Woyzeck Piano/Conductor
Songs and Lyrics by Tom Waits and Kathleen Brennan Based on the Play by George Büchner Original Direction, Design and Visual Concept by Robert Wilson
©2002 St. Rose Music Publishing, Inc.
Woyzeck Prologue I.1 I.2 I.3 I.4 I.5 II.1 II.2 II.3 II.4 II.5 II.6
III.1 III.2 III.3
1. 2. 3. 4. 5. 6. 7. 8. 9. 10. 11.
Ouverture Misery’s the River of the World Misery Ending—Monkey More Murder Skinned Knee Diamond in Your Mind Misery March Overturned Pot (Marie) God’s Away on Business Coney Island Baby Everything Goes to Hell
12. 13. 14. 15. 16. 17. 18. 19. 20. 21. 22. 23. 24. 25. 26.
A Good Man (Is Hard to Find) Knife Chase Starvin’ in the Belly (Scene Change) Knife Chase Opera All the World is Green Starvin’ in the Belly of a Whale Coney Island Baby (with Stops) All the World is Green (Inst.) Coney Island Baby (Conc.) Just the Way We Are Shiny Things (Karl) It’s Over Cuba Tom More Murder II Another Man’s Vine
27. 28. 29. 30. 31. 32. 33. 34.
Shiny Things (Inst.) Everything Goes to Hell (Inst.) All the World is Green (Duet) Red Room Woyzeck’s Woe Overturned Pot (Karl) Overturned Pot (Inst.) Misery Reprise
Piano/Conductor
1. Ouverture
Free tempo, gradually building
Tom Waits/Kathleen Brennan (2000)
solo, out of time
$ ! PIANO # " % % % & G
5
$
# &
9
$
&
G
% & %
% % +
$ ! # % % %
( %
13
$
C
# % 25
# 29
B $& $
D7
$
C
* more together
%
# *
33
# % # "!
37
$
A
G/D
! " %
% % G
" % "
%
%
*!
% * "!
%
%
&
! " %
% %
% % Bass in, still out of syncG
" % "
%
D7
*
* % ,%
D
% %
%
%
*
D7
*
&
% %
G7
%
%
%
*!
+
%
% ,% "!
drumroll & curtain
%
announcer speaks & starts the band
0
*
G7
BASS DRUM & CYMBAL
. /
% ,%
G
% % ! % "
" % "
%
% %
G/D
G
( $%
&
%
*
together
%!
%
D7
C
G/D
% %
&
G7
C
G
&
+
' $%( * !
$% % % #
21
+
G
17
%
% %
%
& ( % % %
% ' % % % % ) %
'
all except Bass in, out of sync G
G
G
' ( % % %( & %
&
% %
D7
&
# *
%
D7
0
1111
111 % ,% 1% ,% 1% % 1% ,% % ,% % ,% 1 #
42
% ,% 1% ,% 1% %
Fm Strong Slow Waltz
111 1% ,% % ,% % ,% ,%% 1,%% ,1%% 1,%% 1% % ,% % % ,%% ,%% 1,%% 1 # % 1% % 1% ,%
45
1 1 ,%% 1,%% 1% ,% 1 ,% 1% # 1
48
1% %
1%%
,%%
1%%
% ,%
,%%
% ,% ,% 1 %
attacca no. 2 Misery's the River
Piano/Conductor
2 Misery's the River Tom Waits/Kathleen Brennan (2000)
!=72
!#! &% '% ( &% '% % ( &% '% % &% '% ( &% '% % ( ) $ "#
## $ &&&& #" %
Cue (Spoken 3x): "Misery's the river of the world . . . ."
VAMP until cue
Dm6
&&& " % '% &% '% &% % '% % % '% % '% % '% &% '% &% % '% % % '% % '% & $ #
5
Fm
&&& '%%&'%%'&%%&'%% &% % '% % % '%% '%%&'%% '%%&'%%'&%%&'%% &% % '% % % '%% '%%&'%% ! & $ % &% % &% '% % &% % &% '%
9
CARNIVAL ANNOUNCER
&&& ! '** * & $
(ratchet) + Accordian + ++ ( , - % % % % % % % % ( ( , %- % % % % %
Fm
13
18
Cm
The high - er that the mon - key can climb,
Fm
the more he shows his
Cm
&& $& & % ( ( % % % % % % % % ( % % % % % % % % % % ( ) (bird)
tail.
23
Call no man hap - py 'til he dies. There's no milk at the bot - tom of the pail.
+ Log Drum
Dm
& $ & && '% % % % , %- % % % % % '% % % '% % % % % % % % God builds a church,
the dev - il buildsa chap - el like the this - tles that are grow - ing round the
26
& $ & && '% % % %- , % % '% % % % % % % % % % % '% , %- '% % % %
trunk of a tree. All the good of the world you could fit in - side a thim - ble, and still have room for
(bird) (ratchet . . . . . .)
Fm Dm . a tempo && $ & & '% % + & '% % % % % % % % % + % , % '% % % % %
30
rit.
you and me.
If there's one thing you can say a - bout man - kind, there's no - thing kind a - bout Fm
35
& $ & && '% ( ( % '% % % % % % % % % ( % '% % % man.
You can drive out na - ture with a pitch - fork
39
&& $& & % % % ( back a - gain.
Fm
% % % % % % % % ++
44
& $ & && % % % % % % % % ++
50
Cm
)
Fm
& $ & && +
+
+#
al - ways comes roar- ing
% % % % % % % % ++
) Fm
)
Cm
% % +
+
+
)
Fm
+
+#
%
" '%%&'%%'&%%&'%% &%% % '% % %% '%% '%%&'%% /% %/% % % #
Cm
%
but it
% % %
Fm
+
& & '%%&'%% &% '% &% % '% % % '% %&'%% '%%&'%% &% '% &% % '% % % '% %&'%% ! & ' %& % % /% % /% % % '% ' %& % % /% % /% % % '% $ &
55
& & !#! '** & $ & "# *
VAMP until cue: Fm
59
"The commencement of the commencement will start immediately"
+ ++
(
$ # - # % %% % % % % % %
The Cm
62
,
CHORUS
high - er that the mon - key can
Fm
Cm
& $ & && % ( ( % % % % % % ( ( % % % % % % % % ( % % climb,
the more he shows his
tail.
Call no man hap - py 'til he dies. There's no
ANNOUNCER
Dm
67
&& $ & & % % % % % % % % ( ( '% '% % % % % % % % % milk at the bot - tom of the pail.
71
& $ & &&
% , '%-
God tem - pers all the winds for the new - shorn lambs, the
Am
Fm
-, % % % % % % % % % % % % '% '% % % % % % %
dev - il knows the bi - ble like the back of his hand. Cm
74
All the good of the world you could
C7
Fm
&& $ & & % % % % % % , % % % % % '% % + fit in - side a thim - ble,
and still have room for
you and me.
Cm
78
% % % % %% %
one thing you can say a - bout
Dm
& $ & && + % , %- % % % % % % ( ( '% '% % % % % % % '% % ( %'% man - kind, there's no - thing kind a - bout man.
83
C
ANNOUNCER
C7
& $ & && % %
, - % % % % , %- % % % , %% % % %
% % %
ANNOUNCER
For want of a bird,
DOCTORS
Cm
MARIE & MARG.
Fm
al - ways comes roar - ing back a - gain.
87
You can drive out na - ture with a pitch - fork but it
the sky was lost.
ANNOUNCER
For
ANDRES, D.M., CPTN.
Fm
& $ & && % % % % , %- % % % , - % % % % , %- % % % , %% want of a nail,
a shoe was lost.
ANNOUNCER
91
want
94
& $ & && ++
world.
% % %
of
a
)
toy,
,
% '% a
a knife was lost.
For
ANNOUNCER & CHORUS
ALL
Cm
& $ & && %
For want of a life,
%
child was
%
lost.
(
Fm
% % % % % % % %
Mis - er - y's the riv - er
CHORUS
Cm
% % % % % % % %
Mis - er - y's the riv - er
of the
++
of the world.
% % % % Ev - ry - bod - y
ANNOUNCER
97
Fm
&& $& & % % % % % % % % +
)
Mis - er - y's the riv - er of theworld.
&& $& & %
CHORUS
(
row!
)
Mis - er - y's the riv - er of theworld.
Ev - ry - bod - y row!
+ Snare
Fm
Mis - er - y's the riv - er of the world.
)
% % % % % %% % +
%% %%%( % % %%% (
& & !# & $ & "# % % % % % % % % ++
101
Cm
)
Ev - ry - bod - y row!
%% %%%(
Ev - ry - bod - y row!
last time MARGRET only
% % % % % % % % ++
Mis - er - y's the riv - er of the world.
)
## $ %
attacca no. 3 Misery Ending
Piano/Conductor
DRUM
3 Misery Ending--Monkey Tom Waits/Kathleen Brennan 2000
swung rhythm Dm
Am
## " # # ! %$ $ $ $ & $' $ $ $ $ $ %$ $ $ $ $ $ $ $ $ $ $
God builds a church The de - vil builds a cha - pel like the thist - les that are gro wing'round the
4
# " # ##
Fm
Cm
' & %$ $ $ $ $ $ $ $ $ $ $ $ $ & $' $ $ $ $ $ $ $ $ %$
trunk of a tree
All the good in the world you can put in - side athim - ble
and still have roomfor
PIANO
8
C7
# " # ## %$ $ (
13
break
)
)
22
' $ &$
One thing you can say a - bout Man - kind, There's
Fm
Dm
$ * * %$ %$ $ $ $ $ $ $ %$ $ * $ %$
no - thing kind a - bout man.
