MPSE 70th GRA Winners and Nominees

HonoringFilmmaker of the Year Honoree Jerry

Bruckheimer

(on location via video)

Presented by director Joseph Kosinski and Tom Cruise

HonoringCareer Achievement

Honoree

Gwendolyn Yates Whittle, MPSE

Presented by supervising sound editor

Al Nelson, MPSE and Re-recording Mixer

Lora Hirschberg

President’s Welcome Message

My fellow MPSE members and sound community:

No more apologies for virtual shows, we are back in PERSON!!!

Not only are we all here, but this is our 70th annual awards!

This year, we are in the beautiful Wilshire Ebell Theatre of Los Angeles.

Our annual awards show is a celebration of the incredible work of our sound editors, who play a crucial role in bringing films, television shows, and games to life. As you all know, sound is one of the most powerful elements of any production, and it is the sound editors who create the aural tapestry that immerses us in the story and brings it to life.

This year, we have seen some truly incredible sound editing. From the explosive action of blockbusters to the subtle nuances of character-driven dramas, sound editors have shown the power of sound to engage, entertain, and move us.

As our industry continues to evolve and grow, it is more important than ever that we recognize and celebrate the work of our sound editors. They are unsung heroes. It is their creativity, skill, and dedication that bring our productions to life.

Our Career Achievement Award will be presented to Gwendolyn Yates Whittle, a three-time Oscar nominee for Avatar, Tron Legacy, and currently nominated for Avatar: The Way of Water. She has won six Golden Reels and earned 21 career nominations from 1998-2023. The care and detail that Gwen displays in all her work is evident. She is an inspiration to sound editors around the globe and we can’t wait to hear her fu turc projects.

Our Filmmaker of the Year Award will go to award-winning producer Jerry Bruckheimer. Jerry has been at the forefront of action movies in Hollywood for decades. His film career started with American Gigolo and Flashdance, and has gone on to blockbuster films such as Pirates of the Caribbean, Bad Boys, Armageddon, Beverly Hills Cop, and of course, Top Gun. His influence in the television world has been no less spectacular with hits like CSI: Crime Scene Inrestigation, CSI: Cyber, The Amazing Race, Training Day, Lucifer, and many more. He is responsible for many of our favorite films and movie quotes and is currently an Oscar nominee for Top Gun: Maverick.

Tonight’s amazing host is Patton Oswalt, I am sure he wi11 make it a memorable event.

Thank you to our members and judges who gave their time, ears, and years of sound experience to select tonight’s winners.

I would like to give a huge thank you to our outgoing Vice President, Steve Urban, for all he has done for this organization. Please welcome David Barber as our new Vice President. We look forward to your input and leadership to help guide us into the future.

Our outgoing Treasurer, Jeremy Gordon, and outgoing Sergeant-at-Arms, Chris Reeves, will be succeeded by new Treasurer Chris Reeves, and new Sergeant-at-Arms Solange Schwalbe.

New and reelected Board of Director members are Peter Albrechtsen, Miguel Araujo, Mark Carnperell, William Dannevik, Brent Findley, Amber Funk, Scott Jennings, Robert Kellough, Perry La Marca, Charles Maynes, Garrett Montgomery, and Paulette Victor Lifton. Thank you for representing your fellow editors and continuing to move the MPSE and its mission forward.

A BIG thank you to editor Christina Horgan for our quarterly magazine, MPSE Wavelength, now in its third year. She, like everyone on the Board, is a volunteer and she donates a lot of time to the magazine.

Thanks to our publicist Linda Rosner for keeping us on track through the awards season and keeping the MPSE’s name in the forefront. Thank you to our video editor Hedio Lobo.

Thanks to Eric Marks for organizing our ongoing “Sonnd Advice” series. We have had a lot of great sessions this year covering all aspects of sound. If you missed them live, you can see them on the MPSE YouTube channel.

Thanks also to our hardworking show director Steve Avila.

A huge thank you to Tracie Costabile for keeping the office flourishing, keeping us organized, and for being a huge part of planning these awards and everything MPSE.

Check the MPSE web page (mpse.org) regularly for Sound Advice and other event information, and to purchase MPSE merchandise.

Thank you to all our volunteers and sponsors, we couldn’t do this without you! To everyone on the Board, thank you for donating your time.

Mark A. Lanza President Motion Picture Sound Editors

Award Winners

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Animation

Broadcast Animation

Non-Theatrical Animation

Feature Animation

Documentary

Non-Theatrical Documentary

Documentary Music

Feature Documentary

Game Audio

Game Music

Game Dialogue / ADR

Game Effects / Foley

Winners & Nominees

Broadcast Media

Broadcast Short Form — Music

Broadcast Short Form — Editing

Broadcast Long Form — Dialogue / ADR

Broadcast Long Form — Music

Broadcast Long Form — Effects / Foley

Student Filmmaker

Verna Fields Award in Sound Editing for Student Films

Non-Theatrical Feature

Foreign Language Feature

Feature Film

Feature Motion Picture — Music

Feature Motion Picture — Dialogue / ADR

Feature Motion Picture — Effects / Foley

Broadcast Animation

Outstanding Achievement in Sound Editing

Broadcast Animation

WINNER

LOVE, DEATH + ROBOTS: “IN VAULTED HALLS ENTOMBED”

Netflix

Supervising Sound Editor: BRAD NORTH MPSE

Sound Designer: CRAIG HENIGHAN MPSE

Foley Editor: ANTONY ZELLER MPSE

Foley Artists: ZANE BRUCE, LINDSAY PEPPER

JURASSIC WORLD: CAMP CRETACEOUS “THE LAST STAND”

DreamWorks Animation

NOMINEES

Supervising Sound Editors: ROB MCINTYRE

D. J. LYNCH

Supervising Designer:

EVAN DOCKTER

Sound Effects Editor:

ADAM CIOFFI

Dialogue Editor:

ANNA ADAMS

Foley Editor:

ARAN TANCHUM

Foley Artist: VINCENT GUISETTI

SPECIAL THANKS

Re-recording Mixer: D.J. LYNCH

Composer: LEO BIRENBERG

TALES OF THE JEDI: “THE SITH LORD”

Disney NOMINEES

Supervising Sound Editors: DAVID W. COLLINS

MATTHEW WOOD

Sound Effects Editors: KEVIN BOLEN

MICHAEL BRINKMAN

Foley Suervisor: FRANK RINELLA

Foley Artists: MARGIE O’MALLEY ANDREA GARD

SEAN ENGLAND

SPECIAL THANKS

Re-recording Mixer: DAVID W. COLLINS

Foley Mixer: JASON BUTLER

Scoring Mixer: MARK EVANS

TRANSFORMERS: EARTHSPARK

“AGE OF EVOLUTION”

Nickelodeon

NOMINEES

Supervising Sound Editor: BRAD MEYER MPSE

Sound Effects Editor:

NATALIA SAAVEDRA BRYCHCY MPSE

Dialogue Editor:

CHRISTINE GAMACHE

Foley Editor: CAROL MA

SPECIAL THANKS

Re-recording Mixer: JEFF SHIFFMAN MPSE

JACOB COOK

Assistant Soud Editor: TIMOTHY VINDIGNI

Outstanding Achievement in Sound Editing

Non-Theatrical Animation WINNER

RISE OF THE TEENAGE

MUTANT NINJA

TURTLES: THE MOVIE

Nickelodeon

Supervising Sound Editor: JEFF SHIFFMAN MPSE

Sound Effects Editors: JESSEY DRAKE MPSE BRAD MEYER MPSE

Dialogue Editor: XINYUE YU MPSE

Foley Editor: CAROL MA

SPECIAL THANKS

Re-recording Mixers: JEFF SHIFFMAN MPSE

JACOB COOK

Assistant Sound Editor: TIMOTHY VINDIGNI

Directors: ANT WARD

ANDY SURIANO

Producer:

VLADIMIR RADEV

Production Company: NICKELODEON MOVIES

Distribution Company: NETFLIX

NT Animation

MPSE: If you could pick only one piece of advice for the next generation of sound editors what would it be?

JS: Get an apprenticeship and be a sponge, learn everything you can from those with experience, then put your creative spin into it.

THE ICE AGE ADVENTURES OF BUCK WILD

Disney NOMINEES

NOMINEES

Supervising Sound Editors: ROB McINTYRE

D.J. LYNCH

Sound Designer: EVAN DOKTER

Sound Effects Editors: ADAM CIOFFI

IAN NYESTE

CAT GENSLER

ROGER PALLAN

Dialogue Editor: ANNA ADAMS

Foley Editor: ARAN TANCHUM

MPSE: Was there anything specific that influenced your decision to take on this project?

Jeff Shiffman MPSE, Supervising Sound Editor: Existing client.

MPSE: What was the biggest challenge you and your team faced?

JS: Extremely dense action.

MPSE: There is more and more overlap between editing and mixing. Do you find this allows for better collaboration?

JS: Yes.

MPSE: Where are you based and is your team in the same location?

JS: Burbank, CA. Yes, we are all based here.

Supervising Sound Editor: LEFF LEFFERTS

Sound Effects Editors:

SHAUN FARLEY MPSE

CHRIS MANNING

Dialogue Editor: E. LARRY OATFIELD

Foley Artists: JOHN ROESCH MPSE

RONNI BROWN

SEAN ENGLAND

SPECIAL THANKS

Foley Mixers: SCOTT CURTIS

RICHARD DUARTE

Assistant Re-recording Mixer: DANIELLE ADAMS

Director:

JOHN DONKIN

Producer: LORI FORTE

JURASSIC WORLD:

CAMP CRETACEOUS: “HIDDEN ADVENTURE”

Netflix

Foley Artist: VINCENT GUISETTI

SPECIAL THANKS

Re-recording Mixer: D.J. LYNCH

Composer: LEO BIRENBERG

Producert: PATTY BURGOS

Director: SCOTT KREAMER

Production Company: DREAMWORKS TELEVISION ANIMATION

LEGO STAR WARS SUMMER VACATION

Disney

NOMINEES

Supervising Sound Editors: DAVID W. COLLINS

MATTHEW WOOD

Sound Designer: DAVID W. COLLINS

Sound Effects Editors:

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Feature Animation

KEVIN BOLEN

BILL RUDOLPH

Foley Supervisor:

FRANK RINELLA

Foley Editor: ERYNE PRINE

Foley Artist:

MARGIE O’MALLEY

SPECIAL THANKS

Re-recording Mixer: JEFF KING

Director:

KEN CUNNINGHAM

Producers:

DAVID SHAYE

JACQUI LOPEZ

JAMES WAUGH

JOSH RIMES

DANIEL CAVEY

DAN LANGLOIS

Outstanding Achievement in Sound Editing

Feature Animation WINNER

GUILLERMO DEL

TORO’S PINOCCHIO Netflix

Supervising Sound Editor:

SCOTT MARTIN GERSHIN MPSE

Sound Designer:

SCOTT MARTIN GERSHIN MPSE

Sound Effects Editors:

MASANOBU “TOMI” TOMITA ANDREW VERNON MPSE

CHRIS RICHARDSON

Dialogue Editors:

DAN GAMACHE MPSE

CHRIS RICHARDSON

Foley Artists:

DAN O’CONNELL

JOHN CUCCI MPSE

SPECIAL THANKS

Composer:

ALEXANDRE DESPLAT

Music Supervisor: STEVEN GIZIKI

Picture Editors: HOLLY KLEIN

KEN SCHRETZMANN

Re-recording Mixers: JON TAYLOR

FRANK A. MONTANO

Re-recording Mix Techician: BILL MEADOWS

ADR & Dialogue Mixers:

CARLOS SOTOLONGO

CHRIS WHITESIDE

JAMISON BOWMAN

JAMISON RABBE

Loop Squad: MARK SUSSMAN

PATTY CONNOLLY

Additional Audio: AIDAN GOULD

MARLY GONZALEZ

MIKE LI

JULIAN NICOLAI

Audio Producer: DEBBIE GONZALEZ

Post Production Supervisor: DAVID DRESHER

Facility:

