Emirates Woman-November 2025

The Age of Elegance

EDITOR-IN-CHIEF

Obaid Humaid Al Tayer

MANAGING PARTNER AND GROUP EDITOR Ian Fairservice

CHIEF COMMERCIAL OFFICER Anthony Milne

SENIOR EDITOR Jessica Michault jessica.michault@motivate.ae

SENIOR ART DIRECTOR Olga Petroff

SENIOR REPORTER Aminath Ifasa

DIGITAL STYLE EDITOR Sarah Joseph

FASHION EDITOR Camille Macawili

DESIGNER Vibha Monteiro

EDITORIAL ASSISTANT Londresa Flores

GENERAL MANAGER PRODUCTION Sunil Kumar PRODUCTION MANAGER Binu Purandaran ASSISTANT PRODUCTION MANAGER Venita Pinto

GROUP SALES MANAGER

Chaitali Khimji chaitali.khimji@motivate.ae SALES MANAGER Sarah Farhat sarah.farhat@motivate.ae

WEB DEVELOPER Firoz Kaladi

CONTRIBUTORS

Alia Al Shamsi, Alice Holtham-Pargin, Ekaterina Shirshova, Mark Mathew, Morin Oluwole

HEAD OFFICE

Media One Tower, Dubai Media City, PO Box 2331, Dubai, UAE, Tel: (+971) 4 4273000, Fax: (+971) 4 4282261, E-mail: motivate@motivate.ae

DUBAI MEDIA CITY SD 2-94, 2nd Floor, Building 2, Dubai, UAE, Tel: (+971) 4 390 3550, Fax: (+971) 4 390 4845

ABU DHABI PO Box 43072, UAE, Tel: (+971) 2 677 2005, Fax: (+971) 2 677 0124, E-mail: motivate-adh@motivate.ae

SAUDI ARABIA Regus Offices No. 455 - 456, 4th Floor, Hamad Tower, King Fahad Road, Al Olaya, Riyadh, Kingdom of Saudi Arabia, Tel: (+966) 11 834 3595 / (+966) 11 834 3596, E-mail: motivate@motivate.ae

LONDON Acre House, 11/15 William Road, London NW1 3ER, UK, E-mail: motivateuk@motivate.ae

EDITOR’S LETTER

Rebooted, Refined, Reborn

November is the Elegance issue of Emirates Woman. It marks the end of one era, thanks to the annual Emirates Woman Awards, which takes place this time each year and honours the exceptional women who have graced the pages of this magazine over the past twelve months. But it also signals the start of a new one. And if we are going to riff on the Taylor Swift eras concept, I would say that Emirates Woman is actually entering its epoch of elegance.

But what does that mean exactly you might ask? Quite a few things. As devoted readers of this magazine will note, we have decided to take a stance to spend the time needed to craft thought provoking articles, features, and opinion pieces. We are going to have cover story profiles and sumptuous editorial fashion shoots. And we will hunt out the new, the exciting, and the heartfelt, so that each magazine will embody the issues women are facing and help them not just navigate, but shape, the world we live in.

Examples of this transformation can be found in a number of places, from the The Age of Elegance cover story with Vialina Lemann (page

32) and the Into the Night fashion shoot (page 48) to the numerous interviews with impressive women making change in the world. Women like Sheikha Jawaher bint Abdullah Al Qasimi, the Director of FANN and the Sharjah International Film Festival for Children and Youth (page 64), Miral Youssef, the President of Kering Middle East and Africa (page 66), Assia Grazioli-Venier, the venture capitalist and co-owner the Italy SailGP team (page 82) and Indian designer Anamika Khanna (page 28).

This magazine is a bold new step into the future of what Emirates Woman is going to look like as it begins its 45th year. And what is more elegant than continuing to challenge yourself, to strive to do better and most of all… dream bigger. Enjoy the issue.

jessica.michault@motivate.ae

CUE THE DRAMA

With a heavy hitter call sheet that includes everyone from Kim Kardashian, Naomi Watts and Niecy Nash-Betts to Teyana Taylor, Sarah Paulson, and Glenn Close the new Ryan Murphy series All’s Fair, which debuts Nov 4th, is going to be a scene-stealing, scenery chewing extravaganza of diva proportions. And I am here for it.

WICKED GAMES

The follow up to last year's smash hit film Wicked –Wicked:ForGood – sees power duo Cynthia Erivo and Ariana Grande holding space again for their career defining characters. On Nov 21st I will be watching, and singing along, with my bestie.

ARE THERE ANY QUESTIONS?

Margaret Atwood, the renowned author of The Handmaid's Tale, The Blind Assassin, and over 50 other books, has come out with her memoir. Hitting bookstores on Nov 4th, Book of Lives: A Memoir of Sorts, takes a look at a life that transformed the world’s literary and cultural landscape.

CURATE

A curated guide to all the elegant Instagram accounts to #follow this month

Hero buys crafted with luxurious textures and refined silhouettes that signal effortless luxury for FW25

Sublime pieces in jewel-toned hues that make any outfit extraordinary 18 A Fine

Edit

From artful statements to contemporary takes, a treasure trove of showstopping fineries to bring timeless elegance to special evenings 22

Refined silhouettes and tactile detailing to take your footwear game to new heights 24

Through the architectural simplicity of NEOUS, founder Vanissa Antonious reimagines what it means to be quietly powerful

Étoilée Color Necklace in Yellow and White Gold With Spessartine, Rubies and Sapphires; Étoilée Color Bracelet in Yellow and White Gold With Spessartine, Rubies and Sapphires; Étoilée Color Pendant Earrings in Yellow and White Gold With Spessartine, Rubies and Sapphires; ALL BUCCELLATI Dress: Rami Al Ali Couture

58 If the Shoe Fits

28 A Stitch In Time

For her latest couture collection, Anamika Khanna translated a profound personal stillness into a new language of intentional opulence – redefining power dressing for the modern woman

32 The Age of Elegance

Draped in Buccellati jewels, model Vialina Lemann shows how a picture might be worth a thousand words, but she also has something to say

44

Poised Power

As co-founders of Takara, sisters Athari, Mariam and Jawaher Al Hajri are reshaping perceptions of the abaya, transforming modest fashion into a statement of self-expression

48 Into the Night

When the sun sets and the neon lights flicker on, the dark becomes quite seductive

An exhibition match made in heaven sees Manolo Blahnik backing the new V&A show about Marie Antoinette. Kristina Blahnik, the CEO of Manolo Blahnik, reflects on her uncle’s lifelong devotion to the iconic French Queen

VISION

64 A Youthful Vision

Sheikha Jawaher bint Abdullah Al Qasimi, Director of Sharjah International Film Festival for Children & Youth, on building a festival where the volume is turned up on young voices

66 Leading by Example

Miral Youssef, the President of Kering Middle East & Africa, is redefining luxury in the GCC

72 Musings on the Idea of Elegance

Alia Al Shamsi reflects on the impact of her grandmother

74 The Art of Decorum

Noura Al Marzooqi, an Emirati cultural presenter at the Sheikh Mohammed bin Rashid Al Maktoum Centre for Cultural Understanding, shares how hospitality in the UAE isn’t just taught – it’s lived

76 A Storyteller’s Heart

Shabana Faizal, Vice-Chairperson KEF Holdings, Co-Founder of Faizal and Shabana Foundation and Founder of QissaGoi, is crafting a cultural legacy

80 A Feminine Force

Morin Oluwole, an International Luxury Business Leader who serves on the boards of Breitling, Rituals, Mobkoi, and Biologique Recherche and the former Global Luxury Director at Meta, invites us to see elegance as one of leadership’s most overlooked strengths

82 Winds of Change

From investing in women’s health to steering the future of co-ed sport, venture capitalist and Red Bull Italy team co-owner Assia Grazioli-Venier is redefining what leadership looks like on land and at sea

Top left: Sweater Prada; Top right: Outfit: McQueen

CONTENTS

GLOW

88 Hot New Buys

An edit of beauty favourites that feel like the height of luxury

90 Beauty Icons

Equal parts artful and functional, these elevated essentials double as objects of desire to treasure for years to come

96 New Moves

The newest fitness and wellness studios to upgrade your workout routine in the GCC

98 The Sweet Smell of Success

Model: Vialina Lemann

Senior Editor: Jessica Michault

Photography: Amer Mohamad

Creative Direction and Stylist: Daniel Negron

Fashion Editor: Camille Macawili

Makeup: Jean Kairouz

Hair: Maggie Semaan

Videography: Ekaterina Shirshova

On the cover: Macri White and Yellow Gold Bracelet With Diamonds; Macri Pink and White Gold Set Bracelet With Diamonds; Macri Giglio Yellow Gold Set Band Bracelet With Diamonds; Macri Pink and White Gold Earrings; Macri Pink and White Gold Eternelle Ring; ALL BUCCELLATI Top and Skirt: Alaïa 90

Chriselle Lim, creative director of Phlur, is taking the California brand global

100 Keeping In Balance

Three experts on cultivating holistic resilience, supporting wellbeing, and thriving at every stage of life

102 Great Lengths

Lars Skjøth, founder of Hårklinikken, on how having a healthy head of hair is rooted in a woman’s confidence

104 Time to Heal

Jan Gerber, the founder of Paracelsus Recovery, has created a safe haven of recovery designed to help VIP clients return to health

106 Beauty Shelf

Alanoud Badr, Saudi fashion designer and content creator, takes us through her must-have beauty staples

107

Quiet Confidence

Subtle, smart, and designed to last, discover fragrances exuding an elegance that speaks softly but has serious staying power

108

AM/PM Beauty

Digital creator Rabeb Jallali shares her morning to evening beauty routine

ABODE

112 Designing Dialogue

Dubai Design Week 2025 maps a new creative geography, from Bahraini islands to Emirati courtyards

114 From Grind to Glaze

Viktoria Plonska, founder of UAE-based ceramics brand TORICERÁ, proves that some of life’s most elegant forms are shaped not by speed, but stillness

116

Sanctuaries with Soul

Discerning destinations that fuse aesthetic with authenticity

122 You’re So Extra

The name of Loro Piana’s latest hero accessory might be called the Extra Bag L23, but in all honesty, there is nothing loud or ostentatious about its refined design

À TABLE!

Famed French jewellery designer Charlotte Chesnais and the French silverware and tableware company Christofle have teamed up in one of the season’s most delightfully unexpected collaborations. Chesnais, known for her sculptural jewellery, has created a new flatware collection for the 195-year-old house called Carrousel. Housed not in one of Christofle’s iconic egg-shaped containers, instead the Carrousel case looks like a modern piece of art. It's an asymmetrical silver and gold hued shell that could be displayed with pride in any artistically inclined home. With guests never knowing, until the big reveal, that inside resides a 24-piece set of silver-plated flatware that has a whimsical flair, will no doubt entice diners to play with their food, or at least their flatware.

CURATE

We can’t wait for…

– A new era in sound

– Ensembles with a message of refined grace

– Bejewelled finery fit for nights out

– Shoes that take us to new hights

– Accessories that offer understated elegance

From 9-to-Fine

The latest launches and hero buys to know about this November

WORDS: SARAH JOSEPH

FINE-TUNED

THE HERO BUYS

Prestige Le Micro-Fluide

Teint De Rose Dhs725

Dior Beauty

Vanille Antique Extrait de Parfum 70ml Dhs1,500

Byredo

Ceramide Drops Face Oil 30ml Dhs590

Dr. Barbara Sturm

Mortimer Textured Leather Shoulder Bag Dhs8,000 Anya Hindmarch

Cutout Leather Pumps Dhs2,095 TOTEME

Bang & Olufsen’s new Beo Grace earpieces highlight wearable sculpture, inspired by the elegance of fine jewellery. Available from November 17, in natural aluminum, it is priced at Dhs5,508

Wyatt Wool-Blend Twill Straight-Leg Pants Dhs5,305 Adam Lippes

Harrison Wool-Blend Twill Blazer Dhs10,235 Adam Lippes

@toricera.studio

Personalised ceramics handcrafted in small batches at the highest quality.

@buccellati

Milan’s legacy of craftsmanship in jewellery and horology since 1919.

@neous

Minimalist accessories designed by Vanissa Antonious for the non-conformist.

A

@takara.ae

The UAE-born fashion label that highlights the art of modern femininity.

@dubaidesignweek

The heartbeat of regional design live from Dubai Design District this November.

@phlur

Mindfully formulated fragrances inspired by fond memories.

@manoloblahnik

Timeless soles designed to always put your best foot forward.

@anamikakhanna.in

Weaving stories, not just fabrics, as Indian heritage is made modern.

@mo_downtowndubai

Iconic luxury city living with refined dining and innovative wellness all under one roof.

Social Listings

curated guide to elegant Instagram accounts to #follow this month

COMPILED

BY: SARAH JOSEPH

Sleek & Chic

Hero buys crafted with luxurious textures and refined silhouettes that signal effortless luxury for FW25

COMPILED BY: CAMILLE MACAWILI

Dhs1,820

Dhs7,294

Gold Collar Necklace

Alexis Bittar

Cardigan Dhs23,476 Schiaparelli

Backless Scarf Midi Dress

Dhs4,850 Victoria Beckham

Althea Belted Suede Coat

Nour Hammour

Cecilia Suede Pumps Dhs3,600 Khaite

Zamora Clutch

Dhs1,750 Studio

Amelia available at Ounass

Petal Wool Top Dhs3,600 Magda Butrym

COMPILED BY: CAMILLE MACAWILI

Sublime pieces in jewel-toned hues that make any outfit extraordinary

Dhs8,650

Dhs1,028

Dhs3,440

Velvet Mules Dhs5,200 Alaïa available at Net-a-Porter

Set of three bangles

Ben-Amun available at Moda Operandi

Andiamo Clutch Dhs11,500 Bottega Veneta

Sphere Resin Earrings Dhs4,450 Alaïa

Sylvia Leather Clutch Dhs14,830 The Row

Anok Mules

Muaddi available at Level Shoes

Audrey Suede Clutch

Khaite available at THAT Concept Store

A Fine Edit

From artful statements to contemporary takes, a treasure trove of showstopping fineries to bring timeless elegance to special evenings

COMPILED BY: CAMILLE MACAWILI

LIFE Diamond

Spinning Pendant Necklace in White Gold, LIFE Full Diamond Spinning Cravat Necklace in White Gold, and LIFE Full Diamond

Tassel Earrings in White Gold Marli available at Harvey Nichols - Dubai

5-Row Perlée Diamond Ring Van Cleef & Arpels

Yellow and White Gold Diamond Ring

Yvonne Léon available at Browns

Embrassée De Diamant Earrings

Sophie Bille Brahe

Trilogie Iconic Chain Double Earring Sartoro

Sphere Earring Repossi

Ice Cube Gold and Diamond Ring Chopard

Sand Quatre Bracelet Boucheron

White Gold and Diamond Ring Suzanne Kalan available at Browns

Fanfare Symphony Tsavorite and Apple Malachite Earrings in Yellow Gold with Diamonds Garrard available at Harvey Nichols - Dubai

The Sinking Sun Earrings Aeon

Quatre Blue Edition Diamond Ring Boucheron available at Ounass

Swinging Sautoir Watch Piaget

Tubogas Rose Gold Necklace with Amethyst and Diamonds Bvlgari

Couleur Vivante Solitaire Ring Prada

Flame Green Earrings Boghossian

Circus Moon Earrings L’Atelier Nawbar

Aida Rose Gold Ring Selim Mouzannar available at Fine Arts Jewellery

Aquamarine Emerald Cut Ring Kahawaty Jewels

Olivia Stiletto Pumps Dhs3,550

Ixia Leather Pumps Dhs4,100

Lizard-Embossed 85 Stiletto Slingback Pumps Dhs2,600 Toteme available at Bloomingdale’s Dubai

Refined silhouettes and tactile detailing to take your footwear game to new heights

COMPILED BY:

CAMILLE MACAWILI

Anok Mule 105 Patent Leather Pumps Dhs3,510

Jimmy Choo

Victoria Beckham

Amina Muaddi

Apolline Slingback

Patent Leather Pumps

Dhs9,800 Saint Laurent

Strong Pumps

Dhs4,300 Aquazzura

Katissima 45 Patent Leather Pumps

Dhs3,800 Christian Louboutin

Liisa Pumps

Dhs6,940 The Row available at Level Shoes

Juniper Sandals Dhs5,280

Rene Caovilla

Gz Dafne 105 Sandals Dhs9,640 Giuseppe Zanotti

Knot Pumps Dhs6,600 Bottega Veneta

Sculpting Elegance

Through the architectural design of NEOUS, founder Vanissa Antonious reimagines what it means to be quietly powerful

WORDS:

SARAH JOSEPH

“

I’ve always had a bit of a love-hate relationship with the term quiet luxury and, if I’m honest, with minimalism too,” says Vanissa Antonious, the founder of the Londonbased label NEOUS. “People assume minimal means simple, but it’s quite the opposite. True minimalism is about precision, an almost obsessive attention to detail.”

