?
Drag Idol winner and ‘Geriatric twink of the town’, drag royalty Gladys Duffy brings a brand new, completely improvised, totally unscripted and utterly hilarious solo show to Gosforth Civic Theatre. Expect wicked humour, hysterical hi-jinks, zero plot and glamorous chaos. Gladys might just need your help to pull it all off…
Norwegian pop punk rockers Ramona’s Tea Party have been charming UK audiences for years, and their Newcastle show this August will be no anomaly. Punchy, bouncy, colourful music, not complete without a bit of depth and a flash of hair dye. Support comes from local indie rock legend Holly Rees. The Cluny 2, Newcastle www.ramonasteaparty.bandcamp. com
STAGE
SAT 9
CATCH ME IF YOU CABARET
Catch Me if You Cabaret promises to be a glorious night of joyous live performance, featuring an all-star line-up of cabaret delights, including music, poetry, dance, spoken word and more. It’s all in aid of North East Autism Society, an essential charity supporting young learning disabled and autistic people.
Darlington Pride is set to host an inclusive and community-focused weekend of sensational Pride activities including cabaret performances, tribute acts, a pride picnic and more. Take the time to relax, have fun and hang out with friends and loved ones celebrating all the things that make up wonderful you. Runs until 11th Aug. Various Venues, Darlington www.enjoydarlington.co.uk
AUGUST HIGHLIGHTS
MUSIC WED 13 UNDEATH
Does skull-crushing death metal happen to be your jam? If so, the unrelenting New Yorkers Undeath will be tearing up the stage at Think Tank; they’re known for their signature gritty guitars, roaring riffs, wild drums with festering, face melting vocals. With support from Horrendous, Plague Rider and Inhuman Suffering. Think Tank, Newcastle www.undeathmetal.com
MUSIC FRI 15
PEA SEA
Former Newcastle resident Chris Rollen released his poetic third album as Pea Sea in July, titled A Pyke Of Patina Slate and produced by Peter Brewis (Field Music) and Tom English (Maxïmo Park). He’ll be bringing it to life in Sunderland’s beloved Pop Recs this month, and you can’t possibly miss it.
Pop Recs Ltd., Sunderland www.peasea.bandcamp.com
MUSIC SUN 17
SONGWRITERS IN CONVERSATION
Hosted by local folk legend Groundbird, Songwriters In Conversation is a series which allows two artists to play Tiny Desk-style 30-minute sets, and then have a groundbreaking conversation about their craft. This night, the third in the series, welcomes the Young Property Developers and Nicky Bray, on the topic of comedy and music.
Baba Yaga’s, North Shields www.instagram.com/babayagasns
COMEDY
FRI 22
Hilarity Bites Comedy Club Award-winning Catherine Young will host the hoot-filled Hilarity Bites comedy club. This wacky and whimsical edition will treat audiences to the ever silly dog-loving Zoe, the nerdy and odd world of Laurence Tuck and Tony Law, AKA king of nonsense, providing his zany brand of bizarre storytelling and surrealness. Bishop Auckland Town Hall www.hilaritybites.co.uk
ART & LIT TUES 26
THE HOMETOWN BOOKSHOP: JENNA WARREN
Heading to Saltburn Library is local author and bookshop owner Jenna Warren, who will have her brand new book The Hometown Bookshop – out 21st August – in hand for a reading. Expect mingling, drinks and nibbles alongside an extract from the new cosy seaside story (which is set in an indie bookshop!). Saltburn Library www.instagram.com/bookcornersaltburn
NARC. ONLINE
Did you know our website is updated every day with new content? From exclusive features and interviews with North East artists, to reviews of live music, theatre, comedy and new albums, there’s loads more to discover…
NARC. TV
Check out live performances and chat from North East bands and musicians on our magazine-style programmes + ALSO THIS MONTH…
INTERVIEW: S.K.X FUNKANAUTS
We catch up with Dynatron Galaxy's funk-fuelled finest S.K.X Funkanauts to find out about Cosmic Frequencies Festival, their upcoming weekend of science, sound and stargazing in Hexham, taking place from Friday 8th–Sunday 10th August
INTERVIEW: ENSEMBLE '84
We chat with County Durham theatre production company Ensemble '84 about their new show Pits, People and Players, which premieres at Horden Methodist Church this August
MUSIC
SUMMER PARTIES @ THE FIRE STATION
Words: Neil Ainger
The outside venue The Parade Ground at Sunderland’s Fire Station will again host its Summer Parties series of gigs this August. With outside bars, cocktails, food vendors and live DJ sets, gig-goers can expect festival vibes in the sunshine (hopefully) with an eclectic programme of shows encompassing a range of genres and tastes.
Opening the season on Friday 1st August are the iconic Kane Gang – aided and abetted by Field Music, followed by local legends The Futureheads on Saturday 2nd; country blues artists Elles Bailey and Kezia Gill join forces for a co-headline show on Sunday 3rd; Friday 15th sees Sunderland’s favourite rockstar Tom A Smith take to the stage, followed by melodic Celtic-punk rockers Ferocious Dog on Saturday 16th, with grime-punk band Riskee & The Ridicule and Sunderland's own punk upstarts Dead Wet Things; country duo The Shires perform on Sunday 17th; cult
alternative act Terrorvision are welcomed on Friday 29th and the following day there's set to be a sing-a-long extravaganza entitled The Diva Show, where a seven-piece band complete with a horn section will play an eclectic mix of floor-fillers. The Summer Parties season will close on Sunday 31st August with the return of Ibiza In Symphony, where you can party to all your favourite dance classics played by a full orchestra.
The doors for most of the shows are early so it's worth checking stage times in advance if you're planning on celebrating the summer in the Music City. www.thefirestation.org.uk
COMEDY
BILL BAILEY @ STOCKTON GLOBE
Words: Cameron Wright
What is there to say about Bill Bailey that hasn’t been said a thousand times over? Known from every British TV show ever, the QI, Cats Do Countdown, Never Mind The
Buzzcocks regular was the plucky sidekick in Black Books and is now roundly hailed as one of Britain’s undeniable kings of alternative comedy, not to mention capturing the heart of the nation as 2020s Strictly Come Dancing winner.
Since 1995 Bailey has been touring his unique blend of musical observations and spiralling absurdism, delivering an act that is both informed and worldly, while utterly silly and ridiculous.
The musical savant litters his shows with an array of bizarre instruments that he uses to anchor each of his ambitious acts, thrusting the show in an array of directions. Between musical set pieces, the peculiar performer is no stranger to aloof and sprawling rambles, musings and observations. From Tom Waits interpretations, opera observations and intricately woven rants about anything and everything, the only guarantee is that a night with Bailey is never going to be dull.
Bringing his mammoth tour, Thoughtifier, to Stockton’s Globe on Tuesday 26th August, this erudite comedy institution is never one to miss.
www.billbailey.co.uk
Tom A Smith by Katie Anderson
EVENTS THE CURATOR SERIES: REDRESSING THE BALANCE @ BOWES MUSEUM
Words: Laura Doyle
In 1869, The Bowes Museum was conceived on the principle of sharing a love of the arts with the general public. Its founders, Joséphine and John Bowes, collaborated on the creation of a public museum which would be open to the people of Teesdale, and not subject to the whims of private collectors. For over 100 years since the museum opened its doors, this institution has been at the forefront of challenging the role of archives and collections to their audiences. Behind every exhibit has been a curator establishing the role of The Bowes Museum within its community.
Now, The Bowes Museum is reflecting on the changing nature of the curation and interpretation of its collection’s items. The Curator Series gives museum patrons the opportunity to gain insight into the Bowes’ legacy through in-depth talks by those who work behind its scenes. Taking place on Thursday 7th August, Redressing the Balance tackles the issue of representation head-on with Co-Production Curator Eleanor Thirlway, who asks us to look at collections through the lens of feminist, queer and radical perspectives to rethink the stories museums tell us, reimagine these narratives within their new contexts, and reshape our understanding of history and art. www.thebowesmuseum.org.uk
ART & LIT HARTLEPOOL MURAL FESTIVAL @ HARTLEPOOL ART GALLERY
Words: Mack Sproates
Hartlepool Mural Festival is a bold, bright new project which sees Hartlepool Art Gallery and community spaces in the area taken over by vibrant, spectacular murals and street art (open now and running until Saturday 6th September).
Incredibly talented muralist Lewis Hobson, aka Durham Spray Paints, leads the festival, and whose passions centre around engaging and encouraging individuals who might be hard to reach and not consider themselves as artists, to get involved in the world of art. Graffiti and spray paint art is so accessible and can leave such a powerful impact on communities, with artwork able to spread powerful messages that can be seen by anyone. The festival aims to spread this ethos by transforming streets, walls and buildings into open air canvases that capture stories, identity and the essence of Hartlepool.
Many of the murals have been curated and designed by local youth groups, Northern School of Art students and emerging artists, who have been working with Lewis to explore themes of belonging, heritage and community supported by research from The Robert Wood Collection – a remarkable archive documenting Hartlepool’s industries and social life. With a striking indoor exhibition at the gallery and several large scale collaborative, community murals, there will be so much to
see and experience, so make sure you pop by Hartlepool Mural Festival and get inspired yourself.
www.culturehartlepool.com
MUSIC
ERROL LINTON & BAND @ THE CLUNY 2
Words: Lily Pratt
For over three decades, Errol Linton has quietly become one of Britain’s most authentic and enduring blues artists. Blending deep Delta rhythms with the syncopated pulse of Jamaican roots music, Linton’s sound is unmistakably his own – earthy and soulful. Born and raised in London to Jamaican parents, Linton channels both musical traditions with masterful ease. His album, Break The Seal (the last recorded at Toe Rag Studios) is dedicated to his mother, Ruby Naomi Linton. As Linton expressed: “At least I’ve got music to express my pain.”
Whether performing solo or fronting his tight five-piece band, Linton’s performances are known for their conflation of pain with hope. His most recent release, No Entry, showcases an artist at the peak of his storytelling powers – mixing timeless reflections on urban life, resilience and identity.
If you’ve never seen Errol Linton live, his show at The Cluny 2 on Friday 22nd August will be your chance to witness a true craftsman in his element. And if you have seen him play before, you already know: this isn’t just blues – it’s a journey through sound, history and soul.
www.errollinton.com
Errol Linton
MUSIC
JACK BROADBENT @ THE CLUNY 2
Words: Lily Pratt
Jack Broadbent possesses both a defiant troubadour spirit and soft blues energy. His live shows are a rollercoaster: one moment a fragile folk lament, the next a thunderous waves of blues. Armed with an arsenal of slide guitar wizardry and a voice that can both soothe and erupt, Broadbent has carved a unique niche in the roots music scene, so much so that his slide-guitar prowess earned him the title “the new master of the slide guitar” at the Montreux Jazz Festival. Jack Broadbent moved quickly from busking on the streets of Europe to playing onstage alongside music legends. His soulful vocals, gritty riffs and howling, stomp-fuelled crescendos make him, in the words of Lynyrd Skynyrd, a “badass”. Amplifying his acoustic core with beat-heavy percussion, Broadbent’s sound is anchored in tradition, yet alive with a modern edge. He transforms venues, binding audiences and performers in shared momentum, which will be more than evident at his show at The Cluny 2 on Friday 1st August.
www.jackbroadbent.co.uk
STAGE
BIG GAY CABARET @ CUMBERLAND ARMS
Words: Mack Sproates
After a fantastic sell-out show last year, Big Gay Cabaret returns with more sublime queer joy-filled cabaret and comedy at The Cumberland Arms on Friday 8th August. Hosted by local comedy fave and theatre maker Rhian Jade and with queerness, community and marginalised voices at its centre, this evening promises to be a raucous celebration of LGBTQIA+ expression.
Expect a night of big laughs, buzzing energy and a brilliant cast of performers including theatre from the talented Lydia Kavanagh, Harrison Rowell-Lynn and Rhian themself; laid-back cat-loving comic Sean Barnham; the Hartlepool harlequin Alex Redman; multitalented poet and creative Amy Langdown explores identity and politics; The Hell Poet digs through body horror, gothicism, religion, race and a love for Willem Dafoe; and glorious drag from Bippity P, as well many more queer treats.
Celebrating intersectionality and equity is so important, and to be able to share with friends and community in a safe, kind and joyous space will be such a beautiful time. If you missed it last year, make sure you join in on the big gay fun this time around! www.thecumberlandarms.co.uk
COMEDY
NEW DIRECTIONS: KELLY EDGAR @ THE STAND
Words: Ben Robinson
Lee Kyle directs a new series of stand-up shows in the North East, set to spotlight a fresh wave of upcoming and vibrant talents from the region. The new series of shows at The Stand, entitled New Directions, aims to showcase some of the rising comedic voices of the North East. Each instalment in the series offers a headline-length slot to an emerging comic, giving them the opportunity to go deeper and get weirder than their average set has allowed them to before.
On Sunday 31st August it’s Kelly Edgar’s turn with her debut hour Dogfish – a show that’s equal parts satirical, meaningful, and chaotic. With a delivery that’s deceptively deadpan, Edgar weaves tales of social awkwardness and navigating life in the modern world.
Dogfish blends the personal with the absurd, showcasing why Edgar is quickly becoming one of the most distinctive voices on the North East comedy circuit.
The series continues later this summer with similarly exciting names including Jack Fox, Sam Mayes, and Kerris. But first, Edgar is in the spotlight. For anyone looking to catch the next era of comedy talent before it breaks big, Dogfish is unmissable.
www.linktr.ee/kellyegdar
Jack Broadbent
MUSIC PROLAPSE
@ THE CLUNY 2
Words: Lee Fisher
Across four albums, a dozen singles, endless touring and about eight years of existence (1992- 2000), Prolapse carved their names indelibly on the hearts of a certain kind of indie / noise fan (me, for instance). A friend
once described Prolapse as a speed-addled couple having a row at a Stereolab gig, which is nonsense but there’s some truth to it: the music was often taut, ferocious, propulsive. The vocalists are what everyone remembers though: Linda Steelyard’s voice was sweet or disdainful by turn, big Mick Derrick was maniacal, surreal, frantic; with words delivered in a thick Weegie brogue. When they split after Ghosts Of Dead Airplanes, they were mourned and assumed to be done for good. But Prolapse tentatively reappeared in 2015 (for a Mogwai show) and
have slowly returned to an active unit. Now, with the imminent, excellent new album I Wonder When They’re Going To Destroy Your Face, they’re playing a few shows. They hit Newcastle Cluny 2 on Thursday 14th August and judging by recent form, it’ll be as intense and joyful as ever. With the members spread across Europe and even the States, who knows how long this reunion will last so don’t take them for granted, you need a little Prolapse in your life. www.prolapse2.bandcamp.com
Image by Geboren Wustmann
MUSIC BOY LATEX @ DOWNCAST STUDIOS
Words: Mack Sproates
Local DIY noise punk promoters Heavy Psych Damage present a trio of some of the North East’s greatest rising stars of the underground with Boy Latex, SHAN and Carousel at Downcast Studios in Gateshead on Saturday 30th August.
Be prepared to experience an explosion of face-melting, post-hardcore, sludgy noise rock, with a sprinkle of grungey shoegaze vibes. Coarse and loose post-hardcore band Boy Latex slither through some eerie and atmospheric set ups, which soon erupt into shouty, loud chaos. Hurtling into raw guitar tones wrapped up with frantic vocals and heavy crashing beats on drums; all too irresistible to those inclined to mosh. For just two musicians, SHAN sound MASSIVE. Gritty, sludgy, heavy distorted guitar fused with thundering drums, cathartic roaring vocals and riffs set to to obliterate; SHAN’s
path of destruction leaves you in a hardcore blur, crawling out of the grave of noise rock. Fans of old school EyeHateGod, Helmet and TOOL will love these guys. Noise rock duo Carousel wrap you up in a dreamy, shoegazey trance and suddenly launch into a crunchy, volcanic choruses. The vocals are ace; tearing through songs with fierce energy, drilled with emotion.
This night is set to be one of the biggest line-ups for noise rock this summer, so get yourself over to Downcast Studios for this mega experience. www.instagram.com/heavypsychdamage
EVENTS
SEED TALKS @ DANCE CITY/MIDDLESBROUGH EMPIRE
Words: Laura Rosierse
Taking place across the country, Seed Talks are a series of events which focus on science, wellness, neurodiversity and more. They bring two interesting talks to the region this month, both of which have feminist values at their core.
First up at Newcastle’s Dance City on Thursday 14th August is Folklore & Women, which explores the enduring relevance of folklore, looking at how stories can be reimagined and reclaimed for the 21st Century feminist. Led by lecturer Dr Shelby Judge, the event will delve into how feminist thinkers have reshaped traditional figures into symbols of resilience.
Later in the month at Middlesbrough Empire on Wednesday 27th August, The History of Witchcraft and Women is a fascinating folklore talk by historian and archaeologist Dr Debora Morretti, who will examine real life stories of both men and women accused of witchcraft through a feminist lens. The image of the witch is often portrayed as a female figure; throughout history, women were the main targets of accusations, trials and executions, reinforcing the connections between witchcraft and societal expectations of women. The talk will look at real-life stories of
individuals that were tried by the Roman Inquisition, exploring the lives, beliefs and magical practices of both women and men accused of witchcraft by their communities. www.linktr.ee/seedtalks
STAGE SNOLIGOSTER @ ALPHABETTI
Words: Emily Ingram
Ever heard of a Snoligoster? No? Well, here’s your chance to finally get acquainted (and ever so slightly confused). This unhinged product of Floridian lumberjack lore will be picked, packed and delivered to you live, landing with a splash – should that be splat? Or splodge?! – on the Alphabetti stage on Thursday 7th-Friday 8th August. Delve into tales of the swamp with your host Amanda Grace, who plays the part of the propeller-tailed, gator-mouthed, dorsal-spiked legend and spins a tall tale or two. As she expertly blends oral folklore with, and I quote directly here, “jimmy buffet dance breaks”, this unmissable production seeks to ponder what precisely it is that makes Florida such a weird and wonderful place. If you’re looking for a campy night out, or desperately wish to be transported to the muggy swampscapes of America’s southeastern coast for 55 minutes, then this is almost definitely the show for you. www.thatamandagrace.com
MUSIC
THE COURETTES @ THE CLUNY
Words: Cameron Wright
The Courettes are old school rock and roll. It’s fantastic and euphoric and frivolous and feisty and exactly what you want it to be. Expect enigmatic female vocals, punchy riffs and driving beats, with big choruses blasting out of a tiny band; their sound harks back to the glory days of rock ‘n’ roll, with a good healthy dollop of punk simultaneously cranking up the volume on brill-building sounds of the 60s, and thrusting contemporary swamp rock stylings of the likes of Black Keys back to their rootsy origins.
The Courettes have a great sound that is instantly recognisable and uplifting. I challenge anyone not to be smiling when they hear the sounds of Want You! Like A Cigarette or Shake. As rebellious as it is indulgent, their 2024 album was a more modern interpretation of the sound they had created in 2021; this is a dirty, feisty bite of venomous blues rock, with some lurking synths and dirty bass lines, and a new slice of danger hidden in each track.