# " # ##
$ $ $ $ $$ $ (
you and me.
# " # ## $ $ $ $ $
17
Fm
C
$ $
You can drive out na - ture with a Pitch - fork,
C7
$ $ $ $ $ $
*
al - ways comes roar - ing back a - gain.
Fm
# " # ## $ $ $ $ $ $ $ $ ((
Mis - er - y's the riv - er of the World
+
Fm
( $ $ $$ $ $$$ (
+
but it
)
Mis - er - y's the riv - er of theWorld
Fm
$ $ $ $ $ $ $ $ ((
Mis - er - y's the riv - er of the World
$$ , $$
CYMBAL
Piano/Conductor
4 More Murder NY Tom Waits/Kathleen Brennan 2000
+Horn blasts and Screams with Mellotron Tape cue: Woyzeck points to the Captain
A Play 8 Times & & # !!"! $ % % $ ' ( !!! ' "
)%
( !!! %! "
!! !! $ & & $ ' % % Play 4 Times
% !! !! ' % %
)% ! ! ! % % ! !% +
)% *% ! ! % % ! !'
( !!! % % % % % % !! !! % % ' " arco
# !! $ %& %& $ '
4
Play 4 Times
( !! '
( !! % !
!! !! $ %& %& $ ' Play 8 Times
% % )% *% !! !! '
( !! % % '
% )% *% ! ! %! ! ! + '
!!
)%
% !! % % )% ! % % ! +
!! !! % % % % % % !!
!! !!", )% % )- !
!!
Play until cue: Captain: Compose yourself, Woyzeck!
% ! !, % % ! !" .!
)% ! !, . ! % % ! !" + .! , !! !! % % % % % % !! !!"
% )% *% ! ! %! ! ! + '
)%
!! !! $ %& %& $ ' Play 4 Times
% ' ' ' '
!! !! !!
Cue: Woyzeck returns to shaving the Captain
B Play 4 Times 7 Play 2 Times & & ! & & # !!" $ % % $ ' !! !! $ % % $ ' ( !!! ' )% % % % !! !! ' % %)%*% "
!! !! $ %& %& $ '
( !!! arco " % % % % % % !! !! % % '
!!
( !!! %! "
)% % !! !! % ! % +
& & ! # !!" $ % % $ '
11
Play 4 Times
( !!! ' "
)%
( !!! %! "
Play 2 Times
!! !! '
%)%*% !! + '
!! !! $ %& %& $ '
)% ! ! ! % % ! !% +
, # !!" )%
Play 2 Times
( !!, .! " ! ( !!, . " ! ( !!, . "
%
)- !
%
' ' ' '
' !!
!! !! $ %& %& $ ' )%
!!
% ! % % ! )% ! % % ! +
!! !! % % % % % % !!
'
!!
' !! ' !!
% )% *% !! !! %! +
!!
% ' !!
Play 2 Times
)% *% ! ! % % ! !'
( !!! % % % % % % !! !! % % ' " 14
)% % % , !! !!" .! % )% , . ! % !! %! !! !!" % + .! !! % % % % % % !! !!",
Play 2 Times
% ! ! % % ! !'
!! !!", )% % )- !
Play 2 Times
Play until cue: Captain: Makes me melancholy.
!!"! $ !!"! '
!! !!"! %!
'
!!
)% % % +
!!
& & $ % % )%
% % %
!! !!"! % % % % % %
!! !!
Cue: play when spotlight on knife comes up after: Woyzeck: Man is also flesh and blood. Play 8 Times Play 4 Times
C & & # !! $ % % $ '
16
( !! '
!! !! $ & & $ ' % %
% ! ! % % ! !'
)%
( !! %!
% % )% *% !! !! '
)% !! !! % ! % % +
( !! % % % % % % !! !! % % ' arco
# !! $ %& %& $ '
19
Play 4 Times
( !! '
( !! % !
!! !! $ %& %& $ ' Play 8 Times
)% *% ! ! % % ! !'
( !! % % '
)%
)%
% )% *% !! !! %! + '
!!
% ! % % ! )% !! % % +
!! !! % % % % % % !!
Play until cue (stop after C's line): Captain: Virtue, Woyzeck! Virtue! Woyzeck: Yes, Captain.
!! !!", )% % )- !
% ! !, % % ! !" .!
)% , . ! % !! !!" % + .! , !! !! % % % % % % !! !!"
% )% *% !! !! %! + '
!! !! $ %& %& $ ' Play 4 Times
% ' ' ' '
!! !! !! !!
Woyzeck: . . . we'd have to help with the thunder. + WATERPHONE, TRUMPET BLASTS
Cue: blackout
D Play 8 Times & & ! # !!" $ % % $ '
22
( !!! ' "
)%
( !!! %! "
!! !! $ & & $ ' % % Play 4 Times
% ! ! % % ! !'
)% !! !! % ! % % +
% % )% *% !! !! '
( !!! % % % % % % !! !! % % ' " Arco
# !! $ %& %& $ '
25
Play 4 Times
( !! '
( !! % !
!! !! $ %& %& $ ' Play 8 Times
)% *% ! ! % % ! !'
( !! % % '
)%
% )% *% !! !! %! + '
!!
% ! % % ! )% !! % % +
!! !! % % % % % % !! Arco
!! !!", )% % )- !
Play until lights up
% ! !, % % ! !" .!
)% , . ! % !! !!" % + Arco .! , !! !! % % % % % % !! !!"
% )% *% !! !! %! + '
)%
!! !! $ %& %& $ ' Play 4 Times
% ' ' ' '
!! !! !! !!
Piano/Conductor
5 Skinned Knee Tom Waits/Kathleen Brennan 2000
Cue A: sound effect when Woyzeck raises stick Cue B: sound effect when Woyzeck raises stick Cue C: scream sound effect when Woyzeck drops stick Cue D: play as Woyzeck lifts up long stick, stop on "Quiet!!!"
& & ' ' $$$ $$$ $ $ % $ $ $ $ $ $ % $ $ $ $ $ 7 ppp & ### & # " %! $ $ $ $ $ $ $ $ ( $ 11 & ##& # # $ " $ $ $ $ $ $ ( % $ % Clarinet Solo
# #! "# # !
Cue E: trombone and sax play squeals and glisses after Andres breaks stick. Stop after Woyzeck stops running. Cue F: Play cue D again as Andres moves downstage; fade into next cue
Cue G: play until tree moves Clarinet, Brass
))) "! " #!
))) "
5
$ $ $ $ $ $ $ $ (
$ $ $ $ $ $ $ $ %
' * $+
$$ $ $ $ $$ $$ $$ $ $ $$ $ $$ $$ ( $ $ $ Cue H: sound effect as tree moves
!! $ %
Piano/Conductor
6 Diamond in Your Mind Tom Waits/Kathleen Brennan 2000
cue: Woyzeck: It's all quiet, like the world was dead. ANDRES:
A
' $ %%% !" ' # & & &' & & & & & &! Zer - lel - da
Sam - u - els said she ain't
)!
' & & (!
& &*
ne - ver prayed.
'til
her
$ %%% & & & & & & & & & & & ! ) ! ) ! ) &* & &* + & & & &' ) &' * *
3
right arm was blown off in a Pink - er - ton raid.
$ %%% & ! & &' &! ) !
6
"Three - Fing - ered Dave,"
to a wind - mill with
& & & & & & &! & ' ' ! " ' & & && & (
Now she's a hund - red and two, drink - ing
' $ %%% ' ' ' & ,! & & & && & & A
9
They lashed her
E7
Al - ways keep a dia - mond in your mind.
ju - leps in the shade.
' ' & & & & & &' & &* ( ! & ! ) &*
A
A7
D
WOYZECK:
Al - ways keep a dia - mond in your mind.
Where
ANDRES: $ %%% ' &' & ! & ' & & & & & & & & &' & & & &' ' & & & & * * & * * * &&
A
13
A7
D
A
E7
ev - er you may wan - der,wher - ev - er you may roam you've got to al - ways keep a dia - mond in your
16
$ %%%
A
,!
mind.
' ' + & & & & & & & & & (!
A
Sis - sy's
A7
)!
& & *
han - ging laun - dry down by the brook.
Pen - field
$ %%% & & & & & ! & & & ! ) ! + & & & & & & ! + & & & &' ) &' * * *
19
D
Mor - gan's ta - king more than a look.
F#m
If it weren't for the squawk
C#m
of the rock - er
that's
' &! )! $ %%% & & & &' &! & & & & &* & & & & & &' ! & & & * *
22
F#m
C#m
F#m
C#m
E7
2
kept out in the rain, there would be no - thing to com - plain a - bout ex - cept for the trains.
' $ %%% #!! A ' ' ' & ,! $& & & & & & &
25
Instrumentalists Sing Along:
Al - ways keep
$ %%% ( !
