Taliesin Portfolio 3

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To the Review Committee, I, Pranav Naik, 2nd Yr. M.Arch. at The Frank Lloyd Wright School of Architecture, present to you my third portfolio representing the second season I have spent at Taliesin West. I hope you enjoy going through the pages. I look forward to meeting with you at the review. Pranav Naik


Box III | The Starboard, Mumbai

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Structures Seminar

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Proportion and Scale

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Construction Document Technology

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Technical Drawing

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Codes

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Structures 2

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Building systems

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Contracts

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Wanderings and Other happy moments

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Looking Ahead

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Performance Map

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Bibliography

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The Starboard, III

Mumbai

Five Star hotel and Serviced apartments P ranav Naik | Second year M.Arch.



Box III, the Starboard

The Starboard, Mumbai An “icon” is defined as an important and enduring symbol. Mumbai has a few, the Victoria Terminus, Gateway of India, and The Taj Mahal Hotel. All were built in beginning of the last century but none is pertinent to Mumbai's current aspirations. The city of twenty million people which runs the economy of the country and never sleeps, needs an icon that reflects the city’s current state of mind. As a designer, I believe an icon is something that can be unmistakably identified and related to its context. Most of the well-known icons of the world can be simply drawn using three or fewer lines. My new luxury hotel for Mumbai, The Starboard, also had to do the same. The hotel is made up of two rhombuses- one rising up 70 floors to 300m (984 feet), and one that stops at 51 floors- two squares, while twisting into and leaning against each other. There is an atrium that

rises up from ground level to the 30th floor. The Podium level of the building has lawns rising up and growing out of the ground, almost appearing to peel off old building facades and letting the tower rise up to the sky. The Starboard will have 427 rooms, (almost 40 of which are large suites), 3 restaurants, a nightclub, spa and pool, shopping arcade, banquet rooms and a patisserie. The rooms, each of which is individual, with all the luxuries needed by a 01

Looking up at the Atrium Season 3 Portfolio


Box III, the Starboard

traveller, will showcase the city, while the hotel is showcased by the city. A personal closet service is provided to guests who frequent the hotel, in which the guest can leave their closet in the hotel, and on return, will have their clothes neatly pressed and ready in the room, along with the wine and cheese they like, or anything else they wish to have.

level hidden from public view to provide service to the hotel. Water supply to the hotel is through a Hydro-pneumatic system to carry water to the building. Every 8-floors there is a rainwater retention tank that filters the rainwater to be used for flushing. The sewage from the building is taken to an on-site screw-driven sewage treatment plant

A Vignette of Mumbai Past and Present

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The rooftop restaurant provides 360 degree views of the city. Here you can enjoy the bay, the island city, the hinterland, or the Arabian Sea, all from one point- the highest in the city. The nightclub features three dance floors and a lounge. The cafĂŠ on the ground floor serves food round the clock, and its kitchen will serve room service at any time. The banquet rooms can hold up to 2000 persons, and can be sub-divided into three spaces. The high-rise is clad on the north and south in stone, with openings for balconies and exit stair windows. The east and west faces are all low-E, double paned, laminated glass. The ground floor is mainly concerned with the banquet and conference facilities, and all the service required by a hotel of this magnitude. There is an additional mezzanine Season 3 Portfolio

that is shared between the cruise terminal, museum, and hotel, and provides for water and compost for the lawn and landscaped areas. Fire-fighting is facilitated by two Dry-risers that run through the building and support hose-and-reels on each mid-landing in the stairwells; there is also a sprinkler system throughout. The hotel will be cooled by a chilled water cooling plant located on the ground level, while chillers run cold water up lines to the hotel rooms and lobbies. The plant itself will also be water cooled with external cooling towers, water for which will be pumped out of the ground. The lobbies of every eight floors will be cooled using a single AHU. Each room will be cooled using a Fan-Coil unit that can be controlled through the room itself. The hot water for plumbing


Box III, the Starboard

Service floors

Level 70 - Kitchen

1 Rooms/floor - 5 65

4 Rooms/floor - 16

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4 Rooms/floor - 28

9 Rooms/floor - 63

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Laundry chute collect Water heating Rainwater harvesting+ Filter Lobby AHU Housekeeping station Area of Refuge Telephone+data switch/Electric substation

North Service core

Spa - Kitchen

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9 Rooms/floor - 63 34 9 Rooms/floor - 63 26 9 Rooms/floor - 63 18

9 Rooms/floor - 63 9 Rooms/floor - 63

24 hour service

South Service core Water pipes High voltage electric cables Data Dry riser Hose and reel, siamese twin at base Double deck service elevator (high speed) Discontinuous laundry chutes South sewage+gray water line

Water pipes Dry riser Hose and reel, siamese twin at base Double deck service elevator (high speed) Discontinuous laundry chutes North sewage+grey water line

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Electrical Transformer + UPS Bank + Generators Ground Kitchen 24 HRS

Mechanical/functional layout

Service bay Cortex Tank, UG water tanks + Hydropneumatic system

as well as reheating is provided by boilers placed every eight floors. Condensate will also be taken into the grey-water tanks every eight floors. The building has eight elevator shafts. Each elevator serves a variable set of floors, six out of the eight can be used as a means of egress. The service elevators have double decks per shaft to maximize use, as well as to use the lower double-floor service effectively. Laundry shafts go down eight floors with a break, laundry is then carted down to the laundry room. The lowest level will have a fire and building control room, that will control all of the vital functions of the building remotely.

Fire console

Total rooms: 427

constructed with structural steel up to the 70th floor. Mumbai has seen several sea changes in its 300year history. Every pivotal change has a lot to do with how a society builds. Mumbai no longer wants to be entrapped in the applied ornament; it is moving towards the inherent ornament. The Starboard aspires to be such a building, that will spawn a revival of the eastern seaboard, and will support the other buildings on site. It will be a landmark and, I hope, an icon. Pranav Naik

The Hotel will have parking for 896 cars, spread over seven levels, three of them underground, the underground levels will have a forced mechanical ventilation system.

