2019 August 29-30 Fine Art, Asian, & Antiques by Morphy Auctions

PLEASE NOTE: BIDDING IS NOT AVAILABLE IN THIS CATALOG. This digital catalog is only for viewing the items included in this auction.

To bid on any items you see in this catalog, visit www.MorphyAuctions.com and click on bidding.

Quality

COLLECTIONS Fresh to the Market.

Quality

COLLECTIONS Fresh to the Market. MORPHY AUCTIONS in Lancaster County, Pennsylvania and Las Vegas, Nevada is the fastest growing auction house in the country. Founded by Dan Morphy in 1997, Morphy Auctions continues to set auction world records across all collecting categories. In December 2017, Morphy Auctions made the move to merge with the renowned auction company, James D. Julia, Inc. This merger positioned Morphy Auctions to become one of the largest antique auction houses in North America. With the combined following of buyers, Morphy Auctions attracts buyers worldwide.

We employ the most talented and knowledgeable experts in the industry. We pride ourselves on having the best expert for each collecting category we specialize in. Our team of experts are available to assess your collection and oversee your consignment throughout the consignment process.

OUR PURPOSE IS TO DELIGHT COLLECTORS WORLDWIDE BY PROVIDING THE BEST OVERALL BUYING AND SELLING EXPERIENCE. WE ACCOMPLISH THIS BY: • Fresh to the market collections • Chosen and described by the best experts • Managed by the best team with Integrity

CONSIGNMENT Once the valuation process is over and you would like to consign your item(s) to Morphy Auctions, a Morphy Auctions Representative will contact you. At this point, your Morphy Representative will coordinate all of the details of your consignments and logistics (consignment rate, special clauses, auction date, etc.) The Morphy Representative will finalize the contract with you and arrange for shipment or pick-up of your items.

INVENTORY, INSURANCE & STORAGE From the time your items are in our possession, they will be fully insured for the amount of the low pre-sale estimate until they transfer to the buyer who purchased the item at auction. After we receive your consigned items, our consignment team will tag and inventory each item. Our state-of-the-art process ensures that each of your items is properly documented and stored prior to the items being displayed. Our system also allows us to make sure the correct expert inspects, describes and estimates your items. Prior to your items being displayed, Morphy Auctions will store them in our museum-grade storage facilities. Morphy Auctions has advanced security systems in place to keep your items safe and secure.

DESCRIPTIONS, ESTIMATES & PHOTOGRAPHY We employ the foremost experts in the industry to provide unbiased descriptions and estimates for your auction consignments. For highly specialized, niche categories, we have a bank of experts that we bring in to ensure accurate and trustworthy descriptions. We consider all of our experts to have the greatest knowledge and best reputations within their given field.

Our full time on-site photographers will take multiple photographs of each of your items, accurately representing your pieces. Approximately 7 weeks prior to the auction date, a member of our consignment team will provide a report of your consigned items that includes the expertâ&#x20AC;&#x2122;s description, estimates, and photos. It is at this time, that you can review all of the descriptions and estimates and discuss any changes you would like with a member of our consignment team.

DISPLAY In addition to your items being available to view online, they will also be displayed in our gallery for several weeks prior to the auction date. Our display coordinator carefully displays each of your items so it is represented properly and is accessible for previewing. Morphy displays all of your auction pieces in museum-quality glass display cases or locked gallery preview rooms, protected by full-time camera surveillance and only handled by Morphy Representatives.

SELLING AT AUCTION On the designated auction date, we will hold a live auction of all items in that sale. For buyers who cannot attend our live auction, we offer multiple other ways to bid including telephone bidding, absentee bids, and online/internet bidding.

CONSIGNOR PAYOUT Morphy Auctions prides itself in prompt payout to our consignors. Payments are made within 45 days of each auction.

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Terms & Conditions We advise all bidders to read the Terms and Conditions of the Sale before bidding with Dan Morphy Auctions LLC and/or its affiliates Morphy Firearms LLC, and Morphy Auctions, Las Vegas collectively referred to below as MORPHY’S. Those who bid are bound by those Terms and Conditions of the Sale, as amended by any oral announcement or posted notices, which together form the contract of the sale between the successful bidder (purchaser), MORPHY’S and the seller (consignor) of the lot.

TERMS OF SALE

When bidding on any lot offered by MORPHY’S, the bidder indicates acceptance of the following Terms of Sale. Any participation in the auction binds you to agreement of these terms whether or not you read or understand said terms.

CONDITION OF ITEMS

MORPHY’S makes every effort to accurately describe all items offered in its sales, however all items for sale are “as is,” and it is the bidder’s responsibility (present or absentee bidders) to determine the exact condition of each item. MORPHY’S will not be held responsible for typographical errors. Neither we nor the consignor, make any guarantees, warranties, or representation, expressed or implied, in regard to the property or the correctness of the catalog or other description of the authenticity of authorship, physical condition, size, quality, rarity, importance, provenance, exhibition, literature or historic relevance of the property or otherwise. No statement anywhere whether oral or written, shall be deemed such a guarantee, warranty or representation. Prospective bidders should inspect the property before bidding to determine its condition, size and whether or not it has been restored. It is the bidder’s responsibility to initiate contact with MORPHY’S in request for additional information regarding the items. Submit all questions regarding upcoming auction items at least 48 hours prior to the date of auction. We will make every effort to answer all submitted questions in a timely manner. However, we cannot guarantee that questions submitted within 48 hours of the auction date will be answered prior to the auction. The consigner and we make no representation or warranty as to whether the purchaser acquires any reproduction rights in the property. Returns will not be accepted under any circumstances. All items will be available for preview approximately one (1) month prior to the auction. All items are sold for display purpose. If electrical, mechanical, or other working parts are inoperable, even if working at the time of sale, we are not liable due to the inherent nature of the age of these antiques and items. Submit all questions regarding upcoming auction items at least 48 hours prior to the date of auction. We will make every effort to answer all submitted questions in a timely manner. However, we cannot guarantee that questions submitted within 48 hours of the auction date will be answered prior to the auction. AUTOMOBILES – These terms do NOT apply to our automobile auctions. To view the terms and conditions for our Automobile Auctions, please go to: www.morphyauctions.com/autoterms FIREARMS – These terms do NOT apply to our firearms auctions. To view the terms and conditions for our Firearms Auctions, please go to: www.morphyauctions.com/firearmterms

GAMING DEVICES - MORPHY’S may hold these items for up to 5 business days to allow state agencies to verify the purchaser’s information. All auction participants are urged to check the legality of possession in and/or shipment of gaming devices to their state of residence. Ownership of gaming devices is prohibited in these states: Alabama, Connecticut, Hawaii, Nebraska, South Carolina, and Tennessee. If you become a high bidder on a gaming item, and you are from one of the prohibited states as listed here: • You must pay for your item, • You will not be able to take possession of the item (MORPHY’S cannot ship it to you or allow pickup), • MORPHY’S will consign the item in your name to the next appropriate auction. If you do not pay for the item in full, MORPHY’S will block you from participating in future auctions. Any gaming device purchased at the auction shall be used for the purpose of display or social entertainment within the private home or residence of the buyer, and such devices shall not, in any event or manner, be exposed to the public for the purpose of gambling or be resold in the state of Nevada without a gaming distribution license. Proof of residence/ID is required for purchase of gaming devices. FIREWORKS – MORPHY’S can only ship Class 1 Division 1.4 and 1.6 Explosives (as described in the following website: http:// environmentalchemistry.com/yogi/hazmat/placards/class1.html) per the 49CFR 173.50 and can only ship these via FedEx. All items not shippable must be picked up by the buyer. SPORTS COLLECTIBLES • Return Considerations o MORPHY’s is not responsible for a third party grading company agreeing or disagreeing with our assessment, and we cannot issue refunds or credits if cards do not receive a numerical grade or the exact grade that we describe. MORPHY’s strongly recommends that you personally evaluate any items that you are bidding on, and make your own determination about its grade. MORPHY’S offers no guarantee of grade for uncertified items sold and subsequently submitted to a third-party grading service. o Cards sold referencing a third-party grading service are sold “as is” without any express or implied warranty. Certain warranties may be available from the grading services, and the Bidder is referred to them for further details: Professional Sports Authenticator (PSA), Sportscard Guaranty LLC (SGC), Global Authentics LLC, Beckett Grading Services (BGS), JO Sports, Inc. o MORPHY’S will not accept return of certified items due to possible differences of opinion with respect to the grade offered by any third-party organization, dealer, or service. Grading does not qualify for return evaluation, nor do such complaints constitute a basis to challenge the authenticity of a lot. o MORPHY’s shall not be liable for any patent or latent defect or controversy pertaining to or arising from any encapsulated collectible. In any such instance, purchaser’s remedy, if any, shall be solely against the service certifying the collectible. o Under extremely limited circumstances related solely to authenticity, such as a highly significant cataloging error, a purchaser, who did not bid from the floor, may request MORPHY’S to evaluate voiding a sale. (continued...)

