Design Portfolio

NA M A N P P

R ODUCT

S I N G H I

D ESIGN

ORTFOL I O

“Complexity of the area is enormous but the solution developed are simple”

Industrial Work Experience Banglanatha dot com Kolkata,West bengal

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B o h r a en g en eer in g co Jalore, Rajasthan

A i m i n g t o crea te h u man centr ic design ap p r o a c h wi th a rchi tecu a l i nd ustr ial detailing us i n g I n d i an co n te mpo rary de sign aesthetics.

collective

M an g r o ve co llect ive llp Faridabad, Haryana Dehli NCR

PRODUCTIVE LEARNER INNOVATIVE OBSERVER ATTENTIVE OPTIMISTIC

Internship AKFD, Jai pur Graduation project March 2016 – July 2016

Education 2 0 1 2 U n i t ed w o rld In s titu te Of Design Bachelor of Design in Product Design Ahmedabad, Gujarat

MADLAB, Bangl or e Product design intern

J une 2015 – A ugus t 2015

Emma n u a l S e n io r S e c o n d ary school 10+2 Commerce Jalore,Rajasthan

Interest • • • • • • •

Travel And Explore Social Innovation Mechainisims Art and Craft Sustainablity Furniture Design Packaging

Manual Skills • • • •

Skectching Rendering Mind maping Prototyping

Software Skills • • • • • • • • •

Solidworks Rhinoceros Keyshot Autocad Adobe Photoshop Adobe Illustrator Adobe Indesign Microsoft-Word Power-Point

Content • S ketck Book • P roj ects AKF D Sus tai nabl e C r aft D ec or M angr ov e C ol l ec ti v e l l p Bangl anatak D ot C om Inter i or D es i gn Case Study And Hypothetical Design

W i ne bottl e R edes i gn C entr al C ons ol e Br o Bear d Tr i m m e As afoeti da Pac k agi ng C or ner Tabl e Adv anc e R em ote C ontr ol Stand Al one AT M

• P hotography ski l l

FREE HAND SKETCHES

TECHNICAL DRAWING AND RENDERING

PROJECTS

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Industrial Design Intervention In Craft PROJECT BRIEF To design ''INDUSTRIAL DESIGN INTERVENTION IN CRAFT" under the AKFD flowing the brand language .

• Using different traditional craft and artisan, understanding their mythology, architecture and culture for coming up clever industrial design furniture • Contemporary aesthetics.

• An ergonomic and functional range of product.

• An extension to its current product range.

• Object that can be carried toward as a range in future.

• To conceptualize and create new addition to the brand.

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Sw i n g C h a i r

SWING CHAIR

MOOD BOARD

DESIGN BRIFE The swinging motion makes us feel free, calm and relaxed. The sweet sensation we feel from swing, It does make us feel good even when we read a book or just relax on a hanging chair.

With the sweet sensational aspect, we design a swing chair using Dhakoli craft (basketry weaving), The chairs are to be used in the indoor as well as outdoor spaces, along with its adaptability in high end residential & commercial spaces as well, flowing brand language is used.

DHAKOLI CRAFT Traditionally in this type the raw materials were the locally grown date palm leaf and a wild grass grown in the swampy area were made into coiled baskets intended for domestic use by the womenfolk of the household. The products include a range of round bottomed, cylindrical and shallow baskets with and without lids such as food gathering and storage, furnishings and ceremonial uses.

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AKFD

C O N C E P T U A L I S AT I O N

Sw i ng C hai r

D E TA I L I N G Hook Stainless Steel Pipe

Rope

12mm brown Rope is going through the pipe and tighten with rings of swing chair as well as made knots at the ends of suspender pipes.

Under the bottom strip leather belt is used to support weaving.

AKFD

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Sw i n g C h a i r

Material Swatches

Wild grass ( tapper )

14mm Brown rope

8mm and 12mm iron rod are used with white powder coating

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AKFD

Date plam leaf (pani)

25.40mm wide and 3mm thick iron strip are used with powder coating

16mm stainless steel bend pipe and 10mm hook

• The maximum weight load is 125 Kg • Only one person at a time should be seated • Allow the chair to fully dry.

• Ground clearance up to 18 - 20 inch

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Bar S t o o l

BAR STOOL

C O N C E P T U A L I S AT I O N A N D D E TA I L I N G

DESIGN BRIEF Design a bar stool using same craft (basketry weaving) with an ergonomic solution for dining something minimalist with clean lines without any compromising is comfort centred on simplicity and honesty.