The Courettes could very well be your next favourite band, and their performance at The Cluny on Thursday 14th August is an opportunity to cement that title. www.thecourettes.com
The Courettes by Søren Solkær
MUSIC ARAB STRAP @ BOILER SHOP
Words: Ali Welford
I’m writing this on a coach home after seeing Arab Strap in Leeds – the first night of a sporadic mini-tour that’ll eventually visit Newcastle’s Boiler Shop on Tuesday 12th August.
The novelty may have worn off, yet few reunions in recent times have proved as triumphant or durable as that of Aidan Moffat and Malcolm Middleton. Beyond recapturing former glories, the Scots are now a highly evolved manifestation of the band who called it a day in the mid-‘00s, enjoying one of the most prosperous stretches in careers now spanning almost three decades. Though lacking the immediacy of 2021’s As Days Get Dark, last year’s I'm Totally Fine with It Don't Give a Fuck Anymore – perhaps more than any previous Arab Strap record – has truly come to life on the live stage. It's fitting that the high point in Leeds is a transition from old to new – from perennial staple New Birds, whose intimate storytelling and soaring crescendo remain infallibly goosebumpinducing, to Strawberry Moon, an instant Strap classic whose skittish beats have already carved a unique corner in their ever-evolving setlist.
Hopefully that mini-review of a completely different show will have persuaded you to catch them at the Boiler Shop… I’ll be ruing my absence on a poorly timed holiday! www.arabstrap.scot
ART & LIT HYDRACON @ ARC STOCKTON
Words: Ben Robinson
On Saturday 23rd August, HydraCon comes to ARC Stockton. This day-long indie book festival brings together local and national authors with workshops, book readings, and even events for kids of all ages. As a celebration of literature and creativity, the festival allows for indie book fans in the North East to come together for one of the best book events of the year. Whether you're a passionate reader, a budding author, or a self-published writer, this event offers something for everyone.
Throughout the day you can enjoy interactive panels discussing everything from the challenges and highlights of self-publishing, to the digital future of literature and e-books. You’ll get the chance to meet authors who will be sharing insights on their creative journeys and the art of storytelling. As well as this, you’ll also have a chance to browse a variety of new books across genres, discover hidden gems, and perhaps even take home a signed copy from your favourite writer.
The event promises to be both intimate and engaging, with plenty of opportunities for networking, book signings and lively discussions. Whether you're looking to learn and connect with fellow writers, or simply enjoy a day of books and creativity as a fan, HydraCon is an event you won’t want to miss. www.arconline.co.uk
MUSIC CROCODILES @ ZEROX
Words: Michael O’Neill
The state of California has long been a hotbed of sonic innovation across the spectrum of sound; I would be wasting your time if I tried to condense a vast history into a mere few sentences, but even those who are only slightly acquainted with the alternative world will know a thing or two about the state’s crucial role in the history of punk and alt. music. From the heyday of the late-70s/ early-80s punk explosion onwards, cities such as San Diego and L.A. have continued to birth incredible forward-thinking, alt. leaning acts who continue to enthrall with their glorious squall. And they bloody love playing Newcastle too.
Crocodiles are no strangers to the marvelous neon-daubed Zerox stage, and they’re making a return on Thursday 28th August, fresh in the wake of recent LP Upside Down In Heaven. The duo worship at the altar of melody and noise, and have spent a prolific career pushing the boundaries to their very limits which makes for one hell of a visceral experience on stage. The support is also extraordinary: Jade Hairpins are an offshoot of modern punk legends Fucked Up, consisting of drummer Jonah Falco and songwriter/ guitarist Mike Haliechuck. www.crocodilesband.bandcamp.com
Arab Strap
MUSIC
THE YUMMY FUR @ POP RECS
Words: Matthew McDonnell
The Yummy Fur emerged from Glasgow in the early 90s alongside equally angular and obtuse bands like the Country Teasers and Male Nurse. It was within this microcosm that The Yummy Fur began to gain traction, thanks in no small part to the patron saint of bedroom bands the world over, John Peel. However, to say John Peel was responsible for Yummy Fur’s success would be a discredit to the band's drive and talent. Full to the brim with caustic lyricism and jerky, distorted guitars, the end result is infectious as it is scathing. Think of a Willaim Burroughs novel, set to music.
The Yummy Fur play the famous Pop Recs in Sunderland on Saturday 9th August, complete with all the original members. Having not played a show in Sunderland since the late
90s, such an opportunity is too good to miss. It would seem that the band's influence has stretched beyond just Scotland to here in the North East with the night's support, Sunderland’s own Roxy Girls, undoubtedly a reference to the Yummy Fur song of the same name.
www.theyummyfur.bandcamp.com
MUSIC DAVID LANCE CALLAHAN @ THE CUMBERLAND ARMS
Words: Michael O’Neill
Like a Byker oasis, The Cumby Arms has long been heralded as one of the best boozers in town, nestled away under the Byker Bridge, the pub has a traditional vibe that brilliantly typifies the charm and character of the Ouseburn that remains so brilliantly preserved
despite its long standing popularity, and this embodiment of the Ouseburn spirit extends to the varied gigs the venue offers, which includes David Lance Callahan’s appearance on Sunday 10th August.
As the frontman of The Wolfhounds, David Lance Callahan first gained recognition thanks to the band’s appearance on the legendary C86 (Class of ‘86) compilation, a cassette packaged with an issue of NME in the same year, which still casts a huge shadow over guitar music, with so many of its acts going on to enjoy a storied legacy in the indie pop pantheon. Beyond his stint with The Wolfhounds, Dave has also toured and collaborated with PJ Harvey, Stereolab and My Bloody Valentine, and has gone on to enjoy a prolific solo career as well, which finds him touring last year’s LP Down to the Marshes. Support comes from Billy And Johnny Sing Songs of Joy (an off-shoot of Band of Holy Joy) and Ukulele Dave. www.davidcallahan.bandcamp.com
David Lance Callahan by James Fry
MUSIC
MERCURY REV
@ KU BAR
Words: Cameron Wright
1998’s Deserter’s Songs may be most people’s touchstone for American psych pop band Mercury Rev; it was their breakthrough release, NME’s album of the year and a clear vision of the future of pop music. Linking closely to the sound of The Flaming Lips, these upbeat, almost ballad-like,
infectious and triumphant performances merged the soulful with the blissful and euphoric. From swooning trumpets to crackling vocals, the album was indebted to the 90s as it was a blueprint of what was to come. Before that, they were experimenting with shoegaze, crafting acclaimed records and honing a sound, but from Deserter’s Songs on, Mercury Rev became unstoppable.
2001’s All Is A Dream carried the torch further and since then they have been garnering positive reviews for their tender, poignant sound. Even now, with latest album Born Horses, the band showcases a delicate understanding of storytelling and emotional
dexterity, with tender vocal delivery purring out over a bed of sweet melodies and tender instrumentation.
The band will bring their decades of experience to Stockton’s KU Bar on Thursday 28th August after a fantastic touring leg in late 2024, their shows have been hailed as bold and symphonic.
Frontman Jonathan Donahue’s voice is as elegant and frail as ever, carrying the weight of a thousand worlds on each syllable –matching perfectly the ethereal poetry that has made Mercury Rev an institution. This is not a show to miss.
www.mercuryrev.com
Unmissable live comedy
Carl Hutchinson: Greatest Hits
Friday 12 & Saturday 13 September
Edy Hurst’s Wonderfull Discoverie of Witches in the Countie of Himself
Friday 19 September
5 Mistakes That Changed History
Saturday 27 September
John Shuttleworth: Raise The Oof
Wednesday 8 October
Suzi Ruffell: The Juggle
Wednesday 15 October
Stevie Martin: Clout
Thursday 23 October
Rosie Jones: I Can’t Tell What She Is Saying
Friday 24 October
EVENTS
GCT BEER FESTIVAL @
GOSFORTH CIVIC THEATRE
Words: Isabel Johnson
Do you like beer? Live music? Pizza and street food? Crafts? Look no further than Gosforth Beer Festival for all your joy-seeking needs, taking place at Gosforth Civic Theatre from Friday 1st-Sunday 3rd August. For a fiver, I’m not sure how you can beat it – and for under 18s (yes, the whole family can attend) entry is completely free!
The festival promises over 20 different kegs and 10 casks of beer from local and national breweries, a jam-packed, eclectic array of live music (truly, there is something for everyone), a delicious range of street food pop-ups and even some crafting fun with Mini Crafts for those who may prefer actual crafting to craft beer…
The beer festival’s Friday line-up includes pints, pizza and a healthy dose of 90s bangers from DJ Jamagotchi, followed by Saturday’s line-up of Mini Crafts, food from Goodtime
Tacos and a generous handful of other delicious street food vendors, as well as live music from 4.30pm with indie Americana starlet Hels Pattison, inimitable neo-soul from Georgia May, and a nice big helping of soul, funk, RnB and hip-hop from Soul’d Out’s seven piece band.
Sunday sees more of the same tempting food and drink, but this time with music from blues musician Tommy Arch, R’n’B outfit the King Bees and two remarkable young talents from We Make Culture’s Young Musicians Project. What more could you ask for? www.gosforthcivictheatre.co.uk
MUSIC
THE MYRRORS @ THE CLUNY 2
Words: Cameron Wright
If you have heard of The Myrrors, it may be fair to assume that you are a fan of The Myrrors. Not because theirs is a commercial, easy to love sound – but because it is the epitome of underground, shrouded in mystery and only for those who have deliberately hunted it down.
Conjuring up a haunted savannah, with the sound drawing as many images of graveyards and the occult as it does vast deserts and baron wastelands – the ambient stylings of The Myrrors takes the listener on a magnificent journey. Each album is a new voyage, with distant, hypnotic grooves etching their way into the listener’s psyche. With an extensive catalogue, the band pull from a myriad of inspirations that cultivate distinct drawings in the mind, as if scrawled with charcoal. There’s a darkness, there’s a beauty and there is a spirit trapped within the visions. 2018’s Borderlands initially pricked my ears to the band, but their albums each encompass a different vessel for their musical passages, which toe a distinct line between droning post-punk like Godspeed! You Black Emperor and spiritualist jazz-fusion. The repeating motifs warp and distort as the grooves wrap around your imagination in an intrinsic, fascinating way.
The Myrrors make their return to Newcastle, arriving at The Cluny 2 on Thursday 7th August – a must experience for fans or for the curious alike.
www.themyrrors.bandcamp.com
Georgia May
MUSIC ROUND EYE @ ALPHABETTI
Words: Mack Sproates
Experimental, freaky, one-of-a-kind noise-making punks Round Eye will deliver a night like no other at Alphabetti Theatre on Wednesday 13th August.
Straight from the Shanghai underground punk scene, Round Eye are noted as one of the
driving forces bridging a gap between the eastern and western hemispheres of DIY punk rock. They radiate their own unique, multi-blended genre complete with warped, cool vocals ranging from classic punk to gentle laments to anarchic screams; bouncy addictive riffs; loud crispy rhythms; creepy little samples; chaotic guitars that tear through the stratosphere; and are unafraid to wield a discordant saxophone for good measure.
The band’s tornado-like noise is an unconventional blend of 50s R&B, free jazz and punk which sounds like a recipe for
disaster… but in the best possible way. You just don’t know what’s coming next, which makes seeing them live so intriguing. Having worked with the likes of Black Flag on their acclaimed EP, Full Circle, the band are an amalgamation of Captain Beefheart and The Stooges, yet in their own original, weird, brand.
With support from local lo-fi experimental duo SQUARMS, this night will be a mint line-up of bands who are gripping tight onto the freedom of DIY punk ethos of just making noise, and you will be gutted to miss it. www.instagram.com/roundeyed
STAGE BILLINGHAM INTERNATIONAL FOLKLORE FESTIVAL OF WORLD DANCE @ VARIOUS VENUES
Words: Laura Rosierse
Billingham International Folklore Festival of World Dance have announced their line-up. One of the country’s oldest international folklore festivals is celebrating its 60th anniversary this year with a nine-day dance party which runs at venues across Billingham from Saturday 9th-Sunday 17th August. The festival’s line-up will range from headline theatrical folklore events to international dance workshops, museum costume exhibitions, a children’s club, free bandstand taster performances and daily arena showcases located in Billingham town centre. A plethora of countries’ traditional dance styles will be represented this year and performed during the opening weekend. These international dancers aim to captivate their audiences with jaw-dropping dance techniques, live music and stunning traditional costumes.
Some of this year’s highlights include The Parade of Nations which is taking place at Billingham town centre; The Carriage of Dreams’ Family Show which will be taking place at the Billingham Arena; the Live Traditional World Costume Exhibition will be taking over Preston Park Museum; The Spirit of the Railways show, which is based on the Mexican celebration of the Day of the Dead, at
Billingham Arena; while at the Forum Theatre, Departing and the World Dance Gala will be taking place. www.billinghamfestival.com
MUSIC
24 HOUR SELECTOR SET @ CAFE ETCH
Words: Nat Greener
Industrial Coast are back with something truly wild – a 24-hour vinyl-only selector set to raise funds for their 2026 A Monday Night In Middlesbrough programme. Kicking off at the stroke of midnight on Sunday 10th August, this marathon session sees the cassette label’s founder Seb Hewison take to the decks solo for a full 24 hours at Cafe Etch (pending license). From ambient and drone to industrial and noise, anything goes – on one deck, no mixing, all vibe. Special guest sets from Wren Adobe, MC H.U.G.H and Perfect Chicken will shake things up throughout the day, but the core of this Iron Man feat is Industrial Coast’s DIY heart and mission: to make Middlesbrough a hub for experimental sound. Having hosted 75+ events with ACE backing since 2023, this underground label has built a strong community around music and local creativity. All proceeds from the event go directly toward future shows, either as part of their ACE bid or grassroots programming. Expect wild sounds, kind souls and the sort of energy only 24 hours of pure vinyl devotion can bring. Bring snacks, bring support – and party for a good cause! Note that from the hours of midnight-10am it’ll be invite only, with the public able to attend from 10am on Sunday morning. www.industrialcoast.bigcartel.com
MUSIC YARD @ ZEROX
Words: Isabel Johnson
You can rely on promoters Wandering Oak to put on a solid show, and this one with YARD headlining promises to be no different. The electro punk trio take to Zerox, Newcastle’s favourite paint-splattered noise nook, for a seriously spectacular (and likely seriously sweaty…) outing on Friday 22nd August. The Dublin-grown three-piece are known for thrilling live sets and bold choices, not blurring the line between electronica and post-punk but instead zigzagging it into an unrecognisable squiggle; and surely this is what live music is all about. The trio’s self-titled debut EP arrived in May to the delight of fans and the critical acclaim of press and radio.
If you’re into Death Grips, Nine Inch Nails and The Prodigy, I’d wager that you’ll also be into these guys’ show at Zerox. This isn’t lazy music – it’s noise that has been painstakingly reshaped into something electrifying, cool and downright enjoyable. Expect to get your best head-banging moves out – already YARD have been deemed worthy of support slots with the likes of A Place To Bury Strangers and Psychotic Monks as well as a generous handful (or several) of European festivals this year. Catch them before they reach the stage of having ticket wars – because, we assure you, they will. www.yard.bandcamp.com
YARD by Patricia Rosingana
MUSIC ALAN SPARHAWK @ THE CLUNY
Words: Lee Fisher
As someone who has been releasing music constantly for more than 30 years (primarily but not solely in Low), it’s no real surprise that Alan Sparhawk’s reaction to the devastating loss of his wife / bandmate Mimi Parker three years ago was to tour, record and find an outlet for his grief. Playing local gigs around Duluth and beyond with his Sparhawk family funk band Derecho Rhythm Section, and touring quickly with a mix of solo shows, supports (including for Circuits des Yeux) and playing in other bands. Last year Sub Pop released the beats-and-vocoders driven White Roses, My God – a strange and alienating album that caught everyone off guard. This spring there was Alan Sparhawk With Trampled By Turtles, an album as good as some Low albums that saw him recording with the Duluth string band, a set that includes several songs intended for Low. Currently touring and promoting both albums, it’s wonderful that The Cluny is bringing him to Newcastle on Tuesday 12th August, with a band likely to include his son Cyrus on bass and long-time collaborator Eric Pollard on drums. It’s going to be emotional. It’s going to be amazing.
And now, just announced for support and playing their first Newcastle show for more than a decade, we get expansive, exploratory, sorta post-rock outfit Kogumaza too. www.alansparhawk.com
MUSIC RAINBOW GIRLS @ THE CLUNY
Words: Niamh Poppleton
Diary entries to the otherworldly: Rainbow Girls’ discography is categorised by an air of spirituality and feminist undertones, alongside a host of witty, popular culture references. The three-piece band combine indie, rock and folk elements throughout their comprehensive catalogue. Each of their tracks is complete with bewitching lyrics which will frequent the listener’s mind even after the tracks come to a close.
Their older tracks have an undeniable rock feel to them, with feminist rage coming to the forefront of works like She-Bop Nation. HAUNTING, however, is an album that is defined by eerie and ethereal vibes. Acoustic guitars meet soft vocals and euphonious harmonies, creating the impression that a melancholic ghost is trapped within the confines of the piece. Nevertheless, distinctive components set each individual track apart from the others. In Paying My Tab an exceptional guitar riff leaves listeners mesmerised, while Loser feels like it belongs on the soundtrack of a coming of age film. As a part of their summer tour, the band will be playing The Cluny in Newcastle on Thursday 28th August. Known for their warm and intimate performances, it's safe to say that an alchemy of harmonies, reflective reverie and a spellbinding sense of mystic chaos awaits. www.rainbowgirlsmusic.com
STAGE DIAL 1 FOR UK @ ALPHABETTI
Words: Emily Ingram
What happens when your dream country doesn’t dream of you? This is exactly what playwright Mohit Mathur and director Phil Willmott seek to explore in this hilarious and touching new play, which heads to Alphabetti on Wednesday 6th August. Through the long nights spent handling panicked calls from British customers on a Crypto helpline in New Delhi, Uday Kumar dreams about a more sophisticated life in the UK. His visions are filled with tea, crumpets and royal encounters – though he isn’t aware of it yet, his notions of British life are considerably more romantic than the harsh reality of drizzly skies, concrete roundabouts and John Smiths. Taking these visions to YouTube, he quickly ascends to influencer status and, after a chance conversation over a tea break, finds himself en-route to his dream life in the UK. What he finds there is a ‘Hounslow Humbling’: stripped of his influencer status and launched into the dismal realities of the UK care sector, the one-man-play follows the twists and turns of Uday’s new life, whilst also exploring how hundreds of young men just like him can disappear every day in the UK, without a trace. www.mohitmathur.co.uk
Alan Sparhawk by Sophia Photo Co
MUSIC KING CREOSOTE @ THE GEORGIAN THEATRE
Words: Nat Greener
One of Scotland’s most beloved musical storytellers, King Creosote brings his latest album I, Des to The Georgian Theatre in Stockton on Thursday 21st August, offering a rare and intimate opportunity to catch a true
cult icon up close.
