Identity - October 2023

PORTRAITS

A GREAT ITALIAN STORY.

Portraits is a collection of surfaces that tells stories. Stories of people, places, world identities that come to life through spaces, environments, objects and are modernised in today's everyday life.

Featuring Portraits collection by Caesar exclusively at Casamia

22 First of its Kind

Exploring the design of Al Mamlaka Social Dining by TGP International

30 Secrets of a WellDesigned Kitchen

Marco Tedeschi, CEO & Design Director of Smart Renovation, talks about the ways to style-up your cooking space

40 A Decade of Design Excellence

Identity Magazine speaks to Mette Degn-Christensen, Director of Downtown Design, to get a glimpse into the milestone edition and what to expect from the fair

46 Local Talents

In an exclusive interview, Fatma Al Mahmoud, guest curator of the UAE Design Exhibition outlines the key exhibits from the country and its presentation at Dubai Design Week

56 Blending of Cultures

Josafat Zalapa restaurant by FMA. is rooted in Mexican culture with Oriental influences

Editor-in-Chief

Obaid Humaid Al Tayer

Managing Partner and Group Editor

Ian Fairservice

Deputy Editor

Suha Sabith

Senior Art Director

Olga Petroff

Junior Designer

Charissa Canlas

Sub-editor

Max Tuttle

Chief Commercial Officer

Anthony Milne

Senior Sales Manager

Sharmine Khan

Sales Representative - Italy

Daniela Prestinoni

General Manager - Production

Sunil Kumar

Production Manager

Binu Purandaran

Production Supervisor

Venita Pinto

Head Office: Media One Tower, PO Box 2331, Dubai, UAE; Tel: +971 4 427 3000,

Fax: +971 4 428 2260;

E-mail: motivate@motivate.ae

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Fax: +971 4 390 4845

Abu Dhabi: PO Box 43072, UAE,

Tel: +971 2 677 2005, Fax: +971 2 677 0124;

E-mail: motivate-adh@motivate.ae

Saudi Arabia: Regus Offices No. 455 - 456, 4th Floor, Hamad Tower, King Fahad Road, Al Olaya, Riyadh, Kingdom of Saudi Arabia; Tel: +966 11 834 3595 / +966 11 834 3596;

E-mail: motivate@motivate.ae

London: Acre House, 11/15 William Road, London NW1 3ER, UK; E-mail: motivateuk@motivate.ae

Editor’s Note

In this era of rapid technological advancement, the exchange of ideas has never been easier. Virtual reality, augmented reality and sophisticated design software have revolutionised how we conceive and build projects. However, the heart of collaboration lies in the human connection, in the exchange of ideas and expertise that transcends the digital realm.

As Dubai prepares to host yet another edition of Dubai Design Week, I find myself reflecting on the profound significance of this event and the pivotal role it plays in celebrating the spirit of collaboration in the A+D industry. Dubai Design Week is more than a gathering of talent; it is a convergence of minds, a celebration of creativity, and a testament to the power of collective innovation. Architects, designers, artisans and thought leaders from around the globe come together to share ideas, showcase their work and forge partnerships that have the potential to reshape our urban landscapes and redefine the way we experience spaces. So, for this edition of identity – the Collaborator’s Issue – it seemed opportune to talk to Mette Degn-Christensen, Director of Downtown Design, to find out more about the upcoming edition of the fair and what it entails.

Mette spoke at length about the fair’s various transformative points and how the upcoming edition was crafted based on the knowledge gained from going through case studies of its previous iterations. In recognition of the need for collaboration, this year’s agenda features some of the biggest names alongside some new entrants who are looking to forge partnerships in the region and make their mark. What makes these collaborations truly exceptional is their diversity and their promotion of regional talents. identity was able to secure an exclusive interview with Fatma Al Mahmoud, guest curator of the UAE Design Exhibition at Downtown Design 2023, ahead of the show to get a sneak peek at the local talents and their representation at the fair. The specific exhibition is one of many collectives to be featured at the fair, where a melting pot of styles, philosophies and approaches converges in a celebration of creative expression. It is this very diversity that propels the industry forward, challenging conventions and expanding the boundaries of what is possible.

Collaboration with communities, stakeholders and the environment itself is a moral necessity. A well-designed space is one that not only serves its inhabitants but harmonises with the surrounding ecosystem. In that spirit, this issue features some of the key projects in the region and across the globe that showcase the beauty and transformative power of designers coming together for a cause.

Here’s to keeping that collaborative spirit alive and to the boundless possibilities of design.

Suha Sabith Deputy Editor identity

On the cover Milla Novo’s rope works in pink metallic which will be featured as part of Dutch Design Collective at Downtown Design 2023

Your

New Destination for High-End Furniture

Abu Dhabi | Al Ain | Dubai | Sharjah | Fujairah | Ras Al Khaimah

New Joiner

Jake Chadwick joins Swiss Bureau Interior Design & Build

WORDS – SUHA SABITH

Jake Chadwick has joined Swiss Bureau Interior Design and Build (SBID) as its new Managing Director. With a rich career spanning multiple decades, Chadwick’s industry experience positions him to lead SBID into a new chapter.

Chadwick brings a blend of expertise gained across diverse fit-out domains. With notable roles in the UAE, such as Board Director at ISG and Construction Director at Faithful+Gould, his varied experience ranges from working on corporate offices to luxurious residential projects, immersive F&B experiences, museums, hotels, advanced R&D projects (including in biopharma and defence) and iconic mega-projects in Saudi Arabia. In line with the firm’s objectives, Chadwick’s vision for blending traditional craftsmanship with futuristic tech – such as AI – promises to steer the firm into an exciting and transformative phase.

“I am thrilled to join the Swiss Bureau family,” shares Chadwick. “My mission revolves around nurturing creativity, dynamic collaboration and operational excellence. Through cutting-edge technologies and synergistic partnerships, we are poised to deliver exceptional value to our clients. I envision SBID as a beacon of creative ingenuity, forging new thresholds for the industry. By harnessing our legacy, integrating with technology, and [with] a spirited growth mentality, we are primed for growth.” While it celebrates its 20-year heritage, SBID is also set to expand in the region thanks to its new leadership. “Jake’s appointment marks a game-changing juncture for SBID,” shares Joakim de Rham, CEO of the firm. “As we stand on the edge of a transformative period, I’m filled with anticipation and excitement for the unique approaches Jake will bring as a result of his successful past experiences. It’s a promising time for our team, partners and clients.”

Introducing the Samsa collection, designed by Maximilian Jencquel. Upholstery and pillows in Perennials fabrics I perennialsandsutherland.com

LUXURY PERFORMANCE FABRICS AND RUGS | PERENNIALSFABRICS.COM

Mumbai Studio | Villar Ville PJ Ramchandani Marg. Mumbai, Maharashtra | info@perennialsindia.com

Dubai Studio | Perennials FZ LLC, A503 Building 1A, Dubai Design District (D3), Dubai | mena@thespstudio.com

Marina Home expands with a new showroom in Abu Dhabi

Home fashion retail brand – Marina Home expands its operations in the Middle East with the launch of a new showroom in Abu Dhabi. Located at Reem Mall, the showroom spans over 24,000 sqft and promises a fantastic shopping experience for its customers. The new space features diverse collections of furniture & home décor. It is strategically located on level 1, overlooking the mall’s central atrium.

The carefully curated space is said to perfectly showcase the brand's versatile and stylish furniture and accessories. With an unwavering commitment to quality and innovation, the showroom inspires visitors experience the design nuances of its eclectic products. The showroom also debuts Café Marina Home, an F&B concept that’s positioned conveniently within the lifestyle segment with the intent to enhance the customers’ shopping experience by offering snacks, coffee and refreshing beverages. The ambiance of Café is accentuated

with stunning lighting and has a modern industrial loft design, which serves as a spot for shoppers to refresh and relax.

“We are delighted to unveil our remarkable showroom that emulates our consistent strive to move forward and innovate with new designs,” said Khurshid Vakil, Co-Founder and Co-Owner of Marina Home. “We firmly believe that premium home shopping should encompass an immersive and inspiring encounter, and our showroom aims to deliver precisely that. By welcoming Café Marina Home, we give our customers a place to replenish their spirits and savour every moment while exploring our collections.”

Conceived by Marina Home’s dedicated team of in-house visual merchandisers, the showroom effortlessly combines timeless elegance with modernity. The brand aspires to create a sanctuary of discovery, inviting customers to unearth unique products that elevate their living spaces.

Make it Three

Nulty announces new Singapore office

WORDS – SUHA SABITH

International lighting design studio Nulty has opened a new Singapore office in response to a recent influx of work across Southeast Asia. Nulty Singapore is the company’s sixth international studio and its third base in Asia following the launch of Bangkok in 2019 and Pune in 2022. The expansion comes off the back of several active years in the region, which have seen the team develop a growing pipeline of projects, including multiple high-end hotels and F&B outlets, a premier department store in Manila, and a private hospital in Bangkok.

The new studio will be led by Chloe Fung, a creative lighting design professional who as per the firm, has amassed valuable on-theground expertise working for lighting design practices in both Singapore and Hong Kong. Chloe will work in close partnership with Founder Paul Nulty, Managing Director Mark Vowles, and Director Simon Berry, an ex-resident who spent over ten years in Singapore leading the lighting design arm at global hospitality firm Hirsch Bedner Associates.

“Forward-thinking architecture and talented designers have always been intrinsic to Singapore, so it’s been in our sights for a while as we look to establish a creative base

across Asia,” said Paul Nulty in regards to the new branch. “The launch comes at a crucial time for us as a business, as the scale and complexity of our work in Asia continues to evolve. It will be a huge advantage to have a local office to complement our Bangkok outpost and we are delighted to have Chloe at the helm. She’ll work collaboratively with our 25-strong team of designers across Asia, building on the great results that our team has achieved so far.”