THE SOUND LAB AT A KEYWORDS STUDIO

Directors: GUILLERMO del TORO

MARK GUSTAFSON

Producers: ALEXANDER BULKLEY

GARY

UNGAR

MELANIE COOMBS

DC LEAGUE OF SUPER-PETS

Warner Bros. Animation NOMINEES

Supervising Sound Editors: BILL R. DEAN MPSE ANDO JOHNSON

Sound Designer: ERICK OCAMPO

Sound Effects Editors:

CHRIS BATTAGLIA MPSE

KIP SMEDLEY

Supevising Dialogue Editor: STEPHANIE BROWN

Dialogue Editor: CHASE KEEHN

Supervising Foley Editor: JESSIE PARISEAU

Foley Editor: BRUCE TANIS MPSE

Foley Artists: ALYSON DEE MOORE MPSE

CHRISTOPHER MORIANA SPECIAL THANKS

Re-recording Mixers: TIM LEBLANC

DEAN A. ZUPANCZIC

Foley Mixer: DARRIN MANN

Original Dialogue Mixers: MARK STEPHEN KONDRACKI CHRIS WHITESIDE

Re-recording Mix Technician: MARK PURCELL

Picture Editors: DAVID EGAN

JHOANNE REYES

Post Supervisor::

Non-Theatrical Documentary

RANDY BOL

Music Editor:

DARRELL HALL

Composer:

STEVE JABLONSKY Directors:

JARED STERN

SAM J. LEVINE

Producers:

PATRICIA HICKS

ALLISON ABBATE

GLENN FICARRA

HIRAM GARCIA

DWAYNE JOHNSON

Distribution Company:

WARNER BROS.

LIGHTYEAR

Disney Animation

NOMINEES

Supervising Sound Editor:

COYA ELLIOTT

Sound Designer:

REN KLYCE

Sound Effects Editors:

KIMBERLY PATRICK

JONATHON STEVENS

BENJAMIN A. BURTT

Dialoguep Editor:

CHERYL NARDI

Foley Editors:

JAMES SPENCER

DEE SELBY

Foley Artists:

SHELLEY RODEN MPSE

JOHN ROESCH MPSE

SPECIAL THANKS

Assistant Sound Editors:

NICHOLAS DOCTER

LISA CHINO

STEPH ALLEN

Re-recording Mixers: STEPHEN URATA

REN KLYCE

Music Supervisor:

STEPHEN M. DAVIS

Picture Editor:

ANTHONY GREENBERG

Foley Mixer: SCOTT CURTIS

Director:

ANGUS MacLANE

Producer:

GALYN SUSMAN

Post Production Supervisor:

DANA MULLIGAN

Distribution Company: DISNEY

Production Company: PIXAR

PUSS IN BOOTS: THE LAST WISH

DreamWorks Animation

NOMINEES

Supervising Sound Editors: JASON W. JENNINGS

JULIAN SLATER MPSE

Sound Designer: TIM WALSTON MPSE

Sound Effects Editor: KEN McGILL

Dialogue Editor: MIA STEWART MPSE

Supervising Foley Editor: CHRISTOPHER CAMPAGNA

Foley Artist: SAM ROGERS

SPECIAL THANKS

Assistant Sound Editor: LINDA YEANEY

Directors:

JOEL CRAWFORD

JANUEL MERCADO

Producer: MARK SWIFT

Editor: JAMES RYAN

Outstanding Achievement

in

Sound Editing

Non-Theatrical Documentary WINNER

FORMULA 1: DRIVE TO SURVIVE”

“GLOVES ARE OFF”

Netflix

Supervising Sound Editors: STEVE SPEED

NICK FRY

Sound Design: JAMES EVANS

Sound Editor: HUGH DWAN

MPSE: Was there anything specific that influenced your decision to take on this project?

Nick Fry, Co-Supervising

Sound Editor: My own love of Formula 1 plus the fact it was our first Atmos TV series!

MPSE: What was the biggest challenge you and your team faced?

NF: To craft an engaging and theatrical sound track from the

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NT Documentary, Documentary

vast amount of rushes we had.

MPSE: There is more and more overlap between editing and mixing. Do you find this allows for better collaboration?

NF: Absolutely and collaboration between these skills is the key to a successful soundtrack.

MPSE: Where are you based and is your team in the same location?

NF: We are all based in a central London facility

MPSE: If you could pick only one piece of advice for the next generation of sound editors what would it be?

NF: Bring your own energy and ideas to everything you learn!

GEORGE CARLIN’S AMERICAN DREAM

HBO Max

NOMINEES

Supervising Sound Editor:

BOBBY MACKSTON

Dialogue Editor:

MIRIAM COLE

Sound Effects Editors:

MATT TEMPLE

JOSEPH BESHENKOVSKY

SPECIAL THANKS

Re-recording Mixers:

EARL MARTIN

JASON GAYA

Directors:

JUDD APATOW

MICHAEL BONFIGLIO

Producer:

WAYNE FEDERMAN

Production Companies: RISE FILMS

APATOW PRODUCTIONS

LUCY AND DESI

Amazon

NOMINEES

Supervising Sound Editors: ANTHONY VANCHURE

DANIEL PAGAN MPSE

Sound Effects Editor: MIKE JAMES GALLAGHER

SPECIAL THANKS

Director:

AMY POEHLER

Producers:

AMY POEHLER

MICHAEL ROSENBERG

JUSTIN WILKES

JEANNE ELFANT FESTA

NIGEL SINCLAIR MARK MONROE

SELENA GOMEZ: MY MIND AND ME

Apple TV+

NOMINEES

Supervising Sound Editor:

ANTHONY VANCHURE

Sound Designer:

MIKE JAMES GALLAGHER

Sound Effects Editors:

MATT OLIVO MPSE

JEFF PITTS

Dialogue Editor: RUSTY DUNN

Foley Editor: ERIKA KOSKI

Foley Artists: LUKE KELLEY

SANAA KELLEY MPSE

IRIS DUTOUR

SPECIAL THANKS

Assistant Sound Editor: MARK COFFEY

Re-recording Mixer: CASEY GENTON

Foley Mixer: ERIKA KOSKI

Director:

ALEK KESHISHIAN

Producers: ALEEN KESHISHIAN

KATHERINE LeBLOND

TONY HAWK:

UNTIL THE WHEELS

FALL OFF

HBO Max

NOMINEES

Supervising Sound Editor: JOHN M. CHALFANT

Sound Effects Editor: CHRIS GOODES MPSE

Dialogue Editor: ANDREW RICE

TRAINWRECK: WOODSTOCK ‘99

“KEROSENE. MATCH. BOOM!”

Netflix

NOMINEES

Supervising Sound Editor: NAS PARKASH

Sound Effects Editors:

Music, & Feature Documentary

WILL CHAPMAN

TRISTAN POWELL

Dialogue Editor:

CLAIRE ELLIS

SPECIAL THANKS

Composer:

JON OPSTAD

Picture Editors:

BJORN JOHNSON

CHRIS DUVEEN

HUGH WILLIAMS

Music Superisor:

GARY WELCH

Director:

JAMIE CRAWFORD

Executive Producers:

TIM WARDLE

TOM PEARSON

CASSANDRA HAMAR THORNTON

Outstanding Achievement in Sound Editing

Documentary Music WINNER

MOONAGE DAYDREAM

Neon/HBO Documentary Films

Supervising Music Editor:

BRETT MORGAN

Music Editor:

JOHN WARHURST

SPECIAL THANKS

Re-recording Mixers:

PAUL MASSEY

DAVID GIAMMARCO

Music Editing Assistant:

ALEX FERGUSON

LOUIS ARMSTRONG’S

BLACK AND BLUES

Apple TV+ NOMINEES

Music Editors:

LOUIE SCHULTZ MPSE

JORDAN WIGGINS

ALEX CARR-ENGLER

MY LIFE AS A ROLLING

STONE: MICK JAGGER

EPIX

NOMINEES

Supervising Music Editors:

BEN NEWTH

NICK ASHE

SPECIAL THANKS

Executive Producers: STEVE CONDIE

ALICE WEBB

LORNA CLARK

MARK HAGAN

MICHAEL WRIGHT

JILL BURKHART

Producers:

JASON CHRISTENSEN

MIREIA O’PREY

Series Producer: SAM ANTHONY

THE WAY DOWN: “REVELATIONS”

HBO MAX

NOMINEES

Supervising Music Editor:

RICHARD DAVID BROWN MPSE

SPECIAL THANKS

Re-recording MIxer: JOE MILNER

Sound Mixer: JASON CULVER

Foley Mixers:

KEVIN CARVALHO

MIGUEL BARBOSA

Composer:

ISOBEL WALLER-BRIDGE

Assistant Music Editor: JAMES SULLIVAN

Picture Editor: ERIN PERRI

Director: MARINA ZENOVICH

Outstanding Achievement in Sound Editing Feature

GOOD NIGHT OPPY

Amazon

Supervising Sound Editor: MARK MANGINI MPSE

Supervising Dialogue Editor: DAVE BACH

Sound Designers: TIM WALSTON MPSE

DAVE WHITEHEAD MPSE

MARK MANGINI MPSE

SPECIAL THANKS

Composer:

BLAKE NEELY

Picture Editors: REJH CABRERA

HELEN KEARNS

Music Editor: ANGELA CLAVERIE

Assistant Sound Editor: back to navigation menu

Feature Documentary continued

MARK COFFEY

Director: RYAN WHITE

Producers: RYAN WHITE

JESSICA HARGRAVE

BRANDON CARROLL

MATTHEW GOLDBERG

DARRYL FRANK

JUSTIN FALVEY

Distribution Company: AMAZON STUDIOS

MPSE: There is more and more overlap between editing and mixing. Do you find this allows for better collaboration?

MM: This project was unique. It was just one other editor and I and then I mixed it myself. So I suppose, as a mixer, I had a deep understanding of what I, as an editor, intended.

MPSE: Where are you based and is your team in the same location?

MM: Los Angeles.

MPSE: If you could pick only one piece of advice for the next generation of sound editors what would it be?

MM: Tell stories with sound. No one is impressed with plugins.

THE TERRITORY

National Geographic NOMINEES

HEIKKI KOSSI MPSE

LOUIS ARMSTRONG’S BLACK AND BLUES

Apple TV+ NOMINEES

Supervising Sound Editor: LESLIE SHATZ

Sound Designer: LESLIE SHATZ

Supervising Dialogue Editor: JON FLORES

SPECIAL THANKS

Composer: TERENCE BLANCHARD

Music Supervisr: JUSTIN FELDMAN

Director: SACHA JENKINS

Producers:

SARA BERNSTEIN, P.G.A.

JUSTIN WILKES, P.G.A.

SACHA JENKINS

JULIE ANDERSON, P.G.A.

MOONAGE DAYDREAM

MPSE: Was there anything specific that influenced your decision to take on this project?

Mark Mangini MPSE, Supervising Sound Editor: I love science, space and anything NASA.

MPSE: What was the biggest challenge you and your team faced?

MM: Anthropomorphizing a machine. Making Mars feel reel.

