Page 1

XXIV VALCAMONICA SYMPOSIUM 2011

ART AND COMMUNICATION IN PRE-LITERATE SOCIETIES Arte e comunicazione nelle societĂ preletterate CittĂ  della Cultura - Capo di Ponte (Italy)

13 - 18 july 2011

5 days of conference visit to Valcamonica rock art exhibitions CCSP Centro Camuno di Studi Preistorici

UNESCO United Nations Educational, 6FLHQWLĂ€F&XOWXUDO2UJDQL]DWLRQ

performance didactic proposals


XXIV VALCAMONICA SYMPOSIUM 2011 CittĂ della Cultura - Capo di Ponte (Bs) 13 - 18 Luglio 2011

ART AND COMMUNICATION IN PRE-LITERATE SOCIETIES Arte e comunicazione nelle societĂ pre-letterate

CCSP Centro Camuno di Studi Preistorici

UNESCO United Nations Educational, 6FLHQWLĂ€F&XOWXUDO2UJDQL]DWLRQ


CCSP Centro Camuno di Studi Preistorici

UNESCO United Nations Educational, 6FLHQWLĂ€F&XOWXUDO2UJDQL]DWLRQ

XXIV VALCAMONICA SYMPOSIUM 2011 Art and Communication in pre-literate societies Arte e comunicazione nelle societĂ pre-letterate Under the auspices and the partecipation of / Con il patrocinio e la partecipazione di MINISTERO PER I BENI E LE ATTIVITĂ€ CULTURALI

Assessorato alle AttivitĂ e Beni culturali, Valorizzazione delle IdentitĂ , Culture e Lingue locali

Comune di Capo di Ponte

&RQVRU]LR&RPXQL%,0 di Valle Camonica

Comune di Darfo B.T.

With the support of / Con il sostegno di $VVRFLD]LRQH,QGXVWULDOH%UHVFLDQD Brescia Tourism Camuna Idroelettrica s.p.a., Pisogne &,669$&DVHLÀFLR6RFLDOH&DSRGL3RQWH &00)OOL5L]]LVUO9H]]DG¡2JOLR Diamalteria Italiana s.r.l., Milano / Darfo B.T. )RQGD]LRQH&RFD&ROD+%&,WDOLD *UXSSR/XFHÀQ(VLQH *UXSSR9DOOH&DPRQLFD6HUYL]L'DUIR%7 ,VHR/DJR+RWHOH63$,VHR 3$&,PSUHVDGL&RVWUX]LRQLVSD&DSRGL3RQWH SACBO s.p.a., Orio al Serio International Airport SIAS Segnaletica Stradale s.p.a., Esine

