Miguelangel Murillo Selected Works

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MIGUELANGEL MURILLO

SELECTED WORKS 2023 - 2025

THIS COLLECTION

is fundamentally rooted in conceptual experimentation and theoretical inquiry, with each project establishing its own distinct architectural argument. Each drawing and model serves a specific representational purpose, weaving together to pose and answer spatial questions.

This portfolio assembles projects that trace the arc of my architectural explorations during my time at the University of Texas at Arlington, where I earned a BS in Architecture with a minor in Environmental and Sustainability Studies.

I believe firmly in the designer’s agency to shape meaningful, human-centered experiences through iterative spatial language. Developed with the support of collaborators, friends, and family, this body of work forms a foundation for continued growth. My

goal is to join a collaborative practice where I can contribute to this ongoing exploration, expanding upon my work and discovering new opportunities along the way.

Thank you for reading,

FABRIC OF BEDOUIN LIFE

OMAN PAVILION FOR THE 2025 WORLD EXPO

Type

Academic Course Spring 2024 / Year 4

Design Studio

Critics

Carlos Alba

Eduardo Castaneda

Jason Wheeler

Collaboration

Haley Degidio

Tent to Pavilion Diagram

In Oman, the vast desert landscapes are home to the Bedouin people, nomadic tribes whose rich cultural heritage is intrinsically tied to the rhythms and challenges of the desert. Their traditions are built on mobility, resilience, and an enduring commitment to hospitality and community.

Inspired by these values, the pavilion emerges as a vibrant social oasis that embodies the spirit of Bedouin life. It is not only a space for gathering but a living framework that celebrates the rituals of sharing, storytelling, and collective memory. Through its open, adaptable design, the pavilion engages connection among visitors while honoring the cultural legacy of the desertdwelling Bedouins.

Central Lantern Projection Render

The pavilion’s design and narrative are inspired by Bedouin vernacular forms and textile patterns. The central diamond motif, borrowed from traditional fabrics, defines the project’s visual identity and organizes the exhibition spaces across the

site. Similarly, the silhouette of a Bedouin tent camp inspires the undulating roofscape, creating a singular structure that evokes communal life.

Exterior Render
Lantern Room Render
Star Room Render
Tradition Room Render

Beneath an undulating roof, the pavilion captures the profound spirit of Bedouin life. A central hearth glows, inviting intimate gathering beneath walls alive with projected patterns from Bedouin textiles. Visitors then step into the starlit room, where an undulating floor mimics desert dunes and a vast, light-pollution-

free ceiling reveals a breathtaking canopy of stars. Finally, dynamic multimedia displays immerse guests in the authentic rhythms and daily traditions of the culture, creating a resonant space for reflection and memory.

3D Printed Model
Lantern Room / 3D Printed Model
Exterior Diamond Texture / 3D Printed Model
Exterior Aerial Render

TENSEGRITY BLACKBOX

DIY PERFORMANCE DEVICE ACROSS MADRID SPAIN

Type

Competition

Shortlisted Course Fall 2024 / Year 4 Design Studio

Critic
John Maruszczak
Ghosted Diagram

A DIY (Do-It-Yourself) floating frame becomes the central catalyst for performance and public engagement, acting simultaneously as an interactive performer and a flexible urban structure. Designed for adaptability, it accommodates multiple uses and invites dynamic exchanges between performers and audiences, transforming everyday public spaces into ephemeral

stages for urban art. Deployed throughout the streets of Madrid, the device disrupts the flow of the city to command attention, ensuring that street performers are no longer overlooked, but instead become focal points within the urban fabric.

Ideogram Collage

The DIY devices are deployed using a guerilla marketing strategy, inspired by established brands that blanket urban areas. Placed strategically throughout the city, they create intrigue and draw attention to the new pop-up performances.

Each device’s configuration is uniquely adapted to its specific location, ensuring it integrates meaningfully within the urban fabric.

Guerilla Advertising Collage

The kinetic flexibility of the structure enables it to adapt across diverse urban conditions. At its lowest position, it functions as a pop-up roadblock, prompting guerilla performances. When raised to a mid-level, it transforms into a performance

hub, occupying busy plazas. At its highest point, it becomes a wayfinding device, leading the flow of pedestrians towards urban performance stages.

Performance Device Motion Diagram
Lowest Point // Pop-up Roadblock Perspective
Mid Point // Performance Hub Perspective
Highest Point // Wayfinding Perspective

Projectors & Sound

Inflatables & Cable

Structural Frame & Tensioned Cable

Hinge Joint & Battery

Platform System

Exploded Device Parts Diagram

Exploded Experience Collage

UP AND DOWN THE ROOTS

EDUCATIONAL RESEARCH FACILITY FOR PLANT RESEARCH

Type

Academic Course Fall 2023 / Year 3

Design Studio

Critic
Dustin Wheat
Biome Form Diagram

The educational research facility serves as a crossroads between plant life research and education, seamlessly integrating laboratory spaces, classrooms, and a multi-level biome. Designed as a harmonious blend of nature and learning, the facility provides an immersive experience where research and education coexist.

At its core, a layered vertical garden rises through a central oculus, anchoring the space. The journey unfolds across multiple platforms, allowing researchers to engage with plant life from varying heights and perspectives. The dense network of vegetation and interwoven root systems form a living, breathing study of nature in motion.