28
mind.
31
$ %%% &
' &
A
$ %%% & al
-
a dia - mond in your
A7
D
& & & * *
Wher - ev - er you may wan - der,wher - ev - er you may roam you've got to
E7
& & *
al - ways keep
33
Al - ways keep
' ' & ' & & & ! & &' & & & & & * * & & A
' & &
A
A
a dia - mond in your mind.
&! )
D
' ' & & & & & &' & &*
E7
a
&
ways keep
' & &
dia - mond in
& * a
E7
&
' & &
' &
,!
your mind.
' &
dia - mond
&
in
' !% & !&
ANDRES (last time)
A
(You've got
' &
your
A
,!
mind.
to)
Piano/Conductor
SNARE
" !#
7 Misery March $ !
% #&
#
( ' ( (( "" ) ) ) ) ) ) ) ) ) *
+
" #
#
Tpt. w/ Harmon mute, 7 Picc. Fm
11
Am
(( ' ( ( ,) ) ) ) ) ) ) ) ) *
+
$
#
% #&
#
$
% #&
# !
+
))) ) ) ) ) ) ) * To S. D.
,) ) ) ) ) ) ) ) ) *
Snare Drum
( " ( (( # $ # % #& # $ !
15
!
$
#
$
4
$
#
Tom Waits/Kathleen Brennan 2000
#
$
#
+
$ % & # # !
" ""
crossfade into Overturned Pot
Piano/Conductor
8 Overturned Pot (Marie)
A Vln, Bass
### ! " !
### "
5
A/E E7/G# A
$
$ %
$
A
$
$
No - thing's ev - er
### $ $ $ $ "
9
D
If
### "
13
C#7 C#7/F F#m
A/E
I
die
C#7 C#7/F F#m
$
A/E E7/G# A
$ $ $ $
No - thing's ev - er
$
yours to
%
keep.
$ $! $ $ &
A/E E7/G#
be - fore
A
you wake,
C#7 C#7/F F#m
$
as
D
$ %
$
(humming)
A/E E7/G#
$
Tom Waits/Kathleen Brennan 2000
MARIE
$ %
it seems,
A/E
$ $ $ $
D
$
$
E7sus
%
$
$ $ %
A/E
don't you cry;
D
A/E
$ $ $ $
climb the
lad - der
+ Waterphone (as Woyzeck enters)
### $ $ $ $ "
17
D
If
### "
21
A/E
I
die
$ $! $ $ &
A/E E7/G#
be - fore
A/E E7/G# A
$ $ $ $
No - thing's ev - er
A
you wake,
C#7 C#7/F F#m
$
as
$ %
it seems.
$ $ %
D
A/E
don't you cry;
D
A/E
$ $ %
Close your eyes,
A
$ $ %
A/E
Close your eyes,
D
E7sus E7
go
E7
A
to
sleep.
$
%
$ $! $ $ &
A/E E7/G#
A
don't you weep.
E7sus E7
A
$ $
%
to
your dreams.
$ $! $ $ &
A/E E7/G#
A
don't you weep.
E7sus
E7
go
to
spoken: Is that you, Franz?
$ $ '
Cue: Woyzeck: I've got to go. continue playing underneath scene change (until door slam/cue for "God's Away")
B Toy Piano & Cello, playing severely out of tune 25 A/E E7/G# A C#7 C#7/F F#m D A/E ### $ % $ % $ $ $ " $ $ $ ### "
29
A/E E7/G#
$
$
A
$
$
### $ $ $ $ "
33
### "
37
D
A/E
A/E E7/G# A
$ $ $ $
### $ $ $ $ "
41
D
A/E
C#7 C#7/F F#m
$
$
%
$ $! $ $ &
A/E E7/G#
A
C#7 C#7/F F#m
$
$ %
$ $! $ $ &
A/E E7/G#
A
D
$
E7sus
%
$
$
D
A/E
A/E
$ $ $ $ $ $ %
D
A/E
A
$ $ %
A/E
$ $ %
D
E7sus E7
E7
A
$
%
$ $! $ $ &
A/E E7/G#
A
E7sus E7
A
$ $ % $ $! $ $ &
A/E E7/G#
A
Piano/Conductor
9 God's Away On Business Tom Waits/Kathleen Brennan 2000
A
!#! # " "#!
Dm
stop on 2nd doorslam (waterphone continues)
## $ %
cue: doorslam
B cue: W: But the call of Nature, Doctor. 3 Dm ! " # "## % # $ "
5
Bac
-
C !# & "#
## $ % ## $ %
cue: Doctors: Woyzeck philosophizes! stop after Cello and Doctors improvise on "bacteria" theme "God's away on business."
$#
te
-
-
-
-
D cue: W: ". . . dissolve like spider webs!" 8 Dm Play 2x ! ) " # "## 10
stop on "Couldn't hold it in!" (waterphone continues)
% '$ ri
(
-
a!
## $ %
DOCTORS
*
$#
There's
$ a
Dm
" # $ $ $ $ $ $ $ $ $ + $% $ $ $ $ $ $ $ $ $ $ $ $ + $% one - eyed man in the po - ker pit. They're dig - ging up the dead with a shov - el and a pick.
The
14
" # $ $ $ + $% $ $ $ + $% $ $ $ $ $ $ $ $ $ $ $ $ * sunwent down, the moon wept blood,
18
"#
,
)
*
a blood - y jack of dia - monds and a plague and a flood.
Dm
$ $
There's a
B¨
$ $ $ $ $ $ $ $ $ + $%
leak, there's a leak, in the boil - er - room,
the
22
Dm
" # $#
poor,
26
% $ $#
the lame,
B¨
% $ &
Dm
A7
Dm
God's a - way on
busi - ness,
B¨
Dm
" # $ $ $ + $% $# boil - er - room,
38
the Poor,
B¨
"# $ $ $ * left
42
in charge?
Dm
A7
"# $ $ $ * God's
46
a - way,
Dm
A7
"# $ $ $ * God's
a - way,
! % " # "## & $ # '$ (
50
Play 2x and stop
te
-
*
$ $
ri - a!
$
$
the Lame,
There's a
% $ &
)
Thieves, and Whores?
Dm
A7
a - way
Dm
on
A7
$ $ $
God's
a - way
,
on
$ $ $ *
busi - ness,
$ $
God's
*
busi - ness,
) * $ & $ # '$% ( Bac - te
-
ri - a!
a - way,
Dm
)
$ $
Dm
$
$ $ $ *
God's
Dm
$
Dm
)
&
Kil - lers,
God's
$ $ $ $ $ $
Who are the ones that are
B¨
$ $ $
leak, there's a leak in the Dm
the Blind;
$
a - way,
$ $ $ $ $ $ $ $
B¨
$ $ $ $
God's Dm
* *
Dm
A7
$ $ $ *
a - way,
busi - ness!
in charge?
Dm
$ $ $ *
God's
% $ $#
left
Dm
Thieves, and Whores?
"# $ $ $ $
34
$ $ $ $ $ $ $ $ $ *
)
&
$
B¨
Who are the ones that are
B¨
"# $ $ $ $
30
)
the blind;
Dm
Kil - lers,
Dm
$
$
busi - ness!
,
a - way,
*
& Bac
-
) * $ ## $ % Bac
E "#
cue: Woyzeck: "Yes, sir." Dm
B¨
Dm
+ % % % $ $ $ $ $ $ $ $ $ $ $ $ $# $ $# $ &
There's a leak, there's a leak in the boil - er - room,
65
Dm
B¨
"# $ $ $ $ $ $ $ $ $ * Who are the ones that are left in charge?
70
Dm
A7
"# $ $ $ * God's
74
a - way,
Dm
God's
a - way,
!# & # " "#
$#
78
te
-
-
$#
82
te
Dm
God's
-
-
a - way
Dm
God's
% '$
ri -
)
$ &
Dm
on
$ $
$ $ $ *
Dm
$
on
$ $
busi - ness,
God's a - way,
Dm
)
$ $ $ *
busi - ness,
God's
*
$
$
a - way,
*
Bac
)
*
a!
( a!
&
busi - ness!
,
(
ri -
% '$
a - way
Dm
Kil - lers, Thieves, and Whores?
A7
$ $ $
B¨
$$$ $
$
)
the Poor, the Lame, the Blind;
Dm
A7
$ $ $
A7
"# $ $ $ *
"# &
B¨
-
$ Bac -
,
)
*
$ Bac -
## $ %
F
cue: Doctors: " . . . immortal."
. . # * * "
86
" # $#
the Lame,
"# $
$
left
in
"#
$ $ $
are
$ $ $
$
Kil - lers,
$
Thieves, and
$ $
the ones
B¨
that are
)
&
Whores? FEMALE DOCTOR
,
)
*
$ Bac -
Dm
Dm
"# $ $ $ * God's
"# & te
100
Who
, MALE DOCTOR
96
$
Dm
charge?
the
Dm
Blind;
*
$
leak, there's a leak in the boil - er - room,
)
&
the
B¨
+ % $ $ $ $ $ $ $ $ $ $ $ $
B¨
% $
B¨
Dm
There's a
% $ $#
Poor,
93
. - * *
percussion hits
Dm
90
DOCTORS
a - way,
$#
-
-
Dm
"# $ $ $ * God's a - way,
"# & te
$ $ $ *
God's
% '$ (
a - way,
Dm
A7
Dm
$ $ $ $
God's
a - way
on
$ $
)
busi - ness,
,
)
*
$
ri - a!