ComunitĂ Montana di Valle Camonica


&RQLO;;,99DOFDPRQLFD6\PSRVLXP´$UWHHFRPXQLFD]LRQHQHOOHVRFLHWjSUHOHWWHUDWHµ VWLDPR SHU LQDXJXUDUH XQ·LQWHQVD VHWWLPDQD GL GLEDWWLWL FRPXQLFD]LRQH HG HYHQWL SDUDOOHOL PRVWUHVSHWWDFROLYLVLWHDOO·DUWHUXSHVWUHGHOOD9DOFDPRQLFDHDWWLYLWjSDUDOOHOHYDULH4XHVW·DQQR LOWHPDq´$UWHHFRPXQLFD]LRQHµFKHXQLVFHGXHDVSHWWLIRQGDPHQWDOLGHOODVRFLHWjXPDQD O·DUWHqO·DQLPDGHOODVRFLHWjGHÀQLVFHODVXDLGHQWLWjFXOWXUDOHPHQWUHODFRPXQLFD]LRQHqLO suo spirito, che permette ad ogni individuo di essere parte di una comunità. 6LQ GDOOH 2ULJLQL FRQ OD FRPSDUVD GHOO·+RPR VDSLHQV O·DUWH KD DYXWR XQ UXROR IRQGDPHQWDOHQHOODGHÀQL]LRQHGHOO·LGHQWLWjSHUVRQDOHGHJOLDUWLVWLHGLTXHOODFXOWXUDOHGHOOD VRFLHWj 1HOOH VRFLHWj SUHOHWWHUDWH O·DUWH YLVXDOH SXz HVVHUH FRQVLGHUDWD FRPH XQD SURWRVFULWWXUD VWUXPHQWR GL FRPXQLFD]LRQH H GL FRHVLRQH VRFLDOH /D FRQVDSHYROH]]D GHOO·XVR RULJLQDULRGHOO·DUWHFRPHVWUXPHQWRGLFRPXQLFD]LRQHFLULSRUWDDQFRUDXQDYROWDDOPRWWR ´FRQRVFHUHLOSDVVDWRSHUFDSLUHLOSUHVHQWHµ &RQGLYLGHUHPR TXHVWD HVSHULHQ]D GL ULFHUFD FRQ YDULH GLVFLSOLQH O·DUFKHRORJLD O·DQWURSRORJLDFXOWXUDOHO·DUWHODVHPLRWLFDODSVLFRORJLDHODSVLFRDQDOLVL6RORLOULVXOWDWR SRWUjJLXVWLÀFDUHJOLVIRU]LIDWWLSHUSHUVHJXLUHTXHVWRREELHWWLYR /·DUWHSUHLVWRULFDHWULEDOHqLOSULQFLSDOHYHLFRORSHUODWUDVPLVVLRQHHODUHJLVWUD]LRQHGL LQIRUPD]LRQLSURYHQLHQWLGDOOHVRFLHWjSUHOHWWHUDWHqDQFKHODIRQWHSHUULFRVWUXLUHOHDYYHQWXUH LQWHOOHWWXDOLGHOOHFXOWXUHSUHLVWRULFKH/·DUWHUXSHVWUHVLqFRQVHUYDWDGRYHIXSURGRWWDDSDUWLUH GDROWUHDQQL$GRJJLSRVVLDPRTXDQWLÀFDUHTXHVWRLPPHQVRSDWULPRQLRLQPLOLRQLGL LPPDJLQLGLVWULEXLWHVXDOFXQHPLJOLDLDGLURFFHLQSLGLSDHVLQHOPRQGR /·DUWHPRELOLDUHFRPHOHWDYROHWWHPHVVDJJLRJOLRJJHWWLFXOWXDOLHULWXDOLOHPDVFKHUH JOL DPXOHWL OH UDSSUHVHQWD]LRQL GL DQWHQDWL H VSLULWL q DQFRUD LQ XVR SUHVVR OH VRFLHWj WULEDOL PRGHUQH PHQWUH JOL RJJHWWL DQWLFKL ULWURYDWL H FKH YHUUDQQR VFRSHUWL LQ IXWXUR VL WURYDQRQHLPXVHLHQHOOHFROOH]LRQL'HÀQLWDFRPHDUWHLQVLWX LPPRELOLDUH LQYHFHO·DUWH UXSHVWUH ULPDQH GRYH IX SURGRWWD DQFKH SHU PLJOLDLD GL DQQL OH JDOOHULH GL TXHVW·DUWH VL WURYDQRRYXQTXHO·XRPRVLVLDIHUPDWR4XHVWRLPPHQVRSDWULPRQLRQRQIXSURGRWWRSHU DEEHOOLUHLOSDHVDJJLRHVVRFRPXQLFDPHVVDJJLHGqLOSLJUDQGHDUFKLYLRHVLVWHQWHVXOOD VWRULDGHOO·XPDQLWjSUHOHWWHUDWD/DGHFRGLÀFDGHOO·DUWHSUHLVWRULFDqXQDVÀGDGHOODULFHUFD contemporanea, conoscere il passato è il primo passo per la scoperta del presente. /D 9DOFDPRQLFD FKH KD OD PDJJLRU FRQFHQWUD]LRQH G·DUWH UXSHVWUH G·(XURSD q OLHWD GL DFFRJOLHUYL H FRQWLQXD OD WUDGL]LRQH RUPDL GL PH]]R VHFROR GL RVSLWDUH L 6LPSRVL ,QWHUQD]LRQDOL I precedenti 23 Simposi di Valcamonica sono stati un punto di riferimento per la ricerca e SHUODFRPSUHQVLRQHGHOSDVVDWRHFLDVSHWWLDPRFKHTXHVWRQXRYRVIRU]RFRQJLXQWRGLWXWWL QRLSDUWHFLSDQWLHRUJDQL]]DWRULPDQWHQJDTXHVWDWUDGL]LRQH &HUFKLDPRGLUHQGHUHTXHVWRFRVWUXWWLYRHYHQWRIRQWHG·LVSLUD]LRQHSHUWXWWLQRLHXWLOH SHUO·DYDQ]DPHQWRGHOODFXOWXUDHGHOODULFHUFD*UD]LHDOYRVWURLPSHJQRWXWWLLWHVWLULFHYXWL LQWHPSRVRQRRUDGLVSRQLELOLHVVLVRQRODEDVHSHUORVWXGLRHLOGLEDWWLWRGXUDQWHTXHVWR LQFRQWURHDQFKHGRSR$XJXUDQGRFLXQSUROLÀFRHULXVFLWR6LPSRVLR