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I have proposed a flat plate construction with several core shear walls, with intermediate columns as a structural system. Reinforced concrete is used up to the 51st floor, the rest of the building is Interior - Typical Suite Season 3 Portfolio


Box III, the Starboard

N Site Plan

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Box III, the Starboard

Patisserie 163.57 Sq.m

Back office-lower level 33.72 Sq.m Baggage sort/scan 288.5 Sq.m

Hotel Entrance Lobby 1779.25 Sq.m

Serviced Apartments/ Self Catered Entrance

Café - 137 pax 217.5 Sq.m Main Kitchen 532.42 Sq.m

+0.3m

Store-Lower level 109.7 Sq.m

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Staff Café - 76p 306.84 Sq.m

Service Bay

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Banquets 1207.7 Sq.m

g

gin

an

UPS 69.32 Sq.m

Airconditioning plants + Chillers 340 Sq.m +0.6m

Transformer 41.78 Sq.m

Cooling towers 140 Sq.m

Server room 167 Sq.m

Generators 85 Sq.m Cortex Tank + Hydropneumatic system - UG water Tanks 344.5 Sq.m

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Public Entry/Exit Service Entry/Exit Fire Exit Vertical travel

Ground floor Plan

Long term closet 168.5 Sq.m

Ground floor Plan Back office 364.7 Sq.m

Housekeeping 474 Sq.m

Housekeeping 545.8 Sq.m

Storage - Upper level 260 Sq.m

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Laundry 700 Sq.m

N First floor Plan Season 3 Portfolio


Box III, the Starboard 300m (984 ft)

Structural steel structure from 51st floor. 600mm wide shear walls, 600x600 columns, 6000mm O.C 120mm flat slab 600mm wide shear walls, 600x900 columns, 6000mm O.C 120mm flat slab 600mm wide shear walls, 600x1200 columns, 6000mm O.C 120mm flat slab 600mm wide shear walls, 600x1800 columns, 6000mm O.C 120mm flat slab 600mm wide shear walls, 600x2400 columns, 6000mm O.C 120mm flat slab Reinforced concrete podium, Transfer slab 600mm deep on west side

Sections | Structural solution

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North Elevation | NTS

East Elevation | NTS West Elevation | NTS South Elevation | NTS

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Box III, the Starboard 450mm steel stanchion 300x300, 25mm steel gusset plate welded to steel stanchion 300x300, 25mm steel embed plate with 12mm bolts welded, R.C.C seat for steel connection, 50mm above floor level

51st Level +196.0m

Top column, level 51- 600x600

Externally attached glazedwall. 20mm toughened, laminated glass panels 81˚

Lawn surface Earth berm up to building window sill bottom Gravel filter waterproofing, laid to slope Beam, 300x1500

Distribution steel @ 150mm c/c 12mm Ø Main steel @ 20mm c/c 16mm Ø torque Cover block Diaphragm beam 300x1050 Steel tendon for Post-tensioning Rainwater pipe Podium Level +12.0m R.C.C Gutter Metal flashing, coated thickness 28mm Distribution steel @ 150mm c/c 10mm Ø Bottom steel in three layers- 25mm Ø Lower portion of diaphragm beam thickened to 450mm Steel stirrups @ 150mm c/c 12mm Ø

Gypsum board false cieling

Externally attached glazedwall supported on cable suspended spider clips. 20mm toughened, laminated glass panels

600x600 column

Approved spider clip 300mm turnbuckle

70mmØ handrail

Stone Floor finish on screed and waterproof layer Plinth Level +/- 0.0m 225x300 plinth beam

600mm deep raft slab foundation pile cap

600mm Pile, 3000 c/c

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Detailed wall section Season 3 Portfolio


Box III, the Starboard

+32.0m

Level 34 plan - Typical 34-48

Level 5 plan - Typical 1-33

+208.0m

Level 49 - Club-Lounge

+232.0m

+148.0m

Level 55 - Typical 52-64

+212.0m

+216.0m

Level 51 plan - Spa - Pool

Level 50 plan-Kitchen

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+279.0m

Level 65 - Typical 64-68 Season 3 Portfolio

+300.0m

+283.0m

Level 65 Mezzanine

Level 68 - Kitchen

+307.0m

Rooftop Restaurant


Box III, the Starboard

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At Dusk

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Box III, the Starboard

Frank Lloyd Wright School of Architecture Box Project: Presentation Feedback AZ 2011 Student: Pranav Naik Program: M.Arch Evaluators: Matthew Trzebiatowski, Michael Whaley, Jason Weak Silverman, Terry Kerr Content 1 2 1. Project was described thoroughly. All relevant information was provided. 2. Engaging and stimulating presentation. Organization 3. Consistently clear and concise. 4. Good opening. Clear statement of project information and thesis. 5. Well organized with good flow. Easy to follow sequence. 6. Clear ending with well-defined close. Delivery 7. Vocal presentation easily heard, easy to listen to. 8. Pace of delivery allowed for clear understanding. 9. Presenter was poised, had good presence, appeared at ease. 10. Good physical relationship and eye contact with audience. Visual Components 11. Visuals supported and illustrated points being made. 12. Visuals were attractive and easy to understand. 13. Visual presentation was well integrated with verbal presentation. presentation. Other 14. Presentation was creative. 15. Presenter adhered to time requirements. x xxx

Strong 3 3 4 x x

Excellent 45 5 xx

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Comments and Suggestions: Shorter animation. Some graphics (black back) are not too legible. Show renders closer to building. -MT You use "um" to fill in the space between your points. Need much stronger eye contact with audience. You're married to the monitor and screen. I'd guess it was at least 4 minutes before you got to your building. For such a major structure, that's too delayed. Why did you chose to have them twist and collide? Explain. I suggest more rehearsal; the presentation as a whole was not organized in a way that allowed us to implicitly understand what ideas, choices, parts were more important than others. -MW Very professional and mature! Great job! - JS Watch out for hand in pocket and wandering feet. Great use of monitor- but keep looking up at us! Time: 13 minutes. -TK

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Box III, the Starboard

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Structures Seminar Greg Brickey, PE; SE In the Structures seminar, the theory and concepts of architectural structures were presented with a visual and calculation based format to emphasize an intuitive comprehension of the fundamental principles of structural behaviour including loading, shear and bending moments and constructability. We started off by describing ourselves with one adjective and then finding buildings to match our adjective. This class was a great refresher course for me in structures, it also helped me understand some concepts I had previously not grasped clearly.



structures seminar

Exploratory Architecture I, Pranav Naik, am an “Exploratory” person. At the outset, I would like to state that the buildings I present are in a personal bias zone in my mind, and are explorations, in form, materiality, and structure.

