Fresh Graduate Portfolio

UNDERGRADUATE PROJECTS

PORTFOLIO Muzayin Sufyal Karim, S.Ars

MUZAYIN S. KARIM Bachelor of Architecture | Fresh Graduate

Hello, I'm Muzayin, a recent graduate from Institut Teknologi Sumatera with a specialization in Architectural Design.

Proficient in creating 2D drawings, 3D models, and renderings, I leverage software like AutoCAD, SketchUp, Archicad, Revit, Enscape, and Lumion. Eager to expand my expertise in collaboration with seasoned professionals.

CONTACT DEPOK | INDONESIA (+62) 812 9971 4810 muzayinsk@gmail.com

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@muzayinsk

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EDUCATION

INSTITUT TEKNOLOGI SUMATERA

2019 - 2023

Bachelor of Architecture

SMA NEGERI 6 DEPOK

2016 - 2019

Mathematics and Science Senior Highschool

EXPERIENCE

MKG OAIL Engineering Laboratory ITERA | Internship

2022 - 2023

Assistant Project Architect (Aug 2022 - Apr 2023) Worked as an Architectural Intern on the MKG OAIL Engineering Laboratory Project, which involved designing laboratory facilities for meteorology, climatology, geophysics, and astronomy research. I was part of a two-person team, supervised by an ITERA architecture lecturer.

- Collaborating on 2D and 3D design planning with team and supervisor.

- Coordinating with the DED Team under the Lecture.

- Creating promotional materials. (Posters and Brochures) - Producing architectural image and video renderings for project visualization

HIMARS SWARNAPADA

2020 - 2023

Chief Executive of A:RION 3.0 (2020) Member

PPLK ITERA 2020

2020 - 2021

Documentation Officer

ITERA BASKETBALL TEAM

2020 - 2021

Media and Communication Staff

MPK SMA NEGERI 6 DEPOK

2017 - 2018

Head of Division II of the Student Council

ROHIS 6 SMA NEGERI 6 Depok

2017 - 2018

Head of Finance and Funds Division

SKILLS

BIM | CAD

RENDER

OTHERS

LANGUAGE

Archicad Autocad Sketchup

Lumion Enscape

Corel Draw Photoshop Illustrator Office

INDONESIAN Native Proficiency

ENGLISH Full Professional Proficiency

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CONTENT Undergraduate Project Data Share Learning Center Svara House Lifestyle Center Ethnograpy Museum of Lampung

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DATA SHARE LEARNING CENTER this building combines facilities for education and training with recreational experiences. With versatile spaces, indoor and outdoor recreational areas, and a co-working space, the building provides an inspiring environment. The concept of wood, nature, and concrete gives a solid and integrated impression with nature, with brown hues and prominent concrete on its facade.

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The design of this building adapts to the contoured land conditions, with several cut and fill techniques employed. Its ground floor features two different heights, rising 2.4 meters from the lowest point of the land, accommodating a multipurpose building with two badminton courts inside. On the upper floors, there are large classrooms, offices, a cafeteria, a lounge, and recreational facilities including a cafe and co-working space, making the building functional and diverse in its use of space.

9| Data Share Leaning Center

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The difference in land contours resulting from cut and fill, access to the higher parts of the land is provided either by stairs and ramps located beside the building or by using elevators within the building.

RENDERS

11| Data Share Leaning Center

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Enscape.

Outdoor basketball court and outdoor gym

13 | Data Share Leaning Center

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Enscape.

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SVARA HOUSE The C-shaped house boasts a central courtyard flooded with natural light, brick walls adorned with ivy vines, creating a charming and eco-friendly living space. The thoughtful design integrates nature seamlessly into the living space, providing a serene and harmonious environment for its inhabitants.

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Siteplan

Form Development

Floorplans

Elevations

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Kitchen and Dining Room | Interior Rendering

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Interior 23 | Svara House

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Interior

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LEVELING STAGE OF FORMS AND SPACES FOR SHOPPING AND WALKING EXPERIENCE IN A LIFESTYLE CENTER This Lifestyle Center is a pioneering urban hub designed to transform daily habits by offering inviting walking spaces, diverse shopping choices, and opportunities for community interaction. With its focus on inclusivity and pedestrian safety, the center redefines the urban experience, fostering a culture where walking is not only convenient but also enjoyable.

PKOR

residential

site

5°23'06.0"S 105°16'56.1"E Way Halim, Bandar Lampung

residential

people don't walk that much in Indonesia, based on Stanford University research, people just walk about 3,513 steps a day on average, because the places where they walk aren't good enough. The building wants to change this by making places where walking feels good. It's known that walking feels less tiring when done in a community setting. people have different lifestyles, like what they buy and how they have fun. The building wants everyone to feel welcome by designing parts that suit different budgets. Hanging out with friends and shopping are important. The building will have spaces where people or group can do both, so everyone can find something they like.

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how a lifestyle center changes behaviour of the visitors? how a lifestyle center can be suitable for everyone

Actions

Provide well-designed walking areas throughout the building to encourage visitors to walk and create various experiences within the building to maintain visitors' interest in walking, such as incorporating various materials and simulating outdoor environments.

