PORTOFOLIO ARSITEKTUR NANANG KURNIAWAN

BY NANANG KURNIAWAN

NANANG KURNIAWAN

Labuhan Maringgai, December 1st, 2001

Islam | Single | 165 cm | 50 kg

I am Nanang Kurniawan, a fresh graduate of Architecture from ITERA, who is commonly referred to as Nanang I have internship experience at an architectural consultancy and possess organizational and committee experience in the eld of design I am someone who enjoys tackling new challenges, particularly in the realm of technology, and I am dedicated to seeking the best alternative solutions for a variety of problems

nanang01kurniawan@gmail.com

085669616878

@nanangkrnwn07

Jl. Lintas Timur Sumatera, Labuhan Maringgai, Lampung Timur, Lampung

EDUCATION

INSTITUT TEKNOLOGI SUMATERA (ITERA) - Lampung, Indonesia

Bachelor of Architecture - Grade Point Average (GPA), 3.37/4.0

SMAN 1 BANDAR SRIBHAWONO - Lampung, Indonesia

SAINS

EXPERIENCE

HIMARS SWARNAPADA ITERA ( Student Association Architecture Swarnapada ITERA)

Content Creator, MEDINFO

Architecture Internship (Studio Lestari Architect)

Drafter, Field Supervisor & Junior Architect

Assistant Lecturer (Sumatera Institute of Technology) Studio Course - Firs Year

NUSAANTARA Expedition Team 1.0 (HIMARS SWARNAPADA ITERA) Sketch Division

IKAM LAMTIM (East Lampung Student Association)

Design, KOMINFO

IDENSITY (ITERA Dance Evolution Community)

Vice Chairman

DDV Lampung (Dompet Dhuafa Valunteer Lampung)

Design, Media

COMPETITION

Bridge Competition Participants | Suspension Bridge Design Concept Competition

Crossing of People | PUPR Bina Marga

2019-2023

Top 15 Sepekan Architecture Design Competition | INNOVATION IN Architectural Competition MARITIME BUILDINGS | Yogyakarta Atmajaya University

Architectural Work Exhibition Participants Become Exhibitions | So Space | SARU | Aruca Studio | New Week, Riau Participants in the BEST OF STUDIO Competition 2022 | RESTORATIVE ENVIROMENTS | Soegijapranata Catholic University

2nd Winner of ARCHITECTURE Sketch Competition | Vernacular Architecture Sketches | Semarang State University

4th place in the INACOMP Sketch Competition | Surabaya Heritage Virtual Sketch | Surabaya Ciputra University

Favorite Champion of Covid 19 Prevention Poster | Statepro Competition | President University

3rd Place in Agricultural Industry Technology Competition | Business Plan Science & Technology Competition | Darussalam Gontor University

SKILS

AutoCad | Sketch Up | Enscape | Photoshop | Corel Draw | Ilustrator | Microsoft Ofce

Sketsa Arsitektur | Realis Model | Desain Gras | Fotogra | Videogra

T A B L E O F C O N T E N T

B A N D A R L A M P U N G T Y P E A B U S T E R M I N A L F i n a l P r o j e c t

T H E S T A R T - U P O F F I C E

A r c h i t e c t u r e D e s i g n S t u d i o 5

S E M E S T A R E S O R T S & H O T E L S A r c h i t e c t u r e D e s i g n S t u d i o 4

T H E S I G E H B R I D G E B r i d g e D e s i g n C o n c e p t C o m p e t i t i o n | P U P R B i n a M a r g a

O R A N G P A T U T L I F E S T Y L E C E N T E R A r c h i t e c t u r e O f E x h i b i t i o n | S A R U | J a d i R u a n g | A r u c a S t u d i o

T H E F L O A T I N G C A F F E

B e s t O f S t u d i o 2 0 2 2 A r c h i t e c t u r e C o m p e t i t i o n | U N I K A S o e g i j a p r a n a t a

T H E S U S T A I N A B L E C I R C L E

M a r i t i m e B u i l d i n g I n n o v a t i o n A r c h i t e c t u r e S e p e k a n C o m p e t i t i o n 2 0 2 2 | U A J Y

