JUNE 2017 04 HAYDEN BYERLY
on the fosters and growing as a person and actor
18 JACOB DAVIS
on not taking the easy way and his debut single
32 KATHERINE MCNAMARA
08 ZZ WARD
20 PEPI SONUGA
42 EMO NIGHT LA
on season 2b of shadowhunters and being embraced by fans
on going against playlist culture and creating a body of work
on catching the acting bug and choosing important roles
on the party turned pop culture movement
12 TYLER HILTON
26 SMITHFIELD
44 FACES OF FREEFORM
on the continual love for one tree hill and his next chapters
on writing, touring and developing as artists
the stars of freeform, photographed at the nyc upfronts presentation
28 BEACH WEATHER
on paying their dues as a new band and watching it work
CATHERINE POWELL
publisher, editor, photographer, designer, writer
SAMANTHA BAMBINO
DIANA FIGUEROA
VANESSA SALLES
SHELBY CHARGIN
AUTUMN HALLE
OLIVIA SINGH
writer writer
writer writer
IAN HAYS writer
writer writer
hayden byerly
Words by SHELBY CHARGIN Photos by CATHERINE POWELL Grooming by LEAH RIAL
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There’s an air of certainty around a young Hayden Byerly as we sit in the center of the Nancy Hoover Memorial Overlook on a spring Los Angeles day. It’s hard to believe he’s only 16 with the way he’s able to control not just a conversation, but a conversation with a group of professional women. Somehow, he’s the biggest personality in the group. There’s no stealing the spotlight, but many already know that from his role on The Fosters. Hayden was born in Colorado where he grew up with his newly engaged single mom and little brother. Getting his start at a showcase in Orlando called Premiere, Hayden was quickly
stantly talking. “It’s an intense show. We are four seasons in now and when you start to watch it, you get pretty invested,” he says. It’s investment that has fans coming back, but also has Hayden growing to love his character as an extension of his family, but also recognizes the emotional weight being an actor can have “I’ve definitely had a lot of moments where I’m crying or I’m having an emotional outburst, and I feel like we all have that in our lives but then to live through that time and time again in a single day on camera can definitely be emotionally draining on anyone,” Hayden admits. For Hayden, he taps into what genuinely makes him
to particular personality traits, I think that the most remarkable thing about Jude and I is that we are two different people in two different worlds, but we’re so connected.” Hayden doesn’t treat Jude as if he is Jude and Jude is him, it’s much deeper than that – as with most things the existentially aware 16-year-old seems to do. “I get super protective of Jude,” he laments. “I treat him like I would if I were protecting my brother or like my family. It’s an entirely different person that exists in my mind.” This helps Hayden channel Jude’s rationale in a way where he can understand why Jude makes the decision he
“I get super protective of Jude. I treat him like I would if I were protecting my brother or like my family. It’s an entirely different person that exists in my mind.” sent out on auditions at age 10. “I never really aspired to be an actor as a child. It just so happened that I went out to Los Angeles and I went on this audition and I booked it.” The happenstance for Hayden was life-altering. “I worked and I loved the atmosphere and the environment.” That first audition turned out to be a role on Disney XD’s Zeke and Luther, where Hayden played a little kid bully who ran circles around his older co-stars. He reflects upon the time as a seasoned professional with the finesse of someone wise beyond his years. This journey took him to his booking of The Fosters, the hit Freeform show that has people of all ages con-
feel certain emotions like sad or happy to channel that into character. “No one ever wants to sit there and think of all the reasons why they hate themselves, but when you’re acting sometimes you have to,” he says. If Hayden weren’t such a genuine soul, you would think he himself was a character. He speaks consciously and thinks about the things he says while still managing to be the center of attention in a way where you want to be surrounded by the energy he radiates. So it’s not a surprise that he looks at Jude Foster as an extension of himself. “I put so much of myself into Jude,” he confesses. “Even though I don’t relate
does, even if he doesn’t always agree. “People are always like ‘Why did Jude do that? That was so stupid! I’m so angry at him.’ And I’m like ‘I’m angry at him too, that was so stupid.’ I may have been the one who technically did it but I still think it was a dumb decision. But I think that that in itself is pretty interesting because I think that as people we all make dumb mistakes and if we can look back on them and reflect on them we can realize they were dumb,” he expresses. It takes the conversation right back to the feeling of just how mature of a person Hayden is at such a young age. His reflections on Jude, in fact, show more about how the two
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zz ward Words by SAMANTHA BAMBINO Photos by CATHERINE POWELL