“I’m really excited to embark on this journey and bring the Nulty magic to a growing Asian market,” said Chloe Fung. “We want to create interesting projects where lighting design reaches beyond a pragmatic need by adding an emotional layer to the way that people experience a space. Singapore feels like the perfect location for a lighting consultancy that believes in an open-minded approach to design, because it has a global reputation for progressive architecture and design. We are thrilled to have a local studio to establish ourselves creatively and embrace the full potential of the region.” Founded in London over 12 years ago, Nulty has expanded over recent years to include studios in London, Dubai, Miami, Bangkok, and Pune.

Clockwise from top left – Paul Nulty, Simon Berry, Chloe Fung and Mark Vowles

One with Culture

Art D’Egypte by Culturvator has announced the dates and agenda of its largest edition

Launched by Nadine Abdel Ghaffar in 2021, ‘Forever Is Now’ is the only exhibition of contemporary art to take place at the 4,500-year-old UNESCO World Heritage site of the Pyramids of Giza and its surrounding plateau in Egypt. The exhibition aims to bring together artists from around world to reflect on the enduring legacy of one of humanity’s most compelling and mysterious structures. Through the lens of these artists’ interests and practices, ‘Forever is Now’ aims to trace the continuity of themes that stretch from our ancient past to present day whilst paying homage to the ingenuity and reflections of human civilisation and art.

The theme of this year’s edition is centred around the concept of ‘play’ and will see the Giza Plateau transformed into a space of serendipity, chance and experimentation featuring

interactive sculptural artworks. “This year will be our most ambitious yet, with 14 participating artists – the biggest programme we will have staged to-date,” said Abdel Ghaffar, who is also Founder and Curator of Art D’Egypte by Culturvator. “The forthcoming edition, like previous iterations, will aim to continue to create unexpected and energising dialogues between humanity’s ancient past and its contemporary present – ultimately demonstrating the enduring influence of ancient Egypt’s cultural heritage and its ongoing ability to inspire both the artistic and public imagination in novel ways.”

Some of the highlights of the programme include Arne Quinze’s circular ‘Lupine’ sculpture, Dionysios’s geometrical installation, Carole Feuerman’s hyperrealist sculpture, Rashid Al Khalifa’s fragments of a labyrinth and Pilar Zeta’s limestone portal.

COMPLETE LIST OF PARTICIPANTS:

Arne Quinze (Belgium)

Artur Lescher (Brazil)

Azza Al Qubaisi (UAE)

Carole Feuerman (USA)

Dionysios (Greece)

JR (France)

Mohamed Banawy (Egypt)

Pilar Zeta (Argentina)

Rashid Al Khalifa (Bahrain)

Rashed Al Shashai (Saudi Arabia)

Sabine Marcelis (The Netherlands)

Sam Shendi (Egypt & UK)

Stephan Breuer (France)

WORDS – SUHA SABITH

Le Chic Collection. Veined Patterns.Reborn.

#SilestoneLeChic

The Circle of Harmony

Marcantonio and Marcel Wanders studio envision a new sustainable collection for Natuzzi Italia

Italian design brand Natuzzi Italia recently presented its new collection, The Circle of Harmony – Second Life, which under the creative direction of Pasquale Junior Natuzzi featured specialised creations by Italian art designer Marcantonio and Marcel Wanders studio in the Netherlands. The flagship store on Milan’s via Durini was completely renovated by Fabio Novembre and his studio by means of an architectural project celebrating the culture and ambience of Puglia. The store will serve as a setting where visitors can discover new products, as well as a special selection of the brand's iconic pieces in new versions, enriched by the new eco-fibre collection of upholstery, which is 100% sustainable.

The Circle of Harmony – Second Life

Second Life is the new concept collection within The Circle of Harmony, the project born in 2019 to establish an ideal space for accommodating various creative interpretations of Natuzzi Italia’s DNA. The Circle of Harmony –Second Life thus represents a third chapter in this narrative, a reflection regarding a theme with serious modern-day implications: how to orient the production of furnishings toward a level of sustainability which is consistently more coherent and definitive.

“Second Life is the concept of the newest collection, a notion guiding the hand of the designers we’ve collaborated with – which embraces our skilful artisans and is so universal that it ideally accommodates everybody,” explains Pasquale Junior Natuzzi, creative director of the company. “The goal is to bring life to a more informed design and production process, creating a timeless beauty capable of crossing time itself. A collection of targeted pieces designed to last a lifetime, with the green idea of reducing pollution, creating materials that get to live an invaluable second life: recycled,

reused, rethought; objects where functionality and aesthetics coexist in perfect balance. To live a second life in harmony, at last.”

Marcantonio – Terra pouf

Marcantonio, in his second collaboration with Natuzzi Italia, was challenged with designing a pouf: a statement piece representing the synthesis of the new Natuzzi Italia design philosophy ushered in by Second Life and based on the need to reconsider the world of furniture with greater awareness, taking into account the materials, the process and the context.

The result is Terra (Earth), a project designed to have zero environmental impact. It features a chamfered form, rounded lines and a softness evoking the shapes of an olive on the red soil of Puglia. The ends of the seat and the backrest are connected by light straps which create an unanticipated circularity and underpin the entire project.

“The name derives from the fact that it is a pouf inspired by the earth and for the earth,” says Marcantonio. “Terra lies on the floor, simply in contact with the ground, without structures. With its armrests it recalls a hug to our planet, and to the right causes to defend it.

Terra also because Natuzzi made me experience the heritage of his land, Puglia, from whose simplicity and naturalness this project was born.”

Marcel Wanders Studio –Adam collection

Marcel Wanders studio, for its fourth collaboration with Natuzzi Italia, presented a collection with a focus represented by the Adam sofa, born from the desire to integrate sustainable materials with a timeless design inspired by Puglia – the region representing the brand's roots and symbolising the Mediterranean lifestyle that the brand reflects worldwide.

The name Adam is an explicit reference to the archetype’s central idea: an example of a new approach to style and comfort for Natuzzi Italia. “Form always only follows!!” affirms Marcel Wanders. And Gabriele Chiave continues: “We designed this collection to not only reflect the Puglia region’s natural elements and rich artisanal history, but to give the Natuzzi sofa a second life.”

The wooden base gives the sofa a natural, handcrafted appearance, while the large seat and backrest cushions, with their soft, rounded lines, are upholstered with Ecolympha by Olmo, a polyurethane made up exclusively of natural and biocompatible materials. Comfort is expanded by a series of manual mechanisms which make it possible to adjust the position and angle of the armrests and the headrest.

Afirst for Saudi Arabia, Al Mamlaka Social Dining is a food and dining hall in the heart of Riyadh’s iconic Kingdom Centre. A luxurious and elegant take on a traditional market hall, the carefully curated destination encompasses luxury and showcases stunning views of its locale. With features ranging from open kitchens to extravagant displays and entertainment dining, the hall enables visitors to enjoy various activities throughout. Al Mamlaka Social Dining was heavily inspired by Saudi hospitality, infusing concepts from the Kingdom and the region in a celebration of provenance that engages local talent.

TGP International took an elegant approach to reinterpreting the traditional market hall, and Al Mamlaka Social Dining demonstrates the agency’s sophisticated approach to design. The colour palette of natural tones is beautifully contrasted with green biophilic elements to create an immersive experience. The rustic aesthetics of the space are an ode to tradition, while the open plan allows for easy movement and unrestricted views of the hall’s layout.

First of its Kind

Al Mamlaka

Social Dining by TGP International

WORDS – SUHA SABITH

Showcasing Heritage

Nomad Journey is a creative collaboration between Kristina Zanic Consultants and BSH Walls & Floors

Nomad Journey is a new rug collection, crafted by Kristina Zanic Consultants’ team in Riyadh, in close collaboration with specialist carpet weavers BSH Walls & Floors. The collection comprises five different designs, drawing inspiration from a traveller’s voyage through the various regions of Saudi Arabia and aiming to capture the resulting diverse experiences.

Kristina Zanic Consultants’ KSA team members – Amani Al Ibrahim and Noura Al Kanhal – worked closely with the BSH team to create a contemporary collection that exudes a distinctly Saudi identity.

“While outsiders often associate Saudi Arabia with exotic deserts or towering skyscrapers, we wanted to convey the promise of discovery within the country, and to showcase the rich diversity in regional landscapes, architecture and art,” said Al Ibrahim.

The designs capture the unique essence of the Najd, Aseer, Ahsa and Western provinces, artfully weaving their distinctive characteristics into the fabric of each rug through an interplay of patterns, colours and textures.

The rugs measure 140cm by 200cm and are made from 100% hand-tufted New Zealand wool, carved at varying heights to create

a luxurious textured finish. The process from initial concept to final product involved multiple iterations, ensuring the realisation of the desired outcome.

The central Najd region is represented through two rugs. SALWA depicts its organic building forms, geometric patterns and mud and plaster hues and textures, while EBIAH highlights the geometric style of traditional Sadu weaving. Meanwhile, the colourful geometric borders of murals and frescoes often seen in the southern Aseer region are conveyed through NAQSH.

The representation of traditional clothing also comes into play, with BISHT inspired by the warm hues and embroidery of the Saudi cloak worn by men in the eastern Al Ahsa region. Finally, AL-ROSHIN showcases the western region’s mashrabiya, which are traditional architectural elements in the form of cantilevered bay windows enclosed in wooded latticework.

Originally designed for display at the INDEX Saudi Arabia trade show, the collection received massive positive response and is now available for order through BSH, with the added flexibility of customisable sizes. The collection allows enthusiasts of Saudi heritage to bring an element of the culture with a contemporary interpretation into their own spaces.

WORDS – SUHA SABITH

LIVE EKSTRAORDINÆR

The Third Edition

Noor Riyadh 2023 announces dates and themes for its third edition

WORDS – SUHA SABITH

Noor Riyadh, the light art festival conducted in KSA, is set to return for its third edition in Riyadh. The festival will run from 30 November to 16 December, and the exhibition from 30 November 2023 to 2 March 2024.