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Terms & Conditions o Lots returned must be completely intact in their original form and undamaged holder, or there will be no credit. Certifications are void and returns are not accepted for any cards removed from their third-party grading holder. o All elements of the MORPHY’S POST-SALE RETURN POLICY apply. There are absolutely no exceptions to this policy. • On any lot presented with a Letter of Authenticity (“LOA”) issued by MORPHY’S o The bidder shall solely rely upon the warranties of the authentication provider issuing the Letter or opinion, or on the warranties of the authentication provider of the bidder’s choice. o Warranty inures only to the original purchaser. Purchaser may not transfer the rights afforded under the LOA, and it is null and void when Purchaser transfers or attempts to transfer the lot. o The LOA warranty is valid from date of the auction in which Purchaser was awarded the lot to four (4) years after its purchase. o The LOA warranty is valid as to its attribution to the person or entity described or to the lot’s usage, e.g. game worn. o Claim procedure: o Purchaser must contact MORPHY’S within the warranty period, prior to submission of the lot as to his intent to make a claim, receive prior approval, and arrange secure shipment. o Purchaser must present with the claim, authoritative written evidence that the lot is not authentic as determined by a known expert in the sports field. o If MORPHY’S concurs that the lot is not as represented, Purchaser shall be refunded their purchase price. o If the MORPHY’s denies the claim, the Purchaser agrees to the AGREEMENT REGARDING GOVERNING LAW, VENUE, AND LEGAL RIGHTS noted herein. o The LOA does not provide for incidental or consequential damages or other indirect damages. Any lot sold with a certificate of authenticity or other warranty from an entity other than Auctioneer or MORPHY’S affiliates is subject to such issuing entity’s rules and such conditions are the sole remedy afforded to purchaser. • In the event MORPHY’s cannot deliver the lot, or subsequently it is established that the lot lacks title, provenance, or authenticity, MORPHY’s liability shall be limited to voiding of the sale and refund of purchase price. In no case shall MORPHY’s liability exceed the winning bid on that lot, which bid shall be deemed for all purposes the value of the lot. After one year has elapsed, MORPHY’S maximum liability shall be limited to any buyer’s premium earned on that lot. • Due to changing grading standards over time, differing interpretations, and to possible mishandling of items by subsequent owners, MORPHY’S reserves the right to grade items differently than shown on certificates from any grading service that accompany the items. MORPHY’S also reserves the right to grade items differently than the grades shown in the prior catalog should such items be reconsigned to any future auction. • There is a subjectivity to grading, especially the grading of cards. Every effort is made to verify the condition of each lot as it is described. MORPHY’S accepts items for auction after careful scrutiny by not only ourselves, but, when necessary, by other leading authenticators. We cannot guarantee that every card described by us will in all cases receive exactly the same grade, or even be accepted for grading, from any third-party grading service. Similarly, we cannot guarantee that every card graded by one third-party grading service will in all cases receive exactly the same grade by another third-party grading service. Occasionally a lot description will include the words “we have submitted,” which is intended to be taken literally and give bidders great confidence that MORPHY’S has not “done anything” to the cards to alter or otherwise improve their appearance and

ultimate grade. No warranty, whether expressed or implied, is made with respect to any grade, condition, or other adjectival descriptions, which can and do vary, even among experts. • Large Autograph Group Disclaimer: When dealing with a single individual auction lot containing many items, these lots are offered with the explicit understanding that it is possible that there may be a small percentage which are not authentic. When authenticating large lots, such as a collection of 6,000+ signed 3 x 5 cards, or a set of 700+ signed baseball cards, great care has been taken in the authentication process, with all the greater attention focused on any items representing a concentration of value. It is always possible that on rare occasions a secretarial or stamped signature could be missed here or there. Without this disclaimer, as a practical matter, it would not be possible for MORPY’S to offer such lots at all. All bidders bidding on such lots do so with this understanding. • Abbreviation/Definition/Condition Key: PR — Poor, GD — Good, VG — Very Good, EX — Excellent, NM — Near Mint, MT — Mint. NOTE: If an item has a multiple grade such as VG-EX, then that item falls somewhere in between those two conditions. GOODS MADE FROM OR CONTAINING MATERIALS FROM PROTECTED SPECIES - MORPHY’S does not accept any responsibility or liability for the sale of items containing materials from protected species or for any omission in marking or labeling goods as containing materials from protected species. Such material includes, but is not limited to, ivory from elephants and walruses, tortoise shell, crocodile skin, whalebone, rhinoceros horn, some species of coral and certain woods. Restrictions on the importation, exportation, sale, transfer, and/or possession of goods containing materials from protected species derive from international, federal, and state laws and regulations promulgated thereunder. Laws include, but are not limited to, the Convention on International Trade in Endangered Species of Flora and Fauna (CITES), the Endangered Species Act (ESA) and the Marine Mammals Protection Act (MMPA). States currently restricting trade of protected species include, but are not limited to, California, New York and New Jersey. Prospective purchasers are on notice that several countries completely prohibit importation of property made, all or in part, of protected materials. Some countries require special permits, such as a CITES permit, from the relevant regulating authority in the countries of exportation and importation as well. Potential purchasers intending to import the property into another country should be familiar with the relevant customs laws and regulations prior to bidding on goods containing material from protected species. Regulations may vary as the U.S. generally prohibits importation of articles containing material(s) from species it has designated endangered or threatened if the articles are less than 100 years old, subject to certain exceptions. It shall be the potential purchaser’s sole responsibility to research and satisfy the requirements of any laws and regulations that apply to the import and export of property as described in the aforementioned paragraphs. All purchasers agree to comply with any and all domestic and international restrictions on the trade of protected species as a condition of the sale. Please note that the ability to obtain an export license or certificate does not ensure the ability to obtain an import license or certificate in another country, and vice versa. It is the purchaser’s responsibility to obtain any export or import licenses and/or certificates as well as any other required documentation. MORPHY’S is not able to assist the purchaser in attempting to obtain the appropriate licenses and/or certificates, and there is no assurance (continued...)

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Terms & Conditions that an export license or certificate can be obtained. The inability or delay in obtaining permits, licenses or other permissions to import or export goods containing material from protected species will not constitute a basis for rescission or cancellation of the sale of said goods or the delay in payment of purchased items in accordance with these Bidder Terms and Conditions. JEWELRY AND WATCHES • Jewelry Descriptions and Condition Reports: Lots being offered are sold as-is on the day of sale. Condition reports, either written or verbal, are provided as a courtesy only, and are not to be taken as fact or guarantees of condition or quality of the lots. All information provided is the opinion of the specialist at MORPHY’S, including but not limited to weights, grades, color, and clarity. All gemstones and diamonds are measured and graded in their setting unless stated otherwise. All weights and grades are approximate. Buyers wishing to have a grading or gemological report from an independent, internationally recognized laboratory, such as the Gemological Institute of America (GIA) or the American Gemological Laboratories (AGL), may request one at their own expense or hire an independent adviser of their choosing. • Watch Descriptions and Condition Reports: The physical characteristics, timing accuracy or functionality of timepieces cannot be guaranteed, and all items are sold as-is. o Any condition statement reflects the condition of the watch on the date of the report. Condition can change from the time of the report to the day of sale. o Photographs are for identification purposes only. Buyers may not use them as precise indications of size or condition. o The origin or authenticity of all components cannot be guaranteed. o Watches with waterproof or water-resistant cases – MORPHY’S may open cases to develop descriptions, and cannot guarantee that any watch is waterproof or water-resistant at the time of purchase. MORPHY’S recommends that the buyer have a professional watchmaker evaluate the watch at buyer’s expense. o Buyers must be aware that watches may need general service, change of battery, or further repair work for which the buyer is solely responsible. o Dials - All watches have the possibility that after their original date of manufacture they received reconditioning or replacement of dials or elements of the dial such as but not limited to standard or luminescent hour markers, hands, script, date or measurement indices, lacquer, and finish. Buyer is solely responsible for determining and understanding such condition issues. • The lack of a condition report does not imply that the item or lot is free from imperfections, defects or wear and tear of the aging process. This includes but is not limited to: deficient stones, needed repair or defects. • It is common and generally accepted in the jewelry industry that some diamonds and most gemstones have been enhanced with various treatments to improve their overall appearance. o These treatments include but are not limited to: heating, dying, oiling, laser drilling, HTHP, wax, bleaching, irradiation, resin or polymer impregnation and various other techniques. o Unless stated in the title, it is assumed that one or more treatments have been performed to the stones. While many treatments are considered permanent, this cannot be guaranteed. o Please note that many treatments cannot be determined without sophisticated laboratory testing. Due to the various laboratories and developing scientific methods for testing, not all reports or certificates will have the same results for treatment type, extent of treatment and stability of treatment.

o MORPHY’S makes no representations or warranties, express or implied, as to whether natural stones have been treated or enhanced, whether specifically referenced or not. • Laboratory reports may accompany some lots o If a lot is accompanied by certificates or reports from internationally recognized and accepted gemological laboratories, it will be noted in the description. o Copies will be available upon request, with the original going to the successful bidder. o The reports cannot be guaranteed and are provided for informational purposes only. Results on reports may differ from laboratory to laboratory. o MORPHY’S accepts no responsibility for the accuracy, terms or information contained in such certificates or reports. Grading Scale: Near Mint Plus 97% - 100% Near Mint 90% - 96% Excellent 80% - 89% Very Good 70% - 79% Good Below 70%