In today’s technological world of streaming and downloading, is tearing open a physical CD becoming a thing of the past? Not for ZZ Ward. With her unique style of blues and hip hop and passion for creativity, ZZ isn’t afraid to go against the current to give her fans not only songs, but a musical journey. Growing up in a rural town of about 6,000 people in Oregon, ZZ was surrounded by the blues from a young age. Her parents listened to artists like Howlin’ Wolf, Big Momma Thorton and Robert Johnson, so she was naturally drawn to the genre and joined her dad’s blues band at the age of 12. Her sound eventually expanded when she started driving her Dodge Ram truck up to Eugene, Oregon, where she played hip hop shows and opened for artists like Naughty By Nature. For several years, ZZ worked tirelessly to get her music out to the community, selling demo CD’s in parking lots. Finally, at 23-years-old, she decided to give her dreams a shot and made the move to Los Angeles. For two years, ZZ slept on an air mattress and booked shows anywhere
she could. It was far from glitz and glam. The majority of her traveling was by van, and many days consisted of six to seven hours drives to get to the next venue, all while running on four hours of sleep. Despite the hardships and seeing more truck stops and 7-11s than the average 20-something, it was worth it. “It’s been a grind sometimes with the touring, but I think the coolest thing with the touring is when you start to put out music and you start to meet your fans. I think it’s a really incredible experience,” she says. In 2012, ZZ released her first album Til the Casket Drops, and couldn’t have imagined a better reaction from fans. People in the crowd knew the lyrics to every song, and having fans from other cities appreciate her music was a surreal experience for the small-town musician. “It was an album they came to see, it wasn’t just a song,” she said. Her drive to get through the first few years of touring was powered by the knowledge that people were connecting with her music. While
recording Til the Casket Drops, ZZ was simply expressing herself and getting emotions off her chest. But she soon realized her songs were helping fans get through their own life situations. Several, including “Last Love Song” were even featured on the hit Freeform series, Pretty Little Liars. On June 30, ZZ will release The Storm, an album she is proud of and hopes fans can connect with as well. Her inspiration for the record was drawn from her breakups and past relationships, and hours spent reflecting on feelings she previously swept under the rug. “This new album is kind of cleaning out my closet in a way,” she said. “It’s called The Storm because I felt like it was the storm that I had to face and I figured out who I was by going through that and how I weathered that storm.” The creation of ZZ’s new album has been in the works for about two years. In 2015, she released the Love and War EP, and though she went on the road with it, something was missing. She knew she needed to push her artistic NKDMAG.COM
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tyler hilton Words & Photos by CATHERINE POWELL
jacob davis Words by VANESSA SALLES Photos by CATHERINE POWELL If you’re not already familiar with Jacob Davis, it’s time to get acquainted. The Louisiana native, who has already opened up for superstars like Lady Antebellum, Hunter Hayes, Sam Hunt and Kelsea Ballerini, is primed to change the game with his dance-ready melodies. Having had a musical upbringing, some of Jacob’s fondest memories revolve around live music. “My mom used to play piano at church and my dad was a writer; there was always music going on,” he says. Though Jacob was always a lover of the craft, it wasn’t until his college years that he decided to pursue it. “In school, I studied environmental science and geology – much different than what I’m doing now,” he shares. “I thought that I would just be going into that field but before graduating, I did an open-mic night in Baton Rouge and fell in love with performing live. That night, I played the same three songs over and over again and couldn’t get enough of the stage; seeing all the lights and the reaction from the crowd helped me realize that performing was what I wanted to do.” From there, Jacob went on to gain a major following as he performed across bars in Baton Rouge. “I got to a point where I was playing 3-4 nights a week which was really cool,” he says. “I knew that I wanted this and that was really solidified when I went to an Eric Church show, back in 2009. I remember watching him perform and looking up at him thinking that I had to figure out a way to do the same thing.” Graduating shortly after that, Jacob made a surprising career choice. “Once I graduated, I remember feeling like it was time to go to work,” he says. I was offered a job with an oil company and two weeks later, I was on an oil rig.” After sticking it out for a year, Jacob knew that he wouldn’t feel fulfilled until he stepped off the rig and back onto a stage. “I remember feeling unhappy and full of regret for not chasing my dream of music,” he says. “After a year, I quit and moved to 18