Supervising Sound Editor: RUNE KLAUSEN

PETER ALBRECHTSEN MPSE

Sound Designers: RUNE KLAUSEN

PETER ALBRECTSEN MPSE

Sound Effects Editors: MIKKEL NIELSEN

TIM NIELSEN

Dialogue Editors:

SEBASTIAN VASKIO

GUILHERME TORTOLO MAGRIN

Foley Editor:

PIETU KORHONEN

Foley Artist:

Neon / HBO Documentary Films

NOMINEES

Supervising Sound Editors: JOHN WARHURST

NINA HARTSTONE

Sound Designers: SAMIR FOCO

JAMES SHIRLEY

ELLIOT KORETZ MPSE

Dialogue Editor: JENS ROSENLUND PETERSEN MPSE

Sound Editor: LOUISE BURTON MPSE

Game Music

Crowd Editor:

AMY FELTON

SPECIAL THANKS

Re-recording Mixers:

PAUL MASSEY

DAVID GIAMMARCO

Assistant Music Editor:

ALEX FERGUSON

Outstanding

Achievement in Music Editing

Game Music WINNER

GOD OF WAR RAGNARÖK

Sony

Music Directors:

PETER SCATURRO

KEITH LEARY

Supervising Music Editor: SONIA CORONADO

Music Editors:

YUEN MAN CHUNG KELVIN

GLEN AMDREW BROWN

ROB GOODSON

BILL HEMSTAPAT

ADAM KALLIBJIAN

COLLIN LEWIS

KORY McMASTER

MONTY MUDD

KYE SEBASTIAN VOCE

SPECIAL THANKS

Ensemble Cntractor:

BEAR McCREARY

Composer:

BEAR McCREARY

Creative Director:

CORY BARLOG

Game Director:

ERIC WILLIAMS

Publisher:

SONY INTERACTIVE ENTERTAINMENT

Developer: SANTA MONICA STUDIO

CALL OF DUTY: MODERN WARFARE II

Infinity Ward

NOMINEES

Audio Lead:

STEPHEN MILLER

Music Director:

JD MAYER

Sr. Lead Audio Designer:

DAVID ROWE MPSE

Sr. Lead Technical Audio Designer: TIM STASICA

Expert Audio Designer:

CHRIS EGERT

Music Editors:

SAM MARSHALL

RAHEEM FREDERICK

NICOLE YAZMIN

SPECIAL THANKS

Audio Director:

STEPHEN MILLER

Score Mixer:

JD MAYER

Music Implementers:

SAM MARSHALL

RAHEEM FREDERICK

Recording Engineer:

RICHIE BIGGS

HORIZON FORBIDDEN

WEST

Sony NOMINEES

Audio Director:

BASTIAN SEELBACH

Music Supervisor:

LUCAS van TOL

Music Integration:

BASTIAAN van BENTUM

SPECIAL THANKS

Composers:

JORIS de MAN

OLESKA LOZOWCHUK

NIELS van der LEEST

THE FLIGHT

Orchestrators:

JORIS de MAN

OLEKSA LOZOWCHUK

ALEX WAKIM

Ensemble Orchestrators:

JULIE ELVEN

MELISSA KAPLAN

ARIANA GILLIS

LOVISA BERGDAHL

BEN LEE

CHARLES MUTTER

OLI LANGFORD

NICOLA BATES

BRUCE WHITE

SARAH DAVISON

DANIEL KEANE

RICHARD PRYCE

SARAH DAVISON

BLAIR LUFGREN

DREW JURECKA

GARETH McLEARNON

JARON FREEMAN-FOX

HERWIG SCHAFFNER

MUSICA INTIMA

SIRI OLSEN

LUCY SMITH

MELANIE ADAMS

RISA TAKAHASHI

IAN BANNERNMAN

LANE PRICE

TAKA SHIMOJIMA

ANDREW BORTZ

Game Dialogue / ADR

STEVE MADDOCK

KRISTIN NAIGUS

TRAZ DAMJI

JASPER GRIJPINK

JAAP de VRIES

ANITA JANSEN

ROGER CRAMERS

NICK JONGEJAN

REINOUD FORD

ORIOL SINGH

BRAM BOL

Recording Engineers:

RICH AITKEN

LEX VASTONGUAY

LOGAN WALL

TRAZ DAMJI

DREW JURECKA

DAVID GILLIS

CALEB CHAN

BRIAN CHAN

OLIVIA QUAN

DAVID TRAVERS-SMITH

Franchise Audio Director:

BASTIAN SEELBACK

Creative Director:

JAN-BART van BEEK

Game Director:

MATHIJS de JONGE

Publisher:

SONY INTERACTIVE ENTERTAINMENT

Developer:

GUERILLA

Executive Producer:

ANGIE SMETS

Producer:

JAN van de LAAR

IMMORTALITY

Half Mermaid

NOMINEES

Audio Director:

PRISCILLA SNOW

Supervising Music Editor:

NAINITA DESAI

Music Editor:

PRISCILLA SNOW

Sound & Music Implementer:

PRISCILLA SNOW

Scoring Editor:

NAINITA DESAI

Audio Programmers:

CONNOR CARSON

DYLAN NELKIN

LIZI ATTWOOD

SPECIAL THANKS

Composer:

NAINITA DESAI

Game Director:

SAM BARLOW

Producers:

NATALIE WATSON

MANON GAGE

NICOLAAS BERTELSEN

SHYAM S. SENGUPTA

Outstanding Achievement in Sound Editing

Game Dialogue / ADR WINNER IMMORTALITY

Half Mermaid

Audio Directors:

KEVIN SENZAKI MPSE

PRISCILLA SNOW

Dialogue Editor: DIANA CHA

SPECIAL THANKS

Game Director:

SAM BARLOW

Producers:

NATALIE WATSON

MANON GAGE

NICOLAAS BERTELSEN

SHYAM S. SENGUPTA

MPSE: Was there anything specific that influenced your decision to take on this project?

Kevin Senzaki MPSE, CoAudio Director: The people. One of director Sam Barlow’s previous games, “Silent Hill: Shattered Memories,” is one of my favorite works in any medium. When producer Shyam Sengupta, whom I always love working with, invited me to join the project, it was an immediate “yes.”

MPSE: What was the biggest challenge you and your team faced?

KS: Working under Covid Lockdown conditions.

MPSE: There is more and more overlap between

Game Dialogue / ADR continued

editing and mixing. Do you find this allows for better collaboration?

KS: Through improving technology there is more overlap between editing and mixing which can help in a multitude of ways, especially in tight schedules but I still believe that the collaboration benefits by having a fresh input from a mixer at the end of the process.

MPSE: Where are you based and is your team in the same location?

KS: I am based at Soundbyte Studios in West London, UK.

MPSE: If you could pick only one piece of advice for the next generation of sound editors what would it be?

KS: My advice for the next generation of sound editors is to listen carefully to the film makers requests.

HORIZON FORBIDDEN WEST

Sony NOMINEES

Dialogue Director:

JOCHEN WILLEMSEN

Dialogue Designer:

ERIK SCHURING

Dialogue Editors:

JUAN MANUEL DELFIN

VINCENT van NOORT

SANDER HOUTMAN

NICK GRATWICK

SPECIAL THANKS

Voice Recordists:

NICK MORTILLARO

ALLY HUSTINGS

RAUL CEVALLOS

CHRIS WHITSIDE

JAMES BOWMAN

Franchise Audio Director:

BASTIAN SEELBACH

Game Director:

MATHIJS de JONGE

Casting Director:

JOCHEN WILLEMSEN

Creative Director:

JAN-BART van BEEK

Executive Producer:

ANGIE SMETS

Publisher:

SONY INTERACTIVE ENTERTAINMENT

Developer:

GUERRILLA

GOD OF WAR RAGNARÖK

Sony

NOMINEES

Audio Director: FRANK FAVRE

Sound Supervising Cinematics: SHANNON POTTER

Supervising Dialogue Editor:

JODIE KUPSCO

Senior Dialogue Editor:

CESAR MARENCO

Dialogue Designers:

HEATHER PLUNKARD

KEVIN McCLELLAND

TYLER HELD

BIANCA SALINAS

DEDRICK SARZABA

JAIME MARCELO

ANA PAOLA VELASQUEZ

BARRERA

ANDREA CONTINO

BRIANA VILLARREAL

DAMIAN O’SULLIVAN

MONET GARDINER

SEIRA McCARTHY

SHANNON DEANE

KATELYN LIMBER

Dialogue Editors:

KYLE RICHARDS

DECLAN KNAPP

CAANAN NATHANIEL

DALE CURTIS

EDWARD TOWERS

PAUL JAMES

BRAD REES

HELEN MILES

JAMES DOYLE

JAMES BATTLEY

BRANDON ROOS

SPECIAL THANKS

Recording Engineers: JESUS C. MURILLO

GIOVANNI MURILLO

ALLY HUSTINGS

NICK MORTILLARO

JEREMY UNDERWOOD

ALEX KISER

Game Director:

ERIC WILLIAMS

Publisher:

SONY INTERACTIVE ENTERTAINMENT

Developers:

SANTA MONICA STUDIO

PLAYSTATION STUDIOS – SOUND

Support Vendors: MOLINARE

SIDE GLOBAL

FORMOSA GROUP

CALL OF DUTY: MODERN WARFARE II

Infinity Ward

Game Dialogue / ADR continued

Audio Director:

STEPHEN MILLER

Audio Dialogue Lead:

DAVID NATALE

Supervising Sound Editors: CHARLES DEENEN

NICK MARTIN

Sr. Lead Audio Designer:

DAVE ROWE MPSE

Sr. Lead Technical Audio Designer: TIM STASICA

Expert Audio Designer:

CHRIS EGERT

Dialogue Editors:

DARRELL TUNG

MARK CAMPERELL CAS MPSE

KERRI SHAK

ALEX KNICKERBOCKER

RYAN ONGARO

AMANDA McDONNELL

CHARLIE GONDAK

ROBERT WEISS

LENNY BEDFORD

JOSEPH MOTT

JOSH TAYLOR

MICHAEL JUKES

JOSH POLHIL

CASSIE WHITE

MYON SAMPLE

AUSTIN KRIER

SARA WILT

Expert Dialogue Designer:

MICHAEL SPINA

Sound Editors:

LANDEN BELARDES

ALEXANDER EPHRAIM MPSE

SPECIAL THANKS

Re-recording Mixers:

MYRON NETTINGA

TOM BREWER

CARLOS SOLIS

TRAVIS PRATER

Recording Engineers:

AARON SOUTHERLAND

JORDAN KING

JAMES YAMAGAMI SCULLION

JAKE McCORMACK

TATSUJIRO OTO

JUDY ALICE LEE

PAOLA GUZMAN

JOSH YOUNG

CHRIS LETTS

CLAIRE ANDERSON

SAM AUGUSTE

ERIC GARCIA

ZIV FISHER

MARK ZEBOSKI

Sr. Producers: TRANT LEE-AIMES

GRAHAM HAGMAIER

DANIEL LEPERVANCHE

Sr. Audio Lead Engineer: BLAIR BITONTI

Principal Audio Engineer:

CHRISTIAN SAKANAI

Sr. Engineers:

COREY SHAY

WILLIAM CORNELL

JOE TENNIES

Technical Director:

DUNCAN ADAMSON

Principal Engineer: MICHAEL DAVIES

Sr. Software Engineer: DARCY SANDALL

Associate Software Engineer: SAM MARKOWITZ

Audio Principal: DON VECA

Loop Group Casting Director:

BARBARA HARRIS

Narrative Director: JEFFREY NEGUS

Lead Narrative Designer:

JUSTIN HARRIS

Script Supervisor:

AMMIE PUCKETT

Dialogue Supervisor: EMMA EMRICH

Project Coordinator: ALLI DIEHL

Script Coordinators: XANDRA HOBE

DIAMON DESIRAE

Outstanding Achievement in Sound Editing

GAME EFFECTS / FOLEY WINNER

GOD OF WAR RAGNARÖK

Sony

Audio Director: FRANK FAVRE

Supervising Sound Designers: MICHAEL KENT

JEREMY ROGERS MPSE

Sound Design Leads: ALEX PREVITY

BEAU ANTHONY JIMENEZ

BRYAN HIGA

STEPHEN SCHAPPLER

JUSTIN E. BELL

Supervising Sound Editors: CSABA WAGNER

SAMUEL JUSTICE

Senior Audio Artists: NICK TOMASSETTI

AARON SANCHEZ

ASH READ

DENNIS BESTAFKA

DERRICK ESPINO

JESHUA WHITAKER

LEWIS EVEREST

NOBURO MASUDA

Game Effects / Foley

TSUBASA ITO

BEN MINTO

CHRIS SWEETMAN

Audio Artists:

ANDRES HERRERA

CHRIS KOKKINOS MPSE

DANNY BARBOZA

DANNY HEY

KEI MATSUO MPSE

KOJI NIIKURA, LEWIS BARN

MARIA RASCON

PRESLEY HYNES

PRIN KEERASUNTONPONG

ROBERT CASTRO

SATSUKI SATO

TJ SCHAUER

HARRY COHEN MPSE

LUKE HATTON

MICHAEL LEANING

BARNEY ORAM

ZACHARY QUARLES MPSE

STEFAN RUTHERFORD

PAUL STOUGHTON

JOE THOM

GRAHAM DONNELLY

DAVID FARMER MPSE

EILAM HOFFMAN

JASON W. JENNINGS

BRYAN JERDEN

FRED PEARSON

STEPHANO SANCHINELLI

THOMAS C. BREWER MPSE

TIM WALSTON MPSE

Technical Sound Designers:

SEAN LaVALLE

CAMERON SONJU

DANIEL RAMOS

ENOCH CHOI, GAVIN BOOTH

ROY LANCASTER

CHARLES DWORETZ

BRADLEY GURWIN

MALLORIE LESHER

DAVE ST. JEAN

KLAUDIA SCHAFFER

AARON CENDAN

ASHTON FAYDENKO

JESSIE CHANG, SKYLER CHEN

Audio Programmer::

STEPAN BOEV

Foley Editors: BLAKE COLLINS, JEFF GROSS

ALEX ROBSON, ROB KREKEL

CESAR MARENCO

ERIC PAULSEN MPSE

SAM GRAY

ROSTISLAV TRIFONOV

KEITH BILDERBECK

PAUL FONAREV

Foley Artists: JOANNA FANG, DAWN FINTOR

ALICIA STEVENSON

MATT DAVIES

SPECIAL THANKS

Game Director:

ERIC WILLIAMS

Publisher:

SONY INTERACTIVE

ENTERTAINMENT

Developers:

SANTA MONICA STUDIO

PLAYSTATION STUDIOS – SOUND

Support Vendors: SWEET JUSTICE SOUND

FORMOSA GROUP

MOLINARE

CALL OF DUTY:

MODERN WARFARE II

Infinity Ward

NOMINEES

Audio Directrs:

STEPHEN MILLER

IAN MIKA

JONATHANGOSSELIN

Audio Lead:

DAVID NATALE

Supervising Sound Editors:

ADAM BOYD MPSE

BRYAN O.WATKINS

CHARLES DEENEN

NICK MARTIN

Sr. Lead Audio Designers: DAVE ROWE MPSE

JEREMIAH SYPULT

Sr. Lead Technical Audio Designer: TIM STASICA

Principal Sound Designer: STUART PROVINE

Expert Audio Designer: CHRIS EGERT

Studio Audio Designer: DARREN BLONDIN

Lead Sound Designer: JOHN DRELICK

Sr. Sound Designers: BRIAN BIBBO

CHRIS STAPLES

CORINA BELLO

JAKE HARLEY

LEE STAPLES

TIM SCHLIE

DOUG PRIOR

Sr. Audio Designer: MATHIEU DENIS

Sr. Technical Audio Designer: ROBERT RICE

Sr. Associate Audio Designer: DARRELL TUNG

Associate Technical Sound Designer: ELISE TANKIEWICZ

Associate Audio Designers: JORDAN RUHALA

VICTOR ARIAS

JIM LECROY

STEVEN CARROLL

Audio Designer: RUDY DURO

Sound Designers:

ALEXANDER EPHRAIM MPSE

JAMES EVANS

Game Effects / Foley continued

JOSH MOORE

MATT HALL

CHRIS TERHUN

NICK INTERLANDI

TORY BADER

MICHAEL KRYSTEK

NICK MARTIN

Sound Editors:

MICHAEL SPINA

LANDEN BELARDES

RUSSEL TOPAL MPSE

IGOR COMES

RASHAAD WIGGINS

JIM SCHAEFER

JOHN JOSEPH THOMAS

MITCHELL OSIAS

MYON SAMPLE

Supervising Foley Artist:

GARY HECKER MPSE

Foley Editors:

RANDY SINGER

JEFF GROSS

Foley Artists:

MICHAEL BROOMBERG

MIKE HORTON

SPECIAL THANKS

Sr. Producers:

DANIEL LEPERVANCHE

NATALIE POHORSKI

TRANT LEE-AIMES

Sr. Audio Lead Engineer:

BLAIR BITONTI

Sr. Software Engineer:

DARCY SANDALL

Associate Software Engineer:

SAM MARKOWITZ

Re-recording Mixers:

MYRON NETTINGA

TOM BREWER

CARLOS SOLIS

MARK JASPER

TRAVIS PRATER

Recordist:

JOHN PAUL FASAL

Principal Audio Engineer: CHRISTIAN SAKANAI

Sr. Engineers:

COREY SHAY

WILLIAM CORNELL

JOE TENNIES

Technical Director:

DUNCAN ADAMSON

Audio Implementation Specialists: CHRISTOPHER CHRISTIENSEN

CARL DORZOK

Audio QA Specialists: ANGELO GABRIEL GEPIGA

RYAN STEVENS

Principal Engineer: MICHAEL DAVIES

Sr. Audio Designer:

VADIM NUNIYANTS

VP Post Operations - Sony Pictures: JULIANNE McCORMACK

DESTINY 2: THE WITCH QUEEN

Bungie

NOMINEES

Senior Audio Lead:

EVAN BUEHLER

Audio Director:

SKYE LEWIN MPSE

Sound Designers:

JUAN URIBE

NOAH SITRIN

PAXON HELGESEN

KEITH SJOQUIST

ZACHTHOMAS

AJ NOVAK

ERIC MOEN

JON PERSSON

STOSH TUSZYNSKI

JENNIE LaBONTE

CARLYE NYTE

ALEX THOMAS

Supervising Sound Editors: BRYEN HENSLEY MPSE

ADAM BOYD MPSE

BRADEN PARKES

Foley Editors:

ALVARO VELA

LEXIE GUTHAN

Foley Artists: KATIE WATERS MPSE

TRANSPARENT SOUND

SPECIAL THANKS

Audio Producer: MATT FRICKELTON

Franchise Audio Director: SKYE LEWIN MPSE

Audio Department Manager: DAVID HENRY

Production Coordinator: KATIE ASHWOOD

Game Director: JOE BLACKBURN

Creative Director: JAMES TSAI

Producer: DAN McAULIFFE

Publisher / Developer: BUNGIE

HORIZON FORBIDDEN WEST

Sony NOMINEES

Audio Director: BASTIAN SEELBACH

Senior Audio Artists: ANTON WOLDHEK

PINAR TEMIZ

LEWIS JAMES

ARJEN SCHUT

RAMON KERSTENS

Broadcast Short Form Music

CASEY SLOCUM

DENNIS BESTAFK

SAFAR BAKE

JON ROOK

JUSTIN E. BELL

AARON SANCHEZ

EILAM HOFFMAN

GEORGE VLAD

ASH READ

PHILLIP KOVATS MPSE

JEREMIE VOILLOT

ROB BLAKE

CHRIS SWEETMAN MPSE

BEN MINTO MPSE

SAMUEL JUSTICE

CSABA WAGNER MPSE

JASON W. JENNINGS

Audio Artists:

LOVISA BERGDAHL

JACOPO CONSONNI

GIJS DRIESENAAR

ROBERT CASTRO

ANDRES HERRERA

MARIA RASCON

TJ SCHAUER

DAVID GOLL

LEWIS EVEREST

LEWIS BARN

FABIO LIUTINA

ROBERT KELLOUGH MPSE

GRAHAM DONNELLY

DAVID WHITEHEAD MPSE

MICHELLE CHILD

TOBIAS POPPE

JONATHAN HOWE

Audio Programmer:

ANDREAS VARGA

Technical Sound Designers:

NICK van KLEEF

RUBEN BERGSHOEFF

BEN PANTELIS

Foley Editors:

BLAKE COLLINS

JOANNA FANG

RUSTAM GIMADIYEV

BOGDAN ZAVARZIN

DAVID C. HUGHES

STEPHANO SANCHINELLI

JESSE BARDEN

ALEXIS MONDRAGON

PATRICK LEE, WEN DU

Foley Artists:

GRAHAM DONNELLY

MARK BAILEY

SHANE REES

MAURICIO NICOLI

EMMANUEL GAYOSSO

TIM McCANN

SPECIAL THANKS

Creative Director:

JAN-BART van BEEK

Game Director:

MATHIJS de JONGE

Publisher:

SONY INTERACTIVE ENTERTAINMENT

Developer:

GUERRILLA

Executive Producer:

ANGIE SMETS

Others:

JAN van de LAAR

MARY-LOUISE van DRIESSCHE

Outstanding Achievement in Music Editing

Broadcast Short Form Music

WINNER

PITCH PERFECT:

BUMPER IN BERLIN: “TORSCHLUSSPANIK”

NBC Universal Music Editor: ANDRES LOCSEY

SPECIAL THANKS

Composers: ZACH ROBINSON

LEO BIRENBERG

Music Supervisor:

JUSTINE VON WINTERFELDT

Music Coordinator:

CHRISTIAN ZABALA

Suervising Sound Editors: STEFANI FELDMAN

NATASHA ROLAND

Executive Producers: MEGAN AMRAM

ELIZABETH BANKS

MAX HANDELMAN

PAUL BROOKS

SCOTT NIEMEYER

ADAM DEVINE

RICHIE KEEN

TODD STRAUSS-SCHULSON

CHRISTOPH FISSER

HENNING MOLFENTER

CHARLIE WOEBCKEN

Co-executive Producers: CHRIS THOMPSON

NOAH GARFINKEL

KASSIA MILLER

KRISSY WALL

Showrunner:

MEGAN AMRAM

Consulting Producers: MIKE DANIELS

RENE GUBE

SONO PATEL

MPSE: Was there anything specific that influenced your decision to take on this project?

Short Form Music continued

MPSE: There is more and more overlap between editing and mixing. Do you find this allows for better collaboration?

AL: Yeah, the re-recording mixers and I collaborated a lot on this show and it was great.

MPSE: Where are you based and is your team in the same location?

AL: 4. I’m in LA and the composers I work with are also in LA.

Andres Locsey MPSE, Music Editor: I really like working with my friends the composers Zach Robinson and Leo Birenberg. When they told me they were gonna work on a Pitch Perfect TV show I was super excited to join them.

MPSE: What was the biggest challenge you and your team faced?

AL: Since this show has so many on-screen vocal performances I had to do lots of work including tuning on-screen vocals, timing the singing to picture, timing musical instruments to onscreen performances, lots of melodyne, and pitch n time. I even went to ADR sessions with the cast to supervise the recording of their singing and coach them. The sound supervisors and I collaborated a ton on this show to make dialogue and singing flow seamlessly.

MPSE: If you could pick only one piece of advice for the next generation of sound editors what would it be?

AL: Approach every music edit as if it’s going to be played loud and solo on screen.

LOVE, DEATH + ROBOTS: “NIGHT OF THE MINI DEAD”

Netflix

NOMINEE

Music Editor: JEFF CHARBONNEAU

RUSSIAN DOLL: “MATRYOSHKA”

Netflix NOMINEE

Music Editor:

GEORGIE RAMSLAND

SPECIAL THANKS

Music Supervisor: BRIENNE ROSE

Composer: JOE WONG

SHE-HULK: ATTORNEY AT LAW

“IS THIS NOT REAL MAGIC?”