The citywide festival will illuminate the city with large-scale light art installations, building projections, performances and more. Artworks will be displayed in public spaces across five hubs.

Led by Jérôme Sans, the team of curators includes Pedro Alonzo, Alaa Tarabzouni and Fahad bin Naif. Sans is the co-founder of Paris’ Palais de Tokyo, and has enjoyed a glittering career as curator of major biennials around the world and artistic director of prestigious institutions in Europe, Asia and Latin America. Boston-based Alonzo is currently adjunct curator at Dallas Contemporary in Texas and specialises in shows that go beyond museum walls. Riyadh-based Tarabzouni and bin Naif are both artists and curators, with individual practices that utilise their architectural backgrounds to bring unique perspectives on urbanism and the built environment.

The festival’s theme was announced as ‘The Bright Side of the Desert Moon’ and is said to feature more than 120 artworks by approximately 100 artists, 35 of whom are from Saudi Arabia. The artists are said to come from more than 35 countries.

The festival’s exhibition, ‘Refracting Identities, Shared Futures’, will be held at the JAX District. Neville Wakefield – formerly of MoMA PS1, Frieze Projects and Desert X – returns to lead the curation of the show alongside Maya Al-Athel, who served as artistic director of the festival in 2022.

Noor Riyadh 2023 will also feature over 500 community engagement programmes for visitors and families alike, which will run throughout the duration of the festival and the exhibition. “Under the guidance of His Royal Highness the Crown Prince and Prime Minister, our dedication to culture and the arts has opened doors for creative expression,” said His Highness Prince Badr bin Abdullah bin Farhan Al Saud, Minister of Culture, Board Member of the Royal Commission for Riyadh City, and Chairman of the Steering Committee for the Riyadh Art Program. “The participation of renowned global light artists in Noor Riyadh echoes our united vision. As we approach our third edition, we look forward to continuing Riyadh Art’s mission to turn the city into a dazzling gallery without walls, and to ensure that art is for everyone."

Developed with the aim of nurturing local talent and amplifying Saudi Arabia’s cultural economy, Noor Riyadh is part of Riyadh Art, one of the largest public art initiatives in the world. Riyadh Art’s aim to transform the Saudi capital will involve more than 1,000 public art installations, to be spread out across the city through 10 programmes and two annual events. In 2022, Noor Riyadh celebrated multiple achievements, including welcoming 2.8 million visitors to the festival and winning six Guinness World Records, one being for the largest celebration of light art in the world.

Interior Design Designer Profiled

Nikki Bisiker, founder and principal at Nikki Bisiker

WORDS – SUHA SABITH

family, kind, open to all suggestions and happy to welcome me into their homes. It was an enlightening experience of the culture here, the warm hospitality and their confidence in me as my first client.

How has the company expanded over the years and in which countries have you designed for clients?

Well, I started working for a couple of years on my own –but as more business was taken on, I decided I needed a gofer, then an accountant and then other designers. As time moved on further, I employed more people including architects, procurement and logistics [specialists] and a project manager, and fitted out a new office in the heart of Tecom. After Covid, we moved offices a little farther out – but surrounded by flowers and trees, so the working environment took on a more creative tone. We have expanded, doing work overseas, including in London, Cannes and Courchevel in France, Italy – and now Saudi Arabia. We will maintain our key HQ here in Dubai but will always seek to explore opportunities both here in UAE and internationally.

What has been your stand-out project from the last year, and what makes it unique? What were the challenges you faced and the unique methods you used?

How long have you been a designer?

I have been working in the design industry for 40 years, in various different capacities and in different countries, but I started the design studio in the UAE in 2005.

What prompted the launch of Nikki Bisiker

Interior Design?

I moved from Monaco to Dubai in 2004, so wanted to set up the company here in at that time and experience the wonderful creative cosmopolitan environment that the UAE brings. A diverse culture leads to many different design directions, and from this the nature of my business was born – in that we offered an individual and unique approach to every project, rather than one look of the brand.

My first client was someone who I met in a shop looking for fabrics – she approached me and asked me for my name and card. It was a very special

Project one was a new build, which we worked on for two years before completion on December 24th and handover. It was unique, as it was created with a very detailed brief of requirements that we turned into a striking home brimming with personality. There was attention to detail on a large scale – from floor design to door handles and trims, joinery, custom lighting and rugs, and handpicked furniture and artefacts from around the world. Each room was individually styled and fulfilled every entertainment need in terms of leisure, sport, activities and socialising, which the client enjoys. It was born during Covid, the idea being to provide a sanctuary of containment. The windows stand out: [they were] brought in from Switzerland and the outside is a green landscaped haven – with the cherry on the top being the cascading waterfalls from the roof to the pool. For the second project, we were asked to start working on a historical Tuscan villa set on the hillside overlooking the famed coastline. The villa was previously owned by Napoleon’s sister Pauline. It was a very intriguing, exciting and stimulating process researching the rich history of the villa, the first owner, the surrounding environment of the Tuscany, the architecture, landscape and historical design references – which led to a medley of ideas for the restoration of the building [and to meet] the needs of the current owner. The third project, EL&N Yas Bay in Abu Dhabi, is one of our favourite hospitality projects as it allows us to explore creativity in a Barbie World! Once again, we explored the region as we wanted to incorporate historical references of Abu Dhabi [as well as] the current nature, flora and fauna, the sea world and the desert dunes, to bring about an installation that reflected its environment. [It features] pearls, shimmers, corals, walkways simulating the mango groves, a

Nikki Bisiker

traditional arabesque feature area, and curved lines like the desert dunes. It was a fun and unique project and has been classed as ‘the dreamiest one yet’ from the ever-growing brand.

What are your goals for the coming year?

To take on stimulating projects with a good client base, both in the UAE and overseas. Expanding the furniture brand. Educating and exploring all new design trends and products and creating our own. [To] continue to support, maintain and add to the existing nurturing work environment. [To] be happy, be successful and to maintain all our relationships with existing clients, suppliers and contractors, whom we highly value as part of our support team.

What are your expansion plans?

As above; goals work in tandem with expansion as every day is a development and a growth. However, I would like to maintain a boutique environment that can pay all the attention to the clients and projects that each one deserves.

Can you tell us a bit about your current projects and future projects?

We are working on several renovations in Dubai in prime residential areas. Forthcoming projects include one in Jeddah which is a new build, a small villa resort – so [we are] crossing into hospitality again. We are working on a ski chalet in Courchevel, ready for the winter season, and a south of France property [which should be] ready for the summer season 2024. There are other new builds and renovations in the pipeline which I can’t disclose at the moment –you have to watch this space!

What does your ideal day look like?

A walk in the parks amongst the trees and flowers and birds with a small dog called Kiki; a morning Pilates class or gym class; a team meeting at work so we can be fully organised throughout the day and [meet] our goals and targets; a team meeting to discuss specific projects. [During my] ideal day [this] would be the initial brainstorming creative part of the project, always a stimulating and energising period. (Other days we are following through [by] detailing, drawing, costing, managing projects to their fruition.) Then site meetings once a week to follow up with the Project Managers’ daily visits and seeing progress within the right timeframes without any issues – remember this is an ideal day! Next, a client meeting that is informative, entertaining and a pleasure to be involved in; taking on a new project; completing and handing over a project; setting a company goal and achieving it; writing an article!; seeing the team laughing and smiling at work whilst focusing and concentrating and producing fabulous results – team spirit at its best; finding a new product, discovering a new idea, reading a thought-provoking article; visiting the furniture factory to see a creation come to life, [creating an] initial mock up and developing of that piece; finishing the day with a tango lesson or a swim; cooking dinner using a completely new recipe or inventing one; and eating with friends or family.

“We have expanded, doing work overseas, including in London, Cannes and Courchevel in France, Italy – and now Saudi Arabia” – Nikki Bisiker

Secrets of a Well-Designed Kitchen

Marco Tedeschi, CEO & Design Director of Smart Renovation talks about the ways to style up your cooking space

Often, when people decide to renovate their kitchen, they think it’s as simple as selecting new cabinets and appliances. However, as Dubai’s leading fit out company, we know that creating a welldesigned kitchen is a process that requires an expert’s touch. To help you on your way, we’ve put together some of our top renovation tips:

Consider the entire room

Just like when you’re renovating any room in your house, it’s important to consider the room as a whole concept. Although the cabinets and appliances might be the obvious place to start, it’s important that you take note of flooring, lighting, the backsplash and countertops. Striking a balance between a good looking and practical kitchen comes down to creating synergy with each element.

The style of the kitchen

When it comes to food, we’re all different. While some love to flex their culinary flair, others prefer to leave dinner in the capable hands of a maid or handy mobile app. That’s why it’s important to consider your eating habits when creating your kitchen. Instead of visiting a showroom, we recommend working with an interior designer who will get to know your family’s needs before designing the space.

Create a seamless flow

Engineering a sense of cohesion with the rest of your home helps in giving your kitchen wowfactor. There are many ways to create a flow in the kitchen. We always advise people to look at the layout of their home and decide whether there is a better placement for the kitchen. It’s also important to stick within the style that runs throughout, a modern kitchen will look out of place in an older style property. And if you’ve got an open plan living space, we recommend avoiding bulky wall mounted cabinets that will distract from the room.

Make it ergonomic

When you’re in the flow state of cooking a big meal, you want your kitchen to work for you. At Smart Renovation we’re all about ergonomic design. A well-designed kitchen is achieved by noticing the small details. For example, having a touch to open a cabinet with all your spices beside the stove is going to make cooking a more seamless experience.

WORDS – MARCO TEDESCHI

Five tips for designing an open-plan kitchen

1. Avoid wall cabinets: They only work in a closed kitchen where that is the focus of the room. In an open plan living area, use low or full cabinets for less visual obstructions. We like to use low cabinets that are not mounted onto the wall, so that there’s a visual flow through the space without obstructions.