Nashville; it’s been six years since I made that decision.” Six months into his move, Jacob’s efforts and talents were recognized and the singer/songwriter signed his first publishing deal. “When I signed that deal, I was learning how to co-write and collaborate with other writers,” he shares. “As a writer, it’s important that you have your own voice and are innovative. It took me a few years to really understand that concept because it’s so easy to just listen to a hit on the radio and want to recreate that sound or structure.” For Jacob, finding his voice as an artist came after he started a band and headed out on the road. “Playing for audiences and seeing the response from the crowd really helped me come into myself,” he says. “After I discovered who I was as an artist, I was able to really dive into this new sound in the writers’ room and I was more confident about what I wanted to say and how I wanted to say it. I can’t credit playing live enough.” Though his musical journey had its ups and downs, Jacob is a firm believer in things always happening for a reason. “Everybody’s plan is different,” he says. “For me, my path was getting a publishing deal, starting a band and doing that for a few years, finding my confidence on stage/figuring out what I wanted to say with my music, and now, things are playing out how they were meant to. Last year, we were on tour with Kelsea [Ballerini] and now we have a record deal and a team that’s as confident about our path as we are.” Jacob’s single, “What I Wanna Be”, definitely made an impression on country music fans. “It’s different,” he says. “It’s got a different groove, beat, and melody than what’s out right now. Trying to break out as a male act in country music can be difficult so it’s important to make your debut memorable and even have it raise some eyebrows. ‘What I Wanna Be’, in particular, has that Louisiana soul/funk and that feelgood vibe that makes me want to move
around; I’m always drawn to those kinds of songs so that’s what I wanted to put out. I’m so proud of that single and no matter how many times I play it, I love it just as much as I did the first time.” Having been based in Nashville for the last few years, the country singer’s had his fair share of writing and collaborating with an incredibly talented bunch. “I’m always a fan of songwriters,” he says. “I’m not opposed to singing a song that somebody else wrote; some of the best songwriters in the world are in Nashville and there’s way too much talent around to deny those kinds of opportunities. With this debut record, I wrote the songs as as a way to find my voice/direction as an artist but now that I’m a little more established as a writer, I think it’ll be easier to find other songs.” Currently on a radio tour, Jacob’s eager to get back to performing for his fans. “I can’t wait to get back on stage,” he says. “Until then, it’s a lot of fun being able to meet the people behind the scenes that play your music. Radio is the lifeline of what we do in country music so building relationships with radio is what takes you throughout your career.” Coming up, Jacob has a few performances already lined up. “We have some full band shows this summer,” he says. “There are some great shows coming up in Boston and Detroit and then we’ll be in Florida for the 4th of July. Those are all radio events so that’s the circuit we’ll be on this summer.” As for what he hopes to be doing next year, Jacob doesn’t ask for more than just an opportunity to sing. “If I’m doing what I get to be doing now, which is playing music, I’ll be a happy guy,” he shares. “It’s crazy to say that this is a job. By this time next year, I hope to be on a great tour, have a hit single, and just continue to play music for the people who want to listen to it. ‘What I Wanna Be’ is at radio right now and is doing great. We can’t wait to see what happens next.” NKD
pepi sonuga Words by AUTUMN HAILE Photos by CATHERINE POWELL
smithfield Words & Photos by CATHERINE POWELL
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Country duo Smithfield are currently taking the airwaves by storm. Comprised of childhood friends Jennifer Fiedler and Trey Smith, the two spent the last few months on the Sirius XM Highway Finds Tour alongside Steve Moakler and Drew Baldridge. Jennifer grew up on country music, with two of her biggest influences being Faith Hill and Leanne Rimes. She’s been singing since she was 9-years-old and developed a love of performing very early on. In college, she picked up songwriting and started learning about the music business, with a plan to move to Nashville in the future. Trey grew up on classic rock, and has early memories include listening to his dad’s old Boston and The Eagles records. As he got older, he drifted to artists like Matchbox 20 and the Goo Goo Dolls, and in college, played in a rock band. But when she heard Keith Urban seamlessly combining a love for rock and country in his music, Trey began to develop a love for country. How did Smithfield start? When did you know you had something special? JF: Trey had reached out to me on Facebook when his rock band broke up, and asked me if I was interested in singing with him. I was very hesitant at first because I was doing my own thing, and hadn’t heard him sing since we were kids. But I knew if I didn’t have him over I was going to hear about it somewhere down the line in the family, so I said yes, and the rest is history. That blend in our voices was special and we knew it from that very first time we sang together.