BIDDING RIGHTS & RESPONSIBILITIES

The auctioneer will determine the highest bidder. The auctioneer alone has the right to reopen the bidding of an item if deemed necessary due to a dispute. If there is a tie bid between the floor and Internet or absentee bid, the floor bid takes precedence. MORPHY’S and its representatives reserve the right to remove those attendees who impede preview and/or the auction. Title to all merchandise shall pass to the highest bidder at the fall of the auctioneer’s hammer. The buyer will then assume all risk and full responsibility of the lot purchased once ownership has changed. We recommend that you arrange insurance for your items immediately upon becoming the highest bidder. MORPHY’S is not responsible for any errors in bids, omissions of bids, or failure to execute bids and shall have no liability to any bidder for any technical or other failure associated with the internet, absentee bidding, or telephone bidding. • ABSENTEE BIDDING - MORPHY’S will accept absentee bids if pre-authorized by mail, fax or through www.morphyauctions. com online. Absentee bidders must use the absentee bid form and clearly mark the lot number, title and maximum bid amount. Absentee bidding forms may be accessed online at www. morphyauctions.com. If there are two (2) identical bids placed on the same item, priority will be given to the first bid received. All bids must be left in increments as explained on our bid form. If a bid is “out of increment,” the auctioneer has the right to round the bid up to the next correct increment. Bidders may preview, register and place bids online through our website, www. morphyauctions.com. Absentee and online bids placed through www.morphyauctions.com will be auto charged to the credit card entered 48 hours after the end of the sale. If you wish to pay by another method please contact us within 48 hours after the sale. Seller(s) agree to allow the Auctioneer to accept and execute absentee bids in a competitive manner for potential buyers and under the MORPHY’S absentee bidding terms and conditions. During the live sale, the auctioneer will execute your absentee bid competitively up to the maximum amount you have indicated. • ONLINE BIDDING - Online bidding through www.morphyauctions. com, Live Auctioneers, Invaluable, Proxibid, or other bidding platforms may be available; all Terms and Conditions still apply. A surcharge will be added for third party online platforms. Refer to your bidding platform of choice for the final buyer’s premium. If there is a tie bid between the internet bidding venues and the (continued...)

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Terms & Conditions floor, the floor bid takes precedence. If a credit card has been provided to one of the online bidding platforms, MORPHY’S reserves the right to use and charge the credit card if the winning bidder has not paid via another method by the 7 day term in Payment Terms below. Due to our fast paced auctions and bids coming from floor bidders, phone bidders, internet bidders and absentee bids, the auctioneer has the final word on all item(s) sold. You (the bidder) assume the risk of winning an item online and not having the item actually sell to you. This is due to the final call of the auctioneer and the operator not being able to re-open that lot. Online bidders are responsible for accidental bidding as if they bid normally. • BID RESULTS – MORPHY’S will only contact successful bidders. Please allow 24-48 hours post auction to receive your official invoice from MORPHY’S. The invoice will include item, hammer price, premium, packing and handling, shipping, insurance, and any other charges that apply. Please hold phone inquiries regarding bid success until after receiving your invoice. For verifications, MORPHY’S cannot provide winning bid information until the second business day after the auction. MORPHY’S will not provide bidder information to any outside sources. • TELEPHONE BIDDING - Requests for phone lines must be received at least three (3) days prior to the auction date. MORPHY’S cannot guarantee phone lines but will make every attempt to accommodate those who wish to participate through that method. Phone lines are provided on a first come first served basis. Please visit www.morphyauctions.com or call 717-335-3435 to request a call from our representatives during the live auction.

BID INCREMENTS

Bid increments listed are a general guideline. Actual increments are at the auctioneer’s discretion. If a lot does not receive a bid of 50% of the low estimate, the lot will be passed by the auctioneer. $0 - $500…................$25 $500 - $1,000….........$50 $1,000 - $2,000…......$100 $2,000 - $5,000…......$250 $5,000 - $10,000....…$500 $10,000 +…............... Auctioneer’s discretion

RESERVES

The majority of our items are unreserved, but occasionally items may carry a moderate reserve. Please note that when a lot carries a reserve, the reserve is usually somewhere below our low estimate. In the case of a reserved item, the seller has authorized the auctioneer to bid on their behalf until the reserve price is reached.

BUYER’S PREMIUM

A 23% buyer’s premium will be added to all successful bids and is payable by the purchaser as part of the total purchase cost. If payment by cash, check, money order or wire transfer is made within 7 days of the invoice a 3% discount may be taken on the Hammer price by the buyer. DISCOUNT IS ONLY AVAILABLE IF INVOICE IS PAID WITHIN 7 DAYS from the sale date. Split payments are subject to a 23% buyer’s premium if a credit card is used as any form of total payment. A surcharge will be added for any third party online bidding platform that the bidder utilizes. Refer to your bidding platform of choice for the final buyer’s premium.

SALES TAX

Lots delivered to you, or your representative are subject to all applicable state and local taxes, unless appropriate permits are on file with MORPHY’S. Bidder agrees to pay MORPHY’S the actual amount of tax due in the event that sales tax is not properly collected due to: 1) an expired, inaccurate, or inappropriate tax certificate or declaration, 2) an incorrect interpretation of the applicable statute, 3) or any other reason. The appropriate form or certificate must be on file at and verified by MORPHY’S five days prior to Auction, or tax must be paid; only if such form or certificate is received by MORPHY’S within 4 days after the Auction can a refund of tax paid be made. Lots from different auctions may not be aggregated for sales tax purposes.

PAYMENT, INTEREST & STORAGE FEES

Any invoice totaling more than $100,000 and all watch sales must be paid within three (3) days. All other merchandise must be paid in full within seven (7) days of the date of the invoice. If payment by cash, check, money order or wire transfer is made within 7 days of the invoice, a 3% discount on the Hammer price may be taken by the buyer. DISCOUNT IS ONLY AVAILABLE IF INVOICE IS PAID WITHIN 7 DAYS from the invoice date. No discount is permitted on split payments where a credit card is used as any form of total payment. Payments can be made by going to your account online at www. morphyauctions.com, call 877-968-8880 or mail payment to: Dan Morphy Auctions LLC 2000 N Reading Rd, Denver, PA 17517. Interest will be charged on all balances not paid at the rate of 1-1/2% monthly (18% APR) effective 30 days from the invoice date. All goods not retrieved by Buyer within 120 days after the invoice date, shall be subject to a storage fee of $50 per item per month. Absentee bids placed through www.morphyauctions.com will be auto charged to the credit card entered 48 hours after the end of the sale. If you wish to pay by another method please contact us within 48 hours after the sale. We accept Visa, MasterCard, Discover, American Express, personal checks, certified checks, wire transfers, money orders, and cash. • Jewelry, Watches, Coin and Currency Auctions – We accept cash, wire transfer, check, certified checks and money orders only. No credit cards. • CREDIT CARD - We will not accept credit card payment for any jewelry, watch, coin or currency auction purchases. For first time buyers and credit card charges greater than $2,500 buyers must complete the bottom portion of the invoice and must specifically sign the acknowledgement of our terms of sale before we will accept payment via credit card. We do offer the convenience of paying automatically by credit card. If you wish have your card automatically charged for all purchases please complete our “Authorization for Automatic Credit Card Use.” We have this form available online or upon request. Split payments are subject to a 23% buyer’s premium if a credit card is used as any form of total payment. • CHECK - There will be a $30 service charge for returned checks. Make checks payable to: Dan Morphy Auctions LLC. MORPHY’S reserves the right to hold items paid for by personal or company check until said check clears (14 days). MORPHY’S has the right to hold all checks over $2,000. Customers who have an established successful buying history with MORPHY’S may be exempt from this. We will accept a personal or company check >$2,000 and/or from a first time buyer if you provide a Bank Letter of Credit, available on our website, www.morphyauctions.com. (continued...)

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Terms & Conditions • WIRE TRANSFERS – There will be a $30 charge added to all wire transfers less than $2,000. Please add this amount to your invoice total before sending a wire transfer. In the few situations where a successful bidder does not remit payment when due, MORPHY’S will proceed with the legal steps necessary to protect its interests and will block the bidder from future auction participation.

PACKING/SHIPPING

• It is the bidder’s responsibility to take shipping, handling, and insurance costs into consideration when bidding on items. • BIDDERS PRESENT AND TAKING ITEMS AFTER AUCTION – Since item liability transfers upon a successful bid, items paid for must be packed, transported and/or removed by the purchaser at his/ her own risk after the close of the sale. We recommend that you arrange insurance for your items immediately upon becoming the highest bidder. If any employee or agent of MORPHY’S shall pack or transport the merchandise, it is fully at the risk and responsibility and expense of the purchaser. MORPHY’S shall not be held liable for any loss or damage that may be caused by the said agent or employee. • ITEMS NOT PICKED UP THE DAY OF THE SALE – Packaging, shipping, and insurance on all items to locations that can accept shipments will be made available as an added courtesy and at an additional cost. We recommend that you arrange insurance for your items immediately upon becoming the highest bidder. All applicable charges will be applied to the invoice. Shipping will be based on actual costs via FedEx, USPS, or other carriers required based upon the contents of the shipment. Packaging and insurance will vary in cost depending on the items on each invoice. All packages will be shipped with insurance. Standard items packed internally by MORPHY’s will ship seven to fourteen (7-14) business days after payment is received. Oversize and breakable items, which will appear on a separate line of the invoice, will ship based upon a date our shipper partner will provide to the purchaser after payment and pickup of the items. MORPHY’s cannot combine standard item shipments with oversize and breakable item shipments. Again, if any employee or agent of MORPHY’S shall pack or transport the merchandise, it is fully at the risk and responsibility and expense of the purchaser. MORPHY’S shall not be held liable for any loss or damage that may be caused by the said agent or employee. • SHIPPING TERMS - MORPHY’S will ship all items to the buyer at the listed address via FedEx or other carriers, FOB Denver, Pennsylvania or FOB Las Vegas, NV or FOB other auction locations. Any risk of loss or damage to the item(s) during transit via FedEx, or any other carrier, in excess of the insurance provided by or purchased from MORPHY’S, is at the risk of the buyer. Any additional insurance coverage should be purchased by the buyer through the carrier. Buyer releases MORPHY’s from any and all claims for loss or damage to any item during transit and agrees to pay all costs of defense, including attorney’s fees, for any claims brought against MORPHY’S for loss or damage occurring during transit. • INSURANCE - Shipping insurance is automatically added up to $1,000 for every package. If your package is valued at >$10,000 we will also automatically add “Additional Insurance”, which you can decline by contacting us. If you wish to arrange for “Additional Insurance” for packages valued between $1,000 and $10,000 please contact us prior to payment and we can quote this additional insurance amount for you. Oversize and breakable items shipments include full insurance. Insurance for all 3rd party shipments must be arranged through that carrier. Insurance