Dm
Bac -
A7
$ $ $ *
God's a - way,
$ # '$% (
-
A7
ri - a!
Dm
A7
$ $ $ $
God's a - way on
,
Dm
* $ $ $
busi - ness,
)
Dm
&
Bac - te
* *
$ # '$%
-
$ $ $ *
God's a - way,
ri -
Dm
105
"# (
A7
Dm
A7
Dm
,
Dm
)
* $ &
a!
Bac - te
"# $ $ $ * $ $ $ $ $ $ ) God's a - way,
111
"#
Dm
God's a - way on busi - ness,
Dm
,
$ $ $ *
God's a - way,
"# $ $ * $ busi - ness,
116
Bac - te
Dm
"# $ $ $ * God's a - way,
"# & te
& Dm
$ $ $ *
God's a - way,
$ # '$% (
-
A7
ri - a!
-
God's a - way,
Dm
A7
$ $ $ *
God's a - way,
A7
Dm
A7
,
ri - a!
$ $ $ *
$ # '$% (
-
$ # '$% (
Dm
$ $ $ * $ $ $ $
God's a - way,
Dm
A7
God's a - way on
Dm
$ $ $ $
God's a - way on
,
$ $
)
busi - ness,
)
* $
ri - a!
Dm
Bac -
A7
$ $ $ $
God's a - way on
,
Dm
$ $
*
busi - ness,
$ $
busi - ness,
$
$
$
$
* )
busi - ness!
*
busi - ness!
* )
Piano/Conductor
$! # " $ # (
Fragile
!
% %
Tom Waits/Kathleen Brennan 2000 D7
G
# % % % & %' % take me out
$( #
*
town.
,
$
31
$
When I'm with her,
G/D
% % !% "
ba - by,
#
$
I'm the rich - est
D
make their wish - es on
(
+
she's my
,
to
man
in
the
% % % * % % % * % % % % %! %' % * * * * % % G
G
G
C
she comes
* & ' % %
' % % % % % ! * & & % $ % ) % % % % % %
D7
# % 36
% * % % % %
She's the rose, she's the pearl, she's the spin on
stars
D7
D7
' ! % % * % % & ( % $ % # %
26
G
Ev - ery night
to dream - land.
* ,
& % % % & %% % % % & $%' % ) % +
* ,
%
1x +Sax
G
19
D7
1x: +Cello 2x: +Sax, B Cl
&% % * % ( )
$
G
% % & $%' (
G
6
13
10 Coney Island Baby
Co - ney
D7
% % (!
She's a
She's my
D7
(
Is
G
G7
Co - ney
Is - land
-
G
in a red
(!
(!
G
%
* % % (! %
prin - cess
All the
* % % "" % % % % -%
her eyes.
(
my world.
land
girl.
% % ( * %
Em
dress. She's themoon
" % %#
To Coda
%% (
D7/C
%
in the mist
to
9 Coney Island Baby
44
#
$ (!
G/B
G
% % "" %
,
me.
She's my
$! % # "
48
G
G/D
(
Co - ney
"
$ # % $% #
D7
D7
%
Co - ney
D7
(
%
Is
& $%' ( & $%'
(
%
% -
land
& % ) & % )
G7
%
C
% -%
Is - land
%
ba - by,
(!
G
% G
%
She's my
D.S. al Coda
,
%
%
%
%
(whistle melody)
girl.
G
% % ! "
(
%
*
& % % %
%
(
*
Piano/Conductor
11 Everything Goes To Hell
Latin Feel
# !#! # " # "#!
Tom Waits/Kathleen Brennan 2000
Cm VAMP under dialogue until Marie sings
6
# "# #
$
$
%
Why be
G7
Cm
sweet, why be care - ful, why be
Fm
3 ( * ( '* ' ' ' ' ' ' ' ' ( ' ' ' ' ' ' ' +' ' ) ' +' )
kind?
10
## # " )
"please?"
# , # " #)
14
lieve:
17
$
3 ## $ ' & ( ' ' ' ' ' ' ' ' % MARIE
A man has on - ly one thing on his mind.
Why ask po - lite - ly? Why go light - ly? Why say
Cm
G7
& ( '* ' ' ' ' ' & ' ' ' ' ' ) ' ' ' ' ' ' +' ' They on - ly want to get you on yourknees.
, '# A
* '
Cm
' ' ' ' '
There are few things that I nev - er could be
(
( * * ' ' ' ' ' ' '
wo man when she weeps,
a
Fm
mer - chant when he swears,
a
Cm
# " # # ' ' ' ' ' ( '* ' ' ' ' ' ( '* ' ' ' ' ' ( '* thief who says he'll pay,
a
law - yer when he cares,
a snake when he's sleep - ing,
G7
20
# "# # ' ' ' ' ' - ' ' ' ' ' ' ' ' ' +' drunk - ard when he prays.
23
## 3 # " '' ' ' ' )
Ev - ry - thing goes to hell,
' )
a
%
I don't be - lieve you go to heav - en when you're good.
G7+
G7
)
)
a
-
ny
.... -
C#m
'
way.
& %
%
DRUM MAJOR
& ' '
Laiss - ez
3 .... * ( " ' ' ' ' ' ' ) ( '* ' ' ' ' ' ' ' ' ' ) ( ' ' ' .'
C#m
27
G#7
faire, mon a - mour, c'est la vie. Shall I re - turn to shore or swim back out to sea? The world don't
F#m . . "..'
31
C#m
' ' ' ' ( ' .' ) & ' ' ' ' ' ' ' ' ' ' ) & -' ' ' 3
care what a sol - dier does in town.
.... "
35
It's all hang - ing in the win - dows by the pound.
G#7
' ' ' ' ' ' .'
%
' )
3
'' ' ' ' )
lieve you go to heav - en when you're good.
!# & % # " "# '
39
Dm
%
51
)
)
I on - ly
#
a - ny -
3 ( '* ' ' ## $% ' ( '' ' ' ' ' ' )
want to hear you purr and hear you moan.
( '* ' '
There is a -
MARIE
A7
noth - er man who brings the mon - ey home.
"#
G#7
DRUM MAJOR
"# ' ' ' ' ' ' .' ' ) %
47
G#7+
VAMP under dialogue until D. M. sings Dm
way.
43
Ev - ry - thing goes to hell,
I don't be
Gm
3 * ( / / / / / (/ / / & & /
I don't want dish - es
in the sink.
/
Please don't
MARIE & DRUM MAJOR A7
, , * & & ' ' ' ' ' ' ' ' .' ' ) ' # ' / / / / / / / / /
Dm
tell me what you feel or what you think.
There are few things that I ne - ver could be lieve: a
Dm
Gm
* " # ' ' ' ' ' ( '* ' ' ' ' ' ( '* ' ' ' ' ' ( ' wo - man when she weeps,
a
mer - chant when he swears,
a
thief who says he'll pay,
a
Dm
54
" # ' ' ' ' ' ( '* ' ' ' ' ' ( '* ' ' ' ' ' - ' ' ' law - yer when he cares,
57
a snake when he's sleep - ing,
A7
"# ' ' ' ' ' ' .'
%
' )
3
'' ' ' ' )
lieve you go to heav - en when you're good.
61
Dm
A7
way.
'
"# '
# # # !# # " # # "#
64
Dm
'
Dm
&
'
Instrumental Solo
E¨m
$
B¨7
$
a drunk - ard when he prays.
Ev - ry - thing goes to hell,
A7
Dm
&
'
' B¨7
$
Dm
A7
' E¨m
' $
Dm
' ## $ %
I don't be
A7+
A7
)
)
a
-
&
Cluster
'' & % ''
ny -
######
Piano/Conductor !=100
$ # ! "# !
B¨
12 A Good Man (Is Hard To Find) 1. PIANO 2. MARIMBA 3. DRUMS
$
#! " # "## & & & &
lit a wood - en al ways long - dead
(2.) (3.) F
# "# & & & &
bro - ken ev - ry sev - en - teen mem - bers his
13
B¨
&
words far out
in from to
# "# $
17
C7
# "# %
21
match; play soldier
rule; black war,
Bb BANJO
B¨7
$
strang
%
-
ers
'
& & #& &
&
%
&
it in
all burn down. my head. from the frame;
%
Eb
$
& the how scare
&
&#
is
hard
are from all
$
but why to for - get and nothing
& , to
& & & 3
sleep in
my
I've It's No one re
& & There's no How Go
$
all the the
'
bare. pew, crows. MARIE sings, MARGRET hums
F7
&
down. red. name.
& #&
trees far off
&
%
$
I
%
$
& & $
&
& & %
man
$
F
B¨
the wind; the gutter, the meadows,
Bb7
$
Cm
$
I've wrecked it all and twen - ty - nine no one re-mem - bers his
Life's mean as a need - le, I'll al - ways re - mem - ber It does no - thing but rain here,
# "# $
$
I let russian rou - lette looks out
%
$
& & & &
good 25
&
%
$
3
# "# $
$
$
MARIE 1.