2. Think about the space: Design in synergy with the rest of the living area. Follow the style of the furniture and the feel you’ve created in the rest of the room.

3. Consider a place to gather: When planning your kitchen design, don’t forget this space will likely become a communal hub for your family. Create an island or peninsula counter that allows people to sit, eat and gather.

4. Lighting is key: Make sure the light hits where you need to see – for example, on the countertops, island, and hob. Heavy pendant lighting can get in the way or break the flow, so be careful of picking something OTT.

5. Say ‘NO’ to extractor fans: Don’t put in a big and expensive extractor fan. Get an inbuilt ventilation system on the ceiling. It doesn’t cost much and will keep the space looking sleek. smartrenovation.ae

Victory Heights

La Vie en Rose

Take Two

WORDS – SUHA SABITH

Duo Gastrobar by Bishop Design was designed to create a warm and inviting atmosphere

At the helm of Duo Gastrobar are culinary virtuosos Dmitry Blinov and Renat Malikov, the maestros behind DUO Band. As they move from the streets of St. Petersburg to sought-after developing neighbourhoods in Dubai, this marks the premiere of their international foray, beyond Russia. For the pair’s first venue to cross international waters, Bishop Design embraced the opportunity to craft something exceptional. In harmony with the brand’s manifesto – ‘sincere interest in every guest’ – the design serves to shape a welcoming haven that genuinely cares for its patrons. The design philosophy champions timelessness, forging an ambience of elegance, warmth and accessibility, and fostering a space where all relish true comfort and sheer enjoyment. Radiating innate beauty and minimalistic finesse, and accompanied by delectable cuisine, Duo Gastrobar honours the brand's evolution while celebrating its bond with the local populace. The essence of DUO's vision finds life in design elements that boast fluid lines, layered arches and textured renders. These flourishes, set against a bright and refined backdrop, conjure an inviting and intimate milieu, where guests can immerse themselves in the culinary symphony, vibrant energy and unique charm.

Carefully selected materials, particularly the interplay of timber components and organic textures, pay homage to the authenticity inherent in each dish and exhibit meticulous craftsmanship. This harmonious blend creates an environment that is not only Instagram-worthy but where every corner resonates with authenticity.

A diverse array of tables and seating options mirrors the extensive menu choices, which cater to a wide range of customers. Touches of greenery enhance the relaxed and inviting ambience, while a warm and natural colour palette, accented with shades of blue, infuses the space with a distinctive personality that appeals to all food enthusiasts.

In the open kitchen, culinary mastery takes centre stage, unmasking the fervour and finesse of every chef while also proudly showcasing the freshness and local sourcing of their produce.

Duo Gastrobar emerges as the bridge uniting high-end restaurants and casual cafés, offering a

space that exudes style, modernity and professionalism, all while maintaining affordability. This establishment embodies an unwaveringly honest and sincere ethos, ensuring that each guest is held in equal regard, be they a seasoned professional or a student having lunch. Conceived through a democratic collaboration of skilled professionals in their respective fields, this venue proudly showcases a dynamic and contemporary culinary selection, masterfully crafted by well-established chefs. Paired with toptier service and a deep comprehension of the art of dining, Duo Gastrobar stands as a beacon of exceptional hospitality. Bishop Design sought to elevate the customer experience through an organic design that gives rise to a novel destination – creating an authentic and unparalleled haven that resonates with genuine affection. Duo Gastrobar is the place where it all comes together.

Redefining Luxury

Piedra Villa was designed by ELE Interior Design in collaboration with Cherwell Interiors as a luxurious minimalist home

WORDS – SUHA SABITH PHOTOGRAPHY – AASIYA JAGADEESH

Piedra Villa, located in the District One community of Mohammed Bin Rashid Al Maktoum City in Dubai, was designed by ELE interior Design as an embodiment of sophistication and luxury. The designers crafted this luxury villa in collaboration with Cherwell Interiors to emulate a modern contemporary concept while preserving its neoclassical originality. The design of Piedra Villa is amplified by its surrounding lush greenery and serene lagoons. The two studios approached the design concept in a systematic way, ensuring that both teams acted in a coordinated way to review, select and supervise the transformation of the space in line with the client’s desired aesthetics.

The villa’s design creates a hotel-inspired minimalist home. Set in a neutral colour palate

with blue highlights, the villa emulates grace and elegance, accentuated by art and nuanced architectural details. Minimalistic furnishings in the space are beautifully contrasted with a meticulous selection of natural stones in dark and light tones. The expansive front door in a natural wood finish leads the way through a stellar foyer that is adorned with floor-toceiling mirrors. A custom-made stone bench alongside the statement olive tree graces the lobby, as do hand-picked signature artefacts. This ensemble is set amidst minimalistic lighting fixtures and Italian furniture, creating a design focus point.

The architectural features of the gracious double-height staircase are decked with bevelled, tinted mirrors and stucco cladding, and integrated LED lighting, to enhance their visual value. A fully equipped kitchen with a picturesque landscape filled with palm trees, flowering shrubs and serene lawns parallels a lavish boutique hotel. Five spacious bedrooms occupy the first floor of the villa, with individual ensuite bathrooms.

Another unique feature of Piedra Villa is the seamless connectivity throughout the space, which has been achieved by designing

harmonious circulation from the living area to formal seating and dining rooms.

The villa also features a range of unique natural materials, including Bianco Gaia and Volokas marble stone cladding and solid wood flooring. In coherence with the natural materials, white linen textured wall panels and wallpapers and champagne and brass finish accents add to the aesthetics, contrasting with exotic dark marble finishes, upscale Italian furniture and custom furnishings. ELE Interior Design’s hand-picked statement pieces from brands like Minotti, Visionnaire and Flos lighting, along with custom artefacts, add a sophisticated look and feel to the space.

Set in a neutral colour palate with blue highlights, the villa emulates grace and elegance, accentuated by art and nuanced architectural details.

A Constellation of Distinction

Imagine a vision brought to life through different sparks of light to form a beautiful constellation that shines around you, with you in mind. A constellation where every detail is handcrafted with each stroke, creating a variety of decors that grace your homes.

Signature Living by Majid Al Futtaim

Inspired by Mediterranean Landscapes

Charlie & Friends by XO Atelier is a contemporary haven

WORDS – SUHA SABITH

XO Atelier, a trailblazer in innovative interior design, created the interiors of Charlie & Friends as an enchanting Mediterranean-inspired eatery and bakery – a moment of sun-lit reprieve within Dubai’s dynamic pace. Nestled in the heart of the vibrant JBR area, Charlie & Friends emerges as a dazzling gem in XO Atelier’s extensive portfolio – which includes renowned hospitality spaces The Grey, Society and Toplum – underscoring the studio’s unyielding commitment to reshaping luxury and elegance in the realm of cafe and restaurant design.

Capturing the essence of the Mediterranean while redefining contemporary dining aesthetics, the interior showcases exclusive artwork by acclaimed Lebanese artist Tamer Kamerji, weaving together elements of culture and artistry that resonate with patrons. Aiming to transcend conventional dining norms, XO Atelier ingeniously brought together casual elegance with meticulous craftsmanship and visionary creativity, bringing to life the unparalleled atmosphere of Charlie & Friends.

Charlie & Friends is a retreat set against the picturesque backdrop of JBR beach life. The design philosophy draws inspiration from the colours of sunsets and infuses bespoke elements such as custom-made terrazzo. The centrepiece of Charlie & Friends’ design narrative is the ingenious use of hand-developed

ombre lava stone, skilfully juxtaposed with dappled lighting that casts an inviting glow, reminiscent of the sun-kissed Mediterranean coastline.

“I aimed to craft a contemporary design vocabulary that pays homage to Mediterranean architectural traditions,” said Vera Dieckmann, Founder and Creative Director of XO Atelier. “Through the integration of refined forms, gentle palettes and soft lighting, we’ve established an ambiance that transports guests to the leisurely lifestyle found during trips to the Mediterranean.” Taking a multifaceted approach, XO Atelier collaborated closely with international client Sassy Group, an F&B operator with an impressive footprint in Slovakia. This collaboration resulted in an interior design that harmoniously merges contemporary aesthetics with classic elements of Mediterranean architecture. Vera infused the space with her distinctive design language, a seamless fusion of new materials, a soft colour palette and inviting lighting. This collective effort has given rise to an atmosphere that evokes the tranquillity and charm of destinations like Italy and Spain.

Central to the project was the careful orchestration of lighting elements. Collaborating with Nemo Lighting and incorporating bespoke wicker lights from Indonesia, XO Atelier was able to capture the essence of the Mediterranean light. This artful illumination weaves seamlessly throughout the space, embracing patrons with its serene curves and soothing luminosity. “I like places to be functional, uncluttered and sleek,” says Dieckmann, reflecting on the growing demand for a new design standard. “My clients now want something functional and streamlined,” she continues. “But, with sustainable materials, a timeless approach and really beautiful materials that are luxurious without being gauche.” To further amplify the ambiance, XO Atelier collaborated with prestigious brands such as Billiani of Italy and Kvadrat of Denmark. By integrating Nordica chairs from Billiani and Osaka chairs from Pedrali, upholstered with hand-selected Kvadrat fabrics, the design harmoniously envelops visitors in comfort and style. The bespoke, locally manufactured benches and customcrafted communal tables provide an organic cohesion that complements the overarching aesthetic.

In its pursuit of modernity and purity, XO Atelier’s Charlie & Friends presents an unparalleled example of innovative interior design. This latest endeavour further solidifies the studio’s commitment to transforming spaces into captivating experiences that transcend conventional boundaries.