For Antonious, creating handbags and shoes that feel effortless yet intentional is, in itself, an art form. And finding harmony in the design through subtle structural and aesthetic choices is always one of the hardest things to master. But with her background in art history and theory, the designer’s conceptual approach to her work – shaped by rhythm, balance, and emotional connection – has served her well at NEOUS. Having studied mid-century art and architecture, she draws on the philosophies of artists such as

Wassily Kandinsky, who believed in the invisible language of energy and flow. “I think it’s the energy we feel when we see or wear something that truly connects with us,” she says. “That emotional charge, that’s what great design evokes.”

Her aesthetic language, however, isn’t born of one place or culture. Raised in Sydney with Egyptian heritage and now based in London, Antonious embodies a global sensibility, one that seamlessly merges freedom of movement with structure. “Growing up in Sydney gave me an appreciation for ease and open space, while my parents instilled in me a relentless work ethic,” she reflects. “Their strength and resilience taught me to never compromise on vision.”

That duality of discipline and freedom runs through every curve and contour of NEOUS, which was launched in 2017. What began as a quest to craft the perfect mid-heel shoe soon evolved into a sculptural study of form and function, which has expanded further through her handbag line, which launched three years later.

“I never wanted fashion to feel restrictive,” she explains. “Whether you’re walking across cobbled streets in London or through a gallery in Milan, design should enable movement, not inhibit it.”

Over the years, NEOUS has become synonymous with architectural simplicity. The brand focuses on accessories that embody quiet confidence rather than overt statement. Structured yet soft, each piece oozes understated style that whispers refined luxury. In particular, Antonious’ fascination with texture plays out in her collection through contrasting materials such as leather against suede, gloss against matte, to create a subtle and nuanced approach. What also sets Antonious apart is her unrelenting curiosity, the kind that keeps creativity in motion. For her, inspiration is not found in grand moments but in everyday gestures. It’s an imprint on a pavement, the curve of an architectural archway, or the rhythm of a woman’s stride. “Everything around you can become a source of design if you’re truly observing,” she notes. This

attentiveness fuels the sculptural precision that NEOUS is known for, products that feel artfully lived in.

Antonious feels one of the most critical aspects of the success of her brand, or any business for that matter, comes down to the courage to continue to cultivate an authentic and unique point of view. “Stay true to your voice,” she says. “Don’t look around too much, it’s hard these days when we’re constantly scrolling and comparing, but your distinct perspective is your greatest asset. That’s the one thing no one else can replicate.” It’s advice rooted not just in discipline, but in conviction, a reminder that timeless design stems from self-assurance, not imitation. She believes that the future of design lies in a return to substance, in building with intention. As she continues to expand the NEOUS universe, her philosophy remains constant. “For me,” she says thoughtfully, “elegance means ease. It’s about confidence, feeling good within yourself. That’s when design truly comes alive.”

Left: Vanissa Antonious, Founder and Creative Director of NEOUS

OUT OF THIS WORLD

The highly anticipated debut of designer Matthieu Blazy as the new Creative Director of Chanel did not disappoint when the young Franco-Belgian presented his vision on the final day of the Spring/Summer 26 shows in Paris last month. With the Grand Palais transformed into a colourful galaxy above the heads of the who’s who of the fashion world, Blazy unveiled a collection that breathed new life into the 115-year-old institution with his reinterpretation of the classic codes of the house. He transformed tweed into something cool, made iconic bags interesting through undulation and offered silhouettes that telegraphed a message of relaxed, if refined, ease. This is not your grandmother’s Chanel.

MODE

– The creative power of stillness

– A multifaceted expression of self

– The bond of sisterhood

– An alluring night out

– The celebration of a Queen

AK

A STITCH IN TIME

WORDS: AMINATH IFASA

For her latest couture collection, Anamika Khanna translated a profound personal stillness into a new language of intentional opulence – redefining power dressing for the modern woman

You can feel a sense of quiet radiating out of Anamika Khanna’s latest collection. A stillness not born of timidity or uncertainty, quite the opposite. It is founded in a serene confidence that doesn’t need to make noise to get noticed, and it stems from the designer herself – clearly there has been an internal shift. The collection plays out like a sartorial manifesto, and its origins are deeply personal, shaped by a period of stillness that Khanna intentionally decided to take. “That pause forced me to slow down and truly listen – to my body, to my work, to life,” she confesses. What emerged from that introspection was a new design ethos. For her, sustainability became less about materials and more about a mindset, a fundamental balance. She puts it simply: “It’s about knowing when to stop.”

You can see this philosophy of intentional opulence manifested in each ensemble. Look closely, and a pearl-encrusted yoke becomes a deliberate, weightless anchor. The fluid drape of a dhoti skirt is cut with a calculated ease. Khanna insists this approach is “deliberate, not indulgent,” a world where every detail must serve a purpose and every stitch needs room to breathe. This is a collection, she says, that champions a measured extravagance where details are hidden in the space between the stitches.

“Indian women today wear their heritage with pride as identity, as power.”

This newly forged sensibility is tailored for the modern Indian woman – and anyone with an intent to honour their roots. “The biggest change is confidence,” she observes. “Indian women today wear their heritage with pride as identity, as power.” Her clients now wield the designer’s culture as an assertion of self. The collection meets this evolution with pieces that bridge roots and reality: a classic kurta deconstructed into an asymmetrical draped top, or a sari pallu sculpted into a pearl-encrusted harness.

To translate this intimate narrative into a compelling visual campaign, Khanna collaborated with stylist and producer Rhea Kapoor. Their partnership was a meeting of aligned sensibilities, with Kapoor building the world where these clothes would live. “The campaign visuals, produced and styled by Rhea, are incredibly powerful. Beyond the clothing, there’s a distinct mood – a sense of confident serenity and modern regality,” Khanna notes.

The collaboration was defined by its transformative alchemy. Khanna recalls how a garment, conceived in the solitude of the studio, would reveal new dimensions under Kapoor’s gaze. “When I design, I see a piece in a very specific way. But when someone like Rhea comes in, she sees it through her own lens,” she explains. A specific styling choice – an unexpected pairing of jewellery, a particular layering – could unlock a new emotion in the garment, expanding its story beyond the creator’s original intent.

This deeply personal collection also finds a surprising resonance in the Middle East. Khanna sees a kindred spirit in the aesthetic of a city like Dubai, a place she describes as, “boldly futuristic yet deeply rooted in tradition.” The connection makes sense; it’s grounded in a shared language that understands opulence as artistry and heritage as something dynamic, not static.

This dialogue reinforces her conviction that Indian fashion can stand on the world stage, confident in its own cultural power. A vision supported by a new internal energy: Khanna’s sons are now integral to the business. Their involvement has sparked a vibrant dialogue, freeing the designer to plunge deeper into pure ideation and creation while they help steer the brand’s future.

Running through it all – every collaboration, every design –is Khanna’s unwavering faith in the human hand. In an industry increasingly seduced by digital perfection, her atelier stands as a temple to timeless craft. “There is a kind of luxury that only the human hand can create,” she states, her conviction clear. She champions the slight irregularities in zardozi, the soft bleed of hand-painted pigment – seeing them as the unique signatures of a piece’s soul, and not as flaws. This commitment ensures that every piece is a repository of time, skill, and human spirit, making it truly one-of-a-kind. These are designs that can stop you in your tracks.

THE AGE OF ELEGANCE

Draped in Buccellati jewels, model Vialina Lemann shows how a picture might be worth a thousand words, but she also has something to say

PHOTOGRAPHY: AMER MOHAMADWORDS: JESSICA MICHAULT

CREATIVE DIRECTION AND STYLIST: DANIEL NEGRON

Blossoms Diamonds and Gold Bracelet in Silver and Gold With Diamonds; Yellow and White Gold Band Pizzo Venezia Style; ALL BUCCELLATI Top and Hat: Loro Piana

Hawaii Yellow and White Gold Set Necklace With Diamonds; Hawaii Yellow and White Gold Set Ring With Diamonds; Étoilée

in Yellow and White Gold With Diamonds; ALL BUCCELLATI

Dress: Maison Margiela

Hoop Earrings

Opera Tulle Yellow and White Gold Ring; Opera Tulle, Gold Pendant With Green Enamel Background; Opera Tulle, Yellow and White Gold Maxi Pendant; Macri Yellow Gold Rigato Watch With Diamonds; Opera Tulle Earrings in Yellow and White Gold With Diamonds; ALL BUCCELLATI; Dress: Tom Ford

When Vialina Lemann steps onto set to pose for the first series of images that accompany this cover profile we got the shot – the one where she is wearing the Maison Margiela dress – in two minutes flat. In other words Via, as she is called by friends, knows how to pose, project an attitude, and make the camera fall in love with her.

And what’s not to love?

When you first meet Lemann, her beauty is undeniable. From her icy blue eyes and long neck to her full, Angelina Jolie-esque lips and swooping cheek bones, she is a stunner. If they were remaking the 80s classic film Weird Science, she could step into the Kelly Lebrock role of “the perfect woman” without batting an eye. But, as the old saying goes, she is so much more than just a pretty face.

There’s an elegance about Lemann that feels earned and a steadiness that comes from years spent mastering control, discipline, and expression. Before walking the catwalks of fashion weeks the model was a rhythmic gymnast in Uzbekistan, training her body and mind to move in perfect harmony. “The transition was like learning a completely new language while still speaking with the same soul,” she reflects. “In rhythmic gymnastics, every movement must be precise, every emotion controlled yet expressive. This discipline became my foundation in fashion, the ability to embody a designer’s vision while maintaining my authentic self.” Her approach to modelling carries that same athletic grace and she has an instinctive understanding that creating art and memorable moments is equal parts rigor and release. Lemann recalls her earliest memory of fashion not as something distant or exclusive, but deeply human. “I remember watching my mother prepare for special occasions – the way she transformed not just her appearance, but her entire presence through clothing,” she says. “Fashion, I realised, is storytelling through fabric and form. It has the power to make you feel invincible, to communicate without words.”

But, adds the model, “My mother taught me that dreams have no borders.” At first those dreams for Lemann consisted of wanting to be a pilot. She was always drawn to careers that put a value on precision but also had a sense of poetry to them. So dreaming of flying gracefully through the sky behind the wheel of a plane gradually transitioned to flying though the air as a gymnast. “I suppose modelling was the natural evolution of those childhood dreams,” reflects Lemann. It’s that innate discipline, the fusion of grace and strength, that defines Lemann’s work today. For her, modelling isn’t about becoming someone else, but deepening the understanding of herself. “I don’t create characters, I uncover different facets of myself,” she explains. “Every shoot is an exploration of what parts of my personality align with the creative vision. It’s like meditation in motion. I study the collection, understand the designer’s inspiration, or the editors and photographers vision, then find where my authentic self intersects with their artistic vision. The magic happens in that intersection.”

As her career evolves, Lemann’s definition of success has deepened. “Success is the ability to inspire while staying true to myself,” she says. “If a young woman sees my journey from Uzbekistan to international runways and believes in her own possibilities, that’s success. If I can bring authenticity to a creative vision, that’s success. Visibility without purpose is just noise.”

“If I can bring authenticity to a creative vision, that’s success. Visibility without purpose is just noise.”

This is why, when she isn’t travelling the world for work, Lemann is paying it forward by helping young female athletes to find their next calling when it’s time for them to finally step away from competitive sports. It’s often a difficult, sometimes painful, transition but Lemann is determined to show these women that the internal drive that powered them to excel in the sports arena can be harnessed for other fields that can be just as rewarding. And earlier this year the model was recognised at the annual Tao Awards in Sicily, Italy for her work helping to empower women. Now, with acting calling her name, Lemann is entering a new chapter in her life.

“Acting is the ultimate expression of the empathy I’ve developed as a model,” she shares. “It’s taking that ability to embody different visions and pushes it deeper – exploring human psychology, cultural narratives, emotional truths. I feel comfortable in this role.”

That sense of transformation has guided her from Tashkent to Tokyo, Milan to Dubai. She’s walked for some of the most interesting designers shaping contemporary fashion. “Each collaboration teaches me something new about the intersection of art, culture, and commerce,” reflects Lemann. However, what matters most to her isn't the name on the label, but the story she gets to tell in partnership with the designer. It’s the endless possibilities that can be born from the artistic collaborations she gets to play a role in that truly motivate her. But Lemann’s journey began far from fashion capitals, in a place defined more by tradition than glamour. “I grew up in Uzbekistan, in a family that valued both tradition and ambition. I grew up without a father, and I understood how difficult it was for my mother, a woman in a very conservative society,” she recalls.

But Lemann does admit that when she started acting she was a bit apprehensive about whether or not she had the chops to make it on the silver screen. In the end all it took was her first 12 hour shoot day, and a director who praised her performance, while the crew applauded, for her to finally be able to stop holding her breath. Reassured in the knowledge that she had the skills needed to tell more complex stories.

Her dream roles, naturally, mirror her own journey. “A character who represents the modern woman’s journey, someone navigating between cultures, finding strength in vulnerability, transforming challenges into opportunities,” she says. “I want to tell stories that reflect the complexity of contemporary womanhood. I also want to openly show the world: a woman from a small, closed country can achieve anything, you just have to dream, strive, work and believe.”

No doubt Lemann will continue to lead by example and leverage her life experience to embody stories, both in print and on film, that the world can’t take their eyes off of.

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Hawaii Yellow and White Gold Set

Necklace With Diamonds Étoilée

Hoop Earrings in Yellow and White Gold With Diamonds; ALL BUCCELLATI

This page: Macri Color Yellow and White Gold Earrings With Tanzanite; BUCCELLATI; Top: Alaïa; Right page: Hawaii Yellow Gold Pendant Earrings; BUCCELLATI; Top and Hat: Loro Piana

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MODEL: VIALINA LEMANN

SENIOR EDITOR: JESSICA MICHAULT

FASHION EDITOR: CAMILLE MACAWILI

MAKEUP: JEAN KAIROUZ

HAIR: MAGGIE SEMAAN

VIDEOGRAPHY: EKATERINA SHIRSHOVA

As co-founders of Takara, sisters Athari, Mariam and Jawaher Al Hajri are reshaping perceptions of the abaya. Transforming modest fashion into

a statement of

self-expression

POISED POWER

WORDS: SARAH JOSEPH

One common misconception is that modest fashion is very limiting and plain,” says Mariam Al Hajri, one of the three sisters behind the Takara brand. “Here, we show that modesty can also be expressive, elegant, and powerful. It’s not about hiding your identity or who you are, it’s about embracing it.”

Founded in 2020 by three sisters; Athari, Mariam and Jawaher AlHajri, Takara was born from a shared vision to reinterpret the abaya, not as a uniform of modesty, but as a statement of individuality and art. Rooted in Emirati culture yet designed for a global audience, their pieces celebrate the beauty of modestwear through refined craftsmanship and timeless luxury.

Over time, the abaya has been a symbol of heritage, dignity, and grace and has held deep cultural significance across the Gulf for generations. Traditionally rendered in black, it was once considered a garment of discretion. However, over time, the abaya has developed into a form of fashion in its own right, reflecting the evolution of Arab women as they redefine what it means to dress modestly. Takara enters this conversation not to rebel against tradition, but to expand its possibilities. “We felt the need to create something that reflected who we are,” says Mariam. “God created the universe with so many shades of colour for us to enjoy, wear, and celebrate, so why should we be confined to one?”

