RotoVision 2016 catalogue

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ROTOVISION BOOKS 2016

RotoVision SA

Foreign Language Rights

M ark Searle Publisher Email: mark.searle@quarto.com

P hilippa Painter Territories: Denmark, Finland, Norway, Sweden, Iceland, Estonia, Latvia, Lithuania, Czech Republic & Slovak Republic, Russia Email: philippa.painter@quarto.com

Editorial Isheeta Mustafi Editorial Director Email: isheeta.mustafi@quarto.com A lison Morris Commissioning Editor Email: alison.morris@quarto.com A bbie Sharman Junior Editor Email: abbie.sharman@quarto.com

Design M ichelle Rowlandson Art Director Email: michelle.rowlandson@quarto.com Agata Rybicka Designer Email: agata.rybicka@quarto.com

M arion Serre Territories: Holland, Belgium, France & French-speaking Canada Email: marion.serre@quarto.com A nja Endemann Territories: Germany Email: anja.endemann@web.de Ruth M iddleton Territories: Italy, Spain & Latin America Email: ruth.middleton@quarto.com

Nicole kemble Territories: Brazil, Portugal, Turkey, Greece Email: nicole.kemble@quarto.com M eixia Wang Territories: China and Taiwan Email: mwang@quarto.com.au Okkyun Choi Territories: Korea Email: okkyun.choi@quarto.com Lucy Gibbs Territories: Middle East Email: lucy.gibbs@quarto.com Erica Bowman Territories: Japan Email: erica.bowman@quarto.com

Editorial and Sales Office: 4th floor, Ovest House 58 West Street BN1 2RA Tel: +44 (0)1273 727 268 www.rotovision.com www.twitter.com/rotovision_sa

PRACTICAL ART 4 6 8 10 12 14 17 18

Trianimals: Colour me Wild Trianimals: Colour me Dog 5-Minute Sketching: Architecture 5-Minute Sketching: People Drawn from Life Manga your World Creative Sketching Workshop Pen & Ink HAIR & BEAUTY Braids, Bunches & Pigtails for Little Girls 100 Awesome Hair Days Curls, Waves & Kinks 5-Minute Hair Make Your Own Nail Decals Draw & Print Temporary Tattoos DESIGN

33 How to Speak Type 34 What is Graphic Design? Revised Edition 35 What is Typography? Revised Edition CRAFT 36 38 41 42

Pattern Making Templates for Skirts & Dresses Arm Knitting Pride & Preju-Knits Raw Crafts REFERENCE

44 Whoniverse 47 How Comics Work

contents

20 23 24 26 28 31

COLOUR ME WILD

TRIANIMALS COLOUR ME WILD 60 Colour-by-Numbers Geometric Artworks with Bite HOPE LITTLE AND ÇETIN CAN KARADUMAN

HOPE LITTLE & ÇETIN CAN KARADUMAN

Colour Me

WILD

96 pages

Files available for translation

240 x 240mm

February 2016

60 images

Rights sold

1,400 words

USC, UK, German, Spanish, Finnish, Lithuanian

60 Colour-by-Number Geometric Artworks with Bite

HOPE LITTLE & ÇETIN CAN KARADUMAN

NATURAL

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Raccoon 1

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Trianimals is a unique animal colouring book series; each title features 60 amazing geometric animal designs to colour and enjoy. In this fun colour-by-numbers book, amazing creatures – from an old tortoise to a ferocious lion – are waiting to be discovered. You can choose to colour each animal in its natural colours or unleash your ‘wild’ side and try out our vivid colour palette for something a bit different.

Once you get the hang of it, freestyle and experiment with your own colour palettes. In the back, you’ll find eight perforated pages with animal faces for you to colour in, detach and create your own mask.

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• Join the geometric art trend with over 60 wild animals to colour in • Choose between the natural and vivid palettes to bring these exciting creatures to life • Let your imagination run ‘wild’ and freestyle with our pattern pages

Yak 3

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Hope Little is an art director at Oryx Agency, based in Toronto, Canada. She is also a freelance illustrator, letterer and designer. Çetin Can Karaduman is a graphic artist, based in Ӏzmir, Turkey. He is the art director at Mandal Ajans advertising agency.

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© 2016 RotoVision

Color Me

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DOG

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• Share it with your friends

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• Customise and draw some fun accessories 9

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• Create your character from scratch or use one of our templates

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Trianimals: Colour me Dog Manga Your World

• Pick a style from this book

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also available:

HOW TO MANGA YOUR WORLD IN 5 EASY STEPS:

• Select a photo

HOW TO MANGA YOUR SELFIES

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Your World

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6 Learn—step-by-step—how to turn a photo into a manga drawing, and then try 9 8 out all the different styles. Draw your friends with superpowers, your beloved 9 pooch in an adorable Kodomo style, or yourself as a samurai!

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Manga Your World is full of easy-to-follow drawing projects and expert tips by a kick-ass professional manga artist. Fun drawing projects will take 8 you 6 create your 9 through the basics before arming you with everything you need to 6 6 own traditional comic strip. The six chapters will introduce you to the most 9 6 6 popular manga styles: Seinen & Josei, Shoujo & Shounen, and Chibi & 9Kodomo. 3 3 8 8 3 3 2 2 With so much to choose from you are guaranteed to find a style that suits you, 6 6 9 2 so pick up one of your old photographs and give it a manga makeover! 2 1 3 3 3 6 11 1 9

ÇETIN CAN KARADUMAN

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60 Color-by-Number Geometric Artworks with Bark

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11 8 3 2 11 11 2 2 6 5 8 6 6 Have you ever imagined yourself as a manga cartoon? Manga 6 Your 9 9World will 8 8 show to you how to inject the colour, energy, and magic of manga into your 9 9 everyday life by turning your unused photographs into manga creations.

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Manga Your World

Trimmed page size: 240 x 240mm Extent: 96pp Binding: Paperback with Flaps

Sonia Leong is professional comic artist and illustrator specialising in Manga. She has over eighty publications, including her graphic novel Manga Shakespeare: Romeo and Juliet, which is set in modern Tokyo. Sonia was awarded “2008 Quick Picks for Reluctant Young Adult Readers” and “Best Books for Young Adults 2008” by the Young Adult Library Services Association. She was also the winner of Tokyopop’s first UK Rising Stars of Manga competition (2005/06) and Winner in NEO Magazine’s 2005 Manga Competition.

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TURN YOUR OLD PHOTOGRAPHS INTO6 MANGA 9 6 8 9 CREATIONS WITH THIS UNIQUE GUIDE 8

In the back, you’ll also find eight perforated pages with canine faces for you to color in, detach, and create your own mask.

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Leong

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freestyle and experiment with your own color palettes.

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Looking for a new and unique coloring experience? In this fun color-bynumbers book, your favorite dogs—from a loveable beagle to an elegant greyhound—are waiting to be unleashed. You can choose to color each dog in its natural colors or release your “wild” side and try out our vivid color palette for something a bit different. Once you get the hang of it,

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EXPLORE THE GEOMETRIC CANINE WORLD ONE COLOR AT A TIME!

Ç E T I N C A N K A RA D U M A N

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VIVID

COLOR ME DOG

PRACTICAL ART

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PRACTICAL ART

TRIANIMALS COLOUR ME DOG

ÇETIN CAN KARADUMAN

COLOUR ME DOG

60 Colour by Numbers Geometric Artworks ÇETIN CAN KARADUMAN

ÇETIN CAN KARADUMAN

Colour Me

DOG

96 pages

Files available for translation

240 x 240mm

March 2016

60 images

Rights sold

1,400 words

USC, UK, German, Spanish, Finnish, Lithuanian

60 Colour-by-Number Geometric Artworks with Bark

NATURAL

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Bullmastiff 9

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Bichon Frise

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• Join the geometric art trend with over 60 furry friends to colour in • Choose between the natural and vivid palettes to bring man’s best friend to life • Let your imagination run ‘wild’ and freestyle with our pattern pages

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Trianimals is a unique animal colouring book series; each title features 60 amazing geometric animal designs to colour and enjoy. In this fun color-by-numbers book, your favourite dogs – from a loveable beagle to an elegant greyhound – are waiting to be discovered. You can choose to colour each dog in its natural colours or unleash your ‘wild’ side and try out our vivid colour palette for something a bit different. Once you get the hang of it, freestyle and experiment with your own colour palettes. In the back, you’ll find eight perforated pages with canine faces for you to colour in, detach and create your own mask.

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Çetin Can Karaduman is a graphic artist, based in Ӏzmir, Turkey. He is the art director at Mandal Ajans advertising agency.

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World 2 9 2 Manga 9 3 3 2 8 277 7 72 2 8 2 2 8 7 1 2 88 2 7 1 8 2 8 your 8 2 8 1 into 8 8 8 8 8 8 9 9 8of 8 show to you how to inject the1colour, energy, 8and8 magic 8 1 manga 1 3 3 8 8 7 1 8 7 8 8 7 9 9 9 9 8 11 8 2 2 2 8 creations.

8 2 3 1 8 7 1 7 everyday life by turning your unused photographs 3 2 8 7 8 8 2 72 28 8 8into manga 7 7 7 7 8 1 8 1 2 8 7 2 8 2 2 3 8 1 a photo1into8a manga3 drawing, 1 8 8 811 8 8 then 1 1 8 and 2 2 2 2 try 2 Learn—step-by-step—how to1 turn 2 8 8 1 7 7 9 9 8 8 1 8 8 1 7 7 7 7 7 7 8 2 8 8 2 8your 8beloved 7 8 7 8 out all the different styles. Draw your friends 2with superpowers, 7 8 8 2 8 8 2 8 1 8 2 8 8 1 8 8 9 11 7 8 8 11 9 8 2 pooch in an adorable Kodomo 7 1 8 style, or yourself 2 8as a samurai!

8 1 7 7 8 8 1 8 8 8 8 11 8 8 8 7 9 9 7 9 8 8 1 11 9 8 1 9 9 1 9 9 7 19 8 8 9 1 11 4 6 6 4 2 2 2 2 7 1 1 7 7 1 1 7 2 9 4 2 easy-to-follow 8 88 1 Manga Your World is full of drawing projects and7expert tips by 4 9 188 8 99 99 4 6 4 6 6 4 6 4 1 1 8 2 8 1drawing a kick-ass professional manga artist. Fun take8 you2 1 8 8 8 projects 1will 7 8 1 1 1 8 7 1 1 8 1 1 1 8 1 1 2 1 8 1 you need to create 4 4 through the basics before arming2 you with7 everything your 8 1 7 8 9 8 9 7 9 7 9 9 9 7 2 1 1 2 7 1 you to the most 7 9 own traditional comic strip. The will 9 44 1 chapters 1 8 introduce 8 1 91 7 7 8 8 six 8 8 9 9 3 9 8 9 8 7 9 1 1 3 1 1 1 11 1 3 72 27 3 7 7 & Shounen, and 3 & Kodomo.

3 1 1 9 1 popular manga styles: Seinen & Josei, Shoujo 7 7 Chibi 7 9 7 8 8 7 7 8 8 77 77 1 1 8 99 7 7 8 7 99 8 8 8 8 2 2 88 8 2 8 8 7a style 2 7 1 With so much to choose from you are8 guaranteed to find 9 9you, 9 1 9 9 1 7 that suits 1 9 7 7 2 8 8 2 2 2 8 8 7 8 1 1 1 1 8 7 7 so pick up one of your old photographs and give it a8manga 1 7 7makeover!8 8 7 7 11 8 2 2 7 1 7 7 2 7 4 4 11 4 4 7 2 1 1 8 1 11 8 11 1 7 2 1 1 8 7 1 7 71 7 8 2 2 7 2 3 3 1 1 11 1 1 1 1 8 1 1 8 11 1 1 3 1 1 3 1 1 11 1 1 4 1 8 8 1 4 1 11 1 5 1 1 1 4 7 4 4 4 1 5 7 1 1 1 5 1 8 84 1 5 1 4 4 4 1 4 1 1 4 4 4 5 5 1 4 4 4 6 4 4 6 4 1 1 1 1 6 6 1 1 1 1 4 4 4 4 1 1 4 6 4 4 1 1 5 78 4 6 5 87 6 6 4 7 7 4 8 5 1 1 1 1 5 8 1 1 6 6 6 6 1 5 5 1 7 7 1 5 5 8 8 5 5 1 1 8 7 8 7 77 7 8 7 8 8 1 8 5 5 1 5 11 5 1 9 1 5 5 1 1 9 1 1 1 1 11 1 9 9 1 1 1 1 1 1 9 9 9 9 5 5 9 5 9 9 9 5 9 9 Sonia Leong 9 9 9

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Leong

EXPLORE THE GEOMETRIC ANIMAL KINGDOM ONE COLOR AT A TIME!

In the back, you’ll also find eight perforated pages with animal faces for you to color in, detach, and create your own mask.

Trimmed page size: 240 x 240mm Extent: 96pp Binding: Paperback with Flaps © 2016 RotoVision

HOPE LITTLE & ÇETIN CAN KARADUMAN

Sonia Leong is professional comic artist and illustrator specialising in Manga. She has over eighty publications, including her graphic novel Manga Shakespeare: Romeo and Juliet, which is set in modern Tokyo. Sonia was awarded “2008 Quick Picks for Reluctant Young Adult Readers” and “Best Books for Young Adults 2008” by the Young Adult Library Services Association. She was also the winner of Tokyopop’s first UK Rising Stars of Manga competition (2005/06) and Winner in NEO Magazine’s 2005 Manga Competition.

Manga Your World

Looking for a new and unique coloring experience? In this fun color-by-numbers book, amazing creatures—from an old tortoise to a ferocious lion—are waiting to be discovered. You can choose to color each animal in its natural colors or unleash your “wild” side and try out our vivid color palette for something a bit different. Once you get the hang of it, freestyle and experiment with your own color palettes.

COLOR ME WILD

PRACTICAL ART

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Color Me

WILD 60 Color-by-Number Geometric Artworks with Bite

HOPE LITTLE & ÇETIN CAN KARADUMAN

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Manga

Your World

also available:

HOW TO MANGA YOUR WORLD IN 5 EASY STEPS:

Trianimals: Colour me Wild Manga Your World

• Select a photo

• Pick a style from this book

• Create your character from scratch or use one of our templates • Customise and draw some fun accessories • Share it with your friends

7

PRACTICAL ART

5-Minute Sketching

5-MINUTE SKETCHING ARCHITECTURE

ARCHITECTURE

ching 5-Minute Sket

Super-quick Techniques for Amazing Drawings LIZ STEEL

ARCHITECTURE

Super-quick Techniques for Amazing Drawings

liz steel

n

Set out the basic structure

Right Pete Scully, 2011.

Kris at a Giants game.

Sports fans make good models for quick sketching because they watch intently.

Kris’s glasses accentuate the upward angle of his face and the inclusion of shoulders

However it is easy to make a profile appear flat, and if your subject is moving their head a lot drawing the direct profile requires knowing a few basics.

Tips to get you started 1

Structure and rhythm Remember, the nose

nose. If you draw the cheekbone, which is between the ear and the nose, try to be as

sticks out the furthest in a profile. They come in

Files available for translation

220 x 170mm

July 2016

350 images

Rights sold

20,000 words

USC, UK

• Quick sketching videos are extremely popular on YouTube • 5-Minute Sketching will help artists to focus their productivity • Urban sketching ‘on location’ is a huge trend and most popular amongst ‘time poor’ artists • Provides over 50 exercises to learn how to draw architecture quickly while on the move

liz steel

Sketching a person in direct profile can be the best, and quickest, way to show the real shape of their face and head. For a quick sketcher it can seem a little easier than a more angled side view and less intimidating than a direct portrait.

128 pages

subtle as possible—too heavy a line will make

all shapes and sizes: some are stubby, some

it appear too sharp.

point up slightly. Don’t be afraid to draw a long nose if your subject has a long nose. Use the nose as a starting point for figuring out the rest of the facial shape. Remember that the nose curves around at the bottom to meet the top lip.

4

Right Pete Scully, 2011.

Columns and entablatures The back of the

Kris at a Giants game.

head is not flat, but usually curves outwards. Try

Sports fans make good models for quick sketching because they watch intently.

Kris’s glasses accentuate the upward angle

to think of the bulbous shape of the skull, even if

2

the head’s outline is obscured by long hair.

Storeys and bays When drawing the eyes,

Don’t stop at the neck, but try to get some of

remember that in a profile you can only

the subject’s clothing and shoulders in as well if

see one of them (otherwise it is not a profile).

you can. You can get a greater sense of their

Try to observe how far back the eye is set.

posture this way than from the headshot alone.

A comprehensive directory of sketching and drawing techniques for able and aspiring artists, 5-Minute Sketching: Architecture will help you dust off your sketchbook and loosen up your creativity in a short amount of time. This bite-sized approach helps readers make drawing a part of their everyday lives and to understand buildings, landmarks and skylines quickly. It is possible to produce a great drawing in 5 minutes – quick sketches are the perfect way to warm up and to lay the foundation for a detailed piece.

Generally you’ll want to draw the eye as a basic triangle, with a curved edge facing outward. The eyebrow will usually come down to almost the edge of the profile, and

5

Centerlines for alignment If you ever need a quick example of a well-proportioned profile

males often have heavier set eyebrows than

drawing, check your pockets for coins. If you are

female faces. Minimize additional lines

from a country with monarchs or presidents on your coins, take a look at how their profile was

3

rendered and follow the same guidelines. Of

Left Pete Scully, 2011.

Differing widths The ears on a profile are

course, you may end up making your subject

Sketch

usually just left or right of center, toward the

look a bit like the Queen of England…

on Lisbon Tram.

back of the head, and if the subject is looking forward then the ears usually line up with the

This jolly fellow has a distinctive round, stocky head, which clearly

18

How to see

Use minimal lines In a quick sketch capturing light may not seem like the highest priority, but sometimes it can be the most attractive aspect. Whether sketching in low light or on a bright sunny day, the illusion of light on a page can turn a flat image into a dynamic sketch.

19

Left Pete Scully, 2011. Sophia’s Terrace.

The orange here shows the bar’s warm glow. It captures the atmosphere more than mimick reality; sketch what you see and how it makes you feel.

Tips to get you started 1

Major volumesThe simplest way to portray light on a light page is to make your

4

Liz Steel (lizsteel.com) is a Sydney-based artist, teacher, illustrator and architect. She has 20 years experience as an architect, working on a range of residential and commercial projects around Australia. She has combined her extensive architect’s training with many years of urban sketching around the world to develop some specific strategies for drawing buildings. She is an active member of the global online community of Urban Sketchers.

Draw to the sky If someone is wearing glasses this is a good starting point. They will be the

shaded areas darker, particularly along the

most reflective thing and can be a way of

edge of the shadow—you can grade the shade

getting around sketching those difficult areas.

to get lighter away from the edge, and this will create the illusion of bright light. Pencil does this particularly well, but pen techniques such as crosshatching and scribbling can produce vibrant effects.

5

Use the light Sketching in dark spaces such as pubs or lecture rooms provides a lot of different lighting opportunities. If adding a color wash, use warm yellows and oranges to

2

Important areas Try to see where the light hits different parts of the face. Usually the cheeks, the forehead, the nose, and maybe the lips, depending on the light source. Since eyes are predominantly white they reflect light, and can contrast against the shaded area beneath the eyebrows. The shadow under the chin will

The leading edgee Hair is also very reflective, so try not to sketch it as a solid block. Use your pen to pick out the darker areas and leave lit areas white or less heavily shaded. On curly hair it can be more of a challenge but so much more fun to sketch.

74

laptop, or their handheld device. If sketching on colored or darker surfaces, use white gel pen, or gouache paint to show up lit areas. Try sketching on old brown envelopes and using the white ink, or paint, either to highlight the occasional bright spot, or liberally to show reflection from a computer or television screen.

Left Pete Scully, 2011.

Sophia’s Terrace.

Above Pete Scully, 2010. Brehm lecture.

The orange here shows the bar’s warm glow. It captures the atmosphere more than mimick reality; sketch what you see and how it makes you feel.

This room is very dark, but the tech guy is lit by the simple white glow of his laptop as he operates the slideshow for architect Matthew Brehm’s urban sketching lecture.

Above Pete Scully, 2010.

Brehm lecture.

This room is very dark, but the tech guy is lit by the Time Saving Techniques

75

You can draw anywhere, anytime!

Author James Hobbs presents hundreds of great examples that will inspire you to explore the many creative possibilities in the world around you when sketching on location. Whether in a bustling café, a colourful street market, a leafy park or on a train.

Sketch Your World shows you how to improve your observational skills, sketch moving subjects and convey a sense of atmosphere in your drawings.

With examples of work from over 60 international urban artists, Sketch Your World combines practical instruction with creative inspiration and provides a valuable insight into the working processes of these inventive sketchers. Explore a range of techniques and media, including pencil, charcoal, pen and ink, watercolour as well as digital media such as tablets and smartphones. Be inspired to head out into the world armed with a sketchbook (or tablet) and never let another creative opportunity go!

SKETCH YOUR WORLD ESSENTIAL TECHNIQUES FOR DRAWING ON LOCATION Includes tips for sketching with tablets and phones

JAMES HOBBS

8

3

portray a cozy atmosphere, or a light blue tint if someone is looking at a screen such as a

SKETCH YOUR WORLD

PRACTICAL ART

often be the darkest area.

£9.99 ISBN 978-1-84543-514-1

9 781845 435141

JAMES HOBBS

also available:

Sketch Your World Archisketcher

9

PRACTICAL ART

5-Minute Sketching

PEOPLE

PEOPLE

ching 5-Minute Sket

Super-quick Techniques for Amazing Drawings PETE SCULLY

Super-quick Techniques for Amazing Drawings

PETE SCULLY

n

5-MINUTE SKETCHING PEOPLE

Perfect profiles

Left Pete Scully, 2011.

Alan Randall.

To quickly structure a face, first draft an egg-shaped skull, pointy side down, and attach the jaw. Two midlines quarter the egg and ears.

