Passing Dreams | Tom Shelton | MusicSpoke

Page 1

PassingincorporatingDreams Oy Khodyt son kolo vikon Music Ukrainian Lullaby Arranged and Adapted by TOM SHELTON Text Ukrainian Lullaby New and Adapted text by TOM SHELTON the Musicof Tom Shelton 3 part, Solo (or Small Ensemble) with Piano and Cello tomsheltonmusic.com This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

Translated into English The Dream passes by the window, And Sleep by the fence. The Dream asks Sleep: "Where should we rest tonight?" Where the cottage is warm, Where the tot is tiny, There we will go, And rock the child to sleep. There we will sleep, and will sing to the child: Sleep, sleep, my little falcon, Sleep, sleep, my little dove. Translated into alphabetRoman Oy khodyt' son, kolo vikon. A drimota kolo plota. Pytayetsya son drimoty: De zh my budem nochuvaty? De khaton'ka teplesen'ka, De dytynka malesen'ka, Tudy pidem nochuvaty I dytynku kolysaty. Tam budem spochyvaty, I dytynku prysypl'yaty: Spaty, spaty, sokol'yatko, Spaty, spaty, holubyatko. performance. Please visit MusicSpoke.com to purchase performance copies.

This is a flexible piece! The premiere was with an SSAB choir. For the Baritones, they sang the following: meas.11 - 18 - Baritones sing Solo/Small Ensemble part and the S1 part (melody) at mm. 15 -18. meas. 27 - 54 - Baritones sing SII part down the octave. meas.58 - 65 - Baritones sing Solo/Small Ensemble part. meas. 66 - 69 - Sing Melody (SI) p. 11; m. 70 - End: Sing the top line the 3rd and 4th times.

Background Information: ● I used the haunting Ukrainian Lullaby "Oy khodyt son kolo vikon" (The Dream passes by the window) ● The first verse is sung with the Ukrainian text. (mm.3-10)

After the first verse, the choir joins for the repeat of the verse. (mm.11-18) I created new music (beginning m.19), and adapted the English verses to tell the original story. At m. 58, the Ukrainian melody is overlaid above the new music. At the end of the piece (m.66), I incorporated the Ukrainian text of the last two lines of verse 3. (Spaty, spaty, sokol'yatko, Spaty, spaty, holubyatko.)

Original language, translation, and transliteration taken from Wikipedia: Ukrainian Ой ходить сон, коло вікон. А дрімота коло плота. Питається сон дрімоти: "Де ж ми будем ночувати?" Де хатонька теплесенька, Де дитина малесенька, Туди підем ночувати, І дитинку колисати. Там ми будем спочивати, І дитинку присипляти: Спати, спати, соколятко, Спати, спати, голуб'ятко.[3]

This score is not licensed for

Special thanks

" – The

website, you will

composer. This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

The upper [j] notated like an apostrophe indicates a phantom glide, a very quick [i] glide coloring the vowel subtly, as in "sɔkɔlʲɑtkɔ regular [j] glide stands for a real audible and obvious [j], as in "ɦɔlubjɑtkɔ". Must be pronounced as in "yet", "yesterday" The [ɔ] vowel is closer to the Italian word "caro". Not as open as "dawn". underlined to Irina Petrik for the and Pronunciation Notes! In addition, on the musicspoke.com find pronunciation recordings by Irina Petrik and rehearsal learning tracks by the

IPA Translation: IPA Translation by Irina Petrik Verse 1: ɔi hɔdɨtʲ sɔn kɔLɔ vikɔn ɑ drimɔtɑ kɔLɔ plɔtɑ pɨtɑjɛtsʲɑ sɔn drimɔtɨ ɑ dɛ budɛm nɔʧuvɑtɨ Last Two lines of Verse 3: spɑtɨ spɑtɨ sɔkɔlʲɑtkɔ spɑtɨ spɑtɨ ɦɔlubjɑtkɔ Pronunciation Notes: – The capital indicates the back Slavic "L" as in "luck" – The vowel [ɨ] is similar to the sound [ɪ] as in "it", "stick" but a bit wider. Should be sung as in the [i] family - not a diphthong! –

– The stressed vowels are

IPA

                     PianoVoiceSolo                   l.h. r.h. l.h. Adagio ( q »50 ) Adagio ( q »50 )                    Oy kho dyt' son              l.h. r.h.                       4     ko lo vi kon.              simile     A dri mo ta                    ko lo plo ta.                                          7        Py ta yet sya son dri                                                                mo ty:                                                  "A de bu dem no chu                                                                va ty."                           4 Passing Dreams Commissioned by the New Orleans Children's Chorus for the 2022 Crescent City Choral Festival Cheryl Dupont, Artistic Director; New Orleans, Louisiana Music Ukrainian Lullaby Arranged and Adapted by TOM SHELTON Text Ukrainian Lullaby New and Adapted text by TOM SHELTON Incorporating Oy khodyt son kolo vikon 3 part, solo (or small ensemble) with Piano and Cello* Copyright © 2022 Tom Shelton * A separate cello part is found on page 12 This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

                                                11     Oy kho dyt' son             (Hum)                    l.h. r.h.  ChoirPno.Vlc.Solo(orEns.)Small     ko lo vi kon.                                A dri mo ta             (Hum)                      ko lo plo ta.                            (tacet solo until meas. 58)                                         15                Py ta yet sya son dri                                                             ChoirPno.Vlc.      mo ty:                                                    "A de bu dem no chu                                                                    va ty."                             5 This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