Prof. Emmanuel Anati Direttore, CCSP Presidente dei Simposi di Valcamonica

Arch. Francesco Bandarin Assistant Director-General for Culture UNESCO


COMMUNICATION PLAN Updated on June 20th, 2011

14th

JULY Thursday h. 09.00-13.00 Session 1 / Sessione 1  $UWDQG&RPPXQLFDWLRQLQ$IULFDDQG0LGGOH(DVW$UWHH&RPXQLFD]LRQHLQ$IULFDH0HGLR2ULHQWH h. 14.30-19.00 Session 2 / Sessione 2  3UHKLVWRULF$UWDV&XOWXUDO+HULWDJH$UWHSUHLVWRULFDHSDWULPRQLRFXOWXUDOH

15th JULY Friday h. 09.00-13.00 Session 3 / Sessione 3  $UWDQG&RPPXQLFDWLRQLQWKH(XURSHDQ&RQWH[W$UWHH&RPXQLFD]LRQHQHOFRQWHVWRHXURSHR h. 14.30-19.00 Session 4 / Sessione 4  $UWIRU8QGHUVWDQGLQJWKH0LQG/¡$UWHSHUFDSLUHOD0HQWH th

16 JULY Saturday h. 09.00-13.00 Visit to the rock art site of Luine / Visita al sito con arte ruestre di Luine h. 14.30-19.00 Session 5 / Sessione 5  :KHQ$UWZDV6SHDNLQJ&RPPXQLFDWLRQLQ3UHKLVWRU\4XDQGRO¡DUWHHUDSDURODODFRPXQLFD]LRQH nella Preistoria 17th

JULY Sunday h. 09.00-13.00 Session 6 / Sessione 6  $UWRI2ULJLQV2ULJLQLGHOO¡$UWH h. 14.30-19.00 Session 7 / Sessione 7  3UHKLVWRULFDQG7ULEDO$UW3DWWHUQVRI&RPPXQLFDWLRQ$UWHSUHLVWRULFDHWULEDOHPRGHOOLGLFRPXQLFD]LRQH

18th

JULY Monday h. 09.00-13.00 *HQHUDOGHEDWH'LEDWWLWRJHQHUDOH h. 14.30-19.00 &RQFOXVLRQUHFRPPHQGDWLRQVDQGGHOLEHUDWLRQV&RQFOXVLRQLGHOLEHUHHUDFFRPDGD]LRQL

EXHIBITIONS Ningxia rock art / L’arte rupestre del Ningxia E\1LQJ[LD5RFN$UW,QVWLWXWH &KLQD

Between contemporary expressivity and rock art. &ROOHFWLYHH[KLELWLRQ Tra espressivitĂ contemporanea e arte rupestre. Mostra collettiva

PERFORMANCE 15 July Friday Prehistoric sounds and dance show with Sound &HQWHUE\:DOWHU0DLROL Spettacolo di danze e suoni preistorici con Sound Center di Walter Maioli

7 - 27 July 2011 Archeoweek Festival of the Prehistory “Nostra madre terraâ€? SUHYLHZSHUIRUPDQFHV 820,1,(&$1,E\0DUFR3DROLQL'HGLFDWHGWR -DFN/RQGRQ -ROHĂ€OP3URGXFWLRQ

$662',0211(==$E\8OGHULFR3HVFH Terrasonora Teatro 19 Festival della preistoria “Nostra madre terraâ€? anteprima degli spettacoli: UOMINI E CANI di Marco Paolini. Dedicato a Jack /RQGRQ 3URGX]LRQH-ROHĂ€OP

ASSO DI MONNEZZA by Ulderico Pesce Terrasonora Teatro 19

DIDACTIC PROPOSALS In contemporary of the Valcamonica Symposium, in the landscape of the Natural Reserve of the Rock Engravings of Ceto CimEHUJR3DVSDUGRWKHUHZLOOEHWZRDIWHUQRRQVGHGLFDWHGWRWKHFKLOGUHQZLWKHGXFDWLRQDODFWLYLWLHVDQGJDPHV In contemporanea ai lavori del Valcamonica Symposium, nella cornice della Riserva Naturale delle Incisioni Rupestri di Ceto Cimbergo Paspardo, si terranno due pomeriggi dedicati ai bambini con attivitĂ didattiche e ludiche