The project of Fife legend Kenny Anderson, King Creosote has quietly released over 100 records since the late ‘90s, weaving lo-fi folk, off-kilter pop and lyrical magic into a deeply human discography that has influenced everyone from Patti Smith to Simple Minds. His latest release, made with long-time collaborator Derek O’Neill, revisits fragments from past records while forging something entirely new… a haunting, humorous and heart-stirring album rich with accordion drones, guitar laments and sonic quirks.
Known for his Mercury-nominated work with Jon Hopkins (Diamond Mine) and his stirring soundtrack for From Scotland With Love, Anderson’s live shows are equally versatile –equally at home in a packed concert hall or a Fife fishing pub. At The Georgian, fans can expect a set that journeys through decades of creativity with the roguish charm only KC can deliver. This is a master at work – don’t miss your chance to be swept into the wild, wonderful world of King Creosote. www.kingcreosote.com
SOMEBODY’S CHILD
THE COVASETTES • GRANDMAS HOUSE
BETTER JOY • THE GUEST LIST • L’OBJECTIF
DIRTY BLONDE • KEYSIDE • CARSICK
DYLAN FLYNN & THE DEAD POETS • FLORENTENES
CORTNEY DIXON • HARVEY JAY DODGESON
MONTELLO • VICE KILLER • RISCO • LOREN HEAT
SWINDLED • MAE GRACE • GUILTY PLEASURE
BIG SLEEP • CRUZ • DICTATOR • EIGHTY EIGHT MILES JAM TUB • LONG ISLAND • MARRICK • O'PHANTOM PG CIARLETTA • PRECIOUS PEPALA • THE CASES THE SLATES • VINCENT'S LAST SUMMER
Image by Calum Gordon
MUSIC
BE QUIET. SHOUT LOUD! @ KU BAR
Words: Nat Greener
Teesside’s glitter-splashed disco punks Be Quiet. Shout Loud! are back – and this time, they’re louder than ever. Returning from hiatus with a fresh line-up and a fan-picked setlist, the band are set to headline KU Stockton on Saturday 30th August. It marks their first headline show since February 2020, and promises a storm of glitter, confetti and full-throttle indie disco chaos. Alongside favourites from their We Belong To Something compilation, fans will be treated to brand-new material and the debut of a new guitarist. Since forming in 2013, BQSL! have lit up festivals like Stockton Calling and Twisterella with infectious bangers like (You’re Not) Sitting In Tonight and Fake Emergency. Their recent return to the stage at Twisterella 2024 reignited excitement – and now, they’re ready to party properly. Supporting on the night is rising Middlesbrough queer pop icon Loren Heat, noughties indie revivalists Risco and catchy pop punkers Rare Breed, making this a homegrown night of dancefloor unity and local love. Expect sweat, sparkle and more than a few singalongs. Stockton, the dancefloor is calling. www.bequietshoutloud.co.uk
COMEDY
TERRY CHRISTIAN: CONFESSIONS OF AN IRISH CATHOLIC @ THE STAND
Words: Emily Ingram
From his time spent as the face of The Word, to regular appearances on Jeremy Vine - and even one violently noughties appearance on Celebrity Big Brother with Coolio, La Toya Jackson and Mutya from the Sugababes – Terry Christian’s career has seen him chime in on everything from Madchester to (slightly ill-judged comments on) Brexit. Whether you love him or loathe him, his latest foray onto the stage, which takes the form of an autobiographical comedy show based on his gritty childhood in Greater Manchester, is sure to be a brilliant and turbulent watch. In this one-man show, Christian aims to lift the lid on Catholicism, the swaggering scene of 90’s Manchester, Hollywood stars and the cult of celebrity. He’ll be threading his way through a precarious youth spent among gangs and nuns in Moss Side and Old Trafford, recounting some hilarious tales of what it was like to grow up as a working-class immigrant before an eventual – and somewhat unexpected – rise to TV stardom. You can catch Terry Christian at The Stand on Monday 25th August. www.terrychristian.co.uk
MUSIC SET YOUR SIGHTS @ THE FORUM MUSIC CENTRE
Words: Michael O’Neill
Just a stone’s throw from the heart of Darlington’s centre, The Forum is a marvellous multi-purpose venue that offers rehearsal and recording space alongside a glorious live room which boasts some phenomenal staging and sound. They regularly host a wealth of acts (local and national, established and upcoming) and even some incredible tribute acts too. It’s a glorious repurposing of a former school building and a wonderful testament to the community spirit of the region’s music scene. Their line-up of pop-punk splendour on Saturday 30th August is a brilliant reinforcement of this.
The headliners are Set Your Sights, a Teesside-hailing quartet who have toured the country and boast decades of experience, consisting of founding member/drummer Haz Casson, guitarists Alex Smith and Roy Myers (both fixtures of the Middlesbrough music scene since the early 00s) and newest recruit bassist Jamie O’Malley who joined in July 2024. Joining them are Tired of Fighting, an explosive emo punk band from Newcastle with a unique and captivating sound. Inspired by early 00’s emo such as Motion City Soundtrack and Taking Back Sunday, Tired of Fighting blend the energy of Paramore with the storytelling of The Gaslight Anthem. The bill is rounded off with Durham trio The Resurgence. www.setyoursights.co.uk
Be Quiet. Shout Loud! by EnA
Photography
EVENTS BLYTH CELEBRATES @ VARIOUS VENUES
Words: Isabel Johnson
Kicking off this month, Blyth Celebrates is a hefty programme of over 60 exciting, eclectic experiences taking place in Blyth.
The programme will present a triumphant kick-off on Saturday 23nd and Sunday 24th August with the Blyth Celebrates Launch Weekend. This weekend will allow attendees to hear incredible live music, take part in magical creative workshops and witness the People Powered Parade, a closing procession led by a life-sized, bicycle-powered replica of Stephenson’s Rocket built by residents of the town. And what’s more, it will all be taking place on the freshly redeveloped Market Place, so the weekend will also see the unveiling of Blyth’s shiny new Market Pavilion, a central cinema and events venue.
Elsewhere in August, there’s a Jack & The Beanstalk storytelling workshop on Thursday 21st, a Travelling Tales art installation, a Menhdi hand art workshop and a Cultural Awareness Day complete with food and crafts on Saturday 23rd, a Male Voice Choir Celebration on Saturday 24th, a 15-minute performance of the delightful Blyth Song on the Friday 29th and a Seaside Souvenir paper craft workshop on Saturday 30th… You’re truly spoilt for choice! And the fun continues in the coming months with more magical programming.
This venture is part of Energising Blyth, a £95 million regeneration programme centring around renewing and connecting the town – so Blyth, consider yourselves in for a treat or
several across the next year and beyond! www.blythcelebrates.co.uk
STAGE
PITS, PEOPLE & PLAYERS @ HORDEN METHODIST CHURCH
Words: Ben Robinson Pits, People & Players is a powerful new production from Ensemble 84 taking place at Horden Methodist Church from Tuesday 19th-Saturday 23rd August, delving into the heart and history of Horden; a village which was once a thriving coal-mining community of the North East, and a symbol of Britain’s industrial strength. Through prose, politics and human stories, the piece of theatre details the village’s rapid rise and devastating decline following the pit closures of 1987, which affected the village in a catastrophic way. Told through the voices of miners, families and local footballers who found solidarity both underground and on the pitch, the production captures the resilience and camaraderie that endured in the face of economic collapse and cultural erasure all across Britain in the 1980s. Ensemble 84’s signature style –stripped back, raw, and rooted in community ideas – brings this history to life with raw emotional impact and thoughtful theatricality. In a production which is more than simply a tale of loss, Pits, People & Players is a perfect chance for remembering and honouring the working-class heritage of the North East. With a cast and a creative team committed to authentic local storytelling, the show promises to resonate with anyone from the region who
has lived through change, fought for their community, or felt the effects of being left behind by society. This show is a bold tribute to a village which helped shape the nation. www.ensemble84.com
MUSIC
HORSE JUMPER OF LOVE @ ZEROX
Words: Michael O’Neill
It’s been simply brilliant to experience the vast resurgence of alt. leaning guitar music in the last decade. The more straightforward revival of post-punk sound in the mid-2010s has indisputably opened the floodgates for a revival of the wonderful and versatile sub genres that sprung up in the wake of the late-70s/early-80s post-punk boom (try saying that fast, three times in front of a mirror and see what it spawns).
Horse Jumper Of Love initially traded in the classic shoegaze sound that was brought back into fashion by the likes of DIIV, but on recent LP Disaster Trick they’ve evolved into a slowgaze outfit, co-opting the spacey tempos and deep melodic sheen of Low and Codeine. The result is a glorious ocean of sound that demands a keen ear. Although it has alienated some of the fanbase they’ve built up over ten prolific years of touring and recording, it represents a bold step forward into beautiful, cerebral rock that innovates and excites without resorting to being a tired pastiche of the genre’s greats. It’s a dynamic sound that will translate brilliantly to the holy stage of Quayside’s Zerox on Saturday 23rd August. www.horsejumperoflove.com
Horse Jumper of Love by POND Creative
MUSIC ESCUELA GRIND @ THE
GROVE
Words: Lily Pratt
With a name that literally means ‘grind school’, self-assured Massachusetts powerhouse Escuela Grind will deliver more than just intensity at their show at The Grove on Thursday 28th August – they promise a lesson in devoted, deliberate grindcore. The band thrives on rigorous practice, conscious intent and a fierce mindset. Having chalked up over 250 shows worldwide in the last year, they’ve carved out a reputation as one of the hardest-working acts in modern heavy music. The band’s forthcoming album, Dreams On Algorithms, was born on the road, penned in a bus nearing collapse during their NASCAR-level touring schedule. Vocalist Katerina Economou emphasises that they’re done conforming to genre boxes. Their music is a direct reflection
of their collective tastes and personalities, and a mirror for fans to “get to know us when they come to see us play”. Expect relentless riffs, hammering rhythms and raw, undiluted energy from start to finish. Whether you’re a hardcore punk veteran or a curious newcomer, Escuela Grind promises a live experience that’s both unapologetic and fearless.
www.escuela-grind.com
MUSIC THIS IS THE KIT @ POP RECS LTD.
Words: Laura Rosierse Sunderland’s Pop Recs won’t know what hit it when This Is The Kit and Robin Kester share the stage on Wednesday 27th August, as they bring a welcome distraction from this fast-paced, mid-apocalyptic world we’re currently living in.
This Is The Kit is the pseudonym of songwriter, banjo strummer and pinhole camera lover Kate Stables, under this musical moniker she releases music that is honest, raw and welcoming. They continue to evolve and grow and through their music place companionship at a premium, which makes for comfortable live settings which they share with stellar band Rozi Plain (bass), Jamie Whitby-Coles (drums) and Neil Smith (guitar).
Support comes from chamber pop, electronic music and psychedelic rock-inspired artist Robin Kester. She combines a hazy euphoria with a dark tension and seamlessly blends in with the aesthetic and musically pleasing sounds of This Is The Kit. Robin made waves with the release of her debut album Honeycomb Shades, and received radio plays on BBC 6Music, KEXP and France’s FIP. This Is The Kit and Robin Kester will bring their boundary-pushing sounds to the welcoming venue, promising a night to remember. www.titk.cargo.site
Escuela Grind
EVENTS SEX WORKER WEEKENDER @ STUDIO SPACE 6 & VANE GALLERY
Words: Laura Rosierse
Gateshead-based community-led organisation The Studio NE CIC is led by passionate and inspiring professional Ella Corsini-Riley. Through her organisation she focuses on improving the mental wellbeing of marginalised communities through pole dancing. Together with activist and educator Luna Minx, The Studio NE CIC is organising a radical and important weekend of workshops, talks, performances, and community connection this August. Their Sex Worker Weekender is designed to platform the voices and talents of sex worker artists, educate its visitors on sex worker rights, laws, and legislations, help people become better allies, and ultimately raise funds to support free workshops for sexworkers in the North East. They open their doors to the curious, the open-minded and those that are eager to learn more about sex work and how to support it respectfully and meaningfully. The event is taking place across Studio Space 6 and Vane Gallery on Saturday 16th and Sunday 17th August, and is the first of its kind within the region. The Weekender brings together sex workers, artists, allies and educators and serves as a vital and timely reminder that sex work is work, and that sex workers deserve respect, safety, and autonomy. Sex Worker Weekender is an event
as well as an empowering statement. www.thestudiospace6.co.uk
EVENTS COSMIC FREQUENCIES @ VARIOUS VENUES
Words: Ben Robinson
Cosmic Frequencies Festival offers an out-of-this-world series of events, taking place across venues in the Tyne Valley from Friday 8th to Sunday 10th August. This immersive spectacle fuses film, music, science and sound, curated by the region’s very own musical space cadets SKX Funkanauts.
Kicking off at Hexham’s Tannery Pub, expect an intergalactic pub quiz and cosmic cocktails to start the weekend off in style. On Saturday daytime at Queen’s Hall you’ll hear from Allendale Sci-Fi Museum and former head of technology at BBC, spotlighting the wonders of science fiction and special effects. The Forum Cinema presents a live cosmic funk performance featuring mind blowing visuals with SKX Funkanauts, blending their grooves with sounds of synths and cosmos fuelled vibes. The band will also mark the release of their new vinyl EP Transmission 1, packed with deep-space sounds and their on-brand funk. The event will also play host to a Q&A from the group, featuring leading voices from the worlds of astronomy and UFO research including Dan Pye (Kielder Observatory), Steve Crabtree (Emmy nominated film producer), and Dr Beatriz Villarroel (astrophysicist) and more, who together will explore humanity’s fascination with the stars and the great unknown.
The weekend ends on a suitably cosmic tip on Sunday with a film screening of Close Encounters of the Third Kind. www.forumhexham.com
MUSIC
DEAN & BRITTA @ THE ENGINE ROOM
Words: Kai Palmer
American duo Dean & Britta are heading to The Engine Room in North Shields on Tuesday 26th August for a long-awaited night of their beautiful, exciting indie pop.
The duo’s music draws on psychedelic folk to create warm, evocative tracks - much like their work in Luna, the psych-pop band they’re both members in. Dean was also the guitarist in Galaxie 500, a short-lived yet highly influential band which helped shape the direction of melancholy pop-rock in the late ‘80s.
Britta has revealed, via Instagram, that we can expect tracks from both bands, as well as some offerings from Dean’s latest album, That’s the Price of Loving Me.
With such a broad discography to choose from, it's hard to guess which favourites might make the setlist, but at the duo’s level of experience in successfully pleasing audiences, it’s guaranteed to be a striking performance among their very best.
Dean and Britta’s show at The Holy Grale in Durham sold out incredibly quickly, so if you’re planning on going along to The Engine Room, you’d better grab your tickets now before it’s too late!
www.deanandbritta.com
Dean & Britta by Luz Gallardo
MUSIC TEENAGE FANCLUB
@ THE FIRE STATION
Words: Laura Rosierse
Renowned Scottish outfit Teenage Fanclub promise to turn things up a notch at Sunderland’s Fire Station with their guitar-driven anthems on Thursday 28th
August.
One of Britain’s most beloved cult outfits, with a career spanning three decades and an ever-growing fanbase, they’ve been heralded as the unexpected stars of the alternative rock era, having morphed and developed into a distinctive and established outfit, born in the Bellshill area of Scotland. They’ve got a CV filled with hits that were released throughout the decades, and they’re still bringing the unexpected. Modern rock hits Star Sign, What You Do To Me and The Concept have been
passing the revue for ages and will be for the foreseeable.
The Scottish outfit will be supported by Selma French, a songwriter and musician renowned and revered within the Norwegian folk scene. She grew up with traditional music and has been playing and creating music all her life. In 2022 she released her debut album after which she toured extensively to much acclaim. www.teenagefanclub.com
MUSIC
SHARON VAN ETTEN & THE ATTACHMENT THEORY @ BOILER SHOP
Words: Ali Welford
It’s difficult to believe only six years have passed since Sharon Van Etten last played in the North East. Plenty has changed in that time, of course – musically, culturally, geopolitically – yet the New Jersey native’s status among indie rock’s singer-songwriter elite remains undisputed. That legacy has only enhanced off the back of her latest eponymous record – the first to be co-credited to her band, The Attachment Theory, whose members were also invited into the creative process. The upshot is the most compelling SVE collection in years, with vintage newcomers such as Afterlife and Trouble likely to be live staples far beyond the current touring cycle.
Fortunately, we’ll not have to wait until then to hear them, as Sharon and her Attachment Theory pay a keenly anticipated visit to Newcastle’s Boiler Shop on Saturday 30th August. With a healthy smattering of classics
from beloved records such as Remind Me Tomorrow, Are We There and Tramp also in store, prepare for an evening of stirring emotional turbulence from one of indie rock’s most piercing, cathartic voices.
Don’t miss Nabihah Iqbal, either – an adventurous and absorbing artist whose hazy concoction of shoegaze and electronic pop ought to reverberate beautifully in an early evening slot, with sun still beaming through the side windows. A late summer treat ripe for discovery! www.sharonvanetten.com
ART & LIT
HARTLEPOOL MURAL FESTIVAL @
HARTLEPOOL ART GALLERY
Words: Mack Sproates
Hartlepool Mural Festival is a bold, bright new project which sees Hartlepool Art Gallery and community spaces in the area taken over by vibrant, spectacular murals and street art (open now and running until Saturday 6th September).
Incredibly talented muralist Lewis Hobson, aka
Durham Spray Paints, leads the festival, and whose passions centre around engaging and encouraging individuals who might be hard to reach and not consider themselves as artists, to get involved in the world of art. Graffiti and spray paint art is so accessible and can leave such a powerful impact on communities, with artwork able to spread powerful messages that can be seen by anyone. The festival aims to spread this ethos by transforming streets, walls and buildings into open air canvases that capture stories, identity and the essence of Hartlepool.
Many of the murals have been curated and designed by local youth groups, Northern School of Art students and emerging artists, who have been working with Lewis to explore themes of belonging, heritage and community supported by research from The Robert Wood Collection – a remarkable archive documenting Hartlepool’s industries and social life. With a striking indoor exhibition at the gallery and several large scale collaborative, community murals, there will be so much to see and experience, so make sure you pop by Hartlepool Mural Festival and get inspired yourself.
www.culturehartlepool.com
Sharon Van Etten & The Attachment Theory by Susu Laroche
INTERVIEWS
TV DEATH
LINSEY TEGGERT TALKS TO NEWCASTLE’S TV DEATH ABOUT CREATING EXPLOSIVE PSYCH ROCK WITH A SOCIAL CONSCIENCE
IMAGE BY RHIANNON BANKS
TV Death frontman Jack Burlinson has just returned from Glastonbury Festival and he’s feeling somewhat fragile. Neil Young was a personal highlight and he hopes that in a few years he can “return to Glastonbury without having to pay.” One can assume he means to play on stage with TV Death, not to hop the fence, and it’s not a big stretch of the imagination to imagine this is entirely possible, given the reputation the North East three-piece are quickly garnering with their incendiary brand of psych rock and fervent live performances.
The band started out under the name Radio Silence, with drummer Andrew McAskell and bass player Robert Owens having known each other for many years. They found Jack via an advert online and despite him being a complete stranger, the chemistry was apparent. “We liked all the same music, we started going to gigs together and that’s how we connected,” Jack recalls thoughtfully, though Andrew quickly interjects: “We just went on the pints for a few months, didn’t we?”