TECHNICAL SHEET

Fit-out contractor: Emkay Interior Design

Lighting supplier: Nemo Lighting

Furniture: Billiani and Pedrali

Fabric: Kvadrat textiles

Bespoke tiles: Lava stone from Indonesia

Surface texture and flooring: Colortek

A Decade of Design Excellence

What does the upcoming edition of the fair hold for visitors?

The Downtown Design 2023 fair is a special milestone edition as we celebrate our 10th edition. A decade acting as an active catalyst for design, forging meaningful connections across the industry and creative community, with a focus on quality, contemporary design and fostering opportunity.

The 2023 fair will bring together a roster of some of the world's most known and established names alongside innovative design studios and craftsmen, making their debuts in the region, providing visitors with a diverse and inspiring array of design from around the world. With fresh design revelations, spotlighting regional talent, showcasing international collectives and independent designers and small studios from all corners of the globe making their debut to this region. Complimented by a strong line-up of creative features and pop-up exhibitions, events and activities and a star-studded talks programme to mark the anniversary, this year promises to be exceptional.

What is the central theme of the fair this year? How have brands adapted to the theme or working with it?

This year, for the 10th edition, we are introducing a thematic experience that pays tribute to the beauty and necessity of our natural surroundings, bringing elements from the outdoors indoor through the fair’s uniquely devised visitor flow that weaves references from nature through displays of various regional and international participants. The

theme focuses on the principle natural elements such as the sea, sky, earth, and lush abundant landscapes in the public spaces of the fair. The Veuve Clicquot Lounge uses the sea as its central design concept and features a pop-up oyster bar on the terrace. The Forum iterates a cloudscape concept that looks up to the skies. Designed by Fadi Saridienne, the Café by 1Life, looks towards the earth for inspiration with its soil and plantation.

With this narrative running through the 10th edition of the fair, Downtown Design aims to generate dialogue and emphasize how natural materials and the great outdoors, can be ever-present and an integral part of our lives, both for the betterment of the planet and for our everyday wellbeing. Upon entry into the fair, visitors will be met with diverse showcases. One of the first showcases

WORDS – SUHA SABITH

We spoke to Mette Degn-Christensen, Director of Downtown Design, to get a glimpse into the milestone edition and what to expect from the fair

This page (from top) –Handmade felt rug and Honarvar Sculptural Side table presented By Aassttiinn.com; Designed in Saudi: Albara Osama Saimaldahar developed the concept of Qaws; Opposite page – Solid Wood Mirror by Sahar Bizri for FAME

is from Cosentino. A sense of serenity is evoked with the brand’s roman bath concept realized by designer – Kristina Zanic and her team. The concept was created with Dekton Pietra Kode, a carbon neutral collection designed for Cosentino by Daniel Germani, and seamlessly features steps, pillars, flooring and pool in a harmonious composition – to the central fair area featuring outdoor concepts by Flexform, Ethimo, Jwana Hamdan and Grassitup.

Who are some of the new and exciting entrants this year at the fair?

We have an array of globally renowned brands joining us this year such as Dedar, Flexform, Kartell and MillerKnoll, and Apparatus, who I am personally a fan of. Another new key exhibit we are excited to share is F.A.M.E Collective (Female Artist of the Middle East), who will be presenting limited edition works by artists such as Carla Baz, Naqsh Collective, Karina Sukar and Talin Hazbar.

The Bowery Company is making their debut with a selection of Danish brands such as Audo Copenhagen, Ferm Living, Norr11, 101 Copenhagen and a Dutch brand – FEST Amsterdam, whose founder – Femke Furnee, started the company at the age of 27 when she couldn’t access the type of furniture she would like at a price point she could afford. Furnee will be attending the fair and will participate in a panel discussion around accessibility and manufacturing collections, also touching on the topic of building a brand that breaks boundaries. The fair’s dedicated section for collectives, individual designers and studios, titled – Downtown Editions, is back this year introducing creatives from all corners of the world. The lineup this year includes Edward Linacre (Australia), Akar de Nissim (Singapore), Fadi Saridienne (Dubai-based) and Don Tanani (Egypt). We have a lot of collectives and collaborative showcases this year, which is very exciting and will really provide an an intro and for the industry and public visitors. One of the examples is ‘Anatolia’, a collective exhibition of contemporary design talent from Turkey, reflecting the region’s unique mix of ancient and modern influences staged by the curatorial team of Isola Design. Another example is a showcase of Dutch design talent, curated by Margriet Vollenberg, which will feature a line-up of limited-edition and handmade works by creatives from the Netherlands.

How was sustainability integrated within the fair? Any key brands working on the same with Dubai Design Week?

We have already implemented a number of sustainable initiatives such as not using singleuse materials, using only existing infrastructures to build, recycling all its own waste, implementing solar energy to generate power and has gone digital with fair collateral, including invitations and catalogues.

Downtown Design showcases several brands and design studios who are at the forefront of innovation and exploration of the usage of circular economy materials and manufacturing. Through a series of talks and panel discussions, hosted at The Forum in Downtown Design, the fair provides a dynamic stage for interaction and dialogue around sustainability and ethical practices in the design industry. Featuring leaders from international and regional design scene, the opening keynote will be given this year by Lidewij Edelkoort – who is a renowned profile in the industry when we talk about sustainable practises.

Highlighting great creative talent from the region and beyond, Dubai Design Week provides a platform for both emerging and established designers, architects, educators, companies and all creative practitioners alike and this year’s programme will feature large-scale outdoor installations with a focus on how design, science and technology can converge to reclaim materials of our past, as well as reimagine new forms that foster sustainable practices. Visitors can explore immersive public

“Connection is at the heart of everything we do.” – Mette Degn-Christensen

Mette Degn-Christensen

interventions made from materials such as loofah and sugar and repurposed bamboo, with large-scale 3D printed architecture installation at the forefront.

The Abwab commission returns this year and will explore the use of palm tree stands as a prime example of a sustainable resource in architecture, while Urban Commissions will highlight the UAE’s design-conscious urban development goals with this year’s winning project which utilises recycled bio -plastic derived from renewable resources. Both projects will be staged and unveiled at Dubai Design Week in d3 in November.

Which countries have the highest number of participants joining the fair? Has it changed from last year?

The largest representation in origins of exhibiting companies remain from the UAE, Italy and Spain – what has really changed in comparison to last year is a variety of new countries that have been underrepresented in the past, e.g. The Netherlands, Colombia, Denmark, Singapore, Australia, South Korea and Taiwan.

Which brands have returned to the fair? And how are they working with the fair to implement a unique outlook?

Returning exhibitors include; Huda Lighting, who has a whole section (350 sqm) in the fair this year, where they are showcasing Lodes, Italamp, Bomma, Masiero, Slamp, Panzeri and Penta Light – all really great brands. Kohler will launch a new product presented in a design concept by Nada Debs. Cc-tapis, Jaipur Rugs, Illulian, Poltrona Frau and Cassina are back with standalone showcases. Some of the other brands include – La Nena Home, Lasvit, THG Paris, Ethimo, Jwana Hamdan together with Purity and Serip, MODU, spearheaded by Omar Al Gurg. Sharjah-based 1971 – Design Space, are this presenting this year, an experiential installation by the talented Neda Salmanpour.

Binchy & Binchy are back this year with Innofab45 this time, presenting innovative pieces using 3D printing technologies and materials. Eatablished Lebanese (UAE-based) designer Fadi Sarieddine Design Studio will launch a limited edition collection composed of pieces carved from stone and wood – it has been a few years since Fadi was present in the fair so we are thrilled to have him back onboard, and Douxteel from Taiwan who also exhibited preCOVID, are now back for their second edition.

What can we expect from Design Talks? Will there be any specific section dedicated to COP28?

The Forum will be designed by Intercon (spearheaded by Mohammed Adib) and will, as in recent years, be very much in a modular format and

provide an intimate setting that promotes dialogue between speakers and participants, to really provide a platform for active discussion for the industry and the community.

We have a very strong line up of prominent profiles from the region and the international creative stage joining this year, marking our 10th edition.

Any specific regional programs for students or local talents?

This year a roster of designers from the UAE are participating with fascinating and innovative projects. The specific collective titled – UAE Designer Exhibition will present works by over 25 UAE-based creatives, themed around the future of living spaces, and with a focus on materiality and social impact.

Regional highlights include an experiential installation by the talented Neda Salmanpour, presented by Sharjah-based 1971 – Design Space. Renowned designer Fadi Sarieddine Design Studio will launch a limited-edition collection composed of pieces carved from stone and wood. Local design incubator, Tashkeel, will unveil the culmination of the 2023 Tanween Programme cohort, continuing the focus on sustainability and addressing the fundamental challenges facing the world today. The event lineup includes Wafa Al Falahi, Marwa Abdelrahim, Maryam Elattar & Mohamed Elnaggar and Chinara Tashmatova. Throughout the Dubai Design Week exhibitions and installations visitors can explore projects by prominent names such as Abdalla Almulla (MULA Studio), who was awarded the Arab Design Award by the Institut du Monde Arabe in Paris earlier this month (September) in the Emerging Talent category. Waiwai – the firm that represented the UAE at the Venice Architecture Biennale will also be featured at the event alongside budding creative talent such as artist & Designer, Areen Hassan, who engages with Islamic art as part of her practice, and architect AlZaina Lootah, one of the strong emerging UAE talent to watch.

Which sectors (hospitality/retails/residential) do you see massive interest from the participants side?