PROGRAM Updated on June 20th, 2011

13th

JULY Wednesday

h. 09.00-13.00 h. 16.30

14th

Arrival and registration of participants Opening session

JULY Thursday

Session 1 h. 9.00 - 13.00 Art and communication in Africa and Middle East

Sergio Castelletti (ULF&RTXHXJQLRW

0RKDPHG(O+pGL *KUDEL Graff Gwenola Federico Mailland Maria Emilia Peroschi )ODYLR&DPELHUL Ait Ali Yahai Saima +DNRE6LPRQ\DQ

h. 13.00 - 14.30

Break

Session 2

Aldo R. D. Accardi

h. 14.30 - 19.00 Prehistoric art as cultural heritage

Dusko Aleksovski -HDQ0LFKHO&KD]LQH

Jessyca J. Christie 0DULDQH+DUGHQEHUJ Carol Patterson 0DXUL]LR4XDJOLXROR

Ray Ranjana 0DULH9RXUF·K

+DU.DUNRP²-HEHO,GHLG²/DPRQWDJQDGHOOH moltitudini 'HVSHLQWXUHVGDQVXQEkWLPHQWFRPPXQDXWDLUH GX1pROLWKLTXHSUpFpUDPLTXH YHUVDY-& j 'MD·GH 6\ULH QDWXUHLQVHUWLRQGDQVO·DUFKLWHFWXUHHW WHQWDWLYHG·LQWHUSUpWDWLRQ $SURSRVGHODGpFRXYHUWHG·XQHQRXYHOOHVWDWLRQGH peintures rupestres dans les environs de Ghomrassen, 'DQVOH-EHO'HPPHU &RQVWUXLUHO·LPDJH²2UGRQQHUOHUpHO/HVYDVHVSHLQWV du IVème mill. en Egypte (culture de Nagada I et II) 7KHJHRJO\SKVRI+DU.DUNRP 1HJHY,VUDHO  FODVVLÀFDWLRQDQGLQWHUSUHWDWLRQ -HEHO8ZHLQDW 6DKDUD2ULHQWDOH HO·DUWHUXSHVWUH nuove prospettive di studio dalle recenti scoperte /HVSHLQWXUHVUXSHVWUHVHQ*UDQGH.DE\OLH The art of pottery design and cave drawings in Armenia. Chronological and stylistic ordinariness

The interpretation of prehistoric visual expression in indoor museums 6LJQHVVHPLRWKLTXHVpOpPHQWVSULQFLSDOHVGHOD FRPPXQLFDWLRQSUpKLVWRULTXH 1HZVXUYH\RISDLQWHGSDQHOVRI1RUWK:HVW3DSXDD SUHFLVHLGHQWLÀFDWLRQRIWKHLUORFDWLRQSDUDPHWHUVDQG some insight into their function 0XOWLYRFDOLW\RIWKH.DWVLQD0DVNDPRQJ3XHEOR People in the American Southwest 8QPDVNHG'RUVHW3HRSOHFRPPXQLFDWHGYLVXDO expressions Ute Rock art maps &RPXQLFDUHLOPHVVDJJLRGHOO·DUWHUXSHVWUHXQR VWUXPHQWRGLYDOXWD]LRQHGHOO·LQIRUPD]LRQHDO visitatore .XUVKLEXUXDURFNDUWVLWHRI(DVWHUQ,QGLD Experimentation and technological analysis in the VWXG\RIWKHURFNFDUYLQJVDWWKHVLWHRI+MHPPHOXIW Alta, Finnmark, Norway