C O - W O R K I N G S P A C E U I N R I L

I n t e r n s h i p

M A N D A L A C A F E & C A R W A S H B A N D A R L A M P U N G I n t e r n s h i p

S A G I T A L A D I E S S T Y L E

F r e e l a n c e

O T H E R S

F r e e l a n c e , S k e t c h s

BANDAR LAMPUNG TYPE A BUS TERMINAL

RAJABASA, BANDAR LAMPUNG

THIS BUS TERMINAL WAS DESIGNED WITH A CONTEXTUAL CONCEPT APPROACH, I E , THE CONCEPTS USED IN ITS DESIGN ARE COMPATIBLE WITH THE SPECIFIC CONTEXT OF THE TERMINAL'S LOCATION THE TERMINAL IS A PUBLIC BUILDING INTENDED TO SERVE USERS FROM VARIOUS COMMUNITY BACKGROUNDS AND DIVERSE AREAS OF ORIGIN THE UTILIZATION OF CONTEXTUAL ARCHITECTURAL CONCEPTS IN THE DESIGN OF THIS BUILDING

THIS TERMINAL, WHICH OCCUPIES A LAND AREA OF 5 5 HECTARES, IS SITUATED AT JALAN SOEKARNO HATTA NO 2, IN THE RAJABASA JAYA SUB-DISTRICT OF THE RAJABASA DISTRICT, WITHIN THE CITY OF BANDAR LAMPUNG, LAMPUNG. THIS LOCATION WAS CHOSEN DUE TO ITS SIGNIFICANT POTENTIAL AS A TERMINAL SITE

(KDB) 80%

(KLB) 3,2

(GSB) 15 M

THE BUILDING MASS ORIGINATES FROM A SQUARE IN RESPONSE TO THE ALIGNMENT WITH SURROUNDING BUILDINGS SUBSEQUENTLY, THE CONTOURED LAND'S FORM IS INTRICATELY INTEGRATED, ADDRESSING THE LAND'S UNIQUE FEATURES THE CONTOURED LAND GIVES RISE TO STAGGERED MASS FORMATIONS, WITH TERRACED FLOORS ADDITIONALLY, THE BUILDING'S ORIENTATION IS DESIGNED IN ACCORDANCE WITH THE ELONGATED SHAPE OF THE LAND, OPTIMIZING EXPOSURE TO SUNLIGHT AND MINIMIZING DIRECT SUN EXPOSURE .

IN TERMS OF THE SITE PLAN'S MASS CONCEPT, THE BUILDING IS POSITIONED AT THE CENTER OF THE LAND THIS DECISION IS NOT ONLY DUE TO THE LAND'S RESPONSE BUT ALSO BECAUSE THE CENTRAL AREA HAS SUFFICIENT CONTOURS COMPARED TO THE OTHER SIDES. PLACING THE BUILDING MASS ON THIS CONTOUR, WHICH IS AT A HIGHER ELEVATION, AVOIDS ANY RISK OF WATER ACCUMULATION WITH THE BUILDING MASS SITUATED IN THIS ELEVATED AREA, M O R E B U I L D I N G S B E C O M E V I S I B L E , CREATING A SENSE OF MAGNIFICENCE AND PROMINENCE

IN THIS TERMINAL BUILDING, THE ZONATION CONCEPT IS DETERMINED BY THE ARRANGEMENT OF FLOORS AND FLOOR IS DEDICATED TO COMMERCIAL ACTIVITIES, D FLOOR HOUSES ADDITIONAL FACILITIES AND NTLY ALLOCATED AS THE DEPARTURE AREA

THE FAÇADE OF THIS TERMINAL UTILIZES TEMPERED GLASS AND AN ADDITIONAL LAYER IN THE FORM OF CONWOOD. CONWOOD IS EMPLOYED AS AN ENVIRONMENTALLY FRIENDLY SUBSTITUTE FOR WOOD, CREATED FROM A BLEND OF FIBER AND HIGH-QUALITY PORTLAND CEMENT IT NOT ONLY RESEMBLES REAL WOOD IN APPEARANCE BUT ALSO CONTRIBUTES TO SUSTAINABILITY.