However it is easy to make a profile appear flat, and if your subject is moving their head a lot drawing the direct profile requires knowing a few basics.

Tips to get you started 1

Nose profiles Remember, the nose sticks out

forward then the ears usually line up with the nose. If you draw the cheekbone, which is

the furthest in a profile. They come in all shapes

it appear too sharp.

4

Head shape The back of the head is not flat, but usually curves outwards. Try to think of the bulbous shape of the skull, even if the head’s

Drawing eyes When drawing the eyes,

outline is obscured by long hair. Include the

remember that in a profile you can only

shoulders Don’t stop at the neck, but try to get

see one of them (otherwise it is not a profile).

some of the subject’s clothing and shoulders in

Try to observe how far back the eye is set.

as well if you can. You can get a greater sense of

Generally you’ll want to draw the eye as a

their posture this way than

basic triangle, with a curved edge facing

Right Pete Scully, 2011.

from the headshot alone.

Sports fans make good models for quick sketching because they watch intently. Kris’s glasses accentuate the upward angle of his face and the inclusion of shoulders helps to describe his posture.

A comprehensive directory of sketching and drawing techniques for able and aspiring artists, 5-Minute Sketching: People will help you dust off your sketchbook and loosen up your creativity in a short amount of time. This bite-sized approach will help readers to make drawing a part of their everyday lives and to look and deconstruct figures and faces quickly. Within five minutes it is possible to produce a great drawing – short poses are a staple of traditional life drawing classes and the perfect way to warm up creatively.

outward. The eyebrow will usually come down to almost the edge of the profile, and males often have heavier set eyebrows than female faces. Minimize the additional lines

USC, UK

Kris at a Giants game.

facial shape. Remember that the nose curves

5

Check your pockets If you ever need a quick example of a well-proportioned profile

around the eyes.

drawing, check your pockets for coins. If you are from a country with monarchs or presidents on

3

Rights sold

20,000 words

subtle as possible—too heavy a line will make

your subject has a long nose. Use the nose as a starting point for figuring out the rest of the

2

July 2016

350 images

between the ear and the nose, try to be as

and sizes: some are stubby, some point up slightly. Don’t be afraid to draw a long nose if

around at the bottom to meet the top lip.

Files available for translation

220 x 170mm

• Quick sketching videos are extremely popular on YouTube • 5-Minute Sketching will help artists focus their productivity • Urban sketching “on location” is a huge trend in sketching and most popular amongst ‘time poor’ artists • Provides over 50 exercises to learn how to draw people quickly while on the move

PETE SCULLY

Sketching a person in direct profile can be the best, and quickest, way to show the real shape of their face and head. For a quick sketcher it can seem a little easier than a more angled side view and less intimidating than a direct portrait.

128 pages

your coins, take a look at how their profile was Positioning the ears The ears on a profile are

rendered and follow the same guidelines. Of

usually just left or right of center, toward the

course, you may end up making your subject

back of the head, and if the subject is looking

look a bit like the Queen of England…

22

Left Pete Scully, 2011. Sketch on Lisbon Tram.

This jolly fellow has a distinctive round, stocky head, which clearly demonstrates the bulbous shape of the skull.

Who to Draw

23

Draw the verb

All too often we draw the person and leave out the context. What are they doing?

Who are they talking to? Are they walking down the street? Are they playing an instrument? Try wherever possible to “draw the verb”!

Tips to get you started 1

Quiet action People don’t have to be doing

of drawing to achieve something different, but

focus on their action, even if they are just

still true to what you are observing.

reading a newspaper, or talking with friends.

Eye contact When drawing two or more people in conversation, having their eyes make contact

Pete Scully is a prolific artist and renowned Urban Sketcher based in California. He has been a correspondent for the global sketching phenomenon Urban Sketchers since 2008 and gives talks about Urban Sketching in the USA. He is the author of Creative Sketching Workshop and his sketches have been featured in multiple books and exhibitions on the topic.

color pens. Don’t worry about getting exact photographic depictions, try to use the medium

anything particularly active, but you can still

2

5

Musical models Musicians make good subjects for quick active sketches. Try to draw them from

in the sketch will give a much stronger sense of

an interesting angle. When playing live, I’ve

the relationship between them than if they are

found that musicians will often change

looking away with speech bubbles. Let their

instruments between songs so this usually

posture and hand gestures tell a story.

gives you a window of about three or four minutes to sketch them. Context Even in a quick sketch of a person a few extraneous

3

You’re the director Imagine yourself as a director of a movie in which there is no dialogue.

How would you portray the scene without adding words or speech bubbles explaining everything? Try to make it clear what someone

couple of circles and lines but it immediately tells us where they are. The frame on the wall behind them. A few lines to represent the street they are walking down. Even simple shapes and scribbles give us a clue.

Superimposed sketching Be playful with your linework. If you sketch someone and they change position, draw the new position over the top, or next to it. Try drawing in different

Right Pete Scully, 2011. Fiddler at Armadillo.

Pete sketched the band’s singer first—her face is in the center—but changed his mind. To save time he simply superimposed the two.

22

Who to Draw

23

You can draw anywhere, anytime!

Author James Hobbs presents hundreds of great examples that will inspire you to explore the many creative possibilities in the world around you when sketching on location. Whether in a bustling café, a colourful street market, a leafy park or on a train.

Sketch Your World shows you how to improve your observational skills, sketch moving subjects and convey a sense of atmosphere in your drawings.

With examples of work from over 60 international urban artists, Sketch Your World combines practical instruction with creative inspiration and provides a valuable insight into the working processes of these inventive sketchers. Explore a range of techniques and media, including pencil, charcoal, pen and ink, watercolour as well as digital media such as tablets and smartphones. Be inspired to head out into the world armed with a sketchbook (or tablet) and never let another creative opportunity go!

SKETCH YOUR WORLD ESSENTIAL TECHNIQUES FOR DRAWING ON LOCATION Includes tips for sketching with tablets and phones

JAMES HOBBS

10

4

details can make all the difference. The dinner plate and glass in front of them need only be a

SKETCH YOUR WORLD

PRACTICAL ART

is doing.

£9.99 ISBN 978-1-84543-514-1

9 781845 435141

JAMES HOBBS

also available:

Sketch Your World Creative Sketching Workshop

11

PRACTICAL ART

DRAWN from LIFE

DRAWN FROM LIFE Contemporary Artists, Timeless Techniques

DRAWN from LIFE

HELEN BIRCH

HELEN BIRCH

HELEN BIRCH

CONTEMPORARY ARTISTS, TIMELESS TECHNIQUES

208 pages

Files available for translation

127 x 178mm

November 2016

130 images

Rights sold

15,000 words

USC, UK

TO N E A N D S H A D I N G

A study in tone This is one of the more traditional pieces to appear in this book but I have picked it becuase it’s such a great example of pencil shading� These skills are the building blocks of art and show a strong understanding of light, shadow, and highlights� When setting out to draw the figure, thinking about form, and the planes that wrap around to shape that form, can help to develop a strong, three-dimensional quality in the drawing�

• Features more than 100 figure drawings and portraits from contemporary artists • Figures and faces are the staple subject of the world’s most famous artists – Van Gogh, Picasso, Tracey Emin and Lucien Freud • This is a quick reference book with plenty of useful practical tips

L U C Y S TO N E

Using toned paper, as Lucy has done here, is one of the easiest ways to simplify the work of establishing a variety of values in a tonal drawing� By starting with a mid-tone background, it is much easier to work your darks and lights simultaneously, instead of having to work up your values from a stark white piece of paper� For highlight values, however, you will need a piece of white chalk�

TONAL SHADING Medium: Charcoal

8

LINE

Keep it simple This image, for me, is perfect in many ways� I love the model’s pose which conveys a great sense of relaxation� Sigrid has kep the details to a minimumm and the monochrome treatment only highlights that sense of calm� But what I like best here is the simplicity of the composition� Notice how the single line dividing the page almost in half and deftly conveys a floor� It might sound obvious, but anything more (a bit of shading) would have been too much, and taken away from the sketch entirely� At the same time, remove the line and imagine how much less sense this sketch makes�

The human body is one of the greatest subjects in art and one of the most varied.

Exploring more than 100 figure drawings and portraits by young contemporary artists, Drawn From Life highlights and examines the different techniques, qualities and effects of each piece. Organised into chapters according to the technique exemplified – line, tone, colour, wash, shading and mixed media – artwork is featured large and luscious, accompanied by extended captions, insightful tips and practical advice. A visual index at the front of the book ensures easy navigation, so that you can easily identify your preferred artworks.

SIGRID ALBERT

For me, this picture is incredibly striking because of how pared back the details are� Sigrid’s use of a simple ink wash to pick out the shadows really helps to emphasize the contours and the shape of the body and yet, this could almost be a sketch of a sketleton; notice how the ink wash runs along the leg bones and ribs� The ink wash gives the drawing its detail; the outline gives the ink wash its context—simple but beautiful�

MAN LYING DOWN Medium: Fine liner pen, India ink

2

In this original and inspiring book James Hobbs explores nearly 100 artworks by contemporary artists. Dip in and out for advice or flick through for fresh inspiration and ideas.

Pen and Ink is the perfect reference book for anyone interested in contemporary art. Build your skills and discover the various ways in which different artists approach similar subjects and styles.

James Hobbs is a London-based freelance journalist and artist. His work has been shortlisted for the Jerwood Drawing Prize, and is in a number of European collections. He is a board member of Urban Sketchers and a founding member of the London Urban Sketchers.

UK £9.99 I S B N 978-0-7112-3804-6

9

780711 238046

JAMES HOBBS

12

PEN AND INK

PRACTICAL ART

Helen Birch is an art lecturer and blogger based in the UK. She is also the author of the highly popular blog drawdrawdraw, which reaches more than half a million readers. Her books include Freehand: Sketching Tips and Tricks Drawn from Art and Just Add Watercolour.

Birch has taught art, design and fine art courses at several UK art schools and universities.

also available:

PEN AND INK CONTEMPORARY ARTISTS, TIMELESS TECHNIQUES

JAMES HOBBS

Pen and Ink Freehand

13

PRACTICAL ART

MANGA YOUR WORLD MANGA YOUR WORLD

Make life beautiful with Manga selfies and portraits

Make Life Beautiful With Manga Selfies and Portraits

SONIA LEONG 144 pages

Files available for translation

254 x 203 mm

November 2015

25,000 words 300 images

Rights sold USC, UK, ANZ

DRAW YOUR FAVORITE PIECE OF JEWELRY

• Inject the magic of Manga into your everyday life; draw from personal photographs to Manga-tize every aspect of your world • Projects are divided by Manga genre – a unique approach • Author Sonia Leong is a professional Manga artist with over 80 publications to her name, including Manga Shakespeare: Romeo and Juliet

PRO TIP! Dazzling highlights

Beautiful pieces of jewelry often grace the bodies of leading ladies in Josei manga as they dress fashionably for elegant occasions. Try making your jewelry choices the star of the show in your next Josei illustration!

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Photo source In this reference photo, we have a stunning matching set of gold stud earrings and a V-shaped pendant with a teardrop, set with both diamonds and emeralds.

Manga is an undeniable phenomenon. This unique Japanese cartoon style is so popular that it has inspired a specialist animated counterpart, Anime, and spawned its own sub-genres – Shounen, Shojo, Seinen, Josei, Kodomo, Jidaigeki, Mecha and Chibi. All are aimed at particular sexes and age groups, so you’re bound to find something you’ll like. Manga’s distinctive style has infused and informed popular culture the world over, whether via Rocket Boy, Akira, Dragon Ball, Studio Ghibli or Pokemon. Featuring exquisitely hand-rendered illustrations, Manga Your World presents easy-to-follow drawing projects and expert artist tips.

Learn how to show movement and emotion, where to put captions, and how to design a traditional comic strip that can be read from right to left. Draw your friends with supernatural powers, your beloved pooch in adorable Kodomo style, or yourself as a Manga-style samurai!

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Remember to keep your lines minimal and clean for a Josei look. Leaving gaps in the outlines adds delicacy. Define the collarbone and the bones of the shoulders for an elegant, fragile look.

To keep the feel of the artwork light and impressionistic, focus on coloring just the shadows of the image. Start with the skin, as that is the most complicated and takes up most of the image. Try to mix a large amount of clear blending solvent into your brush tips so that you can blend areas of white to shadow in gradients.

Try to place highlights over colored areas to make the white stand out. Position them along the edges of where the facets would be in the gemstones.

Make a few of them extend out into cross shapes for extra sparkle!

Continue adding shadows 4 throughout the picture. With light colors, you can paint a bit more in areas such as the shawl.

With darker colors, be more cautious, such as the dark brown in the hair, and the greens in the emeralds. When done, add a darker gray over selected parts of the shadows throughout to bring the whole picture together.

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To show off the jewelry to its fullest, pick your model and pose carefully. Use a close-up shot, with bare neck and shoulders and a short hairstyle. For a touch of elegance, add a shawl just falling off the shoulders, which hints at an evening dress worn underneath.

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For a final touch of prettiness, add highlights with a white gel pen in the hair, eyelashes, and over the gemstones.

Final image

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CHIBI

DRAWING EXAGGERATED FACIAL EXPRESSIONS Sadness Tears are now flowing down her cheeks in rivers. Her mouth is a little upside-down “V” shape, as she tries to stop herself from bawling out loud.

Chibi’s exaggerated expressions add both to their comedy and their charm. As Chibis are already very stylized, you have a lot more freedom to create overly dramatic, fun poses and situations with them. To start you off, here are a few select over-the-top expressions you can try drawing on your own creations.

PRO TIP!

Study your subject

Anxiety This character is so nervous that sweat is literally pouring from her head. Her pupils are tiny and shaking too.

Anger Here she is so apoplectic with rage that her eyes are screwed shut, and she has a huge throbbing vein on top of her head.

Sonia Leong is a professional manga artist and illustrator with over 80 publications across magazines, comics, graphic novels, art books and film/TV projects to her credit.

Shock Now she looks almost haunted! She’s so in shock that her eyes have transformed into wobbly little circles.

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You can draw anywhere, anytime!

Author James Hobbs presents hundreds of great examples that will inspire you to explore the many creative possibilities in the world around you when sketching on location. Whether in a bustling café, a colourful street market, a leafy park or on a train.

Sketch Your World shows you how to improve your observational skills, sketch moving subjects and convey a sense of atmosphere in your drawings.

With examples of work from over 60 international urban artists, Sketch Your World combines practical instruction with creative inspiration and provides a valuable insight into the working processes of these inventive sketchers. Explore a range of techniques and media, including pencil, charcoal, pen and ink, watercolour as well as digital media such as tablets and smartphones. Be inspired to head out into the world armed with a sketchbook (or tablet) and never let another creative opportunity go!

SKETCH YOUR WORLD ESSENTIAL TECHNIQUES FOR DRAWING ON LOCATION Includes tips for sketching with tablets and phones

JAMES HOBBS

14

Bliss Now she is overjoyed. The thick eyelashes are central to this expression, as well as the dainty smile.

Although really exaggerated expressions are fun, if you use them too often they lose their impact. Think about the personality of the person you’re drawing, and pick a couple of expressions that match their moods. You can even mix these expressions up a bit, and then customize them to your particular character.

SKETCH YOUR WORLD

PRACTICAL ART

Cunning The combo of half-lidded eyes, peering sideways, and the cute cat mouth give her an air of cunning (although she’s probably not planning anything too terrible!)

£9.99 ISBN 978-1-84543-514-1

9 781845 435141

JAMES HOBBS

also available:

Sketch Your World Creative Sketching Workshop

15

PRACTICAL ART

16 PRACTICAL ART

CREATIVE SKETCHING WORKSHOP Inspiration, tips and exercises for sketching on the move PETE SCULLY 176 pages

Files available for translation

254 x 203 mm

June 2015

30,000 words 250 images

Rights sold USC, UK, EL in Asia, Chinese, French

• • • • EXERCISE

BAR SKETCHING: Pete Scully

12 prolific urban sketchers share their tips and expertise Features workshop-style projects to help stimulate fresh ideas Offers a range of approaches and styles Each project is carefully designed to help readers to develop new skills

Sketching in bars and pubs can be both challenging and relaxing.

Bars are like interactive urban theaters, offering a slice of people’s lives as they mingle together. Join me at the bar, have a drink, relax and let the atmosphere soak into your sketches.

IDEAS TO GET YOU STARTED 1. Location. The very first challenge involved with sketching a bar is an obvious one—where to sit. Bars can be busy, and the best view may be taken. Go where there is space. Sometimes chance location can provide the best inspiration—sketching more intimate social scenes is often more reflective of a bar’s personality than larger all-encompassing scenes. Find a nice spot and draw what you see.

2. Sketch your drinks. Glasses and cups are a good place to start, and useful practice for sketching curved objects. Notice how the light passes through or reflects on glass, or the shading of the beer bottle or mug of coffee. Another good starting point is the beer taps. Many brewers these days provide tap handles in all sorts of shapes and colorful designs. Try giving them thick, bold outlines to stand out, especially if you draw the rest of the bar afterward. For a larger bar sketch, drawing the taps first can help with your sense of measurement—from your perspective, the taps reach so high, they line up with the shelf of bottles behind and so forth.

3. Work on the interior perspective. When I draw large bar scenes I sometimes start in the middle and work my way outward, growing the sketch out from a central focal point; but more often than not I start on the left and work my way right. I never know how long it will take me to get as far as I am happy with, so I try not to bite off too much at once; in many highly detailed two-page panoramas I will get two-thirds in and feel burned out, but I already have the sketch I want. However, even when starting out very micro, it’s a good idea to consider how the overall perspective will play out, and draw some lines in pen or pencil.

4. Sketch bottles behind the bar. Most bars tend to have a lot of bottles on display. While bottle shapes can be fun to draw, rows of similarly-shaped bottles can become rather maddening, so don’t worry about being super accurate. The same can be said for stacks of glasses. Being a bit more sketchy with those elements, using looser lines and simpler shapes, reflects the way our eyes process them in real life. Play with the light to bring out the reflections.

The best way to convey the illusion of light on paper is to increase the darkness of the areas around it.

5. Be playful with your materials. Sketching in a low-light interior, you may have to work harder to see things. Sketches are personal reflections, not photos. Be playful with your materials; if using pen, mess around and scribble a bit. Let chance take over.

If using paint, you may have greater constraints in low light, as some colors will not show up at all. Some sketchers like to lay down a layer or block of paint first before starting a bar sketch, and then draw over the top, perhaps using white gel pen to add reflections or other effects.

6. Sketch the people. Bars, pubs and cafés are very social places.

People will talk to you—sketching is a common conversation starter. Be discrete when sketching people, and courteous if they want to see. Be cautious of those around you—drinks often accidentally spill. Bar staff are busy and move quickly, being hard to capture in a sketch, but the number one rule when sketching them is to show them working hard! Including people in your sketches breaks up the repetitiveness of your scene, and sketches gain so much more character when they contain people.

THIS EXERCISE WILL HELP YOU: • Master interior perspective • Discover ways to express light and shading • Convey atmosphere in social settings • Sketch people at work and play • Sketch in low light

this page: Counting every detail, Little Prague, Davis, USA opposite top: Escaping the rain, Dublin Castle, Camden, London, UK opposite bottom: De Vere’s Irish Pub, Davis, USA All imAges Pete scully

10

INDOOR SCENES

EXAMPLES

The street can offer so much to draw, but also offer many challenges. Here are some examples.

Modelled on the increasingly popular sketch-crawls and workshops attended by urban sketching collectives the world over, this book gathers together over 20 unusual ideas and ‘briefs’ guaranteed to help artists get their creative juices flowing. Each project begins with an overview that explains the particular lessons and skills that can be learned, before guiding the reader through possible challenges, accompanied by the author’s practical tips and advice. The book then presents several examples of work, showing the reader how others have approached and interpreted similar challenges, and showcasing a range of different techniques, perspectives and drawing styles.

Pete Scully is a prolific artist and renowned urban sketcher based in California. He has been a correspondent for the global sketching phenomena Urban Sketchers since 2008 and has also given talks about urban sketching. His work has featured in various exhibitions and books on the topic.

MINIMAL COLOR AND WIDE PERSPECTIVE this page: Bow Street/ Monmouth Street, London, UK opposite: Castro Street, San Francisco, USA All imAges Pete scully

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OUTDOOR SCENES

San Francisco, with its dramatic hills and vistas, is a perfect place to practice sketching the tricky perspective of a sloping street. This was drawn one cool April morning in the colorful Castro district (right), but I decided to leave the ink work uncolored except for the bright red sign of the historic Castro Theatre. The streetcar cables up above were very helpful as naturally drawn perspective lines. This two-page panorama took me less than an hour. This is an example of how absolute minimal color can not only be more visually effective, but can save a lot of time.

STREET SKETCHING

59

SKETCH YOUR WORLD

You can draw anywhere, anytime!

Author James Hobbs presents hundreds of great examples that will inspire you to explore the many creative possibilities in the world around you when sketching on location. Whether in a bustling café, a colourful street market, a leafy park or on a train.

Sketch Your World shows you how to improve your observational skills, sketch moving subjects and convey a sense of atmosphere in your drawings.

With examples of work from over 60 international urban artists, Sketch Your World combines practical instruction with creative inspiration and provides a valuable insight into the working processes of these inventive sketchers. Explore a range of techniques and media, including pencil, charcoal, pen and ink, watercolour as well as digital media such as tablets and smartphones. Be inspired to head out into the world armed with a sketchbook (or tablet) and never let another creative opportunity go!

SKETCH YOUR WORLD ESSENTIAL TECHNIQUES FOR DRAWING ON LOCATION Includes tips for sketching with tablets and phones

JAMES HOBBS

£9.99 ISBN 978-1-84543-514-1

9 781845 435141

JAMES HOBBS

also available:

Sketching 365 Sketch Your World

PRACTICAL ART

SPREADING ACROSS TWO PAGES This two-page panorama (left) took me three hours standing on site, in which time I did all of the ink work and some of the color, before retiring elsewhere to add the rest of the paint.