Each of the three sisters embodies a distinct creative energy. Athari, the eldest, is meticulous and structured, also known as the architect of detail, ensuring that every seam serves both form and function. Mariam, the stylist, sees beyond the silhouette, focusing on how a woman moves and expresses herself through each piece. Jawaher, the youngest, leads the creative direction and visual storytelling, shaping how Takara is seen and felt in the world. “We might start with completely different ideas, but we always find a way to meet in the middle,” says Jawaher. “Our differences balance each other, and that harmony is what defines Takara.”

The name itself, Takara, comes from the Japanese word meaning treasure, a word that captures the sisters’ design ethos. Each piece is conceived as something precious, that’s created with purpose. From clean lines and refined tailoring to thoughtful colour palettes, the brand’s aesthetic is modern yet deeply rooted in its cultural sensibility. “Creating something that lasts begins with care and intention,” Mariam explains. “We want our pieces to stay with women for years, not just in their wardrobes, but in their memories.”

For Athari, Mariam and Jawaher, the word treasure also carries a deeply personal meaning, their sisterhood. Mariam adds “ As sisters, our true treasure is our bond, the trust , unity and creativity that connect us. That’s what allows us to create pieces that reflect all of us”

Their design process mirrors this philosophy. Inspiration can come from anywhere. A memory, a fabric’s texture, or even the rhythm of a moment. The sisters sketch, drape, and experiment until the pieces take on a life of their own. Athari’s obsession with detail ensures that every layer, charm, and cut holds meaning. “Fit matters as much as form,” she affirms. “How it feels is just as important as how it looks.” And while the fashion industry tends to shed its sartorial skin every six months, Takara takes a slower, more deliberate path. Their commitment to timeless design challenges the disposable nature of fast fashion. “We have clients who still wear our pieces from 2020,” says Mariam. “That tells us we’ve created something real, something that lasts not just in fabric, but in emotion.”

The brand’s latest collection, Unveiling, perfectly encapsulates this quiet strength. Shot in a Japanese-inspired villa in Bali, the campaign feels like a visual metaphor for the label itself, crosscultural, contemplative, and beautifully balanced. “The villa reflected our essence,” Jawaher shares. “It was serene, minimalist, and full of intention, just like Takara.” Over time, Takara has cultivated a loyal following of women who see the brand as more than just fashion, it’s an emotional connection. “We love seeing our clients choosing Takara for their meaningful occasions, to be part of those moments and memories is the most rewarding feeling,” says Mariam. Jawaher shares “To us, that’s exactly what we aim for, to create pieces that reflect today’s women – grounded in her heritage, yet confident in the modern world.”

“It’s not about hiding your identity or who you are, it’s about embracing it”

INTO THE

WHEN THE SUN SET AND THE NEON LIGHTS FLICKER ON, THE DARK BECOMES QUITE SEDUCTIVE

FASHION EDITOR: CAMILLE

PHOTOGRAPHER: GREG

MACAWILI

ADAMSKI

Previous spread: Dress Rabanne available at THAT Concept Store; This page: Blazer, Shirt, Trousers, Belt; All Loro Piana; Right page: Coat Magda Butrym

This page: Sweater Prada; Right page: Dress Celine

This page: Dress, Earrings Givenchy by Sarah Burton; Right page: Dress, Shoes, Earrings Givenchy by Sarah Burton

This page: Dress Givenchy by Sarah Burton; Right page: Coat, Skirt; All Dima Ayad

MAKEUP & HAIR: GIANLUCA CASU

VIDEOGRAPHER: EKATERINA SHIRSHOVA

MODEL: DINA DANEL

LOCATION: MAMA SHELTER

IF THE FITS…

EOSH

WORDS: JESSICA MICHAULT

An exhibition match made in heaven sees Manolo Blahnik backing the new V&A show about Marie Antoinette. Kristina Blahnik, the CEO of Manolo Blahnik, reflects on her uncle’s lifelong devotion to the iconic French Queen

Previous

The delight Kristina Blahnik, the CEO of Manolo Blahnik, conveys when she speaks about the Victoria & Albert Museum’s new exhibition Marie Antoinette Style, is undeniable. “Manolo has very publicly, always been enormously inspired by Marie Antoinette. She is one of the great loves of his life,” Blahnik recounts about the moment the museum first approached her about collaborating on the exhibition. And in what felt like the blink of an eye, she locked up exclusive sponsorship of the show. “It has to be Manolo with Marie Antoinette, because I don’t think there’s anyone living on this planet that adores her or knows more about her than he does.”

That passion has indeed been lifelong. Blahnik’s mother famously read him Stefan Zweig’s 1932 biography of Marie Antoinette as a bedtime story. “From a very young age,

he just absorbed and consumed culture tirelessly, and history as well. She is one of the historical figures that captured his imagination, and she is a constant that has been there his whole life,” confirms the CEO. The romance, the tragedy, and the queen’s uncompromising search for beauty all resonate with the legendary shoe designer. “He admires her as a strong woman. Her constant search for creativity and artisanry, the hunt for the exquisite. That has always resonated with him,” shares Blahnik with a smile.

The V&A exhibition, which opened this September in London, is the first of its kind in the UK, showcasing the French queen’s monumental impact on fashion, design, and culture, while also displaying Blahnik’s own creations inspired by her. “It wasn’t about us trying to create a brand identity or brand moment alongside it. It was simply, this is a gift from Manolo to her,” the CEO said firmly. “It was so important for the story of Marie Antoinette to be told. Manolo and our company are not about pushing our product, pushing our brand. We’re actually more interested in using our craft to open doors of curiosity for people to learn more.”

Still, the collaboration has led to something new for the house: a capsule collection of 11 Marie Antoinette-inspired shoes, designed by Manolo and available exclusively at Manolo Blahnik boutiques. “He designed five very different pumps. He initially said, look, I’m just imagining her in her time, what would she have worn? He found some beautiful vintage fabrics, very limited in their existence. We were only able to create thirty shoes in one fabric. These are collectors’ pieces,” reveals Blahnik. “Then I worked alongside him to create the modern-day interpretation. We asked ‘how would Marie Antoinette wear it if she was alive today?’ That’s when the sandals, the much higher heels, and the mules were born. Most of her shoes were pumps, but we translated the spirit of her style into pieces for the modern woman.”

For Blahnik, visiting the exhibition itself was a revelation. “What I was not expecting was the completeness of her portraits. There were probably only about twelve to fifteen portraits painted during her lifetime, most of them by a female painter, Élisabeth Vigée Le Brun. On the wall

page: Marie Antoinette capsule collection; Above: Marie AntoinetteStyle exhibition at Victoria & Albert Museum; Right page: Kristina Blahnik, CEO of Manolo Blahnik

“That’s what Manolo does. He takes elements from the past and deconstructs and reconstructs and creates something completely new and unexpected.”

when you walk in one of the first things you see is the actual original of one of her very few portraits. I was overwhelmed before I’d even taken two steps into the exhibition. I did not expect to see such an invaluable piece of history.”

The exhibition, which runs through May 2026, also includes original sketches, textiles, and decorative objects from the queen’s world, alongside Blahnik’s reimaginings. And for the 82 year-old shoe designer it was the actual little objects that Marie Antoinette used during her lifetime, the crockery from the Petit Trianon, the fabrics she wore, that fascinated him the most in the exhibit. “You go through this journey of this immense impact she had in her lifetime, and then the enormity of her impact today. You walk into a room of twentieth and twenty-first century influence, and she’s still alive,” marvels the CEO.

That enduring influence is part of what excites Blahnik the most about the exhibit and the impact it could have on the public. “Without tradition, we are nothing,” she says, invoking a motto Visconti once shared with Manolo at a Milanese dinner back in the 1970s. “We’ve embedded that into our storytelling as to why we are what we are, and why we are uncompromising in who we are,” Blahnik says. “We’re not going to do trainers, because that is not what we’re about. And without tradition, we are nothing. Modernity doesn’t come from a vacuum, it comes from the past, and the reinterpretation of the past. Marie Antoinette is testament to that,” she adds.

Blahnik also sees lessons that can be drawn from the queen’s story. Lessons that validated the beliefs, values, and mission of the brand that bears her uncle’s name. “She was uncompromising with the quality of materials she used, and she had the level of curiosity to learn more, to try things differently. She reinvented so many things,” explains Blahnik. “That’s what Manolo does. He takes elements from the past and deconstructs and reconstructs and creates something completely new and unexpected.”

For the CEO, this exhibition is more than a sponsorship, more than a marketing initiative – it’s about reaffirming the DNA of a house built on intellectual curiosity, artisanry, and an abiding love of beauty. “Marie Antoinette is everywhere all the time. She might be quieter some seasons, sometimes louder. But there’s always a button here, a ruffle there, a pleat. It’s never just a shoe, it’s an expression of intellect, of knowledge, of culture, of craftsmanship.”

A GATHERING PLACE

As an ode to the 1970s, The Meld Concept is a reimagined Jumeirah villa that blurs the lines between fashion, gastronomy, and culture. Founded by Afra and Shama Al Ghurair, it’s more than a space, it’s a living dialogue. A hub where Fold’s contemporary abayas sit next to Kadi Boutique’s artful blooms and 1502 Chocolatier’s handcrafted indulgence, all of it anchored by a rotating coffee bar designed to spark conversation. Brought to life by VSHD Design, the villa embraces the beauty of imperfection with marble pillars, soft textures, and sunlit glass rooms that invite connection. Rooted in heritage yet attuned to modernity, The Meld Concept is where craftsmanship, culture, and community seamlessly intertwine.

VISION

Draw strength from…

– Giving a creative voice to children

– A female leader in the luxury space

– Learning the codes of civility

– The transformative power of art

– One woman’s quest for representation

A YOUTHFUL VISION

Sheikha

Jawaher bint Abdullah Al Qasimi, Director of Sharjah International Film Festival for Children & Youth discusses

building a festival where the volume is turned up on young voices

WORDS: AMINATH IFASA

The first thing you notice about Sheikha Jawaher bint Abdullah Al Qasimi when she talks about the Sharjah International Film Festival for Children & Youth (SIFF) is that she doesn’t start with box office numbers or star-studded premieres. She starts with the children. Specifically, with the simple, radical idea that every single one of them has a story worth listening to. Her own fascination with film began early, captivated by how images, dialogue, and music could weave a spell that profoundly moved people. That personal spark fanned into a lasting flame by the rich cultural vision championed in Sharjah. “I was blessed to be guided by the vision of Her Highness Sheikha Jawaher bint Mohammed Al Qasimi,” she reflects. “Her unwavering support for SIFF and FANN Media Discovery Platform has made it possible for us to turn this fascination into real institutions that serve our children and youth.” This foundational support has been the cornerstone of the project, transforming a passion for storytelling into a powerful, purpose-driven platform.

This year’s festival, which wrapped up recently, was a vibrant testament to that organic growth. What began as a bold regional idea has matured into a truly international ecosystem of creativity and exchange. A pillar of this year’s edition was welcoming South Korea as the Country of Honour, a strategic move that revealed unexpected and heartfelt cultural bridges. “There is a surprising familiarity in the values both cultures hold: family, respect, resilience,” Sheikha Jawaher notes. She observed young Arab audiences connecting deeply with Korean stories, seeing their own struggles, humour, and aspirations reflected in a new, dynamic light. This dialogue, she believes, allows Arab youth to appreciate the global language of creativity while strengthening their own narrative voice.

In an age of TikTok and YouTube, the festival’s unique power lies in what digital platforms cannot offer: a shared, human experience. “We don’t try to compete with platforms that are part of young people’s everyday lives,” she explains. “Instead, we create something they cannot get online, the experience of being in a cinema with their peers, discussing stories face-to-face, and

interacting directly with filmmakers.” For a child, that sense of participation and belonging is powerful. It’s the moment a passive viewer realises they can also be an active storyteller. She hopes the conversation on the car ride home is a simple, powerful one: “I can tell a story like that. I can be part of this world.”

This belief is sustained year-round by FANN, SIFF’s sister organisation. While the festival provides the inspirational spark, FANN provides the practical tools, deliberately nurturing not just future directors but also the next generation of sound designers, cinematographers, and producers. “We want children to understand that film is built on many crafts,” Sheikha Jawaher says. The goal is to demystify the entire process, showing that a career in film is accessible and built on collaboration and patience, a key “unlearning” in an era that often prizes instant results over thoughtful craft. This patient skill-building is crucial to filling what she sees as a significant gap in authentic content for Arab children, providing stories that truly reflect their languages, traditions, and lived realities.

The festival’s living legacy is already visible in the young creators it cultivates. Sheikha Jawaher’s face lights up when she recalls a recent, unassuming film by a young Arab girl about her daily walk to school. “What could have seemed ordinary was transformed into a deeply moving reflection on her community, its challenges, and its warmth,” she shares. “These are not the stories the world usually sees, and yet they carry an authenticity and freshness that is impossible to replicate.” It is in these moments, she says, during workshops where children confidently pitch ideas or when past participants return as filmmakers, that she sees proof of SIFF’s expanding impact. Her bold, long-term vision is that Arab cinema for children and youth will one day stand proudly on the global stage, not as a niche, but as a vital and respected part of the international film landscape. The ultimate legacy for SIFF, she believes, is for Sharjah to be recognised as the place where Arab children first discovered that their voices, their perspectives, and their stories could genuinely shape the future. “Investing in children and culture,” she states with quiet conviction, “is the most powerful investment a society can make.”

This page: Outfit: Saint Laurent; Jewellery: Boucheron

LEADING BY EXAMPLE

Miral Youssef, the President of Kering Middle East & Africa, on Culture, Conviction, and the Future of Luxury

WORDS: JESSICA MICHAULT

This page: Outfit: Saint Laurent Jewellery: Pomellato

The energy in the room during the photoshoot for this feature profile on Miral Youssef, the President of Kering Middle East & Africa, is relaxed – almost playful. A clear sign that this is a woman who knows how to enjoy the moment and put people at ease. But also has a keen eye for what works… and what needs work. As she scans the jewellery from Boucheron and Pomellato and the rack filled with outfits she will wear from some of the hottest luxury brands shaping fashion – Gucci, Saint Laurent, Balenciaga, McQueen – Youssef nods with approval. It’s like she is looking at an all star team of designers that are ready to go the distance. So is Youssef.

For her, the path to her current role as President was not marked by a single dramatic turning point, but by what she calls ‘a series of defining layers.’ “Each stage of my journey offered new tools and perspectives,” she shares. “Encouraging me to look beyond silos, question conventional norms, and embrace a more holistic view of leadership and business.”

That measured, intentional approach defines Youssef’s leadership style, one rooted in curiosity, empathy, and an overarching positive attitude. With Dubai as her base, she now oversees Kering’s operations across eight countries, guiding some of the world’s most iconic houses into a new era of growth and cultural resonance. With designers debuting at Gucci, Bottega Veneta and Balenciaga, this season saw a deep bench of heavy hitters (Demna, Louise Trotter and Pierpaolo Piccioli respectively) ready to come out swinging alongside veteran design leaders Anthony Vaccarello at Saint Laurent and Seán McGirr at McQueen.

nected to its culture, and having grown within the group makes the journey especially meaningful,” she says.

Having risen through the ranks at Kering, from General Manager of Balenciaga to President MEA, Youssef has been with the company for seven years, a lifetime in the luxury industry. But besides her love of the brands, it’s the ethos of the organisation –its focus on female empowerment, sustainability, inclusion, and a creativity first approach to business that keeps her energised. “For me, success is never solely about business growth,” she says. “It is about leading with purpose. That perspective gives me the clarity to remain authentic and the conviction to create impact in a way that feels true to both my approach and our business direction.”

As a woman navigating the upper echelons of an industry still largely dominated by men, Youssef’s career has been an exercise in resilience and conviction. “One of the hardest lessons was learning to trust my voice, especially in environments where it felt overlooked,” she reflects. “Over time I realised that true influence doesn’t come from volume but from speaking with conviction, grounded in expertise, regardless of gender.”