provided or purchased through MORPHY’s applies only to shipments to the United States and Canada. Buyers must purchase their own insurance for shipments to other countries. • INTERNATIONAL SHIPMENTS – MORPHY’S has the capability to ship to international bidders. By law, MORPHY’S cannot, and will not, declare lesser values for any international purchases and all shipments will include the invoice with purchase totals including the buyer’s premium and shipping cost. All international bidders are responsible for knowing their country’s laws on importing items and for paying all customs and duties on the items. • 3RD PARTY SHIPPING OVERSIZE AND BREAKABLE ITEMS – • Should bidders choose to use a shipper other than MORPHY’S, the bidder MUST arrange and pay for 3rd party shipping. As a general guideline, the following will indicate which packages apply, as they are of a certain weight, length, or dimensional size. ∙ Dimensional size is length (the longest measurement) + (height x 2) + (width x 2). For example a 36” x 36” x 12” package = 36 + (36 x2) + (12 x 2) = 132” ∙ USA home shipments must be <70 lbs. and <108” length and <165” dimensional size ∙ USA business shipments must be <150 lbs. and <108” length and <165” dimensional size ∙ International shipments must be <150 lbs. and <108” length and <130” dimensional size ∙ There may be certain shipments that meet these requirements that will still require 3rd party shipping, and we will communicate the reason in those cases. • BREAKABLE, DELICATE, FRAGILE ITEMS - MORPHY’S reserves the right to choose items and orders that it will pack, ship, and/ or insure directly using our shipping department. Those items that MORPHY’S will not ship will require that the winning bidder either pick up the items personally or arrange a 3rd party shipping service. Examples of items that may apply after determination by our shipping department include but are not limited to: items with neon of any type (working or non-working), all glass display cases of any size; coin-operated, arcade and vending items with fragile parts and/or glass; signs with parts or protrusions beyond the main body of the sign, oversized vases (guideline – larger than fit in a 20” x 20” x 40” box), high value lamps and glass of all sizes, high value artwork including but not limited to paintings, statuary, sculpture, figurines, dioramas, and other intricate items; and items subject to impact by moisture and known handling issues in the supply chain. Under no circumstances will MORPHY’S be responsible for shipping damage to picture frames of any kind. For any buyers who wish to arrange for their own shipping, MORPHY’S must be notified at least seven (7) days prior to arrival of the shipping company name, arrival date and time. Pickup must be scheduled to begin and end within our normal business hours (9am – 4pm weekdays). Buyers must arrange weekend pickups in advance with MORPHY’S staff, and additional charges may be necessary for overtime. All 3rd party shippers must arrive with a copy of the invoice, • STORAGE FEE – MORPHY’S will charge a storage fee of $50 per item per month for any items awaiting pickup for more than 120 days following the invoice date. • MORPHY AUCTIONS, LAS VEGAS LOCATION ONLY SPECIAL COURTESY – Items purchased at our Las Vegas location may qualify for free shipment on our freight truck to Denver, PA. °° To be considered for shipping, all item invoices must be paid in full by day 7 after the auction, or they will not be shipped on the truck and shipping charges will then apply. °° Items will leave Las Vegas approximately 14 days after the auction date. Upon arrival in Denver, PA the buyer must (continued...)

bidder

Terms & Conditions pick items up within 14 days, or a $50/week storage fee will apply. Buyers will be contacted by phone or email when items arrive in Denver, PA. It is the buyer’s responsibility to pick the items up here. For packages to qualify for courtesy shipping, at least one piece or all pieces together in a package, must have a dimensional size of more than 130 square inches. Dimensional size is length (the longest measurement) + (height x 2) + (width x 2). For example, a 36” x 36” x 12” package = 36 + (36 x2) + (12 x 2) = 132. • FIREWORKS – MORPHY’S can only ship Class 1 Division 1.4 and 1.6 Explosives (as described in the following website: http://environmentalchemistry.com/yogi/hazmat/placards/class1. html) per the 49CFR 173.50 and can only ship these via FedEx. All items not shippable must be picked up by the buyer.

AGREEMENT REGARDING GOVERNING LAW, VENUE, AND LEGAL RIGHTS

I hereby understand and agree that any controversy or claim arising out of or relating to MORPHY’S Bidder Terms & Conditions, which includes this provision (hereafter referred to as “Terms & Conditions”), MORPHY’S, or the breach thereof (hereafter referred to as “Claims”), shall be governed by and construed in accordance with the laws of the State of Pennsylvania, without regard to its conflict of law provisions. I hereby irrevocably submit to the personal jurisdiction of the appropriate court in Lancaster County, Pennsylvania in any action or proceeding arising out of or relating to the Claims and their enforcement, and I agree that any and all Claims must be adjudicated, heard, determined, and resolved in said court, and I hereby irrevocably waive any objection on the ground that any such action or proceeding in said court has been brought in an inconvenient forum. MORPHY’S failure to exercise or enforce any right or provision of these Terms & Conditions or any other legal rights, shall not constitute a waiver of such right or provision. Any waiver of any provision of these Terms & Conditions by MORPHY’S must be made in writing and signed by an authorized representative of MORPHY’S specifically referencing the provision(s) contained within the Terms & Conditions to be waived. Headings used in the Terms & Conditions are for convenience only and are not to be relied upon. If any provision of the Terms & Conditions is found by a court of competent jurisdiction to be invalid, the parties nevertheless agree that the court should endeavor to give effect to the parties’ intentions as reflected in the provision, and the other provisions of the Terms & Conditions shall remain in full force and effect. These Terms & Conditions will inure to the benefit of, and are intended to be, enforceable by MORPHY’S, its parents, subsidiaries, affiliates, successors, assigns, members, directors, officers, and licensees. There are no third party beneficiaries to these Terms & Conditions; a person or entity who is not a party or signatory to these Terms & Conditions has no rights under the Contracts (Rights of Third Parties) Act 1999 to rely upon or enforce any term or provision of these Terms & Conditions.

POST SALE RETURN POLICY

MORPHY’S engages knowledgeable experts to provide catalog descriptions on the merchandise we sell. Every effort is made to ensure those descriptions are accurate and that they fully disclose any exceptions to condition. Any buyer who has made their payment within the due date of 7 calendar days who wishes to report a problem must notify MORPHY’S within three calendar (3) days of receipt of their purchased item. Buyers who have not made their payment within the due date of 7 days may not return any items under any circumstances. No lots purchased by floor bidders (including those bidders acting as agents for others) may be returned. A Return Merchandise Authorization Number (RMA#) must be issued by MORPHY’S before you ship anything back to our address. Any items arriving without a return authorization will not be given a refund. The item in question must be shipped with the RMA# on the outside and inside of the package, with full insurance, so it arrives at MORPHY’S within one week of the aforementioned authorization. PRIVACY TO REVIEW OUR PRIVACY POLICY, PLEASE VISIT WWW.MORPHYAUCTIONS.COM/PRIVACY-POLICY All rights reserved. Entire contents copyright 2018, Dan Morphy Auctions LLC. Copyright includes, but is not limited to, print media, microform and electronic media, such as CD-ROMS and online computer services.

Please see www.MorphyAuctions.com to review a complete and most current list of terms and conditions. All rights reserved. Entire contents copyright 2018, Dan Morphy Auctions LLC. Copyright includes, but is not limited to, print media, microform and electronic media, such as CD-ROMS and online computer services.

PA AH001884 NV 2000951.056-221 & 2000084.846

AUCTION Details

AUCTION LOCATION: Morphy Auctions 2000 N. Reading Rd ∙ Denver, PA 17517 877-968-8880

LODGING:

APPROXIMATE AUCTION TIMES

Hampton Inn & Suites

Auctioneer sells approximately 80-100 lots per hour.

WEDNESDAY LOTS 1 - 80 9:00 AM 81 - 160 10:00 AM 161 - 240 11:00 AM 241 - 320 12:00 PM 321 - 400 1:00 PM 401 - 480 2:00 PM 481 - 493 3:00 PM

380 East Main Street Ephrata, PA 17522 717-733-0661

THURSDAY LOTS 600 - 680 9:00 AM 681 - 760 10:00 AM 761 - 840 11:00 AM 841 - 920 12:00 PM 821 - 1,000 1:00 PM 1,001 - 1,080 2:00 PM 1,081 - 1,107 3:00 PM

Historic Smithton Inn 900 W. Main Street Ephrata, PA 17522 717-733-6094

Best Western Plus Reading Inn & Suites 2299 Lancaster Pike Shillington, PA 17607 610-777-7888

GALLERY IS OPEN 5 DAYS A WEEK Monday - Friday 9:00am - 4:00pm Saturday following an auction 9:00am - 1:00pm Weekend pick ups and drop offs available by appointment only SOLD $310,500

ALL SALES ARE FINAL Invoices will be processed the Monday after the auction date. Dan Morphy Auctions will not be held responsible for typographical errors and all lots are sold by description, not by illustration.