I wanted to capture the curving perspective at this busy junction, drawing the eye downhill toward the Strand. It wasn’t too busy when I first started sketching, but by the end it was filled with pre-theater crowds, stopping to ask me directions and take a peek at my progress. Urban sketching can be quite a public pastime, so put away the headphones from time to time and interact with the world you’re sketching.

17

PEN & INK Contemporary Artists, Timeless Techniques JAMES HOBBS 208 pages

Files available for translation

127 x 178 mm

December 2015

25,000 words 100 images

Rights sold UK, France

Line

Making every mark count There is a beautiful economy of line in this drawing of a packed xiringuito, or beach bar, on the Barcelona shoreline.

Our eyes are immediately drawn to the foreground where a busy confusion of diners is sitting on a shaded terrace. It is the liveliness of the line that suggests crowded tables and a hubbub of conversation: the drinkers themselves are shown with a few quick lines and little detail. In the area around the restaurant, people play on the beach and sail boats circle to add to the relaxed atmosphere.

Òscar Julve The sky is shown as diluted, watery washes of blue, in front of which the dark shapes of buildings on the city’s Olympic marina stand out. As a result, the beach bar is thrown into focus. In this drawing—on the distinctive ivory-colored pages of a Moleskine sketchbook—every line and every wash is made to count, and not a drop of ink is wasted.

The blue washes have a big effect on this drawing. The strong contrast between the foreground shadows around the tables and the untouched areas representing the ocean—not one mark is used to represent the surface of the water—highlight the Mediterranean quality of light.

X IRIN G U IT O AT T HE B OG AT E LL B E AC H Medium: fountain pen and wash Dimensions: 10 x 8 inches

• Includes approximately 100 images from contemporary artists, covering a range of styles and techniques • A detailed category index helps the reader cross-reference styles • A quick reference book with useful practical tips at a glance

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Color

Focusing on a single object Zooming in and focusing on a single subject can make for an arresting image; we get so close to this eye, for instance, we may feel we can almost see our reflection in it. For a single object to fill the paper, it has to be able to grab and hold our attention.

Two contrasting media come together for this image. The features of the eye were drawn in ink with a flexible, gold-nibbed fountain pen. (Flexibility in a nib allows it to broaden and then narrow in response to changing pressure as it moves across the paper, to give a variable quality of line.)

Sabine Israel As a backdrop, a selection of color washes in acrylic, ranging in intensity and overlapping in places, have been assembled in Photoshop in what might appear to be a random manner Attention focuses instead at the very center of the image, where the reflected light in the eye shines out.

EYE Medium: fountain pen and ink with acrylic Dimensions: 12 x 8 inches

PRACTICAL ART

146

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Packed with creative sketching tips and accessible advice, Pen & Ink offers practical information for aspiring artists. Exploring around 100 pieces of artwork by contemporary artists, the book examines the different techniques, qualities and effects relating to each piece. Chapters are organised according to technique (e.g. line, tone, mixed media), with a category index to help readers identify subjects that have been painted in similar styles. Kept large and lavish, all artwork is accompanied by extended captions and bite-sized tips. Readers are encouraged to discover the various ways in which similar subjects and styles are executed by different artists, while also being inspired to use the tips in the book as a way of building on their existing skills. Offering a refreshing change from other run-ofthe-mill art books, Pen & Ink adopts the unique approach of accessing practical information via the images, rather than looking at how to master one single style.

James Hobbs is a London-based freelance journalist and artist, and a former editor of Artists & Illustrators magazine. His work has been shortlisted for the Jerwood Drawing Prize and is in a number of European collections. He is a board member of UrbanSketchers, a global collective who draw on location, and he has authored RotoVision title, Sketch Your World. also available:

Just Add Watercolour Freehand

19

PRACTICAL ART

BRAIDS

AUTHOR

??????????????????????? ??????????????????????? ??????????????????????? ??????????????????????? ??????????????????????? ??????????????????????? ??????????????????????? ??????????????????????? ??????????????????????? ???????????????????????

C

BUNS, PONIES

BRAIDS & BUNS, PONIES & PIGTAILS

?????

BRAIDS, BUNCHES & PIGTAILS FOR LITTLE GIRLS 50 fun and easy hair dos for school, parties and play dates JENNY STREBE

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PIGTAILS 50 Hairstyles Every Girl Will Love

PONYTAILS

Viking Braid in Ponytail Are you getting a little tired of the same old plait or ponytail everyday? This style is the best of both worlds. It’s a plait pony fusion (try saying that three times fast!) or better known as a Dutch braid. You might look at this hairstyle and think it is too difficult to create but it’s actually fairly simple. It’s basically an inside-out or reverse French braid. If you already have some braiding skills, you will have no problems perfecting this one.

Get the look 1

2

4

5

WHAT YOU NEED • Brush

DIFFICULTY LEVEL Medium IDEAL HAIR LENGTH Medium to long; thick, straight texture ACCESSORIES [AQ- no accessories text supplied. Please can you supply]

Top: insert Bottom (left and right): insert

3

1. Make a center parting and take a small triangle section, a couple inches away from the hairline, higher up toward the parting, above the ear. [AQ- original text was “down to the lower recession of the head” I don’t know what that means – can we describe the area instead? I’ve tried, based on the photos supplied – can you let me know if it is correct or needs to be changed] Divide the hair into three even sections.

2. Take the left section of hair under the other two strands into the middle; your middle section is now over on the right. Add more hair into the braid, taking a section of hair from the hairline into the braid, incorporating it into the right section. Take the right section with the hair added under the strands into the middle.

Add more hair into the braid, taking a section of hair from the parting and incorporating it into the left section. Take the left section with the hair added under the strands into the middle.

TOP TIP If your hair is a silky texture and is slippery, add some sea salt spray before you begin. It will create texture so your style will hold all day.

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BRAIDS

Side Fishtail Braid If you have mastered the more common braids, it is time you tried the Side fishtail braid.

Many people are intimidated by the look of a fishtail, often fearing that it is too difficult, but once you know the technique it is actually quite easy to do.

This look is popular on fashion industry runways and red carpets too because it is so elegant and chic. The real beauty is in its versatility; it can be as casual or dramatic as you like. For that little extra drama, simply pull the braid out for more fullness.

HAIR & BEAUTY

Also known as a Herringbone braid, the side fishtail braid works best on long thick hair with minimal layers. Style this for formal occasions when you can invest a little more time in perfecting the look and need it to last. The best thing about a fishtail braid is that once you have set it in place, it does not budge or come undone quickly, and it won’t get frizzy either.

Fishtail for the win!

20

DIFFICULTY LEVEL Medium to hard IDEAL HAIR LENGTH Medium to long; thick hair with minimal layers ACCESSORIES [AQ- no accessories text supplied.

Top: insert Please can you Bottom (left and right): insert supply] 46

December 2015

25,000 words 300 images

Rights sold

• 50 styles to wear to school, parties, play dates and action-packed adventure days • Hair tutorials for little girls are more popular than ever, if today’s blogs, vlogs and bestsellers are anything to go by • Easy step-by-step guides to fun and fashionable styles

• 2 Hair elastics

This braid is ideal for thick, straight hair as the more hair you have, the bigger the side Viking braid will be. Bigger is always better when it comes to braids.

As this style looks so complicated, other parents will be in awe of your handiwork at school drop-off. All egos aside, this is also a beautiful look for your child’s birthday parties and other fun playdates.

Files available for translation

228 x 179 mm

USC, UK, ANZ, Slovak

JENNY STREBE

???????????

128 pages

Get the look 1

2

4

5

Braids, Bunches & Pigtails For Little Girls is an essential resource for little girls and their parents, with 50 fun styles for all occasions. Each style is accompanied by stylish and easy-to-follow illustrations, and includes cross references to other similar styles that you might like to try. You will also find tips for junior hair care, and advice on accessories such as clips and ribbons. Whether your little girl would like a ‘Minnie Mouse’ bun for her birthday party or a French plait for trampolining with friends, Braids, Bunches & Pigtails includes all the information you need to give her a pretty style that she’ll be proud of.

WHAT YOU NEED • Comb • 2 Hair elastics • Scissors

3

1. Gather the hair to desired side into a loose side ponytail. Secure it in place with a hair elastic.

2. Divide the hair in the side ponytail in half.

3. Starting on the right side take a small piece of hair from the outside of the section up and over to the left side. Next, on left side, take a small piece of hair from the outside of the section up and over to the right side. Repeat these steps until you get to the ends of the hair.

4. Secure the braid at the end with a hair elastic. Carefully cut out the very first elastic at the base of the ponytail.

5. Your braid is complete. To create a fuller fishtail braid, pinch and pull out each section of hair until you create your desired look.

TOP TIP If your hair is really silky, apply a medium hold hair spray for extra grip while you’re braiding so it stays into place. This will make it easier to braid your hair.

47

Jenny Strebe is author of the blog ‘Confessions of a Hairstylist’ and has been working with hair for over 14 years. Her work has been featured in 944, Dwell and Lifestyle as well as on the TV on NBC and TLC, and several other national media outlets. Jenny currently contributes to a number of blogs and her own blog was named one of the top hair blogs by Latest Hairstyle and Indiechick. She has also authored another RotoVision title, 100 Awesome Hair Days. also available:

Braids, Buns & Twists 100 Awesome Hair Days

21

HAIR & BEAUTY

22 HAIR & BEAUTY

100 AWESOME HAIR DAYS Perfect buns, plaits, ponytails & twists whatever your hair type JENNY STREBE 192 pages

Files available for translation

228 x 179 mm

August 2015

35,000 words 300 images

Rights sold USC, UK, ANZ, French

PROBLEMS & SOLUTIONS

FINE AND OILY HAIR If you have fine or oily hair, read this section to identify which products you can use to achieve the best results when attempting any type of upstyle, braid, bun, or twist.

Before you dry your hair, use a mousse, spray gel, or root booster to add volume and texture to the roots. These products help plump up the hair. Blow dry from the opposite direction to which the hair lies for lift and volume at the roots.

Styles that are hard to achieve with fine-textured hair are braided hairstyles and upstyles that require a lot of volume.

• Use a lightweight shampoo and conditioner. A heavy moisturizing product will weigh down your hair and make it oily.

OILY HAIR

If your hair is extremely oily, you may find it hard to prevent your hairstyle from falling flat. Simply add some dry shampoo and/or hair powder at the roots to help give a matte finish with plenty of volume.

• After a shower, apply a lightweight leave-in conditioner, then apply a root lifter or texturizer.

• Use flexible-hold hairspray, and try shine spray to add texture and shine.

You should avoid using silkening cremes or any oil-based conditioning products close to the scalp because they will add to the oiliness of your hair.

Use lightweight conditioner.

• On second-day hair you can use a dry shampoo to add volume. If you have oily hair, this will give a matte finish.

After your shower, apply a leave-in conditioner, then your styling products, such as root lifters, which combat oiliness. Blow dry as you prefer.

• Avoid oils, heavy serums, waxes, and pomades.

NORMAL TO OILY HAIR

Normal to oily hair textures are ideal for upstyles, twists, and braids. Typically, normal hair textures are a bit fuller than fine textures, allowing the hairstyle to have more volume, curl easier, and stay in place better.

NORMAL AND OILY HAIR PRODUCTS • Use a cleansing shampoo and lightweight conditioner.

If your hair is normal to oily, opt for shampoos appropriate for your hair type that lather well.

They will give your hair some bounce. You should be able to use all types of hair products, including hair conditioners.

• Use a mousse or root lifter when blow drying and styling; they contain alcohol, which will soak up oil.

• Use a medium-hold hairspray and dry shampoo on first- and second-day hair to help create bulk and soak up excess oils.

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CASUAL

4. MESSY TOP KNOT

HOW TO DO IT

BEST FOR

WHAT YOU NEED

CURLY

1

2

4

5

• Hair elastic • Comb • Bobby pins • Medium-hold hairspray

FLAT WAVY

Luckily, the messy top knot is still going strong—this simple style works well on second-day hair and is great for any girl on the go.

It works well for mid-length to long hair because you need the length to wrap around the pony.

It’s good for hair that already has some texture to it, from wavy to curly—the texture will help add height and volume and keep it casual rather than sleek. If your hair is fine, try adding a thickening hair spray, throw in some thermal curls, and tease the roots so that you can fake thick hair.

3

Jenny Strebe is author of the blog ‘Confessions of a Hairstylist’ and has been working with hair for over 14 years. Her work has been featured in 944, Dwell and Lifestyle as well as on the TV on NBC and TLC, and several other national media outlets.

SEE ALSO

Half-up fishtail bun, page 16

5. MESSY TOP KNOT WITH SCARF Adding a scarf to your hair can give this hairstyle a completely different vibe, taking it from bohemian babe to vintage queen. To create this look, all you have to do is choose a large scarf, wrap it over your head around the hairline and tie it at the back.

18

To ensure your scarf stays in place, add a few bobby pins around the edges.

1. This style works best on unwashed hair—make sure it is completely dry. Create a very high ponytail by gathering all of your hair on top of your head.

2. Secure it with a hair elastic.

3. With a comb, slightly tease the ends of the hair down to the hair elastic.

4. Wrap the ponytail around the hair elastic.

5. Secure your hair with bobby pins. For extra hold, spray a medium-hold hairspray all over.

Struggling to tame thick and unruly curls? Tired of having limp, lifeless tresses?

Hair can be a temperamental thing, but with 100 Awesome Hair Days as your guide you can guarantee that every day will be a good hair day. Coming to the rescue of girls with ‘problem hair’ the world over, this book provides solutions to every conceivable kind of hair issue, showing how to create styles that work with and not against your hair for fabulous – and easily achievable – results. Packed with illustrated tutorials showing how to create a range of styles suitable for all occasions (from ‘stay-at-home days’ to ‘special days’), the book also includes a ‘Hair Spa’, which offers invaluable advice on hair care and focuses specifically on treating and styling troublesome hair types (such as very fine, frizzy or extremely thick hair).

TIP If your hair is really dirty or very fine textured, use dry shampoo all over before creating your top knot. This will help give your hair extra body and if it’s dirty, it will give it a matte finish.

19

also available:

Braids, Buns & Twists Braids, Bunches & Pigtails for Little Girls

HAIR & BEAUTY

FINE HAIR

Fine hair suits most updos or hairstyles but it is helpful to use volumizing products and texturizers to add body.

FINE HAIR PRODUCTS

• A comprehensive visual resource on styling ‘problem hair’ • Directory-style entries on each look are accompanied by stylish, contemporary and fashionable photographs, as well as bespoke step-by-step illustrations • Cross references direct the reader to similar styles and techniques

23

CURLS, WAVES & KINKS

CURLS, WAVES & KINKS

60 Step-by-step Tutorials for Naturally Stylish Hair SAMANTHA HARRIS

60 step-by-step tutorials for naturally stylish hair

HAIR TYPING SYSTEM

Hair care

Let’s begin by briefly reviewing the chemistry behind your curlicious curls. You are born with either naturally straight hair, wavy hair, curly hair, or coiled hair. The amount of curl, wave, or lack thereof, is dependent on the number of disulfide bonds between hair proteins found in the hair shaft; the greater the number of links, the curlier the hair, and the fewer the number of links, the straighter the hair.

Curl categories The Hair Typing System (see opposite) classifies various hair textures and breaks each hair type down into three types with added sub-categories. This system is a useful guide for getting to know your hair texture. You should bear in mind, however, that most curly girls and women have at least two different hair types on their head.

THE SCIENCE OF CURLS

Curly waves (2A)

Beach waves (2B)

Tight waves (2C)

Loose curls (3A)

Spiral curls (3B)

Tight curls (3C)

Wavy

Wavy

Wavy

Loose Coils (4A)

Spiral Coils (4B)

Tight coils (4C)

Hair is primarily composed of keratin, a protein, which grows from the follicle. Keratin, and other proteins, is formulated in the cells of the hair follicle. All of the proteins become a part of the hair shaft and contain sulfur atoms. When two sulfur atoms pair up and bond, they form a disulfide bond. If the two sulfur atoms in the same protein are at a distance, and join to form the disulfide bond, the protein will bend. This is how your curls are created.

14

15

Buns, knots & twists

Crisscross Topknot

HOW TO DO IT WHAT YOU NEED

Files available for translation

228 x 179mm

June 2016

500 images

Rights sold

25,000 words

USC

• Taps into the huge trend for curly hair styles that are all the rage online • Features 60 fashionable looks for all types of curly hair • Includes a hair care section to show you how best to look after your natural curls

Samantha Harris

Types of Curly Hair

192 pages

1

2

4

5

• Hair bungee • Bobby pins • Hair clip or band

Tired of taming troublesome curly tresses and bored of fighting frizz? With Curls, Waves & Kinks as your guide, you can make bad hair days a thing of the past and discover a style to suit you whatever the occasion. The Hair Care chapter at the start of the book gives you all of the information you need to look after your hair, including what fail-safe products to use, how to colour it and even natural treatments to try at home. Find the answers to all of your hair care conundrums, from dealing with dry ends, avoiding crunchy curls and dealing with big, flyaway hair. Learn exactly how often you need to wash your hair, the correct way to use a diffuser and how to look after Afro locks. Now is the time to retire your hair straighteners for good and learn how to achieve perfect curls every time.

• Hair spray

3

HAIR & BEAUTY

BEST FOR Long hair 2A, 2B, 2C, 3A, 3B, 3C, 4A, 4B, 4C

24

ACCESSORIES Pretty up your top knot with a diamante clip or a simple band.

DIFFICULTY LEVEL Medium ASSISTANCE NEEDED? No

138

The crisscross topknot is a surprisingly quick and easy party look. The style is perfect for all hair textures—including locked —as long as you have some length for the crisscross wrap-around. The hair’s natural kinks and curls hold together to give the style real staying-power, and it works best on second-day tresses.

TRY THIS Because your hair is pulled away from your face, this style looks great with a bold lip or strong eye makeup. Try a bold red lipstick for a look that oozes glamour.

See also Beehive, page 122 Low twisted curls, page 128

1.

Separate the top half of your hair from the bottom half. Create a top knot with the top half of your hair using a hair bungee, and secure it with bobby pins; that way you have the foundation to wrap the lower half of your hair around.

2.

Divide the lower half of your hair into two sections.

3.

Wrap the lower right portion of your hair around the left side of your bun. After you’ve wrapped it around your top knot, keep it in place with a few bobby pins—this creates the first crisscross.

4.

Repeat the above step on the opposite side. Take the left lower section of hair and wrap it around the right side of your head and around your bun. Secure with bobby pins.

5.

Adorn your bun with a hair accessory to draw the eye, and add hair spray to hold.

Top tip To soften the look a little and to help frame your face, try pulling out one or two soft curls around your hairline and ears. To make sure that you don’t spoil the rest of the style, this is best done with a weaving comb.

Samantha Harris is a full-time hair vlogger (youtube.com/user/AhfroBaang) and professional make-up artist based in San Diego. Samantha worked as resident hair expert for Loxa Beauty (loxabeauty.com), an e-commerce platform for professional stylists and salons. She is also very active on social media.

139

also available:

Braids, Buns and Twists!

100 Awesome Hair Days

25

HAIR & BEAUTY

5-MINUTE HAIR 50 Super-quick Hairstyles to Wear and Go JENNY STREBE

50 super-quick hairstyles to wear and go

128 pages

Files available for translation

228 x 179mm

June 2016

350 images

Rights sold

15,000 words

USC, UK, Italian

• 50 quick and stylish hairstyles for busy women everywhere • Directory-style entries on each look are accompanied by clear and stylish step-by-step photography • Features styles for all hair types

JENNY STREBE

Braids

F O U R- S T R A N D S L I D E - U P B R A I D The four-strand slide-up braid is a deceptively simple style� It looks much more decorative than a basic braid, but it’s just as easy to do as a regular three strander!

What I love about the slide conept is exactly the same� I’ve chosen the four-strand braid to show you that you how easily you can get spectacular results in just a few short minutes�

1

2

1� Divide a section of hair into four� Bring the section on the far left over the one next to it, then under the next� Reverse for the right hand section; under first, then over� 2� Keep repeating these steps until you have reached the end of your hair� Secure the end of your braid with a hair tie� 3� Holding the center section in one hand, push the other three sections up towards your head, keeping them evenly spaced�

3

4

YO U W I L L N E E D

tip

4� You’ll see one section running straight down the middle and this will give the celtic knot look when you slide the other sections up around it�

1� • XXXXX 1� • XXXXX 1� • XXXXX 1� • XXXXX

This four-strand braid is perfect for an everyday hairstyle, and, with a few flower accessories would even make a gorgeous look for a country wedding.

5� Then secure your braid with a small clear elastic and pin in place, hiding the ends with the rest of your hair�

5

63

62

T R I P L E -T W I S T E D B U N What’s great about this look is that when the three buns are twisted together, it looks quite intricate and, frankly, a lot more labor intensive than it is� It’s a great way to quickly wear your hair up when you don’t have a lot of time, but also gives you the option of dressing it up with some accessories� Unlike many other updos this one is perfectly simple and really needs nothing more than a twist and then a twist again�

1

2

1� Split your hair into three equal sections at the base of your neck and secure each one with a clear hair tie� 2� Start by twisting the middle section all the way down the length of your hair� 3� Wind this twisted section up into a small bun positioned at the nape of your neck�

3

HAIR & BEAUTY

4� Pin in place with bobby pins and then repeat the process with the section on the left�

26

4

tip

5� Finish with the right section, twisting it down and around to form a final bun, level with the other two� Pin the style in place with bobby pins and angle some pins through each bun to hold them together�

Starting with the middle section first helps keep the buns level, and pinning them together adds stability. This style works best in second-day hair, although you can always use hairspray for added hold if your hair is freshly washed or very silky.

Cool and easy hairstyles continue to dominate fashion blogs, Pinterest boards and women’s magazines but in an increasingly busy world we are all looking for ways to streamline our lives and use our free-time effectively. 5-Minute Hair is the perfect solution for working women and busy moms, who want to create a polished look in just five minutes. A comprehensive directory of stylish ponytails, plaits and buns to set you up for the day ahead, 5-Minute Hair will help you to quickly transform your appearance in a short amount of time, whether you’re off to work, a party or a date. Gorgeous photographic step-by-steps and instructions will equip you with all the information you need to replicate these styles, with handy time-saving tips from the professionals along the way.