                        19               Moving Forward ( q »100 ) Moving Forward ( q »100 ) @                                      simile                          23              @ 2,3Pt.Pt.1                               The                                        27    Dream pass es     The Dream                by light ly       pass es by light ly                  tap ping on the             tap ping on the                              win dow By the      win dow                  6 This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

                         31   fence a       By the fence a                        waits my dear friend        waits my dear friend                Sleep.  Sleep.                                                  35                  Dear                       friends re u     Dear friends                nite, oh      re u nite, oh            7 This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

                         39       they be long to             they be long to                              geth er. The      geth er.                   Dream asks where       The Dream asks where                        should we rest to        should we rest to                                        43  night?  night?                                             3 Where the cot tage is                3       3      warm,     Warm and                         8 This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

                         47      Where the ba by      Where the ba by                        sleeps.      sleeps.                           There we will                         sing and     There we will                                               51      rock the child to      rock the child to               sleep.  sleep.                   rit.rit.rit.        Sleep, sleep my lit tle          molto rit. molto rit. molto rit. 9 This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

                         54  child.             a tempo  a tempo a tempo                               The                                               58    Oy kho dyt'    Dream pass es     The Dream                Solo2,3Pt.Pt.Vlc.1(orEns.)Small  son,    by light ly       pass es by light ly               ko lo vi       tap ping on the             tap ping on the                          kon.      win dow. The      win dow.                10 This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

                                          62    A dri mo    Dream asks where       The Dream asks where                    ta     should we rest to        should we rest to                   ko lo plo   night?   night?                      rit.rit.rit.rit.  ta.                                                                 66         Spa ty, spa ty so kol            Spa ty, spa ty so kol                                                                  Slowly ( q »40 ) Slowly ( q »40 ) Slowly ( q »40 ) Slowly ( q »40 )    ya tko,    yat ko,                                               Spa ty, spa ty ho lub            Spa ty, spa ty ho lub                                                                ya tko.   yat ko.                                  11 This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

                                                        70    There we will     Spa ty  (child)  Sleep,            4 times  3rd & 4th times: ;  2nd & 4th times: ; ;  2nd & 4th times: ; ;  4 times: ; ; ;  ; ; ;  Moving Forward ( q »100 ) Moving Forward ( q »100 ) Moving Forward ( q »100 ) Moving Forward ( q »100 )  sing     Spa ty  sleep,               and rock the     Spa ty  sleep,                                                       73  child        Sleep, Sleep my lit tle  sleep.            simile 4th time rit. 4th time rit. 4th time rit. 4th time rit. molto rit.   child.            molto rit. molto rit. molto rit.                        12 This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

          Vlc.  Adagio ( q »50 )                  14                     19   Moving Forward ( q »100 )                27                   32                         41                         49                rit.  molto rit.      54  a tempo                       62      rit.      Slowly ( q »40 )                    70  ; ; ;  Moving Forward ( q »100 )    4th time rit.  molto rit.       13 Passing Dreams Commissioned by the New Orleans Children's Chorus for the 2022 Crescent City Choral Festival Cheryl Dupont, Artistic Director; New Orleans, Louisiana Music Ukrainian Lullaby Arranged and Adapted by TOM SHELTON Incorporating Oy khodyt son kolo vikon Violoncello This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

Professor Shelton has a passion for music education in all areas: church, school and community. He taught middle school choral music in Winston-Salem/Forsyth County for 18 years. During that time he was selected Teacher of the Year for both Atkins Middle School and Kernersville Middle School.

Professor Shelton is an active member of the American Choral Directors Association, having served as the National President (2017-2019). Other ACDA leadership positions have included Southern Division president (2011-2012), National R&S chair for Middle School/Junior High Choirs (20072009) and North Carolina president (2005-2007).

Professor Shelton is the Series Director for the Music for Young Voices Series with GIA Publications and has over 60 compositions published by Choristers Guild, Colla Voce Music, G. Schirmer, Galaxy, GIA Publications, Growing in Grace Curriculum, Heritage Music Press, Hinshaw Music Company, Musicspoke.com, Santa Barbara Music Press, and Walton Music.

In 1999 the North Carolina Music Educators Association presented him with the North Carolina Middle School Music Teacher of the Year award.

Tom T. Shelton, Jr. is a native of Greensboro, N.C. and a graduate of the University of North Carolina at Greensboro, where he earned both a Bachelor of Music Education and Master of Music in Choral Conducting. He is Associate Professor and Chair of the Choral Studies, Music Education, and Sacred Music Department at Westminster Choir College. In addition, he is the director of Children's and Youth Choirs at Princeton United Methodist Church and conducts the Semi-Tones Ensemble with the Princeton Girlchoir Organization.

Professor Shelton has conducted and adjudicated choral festivals, as well as presented workshops in 21 states as well as Hong Kong; Minsk, Belarus; Jakarta, Indonesia; and Sri Lanka. He has conducted Choral Festivals in Carnegie Hall; Honor Choirs for the Central Division ACDA and Southern Division ACDA; as well as All State and Festival Choirs throughout the United States.

For more information: tomsheltonmusic.com

This score is not licensed for performance. Please visit MusicSpoke.com to purchase performance copies.

Turn static files into dynamic content formats.

Create a flipbook
Issuu converts static files into: digital portfolios, online yearbooks, online catalogs, digital photo albums and more. Sign up and create your flipbook.