212 mm

MOOD BOARD

313 mm

Lower frame is also made up off iron rod and the strip with the same distance at the top of lower frame used to support upper frame bottom part.

764 mm

Upper frame 10 mm iron fram was used and for lower back and bottom support 25.4*3 mm wide strip was used.

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AKFD

FINAL CONCEPT

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Mala Lamp

MALA LAMP DESIGN BRIEF The lamp hangs like a beaded necklace (or MALA) from the ceiling, the perforated `beads’ connected by thick hollow brass ropes casually refer to the ‘rudraksh’ , the holy bead used by saints and mendicants in India. The unique configuration allows it to be used in many ways.

C H I TA I C R A F T Moradabad is a leading cluster for art brass ware in the country. Chitai work is one of the most beautiful forms of art, that Indian craftsmanship has to offer .Chitai is decorative art made with a nail hammer metal embossing process for producing raised motif in sheet.

MOOD BOARD

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AKFD

C O N C E P T U A L I S AT I O N A N D D E TA I L I N G The curved leaf pattern is developed using truncated icosahedron and flowers of life.

Truncated icosahedron is an Archimedean solid, basically combination of 12 pentagonal faces and 20 hexagonal faces.

Flower of life is a geometrical shape composed through overlapping circles using vertex of hexagon.

This was 1st Truncated icosahedron sample, using laser cutting pattern on mild steel for artisan to understand the pattern which crafted on a 6 inches brass sphere.

M al a Lam p

D E TA I L I N G

1665 mm

Diameter : 10 mm Diameter : 1.5 inch Different sizes of holes both the side of sphere for installing light.

2286 mm

Inside view of sphere which shows arrangement to hold both side capes of a sphere using cord-grips as well as connectivity of all the sphere according to segments.

Cap for sphere tightened with the help of cord grip and braided chain. It is made from brass

Finalised sample made through Chitai process which gives more impression of handcrafted. In Chitai, metal embossing process for producing raised motif in sheet.

AKFD

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Mal a L a m p

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AKFD

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Fa c e t L a m p

FA C E T L A M P

MOOD BOARD

DESIGN BRIEF Designing facets ceiling lamp inspired from the facets of gems with simplified geometrical elegance of a pendent.

C O N C E P T U A L I S AT I O N A N D D E TA I L I N G

Ceiling Attachment

Braided wire

Cord Grip Bulb Holder Bulb

All dimension are in millimetre

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AKFD

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Vo r t e x L a m p

VORTEX LAMP D E TA L I N G

DESIGN BRIEF Designing a symmetrical ceiling lamp using Gestalt law of closure which mentally close in gaps of perceived shapes and interplay with the positive and negative shapes.

507mm

138mm

802mm

200mm

8mm 237.5mm

483mm

237.5mm

C O N C E P T U A L I S AT I O N

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AKFD

D

D

Section view Grove was done for placing LED strips in acrylic tube cover with ring of aluminium.

38mm

Designing inspiration taken from the vortex. It is a region inn a fluid in which the flows is rotating around an axis line, which may be straight or curved

Design and detailing of a ring was inspired from the wheel of a bicycle spokes.

100mm

100mm

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Horn knobs

HORN KNOBS DESIGN BRIEF Designing knobs inspiring from chess player which cleverly control opponents mind that to play the step what he wants. Solution would be an ergonomic with qualitative contemporary value.

HORN AND BONE CRAFT Rajasthan is a hub of animal Bone and horn reason being the extreme weather in summers. These bone and horn obtained from dead animals are cleaned and washed with certain chemicals to make them infection free. Beads and Cravings are made in different shapes to make beautiful articles from these remains.

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AKFD

H or n k nobs

Detailing The knobs were now detailed on rhino and solidworks

Height

Diameter

Height

35 mm

16 mm

10 mm

Diameter Height

10 mm

16 mm

Diameter

15 mm

10 mm

34 mm 17 mm

Height Height

Diameter

Diameter

Height

Height Diameter

10 mm 9 mm

10 mm

10 mm

9 mm

36 mm

33 mm

10 mm

Diameter

38 mm

30 mm 13 mm

10 mm

AKFD

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collective

Mangrove

was incorporated and seeded as an independent organisation in 2015 by Studio Lotus, In mangrove, I was appointed as a junior Product Designer for decor product detailing, assembling and looking forward towards sustainable design system for them. Its was a great opportunity and experience for me to look into the future market possibility.