15th JULY Friday Session 3

)HUQDQGR&RLPEUD

h. 13.00 - 14.30

Break

Session 4

Batilde Bacci Pier Luigi Bolmida & 8PEHUWR6DQVRQL *DEULHOOD%UXVD Zappellini

7KHV\PEROLVPRIWKHSHQWDJUDPLQZHVWHXURSHDQ URFNDUW$VHPLRWLFDSSURDFK h. 9.00 - 13.00 Anne J. Cole $VRFLDOVHPLRWLFIRUD\RIERDWLPDJHVLQURFNDUW &RPPXQLFDWLRQEHWZHHQWZRORFDO6FDQGLQDYLDQ Art and communication communities in the european context Tomaso Di Fraia 5DIÀJXUD]LRQLUXSHVWULHFXOWLPLOOHQDULLQYDOGL6DQJUR Luca Giarelli & =XUODGL1DGURFRQVLGHUD]LRQLVXDOFXQLHOHPHQWLGL 8PEHUWR6DQVRQL HPEOHPDWLFDGLVFRUGDQ]DQHOTXDGURGHOO·DUWHUXSHVWUH della Valcamonica .DWDOLQ-DQNRYLWV /HUDSSUHVHQWD]LRQLDQWURSRPRUIHVXOODFHUDPLFDHL SHQGDJOLDQWURSRPRUÀGLEURQ]RQHOO·HWiGHOEURQ]RLQ Ungheria $OEHUWR0DUUHWWD /·DUWHUXSHVWUHGHO&RUHQGL5HGRQGR &DSRGL3RQWH 9DOFDPRQLFD QRYLWjHFRQIHUPHGDOO·DQDOLVLLQWHJUDOH GLXQ·DUHDGHOYHUVDQWHRFFLGHQWDOH $OEHUWR0DUUHWWD 1XRYHPHWRGRORJLHGLGRFXPHQWD]LRQHHDQDOLVLGL Angelo Martinotti & WHFQLFKHHVHTXHQ]HLVWRULDWLYHVXGXHIUDPPHQWLOLWLFL Mauro Colella FRQJUDIÀWLSURWRVWRULFLGD3LDQFRJQR Giancarlo Sani /HURFFHGHL3HQQDWLVXOOHWUDFFHGHOOHURFFHVDFUHGHL Liguri Apuani 8PEHUWR6DQVRQL/RULV &HUYLHFDYDOOL)LJXUD]LRQLUXSHVWULHPLWRGHO Bendotti & Fausto contesto pre-protostorico europeo Bonomelli 9DOHULX6LUEX 7XGRU $FDYHZLWKZHDSRQUHSUHVHQWDWLRQVIURPWKH%URQ]H Soroceanu $JHDW1XFX%X]ĆX&RXQW\ 5RPDQLD

Serena Solano 6FULYHUHLQWHUULWRULGL´IURQWLHUDµO·LVFUL]LRQH preromana di Roncone (Tn) Marjukka Vainio & The mythical line Riitta Virtanen

h. 14.30 - 19.00 Art for understanding the mind

16th

Segnali di fumo nella semiotica del corpo 8QDVROD6SHFLHXQ·XQLFDOLQJXDGHOOHRULJLQLODVWHVVD ODWHQ]DDOO·$UWH Ornarsi con un dente di lupo/dipingere un lupo sulla URFFLD8QVDOWRFRJQLWLYRQHLOLYHOOLGLDVWUD]LRQHGHOOD mente? Daniela Gariglio, Daniel $UWH&RPXQLFD]LRQHH%HQHVVHUH Lysek & Pietro Rossi %UXQD0DU]L 6LDPRWXWWLGHJOLLEULGL" Nicola Peluffo 5HOD]LRQLWUDVLJQLÀFDWRHIRUPD Mauro Schiavella /·DUWHIDWWRFRPHRJJHWWRQDWXUDOHFRQWHQHQWHPHPRULD HO·LPPDJLQD]LRQHFRPHVWUXPHQWRSHUUHFXSHUDUOD Manuela Tartari 7UDFLHORHWHUUD5DSSUHVHQWD]LRQLPHQWDOLHFRVPRJUDÀH Matilde Vigneri 1DUUD]LRQHFRPXQLFD]LRQHWUDVPLVVLRQHQHOO·DUWH preistorica. Una lettura psicoanalitica

JULY Saturday

h. 9.00 - 13.00

Visit to the rock art site of Luine (Darfo B.T., Bs)

h. 13.00 - 14.30

Break


Session 5

(QULFR&RPED

h. 14.30 - 19.00

/HR'XEDO Art and communication M. Giuseppina Gradoli in the european context & Terence Meaden 3KLOLSSH+DPHDX $OEHUWR3R]]L Matteo Scardovelli Dario Seglie Mike Singleton