“Over time I realised that true influence doesn’t come from volume but from speaking with conviction, grounded in expertise, regardless of gender.”

Her most rewarding moments, she says, have been those when preparation met opportunity. “When ideas you champion shape strategy, open new opportunities, or give others the confidence to speak up,” she says. “To me, one of the greatest wins has been applying cultural intelligence, that deep understanding of people, across borders and backgrounds. It’s building bridges and creating space for diverse voices to be heard.” Youssef’s leadership reflects Kering’s broader mission to redefine what modern luxury can be, and who gets to shape it. And the proof is in the numbers. At Kering, women make up 53% of the workforce, 58% of which are in managerial roles, and 50% of its board of directors. “This commitment to gender equality is expressed in many different ways and in turn strengthens innovation, enhances decision-making, and fosters a culture where diverse perspectives drive progress.” But beyond the statistics, it’s the subtler moments that matter most to Youssef. Moments like having a laugh between takes with her team on set as she mugs for the camera. In fact, when going over the selects for the images that accompany this article she tends to like the more candid shots, where the viewer can get a sense of her character and see the warmth of her smile.

“Women’s empowerment at Kering isn’t treated as a campaign, it’s part of our DNA,” she says. “Yet what resonates most are not only the formal programs, but the micro-moments of quiet influence, the nod of acknowledgment in a meeting, the recognition of a contribution, the trust to take ownership. These gestures may seem small, but they carry enormous weight.”

As we discuss the impact and virality of the Spring/Summer 26 Kering shows, Youssef explains how she sees her role as one of a curator for Kering. Where she can help guide the company in its understanding of the importance of localisation when it comes to messaging and sartorial edits. “Being from the region, deeply con-

It’s that culture of trust and visibility that she credits with giving her the confidence to lead authentically. “They fuel my responsibility to pay it forward by ensuring others feel equally empowered to thrive,” she shares.

Even the smallest gestures of support can often be the ones that matter most. “It’s incredibly rewarding when I hear from women

This page: Outfit: Gucci

Jewellery: Boucheron

Right page: Outfit: Balenciaga

Jewellery: Pomellato

leaders who tell me that a piece of advice or guidance I offered years ago helped shape their own path,” she says. “Beyond mentorship, I believe true empowerment comes when women are not only invited to the table but are actively shaping it. For me, paying it forward means using my platform to ensure the next generation doesn’t just aspire to have a seat, but they feel empowered to design the future of the industry itself.”

When it comes to decoding the evolving luxury landscape of the Middle East, Youssef’s perspective is both nuanced and authoritative. She points out that the region’s clientele ranks among the youngest luxury consumers in the world. With more than 60% of the GCC’s population under the age of 35, this generation is as globally connected and digitally fluent as it is firmly rooted in the region's love of heritage, tradition, and its deep sense of community.

Over the last decade, she has witnessed a remarkable evolution in the Gulf’s relationship with luxury. It has moved away from the time when more flashy displays of wealth, where bold logos, seasonal “must have” statement accessories and instant brand recognition were de rigueur. “Today, it is increasingly about intentionality, identity, and emotional connection,” Youssef says. That evolution has pushed brands to innovate with more nuance, for a clientele that is savvy about the luxury space and no longer looking for outward approval over their own sense of identity and individuality. “Their questions go beyond aesthetics: Is this brand aligned with my values? Does it reflect my culture, my story, my aspirations? Luxury is no longer just what you wear, but what you represent,” she explains.

policy. The company offers (to both men and women) a whopping 3.5 months of fully paid leave which is one of the most progressive programs of its kind in the world. “It supports families, empowers fathers, and indirectly strengthens women by promoting genuine gender balance,” says Youssef.

Youssef is also excited about the ways Kering is trying to connect in a real way with the region. She points to initiatives like the Kering Generation Award, which debuted in Saudi Arabia this year. Its goal: to discover local and regional innovations in the arena of sustainability and support them in building awareness on a more international scale. And as Kering’s Women in Motion program celebrates its 10 year anniversary, with a goal to highlight women in arts and culture to change mindsets and combat gender inequality, a first edition will be launched in the Middle East at the Red Sea Film Festival in December.

But she is also proud of more company-wide initiatives that will have local impact. For example, Kering’s global Baby Leave

As she looks toward the future of the Kering brands she champions, Youssef remains deeply focused on finding a middle ground –between heritage and innovation, as well as global ambition and local identity. “The balance lies in remaining true to the Houses’ codes while evolving in ways that feel relevant to today’s clients,” she says. “Heritage is the anchor, it’s what gives each House its authenticity and timelessness. But relevance comes from translating those codes into a contemporary language that connects with clients today.”

But she knows that any success, for the brands she oversees to her own career, can’t be accomplished in a vacuum. Just like the photoshoot, it takes a village to create a winning strategy… or shot. Or as Youssef puts it: “Shaping the industry is not a solo journey. Influence becomes stronger when you collaborate, amplify other voices, and turn vision into shared progress.”

“Heritage is the anchor, it’s what gives each House its authenticity and timelessness. But relevance comes from translating those codes into a contemporary language that connects with clients today.”

WORDS: ALIA AL SHAMSI

The light of day breaks through the curtains, Dust confetti streams across the room.

A Delicate lift of taupe pencil glides, marking arches, the glory, the pillar of a Roman nose, the deep Andalusian brown of her eyes. Cupid pulled his bow twice. She traced its curve with a reddish pink, rolls unwind, pins dropped on the table, freeing time. A scent, a forever, her memory, A silver fog of hairspray and Knowing perfume.

“What do you mean a camel? A camel?”

That was my first reaction when I read that the Arabic word for elegance, anaqa, came from naqa, meaning a female camel.

I had decided to do a quick search on the etymology of the word ‘elegance’. The concept itself predates runways and red carpets. The word holds its roots in the Latin eligere, meaning “to make choices,” specifically “tasteful choices.” It then entered the Middle English period in the 15th century, and it did not become a word in reference to fashion until the Parisian salons in the 17th century. But the definitive moment was in the 18th century, refined luxury until it hit the 20th century with the rise of fashion houses and haute couture elegance was more an outwardly expression rather than poise and demeanour.

So, I wondered what the word in Arabic refers to and its own journey within the world of meaning and words. Yet, the absurdity of the reference I read was unbelievable and made me reach for my phone immediately. There was only one person I could trust to decode this linguistic mystery: my Arabic teacher, a man who has shaped my love for the language for over twenty-five years.

I texted in disbelief: “Is this true? Did the origins of elegance really begin with a camel?”

A while later, his reply arrived with scholarly calm. “It’s a common misconception,” he wrote. “The two words only sound alike. Anaqa is refinement in appearance and grace. Naqa, on the other hand, is simply a camel.” Then came the unexpected twist. He added, “The classical poet Abu Nuwas once mocked the Arabs for associating beauty with camels.” In one of his verses, the irreverent poet teased that if beauty resembled a camel, perhaps beauty itself wasn’t much to praise.

I couldn’t help but laugh. As someone who genuinely loves animals, I hold every creature in high regard, but I still struggle to picture a camel as the symbol of elegance, a gazelle perhaps, but a camel? And yet… they do have those lashes.

That’s when it struck me: elegance is perspective.

Curiously, the word also belongs to worlds far beyond fashion. In mathematics, an “elegant” equation is one that solves complexity with poetic simplicity. I’ve never seen that elegance as math, and I have never been close, but I love that the same word can describe both a silk gown and a perfect theorem. Ladies and gentlemen, this: e^(iπ) + 1 = 0 is Euler’s Identity and has been compared to a Shakespearean sonnet. I say no more.

Elegance transcends categories.

For me, elegance will always return to one image: my grandmother.

I sit in front of her in a mirror, I stare.

For elegance is a word that I understood right then and there.

THE ART OF DECORUM

Noura Al Marzooqi,

cultural presenter at the Sheikh Mohammed bin Rashid Al Maktoum Centre for Cultural Understanding, shares how hospitality

in the UAE isn’t just taught – it’s lived

WORDS: SARAH JOSEPH

In a city celebrated for its skyscrapers, innovation, and cosmopolitan spirit, Dubai’s essence remains rooted in something much deeper – its values. Beneath the glittering surface of the buzzing metropolitan lies a culture anchored in respect, generosity, and hospitality. Few places encapsulate that better than the Sheikh Mohammed bin Rashid Al Maktoum Centre for Cultural Understanding (SMCCU), where the motto “Open Doors. Open Minds.” isn’t just a slogan, it’s a way of life.

Founded in 1998, the center has become a living bridge between heritage and modernity, inviting visitors to experience the Emirati way of life firsthand. “From the moment guests arrive, we want them to feel at home,” says Noura Al Marzooqi, an Emirati cultural presenter at the SMCCU. “We welcome them with Arabic coffee and dates, the first act of hospitality in every Emirati home. It’s more than a drink, it’s a sign of respect.”

In the UAE, generosity is not merely a social gesture, it’s the heartbeat of daily life. Whether through the simple act of serving Arabic coffee or the quiet insistence of paying a guest’s bill, Emirati hospitality embodies a grace that goes beyond formality. It’s a gesture of welcome, of shared humanity, and of pride in tradition. Even the coffee given to guests carries meaning. It is poured in small quantities to allow for conversation, its preparation and presentation reflecting attentiveness and care. The oldest or most senior guest is served first, a thoughtful move that quietly reinforces respect and order, two cornerstones of Emirati decorum. “Hospitality isn’t something we do, it’s who we are,” Al Marzooqi confirms.

Decorum in the UAE finds its truest form in the majlis, the traditional sitting room that remains the heart of Emirati social life. “We have a saying, Al majalis madaris, meaning ‘the gatherings are schools,’” Al Marzooqi shares. “It’s where people learn about life, trade, history, and manners just by being present.” In a majlis, hierarchy, humility, and hospitality intertwine. Elders are greeted first, conversation is never interrupted, and tone is as important as content. Guests sit according to seniority, and younger attendees often listen more than they speak, a subtle acknowledgment of wisdom and experience.

“Every gesture has meaning,” Al Marzooqi explains. “When someone older walks in, you stand. When coffee is poured, you offer it with your right hand. When perfume or bukhoor is passed around, you accept it gracefully. These are simple acts, but they show deep respect.” To understand Emirati traditions is to understand that manners are lived, not performed. “In our culture,” says Al Marzooqi, “the smallest actions reflect who you are. Saying ‘salam’ when entering a space, offering help without being asked, lowering your voice when elders speak, all of these speak volumes.” Even attire carries an element of etiquette. Dressing modestly in public spaces, removing shoes before entering someone’s home, and avoiding excessive dis-

plays of wealth are gestures that communicate humility and awareness. “Emirati culture values refinement over extravagance,” she says. “True elegance here is quiet, grounded in grace.” In a nation that welcomes over 200 nationalities, understanding local etiquette is not about conformity, however, it’s about connection. “Dubai has always been multicultural,” notes Al Marzooqi. “But what makes it special is that people don’t just coexist, they participate.”

SMCCU’s cultural presenter smiles as she recalls visitors who embrace the culture wholeheartedly. “During National Day, you’ll see everyone, locals and expats, decorating cars, waving flags, and celebrating together. During Ramadan, many non-Muslims even try fasting for a day. They come to our iftars, they ask questions, they want to learn. That curiosity is the first step toward respect.”

Al Marzooqi encourages newcomers to the UAE to approach Emirati culture with openness. “When you visit someone’s home,

take a small gift, dates, sweets, even a candle. Dress modestly. Use your right hand to eat and greet. And never rush a conversation. In our culture, time spent together is a gift.”

For SMCCU, decorum is not a rulebook, it’s a rhythm. “It’s a way of life,” Al Marzooqi says simply. “From how we greet to how we give, it’s all connected to our values.”

Dubai might feel like its bustling 24/7 and haste could feel as if it sometimes replaces humanity. But Emirati manners remind us that true sophistication lies in stillness, in noticing, listening, and extending warmth without expectation. It’s not about grand gestures but the quiet ones: the refill of a coffee cup, the offered seat, the kind word to a stranger. As a Third Culture kid, born and raised here in the UAE, I certainly know that elegance doesn’t need to announce itself. It’s already there, in every act of generosity, every shared meal, and every open door.

WORDS: AMINATH IFASA

A STORYTELLER’S HEART

In the quiet, art-filled sanctuary of her home in Sharjah, Shabana Faizal, Vice-Chairperson KEF Holdings, Co-Founder of Faizal and Shabana Foundation and Founder of QissaGoi, is crafting a cultural legacy

To step into Shabana Faizal’s home is to step into a gallery of her memories. Each wall speaks –adorned with pieces that chart the expansive map of her passions. A vibrant, dancing figure by Indian master M.F. Husain holds court alongside an intricate night sky painting by Jethro Buck. Abstract forms converse with traditional designs, creating a visual symphony that is both personal and profound. The collection is a reflection of a life lived in deep conversation with art. And

the presence of Shabana’s beloved cats, weaving through the space with nonchalant ease, immediately transforms the grandeur of the art-filled space into that of a warm and welcoming home. Shabana’s impressive journey began with an idyllic childhood in Thumbe, in South India. “It gave me the freedom to be a free spirit,” she recalls, her voice soft with memory. There the natural world was her preferred playground, filled with animals, birds, and the space to let her imagination run wild. She would spend hours building her own little houses from whatever materials she could

“In India, we have the word ‘Kala’. For me, it encompasses everything – your skills, art, artisans, craftsmen, singing, music, theatre. It’s about appreciating all forms of expression.”

Previous page: Traditional embroidery of Phulkari; Below: Kathak Dance Performance at the Maharaja Darbar by M.F. Husain; Right page: Jethro

Buck’s Stand Still

find – an early, physical manifestation of the worlds she would later construct through story and art. The most formative influence, however, was the sound of her father’s voice. He was a storyteller, weaving tales of the Mughals, of Shah Jahan’s love for Mumtaz, and the architectural poetry of the Taj Mahal. He would recount these stories with such detail, Shabana recalls, that she could almost see them come to life in front of her eyes.

“He created a world for me where I could actually look into whatever story he was saying,” she says. “That sense of wonder is what actually got me interested in art.” It’s a feeling that Shabana continued to nurture over her lifetime, a constant companion and quiet hum beneath the surface of a life that took a more conventional path. It led her to marriage, motherhood, and a move to the UAE in 1995, where she joined her husband Faizal Kottikollon in the family business, KEF Holdings.

Yet, even there, she satisfied her creative hunger in inventive, tangible ways. She found herself drawn to the scrap yard, seeing potential in discarded industrial pieces. A large pipe was transformed into a majestic boardroom table; other metal scraps were reborn as sculptures that dotted the office. She initiated annual art exhibitions for every employee, from the shop floor to the executive suite, believing firmly that the urge to create is universal.

Three years ago Shabana decided to launch her art and culture foundation QissaGoi, which means storytelling in Persian. Encouraged and inspired by her children – Sophiya, Sarah, Ahmed Zachariah, and Czarina – the foundation is the physical manifestation of a long held desire to create a platform for Eastern stories to be told, and more importantly shared with the wider world. “I wanted to tell stories from South Asia and the Middle East,” she explains. “This region is my home. I feel humans are connected. So what is it that connects us? That is the central question for us at QissaGoi,” she explains.

This philosophy of connection is woven into the very fabric of all of Shabana’s endeavors. She speaks with particular warmth about a recent project in Nabha, India, where QissaGoi worked with women artisans skilled in the traditional embroidery of Phulkari. In a deeply patriarchal society, the initiative went beyond craft. It was about building a cooperative, providing training in marketing and finance, and, most importantly, fostering self-worth in women. “Once the family realised that she is doing something and she is earning money out of it, it was a different respect she got,” Shabana shares, highlighting how transformative the activation was for many of the women. “It was like teaching them to fish so they can survive on their own and lead a more fulfilling life. At least they have a say now in their family.”