Disney/Marvel NOMINEES

Supervising Music Editor: ANELE ONYEKWERE

Music Editors: MARY PARKER

LEAH DENNIS

ZAK MILLMAN

SPECIAL THANKS

ADR Mixer: DOC KANE

Composer: AMY DOHERTY

Foley Mixer: Jason Butler

Administrative Music Editor: ASHLEY ALMADA

Composer Assistant: ELLIE CUMMING

Score Mix Assistant: WILL CHEN

Scoring Mixer: ALVIN WEE

Sound Mixers: STEVE AARON

MARCUS PETRUSKA

PETER REDDING

Re-recording Mixers: KAROL URBAN

PETE HIRNER

Music Supervisor: DAVE JORDAN

Picture Editor: JAMIE GROSS

Director:

Broadcast Short Form Editing

KAT COIRO

Producers:

KEVIN FEIGE

LOUIS D’ESPOSITO

BRAD WINDERBAUM

KAT VOIRO

JESSICA GAO

WENDY JACOBSON

JENNIFER BOOTH

JASON TAMEZ

Distribution Companies:

WALT DISNEY STUDIOS

MARVEL STUDIOS

Production Company:

THINE SELVES PRODUCTIONS LL

Outstanding Achievement in Sound Editing Broadcast Short Form Editing

WINNER

THE BEAR: “REVIEW”

NBC Universal

Supervising Sound Editor:

STEVE “MAJOR” GIAMMARIA

Sound Effects Editor:

JONATHAN FUHRER

Dialogue Editor:

EVAN BENJAMIN

Foley Editors:

ANNIE TAYLOR

CHRIS WHITE

Foley Artists:

LESLIE BLOOM

SHAUN BRENNAN

SPECIAL THANKS

Assistant Soud Editor: CRAIG LoGIUDICE

ADR Mixer: PATRICK CHRISTENSEN

Picture Editor: JOANNA NAUGLE

Sound Mixer: SCOTT D. SMITH

Production Company: FX

MPSE: Was there anything specific that influenced your decision to take on this project?

Steve “Major” Giammaria, Supervising Sound Editor: We had worked with the showrunners before and were excited for the opportunity to start a new show.

MPSE: What was the biggest challenge you and your team faced?

S”M”G: Wrangling a very cacophonous series into a listenable mix while maintaining the energy and spark of the show.

MPSE: There is more and more overlap between editing and mixing. Do you find this allows for better collaboration?

S”M”G: Yes, certainly being that I was also the mixer. While I didn’t have hands on cutting, the line is certianly blurring. Clients for sure don’t want to think about the difference.

MPSE: Where are you based

and is your team in the same location?

S”M”G: I am based at Sound Lounge in New York City. The team is in and around the city. We are often in the same physical location.

MPSE: If you could pick only one piece of advice for the next generation of sound editors what would it be?

S”M”G: Be nice! Don’t be the “grumpy sound guy” stereotype.

BARRY: “710N”

HBO

NOMINEES

Supervising Sound Editors: SEAN HEISSINGER

MATHEW E. TAYLOR

Sound Designer: RICKLEY W. DUMM MPSE

Sound Editors: DERON STREET

CANDICE BRUNELLO

CHARLES CAMPAGNA

Dialogue Editor: JOHN CREED MPSE

Supervising Foley Editor: CLAY WEBER MPSE

Foley Editor: DARRIN MANN

Foley Artists: ALYSON DEE MOORE MPSE

CHRIS MORIANA

SPECIAL THANKS

Assitant Sound Editors: DAMON COHOON

KIM MORRELL

Broadcast Short Form Editing continued

JOSIE NERICCIO

ERIC MOSS

ADR Mixer:

HOWARD LONDON

Sound Mixer: SCOTT HARBER CAS

Re-recording Mixers:

ELMO PONSDOMENECH CAS

TEDDY SALAS

Picture Editors:

ALISON GREER

FRANKY GUTTMAN

Director:

BILL HADER

Producers:

ALEC BERG

AIDA RODGERS

ART RUSIS

Production Company

HBO MAX

ONLY MURDERS IN THE BUILDING: “FRAMED”

Hulu

NOMINEES

Supervising Sound Editors:

MATHEW WATERS

DANIKA WIKKE MPSE

Supervising Dialogue Editor:

BORJA SAU

Sound Effects Editor:

ERIC OFFIN

Foley Editor:

ARNO STEPHANIAN MPSE

Foley Artists:

SANAA KELLEY MPSE

ADAM DeCOSTER

SPECIAL THANKS

Assistant Sound Editor:

RYAN MEADOWS

Producer: JOHN HOFFMAN

SHE-HULK: ATTORNEY AT LAW

“RIBBIT AND RIP IT”

Disney

NOMINEES

Supervising Sound Editor: MAC SMITH

Sound Designer: STEVE BISSINGER

Sound Effects Editors: TIM FARRELL

GOEUN EVERETT MPSE

Dialogue/ADR Supervisor: VANESSA LAPATO

Dialogue Editor: RYAN COTA MPSE

Foley Supervisor: JOEL RAABE

Foley Editor: IAN CHASE

Foley Artists: SEAN ENGLAND

ANDREA GARD

Conforming Editor: KIM B. CHRISTENSEN

SPECIAL THANKS

Re-recording Mixers: KAROL URBAN

PETE HORNER

ADR Mixer:

DOC KANE

Sound Mixer:

MARCUS PETRUSKA

Foley Mixer: JASON BUTLER

Composer: AMIE DOHERTY

Picture Editor:

JAMIE GROSS

Producers: KEVIN FEIGE

LOUIS D’ESPOSITO

VICTORIA ALONSO

BRAD WINDERBAUM

WENDY JACOBSON

KAT COIRO

JESSICA GAO

Director: KAT COIRO

Production Company: MARVEL STUDIOS

Distribution Company: DISNEY+ .

WILD BABIES: “BIG FAMILIES”

Netflix

NOMINEES

Supervising Sound Editor: MATT COSTER

Sound Effects Editors: MATT COSTER

BEN WOOD

HARRY HILLS

SHOLA PHIL-EBOSIE

Sound Designers: MATT COSTER

BEN WOOD

HARRY HILLS

SHOLA PHIL-EBOSIE

Foley Editors: MATT COSTER

BEN WOOD

HARRY HILLS

SHOLS PHIL-EBOSIE

Broadcast Long Form Music

Long Form Music

WINNER

STRANGER THINGS: “CHAPTER NINE: THE PIGGYBACK”

Netflix

Music Editors:

LENA GLIKSON

DAVID KLOTZ

SPECIAL THANKS

Composers:

KYLE DIXON

MICHAEL STEIN

Re-recording Mixer: MARK PATTERSON

Music Supervisor: NORA FELDER

THE L WORD: GENERATION Q

“QUESTIONS FOR THE UNIVERSE”

Showtime NOMINEES

Supervising Music Editor:

SHARYN GERSH MPSE

SPECIAL THANKS

Re-recording Mixers:

PENNY HAROLD COGHLAN

ANDY LANGE

Composers:

HEATHER McINTOSH

ALLYSON NEWMAN

TAURA STINSON

Scoring Mixers:

DEREK ALMSTEAD

MARCO SONZINI

Music Supervisor: JANINE SCALISE

Picture Editors:

CHRISTAL KHATIB

MONIQUE BATAC

Director: Nancy C. Mejía

Distribution Company: SHOWTIME

Production Company: SHOWTIMEPOSSIBLE PRODUCTIONS

THE LORD OF THE RINGS: THE RINGS OF POWER: “ALLOYED”

Amazon NOMINEES

Music Editors:

JASON SMITH

MICHAEL BABER

SPECIAL THANKS

Composer:

BEAR McCREARY

Director:

WAYNE CHE YIP

Producers: RON AMES

CHRIS NEWMAN

Showrunners: J.D. PAYNE

PATRICK McKAY

Production Company: AMAZON STUDIOS

SEVERANCE:

“THE WAY WE ARE”

Apple TV+

NOMINEES

Music Editor:

SAM ZEINES

Scoring Editor: FELIPE PACHECO

SPECIAL THANKS

Re-recording Mixer: BOB CHEFALES

Picture Editor:

GEOFF RICHMAN

Composer: THEODORE SHAPIRO

Music Supervisior: GEORGE DRAKOULIAS

Scoring Mixer: CHRIS FOGEL

Director: BEN STILLER

WEDNESDAY: “A MURDER OF WOES”

Netflix NOMINEES

Music Editor:

MICHAEL T. RYAN MPSE

Composers: DANNY ELFMAN

CHRIS BACON

Producers: TIM BURTON

MILES MILLAR

ALFRED GOUGH

Director:

JAMES MARSHALL

THE WHITE LOTUS: “BULL ELEPHANTS”

Netflix

NOMINEES

Supervising Music Editor: MIKAEL SANDGREN

SPECIAL THANKS back to navigation menu

Long Form Dialogue / ADR

Composers:

CRISTOBAL TAPIA DE VEER

KIM NEUNDORF

Director:

MIKE WHITE

Producers:

DAVID BERNAD

HEATHER PERSONS

JOHN VALERIO

TODD BROWN

Outstanding Achievement in Sound Editing

Broadcast Long Form

Dialogue / ADR

WINNER

THE CROWN: “GUNPOWDER”

Netflix

Supervising Sound Editor: LEE WALPOLE MPSE

Supervising Dialogue Editor: IAIN EYRE

Supervising ADR Editor:

MATT MEWETT

ADR Editor:

SOPHIE MAPPLEBECK

Crowd ADR Editor: ABBIE SHAW

MPSE: Was there anything specific that influenced your decision to take on this project?

Lee Walpole MPSE, Supervising Sound Editor: I have been with the show since

the first episode. I had done a number of shows previously both with the production company behind The Crown Leftbank Pictures and also Philip Martin who was lead Director on Season 1.

MPSE: What was the biggest challenge you and your team faced?

LW: We work incredibly hard on this show to create a consistent, rich, close and intimate Dialogue track, where you can hear the nuances of each voice and really feel the sharp, precise enunciation of our Actors.

The show is fairly challenging to record, with wide shots and moving cameras frequently utilised to present the splendid locations and the meticulous costumes can present their own challenges when it comes to clip mic placement.

A lot of judicious work goes into cleaning the production sound, always being incredibly mindful of going as gently and cautiously as possible to avoid any loss or detrimental artefacts to the voices.

MPSE: There is more and more overlap between editing and mixing. Do you find this allows for better collaboration?

LW: I do. A lot of great legwork can now be done in advance of the sessions hitting the mix stage.

It is becoming easier to present your track with a whole bunch of decisions mapped out and implemented in advance, to ensure the mixer can get the best out of the tracks in the mix.

I have actually been Mixing the Effects on all projects I work on for the last 8 years. I love this dual role.

MPSE: Where are you based and is your team in the same location?

LW: I am based in the UK. All of my crew are within commutable distance of London other than Saoirse Christopherson who works on the FX on all my shows. She is now based in Canada and we frequently find that the time difference works to our advantage with her day starting when my day ends. She is able to update sound for late VFX or creates fixes for the Mix Stage whilst I sleep.

MPSE: If you could pick only one piece of advice for the next generation of sound editors what would it be?

LW: You never stop learning in this job, Be open to that and be a sponge!