What was the first moment where you thought, “this is working”? TS: I think the first moment that I truly thought it was working, was when we started to see people singing some of our songs at live shows. I don’t think you truly know how people are connecting with your music until you are out on the road, and you see something like that.
we started. It’s how we figured out who we are and what we wanted to say as artists. We weren’t opposed to having outside songs, but we just didn’t find the right one for our first EP. People aren’t spending their days writing for Smithfield, so it was hard to find a song that was “us”.
What does it mean to have a station like The Highway - who has backed so many successful artists - believe in your music? JF: It’s amazing. It’s really hard to get on The Highway, and we feel so lucky to have been chosen to be on their platform. They have a history of breaking artists and they have definitely changed our lives by supporting our music. We are so grateful to have them.
You’ve graced the Opry stage 14 times in the last year. Can you describe the feeling the first time you walked onto that stage? What about now that you’ve done it a few times? JF: It’s crazy every time I think about it. Truly it is such an honor to grace that stage every time we get the opportunity. I cried when I heard we were going to do The Opry the first time. That was my dream stage. I grew up doing little Opry’s [in Texas] so the Grand Ole Opry was like the ultimate [goal] for me. It never gets old and I still get butterflies right before we go on when they say, “Please welcome to the Opry stage, Smithfield!” TS: The Opry is such a coveted and special stage in country music, that it’s hard not to get a little nervous, no matter how many times I step out on that stage. The first time we did, I’ll never forget taking extra special care not to even accidentally step in the circle before the show. I wanted the first time I touched it to be when I was stepping on stage for our Opry debut.
You co-wrote all eight songs on your EP. Was it important to the two of you to write every song for your debut release? Did you take outside song submissions at all? JF: We are really proud to have done so. Songwriting is really where
What’s on your agenda for the rest of 2017? TS: We have lots of touring coming up this summer, and we have been working on new music for the past year. So we are excited that we will have a new single coming out very soon, and a new EP to follow. NKD
You just wrapped up the Sirius Highway Finds Tour. What did you learn from watching your fellow tour mates every night? TS: We had some great tour mates in Drew Baldridge and Steve Moakler. I think we all learn things from each other, but I also feel like we all push each other to give it our best every night. So I think I’ve learned that no matter what, you’ve got to go in to every show saying “I’m going to make this the best show I’ve ever played”.
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beach weather Words by IAN HAYS Photos by CATHERINE POWELL
For some artists, it takes time to figure out their craft is their purpose in life. Nick Santino has known his destiny his whole life. He was signed to a record deal at 18 with his first musical project, A Rocket to the Moon. He then took a solo journey, exploring the realms of country-tinged music. Now, he is back with a full band as Beach Weather and is more ready than ever to bring his music- his purpose- to the masses. Nick grew up in a “quaint, little suburban town just south of Boston.” Starting in their early teens, he and his friends would take the train in to Boston on the weekends to catch shows. For him, it was about going to the smaller venues and just seeing every possible show, every single weekend. And in doing so, he gained an appreciation for the concert as a whole - the opening act and the headliners. “I would get into every band on the bill. I would go there for the headliner, but I would get there early enough to see everybody. And, I think that’s something a lot of kids at these shows still do that’s really cool,” Nick says. This appreciation also stems from
Beach Weather still being in opening slots when they play shows. While Nick has been in the game for a decade, Beach Weather is new and is still making themselves known. And one of the best ways young music fans can appreciate and learn of new and exciting music is through catching the openers supporting their favorite bands. “I see a lot of ‘young me’ in the crowd; a lot of kids getting there early to find new music and listen to new music,” Nick says. He saw that bands did not get big out of some vacuum - everyone started from somewhere. Even now, he can look back in awe at the number of bands he saw early on because in his youth, these bands that now have a following, struggled as openers. They went through the rounds of playing tiny, cramped rooms to sweaty kids on a Saturday night. It was around 2006 that Nick started to get serious about making his own style of music. That meant entrenching himself in the whole Myspace music scene. He locked himself in his bedroom, recording and uploading music NKDMAG.COM