This drive to create impact is a family philosophy, channelled through the Faizal and Shabana Foundation. While the foundation has transformative projects, like in education – turning government schools into vibrant, model institutions – QissaGoi allows Shabana to focus her philanthropic energy on the intangible heritage of art and culture. For her, it is all part of the same thread. “In India, we have the word ‘Kala’,” she shares. “For me, it encompasses everything –your skills, art, artisans, craftsmen, singing, mu-

“This region is my home. I feel humans are connected. So what is it that connects us? That is the central question for us at QissaGoi,”

sic, theatre. It’s about appreciating all forms of expression.” With QissaGoi, Shabana is deliberate about creating a platform that is approachable, a space where a child, a student, or a connoisseur can feel an equal sense of belonging.

Shabana’s own personal collection also reflects this thoughtful, evolving curatorial eye. She speaks of her first major acquisition, the M.F. Husain painting, ‘Kathak Dance Performance at the Maharaja Darbar’, with the fondness of a first love. She spent a year with an art advisor, visiting galleries, understanding mediums, and discovering her own taste. “I realised I like fabrics, I like Mughal art, and miniatures,” she says. This led her to another cherished piece: a 17th-century Deccani manuscript named ‘Rustam’s Audience With Kay Qubad’, so intricate it requires a magnifying glass to read. Shabana says that she is drawn to the colour blue, which washes over many of her chosen pieces, and to the meditative quality of artists like Jethro Buck, who reinterpret the miniature style for a contemporary gaze.

As someone who believes life is ever-evolving, her perspective has recently been profoundly deepened by her latest role, that of a grandmother. The arrival of her granddaughter, Nuri – a name that means ‘my light’ – has united four generations: Shabana, her mother, her daughter Sophia, and now the newest member of the family. “Seeing

the four generations of women at the same time makes me feel that there is something very important we need to pass down,” she reflects, with a smile. She has already told Sophia that she will be Nuri’s mentor in art and culture, a commitment that adds a new layer of urgency to her work. “Having my mom and my granddaughter in the same room has cemented the importance of what Qissagoi is doing.”

Shabana acknowledges the challenges of passing down tradition in a world of social media and dispersed identities. It is a reality she understands intimately. “You get confused, who are you really?” she muses, speaking of the duality of feeling at home both in the UAE and in India. This is why QissaGoi’s ‘Third Culture Taboos’ talks, held at the Paus wellness club and cafe in Dubai, provide a safe space for conversations often left unspoken.

Shabana’s mission to connect people more deeply to their culture and heritage continues to unfold through a slate of ambitious projects: documenting fading traditions, championing the KochiMuziris Biennale as a trustee of its foundation, and creating a video series on the UAE's legacy-bound cultural businesses. In these roles, and as a Global Advisory Committee Member for the Indiaspora Forum 2026, Shabana does more than preserve the past. She weaves its most vital threads into the tapestry of the future, ensuring the stories that connect us are never broken.

For Morin Oluwole, an International Luxury Business Leader who serves on the boards of Breitling, Rituals, Mobkoi, and Biologique Recherche and the former Global Luxury Director at Meta, elegance is not just about style – it is about intention. In an age of speed and noise, she invites us to see elegance as one of leadership’s most overlooked strengths

WORDS: MORIN OLUWOLE

THE SOFT OF

The word “elegance” is often confined to the world of aesthetics: a refined dress, a poised gesture, a carefully curated image. But in truth, elegance is not simply about appearance. It is a way of thinking, of acting, of leading. It is about how we choose to express ourselves in the world – with clarity, with respect, and with an ability to strip away the unnecessary in order to focus on what truly matters. In the realm of leadership, elegance is rarely discussed. We are taught to be efficient, decisive, ambitious – but rarely to be elegant. And yet, it is this very quality that allows leaders to create impact without excess, to command attention without noise, and to inspire without imposing. Elegance, in this sense, becomes a quiet form of strength.

Elegance as Clarity

At its core, elegance is the art of simplicity without losing depth. In a world saturated with information and distractions, the ability to cut through complexity and bring clarity is one of the most power-

POWER

ful tools a leader can possess. True elegance is not about oversimplification; it is about refinement. It is asking: what truly matters here? What deserves my energy and attention?

The elegant leader is one who can transform ambiguity into direction, who knows when to speak and when to stay silent, who can distill complexity into clarity without diluting substance.

I recall a board meeting where the conversation circled endlessly around technical details. Instead of adding more noise, I asked one simple question: “What is the outcome we want to achieve in six months? In one year?” That single shift cut through the complexity and gave the group direction. To me, that was elegance – not dominating the discussion, but creating clarity with one clear line of thought.

Elegance as Respect

Elegance also manifests in the way we treat others. It is not about hierarchy, but about humanity. An elegant leader is one who brings out the best in people, who uplifts rather than diminishes, who listens with attention rather than interrupts with assumptions.

Respect, in this sense, is elegance in action. It is about acknowledging the presence and contributions of others without the need for dominance or self-assertion. In meetings, in negotiations, in moments of conflict – elegance is the choice to lead with dignity, to be firm without being harsh, to be persuasive without being manipulative. In an era where leadership is often equated with charisma or dominance, elegance offers a quieter but more sustainable alternative: authority built on mutual respect.

Elegance as Resilience

Elegance is not fragile. It is not about perfection or polished surfaces. On the contrary, it is about how we carry ourselves in moments of challenge. It is the strength to bend without breaking, to absorb shocks without losing coherence, to adapt without aban-

doning one’s values. In this sense, elegance is not the absence of difficulty but the way in which we choose to navigate it. I’ve had professional setbacks where it would have been easy to react with frustration or defensiveness. Instead, I made a conscious choice to pause, breathe, and respond with perspective. Elegance, in those moments, was not about appearing flawless, but about carrying myself with consistency and composure. In this sense, elegance is not the absence of difficulty but the way in which we choose to navigate it.

Elegance as Joy

Finally, elegance is about joy. There is an ease, a lightness, in true elegance. It does not strain, it does not overcompensate – it flows. In leadership, this quality is invaluable. It means finding balance in responsibility, creating space for creativity, and reminding people that work, even at its most serious, can be meaningful and uplifting. Even in the most high-pressure contexts – from product launches to major client events – I make it a point to celebrate with my team. A shared laugh or a moment of levity shifts the energy completely. Elegance here is about lightness, reminding us that leadership is not only about output, but about how people feel along the way. Joy, like elegance, is contagious. When a leader embodies both, they invite those around them to aspire not only to results but to a way of being that is inspiring in itself.

Redefining Elegance in Leadership

Elegance is not superficial. It is not about clothes or posture, but about coherence, respect, and presence. It is the art of balancing strength with grace, ambition with humility, speed with discernment. In redefining female leadership, we must reclaim elegance as part of our vocabulary – not as an accessory, but as an essential. For it is elegance that allows us to lead with integrity and to inspire with authenticity.

ELEGANCE

WINDS of CHANGE

As the SailGP finale heads to Abu Dhabi this month, venture capitalist and Red Bull Italy team co-owner Assia Grazioli-Venier is proving that gender inclusion isn’t just good optics, it’s good business.

From investing in women’s health to steering the future of co-ed sport, she’s redefining what leadership looks like on land and at sea

WORDS: JESSICA MICHAULT

TThat instinct, to open doors, to reimagine what’s possible, to make the inaccessible attainable, has defined Grazioli-Venier’s career. As one of the few female venture capitalists in the world (Only 13% of U.S. VC decisionmakers are women, and 1% are General Partners according to a 2022 report by the venture capital platform AllRaise), she has built a career investing in what others once overlooked: women’s health, data-driven care, and the future of sport. “As much as we can all complain about not being as understood or heard, I always joke with my partner that we laugh all the way to the bank,” Grazioli-Venier says. “At the end of the day, we get to seize opportunities, huge markets that have been overlooked for centuries.”

his month, with the glittering skyline of Abu Dhabi as a backdrop, SailGP – one of the world’s fastest-growing global sports leagues – will stage its grand finale on the Arabian Gulf. Amid the adrenaline and elegance of the racing high-performance F50 foiling catamarans slicing across the water, one of the sport’s most influential figures will be watching from land: Assia Grazioli-Venier, Founding Partner of Muse Capital and part-owner of the Red Bull Italy SailGP Team.

“I wasn’t interested at first,” she admits with a laugh about the idea of investing in the start-up, high-speed sailing racing league. “I saw sailing, and I thought, it’s premium, it’s not accessible. It's for rich people. But then I started looking under the hood and saw huge potential. This sport isn’t sailing like most people think about it. It’s foiling. It’s adrenaline – it’s Formula 1 on water. And it’s the only global league where men and women race on the same team.”

Muse Capital, which Grazioli-Venier co-founded with her partner Rachel Springate in 2016, has spent the better part of a decade proving that investing in areas she defines as “care, live, and play” can reap great rewards. “When we were raising our fund and telling our majority male investors that we were investing in women’s health care, they said, ‘Okay, but isn’t it niche?’” she recalls. “Eight years later, the company that’s giving back capital to investors is a menopause business. That’s a great proof point for us.” Grazioli-Venier’s passion for women’s health is deeply personal. “I had breast cancer when I was 36. I’m 45 now,” she says. “We just announced two weeks ago that we invested in an amazing technology called BeSound, a device that detects breast cancer in dense breasts, which 50% of the population have. Mammograms don’t pick up dense breasts, and women die from being misdiagnosed.” For Grazioli-Venier, the motivation to invest in women’s health stems from lived experience battling endometriosis, fertility treatments, and the realisation that female biology had been largely ignored. “Women were excluded from clinical trials until 1993,” she says. “The data that’s coming in from these women’s healthcare companies is brand new. It’s sad, but also an enormous business opportunity, because these are data sets that have never existed before. And we’re living in an era of data and AI.”

“SailGP’s mandatory female crew rule gives us a live laboratory to prove that gender integration drives commercial value, not just headlines.”

This “Care Thesis” – investing in data-driven, female-focused innovation – has become Muse’s competitive edge. “AI is only as good as the data you put into it,” she explains. “The companies that will thrive are the ones that have proprietary data, and that’s what women’s healthcare companies inherently own.” Yet it’s Grazioli-Venier’s move into sports ownership that’s turning heads, and rewriting the rules of who gets to play in the billion-dollar world of global sports. Her first foray came in 2012, when she joined the board of directors of Juventus Football Club. “At that time, they didn’t have a women’s team,” she recalls. “I convinced the allmale board that women could run for 90 minutes. In 2017, we started the women’s team.” That experience, along with early investments in data analytics and talent management for female athletes, opened her eyes to the commercial potential of women’s sports. “We realised there was no fan data on female fans. None. You can’t monetise or show commercial impact until there’s data,” she says. “So we invested in a company that started tracking it for the first time.”

The numbers don’t lie. Fans of women’s sports are 2.8 times more likely to purchase products recommended by female athletes than other influencers. And brands that support women’s sports see a 32% increase in consumer affinity – a figure that rises to 44% among women, according to a report by Parity. And with Deloitte projecting that the global women’s sports industry will reach $2.35 billion this year, this is no longer a feel-good movement –it’s an economic revolution. “I always say that integrating women into elite, traditionally male sports isn’t symbolic, it’s a business advantage,” Grazioli-Venier explains. “SailGP’s mandatory female crew rule gives us a live laboratory to prove that gender integration drives commercial value, not just headlines.”

For the uninitiated, SailGP is a high-tech racing league featuring F50 foiling catamarans – sleek, carbon-fiber machines that “fly” above the water at speeds exceeding 100 kilometers per hour. Each of the 12 teams represents a nation and competes in races across some of the world’s most iconic coastlines, from Sydney Harbour and the San Francisco Bay to Saint-Tropez and Abu Dhabi.

“It’s a full-body experience” recounts Grazioli-Venier, even for the fans. “These boats glide and fly over the water. And there’s this sound, like the wind whistling between the sails and the foils, it gets into your skin and your veins.” Watching the races live is unquestionably a visceral experience but the digital product is just as thrilling: “It’s almost better on television,” admits Grazioli-Venier, The use of Oracle technology (supplied by SailGP and Oracle founder Larry Ellison) gives spectators a bird’s-eye view of the race course while simultaneously listening to the audio from the boats, the result is a truly immersive experience. But beyond the spectacle, SailGP is also engineered for a more equitable competition. Unlike other sports where things like multimillion dollar salaries or state of the art equipment can give certain teams unfair advantages SailGP is determined to keep the playing field level. There is a $10 million dollar cost cap per team, all the boats are identical, and the data is shared equally. “So the real competitive edge is the people – the team. And that’s true both on and off the water,” shares Grazioli-Venier.

For her, leading the Red Bull Italy SailGP Team, alongside coowners Jimmy Spithill and Gianluca Passi, is both a business decision and a cultural mission. “From a cultural perspective, Italy is 70% coastline. Sailing is one of the biggest sports in our country,” she says. “We’re a land of voyagers. It’s part of who we are.”

Not to mention that Grazioli-Venier’s co-owners both bring unique attributes to the table, besides her own expertise at Muse Capital with innovation and storytelling. Spithill has an impres-

Assia Grazioli-Venier and Cathy Ryan, team manager, SailGP Italy Team

sive history with sailing, having won multiple America’s cups, and Passi’s knowledge of the luxury space and building brand identity, thanks to his time at Moncler and Giorgio Armani, puts the Italian team in pole position when it comes to winning sporting hearts and minds both on and off the water.

Another distinguishing characteristic of SailGP that GrazioliVenier finds particularly powerful is the fact that each team must include at least one female athlete. “Most teams have one woman. We have two,” she says proudly. “Nobody sees it as obligatory. Diversity on the boat creates better outcomes.”

The organisation is doing this through its Women’s Pathway Program which was launched to do more than make headlines. “It’s not a social initiative, it’s a talent pipeline strategy,” Grazioli-Venier explains. “Fans respond when they see themselves represented, and brands follow. It’s one of the smartest long-term commercial plays in sport: build your talent pool and your audience together.”

The results are tangible. the SailGP race that took place in Italy drew ten million global viewers, a testament to the sport’s growing fan base and to the resonance of the Italian brand. “The Italian race was one of the leading broadcasts of the entire circuit,”

the co-founder notes. “That’s proof of how powerful this story can be.” This month, when the league docks in Abu Dhabi for its finale, Grazioli-Venier will host an event bringing together highnet-worth individuals and female leaders from across the region. “We’re going to host an event with some friends out there,” she says. “We’re bringing together investors, athletes, and advocates for women in sport. It’s a conversation that’s long overdue.”

As a mother to a nine-month-old son, Luca, Grazioli-Venier is acutely aware of what it means to shape a future that looks different from the one she inherited. She is determined with SailGP, and the other investments Muse Capital is making, to highlight to the investor community that women, both in sports and in the board room, are a value add, a commercial driver. She believes the future of sport – and investing – lies in inclusive design. “We’re not just the first female owners in the league,” she says. “We want to open the pathway commercially and competitively for others to follow.”

In a sport that’s powered by wind and driven by innovation, Grazioli-Venier is proving that true speed comes from conviction, and that the future of global sport, like the future of venture capital, will be co-ed, data-led, and unapologetically female.

“We’re bringing together investors, athletes, and advocates for women in sport. It’s a conversation that’s long overdue.”

SEEING RED

The latest wellness space to explore in Dubai is Akari. Founded by Katia de Rham and located in One Central, the zen-like space gives off a warm and inviting glow designed to sooth the mind, body and soul. Red light therapy is a cornerstone treatment at the new establishment. But other state of the art soins, like Intermittent Hypoxia-Hyperoxia therapy and NormaTec compression therapy are also worth trying. Not to be missed is the sunken Brain Bar, where guests can sip on bioactive beverages like adaptogenic blends and fermented wellness shots for an all natural boost.