WITHIN THE BUILDING, THERE IS A SPACIOUS COURTYARD LOCATED AT ITS CENTER INSIDE THE COURTYARD, A VARIETY OF GREEN PLANTS ARE USED AS FOCAL POINTS, SERVING

FUNCTIONS TO REGULATE THE INDOOR CLIMATE NATURALLY, CONTRIBUTING TO THE BUILDING'S COOLING, AND REDUCING THE RELIANCE ON ELECTRICAL COOLING MECHANISMS

CONWOOD

STEEL HOLLOW FRAME

ARCHITECTURE DESIGN STUDIO 5

START-UP OFFICE

BANDAR LAMPUNG

THE NAME OF THIS “START-UP”, 'GETTING STARTED,' CARRIES A MEANINGFUL IMPLICATION IT COMBINES THE IDEA OF EMBARKING ON A NEW VENTURE WITH THE PRACTICAL ASPECT OF OFFICE SPACES WHEN A NEW COMPANY OR CAREER IS IN ITS NASCENT STAGES, IT OFTEN DOESN'T HAVE THE RESOURCES TO ESTABLISH ITS OWN OFFICE IMMEDIATELY AS A RESULT, IT OPTS TO RENT AN OFFICE SPACE TO INITIATE ITS OPERATIONS JUST AS THE NAME SUGGESTS, THIS RENTED OFFICE SPACE BECOMES THE STARTING POINT FOR THE STARTUP TO BUILD ITS NEW COMPANY

THE MASS LAYING OF BUILDINGS INVOLVES ADJUSTING THE LAND'S SHAPE THE FACADE IS POSITIONED AT THE FRONT OF THE LAND TO ENHANCE RENTAL AND OFFICE SALE VALUES THE PARKING AREA IS LOCATED AT THE BACK OF THE BUILDING TO OPTIMIZE THE VIEW OF THE RENTAL OFFICE AND PREVENT DISRUPTION TO THE BUILDING'S AESTHETIC APPEAL

THE FACADE PROCESSING IS UNDERTAKEN WITHIN A DESIGNATED AREA TO ENHANCE CONSUMER APPEAL FOR RENTAL PURPOSES THIS PROCESS INVOLVES THE UTILIZATION OF VARIOUS MATERIALS, INCLUDING WALLS AND SECONDARY CLADDING APART FROM THE PRIMARY OBJECTIVE OF IMPROVING FACADE AESTHETICS, THIS APPROACH ALSO SERVES TO MITIGATE OR BLOCK DIRECT SUNLIGHT INTRUSION

PERFORATED METAL

TERRACOTA BRICK

TANAMAN RAMBAT TEMPERED GLASS

VINES

TECHNOWOOD ALUPROFILE

WHITE CONCRETE

STACKING OF BEAM FOR RESPOND TO LOTS OF SPACE

THE PROJECT IS LOCATED AT JL YOS SUDARSO NO 44, TLK BETUNG, KEC SANE EARTH, BANDAR LAMPUNG CITY, LAMPUNG, 35226

BEGINNING FROM A MASS BEAM

CUBE MASS ADDITION FOR BALLROOM

ARCHITECTURE DESIGN STUDIO 4

SEMESTA RESORT HOTEL

K ALIANDA, LAMPUNG SELATAN

"SEMESTA RESORT HOTEL” IS A NAME DERIVED FROM THE CONCEPT OF INTEGRATING NATURE INTO THE HOTEL ENVIRONMENT THE INSPIRATION BEHIND THIS CONCEPT IS DRAWN FROM THE IDEA OF CONNECTING WITH NATURE AND INCORPORATING IT WITHIN THE BUILDING THE HOTEL'S DESIGN EMPLOYS THE PRINCIPLES OF BIOPHILIC DESIGN, WHICH IS AIMED AT HARMONIZING WITH THE SURROUNDING LANDSCAPE AND OPTIMIZING THE POTENTIAL OF THE AVAILABLE LAND.