Exploration 3: International Port Terminal,

Exploration1: The Sagrada Familia, Barcelona. The 20th century architect Antoni Gaudi, was an architect far ahead of his time- designing and building catenary systems with the same masonry blocks used by neoclassical architects. He used string with weights, and by flipping the model upside-down, the finished shapes of the arches which result would lead to the most efficient structure. There were elements that came prefinished – either precast or finely chiselled stone – that would fit into each other. His arches had a very thin profile, with brick catenaries being made only one brick thick. The Sagrada Familia cathedral is a superb example of the best of his work, and is still under construction.

Yokohama I was first introduced to this building, designed by FOA while working on my thesis, which was an International Cruise Terminal. The whole building undulates, the floor becomes the roof, and viceversa. It is a public building with recreation spaces for the city as well as being an internationalcruise port, which is unique to this project.

Exploration2: Santa Caterina Market, Barcelona The Santa Caterina Market is Barcelona's oldest market, built in 1848. Nearly the entire market was renovated by Enric Miralles and Benedetta Tagliabue of EMBT Associated Architects. The very expressive arc roof, mosaic tiled designed by artist Toni Comella, displays vivid colors and figures that represent vegetables and fruit. The columns that support the roof are shaped like stems/reeds and cruve gently, making for a very dynamic building, and experience.

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Structures seminar

Adj. exploratory - serving in or intended for exploration or discovery This assignment was to choose buildings related to our adjectives in the Phoenix valley area.

Cosanti Architect: Paolo Soleri Cosanti is the gallery, studio and residence of Italian-American architect Paolo Soleri. Located in Paradise Valley, Arizona, USA, Cosanti is marked by terraced landscaping and experimental earth-formed concrete structures.

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The buildings at Cosanti were designed by Paolo Soleri. Most of these structures were built using the earth casting method or one of Soleri's variations on the technique. Concrete was poured over pre-shaped earthen moulds, and the earth excavated once the concrete solidified. A modified earth casting technique is used to craft the bronze and ceramic wind-bells produced there. Cosanti is an exploration in construction methods.

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Structures seminar

Biosphere 2 Biosphere 2 is a 3.15-acre structure originally built to be an artificial, materially-closed ecological system in Oracle, Arizona (USA) by Space Biosphere Ventures. It was used to explore the complex web of interactions within life systems in a structure that included five areas based on natural biomes and an agricultural area and human living/working space to study the interactions between humans, farming and technology with the rest of nature. It also explored the possible use of closed biospheres in space colonization, and allowed the study and manipulation of a biosphere without impacting the planet. It remains the largest closed system ever created. Biosphere 2 contained representative biomes: a 1,900 square meter rainforest, an 850 square meter ocean with a coral reef, a 450 square meter mangrove wetlands, a 1,300 square meter savannah grassland, a 1,400 square meter fog desert, a 2,500 square meter agricultural system, a human habitat, and a below-ground level technical infrastructure. Biosphere 2 is not only a building meant for exploration, it is an exploration in itself, of creating another biosphere inside a building.

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Structures seminar

Arabian Library Architects: Richard + Bauer Architecture, LLC. The Arabian Library is in the context of suburban ordinariness, the challenge being to build something authentic in the vast generic buildingscape. The Library was inspired by the beautiful slot canyons of Arizona. Full length windows draw in light from the interior courtyard and views of the surrounding mountains are framed. The materials for most of the building are reused, with some materials being used for unusual purposes. The Arabian Library explores the possibility of Architecture drawing in the community and creating its own context, both of which it does well.

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Michael P Johnson. This class dealt with the proportion and unit systems developed by the mastersFrank Lloyd Wright, Le Corbusier and Ludwig Mies Van der Rohe. We studied plans and sections of their buildings and read them in the form of shapes and proportions. I was expecting this class to be more of a lesson in proportion and scale innately, dealing with proportions of the human body and how three dimensional spaces affect perceived scale. It merely dealt with buildings as we see them from the exterior and was somewhat arbitrary about the choice of buildings we studied.



Proportion and Scale

For this For this assignment, assignment, we we supersuperimposed squares, squares, and and golden golden imposed rectangles onto onto these these buildings. buildings. rectangles The following following pages pages show show the the The shapes present present inherently inherently in in shapes these buildings. buildings. these

Second Floor plan Section

Elevation

Elevation Ground Floor plan

Villa Savoye - Le Corbusier.

First Floor plan

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Proportion and Scale

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Ground floor plan

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Unity Temple - Frank Lloyd Wright

First Floor plan


Proportion and Scale

Elevation

Unity Temple - Frank Lloyd Wright

Section

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Proportion and Scale

Ground floor plan

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Elevation

Pranav Naik

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Seagram building - ludwig mies cvan der rohe

Typical Floor plan


Proportion and Scale

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Proportion and Scale

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te t n RoncGhn e ere o m n, l u B.A o c rch gy o D

n o ti c ru t s Formats: To understand the application and n potential uses of each of the formats, and to o C become familiar with the content of each.