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SOLD $248,850

SOLD $172,500

AUGUST 29, 2018 Wednesday Session | Auction Starts at 9:00am LOTS: 1 - 493 Items Now on Preview: Monday - Friday 9:00am - 4:00pm Auction Day Preview Begins at 8:00am

∙ 20% BUYER’S PREMIUM ∙ PROV IDED C ERTAI N C ONDI TION S ARE M E T

AUCTIONEERS: Shaye Krispine Aidan Heining Dan Morphy

DIVISION CONSULTANTS: Mike Fredericks

Fine & Decorative Arts Department Head

Ron Ciarmello Arts & Crafts Furniture Expert

Tony Greist

Fine Art Expert

John Morphy, M.D.

Jim Kreuzer

General Antiques Consultant

Radio Consultant

Tom Sage, Jr.

Sports Consultant

Michael McDowell

Law Enforcement & Fire Department Expert

M o r p h yA u c t i o n s . c o m | 8 7 7 - 9 6 8 - 8 8 8 0

THE RAYMOND B. BENTLEY COLLECTION Raymond B. Bentley was the consummate passionate collector, an accomplished and successful businessman, with a wonderful engaging personality and above all a gentleman of the finest class. Ray did not form a collection, he formed numerous collections, each pursued with the same great passion. His extensive collections included his spectacular, world-renowned collection of rare Winchester firearms, which was the finest ever assembled. In addition, Ray put together an extraordinary collection of elaborate silver trophies, probably one of the finest of its type in existence. Some of his other collections included: fine sheriff’s badges; rare fireman’s trumpets and equipment; “O” gauge and larger trains; various models including naval ships and military vehicles; military uniforms, hats, helmets and accessories, many having belonged to famous personage; his collection of saddles; collection of rare ammo; rare and fine pistols, swords and knives; rare vintage fire trucks; antique vehicles (particularly WWII vehicles), and other WWII memorabilia. He was a most patriotic individual and “God Bless America” was very much an anthem for his life. Ray was born on July 31,1935 in Elizabeth, New Jersey. He graduated from Trenton State College and after college taught industrial arts for a few years. After deciding that teaching was not for him, Ray became a salesman, going out on the road selling steel and he became very successful in that industry. Becoming an outstanding steel salesman led Ray to a wonderful opportunity – in 1976, he purchased Adam Metal Products Company in Ledgewood, New Jersey, into which he put his heart and soul. His many years of hard work paid off and Adam Metal became a tremendously prosperous business for him. For over 41 years, he dedicated himself to both the company and the lives of his employees. Ray cared so deeply for his company and its employees, that he made sure that if something happened to him, the company would continue. Ray was a “man’s man,” tall, good looking and filled with energy and life. He was the quintessential gentleman; always began a request with “please” and ended it with “thank you.” He was very charismatic and he was a tremendous raconteur, he delighted in telling humorous stories and jokes. Ray was an extraordinarily passionate collector. His enthusiasm for collecting began with his interest in guns which started early for him as his father was a collector himself. In the 1960s, Ray began his gun collection and continued to collect for the rest of his life. His collecting interests eventually expanded into various other related categories, and it was of great importance to Ray to know the history behind each item he collected -- its origin, who it belonged to, its significance and rarity. Ray had a keen eye for detail and any items he collected needed to be of the finest quality and in excellent condition to become a part of his collections. Ray passed away on November 15, 2017 surrounded by his loving family. Ray’s family includes his wonderful daughter, Barbara Stoken, and her husband, Craig, together with his two grandsons, Garrett and Parker Stoken. Ray also had a very loving son, Lawrence Bentley, together with his wife, Amie. Ray had a brother, Edward, who spent many years working at Adam Metal with Ray and predeceased Ray by just a couple of years. Through his family, his company and his extraordinary collections, Ray has left behind a legacy of a life well-lived.

www.MorphyAuctions.com | August 29, 2018

LOT - 1 1 - MARSHALL JOHNSON JR. (AMERICAN, 1880 - 1890). “Ship Skylark Clearing A Rocky Coast.” Oil on Canvas. Signed: Lower left and with brass plate on verso “Marshall Johnson” Work Size: 24” x 32”. Framed: Molded Partial Gilt Wood. Minor spot in-painting throughout; primarily in the sky and a small patch at top of painting above the foremast. Provenance: From the Private Collection of a well-known Fine Art collector from Southern Maine. Note: This painting is very similar to Johnson’s “A Close Call” depicting the ship “Skylark” clearing Diego Ramirez off of Cape Hope. The artist is well known for his detailed ship paintings which were often very dramatic with romantic undertones. The artist was originally a sailor, and was on board the ship “Sunbeam” which caught fire and sank off the coast of South America in 1870. He was one of the twelve sailors rescued from the shipwreck; an event that dramatically influenced his works. Framed: 26 -1/2” x 34 -1/2”. 5,000 - 7,000

LOT - 2

2 - BENJAMIN CHAMPNEY. (AMERICAN 1817 - 1907). “Landscape with Mountains.” Oil on Canvas. Signed: Lower Left “B. Champney”. Work Size: 12” x 20”. Framed: Deep Molded Giltwood and Gesso. Professionally cleaned with wax relining. No issues or restoration noted. Very good. Framed: 17” x 24 - 3/4”. 5,000 - 7,000

www.MorphyAuctions.com | August 29, 2018

3 - EDGAR SAMUEL PAXSON. (AMERICAN, 1852 1919). “Portrait of Indian Brave.” Watercolor on Paper. Signed: Lower Right “E.S. PAXSON 1917”. Work Size: 11-1/4” x 8-1/2”. Framed: Handsome, Contemporary, Antique-Style Molded Gold Frame. Very good to excellent. Note: Paxson is a renowned Western artist known for his depiction of cowboys and Indians in particular. Framed: 22 - 1/2” x 19”. 6,000 - 10,000

SEE WEBSITE FOR ADDITIONAL PHOTOS LOT - 3

4 - WILLIAM MERITT CHASE. (AMERICAN, 1849 1916). “Portait Of A Reclining Nude.” Oil on Board. Signed: Lower Right “Wm. M. Chase.” Work Size: 10” x 13”. Framed: Wood and Gesso Gold Gilt. Very fine, examined under black light. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Framed: 14-1/4” x 17”. 8,000 - 12,000

LOT - 4

www.MorphyAuctions.com | August 29, 2018

LOT - 5

5 - GUY WIGGINS. (AMERICAN, 1883 - 1962). “Wall Street Winter.” Oil on Board. Signed: Lower Right “Guy Wiggins NA”. Work Size: 13-3/4” x 10”. Framed: Modern Molded Gold Gilt Wood. Very good, untouched, clean surface. Note: Signed and titled on verso by the artist. Provenance: From a private Texas collection. Framed: 21” x 17”. 15,000 - 20,000

www.MorphyAuctions.com | August 29, 2018

LOT - 6

6 - WILLIAM ALLEN WALLS. (AMERICAN, 1801 - 1885). “The Nativity of Truth.” Oil on Board. Work Size: 72” x 59”. Framed: Gold Gilt Molded. Extremely fine, large painting, in very good to excellent. Frame has some damage in corners, notably upper and lower left facing. Note: Perhaps one of his greatest works, completed in 1852, New Bedford, Massachusetts; this is an allegorical work rich in symbolism of his views on American expansion in relation to Europe’s past, the central female figure representing a search for truth. Several essays have been written regarding the painting, one of which titled “American Expansionism and Universal Allegory: William Allen Walls ‘Nativity of Truth’” by Angela Miller in the “New England Quarterly”, Vol 63, No. 3, published September 1990, by the New England Quarterly Inc, page 446-467. Framed: 84” x 71”. 25,000 - 30,000 16

www.MorphyAuctions.com | August 29, 2018

LOT - 7

7 - MARTHA WALTER. (AMERICAN, 1875 - 1976). “Beach Day.” Oil on Artist Board. Signed: Lower Right “Martha Walter”. Work Size: 18” x 25-1/2”. Framed: Washed or Limed Gilt Molded and Carved Wood with Liner. Very good, untouched surface. Framed: 25-1/2” x 33-1/2” 18,000 - 24,000

www.MorphyAuctions.com | August 29, 2018

8 - DAVID DAVIDOVICH BURLIUK. (AMERICAN, 1882 -1967). “Flowers by the Seashore.” Oil on Canvas. Signed: Lower Right “Burliuk”. Work Size: 17” x 13-1/2”. Unframed. With areas of craquelure evident in handle of pitcher and in beach foreground. Light overall surface soiling, otherwise very good. Provenance: From the Private Collection of a well-known Fine Art collector from Southern Maine. 7,000 - 12,000 9 - EMILE ALBERT GRUPPE (AMERICAN, 1896 - 1978). “Drying Sails at Gloucester Harbor.” Oil on Canvas. Signed: Lower Left “Emile A. Gruppe”. Work Size: 20” x 24”. Framed: Gold Gilt Molded Wood. Very good; no issues, restoration or damaged noted. Framed: 27” x 30-3/4”. 6,000 - 8,000