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KATHERINE MCNAMARA
Shirt by JOHN VARVATOS Jeans by ALLSAINTS Jacket by REISS
Words by OLIVIA SINGH Photos by CATHERINE POWELL Styling by ERIN TURON Location: THE MONARCH ROOFTOP
emo nite la Words by DIANA FIGUEROA Photos by CATHERINE POWELL
On every first Tuesday of the month, around 8:00 p.m., but sometimes earlier, a line of people, mostly aged 21 to 32, begins to extend all the way down Sunset Boulevard in Los Angeles. You’d think everyone was queuing up to see a huge musicican in concert, but it’s actually nothing of the sort. In fact, the people waiting to get into the Echoplex a street over aren’t even there to see someone extraordinarily famous at all. They’re there for a party - a party where a DJ stands in front of a computer, playing songs from a playlist that he or she made via Spotify. It’s no Drake nor anything off top 40, though. It’s emo music. It’s a dance party. It’s a scream-along, where people from all walks of life come together to sing along to the songs once played and performed by the emo, pop-punk bands they grew 42
up with over 10 years ago. It’s people jamming out to the music that shaped their confusing, tumultuous adolescence and eventually, molded them into the young adults they are today. It’s called Emo Nite and if you can relate, it’s pretty awesome. Emo Nite LA was created by three friends based out of Los Angeles: T.J. Petracca, 27, originally from Park City, Utah, Barbara Szabo, who goes by Babs, 29 and originally hailing from Budapest, Hungary, and Morgan Freed, the eldest of the group, 32, a native New Yorker who took a detour in Tucson, Arizona. The trio met while working at a creative strategy agency, and while they liked their day jobs, they loved emo music more. One love, one song and one idea later, and Emo Nite as it exists today was born. What were each of your first ‘emo’ experiences? Excluding each
other first. TP: I don’t know how I got my hands on a Dashboard Confessional MP3 or something. I think I had downloaded it on Limewire or KaZaA, those file sharing apps that gave your computer [viruses]. But I downloaded Dashboard Confessional on accident and I was like, ‘This is so good, I love this,’ and I just downloaded everything I could find [that was like it]. Then I saw Dashboard that summer. They played with The Get Up Kids. And I sort of just fell down the rabbit hole. I started finding music on MySpace, found Fall Out Boy, Brand New, and yeah. MF: Well, for me, for some reason, all the Bosnians came to Tucson when they had a war [in Bosnia]. They liked bands like Three Mile Pilot and No Knife. I would play in a bunch of weird, indie bands like that which led me into that realm, I mean
it wasn’t as catchy as emo music was. I was looking for something that was really pop sensible, and also that [emo] style of music. This was when I was 14 or 15 or something. But, I played in a bunch of indie bands and then that led me to a bunch of emo ones. I just grew up playing in these bands. You know, when you’re in high school, you can play football or whatever. I’m like 5 feet tall so I’m like, “I’m not going to do that. I’m going to do this thing.” BS: For me, the first emo show I ever went to was Sum 41 at the Hollywood Palladium. It was such a life changing experience and it was there that I met a random person who gave me Taking Back Sunday songs on a burned CD and he was like, “You’ve got to listen to this.” So I went home and I listened to it. It was that day that it just took over my whole life. I started listening to The Used, Hawthorne Heights and Sum 41 on repeat. Ever since then, it’s just been my whole life. When you guys came together to create Emo Nite, did you all not want to do what you were doing before? Did you all want to be entrepreneurs? TP: We liked what we were doing for our day jobs. We just wanted to do this, too. Once, at a bar, that was the idea. That was the original idea: let’s all try this at a bar, not like blow it up, not make it a giant event or anything. How did you manage to get someone of Mark Hoppus’ [from Blink-182] regard, during the first Emo Nite, to trust in your vision enough? TP: It honestly happened by accident. We were talking to an industry friend, but we initially wanted to get another artist at the time. BS: I think it’s important to note the artist. We were trying to get the All-American Rejects because after we announced on our personal Facebooks, someone was like, “I can connect you with AAR’s manager.” And so, we reached out to get them and the manager was like ‘Well, they’re on tour right now, so what about Mark Hoppus?’ And we were like ‘I guess that’s fine, sure. That could be a good replacement.’ But what’s amazing about