The Construction Document technology class was mostly a lecture based class. The class was divided into four parts:

Agreements & Conditions: To understand the impact that these documents have on the project and to become familiar with the provisions of each Drawings & Specifications: To understand the complementary nature of construction documents and become familiar with the location of information

Project Analysis: To understand, through analyzing an actual project, how a project develops, how the project team came together, and how the project was eventually delivered to the owner

This class helped me understand the nuances of construction administration in the United States. We also understood some of the newer emerging systems in place and their merits, and deficiencies.



Construction Document Technology

The following work was our first assignment for the CDT (Construction Document Technology) class, in which we were to find information regarding project management for a building built within the last five years in the United states, using one of the following methods of construction management- Design-BidBuild, Construction Manager-at-risk, Design-Build, and Integrated Project Delivery. I then found information regarding the management of the project, and how it was realized. I chose Encircle Health Ambulatory Care Center, which is an IPD (Integrated Project Delivery) project as this method involves all parties working on the building to collaborate from project inception to occupation. IPD interests me as I believe it is one of the most efficient construction methods in use today. IPD is for sophisticated owners that are willing to collaborate in an interactive way with the architects,

makes maximum use of BIM (Building Information Modeling). The following paper comprises project description and data from important sources for the project, including the AIA's IPD case studies paper, and the Project Architect's website. The collected information effectively answers several questions posed by the Instructor, Ron Geren, AIA. This assignment allowed me to better understand the chosen project delivery method. CDT Assignment 1 | Encircle health ambulatory care center “Encircle Health is a three-story, 156,000 square foot ambulatory care center combining physician practices with ancillary diagnostic services, including imaging, radiology, endoscopy, pharmacy, and testing labs,

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engineers, and builders. For Architects, it means a faster timeline as the builder provides cost and design related feedback that can be passed through the owner in real-time. For the builders, this means the contract administration phases go away, and they are involved in the design and pricing very early. IPD also

each of which own an equity stake in the building. It is not a typical medical office building; the design is based on a “pod” concept, where related practices share flexible space and equipment and use a centralized reception office. The circulation system provides a “front stage” and “back stage” whereby patients in gowns are not exposed to public areas. The Season 3 Portfolio


Construction Document Technology

project was managed by its largest tenant, ThedaCare, a comprehensive regional healthcare organization with considerable construction experience, and a focus on lean operations. ThedaCare and its employed physicians occupy approximately two-thirds of the building.”1 Owner-defined requirements:

redesign later for value engineering. There was no t r a d i t i o n a l S D - D D - C D ( S c h e m a t i c - de si gnconstruction) issuance of design packages. Delivery of design documents was continuous and directed at what the team felt most needed attention at a particular moment in the process. In addition, the severe weather during much of construction meant that the usual sequence of construction couldn't be followed and the designers were able to adjust.

“The facility was required to provide patients in Wisconsin's Fox Valley area with a centralised location for their outpatient healthcare needs. Integrate primary care and specialty care through shared registration and scheduling, electronic medical records, state-of-the-art diagnostics, and ancillary services.”2

At a defined point in the process it was agreed that design was finished. All parties and all stakeholders had been consulted and signed off. After that point any significant design adjustment was considered a scope change with an impact on the target cost.” 4

Design/Construction Team Selection

Integrated Project Delivery

“ThedaCare, acting as owner and program manager, selected the core project team based on existing relationships with HGA and Boldt, and the IPD experience that both firms had acquired with Sutter Health, California.”3

“This was the first IPD project for ThedaCare; the architect HGA and builder Boldt Construction had prior IPD experience. The three principal partners had worked together previously, using IPD to optimize project results, increase value to the owner, reduce waste, and maximize efficiency through all phases of design, fabrication, and construction. As did most of

Development and Design “The project was completed from start to move-in in 18 months, including 13 months of construction. During five of those months, the coldest winter in recent history compounded the difficulty of achieving such a compressed schedule. A thorough programming process was conducted by HGA, consulting each of the tenant/owners on space and equipment requirements. Boldt and the subcontractors were in attendance at many of these meetings. The design process was highly collaborative between designers and builders. The design-build specialty subcontractors provided design services and acted as the engineers-of-record for their respective disciplines. HGA and its consultants designed systems as single line diagrams plus performance criteria which the subcontractors used as a basis for their designs.

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All systems were modelled in 3D. Smaller subcontractors were selected in the traditional manner with stipulated prices. Although the overall budget was fixed, the flexible process allowed money to be moved between line items, so that each of the major sub-contractors' budgets was in constant flux and decisions could be made based on what was best for the project. During design the architects were given a detailed spreadsheet of unit costs. They had the freedom to design knowing the real cost of tradeoffs between, for example, using one material over another in a particular space. Because cost information was provided early, architects could make design decisions based on reliable information and did not have to Season 3 Portfolio

the major sub-contractors, a factor that everyone believed contributed to the project's success. The project was not self-funded by ThedaCare; a bank provided lending and it was necessary to persuade the lender and its attorneys that IPD was a viable form of project delivery.”5 Sub-Contractor Selection “Mechanical, electrical, plumbing/fire protection, and glazing subcontractors were selected collaboratively by the core team from a short list of three candidate firms in each category. Selection was based on fee proposals and qualifications of committed personnel. All of the firms considered had previous working experience with Boldt. Each of the selected major


Construction Document Technology

subcontractors entered into a “lean partner” relationship with the core team through the use of joining agreements, and all were in place at the start of schematic design. Smaller subcontracts were procured in a traditional manner with hard bids.”6 What worked well? · “RFIs were limited to documentation of decisions already reached in the field. This freed the architect to be more hands-on during construction because much of the tedious paperwork and tracking was eliminated.” 7 · “Representatives in the field were empowered to make decisions quickly.” 8 · “Participants at all levels tended to ask questions with a range of possible solutions in mind.” 9 · “The process tended to flatten the hierarchy and put everyone on an equal footing, which was empowering for all and a good stimulus toward creative problem-solving.” 10 What didn't work well? · Field workers were skeptical of the new process.