LOT - 8

LOT - 9 18

www.MorphyAuctions.com | August 29, 2018

10 - JASPER FRANCIS CROPSEY. (AMERICAN 1823 - 1900). “Lake Through the Woods.” Watercolor. Signed: Lower Right “J.F. Cropsey”. Work Size: 10-1/2” x 13-1/2”. Framed: Molded Oak Matted under Glass. Not imperfections or restoration noted, very good overall. Provenance: Prominent New England Collection. Framed: 19-3/4” x 23-1/2”. 5,000 - 6,000 11 - CHARLES SMITH (AMERICAN, FIRST HALF OF 20TH CENTURY). “Outmatched.” Oil on Canvas. Signed: Lower Right” Work Size: 54” x 51”. Framed: Gilt Molded Wood. Vivid color, there is a old repair to a tear in the left upper quadrant, otherwise very good overall. Framed: 60” x 56”. 4,000 - 6,000

LOT - 10

LOT - 11

www.MorphyAuctions.com | August 29, 2018

12 - WORTHINGTON (THOMAS) WHITTREDGE. (AMERICAN, 1820 - 1910). “Forest Landscape.” Oil on Board. Signed: Lower Left “W. Whittredge”. Work Size: 14” x 11”. Framed: Deep Gesso and Wood Gilt Leaftip Decorated. Very good overall with clean surface, no restoration or in painting noted, examined under black light. Framed: 20 -1/4” x 17 -1/4”. 3,500 - 4,500

LOT - 12

13 - WALTER EMERSON BAUM. (AMERICAN, 1884 - 1956). “Portrait Of Clayton Hillegas.” Oil on Canvas. Signed: Upper Right “W.E. Baum”. Work Size: 20” x 16”. Framed: Ornate Carved and Molded Gesso and Wood with Liner. Original untouched condition, examined under black light, overall very good. Note: On verso, on top stretcher in pencil “Clayt Hillegas Sellersville” and on back of canvas “CLAY HILLEGAS 16 x 20 1954”. Stretcher marked “William Meil Walnut St Philadelphia.” Provenance: From the Private Collection of a well-known Fine Art collector from Southern Maine. Framed: 28 -1/4” x 24 -1/4”. 3,500 - 5,000

LOT - 13

www.MorphyAuctions.com | August 29, 2018

LOT - 14

LOT - 15 LOT - 16 14 - GUY CARLETON WIGGINS. (AMERICAN, 1883 - 1962) . “Harbor Scene.” Oil on Canvas. Signed: Lower Left “Guy Wiggins NA.”. Work Size: 20” x 24”. Unframed. Original surface with light soiling overall. No restoration or damage. Good to very good condition. 3,000 - 5,000

16 - WALTER FARNDON. (AMERICAN, 1876 - 1964). “Harbor Near Peggys Cove.” Oil on Masonite. Signed: Lower Left” Work Size: 14” x 18”. Framed: Contemporary Molded Wood with Gold Gilt Liner. Very good. Note: Believed to be painted mid 20th Century. Framed: 21-1/2” x 25”. 3,000 - 5,000

15 - FRANK HENRY SHAPLEIGH. (AMERICAN, 1842 - 1906). “Summer Landscape with Country Road.” Oil on Canvas. Signed: Lower Left “F.H. Shapleigh”. Work Size: 14” x 24-1/2”. Framed: Gold Gilt and Wash Gesso and Wood. Professionally cleaned and relined, very good condition, no imperfections noted. Framed: 18-1/2” x 28 - 1/2”. 3,000 - 5,000

www.MorphyAuctions.com | August 29, 2018

17 - FRANCES HAMMELL GEARHART. (AMERICAN, 1869 - 1958). “Where Careless Quiet Lies.” Woodblock Print. Signed: Signed lower right in pencil, Titled lower left in pencil. Work Size: 10-1/4” x 8-3/4” print; 11-1/4” x 9-3/4” (sight). Framed: Contemporary Brass under Plexiglass Mounted with Mat. Strong colors and vibrant palette, print is in very fine, untouched condition. Notes: Frances Gearhart color block prints maybe found in several museum collections including Los Angeles County Museum of Fine Art, The Smithsonian American Art Museum, Rhode Island School of Design, The Whitney Museum of American Art and many others. Framed: 16-1/4 x 14-1/4”. 3,000 - 5,000

LOT - 17

LOT - 18 18 - JOHN J. ZANG. (AMERICAN, 1859- ). “The Long Journey.” Oil on Canvas. Signed: Lower Right “J.J. Zang”. Work Size: 36” x 29-1/4”. Framed: Old Gilt Wood. Painting has been professionally cleaned lightly, mild craquelure in lower third, stabilized. Overall very good. Framed: 43 - 1/2” x 36 - 1/2”. 3,000 - 5,000 19 - CLAYTON SUMNER PRICE. (AMERICAN, 1874 - 1950). “Moonlight Preparation.” Oil on Canvas. Unsigned. Work Size: 32” x 30”. Framed: Molded Wood in Beige and Aqua Paint. Note: Faintly inscribed in pencil on back of frame proper left top “Painted by C.S. Price”. Stamp on proper lower right on frame “H.E. Skidmore Picture Gallery, Medford, Oregon”. Faintly inscribed in pencil “BLFA” on left side frame. Scattered paint loss in foreground on side and tiller of dory, scattered retouch, and in painting upper right sky. Framed: 38” x 36”. 3,000 - 5,000

LOT - 19 22

www.MorphyAuctions.com | August 29, 2018

20 - LEROY NEIMAN. (AMERICAN, 1921 2012). “The Game Life.” Rare limited edition etching from the “Eaux Forte 80 Suite”. Example marked 74/250. Signed: Lower Right in Pencil “Leroy Neiman”. Work Size: 21-1/2” x 25-3/4” (sight). Framed: Modern Burl Walnut and Gold Gilt Matted with Gold Liner Under Glass. Not examined out of frame. Very fine, untouched condition. Note: Certificate of Authenticity document from Centaur Sculpture Galleries 47341 is affixed to backing. Provenance: From the Private Collection of a well-known Fine Art collector from Southern Maine. Framed: 37-1/2” x 41-1/4”. 3,000 - 5,000

LOT - 20 21 - ROBERT PEARSON. (AMERICAN - 1891). “Shipping Along the Coast.” Oil on Canvas. Signed: Lower Right “R. Pearson 87”. Work Size: 30” x 45”. Framed: Molded Gesso Gold Leaf. Painting with old relining. Surface cleaned and stable. No repairs or restoration noted. Good overall. Framed: 35-1/2” x 50-1/2”. 2,500 - 3,500

LOT - 21

22 - WARREN W. SHEPPARD. (AMERICAN, 1858 - 1937). “The Vigilant.” Oil on Canvas. Signed: Lower Left “Warren Sheppard” (faintly). Work Size: 20” x 30-1/4”. Framed: Friedrichs Co. Gold Tone Wood. Professionally cleaned, no restoration, damage or in-painting noted. Viewed under black light. Note: The centreboard sloop “Vigilant”, owned by a syndicate led by Charles Iselin, which included Cornelius Vanderbilt, Henry Astor Carey and Edwin Dennison Morgan, amongst others. She was launched on June 14th 1893 American’s Cup against British challenger Valkyrie II. Framed: 24 -1/2” x 34 -1/2”. 2,000 - 3,000

LOT - 22

www.MorphyAuctions.com | August 29, 2018

23 - AMERICAN SCHOOL. (AMERICAN, EARLY - MID 19TH CENTURY). “Portrait of George Washington.” Oil on Wood Board. Unsigned. Work Size: 27” x 21” Unframed. Very good, single board bowed to 1-1/2”. 2,000 - 4,000 24 - SETH STEWARD. (AMERICAN 1844 - 1924) “Still Life of a Trophy Brook Trout.” Oil on Board. Signed: Lower Left “S.W. Steward”. Work Size: 24” x 12”. Framed: Arts & Crafts Style Molded Fumed Oak. Very fine original condition, no restoration or in-painting noted. Examined under black light. Framed: 29” x 17-1/2”. 2,000 - 3,000 LOT - 23

LOT - 24

LOT - 25 25 - MARSHALL JOHNSON JR. (AMERICAN, 1850 - 1921). “Englands War Ship Bellerophon” Oil on Canvas. Signed: Lower Left “Marshall Johnson Jr.”. Work Size: 24” x 36-1/2”. Framed: Molded Gilt Wood. Professionally cleaned and relined, slight abrasion or rubbing to first half of signature, no restoration or repairs noted, examined under black light. Note: The works of Marshall Johnson Jr. are discussed in “Sea History” a Publication of National Maritime Historical Society Vol No. 126, Spring 2009. This painting is described and illustrated on page 32-33 in the same publication. The full title of this work is “England’s Warship “Bellerophon”, Napoleon’s Home after Waterloo Colliding with Ship “Cygnet” in Gibraltar Harbor”. An interesting detail from the article states the following “With one exception - the tug - this painting depicts a true story. Napoleon surrendered to the British on the west coast of France on 125 July 1815 and was conveyed to Portsmouth, England in the “Bellerophon”. After three weeks there, he was transferred to the “Northumberland”, which ultimately transported him to St. Helena. Despite the anachronistic tug, Johnson painted a highly detailed, compelling and rare, nighttime scene. A copy of the pages in the publication accompanies this painting. Provenance: From a private Colorado collection. Framed: 29” x 41 -1/2”. 2,000 - 4,000 24

www.MorphyAuctions.com | August 29, 2018

26 - GEORGE LORING BROWN. (AMERICAN, 1814 - 1833). “Les Jardins De Tuileries.” Watercolor on Paper. Signed: Across Bottom “Geo L Brown Paris 1833”. Work Size: 3-1/4” x 4-1/2”. Unframed. Image retains good color and clarity. There is roughness and small losses to the edge of paper, notably lower left facing and loss of pigment in base of tree trunk in foreground. Image is otherwise very good. Note: Titled on verso. Artist studied in Paris during the years of 1832 and 1833. A somewhat similar work titled “Ancient Trees with Figures” signed and dated 1834 was sold at Bakker and Boccelli Cambridge, Massachusettes on May 3, 1998. Provenance: From the Private Collection of a well-known Fine Art collector from Southern Maine. 2,000 - 3,000