that is that two years later, AAR did our two-year anniversary party which was so special. They were the first artist we thought of and then it came full circle. TP: I think, for Mark’s manager to recommend our party to him, it came from a place of him seeing an authenticity and the passion that we had put into our events. We never started this with the intent to throw a monthly Emo Nite, charge $10 at the door and make a bunch of money. It’s not like we do other shows. We were very happy at our day jobs and did this, created this, because we loved it. We just tried to keep making it as cool as possible for us as fans. And that energy is what enables us to attract so many artists because they see what we’re doing with so much passion and love for it. Is there a certain criteria for when you’re looking for artists to DJ? And then when you book them, is there a free for all, ‘do what you want’ attitude or is there a guidance to keep your vision alive? MF: No, it’s not like that. We don’t care. We just want people that we listened to when we were growing up to play what they listened to. TP: Or even people like Machine Gun Kelly [who was at Webster Hall]. He’s just a fan and a rapper. We had The Chainsmokers come once, too, and they’re the biggest pop production EDM duo out there right now. They love emo music because they grew up listening to it, too. There’s just a lot of people who are our age who had their emo, creative awakening. No matter what they’re doing now, as long as they have a love and appreciation for the genre, they are welcome to come DJ. BS: In LA, we just had the cast of 13 Reasons Why come. The thing about that is that I’ve been trying to get Miles Heizer to come because we love Parenthood and he played this super emo kid on the show, Drew. We’ve been like huge fans of his and we just DM’ed him and he was like, ‘I was at the one-year anniversary and I was crying to Dashboard Confessional. This music made me who I am’ and how it was such an honor for him, so it’s almost like we want to have anyone come DJ who grew up listening to this. It doesn’t have to be a member of one of
these pop-punk, emo bands. We want to welcome anyone who connects with this music. You have podcasts and merch now. With those aspects, how do you try and always relate it back to the event and to the music? Even though there are these things that can come about from it and where you can capitalize from it. MF: I was doing radio for like two years before we started the podcast. But all of the things we do always revolves around Emo Nite. Now with our podcast, we have guests, we talk, we throw it on YouTube. We’ve only done three so far, but we have a fully stacked lineup coming. And we just shoot the shit for like an hour. Sometimes we talk about music and sometimes we don’t. But it always comes back to Emo Nite. Doing it seems on brand. BS: With our merch, we started by creating pieces that we’d want to wear, which also goes back to throwing an event that we’d want to go to. I think all the merch we have now, not only do we want to wear it, but we see people come to Emo Nite and realize, this is something that would connect with them. I think it’s come really far. We made one shirt in the beginning and now we have 15 pieces at this point. It’s crazy. We’re going to be in Urban Outfitters starting in June. Regarding nostalgia, do you think these events can bring a new wave to new emo artists or to ones who want to have that sound again? That it’ll be a more positive connotation in music coming from these events today? B: I just saw Panic! At the Disco at the Forum, which is the biggest venue besides the Staples Center in Los Angeles. That’s a huge testament to the fact that it never went away. People always ask us about the “resurgence of emo”, but I don’t think it ever went away. When MTV and TRL and all that went away, emo wasn’t as obviously out there as a culture [anymore]. And so these bands started realizing that they had to make Instagram and Twitter accounts to stay in the public eye. But for us, none of this is nostalgic; it’s music we’ve continued to listen to throughout the years. NKD NKDMAG.COM
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faces of
FREEFORM Photographed in New York by CATHERINE POWELL at the FREEFORM UPFRONT PRESENTATION
Iliza Shlesinger TRUTH & ILIZA Benji Aflalo, Esther Povitsky ALONE TOGETHER Alex Roe, Eline Powell SIREN Burkely Duffield, Jonathan Whitesell BEYOND Olivia Holt, Aubrey Joseph MARVEL’S CLOAK & DAGGER Sherri Saum THE FOSTERS Katie Stevens, Meghann Fahy, Sam Page THE BOLD TYPE Keith Powers, Carter Jenkins, Charlie DePew, Nikki Koss, Georgie Flores, Perrey Reeves, Pepi Sonuga, Bella Thorne FAMOUS IN LOVE I. Marlene King FAMOUS IN LOVE / PRETTY LITTLE LIARS Sasha Pieterse, Shay Mitchell, Ashley Benson, Troian Bellisario, Lucy Hale PRETTY LITTLE LIARS
Truth &Iliza | SEASON FINALE JUNE 6
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