It turns out Radio Silence is already used by tonnes of bands,
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including “a Ukrainian drill DJ who attached all his songs to our Spotify” explains Andrew, so Radio Silence became the not too dissimilar TV Death. Andrew and Robert weren’t aiming to go down the psych road, citing a more post-punk sound, but Jack brought a bunch of demos to the table that had more of a surfy, vintage garage rock angle, including an older version of the jittery Crank Bugs that appears on their upcoming album, Neon Dreamland.
Before Neon Dreamland, the band released two EPs in the form of 2021’s Isolation and 2023’s The God, The One And The Devil, the latter being accompanied by a phenomenal run of schlocky B-movie horror-inspired videos for every song, which when combined form a mini-horror movie. If you haven’t seen these, you seriously need to give them a watch; they’re an incredible feat for a band who were still essentially brand new, the campy horror aesthetic perfectly matching their off-kilter sound with Jack’s unholy, man-possessed screams.
Though TV Death worked with a film company to shoot, all aspects of production and editing were done by Jack himself, a big horror movie fan who studied media at university. While the video plans for Neon Dreamland aren’t quite as ambitious, those released for the singles so far are still a visual spectacle, reflecting the fever-dream quality of TV Death’s music. Propaganda plays on the video nasty trope, reinforcing
I LIKE THE IDEA THAT THE WHOLE WORLD IS CRUMBLING BUT THERE’S JOY WITHIN IT. WE ACKNOWLEDGE WHAT’S GOING ON AROUND US BUT WE CAN STILL FIND HAPPINESS
the claustrophobic ‘Us vs. Them’ narrative, and Lease of Life sees a disillusioned office worker dreaming of a Wheel of Fortune type game before legging it out the building.
It would seem the ‘Neon Dreamland’ referenced by TV Death is more of a construct of escapism, given the hellscape of reality that they explore through their thought-provoking lyrics, providing commentary on a crumbling society. Would it be fair to say that, though not overtly, they were a political band? “It’s hard not to be,” sighs Jack. “At times I take things in and don’t even realise that’s what I’m referencing until later. Everything is influenced by or reflective of what is going on in the world.”
“What I like about our songs, is that people can take inference from them for whatever they would like to,” says Robert. “Yes, we’re inspired by the situation in Gaza, by our current government, by lockdowns – take Propaganda for example, that ‘Us vs. Them’ message, you can interpret that in many ways. But the songs are full of energy and dancey enough that you can also enjoy them at face value without needing to take meaning from them – you can just have a boogie to them.”
“I like the idea that the whole world is crumbling but there’s joy within it,” adds Jack. “That we acknowledge what’s going on around us but we can still find happiness.”
TV Death have found there is a lot to be positive about in the North East, particularly their fellow musicians. “There are loads of bands we’ve met and gigged with where they might not inspire us in a musical way but certainly in terms of how they operate, and aiming to replicate their success,” explains Robert. “Obviously if we’re talking about North East success, Sam Fender is the elephant in the room that you can’t ignore – he’s exploded into the stratosphere now. A step down from that but still a step ahead of us are people like Pigsx7 and Melanie Baker – they’re doing the things we really want to be doing, pushing us to want to knock down the next door.”
In terms of advocacy, the band have had support from the likes of BBC Introducing and local music development agency Generator, who took them to Brighton to perform at their North East showcase at The Great Escape Festival.
“It’s a classic Northern thing to say, but the music industry is still so London-centric,” says Andrew. ‘Don’t get me wrong, we know people who have made it purely off their own back, but I don’t think there’s any shame in saying we’re happy to take any help we can get.”
And of course, TV Death are happy to advocate for themselves, especially when it comes to their live show. “If we’re going to put out some kind of definitive, ‘let’s back ourselves’ statement, I would say live, energy-wise, we’re one of the best bands in the North East,” states Andrew.
“We pride ourselves on that, we’ve made a bit of a career of it now, especially with support slots where we only get half an hour,” says Robert. “We make a setlist based on how many songs we can fit into half an hour, where we’re literally not going to stop. Everyone is going to be exhausted by the time we finish, but at least people will be like ‘Jesus Christ, that was mint.’”
TV Death release Neon Dreamland on 21st August. They play The Cluny 2, Newcastle on Saturday 23rd August. www.tvdeath.com
LINDISFARNE FESTIVAL MUSIC
CLAIRE DUPREE TALKS TO RETURNING FESTIVAL DIRECTOR CONLETH MAENPAA ABOUT SURVIVING AND THRIVING IN LINDISFARNE FESTIVAL’S 10TH YEAR
Earlier this year the region’s festival season was dealt a blow when event organisers Wannasee cancelled several high profile events including Northern Kin and Kubix. Also circling the drain was Lindisfarne Festival, the region’s biggest outdoor live music festival, which also happened to be celebrating their 10th anniversary this year. Music fans were understandably gutted, and Lindisfarne’s ‘pilgrims’ are a dedicated bunch; cue some behind the scenes wrangling, the stepping in of Hardwick Festival and the return of festival founder Conleth Maenpaa to save the day.
Conleth explains the story behind the saga: “I sold the festival [in 2024] as the mounting costs and the uncertainty of ticket sales meant that the financial pressure was huge. I felt that I had achieved my objective, which was to create the most special place festival in the North East. So when Wannasee were looking at administration and Lindisfarne Festival was potentially lost as well, I was asked by the Hardwick Festival team if I would come back and work with them to bring back the magic. The love people have for the festival was so apparent, and the work and time hundreds of people have put into it meant we had to do everything we could to keep it alive. It means so much to so many people.”
Likened to a mini-Glastonbury, Lindisfarne includes all the proper festival trappings you’d expect – from multiple stages and a varied line-up, to holistic experiences and good vibes aplenty – maybe it’s the somewhat mystical setting overlooking
THE LOVE PEOPLE HAVE FOR THE FESTIVAL WAS SO APPARENT, AND THE WORK AND TIME HUNDREDS OF PEOPLE HAVE PUT INTO IT MEANT WE HAD TO DO EVERYTHING WE COULD TO KEEP IT ALIVE
the Holy Island causeway, or the down-to-earth atmosphere and eclectic performances; it’s a festival that resonates with attendees. “The vast majority of people camp and there is a tremendous atmosphere. There is no trouble, a lot of partying and it’s the kind of festival where you can go on your own and make friends immediately. The music covers all genres as there are nine stages to get absorbed into. The site is spectacular and there is a real sense of community and spirit to it. The pilgrims are so friendly and fun. It’s brilliant.”
Conleth is emphatic about the ethos behind the event, which from the outset always aimed to bring people together in a fun and inclusive atmosphere. “Whilst the festival as a whole is a big party, it also has yoga and meditation, walkabout entertainers, comedy, spoken word, everything! Later on the energy moves up a level and the place is bouncing. You will find great new bands, amazing DJs, a few old favourites and some huge acts. There are hundreds of performers and as a whole they support us and we support them.”
The festival’s line-up features headliners Doves, Hawkwind, The Waterboys, Jamie Webster and Armand van Helden, with a supporting cast including Lottery Winners, Scouting For Girls, Terrorvision, Dutty Moonshine Big Band, Lucy Spraggan, Sugarhill Gang & The Furious 5, Inspiral Carpets, Utah Saints, Beans on Toast, Smoove & Turrell, Sonny Tennet, Abi Nyxx and many, many more. But, as Conleth insists, there’s always something for every taste: “You don’t even need to know who is playing as you will have fun regardless, but having said that each year the line-up punches way above its weight. I would say just give it a try, it will live up to the hype!”
Lindisfarne Festival takes place at Beal Farm, Northumberland from Thursday 28th-Saturday 30th August. www.lindisfarnefestival.com
T-B, L-R: The Lottery Winners, Terrorvision by Neil Ferry, Doves by Brian Steven
PLUTO
STEVE SPITHRAY TALKS TO HARTLEPOOL INDIE POPPERS PLUTO ABOUT THEIR FREE FLOWING, DEEPLY PERSONAL AND LONG AWAITED DEBUT EP
I DID ENJOY THE SOLO PART OF IT BUT I NEEDED THAT EXTRA HIT OF THE BAND BEHIND ME TO HELP ME SHOW OFF WHAT I REALLY WANTED TO SHOW OFF
It’s kinda cute that Pluto singer and primary songwriter Oliver seems slightly unaware of the broader influences on the band’s debut six-track EP, It’s All For You. While the singer is keen to name-drop Sam Fender as an influence and Zooms in to our interview with a framed The 1975 poster in the background, the EP manages to cram in so many stylistic references from Tim Buckley, Shack, The Lake Poets, and even fellow ‘Poolies Weathership. Oliver is a low-temperature guy; why use fifty words when ten will do. It’s refreshing, keen-as-unkeen to let the music do the talking.
Eagle-eyed readers will be familiar with the Pluto name if not yet the four-piece’s music, so I wondered why now for an EP release? “It was getting the band together originally, it took quite a bit of time and I knew I didn’t want to do it on my own after releasing my first two singles [that way].” Oliver told me. “We just decided now is the perfect time to build an EP. I did enjoy the solo part of it but I needed that extra hit of the band behind me to help me show off what I really wanted to show off. There is a sense of difference with the band now which I didn’t expect and is really nice to hear.” And what about those influences? “My main influences I try and slip in subtly but then the rest of the band just know what they want to sound like and it works for us…”
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Lyrically the EP sounds very personal to Oliver, so you might expect the songs to be built around the lyrics, but I was surprised to find the writing process is a lot more natural. “What I usually do,” Oliver continued, “is write the songs and then link the lyrics back to my personal life. I find it easy to write and the rest just naturally flows.” In fact, some of the songs on the EP are two years old and taken from when Oliver was still writing on his own. “Structurally those songs have stayed the same but Brace, for example, is a new song written two months ago. Originally it was going to be a five-track EP but we needed something slower and a bit more personal. We recorded it in about two hours while we were mixing the other tracks.”
Brace is very sparse and atmospheric while the title track, It’s All For You, is built around a marching beat wish lush upbeat guitars, however both benefit from the full band treatment. “It’s All For You was built from the ground up after I showed the band the song at a practice. We had the guitar and the lyrics and the drummer just started playing randomly and it was perfect straight away.”
As it happened Oliver was preparing for the full band’s second ever gig (and first hometown show) that night at The Studio in Hartlepool and I asked him how the writing process transfers to the stage. “We try and stick out a bit more with certain songs and [It’s All For You] slows us down a bit but we get quite a good reaction from it…”
As we digitally departed Oliver promised a proper EP launch (or “reveal” as he endearingly termed it) but declined to give further details as is his wont, but keep ‘em peeled for that.
Pluto release their debut EP, It’s All For You on Friday 8th August.
www.facebook.com/werpluto
PATRICK GOSLING MUSIC
STEVE SPITHRAY TALKS TO THE SOUTH SHIELDS SINGER ABOUT HOW A LOVE OF MOUNTAINS INSPIRED HIS CLOUD BUSTING NEW EP
When I picked up Patrick Gosling’s May single Thinkin’ for review in that month’s magazine I was struck by the depth of production on a track that I initially described as slacker rock (admittedly top-tier slacker rock). In amongst the fuzzy melody and de rigueur contagious riff there were clever lyrical themes and lush guitar soloing lower in the mix. “Thinkin’ is a good example of myself and Phil’s [Jackson, engineer] obsession with recording, we both love real attention to detail records. Also, when a song is just a continuous riff you’ve got to make it a bit more interesting - though I do love the riff,” Patrick later told me when we caught up for a chat. Indeed, The Summit Push EP that Thinkin’ is taken from is six-tracks of pure indie peaks and lo-fi highs. I wondered if Patrick hadn’t been tempted to add a couple more tracks and release it as an album. “When I finished the demoing of the record there were around 11 tracks,” Patrick told me. “But I had to be quite strict with myself and choose, in my opinion, the best six songs. I always like moving forward with my music and working on whatever is exciting me the most, which happened to be those six tracks.” Another track is named Everest, and another Clay Mountain (a big centrepiece ballad) so as a Geography graduate I needed to know more about this alpine theme. “Last year I started getting this real obsession with Mount Everest after I saw a photo of it taken from India - it blew my mind how big it actually is. It led me down this path of
finding out all I could about Everest and then K2, Annapurna, the list goes on. I then started learning about the different lingo mountaineers would use and The Summit Push was one that really jumped out at me - as soon as I heard that I knew I had to use it as a title for something.”
Musically, The Summit Push is an eclectic mix of songs, and I wondered how working with two others (Patrick also records with drummer Kyle Cassidy) helped the creative process. “Yeah, we are quite a tight knit group when it comes to the recording process. For the last few years it’s just been me on my own doing all the writing and recording, whereas now I’ve stopped being so awkward about the whole thing and let the lads collaborate on the recordings - though, writing wise it’s almost always me. I have a small DIY studio set up at home which I write and demo everything on before showing the boys.” And Patrick is now signed to Wipeout Music. “Wipeout have been mint! In the past I’ve been really naïve when it comes to releasing songs, I didn’t realise the whole process behind it and what actually goes into it. I’m very fortunate to have a class team of people around me now.”
Continuing the mountainous theme, things certainly seem on the up for Patrick, and with a handful of live dates in late summer/autumn already announced I asked what else he had up his sleeve. “We’re gonna be touring around the UK later this year promoting the record. I’ve just finished writing a batch of new tunes so hopefully I'll be getting back in the studio to get them all done…”
Patrick Gosling’s EP The Summit Push is released on Friday 22nd August.
www.patrickgoslingmusic.bandcamp.com
Image by Michael Craig
HAZEL PLATER
DAVID SAUNDERS TALKS TO THE TYNESIDE DOCUMENTARY PHOTOGRAPHER ABOUT HER EXPLORATORY WORK
In her long-form documentary project The Geordie Riviera, North East photographer Hazel Plater captures the rhythms of daily life along the North Tyneside coastline through exploratory photography from North Shields, Tynemouth, Cullercoats and Whitley Bay, celebrating seaside society and its underappreciated beauty.
“It’s the coast I grew up with,” Hazel shares, reflecting on what drew her to document the area in such depth. “After my Mam passed away in 2021, I sorted out things and found family ‘bucket and spade’ photographs, taken at King Edward’s Bay, Tynemouth when I was little. And now, I’m documenting other people’s experiences of this stretch of coastline.”
Influenced by both iconic and lesser-known names in photography, Hazel points to artists whose visual storytelling helped shape her own instincts. “Martin Parr is just so much fun! I can’t say that my work is anywhere near his understanding of British culture, though. Helen Levitt really inspires my street photography – how she used shape and form to show the relationship between people and their environment. Alberto Schommer’s book Azul has this whole blue/white/gold sun-kissed vibe… I’ve tried to do that here too.”
Now firmly focused on people and community, Hazel’s photography style has matured alongside a desire to let the images speak simply. “The majority of my photographs don’t have very much editing at all,” she notes. “Maybe it’s unusual in these 'social media polishing' times.” Her images talk louder when capturing events like Whitley Bay
IT'S NOT JUST THE OBVIOUS BITS THAT CAN BE SEEN AS PRETTY. I ACTUALLY REALLY LOVE THE SHAPES AND PEELING PAINT OF THE DECOMMISSIONED PADDLING POOLS AND THE AREAS OF ROCKY SHORELINE
Carnival and the Cullercoats Festival: “It’s interesting how different people gather together to do different things there. I do especially like an event where I can include a lot of people in a single frame.”
And when asked if there is any image from the exhibition that holds particular significance, Hazel picks a candid photo of roofers taking a break on a bench facing the sea. “To me, this bench image represents all the non-holidaymakers who enjoy this stretch of coastline as part of their regular day.”
Her creative process is based on instinct but is then shaped into a narrative. “I've been shooting a lot of the urban landscape photographs on 35mm film, so I don't see those results as quickly as the digital ones. But then I make small prints from both and look at them together until they form a cohesive story.”
From collaborating with artist Conrad Milne on his upcoming Through Shields installation to continuing her own photographic wanderings, Hazel is energised by future possibilities. “I’d be interested in talking to anyone that has ideas of how I might expand upon and present this project in other ways too.”
In whatever way Hazel presents this project, it will continue to peel back the distorting veneer of Instagram-edited images we’re bombarded with and reveal the true beauty of the Tyneside coast. When asked what she hoped people would take away from The Geordie Riviera, she responds: “That it's not just St Mary's Lighthouse! It's not just the obvious bits that can be seen as pretty. I actually really love the shapes and peeling paint of the decommissioned paddling pools and the areas of rocky shoreline we have, once you get away from the more touristy spots.”
The Geordie Riviera is exhibited at North Shields Library (2nd–31st July), Battle Hill Library (4th August–25th September, including meet-the-photographer event on 7th August) and Newcastle’s Civic Centre Arches Gallery (29th September–10th October).
www.hazelplater.myportfolio.com
L-R: Hazel Plater by Sasha Mallo Tardiveau, The Geordie Riviera by Hazel Plater
BEHIND THE MUSIC: MC HALO
SUNDERLAND RAPPER MC HALO KNOWS A THING OR TWO ABOUT CAPTURING THE ATTENTION OF A CROWD. HAVING STARTED HIS CAREER AS A RAVE MC, HIS RHYTHMIC PROWESS AND HEART-ON-SLEEVE SOUND DRAWS COMPARISONS TO THE LIKES OF EMINEM AND BRAINTAX, AND HIS MUSIC TAKES OFTEN HEARTFELT AND HARD-HITTING FORAYS THROUGH SELF-DISCOVERY AND EMOTIONAL CONNECTIONS. HE RELEASES HIS NEW ALBUM ON 8TH AUGUST, FEATURING AN ARRAY OF NORTH EAST GUESTS INCLUDING 90BRO, LISTA, CLAYTON MCKENNA, ROB BURLINSON, TUCKAGE, MR SHERIFF AND JAKEYBOY. HERE, HE GIVES US AN INSIGHT INTO SOME OF THE TRACKS ON THE RELEASE. WWW.LINKTR.EE/MCHALO88
WORDS: MC HALO
BACK STREETS
"It’s only too late, we can’t be saved…" Back Streets cracks open the album with brutal honesty. Inspired by my cousin Mel — we were meant to collaborate, but when the dam broke after years of stifling my music for toxic relationships and dead-end friendships, this entire record poured out instead. This song tells the truth about betrayal and self-sabotage, the cold reality of deceit when love rots from the inside out. It’s an admission that patterns repeat if you don’t face them.
DAMAGE DONE
"Learn to walk before you run…" Damage Done digs deep into the fault lines of toxic dynamics. The result of tough introspection about my own enabling behaviour and twisted loyalty, the line “porcelain doll falling over damage done” is about fragility disguised as strength, how we let people throw stones at us while pretending we’re made of steel.
ECHELON
"Don’t tell me you’re on another level — I’m living in the upper echelons…"
Echelon is pure status and spite. This one goes back to bars I laid down years ago with 90BRO and Claymore, my brother
Clay who still features on the album. I held onto this verse because it’s too raw to bury. The new chorus came when I moved to Dubai — luxury cars, chandeliers, caviar, all that real-life braggadocio. But it’s deeper than flexing. It’s a shot fired back at the ones who doubted me, the exes who thought I’d fold.