LOT - 26

LOT - 27

SEE WEBSITE FOR ADDITIONAL PHOTOS 27 - RAMON KELLEY. (AMERICAN, 1939 - ). “Nude with Silver Bracelet.” Pasel on Paper. Signed: Lower Left. Work Size: 23” x 17”. Framed: Modern Molded Gold Gilt with Mat under Glass. Very good original condition. Note: Copyright addition on paper, signed lower left with a copyright symbol. Title, description and signature, inscribed on verso in the artist hand. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Framed: 31” x 25”. 1,500 - 2,500 28 - JAMES BONNAR. (AMERICAN, 1883/85 - 1961). “New England Covered Bridge in Fall.” Oil on Canvas. Signed: Lower Right. Work Size: 20” x 24”. Framed: Pierced Carved and Molded Gilt Wood. Light craquelure. Canvas needs re-stretching. No restoration or repairs noted. Vibrant palette. Provenance: Private collection from Rankin Estate, Annapolis, Maryland. Framed: 25” x 29”. 1,500 - 2,500 LOT - 28

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LOT - 31 29 - STEPHEN MORGAN ETNIER. (AMERICAN 1903 - 1984). “Studio Window.” Oil on Canvas. Signed: Lower Center “Stephen Etnier Work Size: 26” x 18”. Framed: Molded Wood with Liner. Canvas has been somewhat overly cleaned resulting in slight scuffing and pigment loss notably around face, otherwise good. Sever paint loss to frame. Note: Label on verso names artist, title, medium and year “1932”. Framed: 32 -1/2” x 24 -1/2”. 1,500 - 2,500 30 - STEVEN STELZ PATE DE VERRE PLAQUE (AMERICAN, 20TH CENTURY). “Moonrise at the Marsh.” Patte de Verre Signed: Lower Right “Steltz” Work Size: 10” x 8”. Framed: Molded Black and Gilt Highlighted Wood with Conforming Mat. Glaze on the tile with very tight crazing which is stable, otherwise very good to fine. Note: Titled and signed “Stelz 2015” on verso on the frame, impressed Stelz Studio’s logo on back. Framed: 19-1/2” x 17-3/4” 1,500 - 2,500 26

LOT - 32 31 - WILLIAM WALTON. (AMERICAN 1843-1915). “Cows at Watering Hole in a Mountainous Landscape.” Oil on Canvas. Signed: Lower Right “W Walton”. Work Size: 30” x 48”. Framed: Contemporary Gilt Wood. Several patches on verso, discolored varnish, minor surface grime, shrinkage cracks lower right, and some touch-up/in painting in the sky. Framed: 34” x 52-1/2”. (Good). 1,200 - 1,500 32 - ADDISON THOMAS MILLAR. (AMERICAN, 1860 - 1913). “Sipping Milk.” Oil on Canvas. Signed: Lower left “Addison T. Millar”. Work Size: 24” x 18”. Framed: Gold Gilt Molded Wood. Circa 1890. Professionally cleaned and relined. Strong vibrant colors. No restoration, some in-painting proper right side facing along window frames and beneath the table top. Viewed under black light. Framed: 29” x 23”. 1,200 - 1,800

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33 - DELBERT DANA COOMBS. (AMERICAN, 1850 - 1938). “The Last Load of Hay.” Oil on Canvas. Signed: Signed lower right “D.D. Coombs 1912”. Work Size: 20” x 36”. Framed: Gold Gilt Gesso and Wood. Very good, original untouched condition. Clean with a strong palette. Note: Inscribed in pencil on verso “Harold S. Tibbetts. / 12-25-1915 from Father and Mother”. Provenance: From a private Maine collection by descent from the original owner. Framed: 28-1/2” x 43”. 1,200 - 1,800

LOT - 33

LOT - 34 34 - GROUP OF 2: FRANK CAROLAN O’NEILL. (AMERICAN, 20TH CENTURY) 1) “Thoughts of the Morrow”, oil on canvas, signed and dated lower left “Frank Carolan O’Neill 1915”, housed on painted black molded wood frame. Overall very good with a 1” area of restoration to the lower right and minor surface grime. Note: Titled and inscribed on verso. 2) “The Unexpected”, oil on canvas, signed and dated lower left “Frank Carolan O’Neill 1915”, . Good restored condition with scattered re-touch throughout. Note: Titled and inscribed on verso. Little is known about this American illustrator. He illustrated for “The Frontier” magazine in an article titled “The Round-up at Gila Chasm”, September 1925. Both are 18” x 28”; overall 24” x 24”. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Largest Framed: 24” x 34”. 1,500 - 2,500

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35 - MELVILLE F. STARK. (AMERICAN, 1903 - 1987). “Mountain Farm, Pennsylvania.” Oil on Canvas. Signed: Lower Right “M STARK -” and On Verso. Work Size: 25” x 30”. Framed: Deep Molded and Carved Gold Gilt and Blue Paint Decorated. Very fine, original condition with vibrant palette. Provenance: Private collection, from Philip and Mauriel Berman Foundation, New York as so stamped on the stretcher. Provenance: Private collection from Philip and Mauriel Berman Foundation New York. Framed: 31” x 36”. 2,000 - 3,000

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36 - EDMUND DARCH LEWIS. (AMERICAN, 1835 - 1910). “View of Hudson River Valley.” Oil on Canvas. Signed: Lower Right and Dated “Edmund D Lewis 1874” Framed: Deep Molded Carved and Gilt Gesso and Wood with Gilt Liner. Painting professionally cleaned and relined. No visible in-painting, restoration or damage. Viewed under black light. Overall very good. Framed: 21-1/2” x 29-1/2”. 2,500 - 3,500

LOT - 36

37 - JOHN MICHAEL BUCKLEY. (AMERICAN 1891 - 1958). “Rockport Winter Harbor Scene.” Oil on Canvas. Signed: Lower Left “J.M. Buckley”. Work Size: 25” x 30”. Framed: Carved and Molded Gilt Wood. Professionally cleaned and relined, very good overall. Note: J.M. Buckley was a member of Rockport Art Association and painted variations of Motiff #1 of which the building was owned by the artist. Framed: 33” x 37-1/2”. 3,000 - 5,000

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38 - ERNEST PARTON. (AMERICAN, 1845 - 1933). “Mt Washington from the Saco River.” Oil on Canvas. Signed: Lower Rght “Ernest Parton 1871”. Work Size: 13-1/2” x 10-1/4”. Framed: Deep Carved Gold Gilt Wood. Professionally cleaned with strong vibrant palette. Small areas of in painting in sky above mountains. No repairs or restoration noted. Examined under black light. Notes: National Academy of Design establish two painted by Parton in 1871, one is titled “On the Saco River” and the other is “On the Road to Artist Falls, North Conway. No other White Mountain views by this artist is known. This is an important adjust to the White Mountain School. Provenance: From a private New England collection. Framed: 19-1/2” x 16-1/2”. 3,000 - 5,000

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39 - HOWARD RODGERS. (AMERICAN, 1932 - ). “Nude II.” Oil on Canvas. Signed: Lower Right “H. Rodgers”. Work Size: 14” x 24”. Framed: Deep Molded Gold Leaf Wood. Very good condition. Note: Copyright symbol to right of signature. Gallery labels “The Legacy Gallery, Scottsdale, Arizona” and “Altermann Galleries Santa Fe, New Mexico” on verso. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Framed: 21” x 31”. 2,000 - 3,000 40 - MYRON BARLOW. (AMERICAN, 1873 - 1937). “Idle Conversation.” Oil on Canvas. Signed: Lower left “Myron Barlow 1903”. Work Size: 19-1/4” x 15-1/4”. Framed: Modern Molded and Carved Gold Gilt Wood. Painting has been lightly cleaned. Strong palette. No restoration or damaged noted. Examined under black light. Note: Gallery label affixed to verso. Provenance: Private collection Los Angeles, California. Framed: 23-1/2” x 20”. 2,000 - 3,000

41 - JOHN E. COSTIGAN. (AMERICAN, 1888 - 1972). “Figures Bathing.” Oil on Canvas. Signed: Lower Right “J.E. Costigan” Work Size: 20-1/2” x 24”. Framed: Gold Gilt Wood with Fabric Liner. Appears to be in very fine, original condition. Provenance: Private collection, Berverly Hills, California. Framed: 26-1/4” x 30”. 2,000 - 3,000 42 - JULES ANDRE SMITH. (AMERICAN, 1880 - 1959). “Abstract Profile.” Oil on Board. Unsigned. Work Size: 23-1/2” x 17-3/4”. Framed: Modern Simple Brass. Surface appears original and untouched; overall very good. Provenance: From the Private Collection of a well-known Fine Art collector from Southern Maine. Framed: 24 -1/4” x 18 -1/4”. 2,000 - 2,500