SEMESTA HOTEL RESORT IS SITUATED IN WAYMULI, RAJABASA, SOUTH LAMPUNG DISTRICT, LAMPUNG 35552. ENCOMPASSING AN AREA OF 3 HECTARES, THE RESORT BENEFITS FROM ITS NATURALLY CONTOURED TERRAIN, AS IT IS NESTLED ON A HILL AT THE BASE OF MOUNT RAJABASA. THIS LOCATION OFFERS A PLETHORA OF STUNNING NATURAL VISTAS, INCLUDING THE SEA, MOUNTAINS, AND FIELDS GIVEN THE ABUNDANT POTENTIAL THAT THE LAND POSSESSES, VARIOUS CRUCIAL DESIGN CONCEPTS HAVE BEEN INCORPORATED TO EFFECTIVELY RESPOND TO AND MAXIMIZE THE EXISTING POSSIBILITIES

POTENSI LAHAN

THE IDEAL SITE LOCATION IS STRATEGICALLY CONTOURED SITE CAN BE UTILIZED CREATIVELY AND ADAPTIVELY

LOCATIONS THAT HAVE A VIEW ATTRACTIVE AS A MOUNTAIN, FIELDS, AND THE SEA

A: ENTRANCE GATE

B : CAMPGROUND

C: PARK

D: LOADING DOCK

E: SWIMMING POOL

F: HOTEL

G: RESTAURANT

H: GAZEBOO AREA

I : SKYWALK

J: GARDEN

K: TENNIS COURT

THIS HOTEL ALSO BOASTS AN INFINITY WALK WITHIN THE RESORT, SERVING AS

TRANSPORTATION AND AN ADDED ATTRACTION AT THIS RESORT HOTEL.

THIS HOTEL RESORT FEATURES A RESTAURANT WITH ARCHITECTURAL CONCEPT INSPIRED BY BAMBOO, SHAPED LIKE A BEAN AND A CONCH

THE BRIDGE DESIGN COMPETITION | PUPR BINA MARGA

THE SIGEH BRIDGE

BATANG HARI, LAMPUNG TIMUR

THIS BRIDGE IS A REDESIGNED VERSION OF AN EXISTING SUSPENSION BRIDGE. WHILE THE BRIDGE'S STRUCTURE IS PRESENT, THE AVAILABLE FACILITIES ARE INADEQUATE OR, IN SOME CASES, ALREADY UNUSABLE DUE TO FACTORS SUCH AS FRAGILE WOOD AND RUSTED COMPONENTS.

THERE IS REGIONAL TRANSFER

MARKERS AND SIGNS OF WELCOME

THIS SUSPENSION BRIDGE IS SITUATED IN BUANA SAKTI, BATANGHARI SUB-DISTRICT, EAST LAMPUNG DISTRICT, LAMPUNG 34381 THE PURPOSE OF THIS BRIDGE IS TO CONNECT SEVERAL VILLAGES, INCLUDING REJOAGUNG, NAMPI REJO, AND BUANA SAKTI

THE SIGEH PENGUTEN DANCE IS A TRADITIONAL DANCE ORIGINATING FROM EAST LAMPUNG THIS DANCE IS COMMONLY PERFORMED BY THE LAMPUNG COMMUNITY TO EXTEND A WARM WELCOME AND SHOW RESPECT TO GUESTS OR SPECIAL INVITEES, PARTICULARLY DURING TRADITIONAL OR OTHER SIGNIFICANT EVENTS THE PRIMARY AIM OF THE DANCE IS TO CONVEY A SENSE OF RESPECT

DERIVED FROM THE SEVEN SIGEH PENGUTEN DANCE MOVEMENTS, THESE HAVE BEEN TRANSFORMED INTO A PROCESSED FORM THAT GENERATES A DYNAMIC, SYMMETRICAL, AND AESTHETICALLY PLEASING SHAPE ON ITS OWN

TRANSFORMATION

7 SIGEH DANCE MOVEMENTS

ARCHITECTURE OF EXHIBITION | SARU | JADI RUANG| ARUCA STUDIO

ORANG PATUT LIFESTYLE CENTER

RIAU

THIS CONCEPT IS ROOTED IN THE NOTION OF FADING AWAY A PERSPECTIVE IN WHICH THE LIFESTYLE CONSISTENTLY EMPHASIZES HEDONISM WITHIN THE CONTEXT OF “SIMPLICITY " THIS SIMPLICITY CONCEPT DRAWS INSPIRATION FROM RIAU'S LIFE PHILOSOPHY, CENTERED AROUND THE PRINCIPLE OF "THE INDIVIDUAL ”