BETTER CALL SAUL: “SAUL GONE”

Long Form Effects / Foley

NICK FORSHAGER MPSE

KATHRYN MADSEN MPSE

Dialogue Editor: JANE BOEGEL

SPECIAL THANKS

Sound Mixer:

PHILLIP W. PALMER

Re-recording Mixers:

LARRY BENJAMIN

KEVIN VALENTINE

Composer:

DAVE PORTER

Music Supervisor: THOMAS GOLUBIĆ

Director:

PETER GOULD

Production Companies:

HIGH BRIDGE

CRYSTAL DINER GRAN VIA PRODUCTIONS

THE LORD OFTHERINGS: THE RINGS OF POWER “UDÛN”

Amazon

Supervising Sound Editors:

ROBBY STAMBLER MPSE

DAMIAN DEL BORRELLO MPSE

Dialogue / ADR Supervisor:

STEFANIE NG

Dialogue Editors:

AILENE ROBERTS MPSE

RAY BEENTJES

ADR Group Editor:

GARETH VAN NIEKERK

SPECIAL THANKS

Dialogue/ADR/Music

Re-recording Mixer:

LINDSEY ALVAREZ CAS

First Assistant Sound Editor: ANDREW MOORE

Assistand Dialogue Editors:

DAVE WOLOWIC RYAN JUGGLER

Director:

CHARLOTTE BRÄNDSTRÖM

Producers:

RON AMES

CHRIS NEWMAN

Showrunners:

J.D. PAYNE

PATRICK McKAY

Production Company:

AMAZON STUDIOS

SEVERANCE:

“THE WE WE ARE”

Apple TV+ NOMINEES

Supervising Sound Editor:

JACOB RIBICOFF MPSE

ADR Editor:

DAVID BRIGGS

Dialogue Editor:

GREG SWIATLOWSKI

STRANGER THINGS:

“CHAPTER SEVEN:

THE MASSACRE AT HAWKINS LAB”

Netflix NOMINEES

Supervising Sound Editors:

WILLIAM FILES MPSE

CRAIG HENIGHAN MPSE

Dialogue / ADR Supervisor: RYAN COLE MPSE

Dialogue Editors:

KOREY PEREIRA MPSE

JILL PURDY MPSE

DAVID BUTLER

POLLY McKINNON

ROB CHEN

SPECIAL THANKS

First Assistant Sound Editor:

MATT “SMOKEY” CLOUD

Directors:

MATT DUFFER

ROSS DUFFER

SHAWN LEVY

Producers:

MATT DUFFER

ROSS DUFFER

SHAWN LEVY

RAND GEIGER

Production Companie: UPSIDE DOWN PICTURES

21 LAPS ENT.

Distribution Company: NETFLIX

Outstanding Achievement in Sound Editing

Broadcast Long Form Effects / Foley WINNER

STRANGER THINGS: “CHAPTER SEVEN:

THE MASSACRE AT HAWKINS LAB”

Netflix

Supervising Sound Editors: WILLIAM FILES MPSE

CRAIG HENIGHAN MPSE

Sound Editors:

ANGELO PALAZZO MPSE

KEN McGILL, KATIE HALLIDAY

LEE GILMORE MPSE

DAVID GRIMALDI, CHRIS BONIS

Foley Artist: STEVE BAINE

LF Effects / Foley continued

SPECIAL THANKS

First Assistant Sound Editor:

MATT “SMOKEY” CLOUD Directors:

MATT DUFFER

ROSS DUFFER

SHAWN LEVY

Producers:

MATT DUFFER

ROSS DUFFER

SHAWN LEVY

RAND GEIGER

Production Companies: UPSIDE DOWN PICTURES

21 LAPS ENT.

Distribution Company: NETFLIX

opportunities.

MPSE: What was the biggest challenge you and your team faced?

WF: Time vs amount of work.

MPSE: There is more and more overlap between editing and mixing. Do you find this allows for better collaboration?

WF: Yes.

MPSE: Where are you based and is your team in the same location?

WF: Los Angeles, yes but we are spread out around town.

MPSE: If you could pick only one piece of advice for the next generation of sound editors what would it be?

WF: Watch a lot of movies

THE LORD OF THE RINGS: THE RINGS OF POWER

“UDÛN” Amazon

NOMINEES

Supervising Sound Editors:

ROBBY STAMBLER MPSE

DAMIAN DEL BORRELLO MPSE

Sound Designer:

MPSE: Was there anything specific that influenced your decision to take on this project?

William Files MPSE, Co-

Supervising Sound Editor: Client relationship, creative

PAULA FAIRFIELD MPSE

Sound Editors:

JAMES MILLER, CHRIS TERHUNE

GARETH VAN NIERKERK

RYAN A. SULLIVAN

GOEUN EVERETT MPSE

Foley Editors:

RICHARD WILLS

JULIA HUBERMAN, AMY BARBER

Foley Artist: JONATHAN BRUCE

SPECIAL THANKS

SFX/Foley Re-recording Mixer: BEAU BORDERS

First Assistant Sound Editor: ANDREW MOORE

Director:

CHARLOTTE BRÄNDSTRÖM

Producers:

RON AMES

CHRIS NEWMAN

Showrunners:

J.D. PAYNE

PATRICK McKAY

Production Company: AMAZON STUDIOS

GASLIT: “YEAR OFTHE RAT”

Starz

NOMINEES

Co-Supervising Sound Editors: KEVIN W. BUCHHOLZ

STEFANI FELDMAN MPSE

Sound Effects Editors: DAN KREMER MPSE

ADAM PARRISH KING

Foley Editors: SAM MUNOZ

JORDAN ALDINGER

Foley Artists: JACOB McNAUGHTON

NOEL VOUGHT

SPECIAL THANKS

Producers:

ROBBIE PICKERING

SAM ESMAIL

JULIA ROBERTS

MATT ROSS

AMELIA GRAY

GREGG TILSON

BETTER CALL SAUL: “CARROT AND STICK”

AMC

NOMINEES

Supervising Sound Editors:

NICK FORSHAGER MPSE

KATHRYN MADSEN MPSE

Sound Effects Editors:

MATT TEMPLE

MARC GLASSMAN MPSE

Foley Editor: JEFF CRANFORD

Foley Artists:

GREGG BARBANELL MPSE

ALEX ULRICH

SPECIAL THANKS

Sound Mixer:

PHILLIP W. PALMER

Re-recording Mixers:

LARRY BENJAMIN

KEVIN VALENTINE

Music Supervisor:

THOMAS GOLUBIĆ

Director:

VINCE GILLIGAN

Production Companies:

HIGH BRIDGE

CRYSTAL DINER

GRAN VIA PRODUCTIONS

ANDOR: “RECKONING”

Disney

NOMINEES

Supervising Sound Editors:

DAVID ACORD

MARGIT PFEIFFER

Verna Fields Award

Sound Effects Editor:

J.R. GRUBBS

Foley Editor:

SHAUN FARLEY MPSE

Foley Artists:

JOHN ROESCH MPSE

SHELLEY RODEN MPSE

Sound Designer: DAVID ACORD

SPECIAL THANKS

Re-recording Mixer: DAVID ACORD

Assistand Sound Editor:

DUG WINNINGHAM

Music Supervisor: JOHN FINKLEA

Composer:

NICHOLAS BRITELL

Picture Editor: JOHN GILROY

Post Production Supervisor: ELAINE WAUGH

Director: TONY GILROY

Producers:

SANNE WOHLENBERG

KATHLEEN KENNEDY

Distribution Company: DISNEY

Production Company: LUCASFILM

Outstanding Achievement in Sound Editing Student Film

(Verna Fields Award)

WINNER

BRUTAL

National Film & Television

School

Supervising Sound Editor: DAN HIBBERT

ASCENT

National Film & Television School

NOMINEE

Supervising Sound Editor: GULDEM MASA

SPECIAL THANKS

Director: MATTI VESANEN

Producer:

CAROLINA CORDERO

ENEMY ALIEN

Australian Film Television and Radio School

NOMINEE

Supervising Sound Editor: JONATHAN MENDOLICCHIO

SPECIAL THANKS

Director:

GABRIEL MURPHY

Producer: ANDREW McMARTIN

ENTERTAIN ME

Amsterdam University of the Arts

NOMINEES

Supervising Sound Editor: SAM TITSHOF

Foley Artists: NANCY KONIJN

LEVI CUIJPERS

.KEY OF SEE

Savannah College of Art and Design

Non-Theatrical Feature

NOMINEES

Supervising Sound Editor: MANUEL SIMON

Foley Artists: CONOR VAN SLYKE

GEORGE ALLAN

SPRING ROLL DREAM

National Film & Television School

NOMINEES

Supervising Sound Editor: CARLOS ELIGIO SAN JUAN JUANCHI

THIS IS YOUR CAPTAIN SPEAKING

Amsterdam University of the Arts

NOMINEES

Supervising Sound Editor: ZOÉ BEEKES

Dialogue Editor:

FELICIA KOOLHOVEN

Sound Effects Editor: TEUN BEUMER

WHITEBOY

National Film & Television School

NOMINEE

Supervising Sound Editor: OLIVER MAPP

SPECIAL THANKS

Director:

MATTY CRAWFORD

Producer:

KARIMA SAM

Outstanding Achievement in Sound Editing

Non-Theatrical Feature

WINNER

PREY

Hulu

Supervising Sound Editors: CHRIS TERHUNE

WILL FILES MPSE

Sound Designer: JAMES MILLER

Sound Effects Editors: CHISTOPHER BONIS

DIEGO PEREZ MPSE

LEE GILMORE MPSE

Supervising Dialogue Editor: JESSIE ANNE SPENCE MPSE

Dialogue Editors: DAVID BACH

KOREY PEREIRA MPSE

Supervising Foley Editor:

ANNIE TAYLOR

Foley Editors: NICK SEAMAN

RONI PILLISCHER

Foley Artists: LESLIE BLOOME

SHAUN BRENNAN

PINOCCHIO

Disney

Supervising Sound Editors:

BJØRN O. SCHROEDER

LEFF LEFFERTS

Sound Designer:

RANDY THOM MPSE

Sound Effects Editors:

MALCOLM FIFE

PASCAL GARNEAU

TERESA ECKTON MPSE

GOEUN EVERETT MPSE

Dialogue Editor: JAMES SPENSER

Supervising Foley Editor: CHRISTOPHER MANNING

Foley Editors: CHRIS FRAZIER

DEE SELBY

Foley Artists:

JOHN ROESCH MPSE

SHELLEY RODEN MPSE

SPECIAL THANKS

Re-recording Mixers: RANDY THOM

GARY A. RIZZO

Foley Mixer: SCOTT CURTIS

Original Dialogue Mixer: JOHN MIDGLEY

Music Supervisor: MATT SULLIVAN

ADR Mixers: DOC KANE

MARK APPLEBY

SIMON DIGGINS

Assistant Sound Editor: ALLISON NG

Picture Editors: JESSE GOLDSMITH

MICK AUDSLEY

Director: MARK GUSTAFSON

Producers: ROBERT ZEMECKIS

DEREK HOGUE

WEIRD: THE AL YANKOVIC STORY

The Roku Channel

NOMINEES

Feature Foreign Language

Supervising Sound Editor:

ANTHONY VANCHURE

Sound Designer:

MIKE JAMES GALLAGHER

Foley Editor: ERIKA KOSKI

Foley Artists:

SANAA KELLEY MPSE

IRIS DUTOUR

LUKE KELLEY

SPECIAL THANKS

Assistant Sound Editor: MARK COFFEY

Composers:

LEO BIRENBERG

ZACH ROBINSON

Picture Editor:

JAMIE KENNEDY

Re-recording Mixer: TONY SOLIS

Director:

ERIC APPEL

Producer:

AL YANKOVIC, P.G.A.