Biome Greenery Perspective Collage
Biome / Model Close-Up
Program Stacking Diagram
Entry / Model Close-Up
Biome / Model Close-Up

The entry plaza is intentionally eroded, creating a sculpted landscape that enhances accessibility through a circulation system interwoven with green planting spaces. This design

choice not only symbolizes the facility’s purpose but also sets the tone for the research and discovery that unfold within its walls.

Entry Plaza Perspective Collage
Double Volume Lobby Collage
Classroom Interior Collage

Central circulation corridors seamlessly connect the facility’s main spaces. This organizational strategy strategically places collaborative research and gathering areas, like the classroom and conference room, adjacent to the multi-level plant biome,

granting easy access and visual connection. Directly opposite, dedicated workspaces provide zones for focused collaboration, enhancing overall efficiency within the layout.

Collaborative Spaces Perspective Section

RING MASTER

HIGHWAY INTERVENTION IN SAN LUIS POTOSI MEXICO

Type

Competition People’s Choice

Course

Fall 2024 / Year 4

Design Studio

Circular Roof Render
Critic
John Maruszczak

The intersection of highway systems creates a strange, inbetween realm where land is rendered lifeless and unusable. Empty and purposeless, it feels almost alien. So why not embrace that sensation and amplify it? This project embraces that strangeness and transforms it into a vibrant threshold between the everyday and the extraordinary. Inspired by the

aesthetics and imagined technologies of alien worlds, the intervention fuses odd technology with the site’s raw, inbetween character, creating an immersive environment that sparks curiosity, wonder, and exploration.

Intervention Atmospheric Render

Site Analysis and Text Study

A close study of the site reveals layered “rings” of influence, each asking for the development of an established “middle ground”. Instead of concealing these conditions, the design reinterprets issues through an otherworldly lens and addresses them with new solutions. The result is a redefined “normal” for the site,

where its context becomes an imaginative spatial experience packed with the integration of odd technology capable of providing the bridge between influences.

Hydroshade Canopy
Aqua Rings
Stage Platform
Track System
Hydraulic Lift
Robotic Arms Acoustic Manipulators Illuminator Units
Tech Parts Diagram

Underneath the structure, visitors can not only see the surreal atmosphere, but also engage with unexpected program (open-air performances, interactive water features, and light shows) each designed to amplify the sense of stepping beyond the familiar boundaries of the day to day.

Exploded Worms-Eye Render on the Site
Light Show Perspective Section Render

INBETWEEN ARTIFACTS

OPEN AIR MUSEUM IN THE RUINS OF KAYAKOY TURKEY

Type

Academic Course Fall 2024 / Year 4

Design Studio

Critic

Intervention Thumbnail Shots
John Maruszczak

When engaging with the ruins of a past society, one must tread lightly, approaching with reverence and a deep awareness of memory. The scars of war and the remnants of cultural disconnection are etched into the site, shaping its present condition. To intervene is not to overwrite history, but to bear witness to it. The museum becomes a vessel for observation, a space to experience the site as a living time capsule.

Inbetween Artifacts proposes a series of lightweight, nonintrusive structures that weave through the ruins, offering pathways of connection without disturbing the integrity of place. These interventions invite visitors to walk among the remains of Kayaköy, creating moments of proximity, reflection, and understanding.

Site Strategy Ideogram Collage

A grid projection emerges from the spatial logic of the monumental buildings within the ruins, becoming the generative framework for the interventions. These new structures situate themselves where the gridlines intersect. In doing so, they

establish a network of connections that stitch the fragmented site back together and offer a clear path of exploration and discovery.

Intervention Mapping Diagram & Site Projections

Lightweight Interventions // Elevation Drawings

Border
Patch
Fragment

Each intervention is designed to integrate with the surrounding ruins in a distinct way. Fragments anchor themselves to isolated stone remnants, creating moments of intimate connection.

Patches bridge the gaps between disconnected clusters, mending the fragmented landscape. Borders position themselves along the periphery, rising as observation towers that offer new vantage points over the site and its layered history.

Fragment Perspective Collage
Patch Perspective Collage
Border Perspective Collage
Site Section Collage

HARLEM DUOTOPIA

SPATIAL NETWORK IN THE RUINS OF HARLEM HOUSING

Type

Competition Winner

Course

Spring 2025 / Year 4

Design Studio

Critic

Tom Rusher

Concept Growth Diagram

Collaboration

Kevin Negrete

In the early 21st century, East Harlem remained a vibrant, diverse neighborhood. A center of cultural strength and grassroots activism. When resistance movements against authoritarian policies gained momentum, East Harlem became a clear target. Under the cover of redevelopment laws, the government forcibly displaced thousands by demolishing large sections of project housing.

Rather than surrender to displacement, the remaining residents adapted, using accessible emerging technologies to begin reconstructing their community from the ground up. The project envisions a living, adaptive urban network that grows from the scars of displacement into a self-sustaining ecosystem.

Exterior Perspective Render

Circulation & Structure

From the demolished housing blocks along the Harlem River, a synthetic spatial network begins to spread organically. Modular mixed use units, autonomous construction systems, and recycled materials fuse into a structure that reclaims lost ground while preserving traces of the past. Exploded

At street level, parks and gathering spaces lay beneath a porous structural canopy. Elevated pathways branch overhead, linking flexible modules that host an array of program such as housing

and markets. Light filters through shifting patterns above, blurring the boundary between interior and exterior.

Aerial Perspective Render
Interior Perspective Render
Conceptual Spatial Network Section
Curated by Miguelangel Murillo

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