A: MEETING ROOM

B: COMMUNAL SPACE

C: RETAIL

D: CAFE

E: GARDEN

F: EXHIBITION

G: AMPHITHEATER

H: FISH POND

I : SKYBRIDGE

J: TRANSPORT PARKING

THE "CENTRAL" FLOW ENCOMPASSES THE VIEWPOINT AND CIRCUMSTANCES THAT POSITION MALAYS AS INDIVIDUALS

C H A R A C T E R I Z E D B Y H E I G H T E N E D AWARENESS, A BALANCED COSMIST CONSCIOUSNESS THAT HARMONIZES WITH LIFE'S PROFOUND UNIVERSAL NETWORK THIS IS TERMED THE ESSENCE

O F " D E S E R V I N G I N D I V I D UA L S " I N MELAYU THOUGHT, ENCOMPASSING THOSE WITH THE ABILITY TO THINK

E X PA N S I V E LY A N D M A N I F E S T T H E

R E S U LT S O F T H E I R T H O U G H T S I N TANGIBLE ACTIONS

BEGINNING WITH A FLUID NOTION, THE CONCEPT TRANSITIONS INTO A MASS DESIGN TO EVOKE DISTINCT ENCOUNTERS THE MASS DESIGN SEGREGATES THE EDIFICE INTO THREE SEPARATE UNITS, EACH SERVING DIVERSE FUNCTIONS: A COMMUNITY CENTER, EXHIBITION SPACE, AND MEETING FACILITIES THE EXTENSIVE INCORPORATION OF VEGETATION ALIGNS WITH THE BIOPHILIC DESIGN PRINCIPLE THIS ABUNDANCE OF PLANTS MITIGATES HEAT BUT ALSO ACTS AS A BUFFER AGAINST WIND AND DIMINISHES NOISE EMANATING FROM VEHICULAR TRAFFIC

THE FLOATING CAFFE

SUK ARAME, BANDAR LAMPUNG

THE FLOATING CAFÉ IS LOCATED AT JL RYACUDU KORPRI, HARAPAN JAYA, SUKARAME SUB-DISTRICT, BANDAR LAMPUNG CITY, LAMPUNG 35131. SPANNING A AREA SITE OF 23 3X30 METERS, THIS CAFÉ EARNS ITS NAME DUE TO ITS INNOVATIVE CONCEPT THE CAFÉ IS ENVELOPED BY A POOL, CREATING THE ILLUSION OF IT BEING AFLOAT INSIDE THE CAFÉ, NUMEROUS OPENINGS HAVE BEEN THOUGHTFULLY INTEGRATED, EMBRACING THE PRINCIPLES OF RESTORATIVE AND BIOPHILIC DESIGN. THESE CONCEPTS ARE MORE PRONOUNCED DESPITE THE CAFÉ'S URBAN LOCATION

Jl.Ryacudu

THE BUILDING'S DESIGN DRAWS AN ANALOGY TO A SPINNER, FEATURING THREE BRANCHES THAT FORM DISTINCT COMMUNAL SPACES, PROVIDING A UNIQUE EXPERIENCE THIS SPINNER CONCEPT OFFERS A BRIEF RESPITE, ALIGNING WITH THE CAFÉ'S RESTORATIVE PURPOSE, CATERING TO INDIVIDUAL RECOVERY ACROSS BIOLOGICAL, PSYCHOLOGICAL, AND SOCIAL ASPECTS. THE SPINNER'S DISTINCTIVE FORM SETS THIS CAFÉ APART, PIQUING VISITORS' CURIOSITY AND MAKING IT MORE APPEALING THAN CONVENTIONAL CAFÉS.