Connection is at the heart of everything we do; tethering design professionals with commercial opportunities in a sought-after and fast-growing market. We have seen from the B2B visitors of Downtown Design, as well as the Trade/Connect programme participants (Downtown Design’s bespoke trade programme) – a strong engagement across all three sectors: hospitality, retail, as well as residential. However, the recent boom in the region has resulted in a heightened interest in hospitality and residential projects in the past year with nearly all trade visitors showing involvement in some aspect of these projects, whether it is design or product

Above – Designed by Aleeya Khan from A* alittlemore studio

Step into a cloudscape at this year’s Forum designed by the Dubai office of Barcelona headquartered interior design and architecture firm Intercon. As part of the fair’s 2023 narrative of bringing natural elements of the outdoor indoors, with public space of The Forum, hosting the fair’s lineup of keynotes and panel discussions, looking to the skies – The Cloud, a symbol of imagination and creativity, is interpreted through flowing forms and suspended nebulous elements, alluding to the Forum as a place of open exchange without restraints. Furnished with soft lines and a gentle, light palette embrace the space to create a relaxed atmosphere. Intercon’s maiden collaboration with Downtown Design marks the firm’s milestone of 30 years in design, and the 10th edition of Downtown Design.

sourcing. Generally, participants in Downtown Design have a variation of objectives for exhibiting in the fair and for the layers of commercial opportunity they seek. These goals depends on their set up locally and in the region, as well as the way they operate markets and globally. We work in very close dialogue with our exhibitors and know that most are keen to connect with the residential and hospitality sectors from the UAE and the wider region, with key profiles predominantly being interior designers, architects and property developers.

The heightened interest in these sectors reflects their growing significance across the region due to the rapidly evolving landscape and projects that push design boundaries, with Downtown Design being the pivotal point of connection to fostering meaningful relationships between the exhibitors and the key players.

Any special guests or collaborations you can talk about?

There are a number of people I am excited to have coming to the fair this year. It’s a long list really but some stand out names are – Lidewij Edelkoort, of course! – Nina Magon, Arthur MamouMani, David/Nicolas, Adam Nathaniel Furman, Pilar Zieta, Ozwald Boateng and Kelly Hoppen are coming back this year, too!

How is this edition of the fair different from the previous editions of the fair and how was it developed?

The 2022 edition of Downtown Design was really a step up thus far, in terms of brands exhibiting, the curation aspects of the fair as well as the visitor journey. This year, we had tightened our guidelines and curation criteria, and implemented new elements for the overall visitor experience. That I think will not go unnoticed at the fair – and we strive to continue to emphasize points of improvements every year from here on, and work closely with all exhibitors and participants to ensure a refreshed flow and journey for exhibitors, and a point of discovery, in all upcoming editions.

Dutch Collective – what can we expect from the specific space? Any standout materials that they are designing with and if so, why?

The Dutch collective will be presented within the Downtown Editions section of the fair, and feature works by Milla Novo, FEMM Amsterdam, Studio Kalff, Atelier Ruben van Megen, and Timothy van Oorschot. Visitors will discover a very colourful presentation and a very explorative use of materials; rope interwoven with metallic elements, vintage glassware reborn as enchanting lighting fixtures, repurposed desert sand made into functional furniture.

The Forum at Downtown Design 2023, designed by Intercon

(Spearheaded by Mohammed Adib)

Below – Hobnail Tapas from Anna von Lipa

Below – Render of The Forum

Homegrown Talents

We spoke to Fatma Al Mahmoud, guest curator of the UAE Design Exhibition to get an understanding of the local talents present at the 10th edition of Dubai Design Week

WORDS – SUHA SABITH

This page – Avila by Nella Figueroa; Opposite page – Palm Repose by Majid Al Bastaki

What can we expect from this edition of the Downtown Design’s UAE Designer Exhibit?

This edition of the Downtown Design’s UAE Designer Exhibit will showcase independent designers and studios that emphasize living spaces which embrace social impact and eco-consciousness. The designs are expected to be a fusion of innovation and cultural heritage, combining sustainability with social impact.

What criteria were used to shortlist designers for this segment? How extensive was the selection process?

Applications were submitted through open call which ran for three months and designers were chosen based on their works and dedication to creating living spaces that align with community values and prioritize sustainability. The selection process emphasized on functionality, cultural referencing, sustainability, and local production.

Was there any specific sector you saw more participation from? (furniture/art/accessories)?

With this being a key feature of Dubai Design Week and the exhibition being situated at the heart of the Downtown Design fair, the majority of participants focus functional objects, such as furniture and productdesign.

What does the UAE Designer Exhibition aim to achieve with this edition of the fair? Any plans after the event gets done?

The UAE Designer Exhibition aims to foster a culture of innovation, collaboration, and responsibility, pushing the UAE’s creative industry towards sustainability and prosperity. It also seeks to celebrate cultural diversity and empower communities through impactful design. It’s an annual feature at the event in November, but ties into a year-round calendar of activities and outreach and of course is very close to the core of Dubai Design Week’s mandate to provide a platform for local talent.

“The designs prioritizes locally-sourced and eco-friendly materials.”

– Fatma Al Mahmoud

Which primary materials stand out in the showcased designs?

The designs prioritizes locally-sourced and ecofriendly materials. Several designs integrate plants native to the UAE in unique ways, while others draw from cultural elements, ensuring the pieces are not only contextually relevant but also

a palm trunks and seating out of recycled plastics bottles.

Are there any notable pieces you’d like to highlight?

And any hints about the exhibition’s layout?

This edition of the exhibition is particularly significant as it showcases a blend of both renowned and emerging designers who have captured the essence of cultural inspirations in their designs. The pieces are not only a testament to the individual brilliance of each designer but also pay homage to the rich cultural tapestry of the region. As for the layout, it mirrors the UAE’s architectural landscape. Visitors will find themselves immersed in an environment that weaves cultural elements effortlessly, drawing from the architectural nuances that have shaped the region's built environment for generations.

In your words, how has the region evolved in terms of design and what does fairs like Downtown Design do for the same?

The region, especially the UAE, has seen a notable evolution in design, blending traditional aesthetics with modern innovation. Events like Dubai Design Week and Downtown Design act as catalysts, providing a platform for designers to showcase their work, collaborate, and learn. These events also promote the incorporation of sustainability, cultural heritage, and social impact into designs, ensuring the regional design landscape is not only contemporary but also rooted in its rich history and values.

Left – Roots by Parallel Studios; Below – Art Deco by Diana Hawatmeh

Fatma Al Mahmoud

A Modern Twist to Qatar’s Style

This residential villa in Al Mamoura District was designed with hotel aesthetics

In the prestigious Al Mamoura district of Qatar’s capital, an elegant two-storey villa was built by architects RYMAR using light beige travertine and matte black metal. The chosen location is attractive not only for its proximity to sports and cultural institutions, but also for its developed social infrastructure, including many international schools.

The new family villa covering a total area of 2,600 square metres became the third international project of the architectural bureau RYMAR Studio and its first in the Middle East. The project was designed by studio head Maxim Rymar with Alexey Shangin.

This residence has been created in a unique spa retreat style and meets all the requirements of a modern businesswoman and mother of four children, who dreamed of a unique space with a spa retreat atmosphere, and a home with a large inner courtyard, swimming pool and waterfall that would stand the test of time. According to the client’s wishes, the redesign included a complete renovation of the villa’s facades while fully preserving the previously approved interior layout.

At the entrance to the luxury residence, guests are greeted by elegant chrome sculptures that pay homage to the work of renowned British contemporary artist Tony Cragg. These exquisite art objects immediately attune to a wave of refined aesthetics and the philosophy of harmony. The house walls and fence seem to lose their visual mass, creating a sense of lightness and airiness. They form a dynamic image of the house, full of interplay of light and shadow, adding lively charm to it. At the same time, the threemetre sound proof fence surrounding the house on all sides is a necessary security measure in Doha.

The interiors throughout the house feature light natural colours with the addition of stone and wood elements, creating a sense of complete unity with the surrounding nature and natural harmony.

As for the exterior, the villa’s facades are designed in a contrasting style – large surfaces of light natural stone organically combine with black matte metal inserts. Thanks to the carefully calculated interplay of light and shadow, an illusion of visual lightness and dynamics is created, as if the facade obeys the natural rhythms and gusts of wind.

However, the undisputed gem of the entire architectural ensemble is the inner courtyard, secluded and inaccessible to curious eyes from the street and protected from neighbouring areas by a high fence. From the windows of the hospitable living room opens a calming view of the pool with a waterfall. The courtyard itself blends beautifully with the modern interior of the house and is finished in soft pink-yellow shades and furnished with furniture from well-known brands such as Flexform, Minotti and Miniforms. A pool with automatic retractable covering for child safety occupies the centre of the courtyard. The dark wood flooring has non-slip properties to prevent possible accidents. Sunlight, shadows from plants, the shimmer of water in the pool during the day, and night lighting create a feeling of paradise right in the desert.

The shaded part of the house has a spacious lounge area with a sofa set and a dining set from B&B Italia, while the sunny side of the site is decorated with an area with loungers. The main relaxation area is ideally located out of direct sunlight yet does not cast shade over the pool. On the second floor, next to the master bedroom, a cosy family terrace is created, with furniture in pastel grassy and pink tones. A special corridor for staff, decorated with metal gratings of varying widths, allows the house to function continuously while remaining out of sight of the inhabitants.

The new villa organically fits into the surrounding landscape of the prestigious Al Mamoura district and is already considered to be one of the most striking examples of contemporary architecture in the emirate, attracting admiration from guests and passers-by alike.

WORDS – SUHA SABITH

Designed to Impress

Exploring the modern-day kitchen design and trends

WGSN, the world’s leading consumer trend forecaster, has predicted that we will “do more and expect more from the spaces we live in.” Living intentionally, working dynamically and playing immersively necessitates a versatile space in which to work, unwind, teach the kids, entertain friends and so much more. This is particularly true for kitchens. As with clean energy and clean eating, there has been a gradual but fervent shift toward a ‘clean’ home. We have become selective about the products that we use in our homes. It’s safe to say: sustainability is the norm and not just a trend.