B¨
5
9
$
Tom Waits/Kathleen Brennan 2000
Cm/G
-
( * & )&
$
+$
Care? you. grow.
A
To Coda (Third Time)
should I a - bout will G7
&
%
find. F7
-
bed.
&# On
'
$ My
& , -
ly
29
Bb7
#$ "#
&#
fa
33
-
Cm
# "# &
vo
-
rite words
-
&
rite
#$ # "
$
&
co - lor
is
&
Bb
&
$
%
Bb
Cm/G
#"#
%
$ man
G7
&
%
find
On
Ab
F7
# "# -
'
Cm/G
bye,"
-
ly
stran
G7
&
%
$
&#
is
hard
$ -
&
and
my
-
Cm
&
vo
-
&
fa - vo
-
I A
& , to
& & & 3
&#
$
Bb7
rite words
&
$
## $ %
sleep in
* &
&#
Fa
&
my
+$
'
gers
$
My
and
2nd Verse to MARIMBA 3rd Verse to DRUMS
&
Bb
$
bed.
#"#
& ,
Cm
&#
&
$
&
Bb7
good
&
%
red.
$
# "# $
49
-
MARGRET 2. MARIE 3.
39"
45
G7
"Good - bye"
+$
37
Cm/G
& ,
are
F7
&
$
fa - vo
41
&#
* $ &
Bb
rite
F7
&
are
$
co - lor,
my
& , "good -
& my
11 A Good Man (Is Hard To Find)
53
Cm
# "# &
&
$
fa - vo 57
Bb
# "# &
red.
-
%
rite
$ #$
F7
&
Cm
$
&
co - lor,
my
$ $
&
&
$
fa - vo
##$$
-
rite
F7
&
$
&
co - lor
is
)-
Piano/Conductor
13 Knife Chase Tom Waits/Kathleen Brennan 2000
cue: Marie: "Look, the Angel of Sleep . . ."
A MARIMBA !# ! # " "# ! $ # # # $# # # # # # # % 5
" # # # %
#
9
#
" # # # %
13
" # # #
)
% # $#
) # $ # # $# #
#
& #' (# % #
#
% # $#
$ # # # $# # #
#
+ Tpt w/ Harmon mute
% # # $#
#
# $# # # # $# #
#
# # $ # # # $# #
stop after: Marie: "What am I - a whore?"
$#
cue: Woyzeck: "See you tonight, Marie."
B TOY PIANO . !# ! # # # # " "# ! # $# ,# # -
## + # . ! -
)
## $ %
. # -#
## $ %
* # !
# # # # $# $ # # #
-
Piano/Conductor BANJO
#! " # #!
Cm
14 Starvin In The Belly Inst. (under scene change) Tom Waits/Kathleen Brennan 2000 $
'#!& & & & # #! BASS
## !## # " )
5
Eb
# "# # *
*
' ## & & & & # 13
& & & &
& & & &
& % (
)
&
'# & & & & ## Eb
# "# # *
*
'# & & & & ##
%
&
& &
& & &
&
%
*
&
&
%
&
*
& & & &
& &
& & & &
&
%
(
& & & & &
%
& &
& & &
%
& &
& & &
& %
)
Dm7b5
&
G7
& & & & &
& & & &
& & &
&
)
& &
%
%
& & &
Dm7b5
& & & &
Cm
# "# # )
17
$
Cm
' ## ## & & & & #" 9
$
& &
& & & & G7
&
$ & & &
## $
## %
Placeholder for 15 Knife Chase Opera
Piano/Conductor cue: Doctor: "Facial muscles rigid, tense, occasionally twitching. Posture tense."
16 All The World's Green Tom Waits/Kathleen Brennan 2000
## ! " !
Bm
I
# "#' ' ' ' ' '
D
$
)
when you be - came my wife. oh the things that sum - mer brings.
## " & '( ' ' ' ' F#7
11
Bm
## & ( " ' ' ' ' ' ) $ A7
D
## "
Bm
)
$
$
%
kings. green.
## "
25
D
)
green.
# "#
29
D
)
green.
& ( ' ' ' ' '
Gmaj
the sea for.
Em
( ' ' ' ' ' %
F#7
F#7
& ( ' ' ' ' ' ' ' ' # '( ' ' ' ' ' You turn kings into beg - gars and beg - gars in - to The dew will set - tle on our grave when all the world is
' # '* ' ' ' ' ) ' ' G
3
D
( & '( '# ' ' # '( A7
and all
the world is
' ' ' ' ' ' ' ' ' ' & '( '# '( ' # ( ' ' ' G
3
D
Let's pre - tend we can bring back the old days a - gain,
$
( ' )
'#
I risked it all a - gainst It's a love you'd kill
Let's pre - tend that you owe me no - thing
%
F#7
Ma - rie, you are the wide blue sky. He is balancing a dia - mond
And men do fool - ish things. on a blade of grass.
20
Gmaj
% & ( '# ' ' '
life. green.
Em
fell in - to the o - cean moon is yel - low sil - ver,
Bm
)
to have a bet - ter And all the world is
15
Bm
$
A7
7
( ## % & (! '# ' ' )# '" ' '
$
%
## $ %
Bm
' '
2. When the
A7
and all
the world
is
Piano/Conductor
17 Starvin In The Belly Of A Whale
# !# ! # " # "# !
Tom Waits/Kathleen Brennan 2000 Cm
$
' # !## ! & & & & # #" ! 5
# "# # )
' ## & & & & # whit
9
-
Eb
# "# # *
-
*
' ## & & & & # fid
13
-
dle
tled,
&
'# & & & & ## day
Eb
# "# # *
mis
'# & ##
* & & & -
take
$
& & & &
& & & &
%
& &
& & & Time's a
%
*
that
& it
&
%
& &
& & & &
breaks
*
all
and the
%
%
) & & &
rid
-
&
-
Dm7b5
& & & &
Cm
# "# # )
17
&
$
plays
& & & & & ) & & & &
Earth
Dm7b5
&
day
& & & &
&
& & &
Your life
& % (
&
dle,
& G7
)
%
(
&
on.
&
%
## $ %
is
& &
& & & man's a
%
& &
When the
& & &
& %
& &
& & & &
quakes,
G7
long.
& & & & &
## $ %
&
life's
a
$ & & &
Cm
21
# "# # *
& &
Who
' ## #
25
Fm
*
& & & + , & & & & & &
gives a
good god damn?
*
*
mean
-
&
-
Fm
# "# # & & & &
# !# # " # "#
Cm
& &
don't go
Cm
his
met - tle
&
& &
There's no
(
Fm
& %
) dream
-
-
& & & &
&
%
ing.
A
*
(
Cm
! ! & %
(
! *
! & % !
(
in
a
crook - ed old
$ &
%
*
*
$
Starvin' in the belly of a whale!
' # !## & & & # #"
&
& & ! & & .&
& & (
$
G7
a - live.
G7
& & %
' ## & & & & #
33
*
& & & &
Cm
man must test
%
ing;
' ## & & & & #
You'll ne - ver get out
*
Cm
# "# # )
29
Cm
& & &
&
& & &
world.
$
## $ %
& & & $ ## & %
Piano/Conductor
18 Coney Island Baby (with Stops) Tom Waits/Kathleen Brennan 2000
cue: Woyzeck: "You are beautiful."
A $! # "% % 5
$
G
% & %
D7
G
& ' ( % % % ' ( % % % %
%
G
% & ' % ' % % % % % % * % %
B $
pause after A, then continue D7
+!
# % %
% % +! G
&
%
&
% % ! $%( +
D7
# )
%
% &
% % +
Em
cue: Woyzeck:
C "It stinks enough to smoke the angels out of heaven." G D7 G $ Woyzeck: # % % % & % % % & ' %( % % % ' %( % Ev - ery night
she
comes
to take me out
$
D7
G
with her,
$% # D
28
I'm the rich - est
% %
&
pearl,
32
$
D7
# %
stars
she's the
&
%
man
in
( %
% % %! spin on
%
make their
&
)
the town.
G
%
&
%
%
wish - es
on
G
% % % & % %
She's the rose,
&
&
% %
When I'm
Marie:
&
&
my world.
%
)
to dream - land.
( # % % & ' % % % % ' %* % % % ! $% +
22
%
she's the
% %
All the
'
+!
( $%
G
her
eyes.
cue: Marie: "As the day is long and the world is old, lots of people can stand on one spot."
D $
WOYZECK
G
D7
# % % % & %% Ev - ery night
G
& ' ( % %% ' ( % % % %
she comes
to take me out
( # % % & ' % % % % ' %* % % % ! $% +
41
$
D7
G
with her,
I'm the rich - est
man
in
&
%
)
% %
to dream - land.
&
)
the town.
When I'm
MARIE & WOYZECK G
% % % & % %
She's the rose,
she's the
$% ( ! % %! ( % & & & & % % % % & % & % % ' + % % $ % # % % % D
47
G
pearl, she's the spin on
D7
my world.
All the stars make theirwish - es on
accel.