THE NEWS
"Are we a part of this world of pain…?"
The News is my soul’s open letter. This is the flagship single, the one where I poured everything out and found a new sound, a new direction, a new wave that defines me now. It’s rooted in the heartbreak of losing my grandmother who inspired my respect for love, kindness and the feminine energy that’s shaped who I am. This track is a candle lit for every soul at heaven’s gate, but it’s also my promise that it’s not too late to change, to heal, to rise above the noise.
LIVING
"Suffering is a part of life — I feel it liberating me this time…" Living closes the album like an exhale, the final reflection on what it means to be human. Rob Burlinson’s chorus lifts the whole track; his voice is angelic and raw, the perfect counterpoint to my verses about daily struggles and the restless climb that makes us who we are. It’s about wondering if you’re really living or just killing time. Ending the album with Rob meant a lot. We’re from the same estate, and I’ve always respected him as a singer-songwriter. This track is my reminder that suffering shapes you, but it’s the climb that sets you free.
FORTITUDE VALLEY MUSIC
KAI PALMER TALKS TO LAURA KOVIC FROM THE DURHAM-BASED POWER POP BAND ABOUT THEIR JOYOUS SECOND ALBUM
Fortitude Valley’s soothing indie pop transfixes the listener into an endless, joyous state. Since their self-titled debut, they’ve been itching to continue their journey and share more infectious music with the world, and now their second album, Part Of The Problem, Baby, is almost here.
“It’s been a long time coming. 2021 was when the last album came out and then there was Covid, so a lot of hopes and dreams were destroyed and gigs that we had booked in were cancelled. We never got to properly do an album tour.”
Lead singer and founder Laura Kovic is relieved that things are going as planned this time, and after listening to the new album it’s absolutely clear they deserve to show off their masterpiece. It’s been four years since the first album, and in that time, Fortitude Valley have gone through a journey behind the scenes, including line-up changes. “In terms of the music itself, I definitely think it’s a step forward, I think it’s a little bit heavier, but I also tried to improve my guitar playing. The songs have stepped up a notch because I tried to push myself on guitar.”
Evidently, practice does make perfect, as the guitar playing on tracks like Totally and Video (Right There With You) is incredibly immersing. Video is about surviving in an increasingly hostile world, and while you may suspect that Laura’s songwriting is her reaction to the world through music, that’s not all: “I took inspiration from movies, television and games. Video was about the relationship between Ellie and Joel in The Last of Us game. Obviously, it can be applied to modern times, but I wrote it about Joel.”
Amongst the album’s intriguing influences, the main overarching theme is growth, as well as the disruption of the 2020 pandemic, which affected Laura’s life massively, and so is
THE SONGS HAVE STEPPED UP A NOTCH BECAUSE I TRIED TO PUSH MYSELF ON GUITAR
understandably weaved throughout. “I’m from Australia, and I didn’t see my family for like three years and then just before lockdown I’d moved from London to Durham. There’s a song called Red Sky that is about moving away from all of your friends but still watching what they’re doing on social media and seeing everyone hangout without you.”
On Part Of The Problem, Baby, more pensive tracks like Don’t You Wanna Be Near Me? ask, “did I misread every single cue you sent me?”, but the track’s beautifully colourful lead guitar and Laura’s sweet, melodic voice are both so uplifting that it makes the band themselves a metaphor for elevating yourself over the complexities of a challenging world.
Laura’s ability to contrast these themes isn’t always intentional and is a happy consequence of her songwriting process. “The melodies come first and the lyrics usually come second. I’ll be messing about on guitar and I’ll hum something, and then I try to fit lyrics to it. Throughout my life of writing songs, that has pretty much always been the case.”
You can absorb the wonders of Fortitude Valley’s song-crafting process when their new album drops on 1st August, and when you’re inevitably itching to see them live, you can catch them at the Star & Shadow Cinema in Newcastle on Friday 19th September.
www.fortitudevalley.co.uk
Image by Sonny Malhotra
CONOR MICHAEL
DAVID SAUNDERS CHATS WITH THE NORTH SHIELDS SINGER-SONGWRITER ABOUT HIS MUSICAL JOURNEY
I RARELY SING ABOUT FICTION, SO I WOULD SAY MY SOUND IS RELATABLE
From classic dad rock to late-night Classic FM, Conor Michael’s musical journey was a mixed one. “As a kid, I was always surrounded by music,” he reflects. “My dad was an influence with the ‘classic dad rock’ such as Def Leppard and White Snake, but also the newer alt. music, like Avril Lavigne and Busted!”
With pop influences from his mum, Conor’s early tastes quickly broadened and his songwriting later took shape when he began listening to the likes of Ed Sheeran and Damien Rice. “Ed Sheeran’s Divide album was the album I taught myself guitar to; Damien Rice helped me grow in how open and raw a song can be.”
That rawness ripples through his work. “I’ve always stayed true to the lyrics,” Conor shares. “I rarely sing about fiction, so I would say my sound is relatable.”
Conor’s live shows see him layering up his sound to evoke all kinds of feels. “With the loop pedal, I can bring the emotion from within straight to the stage. Songs I take into the studio are just guitar chords and lyrics… once a song is produced and ready to go, I then figure out how to play it with the loop pedal. I realise it’s the long way around, but it’s worked so far!”
This process of songwriting mirrors what Conor hears and shares on Off The Stage, his grassroots podcast co-hosted with fellow musician James Berry. Whether hearing stories about studio experimentation or touring highs and lows, that dialogue
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becomes fuel. “Having the podcast is great for being able to have an input to the music community… just taking in what others have tried is always great for inspiration for the next project.”
His upcoming album Chase The Day comes out on 29th August and the starting point for the songs on the album was Conor’s mood. He goes on to explain: “I’ll write a block of songs about challenges and failure, and then realise what kind of headspace I’m in.” That emotional intuition led to some of the album’s most vulnerable moments. “About half the songs are about my fiancée so they were quite easy to write, ‘cos that’s an emotion that is always quite vocal. But the likes of Bitin’ Bullets and Demons… I’ve played them live and they can be quite difficult.” Thematically, the album explores personal growth, connection and resilience across standout tracks like the title opener Chase
The Day, with its galloping pace, soaring chorus and raw alt. folk energy reminiscent of Del Amitri or The Levellers; Dark Of The Night, carried by atmospheric tones and lightly husky lead vocals over a soothing bed of “oo”s; Demons, with its Snow Patrol-esque tenderness and impassioned builds; and The Empty Bookshelf, a nod to Damien Rice (with perhaps a glint of early James Blunt) complete with gorgeous strings and swaying harmonies.
The album’s play with shade and tone, paired with Conor’s impassioned Bono/Sam T. Herring-tinged vocals, makes for a listen that’s both endearing and engaging.
Chase The Day is released on 29th August, Conor performs at Think Tank, Newcastle on Saturday 30th August. www.linktr.ee/conormichael
SWEET BOY
MACK SPROATES DISCOVERS A JOYOUS, HEART-WARMING AND EMPOWERING DEBUT SOLO SHOW ABOUT FINDING COMFORT IN DARK TIMES BY NEWCASTLE’S SUPERSTAR DRAG CLOWN SWEET BOY
Sweeping stages across the North East and beyond, the spectacular non-binary drag clown Sweet Boy is set to perform their biggest cabaret endeavour to date, and all the emotions are catching up with them. “Exciting! Scary! So many emotions! It all feels a little surreal and I’m not sure it's sunk in yet, but I do know I’m giving it everything I’ve got.”
Known for their warm, endearing and utterly hilarious performances bursting with joy and life, Sweet Boy certainly knows how to dazzle an audience; whether it’s their impeccable eye for costume design, genius lip syncs or stunning, cinematic visuals. With eclectic inspirations from Sasha Velour, Tierra Whack, Mr Bean, Charlie Chaplin and PeeWee Herman, Sweet Boy notes their Mum as one of their biggest inspirations, who also inspired the title of their upcoming debut solo show, Up In Lights.
The show documents their journey of self-discovery across cities via a musical voyage full of fabulous detours in drag and clownery, exploring identity and grief. “My mum used to always say to me, something along the lines of ‘one day boy, you’ll be a star with your name up in lights’.” Sweet Boy recalls. “As a young film editor, this never made sense to me. After she passed away, I found comfort in drag and then suddenly what she’d been saying all made sense. The show is for my mum, to show her everything she’s missed. To show everyone else you can get through it and you can succeed.”
THE MOMENT YOU TAKE ACTION TOWARDS REACHING YOUR DREAMS THE SOONER YOU’LL FIND YOURSELF LIVING YOUR DREAM. BECAUSE ONE DAY, MAYBE YOU WILL SEE YOUR NAME UP IN LIGHTS!
Vulnerable is one word at the forefront of my mind in learning about their show. I’m in awe of the power and bravery it takes to approach this deeply personal part of their life, choosing to turn it into something beautiful, colourful, hopeful and fun. “I’ve been finding it very therapeutic. Bittersweet for sure, it’s difficult and painful but it’s empowering too,” Sweet Boy relays. They describe a “quest for comfort” as one of their biggest motivators. “Being in lockdown after losing my biggest rock in the world, my mum, I was desperately seeking comfort. I found it in drag, spending hours in my bedroom learning to glue my bushy eyebrows down not realising that I was finding a comfort I would carry with me for many years to come.”
I’m sure for many audience members, seeing this show will be a profoundly comforting experience. “The world can just be such a heavy, dark place without it.” Sweet Boy states. “The current political climate is weighing heavy on the LGBTQIA+ community, especially our trans sisters. What we can do is come together, find our space, relax and enjoy. Comedy is how I’ve dealt with the struggles of my life, so I hope to pass on a distraction from the real world and give everyone a smile to walk out the door with.”
Feeling inspired, I concluded our interview by asking if they had any advice for up and coming performers: “The first step is to simply go for it. It’s so much easier said than done, but the moment you take action towards reaching your dreams the sooner you’ll find yourself living your dream. Because one day, maybe you will see your name up in lights!”
Sweet Boy Presents… Up In Lights is at Alphabetti Theatre, Newcastle on Saturday 2nd August. www.instagram.com/suchasweetboy
Image by TJ Mov
THAT CLARE MUSIC
JADE MIA BROADHEAD DISCOVERS AN EMPOWERING, BOLD AND HOPE-INSPIRING NEW SINGLE BY THE TEESSIDE BASED POST-PUNK QUEERCORE SINGER-SONGWRITER
Teesside’s That Clare’s new single Just Because, released on 1st August, takes no prisoners. Embracing technology and synths, it’s a bold move away from Clare’s previously folk punk material. “Electronic music and post-punk sounds have always been a big influence,” reflects Clare. “I’ve been itching to get that vibe into my music. That’s not to say I’m turning my back on the acoustic. I also have a real admiration for the early punk pioneers and guitar sounds of the early 70s.”
Just Because is a full-frontal attack on the bigoted politics and small-mindedness that is transphobia. Clare’s softly-spoken distorted vocal is full of disgust as it turns to spitting venom. But does she, as a trans artist, feel pigeonholed as a political artist? “I feel irritated that minorities are labelled as activists for speaking up.” Clare confirms. “But you either do nothing and feel the full effects of oppression or you stand up and say: ‘I’m not putting up with this.’ The sense of injustice for trans rights to racism to mental health, disability needs, healthcare and financial injustice; none of it is about to be resolved anytime soon. I’m not planning a pure pop song right now,” laughs Clare.
Throughout history, political artists from Bob Dylan to Bob Vylan have been critically lauded – and occasionally vilified –for speaking out about world injustices. Does Clare feel that music has the power to change? “Music has power to influence change to a point. Many people don’t latch onto the message
MUSIC REFLECTS SOCIETY AND INTRODUCES ANOTHER VIEWPOINT OR CULTURAL INFLUENCE THAT YOU MIGHT NOT TYPICALLY EXPERIENCE, SO IT CAN INFLUENCE POSITIVE CHANGE
first, they like a song’s vibe then start to take in the message,” explains Clare. “Punk is about the push back. It must have power. Look at what’s happening right now with government reaction when bands dare to speak about genocide or trans rights. Music reflects society and introduces another viewpoint or cultural influence that you might not typically experience, so it can influence positive change, even if it doesn’t make the change directly.”
Attacks on trans people have been relentless recently and many in the community are feeling a sense of hopelessness, so does Clare share that sentiment? “I absolutely do not feel hopeless. I do feel that once you identify with being the scapegoat, you start to see how it’s applied to all minorities. From immigrants to queer folks, the disabled, to race. Some days I get overwhelmed. Being creative is an outlet for those feelings of hopelessness and anger. But joy too. Being visible is a great thing to do for your community, sticking two fingers in the air and saying ‘I’m here, we’re here, we always have been and we always will be.’ It’s also nice to embrace the joy of who you are, who you’ve become, how far you’ve come. That’s got to offer some hope hasn’t it? I think so.”
That Clare is an artist who isn’t going to let negativity or boundaries, be it social or musical, stand in her way. So what does her future hold? “My debut album SOCIAL KONSTRUKT is nearing completion. I’m aiming to release that this year. It’s very political, and I make no apologies for that,” she laughs. “I’ll certainly be doing more experimental music. I’m looking forward to performing at Last Train Home in Darlington and have just launched my website. I won’t stop writing and recording. I have a lot to say!” www.thatclare.com
SALTBURN FOLK FESTIVAL
IF YOU LIKE…
MUCH-LOVED MUSICIANS
Saltburn Folk Festival are notorious for their varied, diverse line-up of cherry-picked artists, and 2025 is no different. You’ll get the chance to catch Nancy Kerr, James Fagan and Tim Van Eyken; Martin Simpson with Liz Hanks and Louis Campbell; Emily Portman; Pons Aelius; watersmeet; The Pegwells, Suntou Susso and Ross Grant; The Wilson Family; Maddie Morris; Goblin Band; DIY Ceilidh and so many more. Some local, some not - it’s entirely your call where your heart may take you!
This year, weekend ticket-holders will even get the chance to meet select artists such as Marie Little, watersmeet and The Rosie Hood Band via a programme of Q&As at the Earthbeat Centre.
LEARNING SOMETHING NEW
If you’ve a keen-to-learn mind, perhaps you’ll be excited to hear that Saltburn Folk Festival has an impressively stacked list of workshops happening this yearanything you can really think to pick up at a folk festival, Saltburn Folk have probably covered it. From a talk on trad music with Brian Gaudet and a rapping workshop with the Kingsmen, to an Appalachian dance class with Feet First or a political songwriting workshop with Maddie Morris, there’s something for everyone, young or old, newbie or seasoned folkie!
MUSIC
WORDS: ISABEL JOHNSON
The beloved Saltburn Folk Festival returns this year between Friday 8th-Sunday 10th August, and it’s set to be as excellent as we’ve always known it to be. The multi-venue coastal weekend will take place across a generous handful of community venues in Saltburn-by-the-Sea, including a festival hub at The Community Hall - this is your one shop stop for souvenirs, advice, hangout sessions and info on what you can see and do - and the festival’s campsite inside the grounds of Saltburn Learning Campus.
Some of the other venues include Emmanuel Church Hall, Saltburn Community Theatre, Huntcliff School, Saltburn Beach, Gun’s Hall, Saltburn Scout Hut, Earthbeat Centre and Saltburn Bandstand - and the performances at the bandstand are free to all, even if you’re ticketless! www.saltburnfolkfestival.com
FREE POP-UPS
If all of the above sounds incrediblehow could it not - but you’re not in the position to attend the entire festival, you’ll be thrilled to know that there are a delightful bunch of artists taking to Saltburn’s bandstand across the weekend. 21 performances will be taking place between the Saturday and the Sunday, so you’ll get the chance to see the likes of Storytellers Street Band, Ouseburn Folk Choir, watersmeet, Naomi Kelly, Middlesbrough Happy Ukuleles and more.
AFFORDABLE & ACCESSIBLE
Something else to note is Saltburn Folk Festival’s commitment to affordability and accessibility; the majority of the festival’s venues are fully accessible, and ticket prices are tiered, meaning there are standard ticket options for both adults and accompanied children, no questions asked ‘pay a little less’ tickets, ‘pay a bit more’ tickets for those who would like to go that extra mile to support the festival, as well as discounts for 18-30 year olds.
Watersmeet by Sel MacLean
Maddie Morris
Emily Portman by Camilla Greenwell
EARTH FARM
Cameron Wright talks to the Newcastle band about the process of perfecting, and then moving on from, their debut album In 2022 Earth Farm released their debut EP – Even Cicadas Get The Blues. It was an anxious and bustling release that showed eager songwriting and dynamic indie rock potential from the Newcastle alt. rockers.
Striking while the iron was hot, the group rushed to the studio to follow up the project with another release, and this month we will finally see the results. With band members leaving, falling out of love with songs and tenaciously trying to find the perfect sound, songwriter Harry and his band of long-term friends have been meticulously preparing and reworking the tracks until they are sharpened, chiselled and primed for release. With Blank Studio’s John Martindale at the helm of the record’s production, there is a vibrancy to each track that shoots out from beginning to end, overflowing with colour and emotion.
“Many of these songs have sat with us for years, many share the skeletons of other tracks we had written and fallen out with; it’s been a lot of restless editing and finding the right mix for it all,” confesses Earth Farm’s frontman.
The album contains waves of anxiety, with personal favourite (In Heaven) When You’re Dead frantically dealing with issues of mortality and life. “In Heaven... was one of the earliest songs we had written, it’s seen a few iterations. I’m really proud of it, but I was always nervously changing the tempo, adding a moment here or taking away a moment there.” This tenacious fiddling seems true to form across the album as Harry divulges that he has a tendency to scrutinise every moment of the songwriting process. “There is always the juncture where I hone
LAURA ROSIERSE UNCOVERS THE IMPORTANCE OF CARE AND WHAT'S IN STORE FOR THE POWERFUL, UPLIFTING AND JOYOUS UPCOMING COMEDY COLLECTIVE THERE IS
into a detail, frantically re-listening and editing. That’s usually when the band go for lunch or get the phones out, as I’ll be drilling in fanatically.”
You can hear the effort, heartache and excitement pumped into each track; there’s a striving force pushing the tracks forward and a lust for life deep within the panic and existentialism of the lyrics. “I used to want to be clever or quirky with every line, and when I listen to the writers I love, sometimes just a little moment of real life is so much more important.”
Harking back to the 90s, Harry sights the alternative movement as a key influence. Having played bass for years and DJ’d locally, it wasn’t until lockdown that he picked up a six-string guitar and forced an education into himself. As his record collection expanded to include Pavement, Pixies and Modest Mouse, those influences invariably bled into what was to become Earth Farm.
While Shields County Fair may lean towards the pop-punk genre in its more euphoric moments, the roots of that 90s cynicism and guitar heavy angst is ever present. “If I were to write the album now, I don’t know which songs would make the cut, as they’re not indicative of me now. It was a darker place, but the final song on the album is the only song written after I met my partner. The tenderness in the songwriting started there, right on the tail end – so who knows what direction we take things in next.”
