February 2020 | Vol. 6 Iss. 02
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SUGAR HOUSE STORIES, ARTIFACTS, WILL BE FOREVER ARCHIVED IN LIVING MUSEUM By Drew Crawford | d.crawford@mycityjournals.com
A
s previously described in last month’s Sugar House Journal, Sugar House is seeing a lot of historic changes with development. The addition of new buildings and the changing landscape has led many people in the community to think about how to best preserve the history. Meggie Troili who heads the Community Council Arts and Culture committee has been trying to solve this problem and has come up with the solution of creating a living museum. “By using the word living it describes the museum and Sugar House as dynamic and forever changing,” Troili explained. “The Living Museum of Sugar House is a concept really, a way of seeing, experiencing, and participating in the community in our unique individual and collectivist ways.” Troili came up with the idea over a year ago and plans to preserve the history using various mediums such as a website, blogs, and social media pages to catalogue everything. The museum will be divided up into different sections including people themselves and their stories, local history, the ecology, urban morphology, and future hopes and dreams. Trioli received her graduate degree at Westminster College and has always been interested in urban planning and community art. Stephen Goldsmith who played a major role in shaping the landscape of Salt Lake City and mixed-use neighborhoods advised Trioli during her degree, helping her ideas develop. During her research she began to explore ways in which
The Draw that leads to Sugar House Park. (Spencer W. Belnap/City Journals)
art and urban living overlap. She asked herself the question: “How can art and community engagement be critical of development and preserving history in a positive way?” This way of thinking caused her to begin to explore how she could keep the community together in a way where they
could coproduce Sugar House together. Combined with her background in exhibit developer working at The Leonardo and working at the Utah Museum of Fine Arts she decided to take her idea of community engagement in a novel direction. “I see Sugar House itself, the community, as a living muContinued page 5
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