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I w a s a s s i g n ed as a D e s ig n Co n s u l t a n t a t B a n g la n atak d o t com organization from 28th May, 2 0 1 8 . D u ri n g th is p e rio d , I wa s e ng a g e d i n sk ill d e v e lo p me n t a nd n e w p rod u cts ra n g e . K ey w ork s h o p t ea m me mb er in de v e l o p i n g co mp o site cra ft pr o d u c t s f o r la rg e sh o wc a s in g e v e n t i n k o l lka ta o n 2 0 th -21 th Au g e s t , We s t B en g a l s u p p o rted by t h e D e p a r tmen t o f MS ME & T.

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Banglanatak.com Cra f t o f We s t Ba n g al using in composite craft product

Bamboo & Cane Sabai Dokra Sitalpati Wooden mask Patchitra Belmala Te r r a c o t t a Wooden doll 33

Terracotta

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Te r r a c o t t a

Kann “Kann define Particles” The project is done with pottery artist in pokhran for empowering the upgradtion of terrracotta product in different sector

Terracotta

In Terracotta art their is an utilization of all five elements: air, water, earth, fire and ether.The word ‘ Terracotta’ means baked sand, a natural material that has been used in a wide range of applications throughout history.

Fo r p ract ice s es s io n o f 1 -2 d ays o bs er v in g h u m an f igu re in d iffe re nt p o st io n fo r v is u al im p rov is at io n acco rd in g to cu r re nt m ar ket ( it co nte nt o u r o bs e r vat io n als o o n ar t is an ’s s kill s et ) t h en we gave s o m e d es ign co n cept u s in g t h e ir t rad it io n al p ro d u ct ae st h et ics wit h co n te m p o rar y ap p licat io n s o f t h eir craf te d p ro d u ct s an d re late t h em wit h h u m an p o s it io n

Banglanatak.com

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Ah ana Size (inch) : L 4.5” * H 4” *

Size (inch) : L 4” * H 9”

Size (inch) : L 3.5” * H 8”

Size (inch) : L 5.5” * H 7”

Size (inch) : L4” * H 8”

Size (inch) : H 6” * W 4” Size (inch) : L 5” * H 8.5”

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Size (inch) : L 4” * H 9”

Size (inch) : H 6” * W 4”

Size (inch) : L 5” * H 9”

Suddhi Size (inch) : L 5” * H 16”

Size (inch) : L 7.5 * H 6 * W 4.5

Size (inch) : L 9” * H 9” * W 8”

Size (inch) : L 5” * H 7.5” * W 4”

Size (inch) : L 9” * H 10” * W 8.5”

Size (inch) : L 10” * H 10” * W 8”

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Case Study analysis for Interior Design About Mast i The design is derived from the restaurant’s name - Masti, meaning mischief and fun in Hindi; the vision for the project was to make it a modern and contemporary destination that is bold, vibrant and buzzing with energy - much like the nation that inspired the concept .

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Interior Design

Observation The design created a series of spaces across two floors, each of which offer a unique experience in terms of degree of privacy and dinning style, with colourful take on Indian influences running as a common thread between them.

The ground floor is primarily meant for day-time usage, featuring a bright palette and low lounge furniture. A Juice Bar in white marble mosaic, brass and wood emerges as the centrepiece for the zone, a refines take on the typical juice kiosks seen in Indian market s.

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Site Observation

The Design is characterized by a vibrant colour palette and whimsical design elements that display the best of Indian craftsmanship - brass lattice screens that delineate private dining spaces, a kolam - inspired floor inlay ( a ritualistic form of hand drawing that uses rice flour), and customer-made glass and brass lighting fixtures.

On the first floor, a combination of high cocktail tables and plush chairs balances the loosely structured layout of the indoor dining spaces; with the bar counter acting as a spatial anchor, the seating configurations vary from intimate clusters of two and four to banquettes The terrace seating features contemporized takes on Indian crafts, most notably tarkashi (traditional Indian wire inlay work) and stone inlay used to create Ludo board layouts on table-tops.