GLOW

Dig deep and…

– Discover the art of beauty

– Find the fitness regime that calls to you

– Learn about scent memory

– Bring balance into your life

– Get to the root of the problem

Hot New Buys

WORDS: CAMILLE MACAWILI

New season beauty favourites that feel like the height of luxury

After Dark

EYE REFRESH

Dior’s micro-nutritive revitalising eye serum features a jewel-like 360° reshaping applicator that provides a cooling effect. Enriched with crème de la crème formulas, it revives the eye and corrects signs of fatigue. Prestige Le Micro-Sérum de Rose Yeux 20ml Dhs1,140 Dior

ESPRESSO YOURSELF

Crafted with lightweight fibers and a smudge-proof formula, Hourglass’s deep-brown mascara gives lashes a wide-eyed effect and polished finish that’s subtle yet sophisticated for everyday wear. Unlocked Instant Extensions Mascara in Espresso Dhs130 Hourglass available at Sephora

Byredo’s Bois Obscur delivers a quiet intensity crafted for after-dark rendezvous, featuring a beguiling blend of floral and woody notes that leave a seductive trail. Bois Obscur Extrait de Parfum 70ml Dhs1,459 Byredo

Gold Standard

An innovative eye cream that works to actively stimulate skin oxygenation for an instantly brightened, revitalised look that banishes signs of fatigue. Merveilleux Serum 40ml Dhs3,888 Valmont available at Bloomingdale’s

Artistic Allure

DYNAMIC DUO

111SKIN’s Exosome Face Lift is a feat in skin care innovation. This exceptional anti-ageing duo targets advanced signs of ageing by lifting and tightening the skin. Exosome Face Lift Dhs3,030 111SKIN

ALL ABOUT THE BASE

Victoria Beckham’s The Foundation Drops is an industry-favourite for a good reason. Merging skincare and makeup into one product, the skinfirst foundation delivers serum-light coverage for a luminous finish. The Foundation Drops Dhs404 Victoria Beckham Beauty

GLIDE & GLOW

Housed in Valentino’s signature case, this lip balm delivers a luscious tint, 24hour hydration, and a sensorial glide. Spike Valentino Disco Balm Dhs215 Valentino available at Sephora

Chanel’s Les 4 Ombres Boutons eyeshadow palettes are designed like a work of art, showcasing buildable pigment payoff, whether for subtle definition or a smoky finish. Les 4 Ombres Boutons Dhs360 Chanel

BEAUTY ICONS

Equal parts artful and functional, these elevated essentials double as objects of desire to treasure for years to come

PHOTOGRAPHY: EKATERINA SHIRSHOVA

This page: LV Ombres Eyeshadow Palette in Monogram Rouge Dhs960

Louis Vuitton

Left page: KissKiss Bee Glow in 878 Pearly Dahlia Dhs190 Guerlain

This page: (top) Xpert Foundation Brush Dhs125; Xpert Blush & Bronzer Brush Dhs116; All Asteri Beauty; (left) 01 Matte Powder Dhs270 Gucci Beauty

This page: (right) Trait d’Hermès

Eye Pencil in 74 Bronze Dhs224 Hermès; (below) Ombres d’Hermès Eyeshadow Quartet in 04 Ombres Marines Dhs459 Hermès

Left page: Forever Blush Soft Filter in 02 Peony Dhs192 Dior; This page: Neon Print Lipstick Case Dhs150 and Lipstick Refill in Ruby Jimmy Dhs155; Coral Ceramic Lipstick Case Dhs150 and Lipstick Refill in Favorite Red Dhs155; All Dries Van Noten

NEW MOVES

WORDS: SARAH JOSEPH

The newest fitness and wellness studios to upgrade your workout routine in the GCC

SKULPT, UAE

Step into Skulpt, Dubai’s ladies-only sanctuary where movement meets minimalism. Home to the Hot Skulpt Club, the studio offers cutting-edge infrared-heated classes that sculpt, detox, and energise. From Reformer Pilates to dynamic mat flows, each session is crafted to calm the mind. To unwind post flow, the sleek in-house bar with artisanal matcha from Matcha Concept and a selection of nourishing smoothies, complete any wellness ritual. Located in Azizi Riviera 44 Meydan, prices start from Dhs80 per session for the mat classes and Dhs100 for the Skulpt Reformer. Skulptdubai.com

SOUL MVNT, UAE

This space goes beyond a Pilates studio. It’s a modern sanctuary for fitness and wellness, offering Lagree on the mega pro, sculpt, Pilates burn, yoga, Korean recovery, and sound healing within a minimalist, design-led space. More than a studio, it’s a lifestyle destination complete with a juice bar, gourmet bites, exclusive athleisure, and premium amenities rooted in guiding principles of breath, mindful movement, and holistic well-being. Located in Dubai Design District, building 8, Unit R06, prices start from Dhs162 for a Lagree mega pro class and Dhs129 for a Pilates burn, sculpt, yoga or Korean recovery session. Soulmvnt.com

AURA STUDIO, UAE

This serene wellness centre is dedicated to nurturing holistic health for all levels. With offerings including yoga, reformer and mat Pilates, Brazilian body classes, workshops, corporate wellness, and more, it blends movement, mindfulness, nutrition, and community. The studio features a clean, luxurious design, a healthy café and concept store. This is built in a space meant for re-

FORM Studio

connection, well-being, and balanced living. Located on Abu Dhabi’s Reem Island, prices start at Dhs130 for mat yoga and Dhs160 for Pilates Reformer. Aurawellness.ae

FORM STUDIO, UAE

This boutique destination redefines strength and recovery. With a focus on Lagree and stretch, the minimalist space is designed for those seeking both intensity and restoration in equal measure. Beyond its sleek, design-led aesthetic and thoughtfully curated class schedule, it offers a sanctuary where movement becomes a lifestyle, guiding the body towards balance, elonga-

tion, and resilience. Located on Abu Dhabi’s Saadiyat Island, prices start at Dhs160 for one class. Formstudio.ae

FORMÉ WELLNESS CLUB, SAUDI ARABIA

Reformer Pilates takes on an entirely new dimension at this newly opened space. Designed with a purpose-built studio, guided by expert instructors, and equipped with stateof-the-art Reformers, this dedicated haven offers a seamless blend of precision, flow, and strength. Whether you are new to the practice or already well-versed, the experience is crafted to elevate movement into something

transformative, setting a new benchmark for fitness and wellness in the region. Located at Club Kingdom Centre in Riyadh, prices for each session are POA. Formewellness.club

ERA MEMBERS CLUB, KUWAIT

This state-of-the-art multi-level wellness destination offers reformer Pilates, recovery therapies and a variety of group classes. With restorative movement at its core, each class is led by experts to elevate the overall fitness experience. Located at Jase Tower, Sharq in Kuwait, prices start at Dhs180 per session. Eramembers.club

RISE WELLNESS, QATAR

Opened in June this year, the space allows everyone to enjoy boutique reformer classes crafted for strength and flow. Designed for clients to move with intention, the space was born to build a fitness community with mindful movement at its core. Located in Burj Al Mana Tower, Doha, prices start at Dhs92 for a high-energy hip-hop hits class for one hour, Dhs92 for a jazz funk HIIT one hour class and Dhs37 for a 20-minute sculpt workout. Risewellness.me

ASAYA, QATAR

By taking integrative wellness to the next level, Qatar’s first member’s-only social wellness club is now open. Based on the five pillars of emotional well-being, physical movement, skin health, nutrition and community, members have access to advanced therapies to pause and reconnect. To further unwind, guests can indulge in the hydrotherapy rituals, serene outdoor pools and padel courts. Located at Rosewood Doha, membership rates are shared upon enquiry. Rosewoodhotels.com

Soul Mvnt

THE SWEET SMELL OF SUCCESS

Chriselle Lim, the Creative Director of Phlur, is taking the California brand global

WORDS: JESSICA MICHAULT

When Chriselle Lim speaks about the Phlur scents, her first inclination isn’t to discuss top notes or accords, instead she describes emotions. She references memories and moments that define who we are and how we want to show up in the world. “I tell stories through scent,” she says as she pulls out a bottle of Missing Person. She sprays it in the air and describes how when the fragrance was being created she was missing the feeling of being loved. “That was when I was going through my divorce,” she shares.

It’s that emotional transparency, rare in an industry built on mystery and mood boards, that has made the Los Angeles–based perfume house such a success since she bought it three years ago and relaunched the label. Lim has transformed the brand from a niche clean beauty label into one of the most exciting players in the modern scent space. “We took a year to map everything out, work on the new juices, and repackage everything – it’s a completely different brand now,” she confirms. “We relaunched it in early 2022, so it’s really only been out in the world for about three years now.”Lim’s rise, from fashion influencer and YouTube personality to

thought leader of a multimillion-dollar perfume business, feels as cinematic as her perfumes smell. But behind the success lies a story of meticulous intention. “The previous owners no longer wanted to continue the business, and there was an opportunity to give it new life,” remembers Lim who saw huge potential in creating a fragrance company that tapped into scents that could spark memories.

And give it life, she did. Phlur’s rebirth under Lim has been one of the industry’s most talked-about transformations. Just four years after she acquired it, the brand was sold to TSG Consumer Partners, a major player in global beauty investments, in July of this year. “Never in our wildest dreams did we think that we would be able to do that in four years,” she says. “It’s quite unheard of.”

For Lim, it was the right partnership at the right time. “We knew how to take a brand from zero to a hundred million, but it’s a completely different skill set to go into a billiondollar business. So we were ready for that growth. We want to bring Phlur into new categories, new sectors, new regions – but we couldn’t have done it with our small team alone.”

That global ambition has now brought Lim to the Middle East, which is considered by many to be the world’s true capital of fragrance. “The Middle East has been something that we’ve been eyeing,” she says noting that the sophistication of the Middle Eastern consumer when it comes to fragrances is unmatched in the world. “You really need to be here if you’re a pure fragrance brand. But before now we felt it was too early. Now we felt like it was the right timing.”

“We’re a playful brand, sophisticated but playful,” Lim shares. “We don’t want to be a delicate brand that just sits on your shelf, precious. There’s a vibe we want to create, sometimes by mixing the scents, depending on what mood you’re in, where you’re going, and who you’re seeing. I view fragrance like fashion, it’s the last accessory to your outfit.”

That sense of self-expression, of wearing fragrance as an extension of personality, is what Lim believes sets Phlur apart. “We allow our customers’ emotions to dictate how they want to play that day with fragrances and who they want to show up as,” she says. “If I’m in a suit and want to feel confident, I’ll throw on Father Figure. For us, its fundamentally about emotion – who do you want to be today?” Perhaps that’s why Father Figure – Lim’s personal favourite of the seven Phlur scents – has resonated so strongly in the region. “It’s my most beloved child,” she admits. With notes of fresh greens and soft woods grounded in oud, Father Figure has a depth that mirrors its muse – fresh at first blush but underneath, as it dries down, it proves itself to have a hidden strength. “It was inspired by my story of having to play both mother and father figure roles for my girls,” shares Lim. “It begged the question: women, we do it all now, there really are no defined roles. So I created a scent that’s not too masculine, not too feminine, gender neutral, commanding but tender.”

“I love telling stories through scent. “It’s like composing music, you just want people to feel something.”

Launching in Dubai this year marked a major moment for Phlur and one that Lim admits came with nerves. “I was very nervous about launching here, just because, again, you guys have the best of the best,” she laughs. “It’s a different market, a different region. I was hesitant – like, how is it going to do? Is it going to be as loved as it is in the States and the UK?” She needn’t have worried. “Up until the day we launched, I was anxious,” she recalls. But right from her first in person appearance at Sephora at the Dubai Mall she saw how warmly the brand was being received by consumers. She immediately saw great sales numbers and very positive feedback both from the beauty advisors and customers. “The Sephora beauty advisors here are so engaged; they truly love fragrance. It really reassured me that this was the right decision and that we were in the right market.” The Middle East’s passion for layering scent also aligns perfectly with Phlur’s philosophy.

Now, as Phlur expands globally, Lim is introducing new compositions that push the boundaries of what fragrance can be. Her latest, Cherry Stem, is a rather unexpected fruit scent. “You smell the cherry at the top, but it’s a dark lacquered fruit with a soft leather accord at the base. It dries down very lived-in, rich, and warm,” she explains as she sprays some on a proffered scent blotter. “A lot of people who typically don’t like cherry scents really love this one.” Another favourite is Vanilla Smoke, a sultry body mist that nods to the region’s love of incense. “It never really had its big moment in the US,” admits Lim, “but it’s so sophisticated that you’d never think it’s a body mist. There’s something about the smokiness and incense that we want to explore more as we develop Phlur within this region.”

In the end, Lim’s unique skill set as a brand founder and Creative Director lies in her ability to translate life’s most intimate emotions into fragrance, to distill heartbreak, resilience, and hope into a bottle. “I love telling stories through scent,” she says. “It’s like composing music, you just want people to feel something.”

KEEPING IN BALANCE

Aligning hormones and health are key in this fast-paced world. Here, Emirates Woman speaks to three experts on cultivating holistic resilience, supporting wellbeing, and thriving at every stage of life

WORDS: SARAH JOSEPH

After a late-night scroll on Instagram do you find it easy to relate to the reels on high cortisol, chronic fatigue or PCOS? Well, you’re not alone. As deadlines get tighter, workouts are skipped and processed food sneaks its way onto our plates, the impact shows up not just on the scales but in our moods, energy levels and overall health. Hormones, after all, are the silent architects of how we feel each day and when they’re out of sync, everything else is affected. That’s where holistic resilience comes in: learning to balance stress, nutrition and lifestyle so your body can work with you, not against you. Rahma Mahoon, a functional nutritionist based in Dubai, explains the importance of hormone balance perfectly. “Our hormones form the body’s communication network, they are chemical messengers that coordinate how every system talks to each other. When the messages fall out of sync, everything from metabolism to mood to fertility feels the impact,” she says. “Holistic resilience is more than just coping, it’s about creating the capacity to adapt with strength and clarity,” adds Amber Gauci Ward, the Head of Wellness at Verdala Wellness Hotel, Malta's first luxury wellness hotel, who believes our mental, emotional, and physical states are inseparable.

THE SYMPTOMS

For Mahoon, resilience begins with listening to the body’s early cues such as disrupted sleep, anxiety and fatigue, which she calls vital signals to restore equilibrium before they spiral into something deeper. Resilience is not about resisting change but rather working with the body to maintain balance: “Hormonal balance then becomes not just a medical metric, but a lived, felt expression of resilience,” says Gauci Ward. At Verdala, this philosophy translates into every detail, from architecture that invites natural light to mood-stabilising menus and retreats blending neuroscience with ancient practices, offering women a lived experience of resilience that is as restorative as it is empowering. This inside-out connection is echoed by Dr. Karim Sayed, the aesthetics doctor at renowned Dubai clinic, Ouronyx, who notes that “the skin is like a mirror of what’s happening inside,” explaining how stress hormones such as cortisol not only trigger breakouts and dullness but also accelerate ageing, especially when combined with hormonal shifts like changes in estrogen or thyroid function.

body’s rhythms: prioritising restorative sleep, eating nutrientdense foods that stabilise mood, and making space for movement that feels sustainable rather than punishing. Practices such as breathwork, meditation, or even a five-minute pause to recalibrate the nervous system can shift stress responses almost instantly. Layering this with mindful boundaries, saying no when energy is low, choosing environments that nourish rather than deplete, helps the body and mind reset.

As Gauci Ward reminds us, resilience is not built in a single retreat but in the everyday rituals we commit to. Incorporating daily self-care rituals, whether it’s a mindful morning stretch, journaling, or a calming bath, sets the foundation for resilience. “By guiding individuals through practices such as lymphatic self-massage, energy medicine, sound healing, and Spinal Energetics, they learn to tune into the body’s innate intelligence, gaining the tools to sense, respond, and restore with intention,” she says.

Mahoon notes, colour matters too and filling your plate with foods rich in natural pigments, from deep greens to vibrant reds and purples, delivers antioxidants that directly support hormonal balance, skin health, and energy. When it comes to a workout routine, strength training, in particular, not only builds muscle and supports metabolism but also helps regulate hormones like cortisol and insulin, boosting overall resilience. “When we lift weights, we improve our blood sugar not just for that day, but as we accumulate more muscle tissue, we stay more insulin sensitive over time,” Mahoon adds.

WHY IT’S IMPORTANT?

“The skin is like a mirror of what’s happening inside.”