The song in question is Some Sort Of Blue, which beautifully serves as a tonic to the nervous, high stakes emotions of the previous tracks, but also as a teaser of what the future may hold for Earth Farm. Rounding out the album at a euphoric crescendo is a glistening piano passage which cuts through the mix, its presence is brief but necessary. It nods towards hopeful tomorrows, new sunrises and reasons, despite it all, to keep pushing forward.
Earth Farm release Shields County Fair on 22nd August. www.linktr.ee/earthfarm
MARRAPALOOZA
IF YOU LIKE…
EXHILARATING RIFF-DRIVEN ROCK
You’ll enjoy the elaborate rock-infused soundscape of exciting duo The Safest Place, who’ll be making their return to the North East after a successful outing at this year’s A Stone’s Throw Festival. There’s also unapologetically loud and punching punk rock outfit Gans, who head our way from Birmingham; spoken-word hip-hop fuses with punk rock in the musical catalogue of Native James; and Knives bring heavy and hard-hitting punk with powerful vocals and surprising vocal harmonies. Hartlepool supergroup Venus Grrrls offer up their exhilarating live show, adding a layer of unapologetic rock.
INTROSPECTIVE ALT. FOLK
You truly can’t miss catching Wild Beasts’ Hayden Thorpe’s stunning alternative folk, driven by his angelic voice; nor should you miss Chris Brain’s hauntingly beautiful and emotive compositions – the Yorkshirebased musician has just made his return from an extensive tour of the UK, including a show at The Cluny, and I can’t wait for his return. Withered Hand adds to this introspective genre through contemplative compositions that pull on the heartstrings. The soft alternative pop sound of Brad Stank fits within this genre as their introspective sound sways like a hazy folk song yet shimmers like commercial pop.
MUSIC
WORDS: LAURA ROSIERSE
Local DIY multi-venue, multi-genre music festival Marrapalooza returns for its third year to venues across the Ouseburn on Friday 8th and Saturday 9th August, with headliners including She Drew The Gun and Brad Stank. Promoter Portions For Foxes, the brains behind the festival, will be hosting a plethora of incredible talents from all over the country, bringing a vast array of genres to music fans. This year’s is the festival's biggest and most ambitious yet, with more than 35 performers curated by four of the leading lights in the local grassroots music scene. This year’s event is curated by Portions For Foxes, Flat Four Records, Tyne and Queer and Future Collaborations, and aims to bring the region an inclusive and community-driven event. Here’s just a few of the highlights in store... www.marrapalooza.co.uk
SHOEGAZE-INFUSED ROCK
Cruush bring their alternative shoegaze sound all the way from Manchester and tell stories through hazy vocals and echoing soundscapes that blew me away at the first listen – they’re a great new discovery ahead of this year’s Marrapalooza! Local hero Melanie Baker has been climbing the musical career ladder fast and steadily, and will be bringing her soaring shoegazey storytelling alternative rock tracks to this year’s festival (listen out for fan-favourites I Don’t Cry Like I Used To and All My Plants Have Died). Another local hero, Ruth Lyon, will be taking to the stage with her stunning alternative rock sound and incredibly talented band, hot on the heals of the release of her debut album.
THE UNEXPECTED
A fun and guitar-driven sound that twists and turns like a ride at a theme park comes from All Girls Arson Club; Akam will undoubtedly be bringing the afterparty club vibes with thumping beats; and the North East’s own Fast Blood always surprise with the ferocity of their powerful and heavy punk rock tracks and live performance – the band previously headlined The Cumberland Arms where they tore down the stage and made a new fan out of me with their stomping live show.
She Drew The Gun
Native James by William Jupp
Hayden Thorpe
LISTINGS
THE BEST OF THE REST… EVEN MORE ALTERNATIVE MUSIC, THEATRE, COMEDY, ART AND FILM TAKING PLACE THROUGHOUT THE NORTH EAST THIS MONTH
FRIDAY 1ST AUGUST
ADAM ROWE AND FRIENDS
The critically acclaimed comedian returns to Customs House with a line-up of hilarious mystery guests // Customs House, South Shields
FEATURED // B.O.P Fest 25
A free, youth-powered climate action weekender packed with live music, bold workshops, street food and powerful performances across two days. // St Cuthbert’s Centre, Crook
BLUSH
Music for the alternative featuring live music from Hivemind, DJs covering all things pop punk, metal, emo and hardcore plus live skating // World Headquarters, Newcastle
LEAZES
Rising from Newcastle’s indie scene, Geordie outfit Leazes are fast becoming one of the most exciting names in alternative music // The Cluny, Newcastle
SEEKING THE DISABLED CHRIST
A collection of prints by Rachel Holdforth, a disabled, neurodivergent and queer spiritual director, printmaker and chaplain, exhibiting striking images exploring solidarity, humanity, vulnerability, difference and embodied experience // Newcastle Cathedral
THE COMEDY STORE
The Comedy Store is renowned as a breeding ground for new talent, and remains the place to see stars of the future // Gala Theatre, Durham
THE PRIMITIVES
Experience some power jangle indie noise pop with The Primitives with support from The Chords // Common Room, Newcastle
SATURDAY 2ND AUGUST
CIRCUS
Newcastle alt. rockers, supported by Violet Mistake and Zilch Patrol // Little Buildings, Newcastle
FEATURED // Curious Arts Takeover
Join Curious Arts for a day of fun-packed, free creative activities for all the family, including colourful arts and crafts, storytimes, workshops, lip-sync battles, face painting, dress-up and more! // Darlington Hippodrome
JASON COOK’S BEAT THE GONG
Twelve hot, hilarious, new acts try to beat the dreaded gong and win over the Customs House audience as decided by random members of the crowd. Hosted by Jason Cook // Customs House, South Shields
THE FUTUREHEADS
With support from Camel Island and Lovely Assistant // The Fire Station, Sunderland
PAINTING FOR FUN SUMMER EXHIBITION
A vibrant exhibition, bringing together an eclectic group of artists united by their love of painting. With subject matter ranging from landscapes, portraits, local scenes and botanical studies, there’s something for everyone. Runs until 30th August // Shieldfield Art Works, Newcastle
SUNDAY 3RD AUGUST
DINKY BOSSETTI
Riot grrrl punks Dinky Bossetti headline with iconic support from Gaydar and Specky Cult // Trillians, Newcastle
WEDNESDAY 6TH AUGUST
BEGAYER
French experimental folk // The Lubber Fiend, Newcastle
THURSDAY 7TH AUGUST
JEREMY MCMURRAY AND THE POCKET JAZZ Orchestra
Some of the North East’s top musicians perform swing, jazz and bebop // ARC, Stockton
THE ZIPWIRE ANGELS
Indie rock band from Newcastle known for their energetic live performances and a sound that combines raw energy with melodic hooks // The Cluny, Newcastle
FRIDAY 8TH AUGUST
KITES
Grungy indie rockers, supported by Cherry Blur, Park View and Spilt Milk // The Grove, Newcastle
GIRLS, GAYS & THEYS
Underdog presents the alternative club night focusing on line-ups of women, and the LGBTQ+ community making waves across the UK rock, emo, punk scene plus retro gaming // Middlesbrough Empire
STE JOHNSON
The classic modern indie pop artist brings his full band to former home Ouseburn, with support from Steven Fothergill // The Cluny, Newcastle
SATURDAY 9TH AUGUST
DECREPIT YOUTHS
High energy alt. rockers, plus support from heavy grunge band Noise Pollution and intimate alt. rock from Wretch // The Cluny, Newcastle
GARTH MARENGHI’S DARKPLACE
Presented as a 1980’s lost classic, this film revolves around fictional horror author Garth Marenghi (Matthew Holness) and his publisher Dean Learner (Richard Ayoade) // Tyneside Cinema, Newcastle
JASON COOK: JUST US
Seat of the pants, make-it-up-as-we-goalong stand up, with all material based on what Jason & the audience come up with on the night // Customs House, South Shields
NEWCASTLE UNIVERSITY POST GRADUATE DEGREE SHOW
A Gathering is an exhibition and coming together of a vibrant mix of practices and perspectives from emerging talents alongside artists returning to study and evolve their work. Runs until Saturday 30th August // Hatton Art Gallery, Newcastle
NORTHERN SUMMER EXHIBITION 2025
This open-submission exhibition displays a fascinating and varied showcase of artwork from North East artists, exhibiting a range of mediums, genres, subjects and abilities. Runs until 13th September // Newcastle Arts Centre
SUNDAY 10TH AUGUST
CHALI 2NA
One of hip-hop’s most celebrated personalities with an unmistakable baritone voice // The Cluny, Newcastle
MONDAY 11TH AUGUST
BATTLESNAKE
Rising titans of Australian metal and hard rock with support from Crowley // The Cluny 2, Newcastle
MOTHERBOARD + Q&A
A unique self-portrait charting the real-life comedy and roller coaster of solo parenting, filmed over 20 years from a thumbs-up the baby gave during the first pregnancy scan to first day at college // Tyneside Cinema, Newcastle
WEDNESDAY 13TH AUGUST
KAVUS TORABI
Frontman of legendary psychedelic band
Gong as well as composer, multiinstrumentalist, performer, author, artist, broadcaster and DJ // The Cluny 2, Newcastle
MAMMOTH GRINDER
US death metal, supported by Thrak and Necrotized // The Lubber Fiend, Newcastle
FRIDAY 15TH AUGUST
DR SURE’S UNUSUAL PRACTICE
Australian garage punk // The Lubber Fiend, Newcastle
NOWT SPECIAL: SUMMER SPECIAL
Arriving at their new home of The Grove, Nowt Special will be showcasing mint creatives from all over the North East with a full art exhibition, merch stalls, tattoos, food and a full paint jam outside! Also on Saturday 16th // The Grove, Newcastle
FEATURED // OCHISIA
EP release show from the pop punk driven post-hardcore band. Support comes from beloved locals Red Remedy and Voted Most Likely // The Cluny 2, Newcastle
ROBIN MCAULEY
One of the most respected and sought-after singers in rock and roll. Support from Lyin Rampant // The Cluny, Newcastle
SUMMERWEEN
What happens when you combine Halloween in the sun? SummerWeen of course! Celebrate this brand new event with a spooky twist… Featuring music, costumes, weird games, creepy but cute stalls and fun under the summer sky // Ouseburn Trust, Newcastle
SATURDAY 16TH AUGUST
AT SEA
A fantastical, gorgeous under the sea puppet adventure featuring stunning projections and music, running until Saturday 23rd August // Alphabetti Theatre, Newcastle
BIG RIDE FOR PALESTINE
An initiative by supporters of the Palestinian people that combines a love of cycling with practical solidarity and awareness raising, with a special after event of music and film // Star and Shadow Cinema, Newcastle
FEROCIOUS DOG
Full electric folk punks Ferocious Dog are buzzing with raw energy with support from Gimp Fist and Dead Wet Things // The Fire Station, Sunderland
SELF IMMOLATION MUSIC
Leeds psych band // The Lubber Fiend, Newcastle
TOMMY ARCH
The Holy Moly & The Crackers member showcases his solo work, which blends the best of soul, blues, and folk influences // The Cluny 2, Newcastle
PALESTINE STANDS UP
Featuring Palestinian comedians Alaa Shehada (Jenin), Diana Sweity (Hebron) and Hanna Shammas (Haifa), presented by PalCom, a Palestinian-UK collective developing comedy unique to the Palestinian experience // The Stand, Newcastle
SUNDAY 17TH AUGUST
METH.
Experimental metal from Chicago, IL, with support from Host Body // The Cluny 2, Newcastle
ORIGAMI ANGEL
Emo punk duo from Washington D.C. // The Cluny, Newcastle
MONDAY 18TH AUGUST
SCREEN 7
Screen 7 are a band made up of colleagues from cinemas based in the North East, coming together to raise money for mental health charity Mind // The Cluny, Newcastle
YOUR AUNT FANNY: TIME OF THE MONTH
Join iconic Newcastle sketch group Your Aunt Fanny as they share their favourite sketches of the past year plus some brand new material, with support from fantastic local women in comedy // The Stand, Newcastle
TUESDAY 19TH AUGUST
PRESHOUS STARS
Newcastle’s Abi Preshous compiles an all star musical line-up of Madi C, Keane Readman, Iona Summer and Maisi // The Cluny 2, Newcastle
WEDNESDAY 20TH AUGUST
HYPNIC PICNIC
A Fred Durst special edition of the North East’s number one experimental avant-garde music night // Alphabetti Theatre, Newcastle
THURSDAY 21ST AUGUST
HOLY MOLY & THE CRACKERS
Fiery cult folk-rockers // The Cluny, Newcastle
FRIDAY 22ND AUGUST
MACKA B AND THE ROOTS RAGGA BAND
Legendary UK reggae artist Macka B returns with his trademark blend of conscious lyrics, heavyweight riddims, and infectious energy // The Cluny, Newcastle
SATURDAY 23RD AUGUST
TV DEATH
The post punk/garage/psych band launch their debut album Neon Dreamland // The Cluny 2, Newcastle
SUNDAY 24TH AUGUST
IGLU & HARTLY
The nostalgic pop rock band bring their In This City tour to the North East, with support from Muddy Elephant // The Cluny 2, Newcastle
RUMBA NARUMBA
Robert Maseko introduces his fresh and dynamic new five piece band project called Rumba NaRumba // The Cluny, Newcastle
TUESDAY 26TH AUGUST
HANNAH FRANCES
Cathartic vocalist, guitarist, composer, dancer and poet. Support from Rivkala // The Cluny 2, Newcastle
WEDNESDAY 27TH AUGUST
DUTCH MUSTARD
Netherlands-born, London-based Dutch Mustard blends dream-pop and ’90s alt-rock with shoegaze influences // The Cluny 2, Newcastle
THURSDAY 28TH AUGUST
NEL BEGLEY TRIO
Captivating jazz singer songwriter Nel Begley will a stunning and captivating performance, with support from Small Flame // Black Swan Arts Centre, Newcastle
RAINBOW GIRLS
Country inspired, harmony heavy trio // The Cluny 2, Newcastle
FRIDAY 29TH AUGUST
VOLTA
All killer, no filler: loud, rude and electric heavy metal // The Cluny 2, Newcastle
SATURDAY 30TH AUGUST
ASOMVEL
Four piece hard rock band notorious for excessive volume, and high-octane stage shows // The Cluny 2, Newcastle
THE BONNEVILLES (MATINEE)
Powerhouse garage punk blues duo hailing from Ireland // The Cluny, Newcastle
SIMON KEMPSTON
Scottish folk singer songwriter // The Cluny 2, Newcastle
SUNDAY 31ST AUGUST
NORTH EAST CRIME AND THRILLER WRITERS PANEL
Join writers CJ Grayson, Danielle Ramsey, Fiona Erskine, and Helen Aitchison to find out about their writing process, with opportunities to ask the authors your questions and check out their books // The Word, South Shields
SORRY DARLING
Featuring earworm melodies, big guitars and shower singing anthems, with support from Baker Island and Amateur Ornithologists // The Cluny
REVIEWS
BILL MURRAY AND FRIENDS @ THE GLASSHOUSE, GATESHEAD (27.06.25)
Words: Mack Sproates
Waiting with bated breath, squeezing my Peter Venkman Fright Features figure tight… suddenly, there he was. Launching into a passage from Hemingway in that familiar, earnest voice we all know so well, this soon erupted into a glorious, thoughtful spectacle of a night. Once we all got over the fact we were staring at Bill Murray, I very quickly became aware that these were clearly world-class musicians. Vanessa Perez played piano at a vivacious pace and feverish style; Mira Wang was electric playing violin with a beautiful passion; and Jan Volger a master cellist; playing stunningly, full of energy. All instruments spoke to each other in conversation, interwoven with vignettes demonstrating the individual’s extraordinary talent. As for Bill… he sang, he danced, he played goofy characters, he walked around the entire room throwing us roses! He was fantastically animated, full of life; his presence endearing and at times, incredibly vulnerable. His vocals were warm, powerful, emotionally raw and unafraid. Belting out impressive tunes by Van Morrison, Gershwin, Bernstein and a brilliant rendition of The Piano Has Been Drinking by Tom Waits. The whole show felt very theatrical, each song was its own performance, its own world. You could tell Bill and the group were enjoying it immensely, as did the audience on this very special, emotional and joyous night.
TIM MINCHIN @ O2 CITY HALL, NEWCASTLE (24.06.25)
Words: Mack Sproates
Two wonderful hours of comedy chaos and pure music mayhem by the hands of the cheeky, wholesome, lyrical genius Tim Minchin. Celebrating a 20-year career, the genre evading king of keys guided us through a beautiful, personal and at times highly emotional journey through his life.
Launching the show with a satirically silly ode to turning off our phones, setting the tone for the over dramatic yet utterly hilarious antics that were about to ensue; including a technical glitch which Minchin powered through masterfully. His tunes were joyous and cathartic, with the likes of Grew On Me and Canvas Bags offering classic Minchin
insights and perspectives on the world. Ruby was a special highlight; an emotive, raw and moving letter to a friend. Minchin’s presence was sweet and warm; it just feels like you're hanging out with a friend. Always ready with a wild tangent, including a moment where he was playing with a bottle lid simply because he liked the sound.
Featuring fan favourites from Matilda, Groundhog Day and an incredible instrumental segment, the night ended with a beautiful standing ovation. Minchin offered some hopeful remarks on AI, suggesting that it may make people crave live, in-person experiences, celebrating imperfection and human mistakes in all of their glory and this spectacular night summed this notion up perfectly.
CALEB NICHOLS, YEAVERING BELLS, BAKER ISLAND @ THE CUMBERLAND ARMS, NEWCASTLE (21.06.25)
Words: Elodie A. Roy
It is one of the hottest, heaviest nights of the year. The gig opens with Newcastle’s Baker Island, playing their delightfully bold, declamatory noisy pop. The band seems in particularly exuberant spirits, with frontman Sean Dodds sharing jokes and stories between songs. Yeavering Bells (also from Newcastle) play next, and the mood suddenly shifts. Their music radiates a dark, slowly intoxicating sweetness, intensified by the tones of the Roland synthesiser. Outside it is thundering. The air feels heavy when Caleb Nichols and his two bandmates start playing. What immediately strikes me is the drumming, so wonderfully spare and precise. I feel revived by the effortless minimalism, the directness of the trio. They really are together – three hearts beating in perfect synch. Nichols’s high, slightly plaintive voice carries shades of Elliott Smith. Tonight though he mostly plays his faster punk songs – many of them from Stone Age Is Back, his forthcoming third album (to be released in October). Later, once the gig is over, he explains that it felt too impossibly hot for delicate tracks. Of the two poems he had planned to recite he says only one. It is a short, straightforward set – nine songs and the band is gone. No encore. And yet the final mood is one of lightness and grace – the night is breathing at last.
Tim Minchin by Paul W Dixon
FATHER JOHN MISTY, LOREN KRAMER @ THE GLASSHOUSE, GATESHEAD (25.06.25)
Words: Ali Welford
There are many ways to introduce your encore. You can thank your audience for their acclaim and financial support. You can tell anecdotes or share quips regarding the tour or the city you’re in. Or you can come clean and straight-up admit you’ve spent the past 90 minutes going through the motions.