Arizona-based Jenny Strebe is author of the blog Confessions of Hairstylist and has been working with hair for over 14 years, including a 6 year stint with Toni & Guy. Her work has been featured in 944, Dwell, Lifestyles as well as on the TV on NBC, TLC and several other national media outlets. She has also authored 100 Awesome Hair Days and Braids, Bunches and Pigtails for Girls.

5

106

also available:

100 Awesome Hair Days Braids, Buns and Twists!

27

HAIR & BEAUTY

MAKE YOUR OWN NAIL DECALS

Make your own

Nail Decals CREATE EASY WATERSLIDE DECALS AND STICKERS FOR YOUR DIGITS

Create Easy Waterslide Decals and Stickers for Your Digits JANELLE ESTEP (ELLE & ISH)

Janelle Estep

Apply your decals 3 1

4 2

Start by painting your nail with a base coat or polish of your choice.

3

Files available for translation

220 x 170mm

November 2016

300 images

Rights sold

10,000 words

USC, UK

• A fun beauty book with expert advice on printing and wearing your own easy waterslide decals and nail stickers • Clear, photographic step-by-step tutorials show you exactly how to apply designs and embellish them with polish and jewels • Features 40 templates to scan, nail stickers for the reader to use straight from the book, designs to colour and advice for creating designs digitally

of Elle & Ish

Once you’ve chosen your decal designs, it’s time to apply them to your nails!

The process is very quick and easy, so your mani will be ready in a flash.

128 pages

Follow the instructions on the film paper and print your decal design.

4

You will need Gently peel the adhesive film off the white backing paper and place it over your designs.

Nail polish colour of choice Topcoat Scissors & tweezers Decal design Film paper Paper towel or napkin • Popsicle stick • Desktop photo printer • Water •

5

•

Use scissors to cut around your design, getting as close to the printed edge as you can.

6

• • • •

26

Peel the clear liner off. Your design should have transferred to the adhesive lining. Using tweezers, place on your nail and press down.

To set the decal in place, apply a single layer of clear topcoat, and you’re done!

CREATING YOUR DECALS

CREATING YOUR DECALS

27

Wild animals FLAMINGO DECALS Kitsch and colourful, no bird continues to dominate fashion as much as the flamingo. The ideal choice for summer nails, flamingo decals are the perfect accessory for flirty summer dresses and tropical cocktails. If you want to really mix things up try a vivid fluoro colourway instead of a pink blush.

Make Your Own Nail Decals offers an easy way to inject amazing style into your nails with little investment of time or money. The increased use of smart phones puts our hands in the spotlight more than ever, so make sure yours are photo-ready with this helpful and inspiring guide. Author Janelle Gaw of Elle & Ish talks you through every stage of making and wearing your own waterslide decals and nail stickers at home. Complete with an inspirational gallery Make Your Own Nail Decals is the perfect way to update your nails.

TIPS

28

TO DOWNLOAD

HAIR & BEAUTY

TO COLOUR

TO SCAN

OMBRE POLISH •

Apply a white base colour to the nail first so that the ombré can pop.

•

Select your colours and apply each band of polish in turn onto a rectangular wedge make-up sponge.

•

Dab the make-up sponge onto the nail to blend the colours, and clean around the edges with nail polish remover and a Q-tip.

Janelle Estep is a self-taught nail artist, YouTuber and semiconductor engineer in the heart of Silicon Valley, California.

bit.do/770642

DECAL TEMPLATES 52

Draw & Print

Ink yourself!

Spotted on the biceps of Paris catwalk models and style mavens such as Beyoncé, temporary tatooos have been embraced by fashionistas everywhere.

Not just for kids, temporary tattoo ink and paper have come a long way, providing high quality results without the pain, mess or regret! Whether you wish to trial a design for a permanent tattoo, create a look for a special night out or even wear a photograph for a day, temporary tattoos offer limitless options to express your personal style.

Now, for the first time, you can learn how to make and print your own with Draw & Print Temporary Tattoos. Packed full of advice and visual inspiration, step-by-step tutorials in the book explain how to draw your own patterns or adapt found designs, and then print and apply your creations. Pepper Baldwin fills this book with a wealth of delicate and unique illustrations which you can trace and adapt straight from the page to use in your own tattoos.

Unleash your creativity and experiment with a range of designs — from nautical or vintage to contemporary or abstract — Draw & Print Temporary Tattoos gives you everything you need to be your own tattoo artist!

• The only title on the market showing how to design and create your own temporary tattoos at home • 10 step-by-step tutorials show you how to draw designs, and how to size, print and apply them • Features hundreds of popular motifs to trace or download Pepper Baldwin is a designer, maker, entrepreneur and tattoo lover who lives in Brisbane, Australia. Pepper and her team at Pepper Ink source, design, print and assemble a range of vintage, contemporary and customised temporary tattoos.

Their designs are sold online and at retailers worldwide.

£10

WWW.OCTOPUSBOOKS.CO.UK

Temporary Tattoos Templates, tips & techniques to ink yourself at home

also available:

DIY Temporary Tattoos Braids, Buns and Twists!

29

HAIR & BEAUTY

30 HAIR & BEAUTY

DRAW & PRINT TEMPORARY TATTOOS

Draw & Print

style mavens such as y fashionistas everywhere. ve come a long way, providing Whether you wish to trial a ecial night out or even wear ess options to express your

Temporary Tattoos

Templates, tips & techniques to ink yourself at home

Templates, tips & techniques to ink yourself at home

nd print your own with ce and visual inspiration, aw your own patterns or creations. Pepper Baldwin ustrations which you can r own tattoos.

PEPPER BALDWIN

of designs — from nautical or Temporary Tattoos gives you

gn and create your own

designs, and how to size,

download

nd tattoo lover who lives in Ink source, design, print and omised temporary tattoos. de.

128 pages

Files available for translation

220 x 170 mm

December 2015

20,000 words 325 images

Rights sold USC, UK

• Create original tattoos for special occasions • Step-by-step tutorials show you exactly how to draw designs, and how to size, print and apply them • Features inspirational motifs to trace or download, including flowers, swallows and anchors

What you’ll need • Lead pencils • Black felt-tip pen • Ruler • Eraser • Light box (handy to have)

• It’s time to start drawing! Print out any reference images you’ve found and make notes on them so that you remember which bits were your favourites. For example, you may have an image you’d like to use for the main component, a reference of the kind of border you’d like and another for the colours to use.

• Use pencil to create the first draft, checking your composition. Draw your design freehand, or use tracing paper and/or a light box to trace the parts. If you are combining several elements, be sure to use the same style, colours, and line thickness to make it all cohesive. You can use a ruler to draw a simple grid line in pencil as a guide– especially helpful if you’re drawing an animal or pattern that requires symmetry.

• When you’re happy with your draft composition and lines, start to tidy up your design by erasing excess lines and darkening the outline. Then trace the outline using a black felt-tip pen, wait for the ink to dry and erase all pencil marks. If you have a complex design or are not sure about colouring, it’s a good idea to scan or trace your design at this stage so you can go back a step if you need to.

• If you’re using colour in your design, you can hand colour your design using colour pencil, felt tip pens or watercolour, or add colour using a design program in the next step.

• Scan your finished design, ready to print from a computer, or photocopy right onto tattoo paper. If you scan your design you can use design software such as Adobe Illustrator to make slight adjustments, retrace for a clean line or add colour.

Tip It can be helpful to do a sketch in the size you intend to print your finished tattoo so you can check that the detail is easily seen and the lines are thick enough.

How to make your own light box

Turn a semi-transparent storage box upside down and place a pile of books under one edge. Position a desk lamp underneath the box with the light shining upwards. Place your image to trace on top of the box, the light will shine through the paper and highlight the lines, making it easier to trace.

You can also use a bright window by taping tracing paper to your image, then taping both to the glass.

Tracing a finished design before colouring—this design incorporates animals representing the wearer’s children, with a favourite toy giraffe and floral elements to round out the design.

4

A special Valentine's Day design

5

Creating your temporary tattoo

Animals Birds

Butterflies & moths

Bird tattoos usually represent freedom and can be portrayed in many different ways. They are about spreading your wings and flying through life despite hardships, and also carry additional meanings depending on different cultures, countries, and communities, as well as t he species of bird. They are commonly worn on the upper back, chest bone, or on the arm or wrist.

Butterfly and moth tattoos are popular and meaningful, usually delicate but also dark and suiting many illustrative styles. Moths tend to symbolize a darker version of the butterfly, with emphasis on night, impermanence of life, and metamorphosis.

A dove with a splash of watercolour

Found in many different cultures, butterflies can symbolise freedom, beauty, grace, fragility, transformation, and great change or hardships.

In Greek culture a butterfly symbolises the journey of a soul, taking a human soul from earth to heaven. According to Chinese culture a butterfly stands for joy, happiness, and prosperity, and is a sign of good luck.

Butterflies and moths look great on the upper back, neck, wrists and feet, and tend to work well as part of a much larger design.

Ready to trace

Owl pencil sketch

Tip

Classic swallow with graphite shading

Ready to trace

Meanings If you’re interested in a bird tattoo and want to dig deeper, research your favourites to find out more about birds in myths and legends, history, cultural celebrations, animal behaviour, and fairy tales. You can personalise a bird design by choosing a bird that represents something meaningful to you, then perhaps adding elements such as flowers, text or a banner to further create your own meaning.

Personalise this butterfly by altering the wing pattern and colours, and adding geometric lines, flowers, or other animals.

Delicate watercolour butterfly

Hand-drawn sparrow with floral elements

Swallow: Good luck and protection Hummingbird: Simplicity and femininity Eagle: Pride, strength, and grace Dove: Peace and humanity Sparrow: Journey, home, and true love Geese: Long marriage Owl: Wisdom, intelligence Crow: Darkness, intelligence, and death

8

Design Inspiration: Animals

Butterfly with geometric background

Template download: bit.ly/1sup4MJ

9

Spotted on the biceps of Paris catwalk models and style maven Beyoncé, fashionistas and design enthusiasts are embracing temporary tattoos as a great way to adapt their personal style. Safe and sensitive to wear, the transfer paper creates a barrier between the design and your skin so that they only last as long as you want them to. Draw & Print Temporary Tattoos equips you with all the knowledge you need to design and create your own temporary tattoos. Trial a design for a permanent tattoo, create a look for a night out or design unique wedding favours – the sky’s the limit! Comprehensive practical information explains how to draw your patterns and how to print and apply your creation. Also included are inspirational galleries with information on tattoo meanings, as well as traceable illustrations from temporary tattoo artist Pepper Baldwin to trial.

Pepper Baldwin is a designer and tattoo lover who lives in Brisbane, Australia. Pepper and her team at Pepper Ink source, design, print and assemble a range of vintage, contemporary and customized temporary tattoos. Their designs are sold online and in stockists all over the world. also available:

Braids, Buns & Twists The Crafter’s Guide to Patterns

HAIR & BEAUTY

How to hand draw or trace your tattoo design

Draw It In this chapter we’ll cover different methods to create your design.

You can draw entirely freehand, trace a reference or inspirational pictures, or use computer designing software—or a combination of the three. What method suits you best will depend on your preferred skills and the materials you have access to, but whatever you choose, this is the part where you start turning your ideas into amazing temporary tattoos.

31

â?§ GLYPHS AND CHARACTERS INTERROBANG The interrobang ligature was invented in 1962 by Martin K. Speckter, a journalist turned advertising executive, who disliked the ugliness of using multiple punctuation marks at the end of a sentence; in the case of the interrobang, the exclamation point and question mark are superimposed.

DESIGN

It was intended for use at the end of rhetorical questions, and made it into Unicode, but its primary use has been in comics.

32

34

EXCLAMATION POINT In Latin, the exclamation of joy was io,

‽

A

A ref as

As for for sha fau per eig

A

Th to

HOW TO SPEAK TYPE An essential lexicon of type terms, from Bembo to x-height TAMYE RIGGS 192 pages

Files available for translation

229 x 133 mm

April 2016

30,000 words 500 images

Rights sold UK

ITALIC/OBLIQUE

BOLD

Contents oƒ this Book

CAP HEIGHT

LOWERCASE

Introduction 6 Typographic timeline 8

❧Anatomy of Type ascender12 descender 12 x-height 13 ligature 13 aperture 14 apex 14 arm 15 ascender line 15 ascent 16 axis 16 ball terminal 17 baseline 17 beak terminal 18 body size 18 bracket 19 cap height 19 cap line 20 character 20 cross-stroke 21 descent 21 diacritic 22 diphthong 22 ear 23 extenders 23 eye 24 flourish 24 half-serif terminal 25 mean line 25 spur 26 stem 26 stroke 27 tail 27 terminal 28

text faces 28 tricameral 29 uncial 29 unicameral 30 upright 30 vertex 31 word spacing 31

❧Glyphs & characters interrobang 34 exclamation point 34 asterisk 35 ampersand 35 bracket 36 colophon 36 comma 37 dashes 37 diacritic 38 dingbats 38 ellipsis 39 fleuron 39 full stop 40 glyph 40 hyphen 41 manicule 41 octopthorpe 42 question mark 42 quotation marks 43 @ symbol 43

❧Type terms alignment 46 alphabet 46 analphabetic 47 anti-aliasing 47 bank slanting 48 bicameral 48 bitmap font 49

block quotation 49 bold face 50 border 50 bowl 51 calligraphic 51 cap line 52 centered 52 character 53 character encoding 53 chromatic type 54 cicero 54 colophon 55 color 55 compressed 56 condensed 56 contrast 57 copyfitting 57 counter 58 descent 58 display face 59 dots per inch 59 double story 60 drop cap 60 elevated cap 61 expanded 61 expert set 62 extended 62 family 63 font 63 font metrics 64 foundry 64 hairline 65 hints 65 initial caps 66 inline 66 italic 67 justified 67

kerning 68 leading 68 letter spacing 69 ligated 69 line spacing 70 lines per inch 70 lining figures 71 lowercase 71 matrix 72 measure 72 metal type 73 metrics 73 oblique 74 outline font 74 pica 75 pixels 75 point 76 point size 76 punch cutting 77 punctuation 77 resolution 78 roman 78 set-width 79 side bearing 79 slope 80 small caps 80 spacing 81 style 81 swash capitals 82 tabular figures 82 thick space 83 thin space 83 type foundry 84 typeface 84 typography 85 uppercase 85 versal 86

UPPERCASE

weight 86

❧Families & classifications Aldine 90 Antiqua 90 Blackletter 91 Chancery 91 Copperplate 92 Cursive 92 Fraktur 93 Geometric 93 Grotesque 94 Humanist 94 Modern Serif 95 Modified Sans Serif 95 Neo-Grotesque 96 Old Style 96 Round Hand 97 Sans Serif 97 Script 98 Serif 98 Transitional Serif 99 Whiteletter 99

❧Serif fonts Baskerville 102 Bembo 104 Bodoni 106 Bookman 108 Caslon 110 Centaur 112 Century 114 Clarendon 116 Copperplate 118 Courier 120 Garamond 122 Goudy 124

X-HEIGHT

BASELINE

SMALL CAPS

Perpetua 126 Rockwell 128 Sabon 130 Times 132

❧Sans serif fonts Akzidenz-Grotesk 136 Avant Garde 138 Avenir 140 DIN 142 Eurostile 144 Folio 146 Franklin Gothic 148 Frutiger 150 Futura 152 Gill Sans 154 Grotesque 156 Helvetica 158 Officina Sans 160 Optima 162 Univers 164

❧Display fonts Bauhaus 168 Broadway 170 Cooper Black 172 OCR-A 174 OCR-B 176 Trajan 178

❧Script fonts Edwardian Script 182 Fette Fraktur 184 Glyph reference 186 Visual font index 188 Index 190 Acknowledgments 192

❧ ANATOMY OF TYPE

12

ASCENDER

X-HEIGHT

The stem of a lowercase letter, such as b or k, that extends above the body of the letter, or x-height, found for example in b, d, f, h, and k. in a lot of cases, this line is slightly higher than the capital line. Some types of ascenders have specific names.

The distance between the baseline and the midline of an alphabet, approximately the height of the lowercase x. The measurement is based on the x because typically, it rests squarely on the baseline and has no ascenders or descenders.

Ascenders, together with descenders, increase the recognizability of words.

For this reason, British road signs no longer use all capital letters.

High x-heights are often found in fonts intended for display, which need to be read clearly from a distance. Medium x-heights are found on fonts intended for body text, increasing the balance between upper- and lower-case.

DESCENDER

LIGATURE

The part of a lowercase letter that extends below the baseline; examples include j, q, and y. Some types of descender have specific names.

Two or more letters connected to create a single character. Examples include fi and fl and diphthongs such as Œ and Æ. Also known as tied letters.

The descenders of some letters may touch or almost touch letters in the line below, causing awkward or distracting patterns. Solutions include increasing the leading between lines of type or carefully editing the text to avoid clashes.

At the origin of typographical ligatures is the simple running together of letters in manuscripts. The earliest known scripts include many cases of character combinations that have evolved from ligatures into independent characters in their own right.

13

Are you puzzled by typographic terminology, different fonts or typesetting in general? Why is Helvetica used for airport signs and who designed Arial?

What is hand lettering and where can you find an x-height? Which fonts tend to work best for emails and what font is used on New York street signs? How to Speak Type answers all of your questions. With a clear and comprehensive ‘What Is It’ or ‘Why Use It’ approach, this book will help you to identify fonts with ease and choose the perfect type treatment for your message, whether you are writing and designing for the web, print or personal correspondence. It also illuminates the interesting backstories behind famous fonts. An easy-to-use typography primer covering everything from ligatures to kerning, How to Speak Type is an essential companion for writers, designers and anyone with an interest in visual communication and the messages that surround us every day.

Tamye Riggs is a writer and designer, editor and event planner specialising in typography and the related arts. She is the Executive Director of The Society of Typographic Aficionados (SoTA), and is co-editor of SoTA’s Interrobang publication. She lives in California, USA. also available:

At some point in your life, you will produce a piece of graphic design. Whether that be a birthday card, a poster, or an ad for your office notice board, do yourself proud—make it great! Armed with this book, packed with everyday design proj ects and simple workthroughs, you can give your design the professional touch.

Graphic Design Exercise Book Graphic Design for Non Designers

The ultimate primer for the design rookie

Graphic Design for Nondesigners explains the basic principles of graphic design, including the effective use of space, color, and type. It distills the hard-won knowledge of professional designers into simple dos and don’ts, and illustrates tips and hints through clear comparative examples. Not forgetting the bewildering choice and costs of equipment, it outlines the best and most cost-effective materials, and offers recommendations for hardware and software options.

Includes 20 step-by-step proj ects for: • adverts • logos • letterheads and business cards • menus • newsletters • gift wrap and invitations • posters • CD and DVD packaging • websites and blogs • T-shirts

ISBN 978-2-88893-035-8

90000

9 782888 930358 £20.00

0358_GDfND-COV_UK.indd 1

Tony Seddon & Jane Waterhouse Essential knowledge, tips, and tricks Plus 20 step-by-step proj ects for the design novice

DESIGN

ROMAN

• A consolidated and authoritative directory of over 300 typography terms • Organised according to stages in the writing and typesetting process • Illustrated examples accompany each entry so that you can also see what it looks like

18/2/09 11:39:57

33

Design

WHAT IS GRAPHIC DESIGN?

ic

Revised Edition QUENTIN NEWARK

l des

ign ha

G

O

N

VIS

ED EDI

TI

QUENTIN NEWARK

What is a graphic designer?

Is everyone a designer, as a recent publication

by Mieke Gerritzen asserted? It goes on to say (in Dutch-English), “‘Everyone is a designer’ is a marketing demographic, not a statement about the logic of a practice. While everyone has the same statistical chance of chancing upon a serendipitous moment or two, creating a practice of design still requires linking up hundreds if not thousands of discrete decisions into systems that extend from part to part, from project to project, from year to year.”

What are the decisions that make up the practice of design? I suggest there are two fundamental activities that can be found in the practice of every graphic designer. The first I want to call ‘making sense’. No designer, however contrary, ever said, ‘I want to make this more complicated than it needs to be’, or ‘I want to leave someone with no idea as to what this is’. The designer’s instinct is to simplify and clarify. “Design is the child of the concept of efficiency,” says Jorge Frascara. All design has to give shape to its raw material, sequence it, order and sort it, give it a hierarchy. The material forms of design – books, posters, signs, packages, webpages – insist that something needs to be read first, seen first. It follows then that there is an order, something first, and something last. Even the

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Nostalgic Photographer Peter Wood emulates the American great, O Winston Link, with this study of a steam train at night. It was taken as a test shot for a Royal Mail stamp series, but not used. It presented substantial technical problems, especially the lighting of such a large, complex form. Its style is created by different elements: objective recording with a hefty dollop of emotional sculpting. It is difficult not to be impressed by the train in this picture.

Overleaf Left: Dreamscape An image by Me Company for a Kenzo advertising campaign, Autumn/Winter 2001. David Hockney has said that the computer is “putting the hand back in the camera”. This image departs from photography and begins to become something else, so extensively are the images worked over by hand. Direct personal judgement overrides the mediation of automatic processes. The ‘boy’ standing in a cataclysmic jungle, has been digitally created by changing the facial structure of a female model using a morphing process. The whole confection is designed to oscillate between categories: female/male; lovely/ horrific; photo/painting.

Right: Sensual A close-up of a Dachshund by Mette Heinz for a book cover. There is no attempt to place the subject within a context, instead we are invited to concentrate on physical details, like the texture and colour of the fur and the dog’s moist eye.

Johann Gutenberg, father of graphic design Johann was a family nickname. His full name was Friele Gensfleisch zur Laden zum Gutenberg which roughly translates as Freddy Goosefat of Goodcastle. The only form of mechanical, mass reproduction well known in Gutenberg’s time was woodcuts. (The Chinese produced prints as early as the 8th century, but development was limited because the wood could only carry so much detail – they consisted almost solely of captioned illustrations.)