THE SELECTION OF THIS SITE IN THE AREA IS PRIMARILY DUE TO THE HIGH POTENTIAL OF THE LAND THAT STRONGLY SUPPORTS THE CONSTRUCTION OF THE CAFÉ BUILDING THIS IS OWING TO THE SITE'S STRATEGIC LOCATION IN AN URBAN AREA, WHICH IS CONVENIENTLY NEAR TOLL ROADS AND ENSURES EASY ACCESSIBILITY MOREOVER, THIS LOCATION IS IN PROXIMITY TO VARIOUS UNIVERSITIES, SCHOOLS, AND OFFICES. WITH THIS SUBSTANTIAL POTENTIAL, IT IS ANTICIPATED THAT THIS SITE WILL SERVE AS A CONDUCIVE LEARNING AND WORKING SPACE, FOSTERING RESTORATION AND EMBRACING THE BIOPHILIC DESIGN CONCEPT

ON THE 1ST FLOOR, A DELIBERATE PLACEMENT POSITIONS THE BAR AT THE CENTER, SERVING AS A FOCAL POINT FOR CUSTOMERS AS THEY ENTER THIS LAYOUT ENSURES AN EFFORTLESS VIEW TOWARDS THE BAR UPON ENTRY, ENHANCING CONVENIENCE ADDITIONALLY, THIS CENTRAL POSITION FACILITATES BARISTAS IN OVERSEEING THE ENTIRE AREA EFFECTIVELY

ON THE 2ND FLOOR, THREE DISTINCT ROOMS OR AREAS OFFER VARYING EXPERIENCES, EACH WITH UNIQUE INTERIOR DESIGNS. THESE SPACES INCLUDE A LESEHAN CONCEPT AREA, A READING CORNER, AND A CONVENTIONAL SEATING ARRANGEMENT WITH BENCHES

THE 1ST FLOOR FEATURES A SEMI-OUTDOOR DESIGN, INTENTIONALLY DEVOID OF MASSIVE WALLS TO ESTABLISH A STRONG CONNECTION WITH NATURE, FURTHER ENHANCING THE PRESENCE OF THE BIOPHILIC CONCEPT MEANWHILE, THE 2ND FLOOR COMBINES BOTH SOLID AND PERFORATED METAL WALLS, LENDING TO THE AESTHETIC ASPECT THIS DESIGN ALLOWS AIR TO FLOW FREELY AND GENERATES DISTINCTIVE SHADOW EFFECTS.

THE SUSTAINABLE CIRCLE

TELUK BETUNG, BANDAR

SITE LOCATION IN PASARAN ISLAND, TELUK BETUNG, BANDAR LAMPUNG, THIS BUILDING OCCUPIES A LAND AREA OF 1000 M2. THE BUILDING IS DESIGNED WITH THE AIM OF ADDRESSING ISLAND-RELATED CHALLENGES, INCLUDING WASTE MANAGEMENT, FOOD SUPPLY, AND MARINE CLIMATE CONDITIONS THIS STRUCTURE HAS THE POTENTIAL TO FOSTER THE ADVANCEMENT OF MARITIME CAPABILITIES IN THE VICINITY OF THE SITE THROUGH THE IMPLEMENTATION OF VARIOUS INNOVATIONS.

THE SITE IS LOCATED IN PASARAN ISLAND, TELUK BETUNG, BANDAR LAMPUNG, ENCOMPASSING AN AREA OF 1000M2. THIS LOCATION IS WITHIN A COASTAL SETTLEMENT, ALIGNED WITH THE NEARBY BEACH AREA.

CONCEPT

ISSUUE FOOD

FLOOD MARINE CLIMATE

RUBBISH

LOCAL HUMAN RESOURCES QUALITY

Tube shape for 360 view

VISITORS

THE BUILDING IS A MIXED USED BUILDING THAT COMBINES EDUCATIONAL, INDUSTRIAL, AND HOSPITALITY FUNCTIONS

EDUCATED ABOUT SITE CONDITIONS, COLLECTION, RECYCLING, AND SELLING SYSTEMS

MANAGEMENT OF PASARAN ISLAND COMMUNITIES

EDUCATORS AS ACTORS IN THE ENTIRE SYSTEM AND BUILDING FUNCTIONS

CIRCULAR CIRCULATION

EDUCATION

FIBER PLASTIC RESTAURANT

URBAN HARVESTING

PLANTS AND STORIES ARE CREATED FROM THE MANUFACTURER TO THE WORKING PROCESS

Central areas are designed to create enclosed and communal spaces.