Habits Changing

Foster a sense of community by designing spaces that encourage social interaction while walking, as my self studies show that walking feels less tiresome in a communal setting. Locate all vehicle parking underground to reduce ground-level traffic. By minimizing vehicle presence on the ground, the building offers more pedestrian-friendly atmosphere conducive to walking

Design spaces that serve as both shopping areas and communal gathering spots, not only provide to the diverse needs and preferences of visitors but also bringing up community engagement and preserving local cultural heritage

Suitable for Everyone

Implement zoning strategies to provide options for shopping based on economic status, ensuring accessibility to both branded goods and products from small to medium enterprises. $

$$$$

Floor Plans

29 | LEVELING STAGE OF FORMS AND SPACES FOR SHOPPING AND WALKING EXPERIENCE

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West Elevation

South Elevation

Section

RENDERS

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Rendered with Lumion 12.5

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EXPLORING NARRATIVE OF EVENTS IN ETHNOGRAPHIC MUSEUM OF LAMPUNG "Cultural and Tribe Integrations to Museum Design" was used as a topic in designing the building, aiming to support the title exploring the narrative of events, by providing the essence of events found in Lampung by integrating spatial experience aspects in the museum. The main concept adopts the philosophy of "Sai Bumi Ruwa Jurai" which reflects the existence of two major tribes in Lampung, namely Saibatin (coastal) and Pepadun (mountainous). The design integrates cultural elements and social activities of these two tribes into the museum design.

The main concept adopts the philosophy of "Sai Bumi Ruwa Jurai," reflecting the essence of tribal events from two major tribes in Lampung, namely Saibatin (coastal) and Pepadun (mountainous). Applying the value of “Sai Bumi Ruwa Jurai” as a reference in designing, the spatial experience draws from contrasting mountainous and coastal landscapes, shaping the zoning approach. The Pepadun (mountainous) essence informs the architectural forms and interior spaces of the museum building itself. Conversely, the Saibatin (coastal) identity manifests through the outdoor landscape and site design surrounding the museum. This zoning strategy allows visitors to transition fluidly between immersive environments evoking the distinct yet interconnected tribal identities of Lampung province.

Mask

represent of masked (sekura kamak), as a pavlion

Fishpond

symbolize of gathering, as a barrier of plaza

Outdoor Exhibitions

implementation of people activity from sekura’s festival

Scarf

essence of flexibility (sekura betik). as a skybridge

Pier

Reflects the coastal settings, as a pedestrian way

Parking Area Museum Parking area for both employee and visitors are seperated.

The reason to separate vehicle circulation between employee and visitor is to ensure controlled access for staff members to restricted areas like offices, storage, and back-of-house spaces. For the visitors, to create a clear and intuitive path for visitors to navigate through the museum spaces and exhibitions and to control the flow of visitors and prevent unauthorized access to non-public areas.

Jl. Teuku Cik Ditiro, Beringin Raya, Kemiling

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Talking about conceptual approaches, the museum building aims to immerse visitors in the cultural narratives and spatial experiences associated with the Pepadun tribe, while also integrating sustainable design principles and celebrating the rich traditions of the Lampung region.

Piil Pesenggiri

nengah nyappur

juluk adok

nemui nyimah sakai sambayan

The building form is inspired by four mountains, representing the four life philosophies of the Lampung people (Piil Pesenggiri). The interconnected, circular shape symbolizes the unity and continuity of these principles.

The interior circulation follows the narrative of the Cakak Pepadun ceremony, guiding visitors through a procession-like experience of gathering, receiving titles, and communal eating. Vertical circulation, like ramps, evokes the act of ascending to a higher plane.

The facade features a living wall/vertical garden cladding system, creating a natural and organic appearance that resonates with the mountainous concept. This sustainable approach also contributes to reducing the building's carbon footprint.

"Cultural and Tribe Integrations to Museum Design" was used as a topic in designing the building, aiming to support the title exploring the narrative of events, by providing the essence of events found in Lampung by integrating spatial experience aspects in the museum. The main concept adopts the philosophy of "Sai Bumi Ruwa Jurai" which reflects the existence of two major tribes in Lampung, namely Saibatin (coastal) and Pepadun (mountainous). The design integrates cultural elements and social activities of these two tribes into the museum design.

"Cultural and Tribe Integrations to Museum Design" was used as a topic in designing the building, aiming to support the title exploring the narrative of events, by providing the essence of events found in Lampung by integrating spatial experience aspects in the museum. The main concept adopts the philosophy of "Sai Bumi Ruwa Jurai" which reflects the existence of two major tribes in Lampung, namely Saibatin (coastal) and Pepadun (mountainous). The design integrates cultural elements and social activities of these two tribes into the museum design.

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SEC

THE EXTERIOR Adapting essence of events from 2 major tribes Lampung, Saibatin (Coastal) and Pepadun (Mountanious)

Exploring “The Narrative of Events” Ethnographic Museum | 40

INTERIORS

the essence of event from pepadun tribe namely Cakak Pepadun applied in the interior visitor circulation of the museum

Exploring “The Narrative of Events” Ethnographic Museum | 42

DEPOK | INDONESIA muzayinsk@gmail.com

@muzayinsk