The Diverse History of Classical Music in Britain by Nadel Paris

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The Diverse History of Classical Music in Britain by Nadel Paris There is a huge strength of classical music in Britain, and the city of London has more world-famous symphony orchestras than any other city across the globe. The Barbican Centre, the Southbank Centre and Royal Albert Hall feature a non-stop, year-round bursting schedule of classical concerts, which attract thousands of visitors. The BBC Symphony Orchestra and Royal Opera House Orchestra, crack "period", chamber and contemporary orchestras compete with The Philharmonic, Royal Philharmonic, London Philharmonic and London Symphony Orchestra for acclaim from audiences and music reviews.

Outside of the capital, there is still a great strength of classical music, and orchestras and music societies have been established in the likes of Birmingham, Manchester, Leeds and Liverpool for as long as in London. The depth and internationalism of musical life reflects the development of the British classical tradition as European, but with specific slants of its own. Top Russian musicians are attracted to play in London venues every year, and it has become the world's leading showcase for international performance.

After outstanding early English church composers such as Thomas Tallis and William Byrd, developed the use of massed choral voices to stirring effect, the vocal tradition has arguably become British classical music's glory. Tudor monarchs Henry VIII and Elizabeth I took a lively interest in musical entertainment, although the vocal tradition was boosted in 1710 when the German composer Handel moved to live in London. A boom in opera, choral and instrumental music for the next 35 years was generated by Handel's move and there was an explosion of classical music organisations and concert halls in the Victorian era. Because of this, a wealth of top European composers such as Mozart, Chopin and Mahler visited the capital.


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