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Interior Design

Plan Views

Plan Views

Interior Design

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Bubble Diagram

Bubble Diagram

L i ve Ki tc h en

P r i vate A re a Li ve Ki tc hen B OH S to rage A rea

BOH

S tora ge Area J B Di n i n g Area

Ou td oor S eati n g

T F H

O

Offi c e Rec epti o n J ui c e B ar P ubl i c A rea Di ni ng A rea Outdo o r S e ati ng Wai ti ng A re a To i l ets fo r Handi capped He av y Traffi c A rea M edi um Traffi c A re a Low Traffi c A re a

Ground Floor

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Interior Design

Bubble Diagram

L T

G T

P D R

S A BO H

Din i n g Pavi l i o n

O u td o o r l o u n ge

DJ

E l ep h a nt Ba r

Ba r Area

Ba r Ter ra c e

G i n Are a

P r i vate Are a Elep h a nt B a r DJ BOH S tora ge Area P u b lic Area B a r Area D in in g Pav ilion Gin Are a P r ivate D in in g Room B a r Ter ra ce O u td oor lou n ge Ge nt s Toilet s L a d ies Toilet s H e av y Traff ic Area M ed iu m Traff ic Are a

F i rst F loor

L ow Traff ic Are a

Interior Design

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Hypothetical Interior Design Of Restaurant

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Interior Design

CLI E N T P R O F I L E Restaurant

• Spe c ialit y Res t aurant • F ocus ed on I ndian c ous in with g lo b a l me n u

Theme • Step-well • Contemporary design infused with Indian art and architecture To create holistic drama I took an inspiration from step-well architecture covered with Indian handicraft work

Number of staff

• Total Number of staff 1. Manager 1. Receptionist 2. Chef - main and assistant 3. Waiter

General Dimension • 127 ’-6” x 95’-10”

Wor king hour s • 12 noon to 12 m i dni ght Stor e r equir em en t • Yes : Nor m al and c ol d s tor age Kind of custom er tar geti ng by c l i ent • Tour ist • M iddle class and abov e Ar ea Division • • • • • • • • • •

Entrance and exit Kitchen & BOH Storage Reception and Bill Counter Mock-tail Counter Tandoor Counter Indoor Dining Outdoor Dining Performing area Waiting area

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Theme Observation

Ste p -well Step-well, Gujarati vav, Hindi baoli or baori, subterranean edifice and water source, an architectural form that was long popular throughout India but particularly in arid regions of the Indian subcontinent. For centuries, stepwells—which incorporated a cylinder and polygon well that extended down to the water table—provided water for drinking, bathing, and the irrigation of crops. They also served as cool sanctuari es for caravans, pilgrims, and other travelers. Complex engineering feats and stunning ex amples of both Hindu and Islamic architecture.

O bs e r v a t i o n • Rhythm: Telescope view.

• Shape: Towering pavilions.

• Contrast: Powerful play of light and shadow could be equally disorienting.

• Pattern and Balance: Repetitive stair (line) pattern and shape all around.

• They can be in any geometry polygon shaped even in circular and L shaped.

• They can built from rubble stone or brick.

• They have as many as separate entrances.

• Elevating the humble act of collecting water into an extravagant piece of public theatre.

• Hindu artists carved sculptures and friezes packed with deities, humans, and animals but Islamic versions had more-sedate adornment and often incorporated arched side-niches.

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Interior Design

Reference Images

R e f e r e n c e Imag e s

B ra s s w i re w i th mi rror composi ti on to ma k e peacock theme based w al l art w ork

The art of inlaying hand cut pieces of mirrors using diamond scalpels into perfect shapes and arranged into frescos on the ceiling and the walls to form geometric mirrored mosaic patterns is known as “thikri” or mirror inlay or glass mosaic.

Interior Design

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Mood Board

Mood B oa r d Style • Contemporary design infused with Indian art and architecture • To create holistic drama I took an inspiration from step-well architecture covered with Indian craft work

C o l o u r Pa l ate

Material : • Mostly dark polished wood finish • Natural treated stone • Brass • Inlay or plain Marble • Dark printed upholstery and plain upholstery • Fabric for tent Floor Treatment: Jaisalmary stone inlay with Brown kolam tiles used for rich and sustain floor

Brown kolam tiles inlay w ith Jaisalmer stone

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Interior Design

Printed Fabric

Mosaic Tiles

Mood Board

Tikhri mirror craft

Interior Design

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Bubble Diagram and Zoning

Bubble Diagram and Zoning

Entrance & Exit Entrance & Exit

Wa i t i n g Re c e pt i o n

Wa i t i n g

Inside Dining

Outside Dining

Perform Stage

Outside Dining

Reception

Inside Dining Outside Dining Outside Dining Wa s h - ro o m Kitchen M o c k- ta i l co u nte r Perform Stage

Kitchen

Wa s h - ro o m

H e av y t raffi c b / w k i tc h e n f ro nt wa s h - roo m f ro nt a n d m o c k- ta i l s i d e.