G G7 C G/D $& % % "% % # % %,% % + % % "! % + "
54
She's my
61
$
D7
# +! prin
Co - ney Is land
& % % +! %
ba - by, she's my
G
-
cess
in a
red
She's the moon
$& % % "% % # % % ,% % + " G
She's my
G7
Co - ney Is - land
Co - ney
Em + % % & %
dress.
savagely, screaming
68
G
C
ba - by,
D7
+
% +! G
+
Is - land girl.
% %
She's a
+!
% % D7/C +
%
G/B
in the mist
to
me.
G/D
D7
Co - ney
Is - land
% % !% + "
she's my
her eyes.
+
%
blackout; attacca no. 19
Piano/Conductor
19 All The World's Green (Instrumental) cue: play on lights up, continue under dialogue, through black out, and stop at next lights up
## ! " !
Tom Waits/Kathleen Brennan 2000
!# % % "# $ $# $ $ & # $ $ Bm
Em
# " # ( $% $ $ $ $
5
Gmaj
## "
9
Bm
$# $ $
F#7
% $ $ $ $ $ )
Gmaj
## ' "
17
# "#& D
21
## "
25
# "#
27
D
&
Bm
) )
$#
G
$ $
F#7
A7
D
( $% $ $ $ $
$ $ $ $ $ & * 3
'
& Bm
% $ $ $ $ $ $ D
) ( % $
&
F#7
$ $ $#
'
&
Bm
( % $ $ $ $ $
Em
D
$$ $ $ $ $
F#7
% $# $ &
# " # ( $% $ $ $ $
13
A7
'
&
A7
( $% $#
% $ $#
% $
$ $ $ $ $ $ $ $ $ $ ( $% $# $% $ # % $ $ $ 3 G
'
D
'
A7
) 2.
$
$
## $ %
Piano/Vocal
20 Coney Island Baby (Conclusion) cue: play several moments after lights up; Woyzeck speaks lyrics D7
$! # "% %
Ev - ery
4
$
G
# %
&
%
%
G
night
)
dream - land.
$ # +
9
G
town.
&
&
%
%
she
comes
&
'
( %
to
take me out
% & ' % ' % % % % % % * % % G
% % % & She's the rose,
I'm the rich - est
D
% % % & she's the pearl,
'
% % %
D7
When I'm with her,
)
%
Tom Waits/Kathleen Brennan 2000
( %
to
% % ! $%(
man
in
% % % % %! she's the spin on
the
( % my
spoken: I saw him, Marie.
Piano/Conductor
21 Just The Way We Are
A
!# ! # "# " 5
C
# '
just
9
C
# '
just
13
C
C
%#
$
' ' )
the way
G
( ' '
the way
G
F
' )
we
are.
( '
we
F
& ')
*
'
Don't
!# "#
C
*#
are.
C
was a young sol - dier named Dice was a young fel - low named Cass F
C
Cause it's
# ' ' ' ' ' ' '#
17
& ' ' ## $% '
C
# ' ' ' ' '' '
just
Tom Waits/Kathleen Brennan 2000
( ' '
the way
C
we
C
try
to
$
boys, it's
( ' '
change
us
%#
%
' '
'cause it's
( $ ' ## %
There There F
% ' '
'
' ' ' ' ' '# C
who re - marked"They say big - a - my's nice. whose bullocks was made out of brass.
' '
( '
'
are,
( ' '
' ' )
ev - er
( ' '# C
'
C
G
& ' ' E - ven Whenthey C
' ' ' ' ' ' ' ' *#
two are a bore; I pre - fer three or four for the plu - ral of spouse, it is spice. tink - led to - gether, they played "Stor - my Weather" and light -ning shot out of his ass!
Spoken (Andres): A worried young man from 'stanbul discovered red spots on his tool. Said the doctor, a cynic, "Get out of my clinic! Just wipe of the lipstick, you fool!"
B
21
# ' '
Cause it's
26
F
# '
C
'
just
' ' )
ev - er
try
( ' '# C
( ' '
the way
we
( '
C
to
change
'
are,
( ' '
us
C
'
( ' '
boys, it's
just
C
' ' '
'cause it's just
' ' )
the way
G
( ' '
the way
F
' )
& ' )
*
we
are.
( '
we
Don't
C
*#
are.
Piano/Conductor
22 Shiny Things (Karl)
! ## # ! $ " # !
Ab
&
( ## # & " #
&
4
Ab
7
Bbm
find crows, thing
&
! ## # * " #
Cm
tine; know, eyes;
Ab
&
he is to
&
+ &, & &
Eb7
Fm
+ &, & &
( ## % & * " ##
&
&
Eb
*
*
Ab7
Db
*
+ &,
*
Bbm
& &
*
a sil - ver twine, you're dressed to go, is to be king
% #& *
Bbm
+ & & & ,
-
% & *
the shi - ny to shi - ny ly shi - ny
Ab 1.2.
*
things. things.
*
' &
&
his nest, they're ol' moon. The to - night. But
&
& )
&
+ &, & &
Some - how they'll You're like the the on - ly
$
Eb7
+ & & & &
% & *
Eb7
*
&
in big here
&
*
&
&
The crows all bring You'll al - ways cling to be your on
&
&
that shine best. a li ar. a - round, Though
a shi - ny dime, 'cause if it glows, I want that shines
%
&
&
finds just turn
Ab
a crow puts a - lone you not dan - cing
!# & "#
&
&
&
things me I'm
&
&
( ## # & & & " # 10
&
%
al - ways things light you cast things are bound
! ## # * " #
Ab
The
(# ! " # ## ! $ ! ## "# # &
!# "# &
KARL
%
Tom Waits/Kathleen Brennan 2000
from a val - en you guessed, I here in your
% & ## $% Ab 3.
Leave Well
$ % & ## %
thing.
Piano/Conductor
23 It's Over Tom Waits/Kathleen Brennan 2000
! %%$$$$ &&%$$$$ %%&$$$$&%&%$$$$ &&$$$ % % $$$ #" %$ & $ %%$$$$ &&%$$$$ %%&$$$$ &%&%$$$$ &&$$$ % % $$$ # %$ & $
3
5
" #"
'
%$$$ %% $$$ &$$$&%&%$$$$ %%$$$$ &&%$$$$ %$ $ % $ %$$$ %% $$$ &$$$ &%&%$$$$ %%$$$$ &&%$$$$ %$ $ % $
'
'
(
)
* %$+
MARGRET
You $$ # "" $$ $ $ $ $ $ $ $ $ $ $ %$ $ $ $ $ $ $ $ $ $ $ $ %$ $ 9
#
Am
$ %$
$ $ &$ $ $ $ $ ) ) * $ $! $ $ $ $ $ , + + $ B7
E7
E7
must have brought the bad wea - ther with you.
Thesky's the col - or
Am
of lead.
) $ $ All you
# $! %$ $ &$ ! # $ $ $ $ $ $ $ $ $ $ $ $ + +
13
F
C
left me
E7
is a feath - er
on an
) * $+
(
un - made bed.
It's
# 17
# #
$ $ $ $ $ $%$ $ $ $ ! ) ! $ $! $+ $ $ $ $ , + +
Am
al - ways me
B7
E7
when - ev - er there's trou - ble.
E7
Am
Theworld does no - thing but turn.
) $ $ And the
21
F
# $!
ring,
$ $ $ $ $- $ ! + C
3
it fell off my
fin - ger.
E7
* $+ $ $ $! .$+ ,
But it's
(
$! $ $ * ) # $ $ $ $ $ $ + + o
-
ver.
) * $ $
$ $ $ $ $ $ ,
Am
o - ver, it's o - ver, it's
$ $
I guess I'll nev - er learn.
#
25
)!
(
A7
Dm
I'm get - ting dressed in the dark.
$ $ $ $ $ $ ,
$! $ , # $ $ $ $ $ $ +
)!
$
Our
(
G7 C7 F7 Bb7 Eb7 Ab7 Db^ $ $ $ $! $ $ $ $ $ $ ! .$ $ $ $ .$ $! .$ $ $ $ .$ $ ! $ + # + + +
29
Dm
sto - ry ends
#
33
$!
G7
be - fore it be - gins.
# $ $ $+ .$
nail gets ham - mered
$
A7
,
down.
# $ $ $ .$ $ $
al - ways con-fess
$ $ ! .$ $ ! + +
$ $! $ $! + +
C7
I
,
ev - ry - one's sins.
.$ $! %$ $! + +
$ $ $ $! $ ( + Dm
$ $ $ $! $ ( +
And it's o
to
-
ver,
%$ $! &$ + +
E7#5
E7
Am
let
it
go.
,
,
/
,
The
,
/
"! # #!
38
VAMP under scene until Margret sings +Waterphone
'
'
'
(
* $+ $ $ .$
!! $ %
So don't go and $ "$ $ # #!! $$ $ $ $ $ $ $ $ $ $ $%$ $ $ $ $ $ $ $ $ $ $ $ %$ $ !! % 42
#
Am
B7
E7
E7
Am
.$ $ $ &$ .$ $ %$ $ $ ) ) $ $ $ $ $ $ $ $ $ ) ) $ $ make a big deal out of
no - thing.
Well,it's just a storm on a dime.
And I've
# 46
F
C
E7
$ # $ $ $ $ $ $ $ $ ) 3
al - ways found that there's no - thing
$ $$ $ $ $
that
mo - ney
* $!