Executive Producer:

HENRY R. MUÑOZ III

Production Companies:

FUNNY OR DIE

TANGO

Distribution Company: ROKU

WOMEN OF THE MOVEMENT

ABC NOMINEES

Supervising Sound Editor:

BOBBI BANKS MPSE

Sound Effects Editor:

NANCY MacCLEOD

Dialogue Editor:

FRED STAHLY

Foley Editors: ARNO STEPHANIAN MPSE JORDAN McCLAIN

Foley Artists:

SANAA KELLEY MPSE

MATT SALIB

SPECIAL THANKS

Re-recording Mixers: LINDSEY ALVAREZ

JOSH SIEH

Sound Mixer: STEVE GRIDER

Outstanding Achievement in Sound Editing

Feature Foreign Language WINNER

ALL QUIET ON THE WESTERN FRONT

Netflix

Supervising Sound Editor: FRANK KRUSE

Sound Designers: FRANK KRUSE

MARKUS STEMIER

Supervising Dialogue Editor: ALEXANDER BUCK

Supervising ADR Editor: BENJAMIN HÖRBE

ADR Editors:

THOMAS KALBÉR

MORITZ HOFFMEISTER

Foley Editor: KUEN-IL SONG

Foley Artists:

CARSTEN RICHTER DANIEL WEIS

SPECIAL THANKS

Re-recording Mixer: LARS GINZEL

Foley Premix: STEFAN KORTE

Production Mixer: VIKTOR PRÁŠIL

Foley Mixer: HANSE WARNS

ADR Mixers: JAN MEYERDIERKS ANDY SCHLEGEL

BENJAMIN SCHÄFER

Picture Editor: SVEN BUDELMANN

Director:

EDWARD BERGER

Producers: MALTE GRUNERT

EDWARD BERGER

DANIEL DREIFUSS

ARGENTINA, 1985

Amazon NOMINEES

Supervising Sound Editor: SANTIAGO FUMAGALLI Sound Effects Editors: JUAN IGNACIO

GIOBIO NAHUEL DE CAMILLIS

Dialogue Editor: IGNACIO SELIGRA

Foley Editors: MARLENE VINOCUR

NICOLÁS MANNARA

Foley Artist: DIEGO MARCONE

SPECIAL THANKS

ADR Recording: back to navigation menu

Feature Foreign Language continued

LUCAS KREMAR

Director:

SANTIAGO MITRE

Producers: AXEL KUSCHEVATZKY FEDERICO POSTERNAK

AGUSTINA LLAMBI CAMPBELL

RICARDO DARIN

SANTIAGO MITRE

SANTIAGO CARABANTE

CHINO DARÍN

VICTORIA ALONSO

BARDO, FALSE CHRONICLE OF A HANDFUL OF TRUTHS

Netflix

NOMINEES

Supervising Sound Editor:

MARTÍN HERNÁNDEZ

NICOLAS BECKER

Sound Designer:

KEN YASUMOTO

Sound Effects Editors:

ALEJANDRO QUEVEDO

JAIME SAINZ

CAROLINA SANTANA

Dialogue Editors:

VALERIA LÓPEZ MANCHEVA

RAYNIER HINOJOSA

OMAR BLANCO

GORD HILLIER

DUSTIN HARRIS MPSE

ADR Editors:

ALITZEL DIAZ

DANIEL DOUGLASS MPSE

Foley Editors:

OSCAR VICTORIA

PIETU KORHONEN

ALAN ROMERO

Foley Artists:

HEIKKI KOSSI MPSE

ALAN ROMERO

SPECIAL THANKS

Foley Mixers: LAURI MARJAMAA

ANDREA GONZALEZ GUZMAN

Foley Assistant: LUIS RODRIGUES

Additional Sound Design: LENA ESQUENAZI

EO

Janus Films

NOMINEES

Supervising Sound Editor: RADOSLAW OCHNIO MPSE

Sound Designer:

RADOSLAW OCHNIO MPSE

Sound Editor:

MARTA WERONIKA WERONSKA

Foley Editor:

SURAJ BARDIA MPSE

SPECIAL THANKS Director::

JERZY SKOLIMOWSKI

Executive Producer:

JEREMY THOMAS

Producers:

JERZY SKOLIMOWSKI

EWA PIASKOWSKA

Writers:

JERZY SKOLIMOWSKI

EWA PIASKOWSKA

THE QUIET GIRL

Break Out Pictures

NOMINEES

Supervising Sound Editor:

STEVE FANAGAN MPSE

Sound Designer:

STEVE FANAGAN MPSE

Sound Effects Editor:

STEVE FANAGAN MPSE

Dialogue Editor:

LOUISE BURTON MPSE

ADR Editor:

LOUISE BURTON MPSE

Foley Editor:

STEVE FANAGAN MPSE

Foley Artist:

CAOIMHE DOYLE

SPECIAL THANKS

Foley Mixers:

JEAN McGRATH

CIARA MAHON

TRIANGLE OF SADNESS

Neon

NOMINEES

Sound Editors:

ANDREAS FRANCK MPSE

BENT HOLM MPSE

GUSTAV LANDBECKER

JOHANNES DEKKO

CLAES LUNDBERG

BENNY PERSSON

DANIEL LINDVIK

ALEXANDER WUNSCH

ERIK WATLAND

Sound Designers:

ANDREAS FRANCK MPSE

BENT HOLM MPSE

Foley Artists:

CLAES LUNDBERG

ULF OLAUSSON

SPECIAL THANKS

Foley Mixers: BENT HOLM

DAVID SESEMANN

Re-recording Mixers: ANDREAS FRANCK

BRENT HOLM

Feature Motion Picture Music

Outstanding Achievement in Music Editing

Feature Motion Picture Music

WINNER

ELVIS

Warner Bros.

Supervising Music Editor:

JAMIESON SHAW MPSE

Music Editor:

EVAN McHUGH

Scoring Editor:

CHRIS BARRETT

SPECIAL THANKS

Composer:

ELLIOTT WHEELER

Music Supervisor:

ANTON MONSTED

Scoring Engineer:

GEOFF FOSTER

Supervising Sound Editor:

WAYNE PASHLEY

Re-Recording Mixers:

ANDY NELSON

MICHAEL KELLER

Dialogue Editor:

DERRYN PASQUILL

Picture Editors:

JONATHAN REDMOND

MATT VILLA

Music Assistant:

ISABELLE LAUF

Director:

BAZ LUHRMANN

Producers:

CATHERINE MARTIN

SCHUYLER WEISS

PATRICK McCORMICK

GAIL BERMAN

Distribution Company:

WARNER BROS. PICTURES

Production Companies: BAZMARK

WARNER BROS. PICTURES

JACKAL GROUP

Producer:

BAZ LUHRMANN

EVERYTHING

EVERYWHERE ALL AT ONCE

A24

NOMINEES

Music Editors:

KATHERINE MILLER

DEAN MENTA

LUKE WILDER

SPECIAL THANKS

Post Sound Production Assistant:

CHRISTIAN BLAIR

ADR Mixers:

JAMISON RABBE

MICHAEL MILLER

JUDAH GETZ

ELLIOT HARTLEY

Foley Mixers:

RON MELLEGERS

RANDY WILSON

Picture Editor:

PAUL ROGERS

Re-recording Mixers:

ALEXANDRA FEHRMAN

IAN CHASE

Scoring Mixer:

SATOSHI MARK NOGUCHI

Sound Mixer:

STEPHEN NELSON

Mix Technician:

MARK T. WILLIAMS

Re-recording Engineer: SCOTT OYSTER

Composers:

SON LUX

RYAN LOTT

IAN CHANG

RAFIQ BHATIA

Directors:

DANIEL KWAN

DANIEL SCHEINERT

Producer:

JONATHAN WANG

GUILLERMO del TORO’S

PINOCCHIO

Netflix

NOMINEES

Music Editors: LEWIS MORISON

ERIC CAUDIEUX

Scoring Editor: CHRIS BARRET

SPECIAL THANKS

Composer:

ALEXANDRE DESPLAT

Music Supervisor: STEVE GIZICKI

Scoring Mixer: KIRSTY WHALLEY

Score Producer:

DOMINIQUE LEMMONIER

Orchestrators: NAN SCHWARTZ

JEAN-PASCAL BIENTUS

NICOLAS CHARRON

SYLVAIN MORIZET

Programming:

ROMAIN ALLENDER

Score Coordinator:

XAVIER FORCIOLI

Directors:

Feature Motion Picture Music continued

GUILLERMO del TORO

MARK GUSTAFSON

Writers:

MARK GUSTAFSON

PATRICK McHALE

CARLO COLLODI

Producer:

ALEXANDER BULKLEY

TÁR

Focus Features

NOMINEES

Supervising Music Editor:

GERARD McCANN MPSE

SPECIAL THANKS

Production Dialogue and Music

Mixer:

ROLAND WINKE

Production Orchestra Recordist: ERGO GROOT

Composer:

HILDUR GUÐNADÓTTIR

Scoring Mixer:

FRANCESCO DONADELLO

Re-recording Mixers: DEB ADAIR

STEVE SINGLE

Picture Editor:

MONIKA WILLI

Supervising Sound EditorEffects:

STEPHEN GRIFFITHS

Supervising Sound Editor -

Dialogue:

ANDY SHELLEY

Director:

TODD FIELD

Producer:

TODD FIELD

Production Companies:

UIVERSAL PICTURES

POCUS FEATURES

WHITNEY HOUSTON: I WANNA DANCE WITH SOMEBODY

Tristar Pictures

NOMINEES

Supervising Music Editor: JOHN WARHURST

Music Editors: JAMES SHIRLEY

VICTOR CHAGA

Vocal Editors:

NINA HARTSTONE

LOUISE BURTON MPSE

Score Editor: MYRA CHOO

SPECIAL THANKS

Assistant Sound Editors: CHRIS HOWARD

SKIP LONGFELLOW

Director:

KASI LEMMONS

Outstanding Achievement in Sound Editing

Feature Dialogue / ADR WINNER

THE BANSHEES OF INISHERIN

Searchlight Pictures

Supervising Sound Editor: JOAKIM SUNDSTRÖM

Supervising ADR Editor: SIMON CHASE

Supervising Foley Editors: PATRICK GHISLAIN REBECCA GLOVER

Foley Artist:

JULIEN NAUDIN

SPECIAL THANKS

Sound Mixer: SIMON WILLIS

Assistant Sound Editor: ANDREW McARTHUR

Composer:

CARTER BURWELL

Foley Mixer: PATRICK GHISLAIN

Director: MARTIN McDONAGH

Producers:

GRAHAM BROADBENT

PETE CZERNIN

MARTIN McDONAGH

Distribution Company: SEARCHLIGHT PICTURES

Production Company: BLUEPRINT PICTURES

THE BATMAN

Warner Bros. Pictures

NOMINEES

Supervising Sound Editors: DOUGLAS MURRAY MPSE

WILLIAM FILES MPSE

Dialogue Editor: JACOB RIEHLE

ADR Editors: BOBBI BANKS MPSE DAVID V. BUTLER

SPECIAL THANKS

Assistant Sound Editor: MATT “SMOKEY” CLOUD

Re-recording Mixer: ANDY NELSON

Original Dialogie Mixer: STUART WILSON

ADR Mixers: RYAN D. YOUNG

Feature Dialogue / ADR

MARK DeSIMONE

NICK ROBERTS

Sound Mixer:

AMANDA BEGGS

Picture Editors:

WILLIAM HOY

TYLER NELSON

Loop Group Casting:

HOLLY DORFF

MOOSIE DRIER

Post Production Supervisor:

TINA ANDERSON

Re-recording Mix Technician:

UNSUN SONG

Director:

MATT REEVES

Composer:

MICHAEL GIACCHINO

Producer:

DYLAN CLARK

Director of Photography:

GREIG FRASER

ELVIS

Warner Bros. Pictures

NOMINEES

Supervising Sound Editor:

WAYNE PASHLEY MPSE

Supervising Dialogue Editor:

Derryn Pasquill

ADR Supervisor:

LIBBY VILLA

Dialogue Editors:

NICK BRESLIN

MARISA MARSIONIS

LAUREN LIGOVICH

SPECIAL THANKS

Sound Mixer:

DAVID LEE

Re-recording Mixers:

ANDY NELSON

MICHAEL KELLER

WAYNE PASHLEY MPSE

GREG P. FITZGERALD

Assistand Sound Editors:

MAX PASHLEY

MADDIE MILLETT

HARRY PASHLEY

ADR Mixers:

TAMI TREADWELL

ERICH TALABA

Picture Editors:

MATT VILLA

JONATHAN REDMOND

Composer:

ELLIOTT WHEELER

Supervising Music Editor:

JAMIESON SHAW

Music Supervisor:

ANTON MONSTED

Stage Engineer:

TONY PILKINGTON

Re-recording Engineers:

GLENN BUTLER

SAM HAYWARD

DANIEL HACKETT

Re-recording Mix Technicians:

UNSUN SONG

MICHAEL MESSIH

ADR Mixer:

ANDREW MILLER

Additional Sound Editor:

CURT SCHULKEY Director:

BAZ LUHRMANN

Executive Produers: TOBY EMMERICH

COURTENAY VALENTI

KEVIN McCORMICK

Producers:

BAZ LUHRMANN

CATHERINE MARTIN

GAIL BERMAN

PATRICK McCORMICK

SCHUYLER WEISS

Production Companies: BAZMARK FILMS

THE JACKAL GROUP

WARNER BROS. PICTURES

Distribution Company: WARNER BROS. PICTURES

EMPIRE OF LIGHT

Searchlight Pictures

NOMINEES

Supervising Sound Editors: OLIVER TARNEY MPSE

RACHAEL TATE MPSE

SPECIAL THANKS

Sound Mixer: Stuart Wilson

Re-recording Mixer: CHRIS BURDON

Composers: TRENT REZNOR

ATTICUS ROSS

Director: SAM MENDES

Producers: PIPPA HARRIS, P.G.A. SAM MENDES

Distribution Company: SEARCHLIGHT PICTURES

Production Company: NEAL STREET PRODUCTIONS

EVERYTHING EVERYWHERE ALL AT ONCE A24

NOMINEES

Supervising Sound Editor: BRENT KISER MPSE

Supervising ADR Editor:

Feature Dialogue / ADR continued

JULIE DIAZ MPSE

Dialogue Editor:

DANIEL RAPHAEL

SPECIAL THANKS

Post Sound Production Assistant:

CHRISTIAN BLAIR

ADR Mixers:

JAMISON RABBE

MICHAEL MILLER

JUDAH GETZ

ELLIOT HARTLEY

Foley Mixers:

RON MELLEGERS

RANDY WILSON

Picture Editor:

PAUL ROGERS

Re-recording Mixers:

ALEXANDRA FEHRMAN

IAN CHASE

Scoring Mixer:

SATOSHI MARK NOGUCHI

Sound Mixer:

STEPHEN NELSON

Mix Technician:

MARK T. WILIAMS

Re-recording Engineer: SCOTT OYSTER

Directors:

DANIEL KWAN

DANIEL SCHEINERT

Producer:

JONATHAN WANG

TOP GUN: MAVERICK

Paramount

NOMINEES

Supervising Sound Editor:

BJØRN OLE SCHROEDER

JAMES MATHER

AL NELSON MPSE

Dialogue Editors:

CHRIS GRIDLEY

SIMON CHASE

MATTHEW HARTMAN

MICHAEL MAROUSSAS

GWENDOLYN YATES WHITTLE MPSE

ADR EDITORS:

GWENDOLYN YATES WHITTLE MPSE

CHRIS GRIDLEY

MATTHEW HARTMAN

SPECIAL THANKS

Assistant Sound Editors:

CHRIS FRAZIER

MARCO ALICEA

JAMES TAYLOR BEESON

ADR Mixers:

DAVID BETANCOURT

NICK ROBERTS

ADAM MENDEZ

Re-recording Mixers: MARK TAYLOR

CHRIS BURDON

Additional Re-recording Mixers:

CHRISTOPHER BOYES

GARY SUMMERS

Sound Mixer:

MARK WEINGARTEN

Director:

JOSEPH KOSINSKI

Producers:

JERRY BRUCKEIMER

TOM CRUISE

CHRISTOPHER McQUARRIE

Editors:

EDDIE HAMILTON

CHRISTOPHER McQUARRIE

Outstanding Achievement in Sound Editing

WINNER

TOP GUN: MAVERICK

Paramount

Supervising Sound Editor: AL NELSON MPSE

JAMES MATHER

BJØRN OLE SCHROEDER

Sound Designers: CHRISTOPHER BOYES

JED LOUGHRAN

Sound Effects Editors:

BENJAMIN A. BURTT

SCOTT GUITTEAU

ROWAN WATSON

QIANBAIHUI YANG MPSE

Supervising Foley Editor:

LUKE DUNN GIELMUDA

Foley Editors:

DMITRI MAKAROV

DAVID MACKIE

Foley Artists:

JANA VANCE

RONNI BROWN

JOHN ROESCH MPSE

SHELLEY RODEN MPSE

SPECIAL THANKS

Assistant Sound Editors: CHRIS FRAZIER

MARCO ALICEA

ALYSSA NEVAREZ

Sound Design Consultant: GARY RYDSTROM

Re-recording Mixers: MARK TAYLOR

CHRIS BURDON

Additional Re-recording Mixers:

CHRISTOPHER BOYES

GARY SUMMERS

Foley Mixers: BLAKE COLLINS

SCOTT CURTIS

ADAM MENDEZ

Feature Effects / Foley

Director: JOSEPH KOSINSKI

Producers: JERRY BRUCKEIMER

TOM CRUISE

CHRISTOPHER McQUARRIE

Editor:

EDDIE HAMILTON

MPSE: Was there anything specific that influenced your decision to take on this project?

AN: We wanted the viewer / audience to experience the sounds of fighter jets as authentically as possible. Translating that from real world to screen took many many days and a lot of dedication.

JM: Working under Covid Lockdown conditions

MPSE: There is more and more overlap between

mixing which can help in a multitude of ways, especially in tight schedules but I still believe that the collaboration benefits by having a fresh input from a mixer at the end of the process.

MPSE: Where are you based and is your team in the same location?

AN: Skywalker Sound in Northern California. For the most part, yes.

JM: I am based at Soundbyte Studios in West London, UK.

MPSE: If you could pick only one piece of advice for the next generation of sound editors what would it be?

AN: Sound editing has many technical requirements but it is not a technical position. It is a creative position requiring interpretation of story through sound. Watch good films with good sound first.

Al Nelson MPSE, Supervising Sound Editor: Previous projects with the director was the main reason. Joe reached out to me.

James Mather, Supervising Sound Editor: My decision to undertake this project was influenced by my desire to produce an iconic sound track for an iconic movie.

MPSE: What was the biggest challenge you and your team faced?

editing and mixing. Do you find this allows for better collaboration?

AN: Whenever the filmmakers and sound team (editorial and mix) have the opportunity to collaborate, it makes for a better film. Temp mixes, reviews with mixers present and time spent listening to the track with the filmmakers is invaluable.

JM: Through improving technology there is more overlap between editing and

JM: My advice for the next generation of sound editors is to listen carefully to the film makers requests.

THE BATMAN

Warner Bros. Pictures

NOMINEES

Supervising Sound Editors: WILL FILES MPSE

DOUGLAS MURRAY MPSE

Sound Designers: CHRIS TERHUNE

LEE GILMORE MPSE

CRAIG

HENIGHAN MPSE

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Feature Effects / Foley continued

Sound Effects Editors:

DIEGO PEREZ MPSE

PHIL BARRIE

Foley Artists:

ALYSON DEE MOORE MPSE

CHRISTOPHER MORIANA

SPECIAL THANKS

Assistant Sound Editor:

MATT “SMOKEY” CLOUD

Sound Mixer:

JOHN PAUL FASAL

Picture Editors:

WILLIAM HOY

TYLER NELSON

Re-recording Mixer:

ANDY NELSON

Re-recording Mix Technician:

UNSUN SONG

Foley Mixer: DARRIN MANN

Mix Stage Engineers:

TONY PILKINGTON

RYAN MURPHY

Director:

MATT REEVES

Produers:

DYLAN CLARK

TINA ANDERSON

Composer:

MICHAEL GIACCHINO

Director Of Photography:

GREIG FRASER

AVATAR: THE WAY OF WATER

20th Century Studios

NOMINEES

Supervising Sound Editor:

CHRISTOPHER BOYES

Supervising Effects Editor:

BRENT BURGE

Sound Designers: DAVID CHRASTKA

DAVE WHITEHEAD MPSE

CHRISTOPHER BOYES

Sound Effects Editors: HAYDEN COLLOW

MATT STUTTER MPSE

Foley Editors:

CRAIG TOMLINSON

DEE SELBY

Foley Artists: DAN O’CONNELL

JOHN CUCCI MPSE

SPECIAL THANKS

Supervising Sound Assistant: MARCO ALICEA

Sound Effects Assistant: LUCAS MILLER

Re-recording MIxer: CHRISTOPHER BOYES

Foley Mixers: TAVISH GRADE

JACK CUCCI

MIKEL PARRAGE WILLS

Post Production Supervisor: KATE MULLIGAN

Director: JAMES CAMERON

JURASSIC WORLD: DOMINION

Universal Pictures

NOMINEES

Supervising Sound Editors: AL NELSON MPSE

GWENDOLYN YATES WHITTLE MPSE

Sound Designesr: PETE HORNER

GARY RYDSTROM MPSE

Sound Effects Editors:

STUART McCOWAN

BENJAMIN A. BURTT SCOTT GUITTEAU

QIANBAIHUI YANG MPSE

Supervising Foley Editor: LUKE DUNN GIELMUDA

Foley Editor: COYA ELLIOTT

Foley Artists: JANA VANCE

RONNI BROWN

SPECIAL THANKS

Supervising Assistant Sound Editor: MARCO ALICEA

Sound Design Assistant: LUCAS MILLER

Foley Mixer: RICHARD DUARTE

Re-recordingMixers: CHRISTOPHER BOYES

PETE HORNER

Assistant Re-recording Mixer STEVE SCHATZ

Director:

COLIN TREVORROW

Producers: FRANK MARSHALL PATRICK CROWLEY

Editor: MARK SANGER

EVERYTHING EVERYWHERE ALL AT ONCE

A24

NOMINEES

Supervising Sound Editor: BRENT KISER MPSE

Sound Designer: ANDREW TWITE

Sound Effects Editors:

JACOB “YOUNG THOR” FLACK MPSE

KAILAND REILLY

REESE RICHARDSON

Foley Editor:

BRANDON BAK

Foley Artists:

STEFAN FRATICELLI

JASON CHARBONNEAU

SPECIAL THANKS

Post Sound Production Assistant:

CHRISTIAN BLAIR

ADR Mixers:

JAMISON RABBE

MICHAEL MILLER

JUDAH GETZ

ELLIOT HARTLEY

Foley Mixers:

RON MELLENGERS

RANDY WILSON

Picture Editor:

PAUL ROGERS

Re-recording Mixers:

ALEXANDRA FEHRMAN

IAN CHASE

Scoring Mixer:

SATOSHI MARK NOGUCHI

Mix Technician:

MARK T. WILIAMS

Re-recording Engineer:

SCOTT OYSTER

Directors:

DANIEL KWAN

DANIEL SCHEINERT

Producer:

JONATHAN WANG

NOPE

Universal Pictures NOMINEES

Supervising Sound Editor:

JOHNNIE BURN MPSE

Sound Effects Editors:

SIMON CARROLL

BRENDAN FEENEY

MAX BEHRENS

BEN GULVIN

JEFF SMITH

BERESFORD COOKMAN

DHYANA CARLTON-TIMS

Foley Editors:

NATALIA LUBOWIECKA MPSE

EWA MAZURKIEWICZ

Foley Artist:

JACEK WISNIEWSKI

SPECIAL THANKS

Music Editor:

BRETT PIERCE

Picture Editor:

NICHOLAS MONSOUR

Sound Mixer:

JOSE GARCIA

Scoring Mixer:

JOHN RODD

Field Recordist:

ERIC POTTER

Stage Engineer:

TIM LIMER

Composer:

MICHAEL ABELS

Director:

JORDAN PEELE

Producer:

IAN COOPER

Distribution Company:

UNIVERSAL

Production Company:

MONKEYPAW PRODUCTIONS back