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Interior Design

Ta n d o o r C o u n t e r

Bubble Diagram and Zoning

8 S eat ing

2 Seat

6 S eat ing

2 Seat

6 S eat ing Se

2 Seat

4 at

4 Seat

2 S eat ing

6 Seate r

2 Seat

4 S eat ing

2 -4 S e at ing

2 Seat

4 Seat

I ndi a n B a i t ha k at r i ver si de vi ew

8 Seater

Perform are a

r 6 Seate

6 & 8 S eat ing A rea

4

Se

at

4 Seat

2 & 4 S eat ing A rea O utdoor S eat ing A rea Total seat inside : 48 Total seat outside : 54W

Interior Design

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P l a n Vi e w

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Interior Design

Inside And Outsidde Section View

Inside Section View Without Front Wall Diveder

Inside Section View With Front Wall Diveder

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FORM SEMANTICS

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WINE BOTTLE BRIEF Design a wine bottle changing shape of its base showing transformation to circular neck on top. It has to have streamline.

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Wine Bottle

WINE BOTTLE MOOD BOARD

C O N C E P T U A L I S AT I O N

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Form Senmantics

PROTOTYPING

LEARNING Project was a great learning to me, I learnt streamlining product, exploring model making with different materials and getting hands on new shapes as well.

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DISPLAY AND CONTROL

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REDESIGN CENTRAL CONSOLE BRIEF Redesign layout of existing central console of Hyundai Elentra and simplify by improving its display and control to provide a better user experience.

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R e d e s i g n Cen tral C o n so l e

HYUNDAI ELANTRA Why Hyundai Elantra !

C O N C E P T U A L I S AT I O N The concept is based on double scroll, placement of button and display light.

The car that was selected for a detailed study is Hyundai Elantra because of its success and popularity amongst the users as Hyundai was the brand that offered maximum benefits for a relatively low price.

PROBLEM SCENARIO

• Clock display is not visible while driving .

• Too many button give a cockpit feel.

• Dashboard light strikes the eye which is quite distracting at night.

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Display and control

F I N A L C O N C E P T L AY O U T

FINAL CONCEPT LEARNING

A survey was conducted where functions on dashboards of all selected cars were studied in detail context to display and control which mainly focus to explore better interaction for the user .

• The display of the dashboard was kept blue.

• The fonts were changed to white for easily readable.

• Change the placements of button which is not use rapidly.

The prototype has leather trim done on third layer of the console matching the car interiors.

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TECHNO AESTHETICS

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BRO BEARD TRIMMER BRIEF Redesign the trimmer of HITACHI. Integrate it with aesthetic development including technical awareness.

My inspiration for the product was “energy” and “sportive”.

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Bro Beard Trimmer

BRO BEARD

TRIMMER

MOOD BOARD

C O N C E P T U A L I S AT I O N

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Te c h n o A s t h e t i c s

PROTOTYPING

LEARNING I got to learn detailing and functionality of an existing product. Also, revised the form by understanding aesthetics and ergonomics.

Titanium-coated steel blade material

Charge station

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PACKAGING

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ASAFOETIDA PACKAGING BRIEF Yours Masala” is a new masala brand in the market which needs new packaging for hing(asafoetida) in the form of paste. A new category was also added in the brand named Soya hing which I targeted.

It is a great opportunity to design for the upcoming product in the market.

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As a f o e t i d a P a cka g i ng

A S A F O E T I D A PA C K A G I N G R E S E A R C H A N D A N A LY S I S

PROBLEM SCENIRO

Existing positions and problems faced by the customers while using the product.

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Packaging

F O R M I N S P I R AT I O N A N D H A N D P O S T U R E Asthetics inspired from an old wine and perfume bottles because asafoetida also act as food perfume. These are sketches of forms inspired from wine and perfume bottle and hand position while using asafoetida .

As afoeti da Pac k agi ng

C O N C E P T U A L I S AT I O N , D E TA I L I N G A N D P R O T O T Y P I N G

Packaging

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A s a f o e t i d a P a ck aging

FINAL CONCEPT M at er ial • Poly c ar bonet for bottom w i th 2m m thi c k nes s .

• Poly ethy l ene & Pol y pr opy l ene Gr ade for the upper par t and c ap • Vac uum and s nap fi t i s us ed.