While short-term stress can be effective, long-term stress translates into a myriad of health conditions that need us to reset before it’s too late. “Holistic resilience is about more than just managing stress, it’s the capacity to navigate life with clarity, strength, and balance,” Gauci Ward explains. “When we cultivate awareness of our thoughts, emotions, and physical responses, we’re able to respond rather than react, and truly support our hormonal and overall health.” Dr Karim adds, “Our hormones are mirrors of our resilience. When cortisol, melatonin, and reproductive hormones flow in rhythm, we sleep better, recover faster, and maintain emotional equilibrium. Ignoring these signals can have cascading effects on our wellbeing.” Mahoon emphasises, “Resilience isn’t just mental toughness; it’s about listening to your body, honouring its needs, and creating practices that support your energy, mood, and vitality every single day.” Together, they remind us that cultivating holistic resilience is not a quick fix, it’s the foundation for long-term health, vitality, and a life lived with balance.

TREAT THE ROOT CAUSE

When it comes to a dysregulated nervous system, surface level solutions simply can’t do the job. The experts agree it starts small, with awareness and consistency. Begin by tuning into the

Overall, resilience isn’t just about hustling harder or surviving on iced lattes and willpower, it’s about knowing when your body is whispering (or sometimes screaming) for balance. Hormones may be invisible, but their impact is anything but. From energy dips to mood swings, they’re the unsung conductors of how we show up in the world. Holistic resilience means listening in, swapping quick fixes for daily rituals that actually restore. “For me, resilience in aesthetics means helping patients adapt gracefully to the natural changes their bodies go through,” shares Dr. Karim. Because true strength isn’t in pushing through, it’s in syncing with yourself.

GREAT LENGTHS

WORDS: CAMILLE MACAWILI

Lars Skjøth, founder of Hårklinikken, on how healthy hair is deeply rooted to a woman’s confidence and self-perception

For women, hair has always been a marker of beauty and has long carried meaning far beyond the aesthetic. It signifies femininity, a symbol of health, an anchor of identity passed from mothers to daughters in the form of thick braids, oil rituals, and careful grooming. When hair begins to thin, the loss is not only physical but emotional, cutting into self-perception and social confidence in ways that are rarely spoken of, despite the fact that it touches thousands. Today there is a new generation of clinics emerging in Dubai that are not offering miraculous hair transformations, but something subtler: an acknowledgement that losing hair is painful and that regaining it, whether through science, scalp care, or simply empathy, can restore more than just appearance. At the forefront of this is Hårklinikken, a premium scalp and hair health clinic with outposts in Dubai, Denmark, Aarhus, Reykjavik, New York, and Beverly Hills.

In the Gulf, thick glossy hair has historically been linked to ideas of modesty and beauty. It is also central to family life, with mothers passing down rituals of combing, oiling, and braiding as forms of care. “Because of the cultural aspect of hair, where hair is a significant part of female beauty, many women consider hair loss quite a considerable attack on one’s self-perception and self-image,” says Lars Skjøth, the visionary mane man behind of Hårklinikken.

The quiet fear of losing that continuity means women will often go to great lengths to disguise hair thinning. Cultural habits such as wearing tight scarves or heavy extensions can exacerbate the very issues they are meant to hide. “Some cultural aspects can be in conflict with what is truly good for the hair, such as wearing a tight scarf or headgear that can cause pulling and traction,” Skjøth notes. Combined with high levels of stress, environmental exposure, desalinated water, and constant air conditioning, these factors often accelerate hair weakening in the region.

At Hårklinikken, the goal is to reframe hair loss as a health and well-being issue rather than a flaw – and the process is

meticulous. Every client begins with a detailed consultation – that can be done through an in-person appointment or online – of the scalp and hair condition, but also lifestyle and cultural practices. Clients then leave with products designed specifically for them – often built around the brand’s signature Hair Gain Extract, which addresses hair loss at the roots. “We start by really understanding who we are sitting in front of–age, gender, ethnicity, scalp condition, hair type, hair thinning pattern, and severity. Everything needs to be customised, because there are really not two people that are alike, and there are not two scalps that are alike,” he explains. “The Hair Gain Extract is made specifically for you and adjusted throughout your treatment.” Progress is measured against baseline photographs, and formulas are tweaked according to response.”

Follow-up visits are central to the philosophy, both for accountability and motivation. “The follow-ups are where we learn what to do next, and where you, as a client, learn what has happened since you started, which is very motivating.” If someone is unlikely to stick with the regimen, the clinic may scale back expectations or recommend supplements instead. “If we know that someone will not be compliant, we may not start them on the treatment, but instead suggest our new hair supplements,” says Skjøth. In consultations, honesty is not negotiable. “Sometimes we actually sit and spend half an hour with a woman that we can’t help, and we spend time explaining why and who might be able to help and where they should seek help,” he tells us. The science is inseparable from the empathy at Hårklinikken. The silence around hair loss has historically left many to either accept it in isolation or pursue treatments that promise more than they deliver. What makes the company’s bespoke approach resonate in the Middle East is its recognition of hair as something deeply tied to a woman’s sense of self.

“Strong hair, for me, is more like healthy hair. Hair that is growing out from the follicle in a healthy state and looks fairly uncompromised all the way to the ends.”

Strong hair, in Skjøth’s view, is synonymous with healthy hair. “Strong hair, for me, is more like healthy hair. Hair that is growing out from the follicle in a healthy state and looks fairly uncompromised all the way to the ends.” To support this, he cautions against common habits, such as washing too infrequently or tying up wet hair too tightly, which can damage follicles over time. The implication is clear: thinning hair is not a per-

sonal failing but the visible outcome of a complex set of pressures. Skjøth calls for serious coverage that normalises different hair types and educates on proper care. “There seems to be a willingness to do more about it when you have been used to having this huge, beautiful, long, wavy hair, and suddenly that is under attack,” Skjøth says. Beyond advertising quick fixes, serious coverage can help dismantle the stigma, moving beyond instant miracle solutions to acknowledge the reality: hair loss in women is much more common than we think. The more it is written about with nuance, the easier it becomes for women to seek help without shame.

TIME TO HEAL

Jan Gerber, the founder of Paracelsus Recovery, has created a safe haven of recovery on the edge of Lake Zurich designed to help VIP clients return to health

There is a subtle luxury in silence, a space uncluttered by judgment or expectation. In the world Jan Gerber has built at Paracelsus Recovery, that silence is an integral part of the healing process. The facility sits quietly on the shores of Lake Zurich, as much a sanctuary as it is a clinic. But more than that, it is a declaration: even at the heights of wealth and privilege, the need for healing is undiscriminating.

Gerber, whose own life has been shaped by the paradox of success and yet still feeling an inner void, speaks with a calm intensity about creating a place where each person can be truly seen, heard, and treated; not just clinically, but humanly. “Pain is pain and it deserves compassion, regardless of your name or bank balance,” he says. Paracelsus Recovery was founded in 2012 as a highly discreet care option for those who travel in the most elite circles. The clinic has become renowned for its signature 360-degree approach to

healing that integrates elements such as psychiatry, functional medicine, nutrition, psychotherapy, cellular health, and bespoke therapies. “Extreme wealth creates a gilded cage, where struggles are trivialised and seeking help can feel dangerous,” shares the founder.

The uniqueness of the clinic lies in its staffing model: fifteen dedicated professionals per patient, ensuring that no one ever feels lost in a system. A bespoke infrastructure is carefully calibrated to meet the emotional, biochemical, and existential complexities faced by high-net-worth individuals.

“Wealth can amplify isolation and privilege doesn’t protect you from pain,” shares Gerber, who points to how having leaders

living well balanced and healthy lives can have a ripple effect that can impact not just those around them, but whole ecosystems they oversee. It is that tension, between perception and reality, that pulses at the heart of Paracelsus Recovery. And before finding the facility, many of the clinic’s clients struggled when it came to reputable options to turn to for healing because of their high-profile existence. But discretion is the bedrock of Gerber’s business, which only accepts a few dozen clients per year.

Inside the clinical residences and lakefront apartments, the aesthetics of Paracelsus Recovery echo a private residence more than an institutional ward. And the hospitality is precise: private

chefs, personal drivers, rooms curated like artful sanctuaries. A tour of Gerber’s Swiss country retreat, his home reimagined as an extension of the Paracelsus ethos, reveals the same attention: wood, warmth, rescued mantels, and a sense of open-armed welcome.

Patients arrive burdened by pressure – executives, founders, heirs – all with invisible fractures cracking under the surface. Gerber believes his work began when he recognised that building businesses does not equate with happiness, and that many simply outpaced their own humanity in the pursuit of external success. According to him, 70% of ultra-high-net-worth individuals report significant mental health issues within their immediate family and face everything from burnout and addiction, to experiencing emotional emptiness despite being successful ‘on paper’. This is why at Paracelsus Recovery, even the most advanced medical diagnostics – gut health, hormone levels, cellular inflammation – are folded into emotional recovery.

One of the clinic’s most critical elements of success is its aftercare programmes. This includes under the radar home visits and regular check-ins with a client’s team to make sure that the newly formed good habits that were crafted during their stay are still in place. “We aim to be a movement where health, not status, is the ultimate measure of success,” says Gerber.

This is Paracelsus Recovery’s promise: that to heal, one must slow the high speed, disarm the performance mask, and re-enter vulnerability. Gerber has built not the world’s richest rehab clinic, but the world’s most human one. And in doing so, he has drawn a map for those at the top. Showing that the true luxury is having enough space to feel, and be wholly seen.

The Beauty Shelf

Alanoud Badr, Saudi fashion designer and content creator, takes us through her must-have beauty staples

Watermelon Glow Niacinamide

Hue Drops Dhs140 Glow Recipe

This is my daily ritual after I wash my face. It provides instant hydration and a glow with a sweet tint. It has become a permanent staple in my routine.

Protec(Tint) Daily SPF Tint

Dhs190 Supergoop!

Since I’m not a big fan of foundation but sometimes want some coverage on a bad skin day, this is my go-to. It offers good SPF, vitamins, and the best light coverage with everything your skin needs.

P-TIOX Anti-Wrinkle Serum for All Skin Types Dhs547 SkinCeuticals

When they said it was Botox in a bottle, they weren’t kidding. I can prolong my Botox effect by incorporating this into my nightly routine on a clean face before I sleep. I’m obsessed!

Legendary Lashes Volume 2

Dhs150 Charlotte Tilbury

I can safely say I have used every mascara on the market, and I have never found one as effective. It gives the perfect length on the 3rd coat and a curl your eyelash curler would be jealous of. I always come back to it.

Pro-Collagen Cleansing Balm

Dhs259 Elemis

This is the best thing to happen since the birth of makeup removers. It’s an easy and hydrating way to remove ALL your makeup without going through a ton of cotton pads, remover liquid, or wipes. It’s effective and rewarding after a long day.

Ambient Lighting Edit Unlocked

Palette Dhs453 Hourglass

This palette has everything you need in one place for a sculpted and radiant appearance. It gives you a lovely tanned look with the perfect rose cheeks and highlight.

COMPILED BY: AMINATH IFASA

Loose Setting Powder Dhs187

Anastasia Beverly Hills

This is one of my favourite setting powders on the market – a true classic. It’s just enough to smooth and highlight the skin.

Mini Spice Eyeshadow Palette

Dhs155 Anastasia Beverly Hills

This palette contains all the colours that will make brown eyes pop with dimension and depth. It’s my favourite.

Dry Shampoo Dhs110 Davines

As someone who is not a fan of overwashing hair, this light and airy dry shampoo does the trick every time. It leaves my hair smelling good for hours, and I can really rely on it for a refresh.

Infusion Cream Dhs168

Philip Martin

This leave-in protection cream not only smells divine, but I almost always use it when my hair needs a little taming, especially when I’m at the beach.

Tobacco Vanille All Over Body

Spray Dhs356 Tom Ford

This is the most exotic and sweet body spray to use after a shower. It helps hold the look and scent together for the rest of a night out, especially in winter. It’s so good.

Quiet Confidence

Subtle, smart, and designed to last, each of these fragrances exudes an elegance that speaks softly but has serious staying power

WORDS: SARAH JOSEPH

When it comes to a timeless beauty investment, the right fragrances can make all the difference when the goal is to leave a lasting impression. This is why the most elegant scents aren’t dictated by trends or marketing cycles, but rather endure through seasons and moods, becoming an essential part of the person who wears them. From the first spritz to the final dry-down, they embody intention. These are the sorts of fragrances that don’t seek to overwhelm but enhance one’s natural presence with poise. Crafted with precision, they often blend classic ingredients such as iris, sandalwood, and bergamot, resulting in a balance that feels both familiar and elevated. Each one tells a story of craftsmanship, representing a thoughtful approach to luxury that values substance over excess and longevity over fleeting trends. To save you from countless hours of scrolling, Emirates Woman has curated a guide to the most elegant evergreen fragrances.

1. Eucalyptus 20 Eau De Parfum 100ml Dhs1,050 Le Labo; 2.Après L’Amour No.4 Eau de Parfum 100ml Dhs755 Thomas Kosmala; 3. Santal Massoïa Eau de Toilette 100ml Dhs1,250 Hermès; 4. 724 Eau de Parfum 70ml Dhs965 Maison Francis Kurkdjian; 5. Premium Lazulio Eau de Parfum 100ml Dhs1,375 Diptyque; 6. Miss Person Eau de Parfum 100ml Dhs540 PHLUR; 7. N°5 - Eau de Parfum 50ml Dhs515 Chanel; 8. Alto Astral Eau de Parful 50ml Dhs770 Byredo

WORDS: SARAH JOSEPH

AM TO PM BEAUTY

Digital creator Rabeb Jallali shares her morning to evening beauty routine

Talk us through your morning routine. I like to start with journaling and a quick Pilates session, it sets the right tone for my day. I then proceed to my skincare routine. I love cooling my face with ice cubes, it feels so refreshing and of course, a matcha to kickstart my day. I can’t begin the day without it. How does your evening routine differ?

My evenings are usually slower. I double cleanse with my tea in hand, watch a movie or documentary, and often call my family before bed. It’s my little pre-sleep ritual, to

ensure I have a calm mind during the night. What are your go-to skincare products?

I start with the Guerlain 24K Gold Serum, a touch of pure luxury that instantly preps my skin with a subtle radiance. For a quick hydration boost throughout the day, I reach for the d’Alba White Truffle Serum Spray, a mist that gives my skin that dewy “just-landedin-Seoul” glow. To even out my complexion, Eucerin’s Even Pigment Perfector has been a quiet game-changer, helping to fade spots and bring balance over time. Also, no routine

is complete without SPF, Augustinus Bader’s The Mineral Sunscreen seals everything in with a silky finish, offering protection that feels more like skincare than sun care. Together, they form the perfect balance of science with results-driven simplicity. Are you a fan of masks? Always. Especially before a shoot or event. Nothing gives me that fresh, glowy look faster. How would you describe your approach to makeup? Less is more. I focus on the base and let my skin breathe. Makeup for me

Clockwise from top left:

Blanche Eau de Parfum 50ml Dhs770 Byredo; Abeille Royale Youth Watery Oil Serum 30ml Dhs460 Guerlain; Even Pigment Perfector Dual Serum 30ml Dhs298 Eucerin; Tobacco Vanille Eau de Parfum 50ml Dhs1,105 Tom Ford; The Sunscreen

SPF 50 30ml Dhs540 Augustinus Bader; White Truffle First Spray Serum 100ml Dhs77 d’Alba Piedmont

is about enhancing my features, not hiding. What can always be found in your makeup bag? When it comes to makeup, I’m incredibly particular. It's all about products that feel good and look effortless. My Rare Beauty blush is a non-negotiable; just a single dab gives that fresh, natural flush that instantly lifts my face. I follow it up with the Dior Lip Glow Butter, a go-to for a soft, glossy tint that keeps my lips hydrated all day. And tucked in every bag I own is my Touchland sanitizer, practical, yes, but also part of my

ritual. Together, they’re my on-the-go trio of equal parts beauty, comfort, and confidence. Which fragrances are your current favourites? Fragrances instantly give me that boost during the day. Right now, my vanity closet has Tom Ford’s Vanilla Fatale. I love the smoky nuances with a hint of woody notes, making it the perfect day-to-night scent. For me, the Guerlain Absolus Allegoria range, which takes inspiration from nature, is my favourite. Also, Byredo Blanche’s contrasting notes with rose petals and

sandalwood last all day. They feel like me. Talk us through your hair routine. I keep it simple. Weekly oiling, good supplements, and healthy shampoos. Honestly, eating right helped my hair more than anything. What is the most unusual item in your makeup bag? A jade roller, it’s not exactly a practical on-the-go skincare tool, however it’s my secret weapon for a quick refresh. What is elegance to you? For me, elegance is being comfortable in your own skin. It’s all about confidence, simplicity, and kindness.