In deploying the latter, Josh Tillman (aka Father John Misty) merely confirms what many have surmised. This isn’t a bad show by any means. Tillman’s vocal is as sublime as ever; there are roaring highs in God’s Trash, Screamland and Holy Shit; and the seven-piece band is note-perfect throughout. An audio playback would probably sound no different to any other night on this tour – and yet, in the room itself, there’s the unmistakable sense of a consummate performer phoning it in.
“I don’t hate you,” Tillman deadpans, apologising for all-too-obvious tour fatigue: “I’m just praying my pants rip open so something authentic can happen.” Should he do more? Yes, probably. Equally, perhaps there’s something deeper at hand that we’re not privy to. Fortunately, there’s no questioning the commitment of support act Loren Kramer. Earnest, flamboyant and – crucially – arriving with a point to prove, Kramer amply fills the unexpected charisma vacuum with entertaining originals and emotional cuts from his recent EP of Lana Del Rey covers. Certainly, he’s key in ensuring what should have been a great show is at least still a good one.
JD MCPHERSON, BLOODSHOT BILL @ THE FIRE STATION, SUNDERLAND (17.06.25)
Words: Dominic Stephenson
Bloodshot Bill had been on my ‘to see live’ list since being introduced to My Heart Cries For You a couple of years ago. His bizarro Western cadence is sung with a gullet full of acid reflux, as he guzzled through a string of quick-fire, vintage-distilled psychobilly numbers. His one-man show croaked, yelped and hummed in a hallucinogenic homage to the likes of Charlie Feathers, with a dash of Lux Interior, during a set that oozed the eccentricities that make Bill such a distinct personality. I didn't know of JD McPherson until recently but it's immediately apparent that he's a seasoned scholar of the sounds of the late 50s. This was the first time his troupe had played in Sunderland and as such, we were treated to a career-spanning setlist and he channelled Link
Wray's slinky surfer vibe on Just Like Summer, before the cracking blues banger Desperate Love. As well as several guitars, his band obtain their Americana-hued sonics from a range of instruments, including a double bass, saxophone, vibraslap and even a triangle, all of which sounded insanely crisp in The Fire Station auditorium. The five-piece navigated a dusty trail that incorporated rockabilly, country, garage as well as classic rock and roll, tapping into the past with some old covers but also contemporary doo-wop on Shining Like Gold, recollective of Richard Hawley. Despite being ill from the European leg McPherson hadn't lost his soulful croon on The Phantom Lover of New Rochelle that would make greats Dick Dale and The Centurians proud. A surprisingly diverse ratio of antique sounds which were blended for optimal effectiveness.
RHYS DARBY, STEVE WRIGLEY @ TYNE THEATRE & OPERA HOUSE, NEWCASTLE (27.06.25)
Words: Ben Lowes-Smith
Steve Wrigley opens the evening with a fairly tight and incisive set that unashamedly appeals to Darby’s fan base – there is a terribly endearing dorkiness that runs through the whole evening. Wrigley perfectly counterbalances the irreverent with the heavy, effortlessly flitting between funny musings on end-times late-stage capitalism, and dungeons and dragons. It’s a worthy, beautifully constructed amuse bouche for Darby’s hour.
The Legend Returns is Darby’s first solo show in thirteen years and anxieties around rustiness feel present in the subject matter he goes full pelt for: he spends the vast majority of the show expressing these anxieties and sharing amusing, surreal anecdotes about AI and big tech. It must be said that The Legend Returns is an impeccably well constructed show, with beautifully placed call backs aplenty, but the commitment to the subject matter makes the show a little bit one-note. Darby’s knack for cartoonish impersonations is funny to a point, and his material about ageing is funny and incisive, but given that his takeaway message to the audience is not to let artificial intelligence and technology encroach on every crevice of creativity, the extent to which he talks about it feels somewhat self defeating. Still, Darby is an eminently likeable performer and personality, and The Legend Returns is an entertaining, if thematically linear, show.
Father John Misty by George Driver
FONTAINES D.C., ENGLISH TEACHER, CROWS @ EXHIBITION PARK, NEWCASTLE (13.07.25)
Words Dominic Stephenson
Exhibition Park had been transformed into a festival-like arena for Fontaines D.C.'s biggest North East show to date. Openers Crows awakened the crowd with noir-soaked dissonance. The quartet chewed through the likes of Room 156 and Garden of England with chugging riffs and a mechanical rhythm section, as jittery frontman James Cox led a frenzy of anti-nationalist tunes. Leeds band English Teacher are one of several new acts to wield a heavy Black Country, New Road influence, with the choppy hooks of The World's Biggest Paving Slab and more direct R&B.
There were swathes of the Fontaines D.C. football shirts around the city beforehand, illustrating how far the band have come and under murky skies, electrifying opener Here's The Thing set the tone for the night. Fontaines have become tighter, more emotionally charged and straight up better than the competition. Littered with bangers, it was goosebump city on the trembling Motorcycle Boy and brooding atmospherics of Nabokov. A streak of cotton candy pop (Favourite) has helped propel their stature but the neo-gothic Romance is washed in towering cinematics, while the pulsing outro of I Love You is a narrative on the ongoing genocide in Gaza. The alt-orchestral Starburster brought the delirium to a close and they've earned their status as arguably the ‘biggest’ rock band in the world, by being one of the finest.
BANTU CONTINUA UHURU CONSCIOUSNESS @ COBALT STUDIOS, NEWCASTLE (04.07.25)
Words: Ben Lowes-Smith
Bantu Continua Uhuru Consciousness (BCUC) are a seven-piece psychedelic band from Soweto, South Africa. They have long since garnered a justified reputation for being one of the best live bands in the world and tonight’s performance further consolidates that idea. Powered by percussion and voice, BCUC present a futurist, joyful hour of relentless catharsis which has the room vibrating and pulsating along. There is a discernible anger to the nature of their music but ultimately everything they do is augmented through an infectious joyful energy. Constrained to the relatively small stage at Cobalt, the energy
produced by three percussionists, as well as Mosebetsi Ntsimande’s astonishing bass playing, consumes the space. It provides a beautiful and propulsive base for the band’s real golden quality, vocal harmonies and performances which approach the transcendent. Messages of positivity pepper the performance, but ultimately what is so special about BCUC is their ability to generate incredibly immersive performance. Ultimately, it’s the kind of thing which feels like it speaks so much to the heart and the gut that descriptions begin to feel reductive, they are a genuinely unique and exhilarating life experience which should be taken in at every available opportunity.
Faithful Johannes and Neocia released their wonderfully dense album The House At Night last year and the Brassed Off format beautifully elevates the material to a platform befitting of it. The frustration of half-heard lines in dingy basement venues isn’t present here. Bolstered by trombonist Tim Hurst, a beautiful textural and melodic component is added to their already watertight material. It’s a delight to see them performing these genuinely terrific songs to a theatre audience, where you might feel they were destined to be at any rate.
Amateur Ornithologist present an ambitious vision tonight, collaborating with around a dozen musicians to realise their intricate chamber-pop music. Where at times the sheer volume of melodic information can feel cluttered, it’s with their most direct songs that the arrangements feel most effective, and singles Hide and Birds Fly Over Me soar towards the end of the set.
Liz Corney’s tremendous album We Need New Eyes tastefully and beautifully incorporates shades of funk, jazz and soul, and Faye McCalman’s nuanced arrangements for the brass section really make these songs feel even more joyful. Corney is endearingly self-effacing and down to earth, and the colourfulness of tunes like New Eyes and Common Denominator leave the room palpably buzzing. Ultimately though, this evening is a masterstroke in carefully assimilating regional traditions with new music, and for that should be applauded and cherished.
Fontaines DC by Rhiannon Banks
DES DEMONAS, IRKED @ THE CLUNY, NEWCASTLE (20.07.25)
Words: Lee Fisher
Irked emerge to the Black Beauty theme and come out swinging, turning in the raging-est set I’ve seen so far. Helen is one of the best front-people out there, bringing a kind of theatricality to her performance as she pulls faces, jabs fingers and radiates anger and disdain while delivering her scathing but sardonic lyrics in a breathless stream of frustration. The band are getting better and better too – Irked are as tight AF and absolutely on fire right now. I hadn’t heard of Des Demonas a week ago and now I think they’re one of the finest bands we’ve got. What they do is hard to pin down, pulling influences from all over but making total sense: it’s basically garage rock for sure (the overdriven organ is pure 96 Tears), but there’s some Afrobeat, there’s post-punk slashing, there’s a post-hardcore sensibility. And then there’s frontman Jacky Cougar, six-and-a-half feet of cool. He’s got a voice somewhere between Gil Scott-Heron and a Kenyan-inflected Mark E Smith and his lyrics are radical and angry but dryly witty, full of taunts and slogans that stick with you, with hints of Ian Svenonius in the titles (Arthur Lee Bombsquad). Garage has traditionally revelled in its dumbness (papa ooh mow mow baby baby) but this post-Trayvon, post-colonial, Trump-era garage hybrid is rewriting it all, and making it groovy.
JESSICA PRATT, CLARISSA CONNELLY @ THE GLASSHOUSE, NEWCASTLE
(15.07.25)
Words: Ben Lowes-Smith
Tonight is a showcase of two of modern music’s most singular talents both with a shared set of sensibilities. Clarissa Connelly taps into an intricate baroque style that superficially perhaps could be compared to Kate Bush’s best work, but incorporates shades of neo-classical and music concrete gorgeously. Playing songs from her heart-stoppingly beautiful World Of Work, her gentle intensity consumes hall two of the Glasshouse as her exceptional piano playing ricochets melody around the room.
Jessica Pratt’s performance is a masterclass in restraint, she and her five-piece band interpret songs from her back catalogue with a subtlety and sensitivity, where the song is king and egos are completely
surrendered. Now on four albums, she has a wide and enviable catalogue of music to draw from, and it’s material from her most recent album Here In In The Pitch that feels the most timeless. A rich and fulsome sound is generated with rudimentary instrumentation, and the band almost wordlessly sachet through beautiful, romantic songs vibrating with longing and melancholy to the point that they almost operate on a subconscious level. Like sun-bleached memories of listening to Patsy Cline or Scott Walker, Pratt’s songs are both timeless and profoundly characterful.
ME LOST ME, BURD ELLEN @ LIVE THEATRE, NEWCASTLE (18.07.25)
Words: Lee Fisher
It’s a few years since Burd Ellen played in Newcastle and tonight they are special guests of Jayne Dent for the launch of her new Me Lost Me album. The Scottish duo are always an intense and electrifying prospect as Gayle Brogan (aka Pefkin) summons magic from a tabletop littered with devices, trinkets and arcane instruments and Debbie Armour sings songs of magic and loss, wayward men and doomed women in her clear, rich, powerful voice. They finish with an absolutely enthralling, dread-ful take on Lyke Wake Dirge, fully in keeping with the ritualistic vibe of their whole set.
Jayne Dent has been one of Newcastle’s most inventive and essential performers for a while now and she can be forgiven for being clearly quite overcome with excitement at this celebratory launch gig. She’s brought the Me Lost Me Big Band, which at various times includes Faye and John from Archipelago, Ewan from P7GS and local folk voices Janice and Sam, and she’s also brought a little more physicality to her performance, perhaps thanks to a confidence gained from her Bitchfinder General alter ago. We get almost the entirety of the remarkable This Material Moment album (almost in order) and – once a slightly overpowering drum sound is toned down – it all sounds magical, some of the songs really coming into their own with the live set-up. A closing, acapella Mirie It Is While Sumer Ilast sees Debbie Armour back on stage for a rousing medieval encore and it’s all over far too quickly.
Me Lost Me by Amelia Read
TRACKS
(PLEASE TRY TO GET IN TOUCH 8-6 WEEKS AHEAD OF THE MONTH OF RELEASE)
CITRUS OVERDRAWN
Words: Laura Rosierse
Citrus deliver a fresh and honest new release that is poetically enchanting. Overdrawn is a fresh sound from the local band whose usual output delivers spellbinding pop rock releases.
Wandering vocals show off a surprising vocal range, sharing a story which explores the mental toll of constant people-pleasing. This single reflects the band’s development not just in sound but in life; they are no longer students and are now navigating working life and the challenges that come with it. We hear contemplation and a determined sound that I hope will translate into many more contemplative soft rock releases from a band that clearly knows how to create catchy anthems.
Released: 08.08.25
www.thecitrusband.co.uk
TOMMY ARCH
THE WIND THAT BLEW SOUTH EP
Words: Laura Rosierse
Whitley Bay native Tommy Arch will release a fiery new folk EP this month. The Wind That Blew South is a collection of six refreshingly raw tracks featuring wandering guitar work and deeply personal songwriting. Its opening track eases us into the captivating and soulful sound of the singer-songwriter, which continues on Lucky. A new colour is added to the palette on Got It All Wrong, a subtly uplifting track which works with hazy harmonies; the EP’s title track unapologetically opens a new chapter in which Tommy’s soaring voice takes centre stage. My personal favourite is vibrant Americana track Mercy On Me, which concludes a multidimensional new EP with aplomb.
Released: 01.08.25
www.linktr.ee/tommyarch
SWANNEK MEMORIES
Words: Michaela Hall
If you're a jazz fan, you've probably already heard of Newcastle-based jazz collective SwanNek. They gained many loyal followers from their live shows and have skyrocketed since, even taking to the MOBO stage earlier this year.
Their new single Memories is incredible in its ability to explore something really hard-hitting in such a comforting and hopeful way. The single deals with grief and loss and the importance of those good memories that never die and will always be with us. The beautiful soft tones and rhythms combined with the raw and honest lyrics are an emotional roller-coaster, a powerful hug in a song -uniting us with something universal.
Released: 08.08.25
www.linktr.ee/swannek
KDEL
PRINCE OF AWORI EP
Words: Lily Pratt
KDEL’s EP Prince of Awori follows in the footsteps of Burna Boy and Tems, deploying music to reflect and resist. KDEL’s delivery is dry, unhurried and quietly commanding, balancing wit and vulnerability with ease. The track pulses with quiet confidence, evoking comparisons to early Metronomy and Dry Cleaning.
It's a sonic statement that reclaims space for those who feel overlooked, awkward, or underestimated: “There’s a whole generation of kids who feel like misfits — because of their body, their background, or their pain,” says KDEL. “This EP is for them. I want them to know they’re not alone”. This EP is a commitment to purposeful, forward-thinking and propulsive music.
Released: 25.08.25
www.instagram.com/cutechubbyboysomething
SPECKY CULT DAD DANCE
Words: Lily Pratt
Specky Cult returns with Dad Dance, an infectious new single with sharp lyrics and a decisive bassline. Dad Dance is built around a slippery synth bass, syncopated drums and the occasional wiry guitar line. Lines like “No shame in the sway, just knees that betray” and “Elastic waist, still moves with grace” give the song its character without giving into parody. Lyrically, Dad Dance is both funny and weirdly sincere: “Life is short. Dance like your drunk uncle at a wedding. Throw shapes, throw moves and throw your back out.”
Dad dance is a timeless ode to carefree dancing.
Released: 15.08.25
www.speckycult.co.uk
PHANTOM BAGMAN
STOP BEING SO INTROSPECTIVE AND GO OUTSIDE
Words: Steve Spithray
Normally, there is something so bullishly happy about modern jazz ensembles that sticks in the throat, however Phantom Bagman manage to make Stop Being So Introspective And Go Outside sound like the first mouthful of lager top on a sunny day in your favourite beer garden. Inspired by their home city of Newcastle (it really does sound like it is!), the track bounces around on a brass motif, funky guitar hook and immediately catchy vocal melody before breaking down into a Noga Erez-style finger clicking segment that is so authentically optimistic as to cheer up an old hack like me. As an ode to both daylight and nightlife it is all you will need this summer.
Newcastle-based Hels Pattison’s latest single Merry Go Round is defined by a battle between the self and societal expectations. Reminiscent of Chappell Roan’s vibrant pop sound, the song combines country rock with pop and indie. A melodic guitar holds the key to the heart of summer with each strum, and fast, upbeat drums. The song starts suddenly, crashing into the listener like a sunbeam on a cloudy day. This vocal kick-off mirrors the lyrics’ empowering nature. Throughout the piece, Pattison proclaims ownership over her uniqueness and refuses to conform. A lyrically powerful discussion of the fear of growing up and the struggles of individuality, Merry Go Round is the perfect piece to listen to while basking in the glow of the summer sun.
Released: 01.08.25
www.linktr.ee/helspattisonmusic
GROUNDBIRD
MULTIPLE ORGAN FAILURES EP
Words: Niamh Poppleton
Groundbird's latest EP is an eclectic collection of five tracks which grapple with complex themes of opportunity, the environment and the struggle between mankind and technology, characterised by multi-layered vocals and distinctive instrumentation.
The EP begins with Alien Village, a deft amalgamation of slow drum beats and unusual sounds, with intriguing lyrics about childhood and community. Chaotic, fun and weird: Slugs combines choppy keys with electronic sounds and robotic repetition. Shorebird, however, is arguably the standout track, distinctive from the other offerings in its haunting and slow sound, soothingly cathartic in its instrumentation like the ocean it discusses. Cohesive in its chaotically unusual vibe across the EP, this hard-to-pigeonhole piece certainly makes Groundbird stand out from the musical crowd.
Released: 27.07.25
www.groundbird.bandcamp.com
JIM DIXON STUCK IN THE MOMENT
Words: Kai Palmer
After the brilliant reception to his debut, To Say So, in May, Jim Dixon is back with his second single, Stuck In The Moment.
Jim’s voice (which is somewhere between Sam Fender and Jake Bugg) holds a broad huskiness which perfectly matches the mood of the track, with a fuzzy, light guitar that hints at an Oasis influence.
“Well, I tried something new, but once again, I can’t see it through / I tried to see the bigger picture, but it got tarnished with liquor”. A melancholic arrangement, paired with the great depth of Jim’s lyrics, means he powerfully presents the state of feeling paralysed in a certain state or time. With this, he builds high anticipation for more striking music in the near future.
Released: 01.08.25 www.jimdixonmusic.co.uk
EL MUERTE
SANTA MUERTE EP
Words: Michaela Hall
If you're looking for some new music that sounds like it's ready-made for the big movie screen, look no further than El Muerte's new EP Santa Muerte. The alternative three-piece with rock and cowboy influences are tell a story through their six-track release that spells out a desert blockbuster, with punchy personality and unique and intriguing tones. From start to finish, the EP is offers unexpected and exciting twists and turns, making it an intriguing listening experience. From the seductive riffs of White Eagle to the theatrical and sci-fi like intro in Mantra of Life - one thing you can say for certain about El Muerte is that they are performers and keep the listener wanting more. It's an art form to capture someone's attention in this way and this release is not to be missed! Catch them live at Middlesbrough’s Cafe Etch on Saturday 2nd August.
Released: 02.08.25
www.instagram.com/elmuerteband
MALIK ABDUL & UNCLE MEZZ LAST SUMMER
Words: Kai Palmer
“It’s so spiritual…” begins Last Summer, Malik Abdul’s collaboration with Uncle Mezz. Right from the start, Malik cushions us into a hazy, tropical beat; the kind that is synonymous with the summer sun.