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Packaging

LEARNING I got to know about the perspective of a client with an impact on the marketing. Also I learnt graphic approach towards product design and team work with graphic designer

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VALUE ENGINEERING

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CORNER TABLE BRIEF Value engineering is a method for researching and understanding the relationship between function and cost of a product, service system in order to reduce the costs, improve the function, or enhance the value.

Redesign criticality selected corner table in order to increase the ratio of form function and value/cost.

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Cor n e r t a b l e

C O R N E R TA B L E O B S E R VAT I O N Exploring different corner tables where we were supposed to observe: • Process of making List Of • Level of precision Material • Finishes • Joinery • Strength • Costing.

The product should be made locally.

C O N C E P T U A L I Z AT I O N

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Value Engineering

PROTOTYPING Mock-up models and 3D software modelling was used for finished product before making the actual product .

FINAL PRODUCT LEARNING Keeping cost in mind, I learnt the business perspective in value engineering.

Refurbish and team work was what I enjoyed a lot .

Final product is built in full scale.

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TECHNICALLY COMPLEX PRODUCT

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ADVANCE REMOTE CONTROL BRIEF Design next generation remote control with new interface and features. The device makes sure to resolve the problem of interaction and communication with your personal device.

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Adv a n c e R emo te C on trol

A D VA N C E R E M O T E C O N T R O L R E S E A R C H A N D A N A LY S I S FACTORS • Universal remote • Satellite remote and their functions.

• User analysis

HOLDING POSITION AND CONCEPT

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Techical Complex Product

I N T E R FA C E I N T E R A C T Interactive design is an important aspect of smart remote. After interacting with some interfaces, I came with a new interface as my design solution.

Adv anc e R em ote C ontr ol

I N T E R FA C E This is the final layout of interface in which some new features given will help users to interact with there smart TVs easily such as: • Option to choose • Personal account • Notes • Mosaic • Talk back function • Reminder • Programme recording and so on

Techical Complex Product

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Adv a n c e R e mote C on trol

COMPONENTS

BREAKDOWN

Features that will help to enhance the smart remote Touch screen with interface Capacitive touch sensor

Finger print scanner

Tactile sensor

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Touch and gesture sensitivity

Voice recognition

Techical Complex Product

Point sensor

EXPLODED VIEW

FITTING

FINAL CONCEPT Proposed is the final Remote control with a guiding key along with an exploded view, showing the arrangement of the components and its fixing.

• ABS- for body, keys and brecet • Silicon pad under control keys • PCB circuit

LEARNING In this project I learnt to think ahead for the product while analysis and stretching the limit while exploration.

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W O R K S T AT I O N DESIGN

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STAND-ALONE ATM SECURITY BRIEF

Workstation project culminates in design recommendations for space layout, appropriate technology selection, and specific furniture or equipment of interest. .

The security at the offsite ATMs is liberal. Due to this, many crimes occur regardless of presence of security guard. Our objective is to design the workstation for security guard which would strengthen the security of an offsite ATM, users and the guard. By improving the security system of an offsite ATM through providing appropriate facilities to the security guard.

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St an d a l o n e AT M S e cu ri ty

The stand alone ATM that was selected after a detailed study users and research of stand alone ATM around the city such as HDFC, SBI, IDBI etc.

PROBLEM SCENARIO

LEARNING Looking into the interior aspects, I learnt human work flow, functionality,ergonomics, selection of appropriate technology and designing security. Designing a concept for ATM bank was altogether a new experience.

L AY O U T C O N C E P T S

Security guard issue • Nothing provided to defend to security guard • Seat -not for long hours for security guard • Not specially trained and aged security guard • Guard sleeps at night Crimes related ATM • Scare away guard • Fake card slot • Covered face • ATM machine is stolen • Covers ATM front by truck ATM layout is ungarnished • Fraud faced by illiterate Technical issue : • Pin is exposed- fear • No alarm directly from ATMs to police • Door access is for all • Security guard isn’t attentive • CCTv footage isn’t checked unless complaints • No action until police arrives • No guard during breaks

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Workstation

F I N A L C O N C E P T A N D L AY O U T Technology • • • • • • •

Door lock and sensor Glass break sensor Automatic mode Bullet and dome camera Motion detection Alarm that connects to police and bank authorities Face detection

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PHOTOGRAPHY SKILLS

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T h a n k Yo u !

CONTACT ME Phone N o. : +91 9166741314 E- m ai l : nam ans i nghi 2@ gm ai l .c om

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