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fabrication equipment.” “Navisworks was used extensively and interactively to detect clashes between systems. By modeling everything, there was a much higher assurance that things would fit and therefore tighter tolerances were possible. Instead of a laborious shop drawing review process, the subcontractors were able to model their own work and build it. In addition to BIM, Boldt maintained a project web site for information exchange open to all participants.”14 Notes: 1. Cohen, Jonathan. "Integrated project Delivery: Case studies." AIA national (2010): 3 8 . http://www.aia.org/about/initiatives/AIAB08 2049 (accessed November 8, 2010). 2. " T h e d a C a r e | H G A . " H G A . http://hga.com/work/thedacare (accessed November 8, 2010). 3. Cohen. p. 39 4. Cohen. p. 40-41

· “A more precise method of distinguishing design refinement from scope change from contingency item was needed.” 11

5. Cohen. p. 40

· Several instances in which there was disagreement about who should pay for a particular item. But these were resolved with frank discussion and give-and-take.

8. Cohen. p. 42

Other Features:

11. Cohen. p. 43

“The Facility now has a light-filled atrium, artwork and sculptures from local artists, and extensive views to the outdoors help in enhancing the aesthetic appearance of the Ambulatory Care Center.

12. "HGA-designed Encircle Health Ambulatory Care Center in Wisconsin goes 'green' - World Construction Network ." Construction Industry News, Projects and Reviews - World C o n s t r u c t i o n N e t w o r k . http://www.worldconstructionnetwork.com/n ews/hgadesigned_encircle_health_ambulato ry_care_center_in_wisconsin_goes_green_10 0924/ (accessed November 8, 2010).

Sustainable elements integrated in the hospital facility include: a detailed construction-waste management plan that diverted approximately 75% of jobsite waste from landfills; native plants that maintain erosion control; low-flow plumbing fixtures that reduce water consumption by 30% over standard fixtures; energyefficient HVAC system that exceeds industry standards by 26%; solar panels that heat approximately 75% of domestic water load; and a dedicated heat-recovery chiller that reclaims heat generated by medical equipment.”12 This project has received a LEED-Gold Certification from the USGBC. “The project was designed using BIM and the primary computer model was held by Boldt. Each systems subcontractor used its own preferred software platform, which in the case of the sheet metal subcontractor, was used to directly drive CNC

6. Cohen. p. 39 7. Cohen. p. 42 9. Cohen. p. 42 10. Cohen. p. 42

13. Cohen. p. 42 14. Cohen. p. 42

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Other sources "3-D Modeling Aids in Design of Ambulatory Care Center." Electrical Construction and Maintenance | Power Quality, National Electric Code, Construction, V/D/V, Ops, Equipment Rental Industry Resource. http://ecmweb.com/design_engineering/3dmodeling-ambulatory-care-center-20100301/ (accessed November 8, 2010).

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Technical Drawing Michael P. Johnson. The Technical drawing class was taught by Michael Johnson- to produce a set of technical drawings for a Museum located on a small building site in the City of Phoenix, Arizona. The design was established in sketch form. The drawings necessary for the builder to construct the building were drafted by us using AutoCad. We had numerous changes in the design, and I felt the class did not adequately help us understand how drawings relate to the actual construction of the structure, as a lot of emphasis was given to layout, and style of drawing rather than information and clarity that the drawing would provide.



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Codes Ron Geren, B.Arch

This class was a study of the International Building Code as it applies to building design from the architect's perspective. I learnt how to read the book, and refer to the different sections in it.



Codes

Box III | The Starboard, Mumbai Five star hotel and serviced apartments on the eastern seaboard of Mumbai. Pranav Naik | Second year, M.Arch

Codes in effect: 1. Municipal Corporation of Greater MumbaiBuilding byelaws 2005. (Latest edition 2010) (MCGM BL 2005) 2. International Building Code 2009 Construction Type: 1A Primary Structural frame- Concrete Bearing WallsExterior- Brick - 1hr min/ Interior Shear Wall structure - 4 hr. Non-bearing wallsExterior- Glass Curtain wall system - 2 hr. Interior- Brick/Gypsum board/Insulated Gypsum partitions - 1 hr Rated.

Business facilities - 1000 Sq.ft Appropriate service areas, kitchens - 20,000 Sq.ft Arcade – 20-30 shops | Barber, Patisserie, Bookstore, Jeweller, Tourist services, Car rental ~10,000 Sq.ft Car Parking – 600 Cars (also shares 400 spaces with cruise terminal) Total Area – 373,000 Sq.ft (34,652 sq.m) Site Area – 69,601 Sq.m MCGM FSI Allowance= 1.33xSite Area / unlimited height. Total BUA Allowable = 92569.33 Sq.m

Floor Construction- 100-150mm Concrete Cast in place flat slab - 4 hr rated construction. Roof- 200mm concrete cast in place slab with green roof - 4 hr. 150mm concrete cast in place slab. - 4hr.

BUA Used(Cruise terminal+Museum) = 17280+10721 = 28001 Remaining BUA = 92569.33-28001.00 = 64568.33 Sq.m/695007.72Sq.ft

Occupancies- R-1, R-2, M, A-2, A-3, F-1, S-2, B. Refer to diagram 1.1, 1.2, 1.3- occupancy group classification.

34652 < 64568.33.

Floor Area Analysis:

IBC 2009 Allowance= Type 1A - unlimited stories and height. No H occupancies.