Gutenberg was a gemcutter and metalworker, with a powerful entrepreneurial urge. At some point in 1440 he revolutionised printing by creating moveable type – individual letters that could be endlessly composed, and recomposed. Along with the type itself came other inventions: the press to print it; rich black, opaque ink, malleable enough to roll onto dozens of tiny letters; the steel punches on which the type was cut with tiny tools (using his gemcutting skills); the alloy – not too soft, not hard enough to shatter – for casting the individual type elements. Gutenberg’s multi-invention simultaneously gave birth to the grid (since all modular type elements had to be located and locked into the frame) and typefaces – since lettering now had to be cut for mechanical reproduction. These are two of the primary components of graphic design over 500 years later.

most intricate and florid design is a clear map, indicating with scale, colour and position the issues and subjects that the designer wants the viewer to comprehend.

The second I want to call ‘creating difference’.

The product, company, or event needs to be unique and easily recognised, picked out and distinguished from thousands of others. The designer wants her work to stand out, not only from the work of other designers, but also from her other work. The compulsion to create difference is unrelenting, the impact and power of visual form that is new is deeply embedded in all designers. Fetishisation of the ‘original’ drives the constant renewal of the language of design. It sends designers in search of new ways of drawing type and novel combinations of colour. It drives efforts to escape the grid, and lies behind the need to loot art, film, television and the vernacular for ever fresher ways of making typefaces and juxtaposing images and words.

All design, even the newest new work, follows existing patterns, codes, shapes and genres (see page 48). These patterns constitute the fabric of visual language – a language that is constantly being evolved and expanded, but, like any verbal or written utterance, all visual expression has to draw on its grammar if it is to be meaningful.

The graphic designer then is someone who is always making sense of her material, and mediating it through the forms and codes of visual language.

MAKING SENSE’ AND ‘CREATING DIFFERENCE

Files available for translation

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July 2016

210 images (approx.)

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36,500 words

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One way of looking at design is to see it not as finished pieces, but the process itself. Ernst Gombrich, in his seminal book ‘The Story of Art’, wrote that “there really is no such thing as Art. There are only artists ...” If we say ‘there is no such thing as graphic design, only graphic designers’, what defines a graphic designer?

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Stefan Sagmeister, child of Gutenberg Stefan Sagmeister translates as Stephen Talkingmaster.

An Austrian working in New York, he is among the most highly regarded designers working today. One of his most notorious pieces is shown above, a poster for a lecture. The text is carved into Sagmeister’s own body.

He had intended to cut the text himself, but “part of the problem was cutting in reverse, part of the problem was cutting accurately, and part of the problem was cutting”.

After eight hours of cutting, Sagmeister’s body became a piece of graphic design. It was also wracked with pain.

Certainly, as an emblem, there is no starker example of ‘self-expression’. Apart from using the mechanical processes of photography and printing, Sagmeister created a piece focussed on himself, made out of himself, in a way that completely steps outside of the constraints of any recognisable genre. This work does, of course, have precedents in the wider culture: tattooing; self-mutilation; self-mutilation as art; adolescents carving lovers’ names on their arms. It shows amazing commitment and more than a touch of madness in its struggle for a fresh form of expression.

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• Explores key issues that shape design today and includes an excellent set of contemporary international examples • A revised edition of the bestselling title What is Graphic Design • Redesigned and presented in a fresh new package • Revised with 20% new content

What is Graphic Design? explores the issues that shape design today: economics, ethics, technology, theory and developments in other arts. It looks at how graphic design has evolved over the centuries, across a wide range of media. The discipline is then broken down into its elements, looking at typography, how text and images are at the heart of graphic design and can be used to increase graphic possibilities and how the process of reproduction underpins every aspect of design. Finally, there an analysis of a diverse group of young designers who illlustrate just how broad and rich the profession can be. The revised edition of this classic handbook has been thoroughly revised and redesigned, with new content focusing on new issues in design today and graphic design development in new media.

Quentin Newark is a co-founder of the Atelier Works design group. He writes regularly for design publications, including Design Week, Creative Review and Print. He has also lectured on design and has judged design awards. He lives in London, UK.

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Tony Seddon is a designer, art director and writer living in the UK. His published work includes Graphic Design for Nondesigners (2009), Greetings from Retro Design (2014) and The Evolution of Type (2015).

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Let's Talk Type will help to build your knowledge of type and typeface use with a clear and comprehensive 'what is it' and 'why use it' approach to the subject. Five chapters explore topics including the anatomy of type, glyphs, typeface classification, and typefaces ranging from serif and sans serif to script and display. The chapter on typefaces pays particular attention to highlighting key design features and, along with illuminating backstories and tips to aid identification, makes this book the perfect companion for all type enthusiasts and practitioners. h

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DESIGN

tony seddon

Have you ever wondered which typeface is used for airport signs? Or about the history behind the Times New Roman font? We are constantly engaging with type, yet many of us struggle to use it effectively or simply to understand the basics.

an essential lexicon of type terms

also available:

What Is Typography?

Let’s Talk Type

WHAT IS TYPOGRAPHY? phy

Revised Edition

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ABOVE AND FOLLOWING PAGES: BOOK DESIGN Before World War II, the term “graphic design” did not exist. Dripdry Shirts: The Evolution of the Graphic Designer celebrates the work of the practitioners who created this now familiar term. Each principal contributor has named a colleague or student over whom they feel they have had some influence.

With the contributions of these secondary interviewees, the pieces are mini design-family trees and the symbiotic nature of work and teaching becomes apparent. Each of these “discussion” pieces opens with a self-portrait, and a sound-track is suggested to evoke the designer’s own chosen mood.

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MAKING SENSE AND CREATING DIFFERENCE

Punctuation A normal font of type will usually include about 24 signs of punctuation. The punctuation we use today has its roots in rhetoric. The terms comma, colon, and period (also commonly called a full point or full stop) were used by Aristophanes to formulate a means of discourse for rhetoric where they were used to establish rhythmical units of speech.

As a source of rhetoric rather than grammatical cues, punctuation served to regulate pace and provide emphasis to particular phrases rather than just marking the logical structure of sentences. Punctuation, therefore, would be positioned wherever the speaker should make a momentary pause, and provide breathing cues.

However, after the invention of printing, grammarians began to base their punctuation marks on structure rather than the spoken word. For example, the comma became a mark

of separation, the semicolon worked as a joint between independent clauses, the colon indicated grammatical discontinuity. Writing became separated from speech, and the proliferation of printing played an essential role in formalizing the rules about punctuation and every other aspect of grammar.

But although structure is the strongest rationale today, punctuation remains a largely intuitive part of writing. A writer can still choose several ways to punctuate, any of which will be correct, although each will provide a slightly different rhythm and expression. In this way, the rhetorical roots of punctuation still function. For example, in speech, a rising and falling speech pattern is widely interpreted as expressing a contrast between questioning (a rising inflection) and stating (a flat or falling inflection). In writing, such contrasts of inflection are attempted by means of punctuation (illustrated opposite).

Oh really?

Oh, really?

Oh really!

Oh really!

SHORT AND LONG PAUSES In his Authors‘ and Printers‘ Dictionary (Oxford University Press, 1938), F. Howard Collins begins his entry concerning punctuation “The chief difficulty lies in the use of the comma, semicolon, colon, and period. In general they correspond, in the order named, to shorter or longer pauses as heard in correct speech; but no absolute rules can be given.” As a consequence, nine pages of concise explanation are required.

(The cover of this book is reproduced on page 39.)

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ANATOMY

WRITTEN INFLECTIONS A rising and falling speech pattern is widely interpreted as expressing a contrast between questioning (a rising inflection) and stating (a flat or falling inflection). In writing, such contrasts are suggested by means of punctuation. (The optional use of italic also helps.)

David Jury is Editor of Typographic and Head of Graphic Design at Colchester Institute in England. He holds Awards of Excellence for his typographic work from the New York Type Club, the International Society of Typographic Designers and ICOGRADA. Previous publications include About Face: Reviving the Rules of Typography and Letterpress, also for RotoVision. David Jury is a fellow of the International Society of Graphic Designers (ISTD).

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Let's Talk Type will help to build your knowledge of type and typeface use with a clear and comprehensive 'what is it' and 'why use it' approach to the subject. Five chapters explore topics including the anatomy of type, glyphs, typeface classification, and typefaces ranging from serif and sans serif to script and display. The chapter on typefaces pays particular attention to highlighting key design features and, along with illuminating backstories and tips to aid identification, makes this book the perfect companion for all type enthusiasts and practitioners.

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Tony Seddon is a designer, art director and writer living in the UK. His published work includes Graphic Design for Nondesigners (2009), Greetings from Retro Design (2014) and The Evolution of Type (2015).

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let’s talk type

Have you ever wondered which typeface is used for airport signs? Or about the history behind the Times New Roman font? We are constantly engaging with type, yet many of us struggle to use it effectively or simply to understand the basics.

an essential lexicon of type terms

also available:

What is Graphic Design Let’s Talk Type

DESIGN

Roberts coined the name sans+baum while sharing a studio space with a typographically orientated designer. Having worked alone for some time following this, she felt the need for a sympathetic colleague to bring a new dimension to her work. Bob Wilkinson has since become an associate. His interest in imagemaking and conceptual approach to design has opened up the remit of their work significantly.

What is Typography? is the ultimate compact guide to the discipline that lies at the epicentre of design and communication. David Jury explores anatomy by breaking down the elements of this discipline to look at individual tools and processes, methods of organizing information, the mechanics of type and the various means of arranging and displaying type. He then looks at the formal structures and acceptable variations of type as fundamental disseminators of information. Finally there is an anaylysis of an eclectic group of portfolios. The revised edition of this handbook has been thoroughly revised and redesigned, with new content focusing on new issues in design today and typography’s development in new media.

Design

Roberts has allied herself with modernism because she finds it intellectually far-reaching: minimalism determined by a politically motivated belief in clarity and access for all.

Considering graphic design to be fundamentally egalitarian, as most people see and use it, she feels that a designer has the responsibility to arrive at well-crafted, utilitarian design that respects the intelligence of the user.

Both signatories of the First Things First 2000 manifesto, they now work both independently and together, along with their colleague John McGill, on a broad range of projects, from exhibitions to reports and books. Roberts initially looked for clients whose mission she was happy to endorse, so sans+baum have worked a great deal for charities and nongovernmental organizations (ngos). Their clients also include organizations dealing in minority interests who are happy to be a little adventurous. Roberts considers herself primarily a typographer, so it is the written word and its visual representation that she holds most dear.

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Lucienne Roberts remembers clearly the combined impact of reading Tschichold’s Asymmetric Typography and her first typographic exercise as a student. It was reminiscent of postwar Swiss teaching. Take a short piece of text and lay it out four times using only one means of emphasis each time: type size, weight, color, and space. It was a revelation and still informs every typographic decision that she makes.

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PATTERN MAKING TEMPLATES FOR SKIRTS & DRESSES

PATTERN MAKING

All You Need to Design, Adapt and Customise Your Own Clothes

TEMPLATES FOR

Skirts & dresses All you need to

144 pages

Files available for translation

246 x 190 mm

June 2016

20,000 words 300 images

Rights sold USC

design, adapt & customize your clothes

• Covers every dress and skirt style, from gowns to skirts.

• Includes advice on adapting pattern templates, replicating favorite skirts and dresses, and creating your own original designs from scratch • All pattern templates are downloadable online to adapt and personalise

Chapter 3

Dresses Basic dress

34

A-line dress

38

Bodycon dress

40

Halter dress

42

Sun dress

44

Empire line dress

46

Bubble dress

48

Maxi dress

50

Gown

52

Shift dress

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Strapless dress

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One-shoulder dress

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Apron dress

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Shirt dress

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Pinafore dress

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Jumper dress

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Wrap dress

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Slip dress

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Negligee

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DRESSES

Fitting and adjustments

Fitting the shoulders

If width alterations are being made to an existing pattern, the necessary width should be divided equally between all panels in the design. For specific adjustments follow the advice below.

The following adaptations will ensure that your block sits correctly, hanging smoothly at the shoulder.

CB

Bodice

CF

redraw dart BODICE BACK

raise front and back shoulder ¼in (6mm)

BACK

FRONT

hip

A basic width adjustment of 1in (2.5cm) or less can be made to your block side seams, to ensure a good fit at waist or hip.

Skirt

FRONT

hip

BACK

hip

hip

Note the scissor icons, indicating the position for adjustments.

smooth crown, reposition notch and centre line

bicep hip

hip

Don't add width through the neckline or armhole. Divide width adjustment between front and back blocks and add through the bodice shoulder.

Sleeve

bicep

hip

Sloping shoulders Sloping shoulders cause the bodice to crease at the armhole. In an over-garment, this excess may be relieved with a shoulder pad. To correct: On both front and back pattern pieces, remove excess from the shoulder point, running to zero at the neckline.

The underarm will also need to be lowered.

Square shoulders Wrinkles will form across the shoulders and armhole as the toile is distorted to accommodate the breadth of the shoulders.

To correct: Slash your paper pattern as directed in the diagram and pivot the shoulder line to create more room for the shoulders. The underarm seam will also need to be raised.

CB

CB

CF

CB

elbow BODICE BACK

BACK

BODICE BACK

BODICE FRONT

FRONT

wrist

Divide width adjustment between the front and back blocks and add between the darts in the skirt block.

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BODICE FRONT

CF

CF

elbow

BODICE FRONT

FRONT

SQUARE SHOULDERS

hip

BACK

The sleeve block is divided at the center line to add or remove width.

Packed with useful advice and practical instructions, this is the ultimate resource for anyone looking to design, adapt, or customise sewing patterns for women’s clothes. Working with patterns can sometimes be a frustrating process, but with its clear, jargon-free text and fully illustrated step-by-step techniques, this practical and accessible book gives readers the confidence they need to take matters into their own hands and sew beautiful items, from pencil skirts to pinafores, and gorgeous full-length gowns. Confused by pattern symbols? Unsure of the best way to take your own measurements? Pattern Making Templates for Skirts and Dresses will answer a whole host of common questions and many more besides. Illustrated instructions talk readers through a number of handy techniques for adding elements to patterns, covering everything from peplums to pleats, and everything else in between. Uniquely, the book also includes URLs throughout, which link to downloadable pattern templates that readers can then customise.

wrist

The crown is redrawn.

Download Pattern Templates: www.skirtsanddresses. pattern7-11.com

also available:

37 Inside, QR codes to download link pattern able template s!�

Pattern Cutting Primer Pattern Making for Kid’s Clothes

link QR codes able Inside, s!� to download template pattern

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Finding durable, well-made kids’ clothing can be expensive…especially when the kids are growing like weeds! No wonder more and more parents are opting to dress their children in high-quality, original pieces they’ve made themselves.

● Illustrated, step-by-step techniques specific to kids’ clothes ● Instructions for making patterns from scratch and customizing existing patterns ● Valuable insider tips from professional pattern designers

For those looking to get started sewing their own kids’ clothes, or who are expanding on their current skills, this book is a great place to begin. Inside, readers will find everything they need for creating, using, and adapting patterns for kids’ clothes:

With clear, straightforward language and more than 300 full-color instructional and inspirational images, Pattern Making for Kids’ Clothes is the sewing parent’s go-to guide for everything from rompers and dresses to jackets, pants, and more!

All you need to know about designing, adapting, and , customizing sewing patterns for childrens clothing HEGEMAN CRIM

ISBN: 978-1-4380-0386-3

EAN

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The ultimate resource for designing, adapting, and , customizing sewing patterns for kids clothes

$23.99 Canada $27.50 w w w.bar r onseduc. com

Barrons_Pattern Cutting for Kids_Flexi.indd 1

CARLA HEGEMAN CRIM

01/11/2013 16:09

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CRAFT

ARM KNITTING 30 Home and Fashion Projects For All Your No-Needle Needs

Arm

Knitting

AMANDA BASSETTI

30

home and fashion projects to knit on your arms

Amanda Bassetti

144 pages

Files available for translation

246 x 190mm

August 2015

20,000 words 250+ images

Rights sold USC, ANZ, UK, Danish

Casting On

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• The latest crafting craze, arm knitting lets you turn a few skeins of wool into beautiful projects in under an hour • Features 30 fully illustrated step-by-step projects for stylish items to wear, enjoy in the home and give as treasured gifts • Complete with wool advice, troubleshooting tips and a range of arm knitting stitches you won’t find in any other book

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This is how to cast on your stitches using the long-tail cast on method. This method is the most secure and sturdy way to cast on your stitches.

Remember—your slipknot counts as your first stitch.

How to cast on 1. With the slipknot on your right arm, put your index finger and thumb between the strands.

Hold the working yarn and the tail against the palm of your hand with your ring and pinky fingers.

2. Widen your thumb and index finger, so that the strands make an “X” over your left thumb and finger.

3. Move your right index finger under the strand of yarn that is wrapped around the outside of your left thumb and closest to your left wrist.

Then take it over the strand on the inside of your left thumb.

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4. Grab the farthest strand that crosses around the front of your left index finger with your right thumb and index finger.

5. Pull that strand up while holding the working yarn and tail with your left hand. This creates a new loop, which is your second stitch.

6. Place this new stitch on your right arm.

7. Cast on the number of stitches that the pattern calls for.

22 Arm Knitting Basics

30 mins

Arm Knitting Basics 23

Infinity Scarf This is the most popular arm knitting pattern in the world! It is so simple, but it looks amazing.

This infinity scarf will never go out of style. It is your basic double-wrap scarf; to wear it, simply hang it long as a single loop or wrap it twice around your neck. This is the first pattern I published on my blog back in 2011 and it made arm knitting go viral.

How to make an infinity scarf 1. Pull 60cm (24in) of yarn from the centre of the skein and the outside of the skein (or from the centre of each skein if using two skeins of yarn) and make a slipknot.

2. Using the two strands at the same time, cast on eight stitches.

3. Arm knit 28 rows using knit stitch (see page 34).

4. Cast off and knot the end.

5. Sew the ends of the scarf together.

6. Weave in the ends and cut the yarn.

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72 Projects

Materials 1 skein of super-chunky yarn. 82m (90yd) is required for this project.

I have used Loops and Threads Cozy Wool in Sweet Grass.

Measures approx: CIR: 122cm (48in) W:15cm (6in)

Too little time and patience, cumbersome needles and fiddly stitches often make knitting seem out of reach for the busy crafter. But what if you could fashion sumptuous, chunky knits in less than 30 minutes using only a few skeins of wool and your own arms? Arm knitting is the latest technique to inspire a crafting craze and Arm Knitting gives you all the no-needle know-how. Complete with 30 projects, there’s plenty to try – from soft and snugly scarves and cowls to fingerless gloves, boot cuffs, throws, blankets and more. Each project includes clear instructions and an easy-to-follow step-by-step format with helpful photography throughout. Learn the basics and then move onto a range of arm knitting stitches and projects. The possibilities are endless.

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Amanda Bassetti is a crafter, crocheter and avid arm knitter who blogs regularly on her website ‘Simply Maggie’. She has played a huge part in the growing popularity of arm knitting and features many tutorials on her blog. She has been featured in publications including Let’s Knitmagazine and the Wall Street Journal and also runs her own Etsy shop, Velvet Cove.

CRAFT

also available:

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Knit Your Own Kama Sutra The Handknitter’s Yarn Guide

39

CRAFT

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PRIDE & PREJU-KNITS 12 genteel knitting projects inspired by Jane Austen TRIXIE VON PURL 112 pages

Files available for translation

220 x 170mm

August 2015

25,000 words 250 images

Rights sold USC, UK

• Charming, fun and utterly unique, with fantastic gift book potential • 12 projects featuring delightful details, period clothing and romantic scenes that readers will love • Includes clear step-by-step instructions and detailed illustrations

EMMA

small band of true friends who witnessed the ceremony, were fully answered in the perfect happiness of the union.’

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pattern runs through Jane Austen’s books – although the path of true love never runs smoothly, the heroine always ends up getting her man, so here’s a toast to Miss Emma Woodhouse and Mr George Knightley.

The outcome was never a sure thing; there was a time when Mr Knightley was jealous of Frank Churchill and perceived him as a serious threat to his relationship with Emma. At one point Harriet confessed to Emma that she was developing feelings for Mr Knightley and that she had hopes of her feelings being reciprocated. As you can imagine, Emma bitterly regretted ever having raised Harriet’s hopes, but this last complication was the tipping point for Emma and made her realise that she was in love with him herself, despite the fact that Emma had previously vowed never to marry. As soon as Harriet confides her feelings to Emma, we are told, ‘It darted through her, with the speed of an arrow, that Mr Knightley must marry no one but herself! ’ When news is received that Frank Churchill is engaged to Jane Fairfax, Mr Knightley takes Emma to one side to comfort her. Of course, he has an ulterior motive and his concern is rewarded – in typically restrained style, they reveal their true feelings for each other. A date is set, and here they are on their special day. According to the unbearable Mrs Elton, the wedding is a humble affair compared with her own high expectations, but the reader is left in no doubt that it is a happy occasion, full of friends, good wishes and joy.

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SENSE AND SENSIBILITY

Sheep

MATERIALS • 1 x 50g ball King Cole Merino Blend DK (100% wool; 50g/ 122yds) in each of shades 046 Aran (MC) and 048 Black (CC) • Set of 4 x 4mm (US 6) dpns • Pair of 4mm (US 6) needles • Small amount of toy stuffing • Armature wire or thick pipe cleaners HEAD With CC and 2 x 4mm (US 6) dpns, cast on 3 sts.

Row 1 (RS): Kfb to end (6 sts).

Distribute sts evenly over 3 needles (2 sts per needle) and cont to work in the rnd.

Rnd 2: Kfb to end (12 sts).

Rnd 3: K. Rnd 4: Kfb, k1; rep to end (18 sts).