17th JULY Sunday Session 6 h. 9.00 - 13.00 Art of Origins

/LVEHWK%UHGKROW

0HDQLQJDQGPHVVDJHLQYHUEDODQGQRQYHUEDO communication 7DQLD/HWL]LD*REEHWW 7UDYLVLRQHRUJDQLFDHLQWHUWHVWXDOLWjORVSD]LRWUD puro e impuro Fulvio Gosso 6XOSRVVLELOHVLJQLÀFDWRGHOO DUWHSDULHWDOHGHO3DOHROLWLFR VXSHULRUHQHOO DUHDIUDQFRFDQWDEULFD Chantal 7HFKQLTXHVHWRXWLOVSRXUGpWHUPLQHUO¡HVSDFHHWOH -qJXHV:RONLHZLH] WHPSVDX3DOpROLWKLTXH Laura Leone $UWHHPHWDÀVLFDWUD3DOHROLWLFRH1HROLWLFR*URWWDGHL Cervi e Grotta Chauvet a confronto Aleksander V. Nasteski 7KH(WHUQDO6\PEROV Gregor Vahanian & Araratian rock art as a paradigm of communication Vahan Vahanian and visual arts in the past and future Yulia Volkova 3RUWDEOHDUWLQ(XUDVLDGXULQJWKH8SSHU3DOHROLWKLF

h. 13.00 - 14.30

Break

Session 7

Imam Bulu

h. 14.30 - 19.00 Prehistoric and Tribal Art: Patterns of Communication

)HGHUPDQ&'LD] Romana Ercegovic Santiago GuimarĂŁes

Mohammed Ali Pathak Meenakshi Prakash Sharma Troletti Federico

Zanchi Mauro /HVOLH=XELHWD

18th

+LLWHHQLVLPERORGHOODYLWD5Là HVVLRQLVXOOD FRPSOHVVLWjGHOOHIRUPHVLPEROLFKHWUDJOL$UDSDKR /HP\WKRJUDPPHGHO¡KRPPHDXEUDVOHYp 8QGHUZRUOGDQG1HROLWKLFULWXDOLW\WKHURFNDUWRIWKH Su Longu Fresu Cave in Central Sardinia Graphic system and sharing of representation in the Neolithic age &RQVLGHUD]LRQLVXOO¡DUWHPHJDOLWLFD (Paleo)art is a social system Semiotic insights for an LQGHSHQGHQWœYLVXDOODQJXDJH¡ 5RFNDUWVLOKRXHWWHVÀJXULQJRQWKHVWDJHRI prehistoric man &RPPXQLFDWLRQEHWZHHQSUHKLVWRULFDQG´SULPLWLYH¾ man

Comparative traditions in village painting and Prehistoric rock art of Jharkhand 5HODWLRQVKLSEHWZHHQ0XLVFDURFNDUWDQGOH[LFRQ /DQJXDJHRIGLJQLW\VDFUHGEDODQFHEHWZHHQIHPLQLQH and masculine $QFLHQWP\WKVDQGVFLHQWLÀFÀFWLRQWKHUHSUHVHQWDWLRQRIWKHELJKHDGLQ3UHKLVWRULFDUWDQGLWVUHFHDWLRQ in Western curture ,QSHUVXLWRISUHKLVWRULFDQGWULEDODUW 7KHFRQWHPSRUDU\WULEDODUWRIWKH6DWSXUD5DQJHV :RUOG¡VORQJHVWURFNSDLQWLQJVVLWHGLVFRYHUHGLQ Doongri Nala $OFXQHULà HVVLRQLVXOOHDIÀQLWjGLFRPXQLFD]LRQH WUDDUWHSUHLVWRULFDFXOWRFULVWLDQRHœQXRYLYHFFKL¡ linguaggi del contemporaneo 5LFKLDPLGHOO¡DUWHFRQWHPSRUDQHDDOOHFLYLOWj SUHOHWWHUDWH3DUPLJJLDQL3HQFN+DULQJ.OHLQH=LQHOOL &RPPXQLFDWLRQWKURXJKLPDJHVZKDWWKHZRUG ´XVH¾LPSOLHVLQWKHURFNDUWRI&KLQDPZDOLVRXWK central Africa

JULY Monday

h. 9.00 - 13.00 h. 13.00 - 14.30 h. 14.30 - 19.00

*HQHUDOGHEDWH Break &RQFOXVLRQUHFRPPHQGDWLRQVDQGGHOLEHUDWLRQV

Valcamonica Simposium  

Valcamonica Simposium, Arte Rupestre