Terraced roof for cross ventilation

The stage building responds to rising sea levels Rain harvesting and plastic chopper to respond to local issues

Solar panels, hydroponics and tree additions for sustainability

EMPLOYING A RAISED STAGE STRUCTURE SERVES DUAL PURPOSES: ADDRESSING COASTAL LAND CONSTRAINTS AND ANTICIPATING FLOODING INTEGRATED WATER DRUMS EFFECTIVELY COMBAT

R E C U R R E N T L A N D I S S U E S A N D POTENTIAL FLOODING

WATERTANK RAIN RAIN HARVESTER

RAINWATER GETS COLLECTED IN THE WATER TANK, WHICH IS THEN UTILIZED FOR WATERING HYDROPONIC PLANTS. BENEATH THE RAIN HARVESTER, THERE'S AN OUTDOOR COMMUNAL SITTING AREA WATER STORAGE TANKS AND FILTRATION SYSTEMS FOR RAINWATER ARE SITUATED UNDER THE WOODEN DECK

RAIN HARVESTING URBAN FARMING SYSTEM

RAINWATER HARVESTING

WATER TANK

HYDROPONIC

VERTICAL CIRCULATION

SURFACE WASTE IS SUCTIONED BY THE MACHINE, PROCESSED INTO PARTICLES, AND

NEW MATERIALS

1. GARBAGE IS COLLECTED FROM LAND AND WATER SURFACES USING ASPIRATION

2. WASTE UNDERGOES WATER FILTRATION TO PRODUCE CLEAN WATER.

3. WASTE GOES INTO THE CHOPPER MACHINE FOR GRINDING.

4. PRINTING PROCESSES BECOME FIBER.

3D PRINTING FIBER PLASTIC SYSTEM

Hidroponik

5. FIBER PRINTED USING PRINTING 3D BECOME MATERIAL RAW MATERIAL

BREATHING WALLS SYSTEM

SOLAR PANEL ROOF SYSTEM

CO-WORKING UIN RIL

SUK ARAME, BANDAR LAMPUNG

THE CO-WORKING SPACE ADOPTS A MINIMALIST CONCEPT, FEATURING FUNCTIONAL FURNITURE AND A NEUTRAL COLOR PALETTE THE DESIGN MAINTAINS A CLEAN AESTHETIC WITH A RESTRAINED USE OF DECORATIONS. THE INTERIOR IS DIVIDED INTO FOUR ACTIVITY ZONES, CATERING TO SPECIFIC CLIENT NEEDS

GUEST AREA

MEETING AREA

WORK AREA

RELAX AREA (AMPHITHEATER)

INTERNSHIP

MANDALA CAFE & CARWASH

TELUK BETUNG, BANDAR LAMPUNG

THIS PROJECT IS LOCATED AT JL KH AHMAD DAHLAN NO 131 KUPANG

TEBA, TELUK BETUNG BAY INTERNALLY, IT ENCOMPASSES THREE DISTINCT

FUNCTIONS: A STEAM CAR FACILITY, A CAFETARIA, AND A MINIMARKET THE CAFE'S DESIGN TAKES INSPIRATION FROM A SHIP'S FORM, CHOSEN TO ALIGN WITH THE SITE'S PROXIMITY TO THE SEA, AS PER THE CLIENT'S REQUEST.

FREELANCE

SAGITA LADIES STYLE

SEBERANG ULU I, PALEMBANG

SAGITA LADIES STYLE CATERS TO CLIENTS WHO DESIRE A COMBINATION OF WHITE AND GOLD HUES THE INTERIOR CONCEPT ADHERES TO A TRANSITIONAL STYLE, BLENDING LUXURY WITH A STRAIGHTFORWARD, ELEGANT APPEARANCE THIS DESIGN RETAINS THE EXISTING ELEMENTS WHILE MINIMIZING UNNECESSARY MODIFICATIONS

FREELANCE

twineyelash salon

SUK ARAME, BANDAR LAMPUNG

THIS SALON IS LOCATED IN SUKARAME, BANDAR LAMPUNG THE INTERIOR DESIGN OF THIS SMALL, MINIMALIST SALON APPEARS DECEPTIVELY SIMPLE YET EXUDES A SENSE OF LUXURY THROUGH STRATEGIC WHITE LIGHTING ADDITIONALLY, THE USE OF VIBRANT COLORS ON WALLS OR CEILINGS AIMS TO CREATE AN IMPRESSION OF SPACIOUSNESS