Lobbies – 15,000 Sq.ft 400 Rooms |~40 suites (~200 to be multi-use serviced apartments) - 300,000 Sq.ft Banquet halls serving 1000 persons, sub-divided to a smallest size of 150 persons - 20,000 Sq.ft 4 Restaurants (60-120pax) | 1 bar (100pax) | 1 Club (2000 sq.ft) - 4000 sq.ft Gymnasium, Spa, Pool - 3000 Sq. ft

Floor Area Increases: MCGM BL 2005- FSI Increase Slum rehabilitation - 1 Public parking allowance - 0.17 Rain water harvesting - 0.5 Green Roof - 0.2 Sprinklered throughout - 0.75

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Total FSI increase= 2.62 Total FSI Allowable= 3.95 Total Buildable area= 274923.95 Season 3 Portfolio


Codes

Height analysis: Unlimited height as per MCGM BL 2005, Unlimited height as per IBC 2009 Occupant Load: For hotel building Consider each floor for first 51 floors to be 6000 sq ft each, hence occupant load = 6000/200 = 30/floor Consider each floor from 52-75 to be 2000 sq ft each, hence occupant load= 2000/200 = 10/floor hence total building occupant load= 30x51=1530 +10x23= 230 = 1760 persons. For Lobby part Ground + first floors Lobbies = 15000/200 = 75 Banquet halls = 20000/7 = 2858 Restaurants (all levels) = 4000/7 = 572 Pool = 3000/50 = 60 Business = 1000/100 = 10 Kitchens, etc. = 20000/200 = 100 Shops = 10000/60 = 167 Total Occupant Load = 5602 persons. Egress analysis: All hotel building floors - 3-75, have 2 egress stairs, 1500mm wide each (60 inches), 2 egress corridors, 1900 mm wide min. Also 6 elevators are egress elevators. Lower floors have 2 or more egress stairs per space, each min 1500 wide. spaced 22m apart. (MCGM BL 2005) Maximum Travel distance- 75 feet for tall building, 67 feet for lower floors. Sprinklered throughout.

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Material Analysis: MCGM BL 2005 requires all concrete parts to be thicker than 120mm (4") - hence 4 hour Rated construction. IBC 2009 Table 720.1 - 6-1.1 - Reinforcing steel in reinforced concrete joists. - Siliceous aggregate concrete. Table 720.1 - 4-1.1 Siliceous concrete - 6 inches or wider, hence 3 hour rated. Season 3 Portfolio


Codes

Assembly group A-2 Factory group F-1 Residential group R-2 Residential group R-1 Storage Group S-2 Mercantile group M Business Group B

Ground Floor Plan | NTS - showing occupancies Season 3 Portfolio

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Codes

Assembly group A-2 Factory group F-1 Residential group R-2 Residential group R-1 Storage Group S-2 Mercantile group M Business Group B

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First Floor Plan | NTS - showing occupancies Season 3 Portfolio


Codes

Assembly group A-2 Factory group F-1 Residential group R-2 Residential group R-1 Storage Group S-2 Mercantile group M Business Group B

5th Floor Plan | NTS - showing occupancies Season 3 Portfolio

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Codes

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Structures II Greg Brickey. SE, PE. Structures 2 was a continuation of the structures seminar with emphasis on Steel, Concrete, and other new age materials. This was a great class, and helped me clear my mind and understanding of both structural calculation as well as inherent structure. We also participated in a beam design competition to test our knowledge and understanding of structures.



Structures II

Tod’s Omotesando is a new apparel store in Tokyo designed by Toyo Ito, For this class, we were supposed to choose a building and calculate loads for it. We then found out column and slab sizes for the buildings. This is a summary of my calculations. Tod’s Omotesando 5-1-15 Jingumae, Shibuya-ku Tokyo, Japan Built: 2003-2004 Architect: Toyo Ito, Takeo Higashi, Akihisa Hirata, Kaori Shikichi, Leo Yokota, Takuji Aoshima, Yasuaki Mizunuma Structural Engineer: OAK Structural Design Office Mechanical Engineer: ES Associates General Contractor: Takenaka Corporation

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Summary of structural calculation Slab Thickness: 20 Inches Calcluated: 16 inch Columns: 12 x 12inch x 40 columns Calculated: 12x 14 x 40 columns

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Structures II

Field trip to the ISTB 4 building at ASU. We looked at how rebar is tied, and the site prepared for concrete trucks to pour. We also got to talk to a construction manager and understand the process better.

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Structures II

Field trip to Superlite block factory, and rock solid batch mixing plant. We were shown the process of mixing concrete, and the options available to contractors/design professionals. We also saw the process of making various blocks and how we can use different blocks appropriately.

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Structures II

Field trip to the Arizona Diamondbacks baseball stadium in phoenix, unfortunately we could not get in as they were powerwashing the facility.

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Casting Season 3 Portfolio


Structures II

Celebrating as we finished casting out beam for the structures beam design competition. The beam was reinforced using 3 #5 bars, and a 5/8 inch cable tensioned to 3 tons. The bridge took 5000 lbs without breaking, it did have and inch of deflection and was heavier than the competition.

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Testing

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Structures II

The competition

The competition

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Structures II

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Structures II

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Structures II

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Structures II

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Structures II

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Structures II

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Building Systems Michael Barkley, PE, LEED ap This class was a good starter class in building systems. I learnt about some of the sizing options and code related mandates in the United States. I was expecting the instructor to explain how some of the systems worked. It was also seemingly haphazardly put together.



Building Systems

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Building systems

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elevations + Functional diagram | NTS

A

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Building systems

Private - Suites

Roof Kitchen

300m

Rooftop Restaurant

Kitchen

½ Room/floor - 4 Refuge+ Housekeeping 1-2 Rooms/floor - 12 Refuge+ Housekeeping

Spa Kitchen

2 Rooms/floor - 14 Spa/Pool + Nightclub

Refuge, Kitchen, Housekeeping

6 Rooms/floor - 39

Double Decker- Housekeeping + Room Service

Refuge+ Housekeeping 8 Rooms/floor - 56 Refuge+ Housekeeping 8 Rooms/floor - 56

Ground Kitchen

Ground Kitchen

Refuge+ Housekeeping 8 Rooms/floor - 56 Refuge+ Housekeeping 8 Rooms/floor - 56 Refuge+ Housekeeping 10 Rooms/floor - 70 24 Hr Service