(
can't buy.
I've
# 50
#
Am
B7
E7
E7
Am
$ $ $ $ $ $ %$ $ $ $! ) ) * $ $ $ $ $ $ , +
al - read - y gone to the place I'm go - ing.
(
There's no place left to fall.
# 54
F
# ) $ $ 3
$
C
And there's some - thing to be said
#
E7
3 $ $ $ $ ) $ $ $ $ $ .$ , 3
for say - ing
no - thing at all...
0 (
) $ $
0 (
and it's
) $ $
58
#
Am
.$ $ $ o
3
-
# $
A7
&$ $ $ ) * $ $! $$$$ $ $ + 3
3
ver, it's o - ver it's o
-
ver.
$ $ $ $! $ $
$ $ $ $ +
It's done,
for - got - ten and through.
$ $ ,
$ $ $ $
$ , +
/
Dm
3
(
Dm G7 C7 F7 Bb7 Eb7 Ab7 Db^ "! $ $ $! $ $ $ $ ! $ .$ $ $ $ $ .$ ! .$ $ $ $ .$ 1 ) * $ + # #! + +
62
No - one cares what it's all
for, you'll be bur - ied in the clothes that you ne - ver wore,
"! $ ! $ $! $ $! $ $ ! .$ + + + # #! +
66
G7
# $
$
# $
$
C7
$ .$ )
keep your
69
E7#5
E7
Am
let
it
go.
# , # ,
, ,
/ /
.$ $! %$ $! + +
* $- $ $ $
A7
suit - case
$ .$ $ $
$!
by
the door.
$
,
Dm
It's
$!
' 2 2 ( $ $
Last time ad lib on cue:
'
o
$ $
'
%$ $! &$ + +
,
$
so
, -
ver,
$ ( +
' '
!! $ % !! $ %
Piano/Conductor +Cuba Tom Tape Play Twice
24 Cuba Tom (Monkey Scene Change)
Tom Waits/Kathleen Brennan 2000
"! $ !
$
E¨m
" $
5
E¨m
$
B¨7
$
A¨m
B¨7
$
B¨7
$
E¨m
$
E¨m
## ! "
Piano/Conductor
25 More Murder II A ! # !!" $ ( !!! ' "
cue: Woyzeck: "Always the same, the same, the same . . . ." stop after Andres: "Let them dance."
arco
( !!! %! "
& %
& % )%
$
'
%
%
%
% +
%
)%
Tom Waits/Kathleen Brennan 2000
cue: Andres: "Drink some schnapps . . ."
B stop after Drum Major enters & & !! !! $ % % $ ' !! !! '
arco
!! !! % !
%
%
)%
*%
% +
)%
*%
!! !! !!
Piano/Conductor
26 Another Man's Vine
$ $ !# ! $ # $ "# " %
Fm
$ $ !# $ # $ "# &
Fm
5
% -
-
ful, his
mind young
is be
Dm
-
leas lie's
the wife
-
is en
Fm
%
bees long
will the
Fm
%
climb stead
-
'%
-
est er
&
&
%
le the
vines. shore.
o ev
'%
&
the lie's
-
oth far
&
%
-
ver ry -
blind day? C/G
-
&
%
er a
-
Gm
&
%
find way
&
their her
ho let
-
ry what
&
time. Wil -
% The Will
side. way.
% %
'cause the While
% The A -
C7
-
Gm
%
Be He
C/G
Eb
on Wil
ev reads
C7
&
ing fast
&
&
Gm
-
) %
(
wind. war.
Eb
Cm
$ # $ $$ &
and to
stran on
Cm
$$ #$ $ &
&
%
bloom gone
%
&
'%
C7
&
Am
sun Gold
sweet nev
vil Wil
&
'%
$ # $ $$ &
25
-
%
Am
rose she
21
&
%
Dm
$ # $ $$ &
17
Gm
## $ %
'& # Db7
%
%
%
Cm
$ # $ $$ &
13
gain en
Fm
care left
Fm
Cm
Bou Gold 9
'& # Db7
%
%
Tom Waits/Kathleen Brennan 2000
%
ters
-
C7
%
%
lie
sends.
&
ney end.
%
the She
( % % % * A - round a I see a
29
! Fm
Db7
$$ # $ $ &# red red
33
red read
37
rose; rose;
Fm
$ # $ $$ %
I I'll Db7
&
%
rose rose
Db7
2.
see pick
a a
red red
C7
'%
%
1. Fm
$%
%
A A
&
man's man's
%
vine.
## $ %
'& # Db7
%
vine.
41
Db7 $ $ #$ $ &
%#
+
Db7
$ # $ $$ &
%
vine.
'% *
'% *
Fm
" Fm
Fm
% %
rose; rose;
%
%
Fm
rit. # % $ # $ $$
&
an - oth - er an - oth - er
Fm
+
$ # $ $$ &
on on
Db7
% % &
% %
%
bloom - ing bloom - ing
$$$ $ # &
40
% *
(
&
Fm
$%
%#
Fm
+
& '%
$%
&#
Db7
'%
&#
Db7
'% $% '% * &# && ## && ##
Db(#11)
D.S. al Coda
&#
Db7
## $ %
Piano/Conductor
27 Shiny Things (Instrumental)
cue: Lights up, continue underneath scene until Karl: "If I had you, did I want you?"; attacca no. 28
! ## # ! $ " # !
Ab
( # #! $ " ## !
&
%
&
! ## "# # &
&
&
&
( ## # & " #
&
&
&
4
Ab
! ## # * " # 7
+ &, & &
Bbm
Eb7
( ## & & & " ## ! ## # * " # 10
Cm
( ## % " ##
%
Fm
+ & & & ,
&
*
!# #&
&
&
&
## & "
&
&
&
Ab
%
Tom Waits/Kathleen Brennan 2000
Ab
&
&
*
&
&
*
Ab7
Db
*
+ &,
& &
% #& *
Bbm
%
' &
&
&
& )
Eb
& &
+ &, & &
* *
$
Bbm
Eb7
*
+ & & & ,
&
&
+ & & & &
% & *
Eb7
*
&
Ab
*
Ab
*
%
*
%
& &
## $ ## %
Piano/Conductor
28 Everything Goes To Hell Tom Waits/Kathleen Brennan 2000
Latin Feel
Cm cue: Karl: "Mirror, mirror . . ."
#! " # #!
$
$
3 ## !## # ( " "' '' ' ' '' )
5
9
Cm
Fm
# "# # '
11
# "# #
17
'
'
'
'
'
'
'
'
'
'
'
'
'
'
'
'
(
3
&
)
' +'
'
' +'
'
'
'
' '
Cm
# "# # '
21
'
Fm
# "# # '
19
( * ' ' ' ' ' ' ' +' ' )
'
Cm
(
' ' ' '
'
)
&
'
)
'#
(
* '
'
'
'
'
'
(
* '
'
'
'
'
'
* '
' '
' ' '
G7
# "# # '
'
'
'
'
&
G7
G7
# "# # '
15
%
Cm
# "# # '
13
$
'
+'
'
)
' ' ( '* ' ' (
* '
'
' * '
(
* '
(
* '
, ' ' ' %
## $ %
Attacca "All The World's Green"
Piano/Conductor
29 All The World's Green (Duet) Tom Waits/Kathleen Brennan 2000
Bm
## ! " !
$
%
A7
D
F#7
I
%
Bm
Gmaj
Winter's moving in
%
&
## "
F#7
beg - gars
## ( * "
21
D
*
%
and all
&! ( ( ( ( ( ( (
D
old days a - gain,
the world A7
and all
G
(!
WOYZECK
%
&
D
) ( *
( (
is green. D
the world
is green.
beg - gars
) (
and
( ( 3( ( +
that you owe me
G
&
# ) " # ( ( ( ( ' () (! ( ( ! ) * (
25
the wide blue sky.
Let's pre - tend
' () (! () ( !
no - thing
) ( ( ( ( ( & F#7
kings.
A7
the sea
Em
You turn kings in - to
that it's ever been
in - to
a - gainst
) ( *
It is colder than I remember
Bm
( ( ( ( (
(!
Now the shadows are getting longer
Ma - rie, you are
And men do fool - ish things.
17
o - cean
F#7
I risked it all
D
*
the
We lay down in a shady grove
& ' ) (! ( ( (
life.
## ' ) " ( ( ( ( (
in - to
' ) ( ( ( ( (
wife.
*
A7
fell
Gmaj
With the yellow buds of May
to have a bet - ter
) ( ( *!
(! ) ( ( (
Bm
## ' ) ( ( " ( ( (
13
'
Call back yesterday
*
when you be - came my
9
&
WOYZECK
# " # ' () ( ( ( (
5
MARIE (spoken Em over Woyzeck): Let me lie about it all.
Bm
3 ( ( ( ( ( (
( (
Let's pre - tend we can bring back the /A
%
/D
%
/D MARIE
& ' ) ,,,,,, ,( The
29 All The World's Green (Duet)
,, (! " , , ,, ( (
29
Ebm
face for - gives
' () ( ( ( (
Abm
Db7
( ( *! +
the mir - ror.