Rnds 5–10: K 6 rows. Change to MC. MAIN BODY Rnd 11: Kfb 4 times, (k1, kfb) 5 times, kfb 4 times (31 sts).

Rnd 12 (and every foll even row): P. Rnd 13: Kfb 5 times, k21, kfb 5 times (41 sts).

Rnd 15: Kfb 5 times, k31, kfb 5 times (51 sts).

Rnd 17: K. Rnd 18: P. Stuff the head.

Rep rnds 17–18 twelve times.

Next rnd: K2tog 5 times, k31, k2tog 5 times (41 sts).

Next rnd: P. Next rnd: K2tog 5 times, k21, k2tog 5 times (31 sts).

Next rnd: P. Next rnd: K2tog 5 times, k2, k2tog, k3, k2tog, k2, k2tog 5 times (19 sts).

Next rnd: P. Stuff the body.

Next rnd: K2tog 4 times, k3, k2tog 4 times (11 sts).

Next rnd: K2tog, k1; rep to last 2 sts, k2tog (7 sts).

Stuff any gaps remaining in the body.

TAIL Change to CC. K 6 rows.

Next rnd: K2tog, k3tog, k2tog (3 sts). P3tog, break yarn and draw through loop.

LEGS (make 4) Turn the sheep upside down and choose where you would like to position the 4 legs, marking with

pins or pieces of thread. With CC and 4mm (US 6) dpns, pick up 9 sts from the Main Body of the sheep evenly in a circle around one of the markers to form a cylindrical leg.

Cont to work in the rnd (every row k) until leg measures approx. 5cm (2in) or desired length. Cut a length of armature wire or thick pipe cleaner the length of the leg plus an extra 1.25cm (½in). Fold the ends of the wire/pipe cleaner to form a small loop and insert into the leg. Stuff the leg firmly around the wire/pipe cleaner.

Next rnd: K3tog to end (3 sts).

K3tog, break yarn and draw end through loop.

Make 3 more legs around the remaining markers.

EARS With CC and 4mm (US 6) needles, cast on 3 sts. K 1 row. Inc 1 st at each end of foll row (5 sts). Work 4 rows in garter-st. Dec 1 st at each end of foll row. K3tog. Cast off.

MAKING UP Embroider eyes if desired, using French knots (see page 108) with a contrasting colour. Fold the cast-on edge of Ears slightly, pin to desired spot, and sew to secure. Darn in ends.

OTHER ITEMS FROM THE SCENE Willoughby’s Shirt See page 17. Use yarn option 4.

Willoughby’s Breeches See page 16. Use yarn option 3.

Willoughby’s Waistcoat See page 18. Use yarn option 1.

Willoughby’s Boots See page 17. Use yarn option 2.

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Ladies’ Shoes See page 19.

Knitting maven Trixie Von Purl has come up trumps with her latest collection of incredible creations. Featuring a high-class cast, Pride & Preju-knits gathers together all of the best sassy heroines and brooding heroes from the novels of Jane Austen, including Elizabeth Bennet and Mr Darcy, Emma Woodhouse and Mr Knightley, and Marianne Dashwood and Mr Willoughby. With complete pattern instructions for knitting up each character, the book encourages readers to recreate scenes involving these handsome Regency ladies and gentlemen, from Mr Darcy’s proposal to Elizabeth to the Netherfield Park ball, and the elopement of Lydia and Mr Wickham. Genteel settings include extravagant stately homes, opulent tea parties and rolling countryside, and there are patterns for creating charming accessories such as bonnets, breeches and lacy parasols. Brilliant quotes from Austen’s novels bring each charming scene to life.

Trixie von Purl is a grande dame from Bath, who lives in a formidable Georgian residence on the sweeping Royal Crescent. Her home is decorated in flawless Regency style, inspired by the enchanting novels of Jane Austen. The hub of the local social scene, she loves to entertain and her wit is razor-sharp. also available:

Knit Your Own Kama Sutra Knit Back in Time

CRAFT

Wedding Bells for Emma and Mr Knightley

‘The wishes, the hopes, the confidence, the predictions of the

41

RAW CRAFTS

$16.95| Can. $19.95

Raw Crafts

40 makes from hemp, jute, burlap and cork DENISE CORCORAN 40 PROJECTS from HEMP, JUTE, BURLAP, and CORK

144 pages

e, and burlap are red hot

Files available for translation

246 x 190mm

neutral colors and natural

round, suitable for a wide

. Raw Crafts includes 40 d your home using these st ways to customize your nd dyeing. What are you revolution!

20,000 words 350 images D ENI SE CO R CO R AN

5 1 6 9 5>

JDEESNSI SI EC AC O LR CE OWRIASN

Manufactured in China

Rights sold USC

ISBN 978-1-4547-0929-9

9 7 8 1 4 5 4 7 09 2 9 9

September 2015

20/07/2015 09:49

Hemp & Jute

Overview

• Takes an eco-friendly approach to crafting, with the focus being on natural materials and fabrics • 40 exciting and diverse projects, covering fashion, homewares, accessories and jewellery • Includes an extra chapter featuring invaluable information on decorating and embellishing your projects

Hemp and jute are natural fibers that are strong, durable, and perfect for crafting! They can be used for macramé, knitting, crocheting, and stitching, and which of the two you select for a project is mostly down to your own personal preference.

From experience, though, I would recommend hemp for macramé jewelry, and jute for a macramé hanger. While both are very durable, hemp is denser and stronger and much softer than jute, which can be a little scratchy for a bracelet or anything coming in contact with skin.

If using hemp or jute for stitching, you’ll want to pick up a darning needle with a large eye. Both fibers can be used for any project utilizing burlap—they are a perfect trio of natural materials.

Feel free to experiment with these materials by dyeing them using a normal fabric dye or one that incorporates food coloring. Always do a dye test before taking the plunge on a whole roll of hemp or jute.

Hemp cord originates from the cannabis plant. The main uses of hemp fiber are in rope, sacking, carpet, nets, and webbing. Hemp fiber is stronger yet softer than materials like cotton, lasts twice as long, and is not affected by mildew. You will find hemp in local craft and dollar stores.

If you want a large roll of hemp or dyed hemp, then definitely head to a craft store or online supplier. Hemp is available in a few thicknesses.

My favorite projects—and dare I say my latest DIY addiction—are anything involving macramé. There is just something so therapeutic in making knots that magically grow into a chain of loveliness. A simple glass container can inexpensively become a hanging planter or vase filled with succulents or flowers in a jiffy. Repurposing beads from a thrift store along with a length of hemp soon becomes a bracelet. Once you get into macramé, there’s no limit to what you can create.

Jute comes from the stem and ribbon (outer skin) of the jute plant. Jute is used for twine, rope, and burlap. It’s affordable and easy to find in craft, dollar, or hardware stores. Jute is available in lots of colors and thicknesses.

41

Eco-friendly materials such as cork, hemp, jute and burlap are red hot amongst the crafting communities on Etsy and Pinterest. Their neutral colours and natural textures make these the most versatile fabrics around, suitable for a wide range of contemporary and traditional designs. Raw Crafts includes 40 irresistible projects to create for yourself and your home using these tactile elements, and it also talks you through the best ways to customise your creations, using techniques such as printing and dyeing. What are you waiting for? Join the raw craft revolution!

Cork

Printing stamp Here’s a fun, easy, and addictive DIY project using repurposed wine corks.

Cork stamps are perfect for adding your personal stamp and flare to stationery, wrapping paper, and notebooks. You can print your stamp onto paper, fabric, cork, wood, and almost anything! Two useful tips to keep in mind: keep the stamp design simple so that carving it out is easy, and rinse the stamp regularly during use to keep detail and edges sharp and crisp.

How to make the printing stamp

1

Draw your design onto the flattest end of the cork. The larger the design, the less cork that will need to be cut away. Draw a line around the neck of the cork about a ¼ inch (6 mm) down from the end on which you have drawn your design.

2

Slowly cut into the line around the neck of the cork.

Keep in mind that the depth of your cutting should align with the contours of the design on the top of the cork. It is better to cut shallow, than too deep.

CRAFT MIX AND MATCH

Tote bag (page 24) Cushion cover (page 28) Wine bag (page 104)

You will need • 1 wine cork per stamp • Pen or pencil • Craft knife • Cutting mat • Craft paints or inkpad

68

3

Cut vertically into your design following the outline you have drawn. Keep slicing away at the cork in both directions until the vertical cuts intersect with the horizontal cuts and pieces of cork fall away to leave the stamp standing proud on the top of the cork.

4

Carefully trim any unwanted notches or uneven edges.

Press the stamp into the paint or ink pad, and get stamping! Always test the stamp on a scrap of your project medium before starting on your craft item.

69

Denise Corcoran is a community catalyst, crafter extraordinaire and upcycler of all things based in North Vancouver, Canada. She shares her passion for crafting on her blog, ‘Thrifty by Design’.

From re-finishing furniture found at the dump to re-purposing items like wine corks into jewellery, Denise believes there is no limit to what time and know-how can create, and, sharing her enthusiasm for crafting, she facilitates ‘Crafternoons’, where people of all ages and skill levels learn how to make things from unorthodox materials. Denise is also a regular contributor to Made in Magazine, an online magazine about unique people creating unique things.

CRAFT

also available:

42

How to Package Your Handmade Products Fabric Stash Cuties: Pretty Birds

43

CRAFT

WHONIVERSE An Unofficial Planet-by-Planet Guide to the World of The Doctor from Gallifrey to Skaro LANCE PARKIN 288 pages

Files available for translation

260 x 228mm

September 2015

65,000 words 450 images

Rights sold USC, UK, ANZ

• The most comprehensive study of the Doctor Who universe ever compiled • Includes over 400 planets, galaxies and star systems. Timelines chart the Doctor’s interaction with each planet, and astronomical information of each planet is offered alongside the history • About 7–10 million viewers of the show each week (in the UK alone this season). Close to 2 million in the US, over half a million in Canada

THE THAL–KALED WAR Two intelligent species evolved at the same time on Skaro. For millions of years, they were separated – some say by a churning ocean, others by a huge mountain range. The Thals of Davius were a warrior culture. The Kaleds of Dalazar were a race of philosophers.

In a startling example of parallel evolution, although their last common ancestor had been

FIRST APPEARANCE The Daleks (1963) LOCATION Skaro INHABITANTS Thals, Kaleds, Davros, Mutos, giant clams … and the Daleks

living at the time of the simplest marine life, hundreds of millions of years before, both came to outwardly resemble human beings. Conflict between two such proud races was almost inevitable.

HISTORY The war between the Thals and the Kaleds raged for 1,000 years. Nuclear and chemical weapons were used in the early stages. As the war dragged on and on, it consumed the resources of the planet. By the end, both sides resorted to using

whatever they could find – soldiers could be found wearing synthetic clothes but using clubs and knives. The survivors huddled in two domed cities, their armies so depleted that ‘senior’ officers were often very young. Both sides sought

a weapon capable of breaching the dome of the other city. Skaro’s ecosystem was dying, its life mutating into monsters.

BEHIND THE SCENES Although mentioned in The Daleks, the war between the Thals and Daleks was first depicted in Genesis of the Daleks (Terry Nation, 1975). The Big Finish audio drama Davros (Lance Parkin, 2003) and series I, Davros (Gary Hopkins, James Parsons & Andrew Stirling-Brown, Lance Parkin, Scott Alan Woodard, 2006) filled in a great deal of backstory about the creator of the Daleks and the nature of the conflict.

LEFT: The Kaled scientist Davros, flanked by his creation.

FACT FILE GENESIS OF THE DALEKS Davros betrays the Kaleds, showing the Thals how to destroy their enemy’s city. He then sends his newly created Daleks to exterminate the Thals. Only a few Thals survive. The Doctor is able to seal the Daleks into the Kaled bunker, where they exterminate their creator.

GENESIS OF THE DALEKS The Time Lords send the Doctor and his companions back to this point in history to avert the creation of the Daleks. They fail.

GENESIS OF THE DALEKS Davros comes to realize that the Kaleds will die out. He needs to force evolution along, genetically engineering a successor race, one that will be able to survive on Skaro. Working from his lab in a deep bunker, he develops the first Daleks.

I, DAVROS After 1,000 years, it has become clear to both the Thals and the Kaleds that the war is nearly over – there are few survivors on either side, and if one side fails to finish the other off soon, Skaro will become completely uninhabitable.

I, DAVROS Davros gains great prestige by inventing powerful weapons. The Kaled Supremo moves against him, but Davros’s mother sacrifices her life to reveal the plot to Davros. He blackmails the Supremo into gaining more independence for his Science Division.

A Thal shell devastates the Science Division, leaving Davros crippled and utterly dependent on a mobile life-support system.

I, DAVROS Davros is born to the Kaled politician Lady Calcula.

Kaled politics is Machiavellian and brutal, and Davros wants to turn his talents to science. After a spell of military service, he is assigned to the Scientific Corps.

OPPOSITE: The

final war between the Thals and the Kaleds raged for 1,000 years.

Doctor: Third Doctor Appearance: TV Episode A Green Death Set in: Mid-1970s (Earth date) Event: The doctor visits Metebilis to retrieve a blue crystal

130

PLANETS OF ORIGIN

THE LAST GREAT TIME WAR

TIMELINE

2014

The Time Lords had long worried that the Daleks would become supreme beings of the universe. They sent the fourth Doctor back into early Dalek history to avert their creation.1

ENGINES OF WAR WAR DOCTOR

The fifth Doctor thwarted a Dalek plot to infiltrate Gallifrey using duplicates of himself and

GEORGE MANN

‘DALEK’

his companions.2 The Daleks landed a beachhead on Gallifrey during the sixth Doctor’s

NINTH DOCTOR

time,3 and Davros escalated the stakes by securing the Gallifreyan Hand of Omega – the

ROBERT SHEARMAN

device used by the Time Lords to grant their great powers. The seventh Doctor turned the

The War Doctor is joined by human survivor Cinder, from the colony world Moldox. The Daleks are building a Temporal Cannon at the Tantalus Eye, and Cinder sacrifices her life to prevent them from using it to win the Time War.

2005

On the last day of the Time War, the Doctor wipes out the entire Dalek fleet and Gallifrey, too. He ‘watched it happen ... made it happen’.

tables, tricking Davros into destroying the Daleks’ home planet, Skaro.4

HISTORY The Last Great Time War – ‘a war between the Daleks and the Time Lords with the whole of creation at stake’5 – erupted in the eighth Doctor’s time. The Daleks vanished from time and space, massing their fleet in the Time Vortex.6 The Time Lords resurrected the Master7 and even Rassilon8 (p. 116) to fight the Time War. The Daleks recruited their creator, Davros, but in the first year, the Doctor saw Davros die when his command ship flew into the jaws of the Nightmare Child at the Gates of Elysium.9 Countless planets were devastated, and species were displaced or extinguished. The Master fled the war when the Dalek Emperor took control of the Cruciform, hiding himself in the distant future.10 The Cult of Skaro fled the war in a Voidship.11

2008

2005 ABOVE & LEFT: The

‘THE STOLEN EARTH’

War Doctor was joined, briefly, by a young woman named Cinder.

BEHIND THE SCENES When the TV series returned in 2005, we gradually learned that the Doctor and the Daleks had fought the ultimate war, and that the Doctor had ended it by wiping both of them out. As the series has progressed, we’ve learned many more details.

FIRST APPEARANCE Genesis of the Daleks (1975) or ‘The End of the World’ (2005) STATUS Timelocked, utterly inaccessible

TENTH DOCTOR RUSSELL T DAVIES

Somehow – possibly because of the Doctor – the events of the Last Great Time War are timelocked: Barriers are erected that prevent anything from getting in or out of the events of the war.

MEET THE DOCTOR NINTH DOCTOR RUSSELL T DAVIES

The Time Lords use bowships, black hole carriers and N-forms. The Daleks use the Deathsmiths of Goth. The war is fought in the Vortex and in the Ultimate Void. Higher species like the Forest of Cheem and Nestene suffer. The Greater Animus perishes, and the Eternals flee.

2005

‘THE UNQUIET DEAD’ NINTH DOCTOR MARK GATISS

‘Smaller’ species do not experience the Time War, but it is devastating to ‘the higher forms’. The Gelth are forced to become formless spirits.

Doctor: Third Doctor Appearance: TV Episode A Green Death Set in: Mid-1970s (Earth date) Event: The doctor visits Metebilis to retrieve a blue crystal

rotcoD drihT :rotcoD htaeD neerG A edosipE V T :ecnaraeppA )etad htraE( s0791-diM :ni teS ot silibeteM stisiv rotcod ehT :tnevE latsyrc eulb a eveirter

FOOTNOTES 1 5

REFERENCE

144

44

2

3

Genesis of the Daleks • Resurrection of the Daleks • The Apocalypse Element • 6 7&10 8 9 ‘The Parting of the Ways’ • ‘Bad Wolf’ • ‘Utopia’ • ‘The End of Time’ •

4

What exactly is Trenzalore? Where did the Sontarans originate? Where does the mysterious blue crystal get its powers from? Whoniverse is the ultimate guide to planet spotting in all the weird and wonderful galaxies the Doctor travels through and beyond. Packed full of facts, stats, trivia and data, the book is organised according to the galaxies and star systems that appear in the Doctor Who stories.

Encyclopedia style, each entry offers information on the planet, its native species, history and the role it plays in the Doctor’s journeys. Uniquely, the book is peppered with bespoke timelines that chart the Doctor’s interaction with each planet, not just in his television appearances, but short stories, comics and radio stories as well.

Remembrance of the Daleks • 11 ‘Journey’s End’ • ‘Doomsday’

145

Lance Parkin is one of the world’s foremost experts on Doctor Who, and has written many books about the Whoniverse, both fiction and non-fiction. His novel The Dying Days sold out of its 30,000 print run before the official release date, and he also wrote the BBC’s 35th anniversary novel, The Infinity Doctors. also available: MANGA YOUR WORLD Make Life Beautiful With Manga Selfies and Portraits

Manga Your World Stop-Motion Animation

45

REFERENCE

/ERO WORSHIP DEPT:: FASTER THAN A SPEEDING EIULLETI KA-PWEENG.' MORE POWERFUL THAN A LOCOMOTIVE/ .. CHtJGACHtJGACHUGA CHUG.' ABLE ro LEAP TALL ·aulLDINGS IN A SINGLE BOUN0.'... 110/NNGSWOOOSHL

,ooK.'... UP IN THE Sl(Y.I... IT'S A BIRD.'. .. IT'S A PJ.ANE.'-·· IT'S...

HOW COMICS WORK

HOW WORK

DAVE GIBBONS AND TIM PILCHER 208 pages

Files available for translation

260 x 228mm

December 2016

50,000 words 400 images

• Provides a fascinating, personal and practical insight into comics creation.

• Provides a wealth of access to Dave Gibbons’ archives, revealing rare, unpublished materials.

• Features a foreword by Mark Millar. dave gibbons & tim pilcher

How Comics Work is a series of master classes taught by Dave Gibbons. This ‘How It’s Done’ series reveals insider hints, tips and tricks from one of the world’s greatest comic creators, in his own words. Scriptwriting, page layouts, lettering, and cover designs are all featured, using scans of original artwork and rarely seen workings to illustrate Dave’s creative processes.

contents contents 8

CHAPTER 1: SCRIPTWRITING Early influences 14 Ideas 16 Character backstories 18 Plotting and world-building: The Treatment 20 Pacing: Survivor, with Ted McKeever 22 Writing for yourself: The Originals 24 Writing for others: The World’s Finest, Rogue Trooper, Kamandi 26 Writing influences: Frank Miller 28

CHAPTER 2: VISUAL GROUNDWORK

CHAPTER 3: SEQUENTIAL STORYTELLING Early influences Page layouts Grid structures: Watchmen, Masks, and The Secret Service Page designs: The Matrix Comics Panel design: For The Man Who Has Everything Interpreting scripts: Tharg’s Future Shocks Thumbnails and visual pacing: War Stories Pencils: Doctor Who Inks: Harlem Heroes Digital inking: Batman: The Black and White Bandit Working in Manga Studio Digitally cleaning up artwork: Rogue Trooper Outputting digital artwork for print and online Artistic hero: Wally Wood

Early influences 32 Character and costume design 34 Designing superheroes: Watchmen, Dan Dare 38 Character style guides: Give Me Liberty 42 Redesigning existing characters: Green Lantern 44 Landscape, sets, and location design 48 Vehicle design: The Originals 52 Using 3D modelling programs for set and vehicle design 54 Props 56 Creator stars: Frank Hampson 60

CHAPTER 4: LETTERING 64 66 72 78 84 88 90 94 98 102 106 108 110 112

Early influences Page mark-up and dead space Balloon positioning and flow: Balloon variations Typography and font design Kerning and leading Designing a digital font Sound effects Do’s and don’ts Lettering king: Sam Rosen

CHAPTER 6: DESIGN 114 116 118 120 122 126 128 128 132 134

Early influences 164 Cover and logo designs 166 Front cover design: Haunted Magazine 170 Back cover design 174 Wraparound and spine design: The Originals 178 Interior book design: Watchmen 180 Character and title logos 182 Icons 184 Design star: Chip Kidd 186

138 140 144 148 150 154 156 158 160

Write a script 190 Interpret a script 192 Design a character 194 Design 5 different layouts for the same page 196 Inking 198 Digital coloring 200

CHAPTER 5: COLORING Early influences Drawing for color Fully painted artwork Markers and dyes Digital color: The Treatment Digital greytones: The Originals Digital effects & 3D modelling Updating old color art Painter focus: Frank Bellamy

CHAPTER 7: PROJECTS

Picture credits Index Acknowledgments

All of the examples are scanned from original artwork, sketches and preparatory designs, many of which have never been published. Learn the stages of layout and page planning via the initial designs of Give Me Liberty; discover Gibbons’ handy tips for lettering using extracts from The Originals; and find out the secrets of successful writing with sample scripts from The World’s Finest and The Green Lantern Corps.

204 206 208

Front cover design: Haunted Weekly

Skinn finally decided to focus on just the one character, Dr. Strange, with him pointing at the reader, and drew a rough for me to follow using a logo designed by fellow artist Steve Parkhouse.