Daytime Service

Elevator s 1&4

Elevator s 2&3

Elevator s 5&6

Service Elevator

Lobby AHU

Water heating

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Hotel Service 363 Rooms

All Elevators 18 m/s (59 ft/s)

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The Starboard An “Icon” is defined as an important and enduring symbol. Mumbai has a few, the Victoria Terminus, The Gateway of India, and The Taj Mahal Hotel. All built in beginning of the last century. There is nothing pertinent to Mumbai's current aspirations. The city of 20 million people, that runs the economy of the country, and never sleeps needs an icon that reflects a current state of mind. As a designer, I believe an icon is something that can be unmistakably identified, and related to its context. Most of the well-known icons of the world can be simply drawn using three or less lines, not losing the full pivture to the audience. The new luxury hotel for Mumbai- The Starboard, also had to do the same. Hence begins my endeavour to design a luxury hotel that will go on to be a city icon. Something sailors will see while entering port and identify as Mumbai. As the site I have chosen is the same used for my design dissertation for the “International Cruise terminal” – I was faced with the problem of relating the seductive sail-boat like shapes of the cruise terminal and museum to the Starboard. I did not want the hotel to be pulled into the aesthetic of those buildings, nor did I want it to stand apart and be a separate entity. After all, it is the same architect. I decided to bring in the whirlpoolspiralling geometry into the hotel, simplifying it to two rhombuses, one that rises up 70 floors to 300m (984 feet), and one that stops at 51 floors- two squares, while twisting into and leaning against each other. There is an atrium that rises up from ground level to the 30th floor. The High-rise is clad on the north and south in stone, with openings for balconies and exit stair windows. The east and west faces are all low-E, double paned, laminated glass. A 20m beacon tower rises above the top floor, which is at 300m, to provide for aircraft warning, as well as lightning protection. The ground floor is mainly concerned with the banquet and conference facilities, and all the service required by a hotel of this magnitude. There is an additional mezzanine level hidden from public view to provide service to the hotel. Water supply to the site is through a line running into the site at the north, water from which will be taken into a fire-fighting tank first and then into a holding tank underground for storage onsite, ensuring that the fire-fighting system remains full. The holding tank also feeds the Hydro-pneumatic Season 3 Portfolio

water system to carry water to the upper part of the building. Each 8-floors have a rainwater retention tank that filters the rainwater to be used for flushing. The sewage from the building is taken to a screw-driven sewage treatment plant on-site shared between the Cruise terminal, Museum and hotel, and provides for water and compost for landscape. Fire-fighting is through two Dry-risers through the building and support hose-and-reel's on each midlanding in the stairwells, as also a sprinkler system throughout. Fire hydrants are placed thoughout the greater site. The hotel will be cooled with a chilled water cooling plant, with the plant being on the ground level, while chillers will run cold water up lines to the hotel rooms and lobbies. The plant itself will also be water cooled with external cooling towers, water for which will be pumped out of the ground. 8-floor lobbies will be cooled using a single AHU. Each room will be cooled using a Fan-Coil unit that can be controlled through the room itself. The restaurants and other public areas will have their own AHUs or FCUs. The Hot water for plumbing as well as reheating will be through boilers placed every eight floors so as to not lose heat in transporting the hot water. Condensate will also be taken into the grey-water tanks every eight floors. The building has eight elevator shafts, elevators serve a set of floors each, and 6 out of the 8 can be used as a means of egress. The service elevators have double decks per shaft to maximise use of the shaft, as well as to use the lower double-floor service effectively. Laundry shafts go every eight floors to the service level to be carted down to the laundry room. The Hotel will have parking for 1000 cars, spread over 5 levels, 2-3 of them underground, the underground levels will have a forced mechanical ventilation system to take automobile fumes out and bring fresh air in. They will also have grease traps to reduce petroleum products going into the grey water renewal system. The lowest level will have a fire-control room/building control room, that will control all of the vital functions of the building remotely. Please refer to the schematic drawing for the Midpoint pinup. I have proposed a flat plate construction with several core-shear walls as a structural system that has been approved by Greg Brickey.


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Contracts Kimberly Hurtado. SC This was a continuation of the contracts class from the summer. We focussed on the Building information Modelling Addendum in contracts, both the AIA E202 as well as ConsensusDOCS 301.



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Contracts

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Wanderings and other Happy moments



Wanderings and other Happy moments

Migration with Max and Fil - Holland, Michigan Des Moines, Iowa

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Wanderings and other Happy moments

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Wanderings and other Happy moments

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Yellowstone National Park, Wyoming Season 3 Portfolio


Mammoth Hot Springs, Yellowstone, Wyoming

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Wanderings and other Happy moments

Maroon Bells, Aspen, Colorado

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Wanderings and other Happy moments

Monument Valley, Utah

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Arches National Park, Utah Season 3 Portfolio


Wanderings and other Happy moments

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Neha and Pranav - Wedding day

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Wanderings and other Happy moments

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Wanderings and other Happy moments

Shantadurga Temple, Goa, India

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Miramar Beach, Goa, India Season 3 Portfolio

Kala Academy, Goa, India


Wanderings and other Happy moments

Hanging Shelter, Snow, at Taliesin

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Taliesin Photoshoot Season 3 Portfolio


Wanderings and other Happy moments

Muir Woods, California

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Union Square, San Francisco, CA

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Muir Woods, California Golden Gate bridge, California

At Union Square, San Francisco, CA Japanese Tea Gardens, San Francisco, CA


Wanderings and other Happy moments

Xanadu Gallery, San Francisco, CA

Xanadu Gallery, San Francisco, CA

De Young museum, San Francisco, CA

St. Mary’s Cathedral, San Francisco, CA

Pebble Beach, CA

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Wanderings and other Happy moments

Walt Disney Concert hall, Los Angeles, CA

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Wanderings and other Happy moments

Joshua Tree National Park, CA

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Personal Projects

Design+Execution | Center table for home In August, while my Parents were remodeling a part of our flat in Mumbai, they could not find a suitable center table to match the interiors. I decided to design and build one myself, it had to be lightweight, collapsible, and simple to build. To go with the Le Corbusier Sofa, and Nari Gandhi Chaise lounge in the room. It was a fun project, and my parents were delighted by it.