Size Up

When focusing on a kitchen, understanding food habits and consumption is pivotal. According to a survey, around half of Dubai residents (52%) dine out up to three times per week. According to Statista, the food delivery business in the UAE is expected to increase at a 6.33 percent annual rate through to 2026. When it comes to kitchen sizes, this creates a contradictory trend in the region. While smaller kitchens are expected, there’s also a significant demand for larger ones, especially in multigenerational households. Globally, bigger kitchens, doubling up on islands and appliances, are preferred. Regardless of size, maximising every square millimetre in the kitchen is vital for efficiency. Wall-mounted shelves and rails utilise the backsplash, protruding only about 10cm over the counter. These shelves are ideal for storing small items like herbs, oils tablets and kitchen tools; they can also sit on the counter, allowing for a window backsplash.

Technology and Function

Kitchens are becoming high-tech, filled with specialised gadgets. However, this can lead to a cluttered and intrusive look and feel. Concealing this functionality is becoming more popular. Pocket doors and sliding backsplash panels hide the storage and help blend the kitchen seamlessly with the rest of the home. Walk-ins are gaining traction as well – these are great for a tucked-away laundry space, pantry, second oven or cellar.

Similarly, worktops with an integrated, invisible induction cooktop provide a cleaner appearance to the kitchen. When used on kitchen islands, these can enhance a monolithic form when the same stone is used for the island’s top, sides and shutter surface. To drive this aesthetic home, installing a retractable counter-mounted downdraught hood, or a hob with an integrated hood will visually open up the space – and further possibilities.

WORDS – ZANETA L. DOMINGO

This page (from top) – Parisien Bleu from Le Chic Collection by Cosentino; Victorian Silver from Le Chic Collection by Cosentino

Materiality and Colour

Kitchens, like food, are a sensory experience. Colour, materiality and texture are salient elements of kitchen design that provide a visual feast and a tactile thrill. Kitchen manufacturers offer reeded wood or glass panels and textured stone surfaces. For doors without handles, an anti-fingerprint coating on surfaces supports the keeping of a pristine kitchen.

Statement marble and quartz and/or sintered stone that emulate bold marble patterns are still the popular choice for countertops. The industry is witnessing the introduction of large-format porcelain slabs, a more costeffective choice that, with further refinement, can compete with stone.

“As we are slowly leaving the decade of ‘greige’ behind us, and welcoming back warm under-toned whites, I’m seeing a thirst of un-

complicated whites,” says Toni Snyder, interior colour specialist. She recommends pairing monochrome cabinets (a shade or two lighter or darker than the walls) with touchable pottery and travelled textures.

Fixtures and Fittings

A multipurpose tap is integral to every home. In the UAE, where water is packaged and distributed, these are a sophisticated and welcome investment. They instantly chill and heat water, saving energy and time.

Today, the sink is viewed as an extension of the worktop. The mess is now contained to the sink, thanks to the addition of its own accoutrements such as a chopping board, colander and others. The sink is frequently chosen to complement the countertop, either in terms of colour or material.

Kitchen designers have a plethora of lighting options at their disposal. Every unit of the kitchen, especially drawers and glass shelves, can have a dedicated light. Motion sensors that are hidden in plain sight operate these.

Kitchens should serve as more than utilitarian spaces where ingredients come together to create flavour. They are venues for people to gather. A place where every day is an experience.

Above – New units from Häcker Kitchens to promote open space planning

Introducing Living Range

With kitchens becoming less defined due to modern layouts, the lines between living and dining spaces are continuing to blur. Partitions are torn down, and walls are broken to elevate the kitchen to a central zone rather than a hidden service space. With the trend of open kitchens, continuity in design between the kitchen and other spaces within the home is growing in importance making the kitchen a central influence in home design choices.

As the leading global manufacturer of luxury kitchens, German brand Häcker Kitchens identified that not only is this trend impacting choices in freestanding furniture selection to match kitchen design, but also that its kitchen units were being used by clients to create other areas of fixed furniture within the home due to their versatility and a desire to maintain

aesthetic flow from the kitchen onward. This insight sparked the development of a new range of living furniture designed for use all throughout the home.

These new units include lowboards, sideboards, and tall units that are available in identical finishings to Häcker’s extensive kitchen collection, which make them an easy choice for all who wish to have consistency throughout their home without compromising on quality. The living range from Häcker applies the same modular concepts as its kitchen units to allow for flexibility and creativity in design, with a variety of compositions, heights, and accessories available. With this new range, it is effortless to achieve continuity in home design. From mud rooms to media walls, the free flow of your home can continue through the use of furniture that is built with German commitment to excellence and precision honed over 125 years.

Häcker builds for modern day open living layouts

WORDS – SUHA SABITH

Two highlights of Ornare’s year are the Square Round collection and the Shaker lines – designed by Ricardo Bello Dias, art director of Studio Ornare, which is coordinated by its CEO Murillo Schattan – and the Move line of Vivian Coser. All product lines follow the new market trends in uniting beauty, comfort and the use of highly technological and sustainable materials. According to the art director, to create new products and collections the company carries out extensive research on fashion trends, colours and new materials worldwide. And from there, with the alignment of the brand’s trends, a collection develops.

“One of the most important requirements in today’s world [is something that is necessary] for the company to be sustainable: that it makes the right choices concerning renewable, clean, sustainable paints and finishes. At the same time, it is necessary to think about the finishes for an entire collection. We work with a completely customisable collection. We make smart choices because we have to use the materials in several collections, in several products and still make them match each other”.

Ornare is connected with companies of high technological ability and is always thinking about the quality of life of its customers, the company itself and the world. Attentive to social responsibility, the brand has always chosen to work with natural materials, with chemically neutral paint of high quality found in the finishes of all its furniture.

“Still, concerning our finishes, our choices are not based simply on colours or shape. It’s a brilliant choice based on our needs and the flexibility we offer. Ornare works with a system that is based on four pillars: Art, Design, Science and Technology”, explains Dias.

Going far beyond flexibility, comfort and sophistication, the company thinks about other aspects. As it offers infinite customisation possibilities, the brand also has the challenge of making the materials match each other, whether concerning colours, thickness, dimension or water-repellence.

Discover the collections

Shaker – Inspired by the community that lived in the northwest of England in the 18th century, the Shaker line offers a reinterpretation of traditional kitchens. The door frame stands out as the main customisation element, and its metal structure makes it modern and sophisticated. Available finishes range from the elegance of glass to the warmth of wood and woven raffia, also reminiscent of the craftsmanship of the Shakers community. Round – The Round line, part of the Square Round collection, draws for inspiration in the golden ratio and adds curves to the Ornare vocabulary, being used in conjunction with all

New Collections

the other lines of the brand. Concave or convex corners characterise the line’s cabinets. In addition, the Round line includes a set of freestanding pieces that enable agile organisation and unified solution for any space. Move – The Move line customisation proposal, signed by the architect Vivian Coser, is ideally suited to current times. The space comprises

versatile pieces and infinite compositions, such as a panel with multiple holes on which hooks, niches, shelves, drawers and a move away gourmet cart are fixed.

Altogether, there are twenty items – compromising various organising and retractable accessories – that are 100% customisable. The starting point for creating the pieces of the Move line was the union between the dynamic and multiple DNA, characteristic of a professional’s work, with the versatility and references that harmoniously mix geometric shapes with sound and minimalist production.

Ornare is incorporating luxury and sustainability in the production of high-end furniture in 2023

WORDS – SUHA SABITH

Blending

WORDS – SUHA SABITH PHOTOGRAPHY – CÉSAR BELIO

of Cultures

Josafat Zalapa

restaurant by FMA. is rooted in Mexican culture with Oriental influences

Previous pages (from left) – Combining the culinary heritage of Mexican culture with Oriental influences; An elongated bar where patrons can gather around the chef; Left – A sculptural piece featuring dead vegetation alludes to the passage of time within the building; Right (from top) – The corridor features multiple artworks and mimics a gallery; Past and contemporary elements are expressed in the furniture, decor, and materials

FMA. introduces Josafat Zalapa, a culinary haven harmoniously melding the culinary heritage of Mexican culture with Oriental influences, arising within a 19th-century house in the heart of Morelia City. The inception of the restaurant is rooted in the concept of crafting a groundbreaking dining ambiance, inspired by the Japanese term “Omakase,” which encapsulates the essence of “I trust you” or “the chef’s selection.” Through an exclusive dining encounter, patrons embark on a gastronomic voyage, engaging actively as they observe the crafting of their dishes.

The user experience begins with access to the historic building, where visitors are welcomed by a corridor and a gallery leading to a cloister adorned with various artworks along its perimeter. In the center, a sculptural piece featuring dead vegetation alludes to the passage of time within the building.

The architectural layout comprises two rooms adjacent to the courtyard, flanked by Baroque-style architectural elements. The main space houses a sculptural bar with 20 designer chairs, while a second room with a bar is subtly displayed on one side. As one enters the restaurant, the massive stone walls encase the project's centerpiece: an elongated bar where patrons gather around the chef, preparing for the culinary spectacle. Through interior design, the project achieves a balance between the architecture of the past and contemporary elements expressed in the furniture, decor, and materials. This approach creates an introspective, elegant, and sober atmosphere.

The concept of the bar further emphasizes the dishes prepared by the chef, while indirect lighting along the floor’s edge frames the existing limestone walls. This lighting highlights the layers of history that have been preserved over time, accentuating their architectural value. The design premise revolved around respecting the architecture of the place while subtly intervening in the interiors, achieving a timeless proposal that integrates seamlessly with the historical layers of the building. The material selection remained essentialist, incorporating wooden floors and pigmented cement coatings on the walls.

During the intervention, particular emphasis was placed on lighting design and furniture integration. This led to the custom design of each element, from the linear lamps that accompany the bar, to the chairs where diners will savor their meals.

TECHNICAL SHEET

Architecture Office: FMA.