COVER CHARACTERS Whether working on established characters or your own, there are pros and cons It’s nice to be given the run of the toy-box, and certainly I’ve had that on Superman and Green Lanterns On the other hand, creating your own stuff has its own rewards, and of course in today’s market, where it’s possible to retain rights, that’s by far the preferable situation from a business or financial point of view

172 >> Chapter 6: design

I tightened up the topline, moved Dr. Strange’s hand away from his face and got rid of the awful window surround on the visual. Drawing in traditional marker pen and color pencils, I also gave Strange the more traditional hand gesture made famous by the character’s original creator, Steve Ditko.

Despite the project never taking off, decades later Skinn digitally redesigned the cover, simplifying the speech balloon to just “Dare You Enter?” and moving the teaser text to the dead-space over the castle, creating a much tighter overall look.

173

Dave Gibbons is one of the world’s most famous comic creators working today, with over 40 years’ experience at every major publisher in the US and UK. He is most well-known for his collaborations with Alan Moore, including Watchmen, and was named Britain’s first Comics Laureate last year.

Tim Pilcher is a pop culture expert and has worked in and around the comics industry for over 20 years as a writer and editor.

MANGA YOUR WORLD Make Life Beautiful With Manga Selfies and Portraits

also available:

Whoniverse Manga Your World

REFERENCE

Introduction and foreword

47

K

CMY

CY

MY

CM

Y

M

C

BACKLIST

HAIR AND BEAUTY BESTSELLER

BRAIDS, BUNS & TWISTS The Ultimate Practical Guide to Creating Classic and Modern Styles

OVER

300,000 COPIES SOLD WORLDWIDE

CHRISTINA BUTCHER 192 pages

Files available for translation

228 x 179mm

June 2013

35,000 words 800 images

Rights sold

• A comprehensive, consolidated visual resource on traditional and modern hair styles • Directory-style entries on each look are accompanied by stylish, contemporary photographs and bespoke illustrated step-by-step tutorials • Cross references direct the reader to styles that have similar techniques or looks

PONYTAILS

WRAPPED PONYTAIL THE LOOK

This wrapped ponytail is the perfect style if you have long hair and find it difficult to keep your ponytail in place. It’s a casual yet sophisticated hairstyle that works from day to night. By leaving out the top section of hair, you’ll find it easier to put the remainder of your hair up. The top section is then wrapped around the base of the ponytail in a twisting motion. You angle your hair down as you wrap, and then your ponytail is pinned flat against the back of your head.

HOW TO GET IT WHAT YOU NEED

1

2

4

5

• Brush • Hair clip • Hair elastic • Bobby pins • Hairspray (optional)

3

DIFFICULTY LEVEL Medium IDEAL HAIR LENGTH Medium to long HAIR EXTENSIONS NEEDED? No, but you can use a ponytail extension on shorter hair.

From elaborate ‘up-dos’ to casual braids, inspirational hairstyles continue to populate fashion blogs, Pinterest boards and style magazines everywhere.

However, this popularity belies a gaping lack of authoritative advice on the techniques required to create these styles, and so Braids, Buns & Twists presents this comprehensive resource. With over 80 hairstyles to choose from, covering classic as well as modern hairstyles, this book offers invaluable advice and a wealth of contemporary visual inspiration. Directory entries enable the reader to choose what style is most appropriate for the occasion, their available time, hair length, and hair type, also indicating how time consuming or difficult the style is to put together. The accompanying step-by-step tutorials then give the reader the instructions they need to replicate that style.

ASSISTANCE NEEDED? No ACCESSORIES Your hair acts as an accessory in this hairstyle, wrapping around your ponytail to create a twist.

A jeweled clip or flower can be pinned into the side of the twist to add a more detailed look for nighttime.

1. Brush your hair to remove any knots before you begin. Take a section of hair at the top of your head to your crown and clip it up and out of the way.

TRY THIS Adjust the position of the ponytail to give this hairstyle a different look. For instance, you could tie a really high ponytail or place it lower on the back of your head.

SEE ALSO Top knot bun, pages 116–117 French twist, pages 130–131

16

2. Gather the remainder of your hair into a ponytail at your crown.

Try to place the base of the ponytail close to the edge of the section you clipped up at the top. Secure your ponytail with a hair elastic.

3. Next, unclip the top section of hair and adjust the front to sit in a small pompadour shape. Use a bobby pin to secure in place just above your ponytail.

4. Wrap the remainder of the top section of hair around your ponytail.

Stay as close to the base of your ponytail as possible to avoid the hair sliding down as you wrap it around. Secure the end of the wrapped section with a bobby pin.

Top: Hairstyling and photography by Christina Butcher, modeling by An Ly. Bottom: Hairstyling and photography by Christina Butcher, modeling by Nicole Jeyaraj.

5. Flatten your ponytail against the back of your head and use bobby pins to secure it in place.

TOP TIP To get a neat, smooth finish, hold the end of your ponytail while you adjust the wrapped section so that it sits flat against the back of your head. Angle your bobby pins diagonally, and for a stronger hold you can cross your pins in an X shape. Finish with hairspray to keep your ponytail in place.

17

Christina Butcher’s website ‘Hair Romance’ produces hair and beauty tutorials, reviews beauty products and styling tools, and forecasts hair and beauty trends with a dash of celebrity gossip.

Since its launch at the end of 2010, the site has garnered a global audience of over 5 million.

ART BESTSELLER

NEW RELEASE

NEW RELEASE

SKETCH YOUR WORLD

SKETCHING 365

ARCHISKETCHER

Essential techniques for drawing on location

Tips and techniques to build your confidence and skills daily

A guide to spotting & sketching urban landscapes

JAMES HOBBS

ART

176 pages

50

KATHERINE TYRRELL

SIMONE RIDYARD 160 pages

203 x 254 mm

176 pages

203 x 254mm

300 images

203 x 254mm

250 images

35,000 words

350 images

30,000 words

Rights sold:

30,000 words

Rights sold:

USC, UK, English language in Asia,

Rights sold:

USC, UK, French, Chinese

German, French, Korean, Chinese,

USC, UK, English language in Asia,

Taiwanese

Spanish, French, Chinese

Kate Wilson

Kate Wilson

BESTSELLER

NEW RELEASE

FREEHAND HELEN BIRCH

SkEtCHINg tIpS & tRICkS dRawN FRom aRt

HELEN BIRCH

Broaden your range of styles and techniques and learn more about them from practising artists

Drawing and Painting

FREEHAND

-174270610-8

NEW RELEASE

Drawing and Painting Materials and Techniques for Contemporary Artists

www.thamesandhudson.com £24.95

42 706108

2260_Drawing_Painting_T&H_PLC_UK_PLC.indd 1

04/09/2014 09:01

FREEHAND

JUST ADD WATERCOLOUR

DRAWING AND PAINTING

Make every sketch your best

Contemporary artists, timeless techniques

Materials and techniques for contemporary artists

HELEN BIRCH

HELEN BIRCH

KATE WILSON

224 pages

208 pages

288 pages

127 x 178 mm

127 x 178mm (landscape)

228 x 260mm

130 images

200 images

700 images

20,000 words

20,000 words

50,000 words

Rights sold:

Rights sold:

Rights sold:

USC, UK, ANZ, French,

USC, UK, ANZ, French,

USC, UK, ANZ, French,

German, Korean, Spanish,

Spanish,Chinese, Portuguese

Chinese, Spanish, Dutch Chinese

ART

Chinese, Portuguese, Dutch

51

CRAFT: ARTISAN CRAFTS BESTSELLER

CALLIGRAPHY Tools & Techniques for the Contemporary Practitioner

CRAFT: ARTISAN CRAFTS

GAYE GODFREY-NICHOLLS

52

PRINTMAKING

CALLIGRAPHY

CERAMICS

Traditional and contemporary techniques

Tools & techniques for the contemporary practitioner

Tools and techniques for the contemporary maker

ANN D’ARCY HUGHES & HEBE VERNON-MORRIS

GAYE GODFREY-NICHOLLS

LOUISA TAYLOR

288 pages

288 pages

416 pages

228 x 260mm

228 x 260mm

228 x 260mm

700 images

700 images

1,000 images

50,000 words

54,000 words

80,000 words

Rights sold:

Rights sold:

Rights sold:

USC, UK, ANZ, French,

USC, UK, ANZ, French,

USC, UK, ANZ, French,

Italian, English Language in Asia

Chinese, Italian, Czech

Italian, Spanish,

METALSMITHING

SILVERSMITHING STONESETTING FOR JEWELLERY MAKERS

FOR JEWELLERY MAKERS

Traditional and contemporary techniques for inspirational results

Techniques, treatments, and applications for inspirational design

Techniques, inspiration, and professional advice for stunning results

JINKS MCGRATH

ELIZABETH BONE

MELISSA HUNT

FOR JEWELLERY MAKERS

320 pages

192 pages

192 pages

228 x 260 mm

246 x 190mm

280 x 215 mm

700 images

200 images

200 images

70,000 words

25,000 words

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Rights sold:

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CRAFT

CRAFT: JEWELLERY

53

CRAFT: NEEDLECRAFTS

EMBROIDERY

CRAFT; NEEDLECRAFTS

Traditional techniques and contemporary applications for hand and machine embroidery

54

SOPHIE LONG 288 pages 279 x 203 mm

NEEDLECRAFT STITCH DIRECTORY A visual reference of over 50 needlecrafts and 165 stitches that go with them SARAH WHITTLE

560 images

240 pages

50,000 words

246 x 190mm

Rights sold:

400 images

USC, UK, ANZ, English Language in

40,000 words

Asia

Rights sold: USC, UK, ANZ, German, French

KNIT BACK IN TIME Techniques to update vintage patterns & retrostyle modern patterns GERALDINE WARNER 176 pages 246 x 200 mm 300 images 35,000 words Rights sold: USC, UK

THE HANDKNITTER’S YARN GUIDE A visual reference to yarn weights and fibres NIKKI GABRIEL 176 pages 216 x 216mm 600 images 20,000 words Rights sold: USC, UK, ANZ

KNIT YOUR OWN KAMASUTRA

CROCHET FROM START TO FINISH

12 playful projects for naughty knitters

Techniques, tips, and advice to get it right first time

TRIXIE VON PURL

CATHERINE HIRST

112 pages

192 pages

220 x 170 mm

242 x 168 mm

120 images

300 images

20,000 words

35,000 words

Rights sold:

Rights sold:

USC, UK

USC, UK, ANZ French

CRAFT

NEW RELEASE

55

CRAFT: FASHION & SEWING

The Complete Guide To Customising Your Clothes gives you all the inspiration and practical advice you need to personalise your clothing and accessories. Whether you want to recreate looks from the catwalk or the latest styles from the street, The Complete Guide To Customising Your Clothes is the book for you. Exploring the growing market for sustainable and upcycled fashion, this book walks you through the design process, from researching new ideas and sketching designs to putting the finishing touches to the garments. This handy guide includes all the essential techniques for bleaching, colouring, printing, embellishing and deconstructing your clothes, as well as more specialised techniques, such as leather punch and embossing fabric. Each technique is demonstrated with an illustrated step-by-step tutorial, telling you everything you need to know to apply that technique to your chosen garment or accessory. The book also includes interviews with successful fashion designers, along with galleries of inspiring images of contemporary designs to kick start your creativity.

CRAFT: FASHION & SEWING

£15.99

90100

Covers the full range of techniques, fr to specialist, and from handmade to d

Step-by-step illustrated tutorials expl each technique

CUSTOMISING YOUR CLOTHES Techniques & Tutorials for Personalising Your Wardrobe

BLANKEN

ISBN 978-1-4081-5218-8

9

56

THE COMPLETE GUIDE TO CUSTOMISING YOUR CLOTHES

Rain Blanken is a designer, seamstress and writer, specialising in upcycling, recycling and reinventing clothing. Rain was taught how to sew and crochet by her mother and grandmother, learning the importance of handmade clothing early in life. After earning a Fine Art degree, Rain went on to become a professional artist and seamstress. She directed an art department at the age of 19, sold her handmade clothing to local shops, and was soon filling custom orders for everything from wedding dresses to Jedi robes. Like all things, Rain’s crafting skills inevitably ended up online. Many stitches later, Rain is now the host of About.com’s DIY Fashion site (diyfashion.about.com), guiding readers to discover their crafty side with DIY clothing, jewellery and costume tutorials. Her daily blog addresses the growing handmade movement, as well as regularly featuring handmade artists who sell their goods online. She currently resides in Beavercreek, Ohio with her husband, three children and a growing army of tiny dogs.

781408 152188

RAIN BLANKEN

SKIRTS & DRESSES FOR FIRST TIME SEWERS

MEND AND MAKE THE COMPLETE GUIDE TO FABULOUS CUSTOMISING YOUR CLOTHES Stylish solutions to give your

Patterns, tutorials, tips and advice

DENISE WILD

CHRISTINE HAYNES 144 pages 246 x 190mm 300+ images 25,000 words Rights sold: USC, UK, German, French, Czech, Slovak, Danish

clothes a new lease of life 160 pages

A head-to-toe guide to reinventing your wardrobe RAIN BLANKEN

246 x 190mm

192 pages

700 images

228 x 205mm

25,000 words

300 images

Rights sold:

25,000 words

USC, UK, German

Rights sold: USC, UK, ANZ, German, Spanish

Interviews with designers give insigh their inspiration and working method

Galleries showcase contemporary wor leading designers

BESTSELLER

BESTSELLER

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ide, QR to dow codes link patter nloadable n tem plates !�

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The ultimate resource for designing, adapting, and , customizing sewing patterns for kids clothes Finding durable, well-made kids’ clothing can be expensive…especially when the kids are growing like weeds! No wonder more and more parents are opting to dress their children in high-quality, original pieces they’ve made themselves.

● Illustrated, step-by-step techniques specific to kids’ clothes ● Instructions for making patterns from scratch and customizing existing patterns ● Valuable insider tips from professional pattern designers

For those looking to get started sewing their own kids’ clothes, or who are expanding on their current skills, this book is a great place to begin. Inside, readers will find everything they need for creating, using, and adapting patterns for kids’ clothes:

With clear, straightforward language and more than 300 full-color instructional and inspirational images, Pattern Making for Kids’ Clothes is the sewing parent’s go-to guide for everything from rompers and dresses to jackets, pants, and more!

All you need to know about designing, adapting, and , customizing sewing patterns for childrens clothing HEGEMAN CRIM

EAN

ISBN: 978-1-4380-0386-3

$23.99 Canada $27.50

CARLA HEGEMAN CRIM

w w w. b a r r o n s e d u c . c o m

01/11/2013 16:09

PATTERN CUTTING PRIMER

PATTERN MAKING FOR KIDS’ CLOTHES

THE VINTAGE PATTERN SELECTOR

All you need to know about designing, adapting & customising sewing patterns

All you need to know about designing, adapting, and customising sewing patterns for children’s clothing

The sewer’s guide to choosing and using retro styles

JO BARNFIELD AND ANDREW RICHARDS

CARLA HEGEMAN CRIM

JO BARNFIELD 192 pages

192 pages

160 pages

246 x 190mm

246 x 190mm

246 x 190mm

300 images

300 images

300 images; 30,000 words

40,000 words

70,000 words

Rights sold:USC, UK, English

Rights sold:USC, UK, ANZ, German,

Rights sold:USC, UK, ANZ, German,

Language in Asia, Greman, Spanish,

Spanish, French, Italian, Portuguese

Spanish, French, Chinese, Dutch

French

CRAFT

Barrons_Pattern Cutting for Kids_Flexi.indd 1

57

CRAFT: SEWING & QUILTING

terms plained

er d

Christine Haynes

Display

What it is: a digital or computerized screen on the face of the sewing machine, usually near the stitch length, stitch width, and stitch selector dials.

What it does: This will display a host of things, depending machine’s make and model, on your but most often it indicates the stitch selected, as well as its length and width settings.

Why Use it: if your model has a display, there is no avoiding using it, as it will be front and center on your machine. if it doesn’t have means that your machine is mechanical, with no computer a display, that controls. or electronic

sTiTch selecTor

What it is: a button, dial, knob, or digital screen on the face of the sewing machine with a diagram of stitch options.

What it does: This device allows you to choose from the variety of stitches offered by the machine.

Why Use it: Machines come in many varieties, from those with only one stitch choice, to those with hundreds of options. Being able to select the stitch best suited for your project is key to success and if the machine has many

63

,

s

US $22.95

HOW TO SPEAK FLUENT SEWING

oves

ion ned

Over 300 terms explained

Christine Haynes

th

HOW TO SPEAK FLUENT SEWING

The Indispensable Illustrated Guide to Sewing and Fabric Terminology

CRAFT: SEWING & QUILTING

vailable as an eBook

58

HOW TO SPEAK FLUENT SEWING

STRESS-FREE SEWING

The indispensable illustrated guide to sewing and fabric terminology

Troubleshooting tips and advice for the savy sewer

CHRISTINE HAYNES

NICOLE VASBINDER 192 pages

THE HOME SEWER’S GUIDE TO PRACTICAL STITCHES The ultimate guide to sewing seams, hems, darts... and more!

192 pages

210 x 146mm

229 x 133 mm (portrait)

200 images

300 images

30,000 words

30,000 words

Rights sold:

176 pages

Rights sold:

USC, UK, ANZ, English Language in

220 x 170mm

USC, French, German

Asia, German

700 images

NICOLE VASBINDER

30,000 words Rights sold: USC, UK, ANZ, German, French

The insider’s guide to mastering your machine NICOLE VASBINDER

QUILTESSENTIAL A visual directory of contemporary patterns, fabircs, and colout ERIN HARRIS 208 pages 246 x 190 mm

176 pages

300 images

228 x 205mm

40,000 words

300 images

Rights sold:

30,000 words

USC, UK, ANZ, German, French,

Rights sold:

Spanish

USC, UK, English Language in Asia, German, French, Spanish

CRAFT

SEWING MACHINE SECRETS

59

CRAFT: TEXTILES

THE COMPLETE GUIDE TO

CRAFT: TEXTILES

DESIGNING AND PRINTING FABRIC

60

HOW TO

DECORATE AND EMBELLISH YOUR FABRICS

Techniques, tutorials and inspiration for the innovative designer

Beading, buttons, sequins, dyeing, printing, embroidery... and more!

LAURIE WISBURN

LAURIE WISBURN

208 pages

176 pages

280 x 215mm

246 x 190mm

300 images

300 images

35,000 words

25,000 words

Rights sold:

Rights sold:

USC, UK, ANZ, French, German

USC, UK, German

SPINNING AND DYEING YARN Beading, buttons, sequins, dyeing, printing, embroidery... and more!

ASHLEY MARTINEAU 208 pages 280 x 215 mm 700 images 40,000 words Rights sold: USC, UK

CRAFT: GENERAL

25 keepsakes to make with love CHARLOTTE RIVERS AND EMILY GREGORY 144 pages 220 x 170mm 300 images 25,000 words Rights sold: USC, UK

MACRAMÉ 18 stylish projects to create using beautiful decorative knots KAT HARTMANN 128 pages 203 x 229mm (portrait) 200+ images 20,000 words Rights sold: USC, UK, ANZ, Finnish, Danish, French

CRAFT

HANDMADE FOR BABY

6 1

CRAFT: CRAFTER’S GUIDE SERIES BESTSELLER

Jessica Swift

Great packaging ideas for your fabulous crafts!

to more complex concepts like recycling old material to make new packaging. With great tips on using all kinds of packaging materials as well as considerations for packaging items like jewellery, baked goods and artwork, the book also includes printable box templates at the back of the book making it a truly indispensable resource for the innovative crafter and seller.

Viola E. Sutanto is an award-winning graphic and product designer based in San Francisco. In addition

Featuring advice from a host of crafters and designer-makers, this book covers simple projects such as customising basic boxes,

to appearing regularly on craft and design blogs, she also runs her own website and has contributed to many national publications.

• 20 free motifs to get you started • Easy-to-follow steps for creating patterns from virtually any image • Hand-print your own patterns for greeting cards, wallpaper, tote bags, cushion covers, table runners and much more!

Viola E. Sutanto

£12.99 ISBN 978-1-78221-219-5

www.searchpress.com

www.searchpress.com

£12.99

2239_How To Package_FLEXI_Search Press.indd 1

CRAFT: CRAFTER’S GUIDE SERIES

THE CRAFTER’S GUIDE TO

62

TAKING GREAT PHOTOS Foolproof techniques to make your handmade creations shine online HEIDI ADNUM 192 pages 220 x 170 mm 300 images 80,000 words Rights sold:

USC, UK, ANZ, English language in Asia, French, Japanese, Hungarian, Chinese, Romanian, Taiwanese

9 781782 212195

The Crafter’s Guide to

The Crafter’s Guide to Packaging Handmade Products ISBN-978-1-78221-013-9

PaTTerns

Create your own hand-printed designs

Jessica Swift

include s free pa tte templ rn ates

20

The Crafter’s Guide to Taking Great Photos ISBN-978-1-84448-751-6

Search PreSS

£12.99

Decorate any surface with your own fabulous patterns. Jessica Swift teaches you everything you need to know in this user-friendly guide.

Step-by-step tutorials guide you from creating colour palettes, designing motifs and selecting backgrounds and borders through to hand-printing your personalised designs onto your desired surface.

Tips and creative inspiration for crafters from crafters Featuring interviews with contemporary designers alongside a range of wonderful pattern galleries, this book has plenty to inspire the budding designer.

Viola E. Sutanto

Whether you sell your work online, in shops, or at craft fairs; beautiful packaging can be the crucial difference between a onetime sale and customers who come back for more. The Crafter’s Guide to Packaging Handmade Products provides you with tips, techniques and a wealth of creative ideas to turn your handcrafted products into a recognisable brand.