Mock-up to test the connection

Welding the aluminium frame

Finishing the welds

Testing

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Installed at home Season 3 Portfolio


Personal Projects

Assembling the parts

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Personal Projects

Assembling the parts Hanging shelter model Neha and I have been working on designing a Toyfor Adults and Children. It will the a building assembly toy that will make the hanging shelter. It will be sold in the bookstore and launched with the shelter book.

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Personal Projects

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Personal Projects

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Looking Ahead

Looking Ahead I would like to thank the Portfolio Review committee for going through my third portfolio, which I hope, successfully encapsulates this season’s work and play. I look forward to my next season at Taliesin, in Spring Green. I no longer want to work on a capstone as my final project, in Lieu, I will find a suitable Box project. I was not able to get any professional internship experience yet, but hope to work on Architectural practice projects in the coming season. I am ever thankful to my parents, Neha- my partner, and the entire Taliesin family for another fulfilling, meaningful, creative, and fun season at Taliesin. Sincerely, Pranav Naik

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Performance Map

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Bibliography

Bibliography

practice. New York: McGraw-Hill, 2005.

"Tod's Omotesando Building: 5-1-15 Jingumae, Tokyo, Kanto, ."Architecture of Tokyo and Japan : T o k y o A r c h i t e c t u r e I n f o . http://www.tokyoarchitecture.info/Building/4056/ Tods-Omotesando-Building.php (accessed April 13, 2011).

"Toyo Ito & Associates - Tod’s Omotesando :: arcspace.com." architecture online - arcspace is an architecture and design magazine that features today's most creative projects as well as the most i n f l u e n t i a l o f t h e p a s t . . http://www.arcspace.com/architects/ito/tod/tod.h tml (accessed April 13, 2011).

"Design of Slabs-on-ground." In ACI Committee Report: Research in Progress Plain and Reinforced Concrete. Detroit: Aci, 1964. 360R-40. Beadle, Alfred Newman, and Bernard Michael Boyle. Constructions: buildings in Arizona by Alfred Newman Beadle. 2nd ed. Cave Creek, AZ: Gnosis, 2008. "DAAPSpace: News and Info." DAAPSpace: News and Info. http://daapspace.daap.uc.edu (accessed April 13, 2011). "90.1." In Energy standard for buildings except lowrise residential buildings . I-P ed. Atlanta, GA: American Society of Heating, Refrigerating and AirConditioning Engineers, 2007. -. Foster, Norman. "Architecture and Structure." Architectural Association of Japan, November 1, 1994. - (accessed February 15, 2011). International building code . Falls Church, Va.: International Code Council, 2009. Le Corbusier : le Modulor ; Modulor 2 Peter de Francia and Anna Bostock].. Basel: Birkhäuser, 2000. Levy, Matthys, and Mario Salvadori. Why buildings fall down: how structures fail. New York: W.W. Norton, 1992.

"3-D Modeling Aids in Design of Ambulatory Care Center." Electrical Construction and Maintenance | Power Quality, National Electric Code, Construction, V/D/V, Ops, Equipment Rental I n d u s t r y R e s o u r c e . http://ecmweb.com/design_engineering/3dmodeling-ambulatory-care-center-20100301/ (accessed November 8, 2010). "Ambulatory Care Center for ThedaCare Receives LEED® Gold." HGA Architects and Engineers Architecture, Engineering, Interior Design. http://www.hga.com/the_latest/press_releases/en circle_092210.html#home (accessed November 8, 2010). "HGA-designed Encircle Health Ambulatory Care Center in Wisconsin goes 'green' - World Construction Network ." Construction Industry News, Projects and Reviews - World Construction N e t w o r k . http://www.worldconstructionnetwork.com/news/ hgadesigned_encircle_health_ambulatory_care_c enter_in_wisconsin_goes_green_100924/ (accessed November 8, 2010). "The American Institute of Architects - Integrated Project Delivery: Case Studies, Programs & Initiatives." The American Institute of Architects. http://www.aia.org/about/initiatives/AIAB082049 (accessed November 8, 2010).

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Onouye, Barry, and Kevin Kane. Statics and strength of materials for architecture and building construction . 3rd ed. Upper Saddle River, N.J.: Pearson Prentice Hall, 2007.

S a m p a t h , Ka r t h i k . " M o r e a b o u t : To d ' s Omotesando." MoreAEdesign. moreaedesign.wordpress.com/2010/.../moreabout-tods-omotesando/ (accessed March 15, 2011).

Salvadori, Mario. Why buildings stand up: the strength of architecture. New York: Norton, 19901980.

Vrable, Valerie. “TOD's Omotesando. Tokyo, Japan – Designed by Toyo Ito.”

The project resource manual: Season 3 Portfolio

CSI manual of


Checklist

PORTFOLIO CHECKLIST- EXPLORATION PHASE

1. Introductory letter addressed to the Review Committee 2. Table of contents (this means the pages in the portfolio will be numbered) 3. Portfolio selections- what did you do? What did you learn? To include: -All courses and studios selected in the Learning Path, Box project documentation architectural practice, and independent study projects (if applicable), sketches, drawings, musings, journal excerpts, photographs -All instructor evaluations -Reflective self-assessment included with each entry -Current reading list and bibliography (properly cited- use Chicago Manual of Style) -Timesheet documenting Tour, Architectural Practice, and Independent Study hours as applicable 4. Performance Category map- provided by Education Office 5. Disk with copy of current portfolio and timesheets 6. Include this checklist

9/1/09

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Š 2009-10 Frank Lloyd Wright School of Architecture. All Rights Reserved.

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Notes

Notes/Doodles

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Pranav Naik | naikpranav@gmail.com


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