Staying at the same steady, relaxed pace throughout, Malik’s latest single is ideal for when you feel like mellowing out, and as the track implies, you’re feeling a little spiritual. His voice is calming, with an electronic buzz surrounding it that contrasts nicely with the acoustic beat, a hint towards his flair for genre-blending. Malik has been praised for his ability to weave lyrics into rhythm and harmony, and Last Summer is no different, his words bouncing off the drums with ease.
Released: 08.08.25
www.instagram.com/malikabdulmusic
HARRY SPEAKUP NAVIGATION ROAD/MIDNIGHT BLUE
Words: Simon Lunt
Hailing from Newcastle but steeped in Americana, Speakup blends dusty acoustic textures with a quietly aching vocal that feels both intimate and wide open on this double A-side.
Navigation Road is a beautifully off-beat slice of wistful country music that drifts along like a late-summer daydream. Silky Wilford’s harmonies add warmth and depth, weaving through the track like sunlight through broken blinds. There’s a loping, slightly unsteady rhythm to it all, both deliberate and disarming, that mirrors the emotional uncertainty at the heart of the song. Accompany track Midnight Blue is full of subtle charm and slow-burning resonance that lingers well after the final chord fades.
Released: 14.08.25
www.harryspeakup.bandcamp.com
ALBUMS
4.5 / 5
THE BETHS
STRAIGHT LINE WAS A LIE (ANTI-)
Words: Lee Hammond
The highly anticipated follow-up to critically acclaimed Expert In A Dying Field is every bit as good as you hoped, if a little different to what you may have come to expect from The Beths. Their earnest, heartfelt lyrics remain, but they’ve changed a few things up. It is less evident in opener and title track Straight Line Was A Lie, which has all the jangle pop brilliance that you’d hope from them, with its sing-along chorus addressing the cyclical nature of life rather than a standard linear progression that some may expect.
The album weaves through a variety of genres; No Joy and Take feel a lot heavier than The Beths’ typical sound, and both tracks demand attention - No Joy in particular has a dark undertone with its heavy percussive sound coupled with the repetition of “this year’s gonna kill me.”
Mother Pray for me is one of the standout tracks on Straight Line Was A Lie, it’s much more subdued, allowing Stokes’ voice to hit much harder as she contemplates the lived experience of her mother and how she feels about their relationship. It’s a wonderfully powerful song but feels somewhat at odds with the tracks around it on the record. Roundabout and Metal both have that signature The Beths sound to them yet feel somewhat polished in comparison to previous albums. Indeed, the overall standard and sound of Straight Line Was A Lie is excellent; it’s a record which oozes quality throughout.
The album reaches a crescendo with Best Laid Plans, and it feels like a fitting end; this deep and heartfelt track sums up the dark themes that punctuate the majority of the record. This is The Beths’ rawest record, deeper than those which have gone before it. Stokes’ writing takes us inward, tackling more difficult topics, though they are portrayed wonderfully well. Straight Line Was A Lie is a standout record and one which documents a band moving forward in every sense of the word, despite life’s detours and bumps in the road.
Released: 29.08.25
www.thebeths.com
ALSO OUT THIS MONTH
Deftones - private music (Reprise/Warner Records, 22.08) // Everything Else - Another One Making Clouds (Big Potato, 1st Aug) // Pinkshift – Earthkeeper (Hopeless, 29.08) // Bryan Adams - Roll With The Punches (Bad Records, 29.08) // OSEES - Abomination Revealed At Last (Deathgod Records, 08.08) // Benedicte Maurseth –Mirra (Hubro, 22.08) // For Those I Love - Carving the Stone (September Recordings, 08.08) // As December Falls - Everything's On Fire But I’m Fine (ADF Records, 08.08) // Laufey - A Matter of Time (Vingolf Recordings/AWAL, 22.08) // Dean Johnson - I Hope We Can Still Be Friends (Saddle Creek, 22.08) // The Beaches - No Hard Feelings (AWAL, 28.08) // Gordi - Like Plasticine (Mushroom Music, 08.08) // Humour - Learning Greek (So Young Records, 08.08) // Alison Goldfrapp – Flux (A.G Records, 15.08) // Debby Friday - The Starr of the Queen of Life (Sub Pop, 01.08) // Teethe - Magic Of The Sale (Winspear, 08.08) // Cass McCombs - Interior Live Oak (Domino, 15.08) // SunYears - The Song Forlorn (Villa, 21.08) // Jack Garratt – Pillars (Cooking Vinyl, 15.08) // Runner - A Welcome Kind of Weakness (Run For Cover Records, 29.08) // Superchunk - Songs in the Key of Yikes (Merge, 22.08)
5 / 5
TV DEATH
NEON DREAMLAND (DOGGED SOUND RECORDINGS)
Words: Gus Ironside
Newcastle garage rock berserkers TV Death have garnered a formidable reputation as a ferocious live act, bolstered by a series of electrifying EPs, so there are high expectations surrounding Neon Dreamland, the quartet’s debut album.
Fortunately, this 12-track firestorm of a long-player doesn’t disappoint. Kicking off with a killer three-track salvo of Propaganda, Plastic People and Bad Thing, TV Death set out their stall convincingly, spitting out jagged riffs underpinned by a swinging rhythm section. Singer-guitarist Jack Burlison attacks every song with the fervour of Screaming Jay Hawkins, vividly animating the group’s politically-oriented lyrics. Every track hits the mark, but standouts include Lease For Life and early single Crank Bugs. An impressive debut from a group that should make waves.
Released: 21.08.25 www.tvdeath.com
3.5 / 5
MODERN NATURE THE HEAT WARPS (BELLA UNION)
Words: Matt Young
Jack Cooper abandons the long-form abstraction of previous album No Fixed Point In Space for something more grounded. Trading drift for direction, Modern Nature’s new four-piece core, newly anchored by Tara Cunningham’s shimmering dual guitar and vocal interplay, locks into grooves that pulse with clarity.
The record feels communal yet sharpened by personal conviction too; one with a more focused lyrical palette that reflects modern dread but uses a more measured optimism. Pharaoh immediately channels a motorik resolve, while Totality closes the album describing a mysterious, cosmic eclipse. In between, The Heat Warps contains purpose on all songs but with some mixed results. It’s a record for those who still believe that small, intentional acts of creativity can ripple into something lasting.
Released: 29.08.25 www.modernnature.band
Image by Frances Carter
4 / 5
TEENAGE ANGST – SONGS FROM 1972-75 (VAINGLORIOUS)
Words: Steve Spithray
As a concept, going back to your pre-punk teenage roots to rerecord and release your old songs fifty years later is pretty wild. And while parts of Hartlepool songwriter Jimmy McKenna’s Teenage Angst are cemented in teenage musical optimism, it remains steadfastly and admirably proto-punk in its DIY aesthetic.
Jimmy’s loyalty to the sounds of the era are to be admired, so the immature synths that pepper this album are a real throwback, while the layered vocal melodies of Is This The Way are authentic glimpses of a direct link between Small Faces, Lou Reed, Bowie and new wave (often signposting Ian Dury or Squeeze complete with political undertones), or lush closer, Finale, which somehow manages to channel all four.
Released: 30.08.25 www.vaingloriousuk.com
CONAN GRAY
WISHBONE (ISLAND RECORDS)
Words: Isabel Johnson
Conan Gray’s fourth full length LP, Wishbone, is visual, cinematic and predictably wonderful. Melodically fascinating and full of wit, Wishbone flits between sweet and salty (generously so, when it wants to be) and tells what feels like the story of a complete love, and a complete loss. It’s a beautiful tapestry of what heartbreak and healing feel like, but unlike a lot of offerings Wishbone is the full picture - no fraying at the edges or indecipherable smudges in the middle, it’s a whole world and you’re entirely involved in it. Wishbone feels a closer sibling to Gray’s earlier works than his last LP, the synthy 80s project Found Heaven, but its production value is still remarkably dynamic and impressive, despite sitting in a slightly more tender thematic universe. Each track has its own character, but they all hold hands in the nicest of ways. Exhale, Conan Gray fans - it’s a good one.
NO JOY
BUGLAND (SONIC CATHEDRAL)
Words: Robin Webb
This is a distinct and evocative set that brings back memories of the buzzy excitement and freshness at the launch of Jesus Jones back in the day, and it appears Jasamine White-Gluz also remembers, particularly during the title track Bugland and pretty much throughout, to be frank. It isn’t a negative, but the influence - intentional or not - is clearly plain to see. There are wistful moments as on Save The Lobsters, and plenty of controlled aggression as shoes are firmly observed during Bits and Bather In The Bloodcells; in fact Jasamine has constructed a coherent set of tracks that culminates in a rather sublime multifaceted closing track Jelly Meadow Bright: experimental, guttural and all tied together with some glorious sax antics! Released: 08.08.25 www.nojoy.bandcamp.com
DARREN HAYMAN AND HIS ELECTRIC GUITARS AMAZING THINGS (WIAIWYA)
Words: Robin Webb
CMAT
EURO-COUNTRY (AWAL)
Words: Iam Burn
Ciara Mary-Alice Thompson (CMAT) returns with her third studio album, Euro-Country. Whilst it has her familiar country roots, the album bends towards the indie pop sound that she’s increasingly familiar for. The anthemic title track mixes Irish Gaelic with a commanding melody and pounding beats, immediately grabbing your attention.
Elsewhere, Take A Sexy Picture Of Me is a response to a social media clip of her performing at Radio 1’s Big Weekend which led to toxic body-shaming comments. Here, her voice is powerful yet vulnerable. The self-deprecating The Jamie Oliver Petrol Station is a belter that never comes up for air; while emotion and melancholy drip from Lord, Let That Tesla Crash, prompted by the death of a close friend. Climb aboard the Euro-Country rollercoaster – you’ll love it.
“Somebody just died..” is a truly indicative yet slightly deceptive opening line to a serene treasury of songs about death and grief that is both reflective and joyous in perfect measure. After losing his friend, Darren felt compelled to continue his conversations with him using his trademark heartfelt lyrics and music that is never morose nor downtrodden but uniquely in his manner. Appositely introspective and uplifting, never denying an underlying grief, it emerges in such positive fashion to deal with it and thankfully he’s sharing it with us all. Lead single It’s Gotten Quiet Round Here is backed by a touching video using images from a Japanese thermal printing camera in honour of his friend’s love of toys - simply wonderful. Released: 22.08.25 www.hefnet.com
THE ROYSTON CLUB SONGS FOR THE SPINE (MODERN SKY)
Words: Stephen Oliver
This is a confident sophomore release by the Wrexham outfit. It stands out in a crowded indie guitar-driven band market by creating songs about the band's life and the people they know. This, in turn, makes the lyrics relatable. Add in an energetic rhythm section and uplifting guitars and you have a very listenable collection of songs that linger in the memory. There’s even a reflective song about going home and dealing with 20 mph speed limits. Rich Turvey’s production has succeeded in ensuring a large number of elements come through in what feels like a live experience on tracks like Glued To The Bed. Stadium ballad anthems including Cariad hint at bigger potential for a band clearly in their ascendancy.
JIMMY MCKENNA
4 / 5
NOVA TWINS PARASITES & BUTTERFLIES (MARSHALL RECORDS)
Words: Stephen Oliver
The third long-player from this duo is a vibrant and organic collection that circumvents the synthesiser and embraces real musicianship. A sound derived from manipulating the output of their bass and guitars, with drums from both Nine Inch Nails’ Ilan Rubin and Nova Twins’ live drummer Jake Woodward, merges a variety of influences. There are elements of industrial and hip-hop amongst others, and the marriage is both energetic and youthful.
Lyrically Amy Love and Georgia South show that there is plenty in the tank, though they have poetically taken a darker turn. Their observations suggest that the world is a tough place that is hard to make sense of. Despite that, this is a very listenable musical milieu.
Release: 29.08.25
www.novatwins.co.uk
DAG OCH NATT YEARS AND YEARS (LABRADOR RECORDS)
Words: Luke Waller
Fluid, bewitching and ethereal, Years And Years marks a compelling debut by four-piece Dag och Natt (Day and Night in their native Swedish). A distant wistfulness permeates the album from start to close: cool, glassy tones and light, flowing vocals commingle to create a shadowy and shimmering whole, reminiscent of Slowdive and Cocteau Twins. Whilst primarily an album in which to immerse oneself in full, its strengths lie in its opening tracks, See Through and leading single Iron Man. Foreboding undertones accentuate the album’s darker inflections, with dreamlike voices suspended above. Lyrical themes of water and the faraway seem oddly evocative of the wardrobes and bathrooms of the countryside home in which the album was largely recorded. Celestial, in all.
Released: 15.08.25
www.dagochnatt.bandcamp.com
4 / 5
EIKO ISHIBASHI & JIM O’ROURKE PAREIDOLIA (DRAG CITY)
Words: Elodie A. Roy
Pareidolia is the art of seeing shapes in the clouds. It is an appropriate title for this new collaborative album between experimental musicians Eiko Ishibashi and Jim O’Rourke. Together they’ve composed four long tracks –as uncertain and slippery as clouds. Every now and then a clear image appears, before disintegrating again. There are muffled, fragmented voices – surface noise – the thin, barely recognisable sound of a harmonica. Distant flutes. Pareidolia is a memory of a memory.
The album combines recordings from shows the duo played in Europe in 2023. It creates (rather than replicates) a series of past moments. For all its ghostliness, the album conveys a strong sense of presence and possibility: as if the past were new.
Released: 29.08.25
www.eikoishibashijimorourke.bandcamp.com
THE TECHNICOLORS
HEAVY PULP (SOUNDON)
Words: Kai Palmer
Heavy Pulp is bursting with detail: you can dip in at any point and it’ll be seconds until you’re greeted with a catchy hook. If the album mimics any hormone, Serotonin is the one, and on the track Brennan Smiley declares: “Nothing really matters until I get the rush”. Softcore is the most sonically beautiful and upbeat, and is reminiscent of their romantic 2015 track, Tonight You Are Mine; both tracks are some of their best work. On Lucky Slug, Brennan’s voice shimmers behind the music, mystifying his words and making the glittering instrumentation all the more enchanting. Through fuzzy riffs and exciting layering, they’ve created an elaborate burst of life with effervescent tracks like Gold Fang and Alpha Alpha Alpha. Released: 29.08.25 www.thetechnicolors.com
GULP
BENEATH STRAWBERRY MOONS (ELK RECORDS)
Words: Robert Nichols
This is a gorgeously enchanting third album from artist/musician Lindsey Leven and Super Furries/Das Koolies Guto Pryce and friends. Relocating from South Wales to rural Fife, the duo have gulped down the bracing North Sea haar and infused it with electro psychedelic folk dreaming. Crystal-clear vocals from Lindsey harmonise beautifully with the luscious instrumentation. There is structure as well as fairytale texture, along with poignancy and poetry, in these shimmering pop charmers, with occasional glimpses of a Celtic Saint Etienne, perhaps. Tune out to the quiet, reflective melancholy and then fortify yourself from the strident messaging of hope rippling through the lyrical lullabying and slow-cooked melodies Sit back, close your eyes and get wrapped up in this warm fuzzy nursery chime.
Released: 29.08.25 www.gulp1.bandcamp.com
PROLAPSE
I WONDER WHEN THEY’RE GOING TO DESTROY YOUR FACE (TAPETE)
Words: Lee Fisher
Like mclusky a couple of months back, Prolapse have returned with a new album that makes the years since their last LP evaporate. The guitars on opener The Fall Of Cashline slash and roar, Mick and Linda’s gruff vs sweet vocals collide and suddenly we’re all 26 years younger.
When you’ve missed Prolapse as much as many of us have, it’s not a problem if any changes are incremental – even negligible: we want the belligerent, repetitive, relentless drive of the band and the fractious, dark, funny vocals and the general sense of paranoid, disdainful foreboding. Clammy, spooky Ghost In The Chair and VU-esque closer A Forever aside, I Wonder… is the Prolapse we know and love and by God, it’s good to have them back.
Released: 29.08.25
www.prolapse2.bandcamp.com
MIXTAPE
WORDS: DAVID SAUNDERS & CHRIS COBAIN
Tees Music Alliance are a Teesside music charity that runs The Georgian Theatre and The Green Room and co-promote Stockton Calling. We also help Tees Valley artists who come to us for advice or support them via various music projects, industry conferences, workshops and residencies. We’ve featured some of our most promising regional artists on this Mixtape, enjoy! www.teesmusicalliance.org.uk
SARAH JOHNSONE TONIGHT
Sarah came to us via Zoom in lockdown and absolutely nailed it with her first single, Tonight. It’s a gorgeous acoustic song about longing that showcases Sarah’s captivating vocal style and songwriting ability. It’s so good that it ended up getting a trillion plays on Spotify (estimate) and got featured in a film. Her sound has evolved since and occasionally I hear a song on BBC Intro or on a Spotify playlist and I go “Ooooooo, I like that” and when I check who it’s by, more often than not it’s by Sarah.
GEORGE BAILEY
LET ME GO
A natural talent and lovely lad, who we’ve been working with lately for his upcoming releases. He’s not afraid to go with how he feels, which means that every song, regardless of style or sound is performed with heart-caressing emotion. This song, from a couple of years ago, never fails to bring a tear to our eyes.
END CREDITS
ANGELS ONLY PICK SUNFLOWERS
One of the standout performers of Stockton Calling over the past couple of years. They have a massive live sound and create a genre-bending brand of rock that borrows little bits from different eras and puts them together to create something bold and beautiful.
This latest release has some lovely tender moments juxtaposed with thick beats, succulent guitar and big, impassioned choruses.
LOREN HEAT
BREATHE (SOS)
We first met Loren via our Youth Music project and got to know them well during this year’s The Green House Residency. A stadium-filling pop star in the making; the hook from this track stuck in our heads for weeks after seeing them at The Great Escape.
SHAKK & EYECONIC IT’S A VIBE
Two of Teesside’s high-octane hip-hop purveyors got together and dished out this vibrant slice of sound. They recently teamed up during Eyeconic’s set at this year’s Stockton Calling to create the sonic fireworks that we all need to get us through life.
ROBYN ERRICO
ILLUSION (BROKEN SCAR MIX)
Ethereal songwriter with notes of The Last Dinner Party, Kate Bush and Julee Cruise. Big things are destined.
MARINA JOSEPHINA
FOOL LIKE ME
Packed out a headline show at The Georgian Theatre a few weeks back. A
top talent which is showcased in this sassy, soulful number that gets the groove going.
MR BIGFOOT
MADMAN’S WINDOW
We love rocking out and one of the bands we love rocking out to are Mr Bigfoot. They’ve been consistent both with gigging and releasing music recently and know how to write a filthy, fuzzed-up tune, like this one.
BOO
HYPER FEMININE
Boo supported Mura Masa here in June and absolutely tore it up. Ghetec founder, Tees Valley Artist of the Year, BBC Radio 1 Big Weekend performer; the achievements keep coming. This track took over clubs and socials. Pure banger.
THAT CLARE
YEAH YOU KNOW
Another Green House Residency alumni. That Clare is an absolute grafter and her music, which gives a voice to trans/queer rights, democracy, equality and social justice, is an important presence on the Tees Valley scene and is delivered with more heart and creativity with every song she writes.