ELEGANCE UNDERFOOT

Sisters Mentalla and Asmaa Said are the creative minds behind the delightful Doodle and the Gang design studio. The duo have teamed up with Hands Carpets for a beautiful capsule collection called Postcards. Each colourful rug is a handknotted and hand-tufted expression of memory and identity. Using subtle visual codes, the siblings have come up with 10 motifs, inspired by five hallmark cities – Dubai, Riyadh, Cairo, Beirut and Varanasi. The result is a selection of rugs that vibrate with originality but are anchored in heritage, making them a great longterm investment for anyone looking to feature art beneath their feet.

ABODE

Feel right at home…

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In a world where design is a love language

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With objects that celebrate the human hand

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Thanks to getaways that elevate niche travel

Designing

WORDS: AMINATH IFASA

Dialogue

Dubai Design Week 2025 maps a new creative geography, from Bahraini islands to Emirati courtyards

From 4 to 9 November, Dubai Design District transforms into the region’s creative epicentre for the eleventh edition of Dubai Design Week. Under the patronage of Her Highness Sheikha Latifa bint Mohammed bin Rashid Al Maktoum, the festival transforms d3 into a living laboratory for thoughtful design. The event reveals a design culture embracing both its heritage and global contemporary practice. From Maraj’s stitched ecosystems to Some Kind of Practice’s adaptive courtyards, the festival maps a creative geography that is both specifically regional and resonantly global, proving that compelling design emerges from deep roots and wide horizons.

The Poetry of Precision at Abwab 2025

The Abwab commission presents ‘Stories of the Isle and the Inlet’ by Bahraini architecture platform Maraj, where ornament becomes ecological storytelling. Founded by architects Latifa Alkhayat and Maryam Aljomairi, the installation creates an immersive textile environment using layered embroidered mesh that captures Nabih

Saleh island’s fragile ecosystem. “We responded to the theme of ornamentalism through two entry points,” explains Latifa Alkhayat. “One was traditional fibonial embroidery, and how that second skin to the human body can translate to a third skin being the shelter.” The designers drew inspiration from the island’s flora and fauna, creating an architectural language through embroidery that documents endangered species and habitats.

The project emerged from intensive research and community engagement. “When we started to bring it up to others, we got such a strong response,” Alkhayat reveals. “Just mentioning the name of the place provoked a waterfall of memories from our elders –heartbreak over dredging around the island, losing palm groves. We realised we could use this to raise awareness about an issue that’s not forgotten but not talked about enough.” This marks Maraj’s first public commission in the Gulf, representing a significant homecoming for the practice. “Our goal has always been to take everything we’ve learned moving west and pull it back here,” Alkhayat notes. “Engaging with a Gulf audience through Dubai Design Week feels like a big step towards that.”

Nabih Saleh island site image

RoCOLLECTIBLE

Urban Commissions

UAE-based studio Some Kind of Practice reimagines communal space with ‘When Does a Threshold Become a Courtyard?’ Founded by Omar Darwish and Abdulla Abbas, their research-driven approach draws from extensive fieldwork documenting vernacular building techniques across the emirates. The installation explores the informal logic of the Emirati housh, traditionally shaped by available materials and climate response. “We observed how local builders created spaces using stone, CMU blocks, and palm fronds,” Darwish notes, translating this adaptive wisdom into a contemporary intervention that evolves through public interaction.

Material Narratives by Emirati Studios

The local design scene demonstrates remarkable innovation through material investigations. AJZAL’s contemporary majlis incorporates stone from Sharjah’s mountains and camel leather from local artisans, creating an authentic dialogue between tradition and modernity. ARDH Collective addresses sustainability challenges with structures using low-carbon materials DuneCrete and DateForm, while EDGE Architects explores technological boundaries through experimental 3Dprinting applications in concrete and plastic.

Downtown Design, Global Conversations

From 5 to 9 November, Downtown Design returns to the d3 Waterfront Terrace, balancing international design houses with emerging regional talent. Established names like Kartell and Poltrona Frau present alongside newcomers Roche Bobois and Stellar Works, while regional participants show increasing confidence. Abu Dhabi’s MAKE platform makes its fair debut with the Athath Fellowship cohort, and Sharjah’s 1971 Design Space presents innovations from designers Lina Ghalib and Nuhayr Zein. The ‘Designed in Saudi’ exhibition showcases the Kingdom’s rapidly developing design industry, highlighting growing regional creative economies.

District as Canvas

Dubai Design District’s public spaces become an open-air museum through thirty site-specific installations. Japanese firm Nikken Sekkei demonstrates traditional sashimono joinery through contemporary modular design in ‘CHYATAI’. Creative studio Designlab Experience honours regional weaving traditions with large-scale basket sculptures, while DEOND creates a serene oasis with rice-paper panels that transform sunlight. UK practice Grimshaw collaborates with illustrator Nora Zeid on translucent cylinders exploring community formation.

Nurturing Creative Ecosystems

The festival’s educational programmes sustain design development beyond the event. The UAE Designer Exhibition, supported by Dubai Culture, pairs emerging designers with mentors under Nada Debs’ guidance. The d3 Architecture Exhibition with RIBA focuses on community, demonstrating architecture’s capacity to foster connection. The Forum’s talk programme features Tom Dixon’s Dubai debut alongside Lee Broom and regional voices including Rabah Saeid and Omar al Gurg.

2025 by Draga & Aurel (top) and Floorlamp HI NO

NE by Alain Ellouz Paris (bottom) to be showcased at Downtown Design

Viktoria Plonska, Founder of UAE-based ceramics brand TORICERÁ, proves that some of life’s most elegant forms are shaped not by speed, but stillness

FROM GRIND TO GLAZE

WORDS: SARAH JOSEPH

Before founding TORICERÁ, Viktoria Plonska’s life looked very different. Her formative career years working in the real estate industry were filled with long hours, back-toback meetings, and the constant hustle for the next big win. “It was fast-paced and achievement-driven,” Plonska recalls, with her days spent focused on locking in major deals and beating out the competition. Oh, how things have changed. What once started as a mere after-work hobby soon became a lifeline for Plonska. A way to slow down and touch something tangible after years of sitting in front of a screen. “I started pottery simply as a creative outlet,” she shares, “but quickly found myself spending all my free time in the studio.”

Her craft soon became her calling. What was once a quiet escape evolved into a full-fledged brand built on feeling and form. Each TORICERÁ piece begins not with a sketch but an emotion. “I design from feeling, not what’s trending,” she confirms. “That’s how something stays timeless.” The process, however, is one that demands both surrender and strength. Every piece passes through stages that cannot be rushed, each one carrying the mark of time, intention, and patience. The rhythm of her studio contrasts sharply with the world she left behind. Clay, after all, teaches how to have a bit of perspective. One wrong move can erase hours of work in an instant. “Pottery quickly humbles you,” Plonska says, smiling. “It forces you to slow down. You can’t control everything.” From cracked bowls to unpredictable glazes, each setback has become a part of her creative education. Over time, the founder began to see imperfection not as failure but as proof of the fundamental handmade nature of her chosen artform. “It’s the beauty of the craft,” she reflects. “If people wanted something perfect, they’d buy something mass-produced, however what they’re drawn to is the soul in the imperfection.”

Patience, Plonska learned, is not passive, it’s an act of trust. “Coming from a career where time was money, slowing down felt new,” she reflects. “But now, I see that the pace of the process keeps me grounded.” From throwing clay to testing glazes, each phase carries its own rhythm. Despite deadlines and orders being a key part of the business, she’s found ways to carve out precious time for creativity, moments where the world quiets and inspiration takes over. Her company celebrates what can’t be hurried. “The irony,” Plonska says with a laugh, “is that you often start your own business for freedom, but end up working more than ever. The difference now is that my work grounds me.” Each step, from shaping to firing, carries the same meditative discipline, an appreciation for small variations, happy accidents, and the quiet pride of handmade flaws. “When a piece cracks after hours of work, I’ve learned to just breathe. It’s humbling, but also freeing. That unpredictability gives each object soul.”

As part of the UAE’s creative community, Plonska is witnessing firsthand the growing ecosystem of studios, local makers, and an overarching collaborative spirit that advocates for independent artists. “Dubai has made it so accessible to start something on your own,” she says. “There’s a real sense of support, especially among homegrown brands.” While she now creates full-time, the balance between artistry and business remains a delicate one for Plonska. Running TORICERÁ solo means switching between roles of a creator, marketer, packer, and customer service lead, all in a day’s work. Yet she remains protective of her creative time. “My studio is my sanctuary,” she says. “That’s where ideas breathe.” Her transformative career journey also speaks to the growing appetite for conscious craftsmanship in the region. “The beauty of slow isn’t just about time,” she observes. “It’s about intention. It’s the reminder that elegance isn’t about perfection, it’s about presence.”

Sanctuaries with Soul

Discerning destinations that fuse aesthetic with authenticity

WORDS: SARAH JOSEPH

Amanjena, Morocco

The new era of “It-girl travel” celebrates hidden sanctuaries where wellness meets architecture. This wave of travel isn’t about being seen, it’s about feeling found. Whether it’s soaking in mountain silence at Eriro, rediscovering balance at Janu, or chasing sunsets at Kisawa, travellers are seeking trips that value individuality over opulence and meaning over materialism.

From the peaks of Gstaad to the dunes of Mozambique, these boutique properties will take you to the world’s most desirable destinations – and reward you with experiences that soothe the mind, body and soul.

ULTIMA GSTAAD, SWITZERLAND

Nestled in the postcard-perfect village of Gstaad, the Ultima Collection redefines alpine luxury with cinematic flair. With only 11 suites and six private residences, this is where après-ski elegance meets curated intimacy. Interiors pair marble, bronze, and velvet with mountain views that look straight out of a Bond film. Guests arrive for the pristine slopes but stay for the privacy. With chauffeur services, private chefs and spa rituals that feel distinctly bespoke, it’s no wonder that Gstaad’s quietest corners are now home to fashion insiders seeking a retreat from the spotlight.

RELAIS LA FOLEIA, ITALY

Somewhere between fantasy and film set lies Relais La Foleia, a lakeside haven in Piedmont that feels like a dream you don’t want to wake up from. Two neoclassical villas rest quietly on their own private lake, enveloped by lush gardens and candlelit charm. With just a handful of rooms, this retreat thrives on intimacy, private chefs, rowboats waiting at dawn, and sunlight rippling through Italian cypresses. For those chasing a modern Dolce Vita, this is the moment. In 2025, trade crowded Amalfi terraces for the poetic calm of Piedmont’s secret jewel.

AMANJENA, MOROCCO

This desert dreamscape bathed in blush tones sits on the serene outskirts of Marrakech, where Moorish arches, rose-hued courtyards, and shimmering pools converge in harmony. Designed by the legendary Ed

Relais La Foleia, Italy

Relais La Foleia, Italy

Tuttle, this Aman outpost feels less like a resort and more like a mirage of marble, symmetry, and silence paying homage to Moroccan craftsmanship reimagined through a minimalist lens. From palm-lined pathways to lantern-lit patios, every corner exudes effortless calm. Amanjena is not simply a stay, it’s a state of mind.

KISAWA SANCTUARY, MOZAMBIQUE

Far from everything yet close to paradise, Kisawa Sanctuary on Benguerra Island is barefoot luxury at its most intentional. Built with local craftsmanship and 3Dprinted sand composites, the sanctuary is an architectural love letter to sustainability. Each villa sits on its own stretch of beach, framed by forest and ocean in equal measure. Days unfold slowly, private picnics, diving among coral reefs, and massages in open-air pavilions scented with salt and sun. Here, travellers can swap sequins for sarongs and find that luxury might just be stillness, in all its forms.

Ultima Gstaad, Switzerland

Kisawa Sanctuary, Mozambique

ICEHOTEL, SWEDEN

Every year when the winter comes, the pristine waters of Torne River slow down and freeze into ice. The Icehotel is a bucket list stay for every Arctic adventurer. How this Swedish landmark is creatively redesigned and reborn each winter season is truly a treat to the senses. However, the real experience lies in staying a night here. Accommodation in the seasonal winter hotel ranges from standard ice rooms to more elegant art suites. Enjoy the bracing cool of rooms furnished with decor and beds made of ice.

JANU TOKYO, JAPAN

In the heart of Tokyo’s dynamic Azabudai Hills, Janu, the spirited sibling of the Aman resorts, ushers in a new age of urban luxury. Designed for a generation that wants balance as much as beauty, Janu Tokyo radiates a sense of cultural confidence. Its eight

restaurants, five-storey wellness complex, and serene rooms overlooking the Tokyo Tower make it the capital’s new social sanctuary. Here, visitors are just as likely to be meditating as they are sipping matcha cocktails in the lobby bar. Janu’s energy is electric yet grounding. This shows how Tokyo’s sophistication can be elegantly softened by soulful design.

ERIRO, AUSTRIA

A minimalist haven perched high in the Tyrolean Alps, Eriro is where nature whispers and design speaks just as softly. With only nine suites, this architectural hideaway blends timber, glass, and stone into an atmosphere of contemplative calm. The property embodies modern alpine restraint, floor-to-ceiling windows frame forested valleys, while open fireplaces warm the crisp mountain air. This is the

escape for the traveller who prefers her solitude intentional and her luxury sustainable. Think silent mornings, linen robes, and the soft hum of serenity replacing the usual resort buzz.

SIRO BOKA PLACE, MONTENEGRO

Perched on the shores of Montenegro’s breathtaking Boka Bay, SIRO Boka Place is a true bucket-list destination for wellnessdriven travellers. Combining cutting-edge fitness, holistic recovery, and mindful luxury, this immersive retreat transforms the Adriatic into a personal training ground. With state-of-the-art wellness labs, tailored outdoor adventures, and nourishing, chef-crafted cuisine, it’s the ultimate escape for those seeking transformation, connection, and calm in one of Europe’s most stunning coastal locales.

Janu Tokyo, Japan

IMAGES: ELSA YOUNG, ALEX MOLING AND SUPPLIED

MAISON MYSTIQUE, THAILAND

If Wes Anderson designed a tropical retreat, it might look like Maison Mystique. Set near Khao Yai National Park, this Thai boutique escape is a kaleidoscope of mood, colour, and creativity. Each of its 20 rooms tells a different story, whimsical wallpaper, vintage accents, and cinematic lighting. Between its garden-framed pool and open-air dining spaces, Maison Mystique channels an aesthetic that’s more art col-

lector’s weekend home than hotel. For the trend-setting traveller, it’s a must-visit mix of Thai heritage and high design.

AZULIK, MEXICO

Guests can channel their inner Swiss Family Robinson at this unique getaway that is framed on one side by azure waters of the Mexican Caribbean and the other the lush jungle of the Yucatan Peninsula. Some of the 48 rooms are treetop nests poking out of the forest canopy, while others feel like

hippy driftwood constructions overlooking a private beach. It’s a very natural, peaceful place to decompress, both on the resort’s grounds and high above at the Copa de Pintor bar, where 360 degree panoramic views of nature in all its glory look particularly stunning at sunset. The facilities available to enjoy in this relaxing escape include three outstanding restaurants, a beach club, a full-service spa with sauna and steam room, and an outdoor pool. A spot where guests can reconnect with nature and themselves.

Eriro, Austria

YOU’RE SO EXTRA

The name of Loro Piana’s latest hero accessory might be called the Extra Bag L23, but there is nothing loud or ostentatious about its refined design. Sleek geometric lines meet effortless fluidity in a pairing that proves practicality can still be poetic.

One invention at a time

A.-L. Breguet redefined the art of horology with his inventions. His pursuit of perfection continues to inspire those shaping the future. The Reine de Naples 8918 celebrates this extraordinary legacy, paying tribute to the first wristwatch.