The

Also AvAilAble

The CrafTer’s Guide To PaTTerns

Jessica Swift is a full-time artist, pattern designer and author based in Portland, Oregon. Her patterns have been licensed by a variety of companies for use on fabric, stationery, rugs and more. She has contributed to a number of books on pattern design, lettering and the creative industry – this is her first book to be published by Search Press. Jessica shares her ideas, inspirations and patterns online at www.jessicaswift.com.

Pattern Cutting for Kids’ Clothing ISBN-978-1-78221-028-3 Search PreSS

17/10/2013 11:29

THE CRAFTER’S GUIDE TO

THE CRAFTER’S GUIDE TO

PACKAGING HANDMADE PRODUCTS

PATTERNS

Tips and creative inspiration for crafters from crafters

JESSICA SWIFT

VIOLA E SUTANTO

How to create and use your designs 144 pages 246 x 190mm (portrait) 300 images 25,000 words

176 pages

Files available for translation:

220 x 170 mm

November 2014

35,000 words

Rights sold:

400 images

USC, UK, French, German, Chinese,

Rights sold:

Spanish

USC, UK, ANZ, English language in Asia, German, Spanish, Chinese

Upstyle Your Windows

Contemporary Upholstery Techniques and Inspiration for Upstyling your Furniture

Simple sewing techniques for beautiful curtains, drapes, and shades

Divided into three main sections, Contemporary Upholstery begins with an overview of the essential tools and materials needed for home upholstery. The second section includes detailed advice on choosing and working with fabric, including how to select the best fabrics for your project, how to match fabrics with furniture, what the most durable fabrics are, and how to keep fabrics looking fresh and new. Section three provides step-by-step tutorials that are technique rather than project driven and range from quick makeovers to simple solutions for processes like webbing, springing and stuffing. Accompanied by colourful and easy-to-follow illustrations, these tutorials will allow the reader to give their furniture a new lease of life. Alongside the techniques are case studies of projects by contemporary upholsterers. Featuring before and after photos of salvaged photos, the upholsterers explain how they tackled the project, provide information about fabric and colour choices, the challenges faced and share the knowledge they learnt. All this combines to make Contemporary Upholstery the perfect go-to-guide for all creative homemakers looking to give their home that unique, personalised and utterly stylish look.

Upstyle your Furniture Techniques and Creative Inspiration to Style Your Home

Hannah Stanton

Front cover: Skinny laMinx, Ink & Spindle, Eleanor Young, Flourish and Blume, and Lucy Davidson

Hannah Stanton

Back cover: Skinny laMinx, Tango & James, Wild Chairy

stephanie jones

Hannah Stanton 13/11/2012 09:15

CONTEMPORARY UPHOLSTERY

UPSTYLE YOUR FURNITURE

UPSTYLE YOUR WINDOWS

Techniques & inspiration for upstyling your upholstery

Techniques and creative inspiration to style your home

Simple sewing techniques for beautiful curtains, drapes, and shades

HANNAH STANTON

STEPHANIE JONES

HANNAH STANTON

192 pages

160 pages

176 pages

246 x 190 mm

246 x 190 mm

246 x 190 mm

300 images

300 images

300 images

30,000 words

30,000 words

30,000 words

Rights sold:

Rights sold:

Rights sold:

USC, UK, NZ, French, Italian,

USC, UK

USC, UK

Estonian

CRAFT

combines chniques with ng fabrics to ven the most gorgeous

Co n te m p o ra r y Up h o l ste r y

sew, holster!

CRAFT: HOME DÉCOR

63

DESIGN

DESIGN

64

REINVENTING LETTERPRESS

REINVENTING REINVENTING SCREENPRINTING LETTERING

Inspirational pieces by contemporary practitioners

Inspirational pieces by contemporary practitioners

Inspirational pieces by contemporary practitioners

CHARLOTTE RIVERS

CASPAR WILLIAMSON

EMILY GREGORY

192 pages

192 pages

192 pages

183 x 173 mm

183 x 173 mm

183 x 173 mm

200 images

200 images

200 images

15,000 words

32,000 words

25,000 words

Rights sold:

Rights sold:

Rights sold:

USC, ANZ, Japanese, Spanish

USC, UK, English language in Asia,

USC, UK, ANZ, English language

Japanese

in Asia

Inspirational techniques, materials, and practitioners CHARLOTTE RIVERS 192 pages 183 x 173mm 200 images 20,000 words Rights sold: USC, UK, ANZ, English language in Asia, Japanese, Chinese

I LOVE HANDMADE BOOKS Timeless techniques and fresh ideas for beautiful handmade books CHARLOTTE RIVERS 192 pages 183 x 173 mm (portrait) 200 images 20,000 words Rights sold: USC, UK, ANZ, Spanish, French

DESIGN

I LOVE STATIONERY

65

DESIGN BESTSELLER

BESTSELLER

At some point in your life, you will produce a piece of graphic design. Whether that be a birthday card, a poster, or an ad for your office notice board, do yourself proud—make it great! Armed with this book, packed with everyday design proj ects and simple What is Graphic Design For? workthroughs, you can give your design the Alice Twemlow professional touch.

Graphic Design for Nondesigners explains the basic principles of graphic design, including the effective use of space, color, and type. It distills the hard-won knowledge of professional designers into simple dos and don’ts, and illustrates tips and hints through clear comparative examples. Not forgetting the bewildering choice and costs of equipment, it outlines the best and most cost-effective materials, and offers recommendations for hardware and software options.

What is Packaging Design?

Giles Calver

Includes 20 step-by-step proj ects for: • adverts • logos • letterheads and business cards • menus • newsletters • gift wrap and invitations What is Publication Design?

• posters • CD and DVD packagingLakshmi Bhaskaran • websites and blogs • T-shirts

Issues Design does not take place in a vacuum. This book starts by exploring all of the issues that shape design, including economics, ethics, technology, theory, and developments in the other arts. It looks at how design has evolved over the centuries—from its origins in medieval Germany to today, including areas such as corporate branding, magazines, television titles, and websites.

Anatomy What is Graphic Design? breaks the discipline down into its elements, looking at typography, how text and pictures combine—the essence of graphic design— and how the process of reproduction underpins every aspect of design.

The ultimate primer for the design rookie

Portfolios There is no single ideal for how a designer should be. They can practice alone or be part of a large group, and can write, edit, curate, take photographs, design typefaces, and be an entrepreneur. This book concludes with an analysis of a diverse group of young designers who illustrate just how broad and rich the profession can be.

“It’s a concise, informed, considered overview of an easy to misunderstand job.

Somehow, Newark’s created a simple guide without being simplistic. What is Graphic Design? includes an entertaining and thoughtprovoking list of what the world would be without if graphic design was banned.”

Design Week

“Good solid books on this subject, especially those aimed at students, are hard to find. So it is a relief that this one has been published ... This book should be automatically presented to all graphic design students.”

Graphics International “Includes an excellent and unpredictable set of contemporary international examples.”

MacUser

ISBN 978-2-88893-035-8

90000

What is Typography?

9 782888 930358 David Jury £20.00

Tony Seddon & Jane Waterhouse

CAROLYN KNIGHT & JESSICA GLASER 256 pages 220 x 170mm

DESIGN

400 images

66

QUENTIN NEWARK

$25.00 US / £16.99 UK / $30.95 CAN

ESSENTIAL DESIGN HANDBOOKS

0358_GDfND-COV_UK.indd 1

2ND EDITION

WHAT IS GRAPHIC DESIGN?

Includes work by Atelier Works Phlippe Apeloig Phil Baines Herbert Bayer Paul Belford Derek Birdsall Browns Cahan Associates Kyle Cooper Peter Davenport Mike Dempsey Simon Esterton Rebecca Foster Dan Friedman Groovisions Rabia Gupta Johann Gutenberg H5 Mette Heinz Experimental Jetset Johnson Banks Tibor Kalman Zuzana Licko Ellen Lupton Me Company Per Mollerup Studio Myerscough Number Seventeen Simon Patterson Frank Philippin Richard Prince Rose Design Associates Stefan Sagmeister Koichi Sato Philipp Stamm Tonic Design

Essential knowledge, tips, and tricks Plus 20 step-by-step proj ects for the design novice

www.rotovision.com

GRAPHIC DESIGN EXERCISE BOOK,

WHAT IS GRAPHIC DESIGN? ESSENTIAL DESIGN HANDBOOKS QUENTIN NEWARK

Also Available

Cover image courtesy Shigeo Fukuda

18/2/09 11:39:57

GRAPHIC DESIGN FOR NON DESIGNERS The ultimate primer for the design rookie TONY SEDDON & JANE WATERHOUSE

WHAT IS GRAPHIC DESIGN QUENTIN NEWARK 256 pages 220 x 170 mm 250 images 40,000 words Rights sold:

30,000 words

224 pages

USC, Italian, Spanish, French,

Rights sold:

220 x 170 mm

German, Japanese, ANZ, Korean,

USC, UK

500 images

Complex Chinese, Russian, Polish,

35,000 words

English Language in South East

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Asia, Portuguese

USC, French, Spanish, Korean, Polish, Italian, Czech, Chinese

WHAT IS GRAPHIC DESIGN FOR

WHAT IS EXHIBITION DESIGN

ALICE TWEMLOW

JAN LORENC, LEE SKOLNICK, AND CRAIG BERGER

WHAT IS PACKAGING DESIGN

256 pages

256 pages

256 pages

220 x 170 mm

220 x 170 mm

220 x 170 mm

300 images

300 images

250 images

40,000 words

40,000 words

40,000 words

Rights sold:

Rights sold:

Rights sold:

USC, Chinese, Dutch, Italian, Polish,

USC, Korean, Chinese, Polish,

USC, Spanish, Italian, Complex

English Language in Asia,

Russian, English language in Asia

Chinese, Japanese, English,

Portuguese, Russian, Spanish,

Llanguage in Asia (Excluding Japan

French, Czech, Hungarian, Korean,

and Korea) Polish, Russian,

Estonian, German, Turkish

Portuguese

WHAT IS FASHION DESIGN

WHAT IS INTERIOR DESIGN

GURMIT MATHARU

GRAEME BROOKER & SALLY STONE

256 pages

256 pages

220 x 170 mm

220 x 170 mm

200 images

375 images

40,000 words

40,000 words

Rights sold:

Rights sold:

USC, Chinese, Portuguese, Spanish

USC, Czech, Turkish, Korean,

DESIGN

Spanish, Chinese

6 7

PHOTOGRAPHY

lo-fi Adam Bronkhorst

Projects – suitable for toy, Polaroid, pinhole and all analogue cameras – include: • experimenting with film • using different colour effects • multi-lens, multiple and long exposures • themed series • building and adapting cameras • location-led images

lo-fi Photo fun!

The ultimate inspirational photo assignments book for analogue and toy-camera users, lo-fi PhotoFun! is about shooting great photos and about all the cool things you can do with your shots. Revel in a host of quirky, fun, offbeat and imaginative projects.

Experiment with cross-processing, pull-processing, and hand-processing; push the boundaries with film speeds; bleed your image over the edge of film; and play with multiple exposures.

Creative Projects for Polaroid, Plastic and Pinhole Cameras

Bronkhorst

ISBN 978-1742669007

9 781742 669007

STOP MOTION ANIMATION

LO-FI PHOTO FUN

How to make and share creative videos

Creative Projects for Polaroid, Plastic & Pinhole Cameras

MELVYN TERNAN

PHOTOGRAPHY

176 pages

68

ADAM BRONKHORST

203 x 203 mm

176 pages

600 images

203 x 203mm

35,000 words

200 images

Rights sold:

25,000 words

USC, UK, English language in Asia,

Rights sold:

French, Chinese, Italian, Spanish,

USC, UK, English language in Asia,

Taiwanese

ANZ

TOY CAMERAS, CREATIVE PHOTOS Unique stylistic results from 40 plastic cameras KEVIN MEREDITH 176 pages 203 x 203mm 250 images 30,000 words\ Rights sold: USC, UK, Chinese, Spanish, Taiwanese

S N APP SHOTS

Using Smar tphone Apps fo r I nve n t ive P h o t o g ra p h i c R e s u l t s

98

A DA M BR ONK H OR ST

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HOT SHOTS

Using smartphone apps for inventive photographic results

Make every photo your best

ADAM BRONKHORST

KEVIN MEREDITH 224 pages 127 x 178 mm

52 PHOTOGRAPHIC PROJECTS Creative workshops for the adventurous image-maker

176 pages

189 images

127 x 178 mm

22,000 words

300 images

Rights sold:

288 pages

20,000 words

USC, Spanish, Estonian, Chinese,

242 x 196 mm

Rights sold:

ANZ, Polish, Dutch, French,

400 images

USC, UK, ANZ, English language in

Portuguese, Finnish, Swedish,

45,000 words

Asia, Spanish, Swedish

Italian, Japanese,

Rights sold:

KEVIN MEREDITH

USC, UK, English language in Asia, Chinese, French, Dutch, German, Italian

PHOTOGRAPHY

2.99

29-8

A DA M B R O N K HO R S T

er Adam Bronkhorst photography, wedding cameras, and offers piring photographers. ublished in books, ers; and featured in ns. He is also the n.

S N AP P SHOTS

l images and ots is the ultimate phone photography. pecific apps and explains the e photography, anion for any ok covers all the at shots, including , editing images to choosing and using .

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PHOTOGRAPHY

The World’s Top Photographers

Travel & Nature

Landscape

ka dklev ell hard

The World’sTop Photographers’ WORKSHOPS

The World’s Top Photographers

The World’s Top Photographers’ Workshops pairs in-depth, practical advice with stunning images and personal tips from acknowledged masters. Travel & Nature presents a throughthe-lens view of the world’s most prominent travel and nature photographers, showcasing work that reflects all aspects of these two popular genres: rural and urban settings; landscape and macro photography; high-altitude and maritime; wilderness and adventure. It shows how working professionals handle on-the-job challenges by detailing the roles and evolving goals of its 10 contributors. Incisive interviews pool their experience and uncover the reasons behind the decisions they make.

Andy Steel, a journalist and photographer, has worked around the world on a range of editorial and commercial projects.

During his career he has built up a wealth of contacts with leading figures throughout the photographic industry. In addition to writing for websites and advertising agencies, he contributes regular articles to national newspapers, including The Guardian and the Daily Express.

and the stories behind their greatest images

te

rd

Heather Angel Composing in camera Sue Bishop Juxtaposing color

Andy Steel

Terry Hope

Landscape

Contributing photographers:

Travel & Nature

Steve Bloom Interacting with nature Chris Caldicott Otherworldly atmospheres Martin Child Alternative perspectives David Doubilet Up close and personal Lee Frost Panoramic views Sally Gall Experimentation and evolution

The World’s Top Photographers’ WORKSHOPS

Andy Steel

Michael Kenna Long exposures Gerhard Schulz Natural instinct

Terry Hope

£ 24.99 uk $35.00 us

£25.00 UK

Cover image © Heather Angel

Travel_Nature_CVR-PLC.indd 1

26/3/08 16:29:34

PHOTOGRAPHY

WORLD’S TOP WORLD’S TOP WORLD’S TOP PHOTOGRAPHERS PHOTOGRAPHERS PHOTOGRAPHERS

70

LANDSCAPE

WILDLIFE

TRAVEL AND NATURE

TERRY HOPE

TERRY HOPE

ANDY STEELE

176 pages

176 pages

176 pages

250 x 250 mm

250 x 250 mm

250 x 250 mm

150 images

120 images

180 images

48,000 words

35,000 words

35,000 words

Rights sold:

Rights sold:

Rights sold:

German, French, Italian, Russian,

French, Italian, Japanese, Dutch,

Italian, Polish, Spanish, Russian,

Dutch, Japanese, Chinese, Polish,

Russian, Polish, Estonia, Chinese

Estonian, German, Dutch

Estonian

known journalist and photographer und the world on a range of editorial ects. Throughout his career he has ontacts with leading figures graphic industry, including Foto8, apher, and Getty Images. He has write for numerous Web sites and as well as making regular riety of subjects to the UK’s national hem The Daily Express and The ightforward prose and unpretentious n him many friends and contacts hing industry.

s

s’ Workshops

The World’s Top Photographers

Nudes Anthony LaSala ISBN 978-2-940378-27-2

Eve Arnold Patrick Brown David Burnett Larry Burrows Dan Chung Arko Datta Adrian Fisk Tim Hall Ron Haviv Tim A. Hetherington David Høgsholt Chris Hondros Philip Jones Griffiths Karim Ben Khelifa Edwin Marcow

Don McCullin Jeff Mitchell Inge Morath Zed Nelson Martin Parr Carsten Peter Marc Riboud Sebastião Salgado Daniel Silva Yoshisato W. Eugene Smith Bruno Stevens Ian Teh Ami Vitale Kai Wiedenhöefer Paolo Woods

The World’s Top Photographers: Photojournalism offers a spellbinding showcase of the best in the field, as well as an impressive record of some of the current events that have changed the world.

Praise for The World’s Top Photographers series:

There are many single images that encapsulate an event.

Often, though, the photojournalists, who go to dangerous lengths to capture the shot, remain under the radar. The latest in the stunning World’s Top Photographers series pays homage to the portfolios of 30 of the world’s leading photojournalists, celebrating work that is by turns gritty, provocative, beautiful, instructive, and often shocking. From battlefields and civil unrest to documentary images of everday life, Photojournalism brings together a collection of current events that have defined our times. This is combined with incisive interviews with the photographers, revealing the stories behind each shot, their techniques, and their inspiration, giving greater insight into the human stories behind each amazing snapshot in time.

“In terms of inspiration and page after page of superb photography, there is little to touch it.”

Photography Monthly “Take a sample of the work of the world’s premier photographers. Add a bit of biography and give the artists the opportunity to talk about their work. Ask them to provide some background to the shots, and then mount the whole enterprise in a book that will enhance any coffee table. It is a concept that proves to be as gorgeous as it is simple.”

The Good Book Guide

The World’s Top Photographers

Portraits Fergus Greer ISBN 2-940378-09-6

The World’s Top Photographers

The World’s Top Photographers’ Workshops

and the stories behind their greatest images

Sport & Action Andy Steel ISBN 978-2-940378-26-5

ISBN 978-2-88893-092-1

90000

s’ Workshops

9 782888 930921

www.rotovision.com

£16.99 UK

Photojournalism Andy Steel

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Cover image by Ami Vitale Sopore, Kashmir, 2002 A Kashmiri woman watches the famous Sufi Saint from outside his fence in the hopes that he will answer some of her prayers and give her spiritual guidance. Though the majority of Kashmiri people are Muslim, there is also a strong legacy of Sufism in the region, creating a special brand of Islam throughout the area.

15/5/09 11:52:29

WORLD’S TOP WORLD’S TOP WORLD’S TOP PHOTOGRAPHERS PHOTOGRAPHERS PHOTOGRAPHERS NUDES

PHOTOJOURNALISM

PORTRAITS

ANTHONY LASALA

ANDY STEELE

FERGUS GREER

176 pages

176 pages

176 pages

250 x 250 mm

250 x 250 mm

250 x 250 mm

120 images

180 images

120 images

40,000 words

30,000 words

40,000 words

Rights sold:

Rights sold:

Rights sold:

French, Italian, Russian, English

Hungarian, Russian, Estonian,

French, Italian, Dutch, Russian,

Language In Germany, Austria,

Dutch, Italian, Chinese, Spanish

Hungarian, Chinese, Czech,

Switzerland, Chinese, Estonian, Spanish

Estonian, Spanish

PHOTOGRAPHY

s

Contributing photographers

71

PHOTOGRAPHY BESTSELLER

Jennifer Young is a lifestyle, portrait and travel photographer and blogger working out of Los Angeles and San Luis Obispo, California. A self-taught photographer and author of I ART U, Jennifer blogs about a number of subjects including art, design, community, food and travel.

£12.99

JennIfeR YOUng

Picture Perfect Social Media is a guide to the craft of photography, designed to help improve your images no matter what your choice of subject – from culinary adventures in your kitchen, to that once-in-a-lifetime trek through the Andes or your passion for fashion and design – regardless of the what equipment you have at your disposal – whether a Smartphone or a DSLR.

Packed full of essential, practical advice as well as stunning visual inspiration, Picture Perfect Social Media is the perfect resource for any social media savant looking to improve their photography skills and share visually exciting images. What’s more, it also features valuable advice from prominent, international lifestyle bloggers, giving you a helpful insight into their working methods as well as plenty of useful tips from the pros.

PIcture PerFect SocIal MedIa

No matter how you choose to share your pictures – whether through Instagram, Pinterest, Flickr or blogging – having great images is an essential way to connect with people worldwide and get noticed on the social media scene. Picture Perfect Social Media gives you the skills you need to stand out, proving you don’t need a professional stylist or photographer to create and share stunning images.

Fa s h i o n

T r av e l

Food

inTeriors

and more!

PIcture PerFect SocIal MedIa A HAndbook for Styling Perfect PHotoS for PoSting, blogging And SHAring

JennIfeR YOUng

STYLING, LIGHTING & PHOTOGRAPHING FOOD

THE COMPLETE GUIDE TO ORGANISING PRO PHOTOSHOOTS

Professional techniques and advice

PETER TRAVERS & BRETT HARKNESS

LARA FERRONI

A handbook for styling perfect photos to share online

How to get the most out of your digital camera

JENNIFER YOUNG

CHRIS WESTON 192 pages; 246 x 190mm 300 images; 30,000 words

220 x 170 mm

Rights sold:

300 images

USC, UK, ANZ, English

40,000 words

language in Asia,

Rights sold:

Chinese, Russian,

USC, UK, English

Portuguese, Spanish,

USC, UK, English

language in Asia,

French

language in Asia, Chinese

Chinese, Spanish

246 x 190mm 300 images

PHOTOGRAPHY

246 x 190 mm

MASTERING YOUR DSLR

192 pages

192 pages

72

192 pages

PICTURE PERFECT SOCIAL MEDIA

30,000 words Rights sold:

250 images 30,000 words Rights sold: USC, UK, Chinese, French, German, Dutch

RotoVision SA 4th Floor Ovest House 58 West Street Brighton BN1 2RA Tel. +44 (0)1273 727268 www.rotovision.com

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