Cbmaj
Bb7
The ques - tion begs the
,,, , (! , " , ( (
37
Ebm
Ebm
' () ( ( ( ( ' () *
an - swer:
Cbmaj
, ) " , ,,,, ' ( ( ( ( ( (
Db7
, " , ,,,, %
Bb7
49
Gb
, " , ,,,, *
green.
53
Gb
, " , ,,,, *
green.
*
Bb7
( ( (! ' ' () ( ( ( ( And all the world is
Gb ( ( ( ( ( * & ( ( (! + 3 Cb
Let's pre - tend
Gb
( (
May - be
%
We'll go where it's al - ways spring.
The band is play - ing our song a - gain
45
&
can you for - give me, some how?
( ( ( ( ' () ( ( ( ( ( + o - ver
%
plow.
Bb7
Abm
when our sto - ry's
41
*
The worm for - gives the
, ) " , ,,,, ' ( ( ( ( ( ( ! () *
33
Gb
that you owe me
no - thing,
Ebm
*
%
green.
' ( ( ! (+ (! ( + + Db7
and all
the world
is
Gb Db7 ( ( ( ( ( ( ( ( ( ( ' ( ( ! ( (! ) & + ( ( ( + 3 Cb
Let's pre - tend wecan bring back the old days a - gain,
%
%
&
WOYZECK
-( (
When the
##
Bm
(! ( (
moon is
and all
the world is
Em
) ( ( *!
yel - low
sil - ver,
29 All The World's Green (Duet)
## "
57
A7
D
( ( ( ( ( (
Gmaj
%
*
&
oh the things that sum - mer brings.
# "#' ) ( ( ( ( (
61
F#7
Bm
*
And all the world is
## " &
65
A7
( ( ( (
on a blade of
## "
69
Bm
all
the
## ( * "
73
D
no - thing
world is
bal - anc - ing a
D
and
F#7
( ( (!
The dew will set - tle
%
on
(!
G
&
( (
Let's pre - tend
D
) ( *
the world
) ( (!
all
the world
) (
our grave when
( ( ( ( + 3
that you owe me
G
&
is green.
A7
for.
dia - mond
' ) ( ( ( ( (
' () (! () ( !
old days a - gain,
is
Gmaj
A7
and all
kill
)* (
( ( ( ( ( ( ( ( &
green.
# " # ( ( ( ( ' () (!
77
He
%
*
(!
Em
( (
grass.
F#7
( ( ( ( (
Bm
%
%
*
( ( ( (
It's a love you'd
green.
D
F#7
( (
( ( ( ( ( ( 3
Let's pre - tend we can bring back the
D
) ( *
is green.
%
$
Piano/Conductor
30 Red Room !
The Murder
!
+Waterphone random Tpt and Sax wails
# $$""" $"
# " $" $$ ""
mp
%
# " " ""
%
p
Attacca "Woyzeck's Woe"
Piano/Conductor
31 Woyzeck's Woe +Cello (doubling melody) PIANO
# ! # " #!
5
# "# # '
Eb Bb7 Eb
$
The
# " # # '(
morn.
'
Eb
$
& %!
It
fav - orite thing you've worn.
$ $ $ $
my
$
and
(Cello)
$
$
$
we
won't Ab
$ (
$
Eb
Eb
Bb7
Eb
$
The
& (
Bb7
$
$
$
& $ $ %
Ab
a - gainst your skin that's pale as bone;
Ab
is
Bb7 Eb
$ $ $ $
$ $ $
Ab
Eb
Eb & %
rib - bon round your neck,
song,
13
Ab
$ $ $ $
# & # " #(
9
Tom Waits/Kathleen Brennan 2000
go
$ $ $ $ $
band
is
play -ing our
)
%
home,
$
$
'til Eb
( (
( (
Piano/Conductor
32 Overturned Pot (Karl) +Glock BANJO
# " # # !!
Eb/Bb Bb7/D Eb
$
is
$
$
$
No - thing's ev - er
Ab
9
Eb/Bb
# "# # $ $ $ $ If
13
I
die
$ $ $ $
No - thing's ev - er
Ab
17
Eb/Bb
# $ $ $ # " # $ If
21
I
die
$ $ $ $
No - thing's ev - er
G7/B Cm
$
yours to
Eb/BbBb7/D
%
keep.
Eb
& $ $! $ $
G7
$
as
Ab
$
Eb/Bb
$
%
Close your eyes,
Ab
Eb/Bb
$ $ %
it seems,
Eb
you wake,
$ %
it seems.
Eb/Bb
$ $ $ $
climb the
Ab
lad - der
Eb/Bb
$ $ %
com - ing back.
Bb7sus Bb7
Eb
$
%
$
go
to
Eb/Bb Bb7/D
don't
Bb7sus Bb7
Eb
$ $
%
to
your dreams.
Eb/Bb Bb7/D
Eb
& $ $! $ $
Ab
Bb7sus Bb7
Close your eyes,
Eb
you weep.
don't
$ $ %
sleep.
& $ $! $ $
don't you cry;
Eb/Bb
Eb
$ $ %
Dad - dy's nev - er
Ab
$ %
Bb7sus Bb7
$ $ $ $
G7/B Cm
G7 G7/Cb Cm
$
Eb/Bb
don't you cry;
& $ $! $ $
as
Ab
you wake,
Eb/BbBb7/D
be - fore
Eb/Bb Bb7/D Eb
# "# #
$
be - fore
Eb/Bb Bb7/D Eb
# "# #
moon is cracked;
G7
$
$ %
$
red;
Eb/Bb Bb7/D Eb
# "# #
G7 G7/B Cm
$ %
Sun
5
Tom Waits/Kathleen Brennan 2000
KARL
$
go
you weep.
E¨
$ %
to
sleep.
Piano/Conductor
33 Overturned Pot Instrumental Tom Waits/Kathleen Brennan 2000
Play underneath Margret's monologue; at " . . . golden flies stuck up there, like the shrike sticks 'em on the blackthorn" attacca no. 34 Misery Reprise
Clarinet in Bb
# " # # !!
Trombone
& ## ! #!
Violoncello
Double Bass
# "# #
Tbn.
&# ##
Vc.
Db.
$%
$ %
$ $ $
$$ $
$ $ $ $ $ $ % $$$ $$ $$ $ $ %
$) $$$ & ## ! $ $ $ + $ #$ $ $ * $ $ $ $ $ $ ( $ $ #! $ $ $ $ $ $$ & ## ! $ $ $ #!
5
Cl.
$ '
$ '
$ $
$
+
$ ($ $ +
$ %
$ $ $ $$ $
%
%
$ $ %
%
%
$ $ %
$$$ $$$ % $
$ $
$) $$$ & ## $ * $$ $$$ $ $$ # $ $ $ $ $ $ $ $ ($ $ $ #$ $ $ $ &# ## $ $ $
+
$ ($ $
+
%
%
$ $ %
9
Cl.
Tbn.
# "# # $ $ $ & ## #
$ $ $
$ $
Vc.
& ## $ $$ #$ $
Db.
&# ## %
13
Cl.
# "# #
Tbn.
& ## #
Vc.
Db.
$ '
%
$ $
$ $! $ $
$ $! $ % $ %
$
$
$
+
$ $ %
$$$$
% $$
%
$ %
$ % $ $ $ $$ $
$
$ %
$
$ $ $ $
+ $ $! $ $ $ $ $! %
% , $
% %
$ $ %
$$$ $$ $$ $ $ %
$ $$$ & ## $ $ $ )* $ $ ( $ $ # $ $$ $$$ $ $$ # $ $ $ $ $ $ $ $ &# ## $ $ $
+
$ ($ $
+
%
%
%
%
17
Cl.
Tbn.
# "# # $ $ $ & ## #
$ $ $
$ $
$ $! $ %
Vc.
& ## $ $$ #$ $
$
Db.
&# ## %
$ $
21
Cl.
# "# #
Tbn.
& ## #
Vc.
Db.
$ '
%
$ $
$
$ $ %
+ $ $! $ $
$
$ $ $ $
$$$$
%
$ $$ %
$
$
%
%
%
$$$
$
$
$
$$$
$
$
$! $ $ +
$
$
$! $
%
% , $
$
$
$$$$ %
% %
$ % %
$ $$$ & ## $ $$ $ $ % # $ $ $ $ $ $ $ $ ($ $ $ #$ $ $ ) * &# ## $ $ $
+
$ ($
$
+
%
%
%
%
Piano/Conductor
34 Misery Reprise Tom Waits/Kathleen Brennan (2000)
MARGRET & CHORUS
!#! " "# # # # # # # # # %$$ Fm
Fm
# # # # # # # # %$$
&
Mis - er - y's the riv - er of the world.
5
Fm
$ " # # # # # # # # $
&
Mis - er - y's the riv - er of the world.
9
Fm
" # # # # # # # # %$$
Mis - er - y's the riv - er of the world.
&
&
Mis - er - y's the riv - er of the world.
Fm
## $ %
continue to repeat as Chorus and Leads enter slowly and create tableau
$ # # # # # # # # $
&
Mis - er - y's the riv - er of the world.
# # # # # # # # %$$
Mis - er - y's the riv - er of the world.
&
( ' MARGRET, spoken: "Misery's the river of the world!"