Architect in charge: Francisco Javier Méndez Rodríguez

Furniture: Axoque Studio

Photographs: César Belio

Gross Floor Area: 75 m2

Location: Morelia, Michoacán, Mexico

Capturing the City Style

MQ Architecture captures the essence and history of New York in the interiors of Juniper’s Workshop

PHOTOGRAPHY – MIGUEL DE GUZMÁN AND ROCÍO ROMERO / IMAGEN SUBLIMINA

WORDS

– SUHA SABITH

MQ Architecture designed the interiors of Juniper’s Workshop, located in one of the most Instagrammed corners in the heart of New York’s SoHo. Juniper Design Group chose this remarkable building location in which to establish their showroom, on the second floor, in 2019. Two years later, the company decided to expand its space, including an additional workshop on the fourth floor of the same building. They wanted a flexible and highly collaborative hub, showcasing the technical aspects of their systems and services. The plan required a fully operational kitchenette, a bathroom with a

shower, Smart Product storage, six open workstations, a phone booth, a conference room and, most importantly, a full Collection Systems display.

Design legacy

Understanding the history of the building was crucial to the design process. Known as 28 Howard Street, the five-storey building was designed by D. & J. Jardine in 1872, during the post-civil war period when the neighbourhood was involved in a deep transformation from a residential community to the commercial district we see today. MQ

Architecture’s project flows between three original elements of the reputed building.

The cast iron facade was designed under the umbrella of the Renaissance Revival. In both facades of the upper levels, the existing recessed fenestration and the curved beams served as important influences for the design of the opposite wood wall and the ‘Juniper Vignettes’. There is a direct dialogue with the facade through the rhythm, shape, curves and geometry of the product displays, where the lighting products are carefully presented to the customer like delicate jewellery, shedding light on their beauty while also providing a closer look at their characteristics and technical properties.

The entire ceiling is covered in tin tiles, made of corrugated iron sheets, which originated in New York City at the same time as the construction of the building in 1872. During the decades that followed, they increased in popularity as an affordable alternative to luxurious European plaster

ceilings. Unfortunately, they almost disappeared during World War II when metal became scarce. Despite these ceilings being criticised during the building’s heyday for being an imitation of another material, the architects decided to protect the heritage and legacy of the city and restore the tin ceilings, recovering and dignifying the character and memory of the space. The original solid hardwood flooring was retained despite its imperfections. MQ Architecture decided to refinish and seal the material, highlighting the traces of its 150-year-old history – perfectly matching the desired SoHo warehouse aesthetic. White oak wood, black squared ceramic tile, gold accent details and charcoal grey, cream and white colours complete the mood board and the colour palette of the workshop, linking the design to the brand’s principles.

For flexibility and collaboration, the architects proposed a full perimetral operation. Firstly, wet rooms and mechanical spaces were condensed in the north side of the plan. Secondly, all the lighting

Above – The lighting products are presented to the customer like delicate jewellery; Left page – All the lighting products of the company are shown, displayed and stored inside the vignettes

TECHNICAL SHEET

Designer: Miguel Quismondo, AIA with Juan Carlos Bragado

Team: Jacobo Mingorance, Ignacio De Siloniz

Client: Juniper Design

Built area: 1,500 sqft

Contractor: HNL Construction

Photography: Imagen Sublimina

products of the company were shown, displayed and stored inside the vignettes in the east wall, where a strategically placed mirror virtually doubles the length of the wall. Finally, the continuous desk counter guides the user to the west facade, allowing views of SoHo.

Various spaces within the showroom were designed for flexibility. The kitchenette is designed for informal dining, and all the vignettes also store a myriad of samples. The workstations are designed as hot desks that can create a surface for product display, and the welcome lobby also acts as a prime product display room. Two product carts were also designed as part of the commission. They can be plugged in and allow visitors to power and see Juniper samples. The new floor outlets allow the carts to be used in the space, but they can also be taken to the lower floor or out to trade fairs.

The entire ceiling is covered in tin tiles, made of corrugated iron sheets, which originated in New York City at the same time as the construction of the building in 1872.

Urban Revival

Fun Mill. The Architecture of Creative Industry in Contemporary China by Maria Paola Repellino

The China Room of Politecnico di Torino, Italy, recently published a collection of books looking at the study landscape changes caused by u rbanisation in China, exploring processes and hierarchical decisions related to large-scale design, and illustrating the impact of urban creative transformation on contemporary architectural trends. One of the books in the collection, Fun Mill. The Architecture of Creative Industry in Contemporary China by Maria Paola Repellino, attempts to understand the creative industries in detail and talks about urban revival.

The promotion and development of creative industries has played a crucial role in the economic transition that has seen the manufacturing industry shift from ‘Made in China’ to ‘Created in China’. In the past decade, this has led to the explosive growth of creative industries and their physical transposition into cities. Hundreds of creative clusters – arts districts, cultural areas, media bases, incubators and parks for creative industries, also known as fun mills

– continue to proliferate and trigger real estate enhancement strategies by reinventing important city districts.

Fun Mill looks closely at these spaces, starting with specific architectures that are examined using an open-minded approach. What are the economic, political and design mechanisms used to build and legitimise them? What city concept is designed and built in these spaces? Can we identify recurrent features, general issues, compositional orders and logic? The book discusses creative clusters as fertile ground for research and action involving architectural and urban projects, and outlines several distinctive traits of professional and design practices in China in the last decade. In particular, the book focuses on three recurrent methods used by architectural projects to reconfigure space: Collecting Icons, Shifting Scale and Bounding Borders. These intervention methods were identified from a range of design experiences, richly illustrated with detailed drawings and photographs, including before and after views of the renovated spaces.

THE AUTHOR

Maria Paola Repellino is an architect and Ph.D. in Architecture and Building Design (2016); she is also a Research Fellow at the Politecnico di Torino, where she is Executive Director of the China Room research group and a member of the Future Urban Legacy Lab. She was also a Visiting Scholar at the School of Architecture of Tsinghua University in Beijing (2014). Her research work focuses on the role of industrial legacy in redefining the relationships between architecture, city and production in contemporary China. Prior to Fun Mill, her main publication was the book The City after Chinese New Towns (Birkhäuser 2019, ed. with M. Bonino, F. Governa, A. Sampieri).

Above – Beijing Cidi Memo iTown / Atelier Liu Yuyang Architects

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Products in Spotlight

Etro Home Interiors introduces its latest collection – the Cushy line

WORDS – SUHA SABITH

On the occasion of the last Milano Design Week, Etro presented its first Home Interiors collection, designed by the creative director Marco De Vincenzo.

In his rereading of the Etro heritage tradition, De Vincenzo has infused his aesthetic with poetry and modernity in a multidimensional path in which furnishings, accessories and the objects of the Etro Home Interiors world coexist, creating new ways of living at home.

This was the catalyst for a new collection in which pattern and fabric, founding elements of the maison, are expressed in an explosion of lively prints and shades. Three main colour themes alternate throughout the collection, with geometric motifs in shades of green, blue and earth tones, interspersed with floral designs.

A perfect expression of this new aesthetics, the Cushy line elegantly interprets the mood of the 2023 collection.

Composed of sofa, armchair, chaise longue and pouf, this proposal is fully characterised by soft and natural shapes, refined by the three new fabrics of the collection.

Pluma (an elegant floral-themed jacquard), Amanti (a precious velvet reproducing a Toile de Jouy printed motif) and Onda (a ‘70s vintage-inspired texture with a rich appearance) dress the full volumes of the seats, while enhancing their contemporary appeal. Colour and fabric, the founding matters of Etro, enhance upholstered volumes with sinuous and reassuring shapes, telling the pleasure of home living according to the Etro philosophy, interpreted by the new creative director of the maison.

Roberto Cavalli Home Interiors is expanding its outdoor collection

Emblematic of the maison’s new lifestyle, Roberto Cavalli Home Interiors’ outdoor collection has expanded into living and dining areas, with monochromatic colour schemes. The Dahlak sectional sofa is the iconic element of the line, featuring contemporary geometric shapes and a special combination of outdoor fabrics presenting various animal patterns –including giraffe, zebra and jaguar. The seat is large and comfortable, while the use of outdoor materials guarantees maximum resistance to the effects of the weather, making it possible to create an oasis of comfort and relaxation on the terrace or in the garden.

Functional and versatile, the Iranja chairs capture attention thanks to their slim and seductive design. Available also in a bench version without seatback, they can be used both inside or outside and are equipped with a cushion upholstered in animalier fabric, enhancing occupant comfort.

The Capoverde line features two must-haves – the sunbed and the deck chair – for moments of sun and relaxation, whose simple and linear shapes are enriched by details and fabrics typical of the Cavalli world, lending a glamorous and decorative note.

Compact and functional, the director chair from the same line reinvents a classic in an outdoor version, with the typical Cavalli stylistic hallmarks; pairing it with the scenographic and sculptural Kalahari table enables users to recreate an elegant dining area outdoors. Finally, Mai Tai and Wild, two suspended seats, complete the outdoor space in classic Roberto Cavalli Home Interiors style.

Spanish Seating

The recently held Feria Habitat Valencia 2023 showcased some of the most spectacular seating options from Spanish designers

[BELOW] Helium Chair from Capdell

Designed by David Redondo for Capdell, this upholstered chair with four solid ash wood legs.

[ABOVE]

Mont Blanc from Mobboli

Mont Blanc from Mobboli is a Yonoh design that complements the ALPE collection based on sustainability and the requirements of its users, towards smaller, functional and versatile pieces with multiple possibilities and accessories.

[RIGHT]

In Out Office from Andreu World

In Out Office is a furniture system that allows productive and dynamic work, providing an innovative solution to open works spaces.

Daydreamer by Daily tous les jours

Multidisciplinary practice, Daily tous les jours, are taking the concept of collective motion to new heights with Daydreamer – a sculptural series of interactive, slowly rocking benches that compose gentle music and encourage synced-up choreographies. Conceived to create a ritual around a moment of pause, the artwork stimulates a communal experience in a soothing soundscape. Daydreamer benches are scalable and customizable for diverse indoor and outdoor settings.