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LOT - 43

LOT - 44

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 45

LOT - 46

43 - GEORGE OVERBURY “POP” HART. (AMERICAN, 1868 - 1935). “Moonlight In The Jungle.” Lithograph from the Original Pencil & Chalk Drawing. Signed: Lower Right in Plate and in Pencil in the Margin. Work Size: 8-1/4” x 9-3/4”. Unframed. Overall toning and light soiling, otherwise very good. Offered with a replacement line mat. Provenance: Another example of the same lithograph is in the collection at the Museum of Modern Art, New York. Provenance: From the Private Collection of a well-known Fine Art collector from Southern Maine. 2,000 - 3,000

45 - SISTER MARY CORITA KENT. (AMERICAN, 1918 - 1986). “No Man Is A Watermelon.” Serigraph Printed. Signed: Lower Right Within the White Ground “Sister Mary Corita”. Work Size: 17-3/4” x 23-3/4”. Unframed. Very good overall. Note: The Boston Gas tank on the Southeast Expressway still bears her famous 150 foot rainbow swash which is similar to her design for the 1985 U.S. “Love” postage stamp. Provenance: From the Private Collection of a well-known Fine Art collector from Southern Maine. 1,200 - 1,500

44 - COURTENAY BRANDRETH. (AMERICAN, 19/20TH CENTURY). “Black Ducks on a Pond.” Oil on Artist Board. Signed: Lower Right Illegible Signature. Work Size: 17-1/2” x 21-1/4”. Framed: Molded Giltwood. Painting is dry with light surface grime. Two paint scuff marks just in front of duck right side facing the pond. Framed: 20-1/4” x 24”. 1,500 - 2,500

46 - STEVEN O’DONNELL SCOTT. (AMERICAN, (1938 - ). “Afternoon in Springerville.” Serigraph. Signed: Lower Right “Steven O Work Size: 18” x 24”. Framed: Molded Wood Under Glass. Note: Label from Trailside Galleries Scottsdale, AZ on verso. 26” x 32”. 1,000 - 2,000

www.MorphyAuctions.com | August 29, 2018

47 - DAVID KOOHARIAN. (AMERICAN, 1964 - ). “Little Harbor Afternoon.” Oil on Panel. Signed: Lower Right Monogram and On Verso with Full Name. Work Size: 12” x 24”. Framed: Molded Gilt Wood by Guido. Very good, untouched. Framed: 17 -3/4” x 29 -3/4”. 1,000 - 1,500

LOT - 47

48 - RAPHAEL SOYER (AMERICAN 1899 - 1987). “Reclining Nude.” Oil on board. Signed: Lower Right “Raphael Soyer”. Work Size: 18” x 24”. Framed: Vintage Gilt Wood Under Glass. Varnish discoloration to the upper right. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Framed: 19-1/2” x 25-1/2”. (Good). 1,000 - 1,500

LOT - 48

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49 - CHARCOAL PICTURE FIELD AND STAFF, 44TH REG, MASSACHUSETTS VOLUNTEER MILITIA. The large frame holding nine hand drawn ovals, the bottom center oval a title and descriptive text “Field And Staff/Of The/Forty Fourth Regiment/M.V.P.M./Mustered into US Service Sept. 12 1862/Mustered Out June 18 1863/Served/In North Carolina, In The Second (Stevenson’s) Brigade/Fourth (Wessells’) Division, Eighteenth Army Corps./Maj. Gen’l John G. Foster.” The central oval being 25” tall surrounded by seven 17-1/2” tall staff officers. The ovals depict (moving clockwise) Major Charles W Dabney, Chaplain Edward Hill, Lieutenant Colonel Edward C. Cabot, Doctor Robert Ware, Colonel Francis L. Lee, Doctor Theodore W. Fisher, Quartermaster Frank Bush Jr., and Adjutant Wallace Hinckley. NOTE: The following information concerning the 44th regiment provided by www.civilwararchives.com: Organized at Readville and mustered in September 12, 1862. Moved to Newberne, North Carolina., October 22-27. Attached to 2nd Brigade, 1st Division, Dept. of North Carolina, to January, 1863. 2nd Brigade, 4th Division, 18th Army Corps, Dept. North Carolina, to May, 1863. Lee’s Brigade, Defences of Newberne, Dept. North Carolina, to June, 1863. SERVICE.-Expedition from Newberne November 2-12, 1862. Action at Rawle’s Mills November 2. Demonstration on Newberne November 11. Foster’s Expedition to Goldsboro December 11-20. Kinston December 14. Whitehall December 16. Goldsboro December 17. At Newberne until February 10, 1863. Moved to Plymouth, N. C., February 10, and duty there until March 15. (Cos. “B” and “F” detached on outpost duty at Batchelor’s Creek February 10 to May 1.) Skirmishes Deep Gully, Newberne, March 13-14 (2 Cos.). Regiment moved to Washington March 15. Siege of Washington March 30-April 20. Skirmish at Washington March 30 (Cos. “A” and “G”). Skirmishes at Washington April 3 and 15. Expedition from Newberne to relief of Little Washington April 7-10 (2 Cos.). Regiment moved to Newberne April 22-24, and duty there until June 6. Expedition toward Kinston April 27-May 1. Dover Road April 28. Moved to Boston, Mass., June 6-10. Mustered out June 18, 1863. Regiment lost during service 11 Enlisted men killed and mortally wounded and 1 Officer and 29 Enlisted men by disease. Total 41. Housed in its original gilt frame with tag 430 at center bottom, all under glass front. Center oval signed illegibly. Ovals in very good condition. Wood painted mat with vertical cracks, frame as found, in need of major gilding restoration. Framed: 80” x 66 -1/2”. 1,000 - 2,000 32

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50 - JULES ANDRE SMITH. (AMERICAN, 1880- 1959). “Geometric Abstract.” Oil on Board. Unsigned. Work Size: 23-1/4” x 35-1/4”. Framed: Modern Simple Brushed Copper. Very good original surface with superficial light scratches and abrasions. Note: On verso in pencil “BY ANDRE SMITH/SUMMER 1958/ IN STONY CREEK, CONN.” Provenance: From the Private Collection of a well-known Fine Art collector from Southern Maine. Framed: 36 - 1/4” x 24 -1/4”. 1,000 - 1,500 51 - WHITNEY DARROW JR. “You Should Write a Book Called Lower Right Whitney Darrow, Jr”.” Pen, Pencil and Charcoal Drawing. Signed: 15” x 11-3/4”. Work Size: (American, 1909 1999). Framed: Contemporary Molded Metal with Mat under Plexiglas. Possible faint even toning throughout, otherwise very good. Note: Darrow was a prominent American cartoonist, who worked most of his career for “The New Yorker” with some 1,500 of his cartoons printed in his nearly 50-year-long career with the magazine. Provenance: From a private New England collection. Framed: 19-1/2” x 16”. 800 - 1,200 52 - HORACE GILES. (AMERICAN, 1850 - C. 1930 “Five Caricature Portraits.” Pen & Ink on Paper. Signed: Four Signed and Dated. Work Size: From 3-1/2” x 3” to 5-3/4” x 8-3/4”. Framed: Black Lacquered. One has minor light foxing, three have general minor toning, otherwise all good to very good. Framed: 18-1/2” x 19-1/2”. 800 - 1,200 53 - LOUIS F. BERNEKER. (AMERICAN, 1876 - 1937). “Dancing Waifs.” Watercolor. Signed: Lower Left “Louis F. Berneker”. Work Size: 23-1/2” x 17-3/4” (sight). Framed: Simple Ebonize Molded Wood under Glass. Minimal light foxing in the trees, otherwise very good with a mellow palette. Framed: 31 -1/4” x 24 -1/2”. 800 - 1,200

LOT - 50

LOT - 51

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 52

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LOT - 54

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54 - GEORGE M HATHAWAY. (AMERICAN 1852 - 1903). “Sailing Off Owls Head, Maine.” Oil on Canvas. Unsigned. Work Size: 6” x 10-1/4”. Framed: Modern Gilt Wood. Very good with original untouched surface. Provenance: From the Private Collection of a well-known Fine Art collector from Southern Maine. Framed: 7 -1/4” x 11 -1/2” . 800 - 1,200 55 - GEORGE M HATHAWAY. (AMERICAN, 1852 - 1903). “Portland Head Light.” Oil on Canvas. Unsigned. Work Size: 6-1/3” x 10-1/2”. Framed: Modern Gilt Wood. Very good with original untouched surface. Provenance: From the Private Collection of a well-known Fine Art collector from Southern Maine. Framed: 7 -1/2” x 11 -1/2”. 800 - 1,200

56 - PAUL E. SALING. (AMERICAN, 1876 - 1936). “The Snow Storm.” Oil on Masonite. Signed: Lower Right “Paul Saling”. Work Size: 14” x 14”. Framed: Fine Reproduction Silver Gilt Carved Double Frame with Glass. Very fine, original condition; examined under black light. Note: Partial label on verse “The Snow Storm” / Paul Saling. Hart...” Framed: 22 1/4” x 22 - 1/4”. 750 - 1,250 57 - FREDERICK STONE BATCHELLER (AMERICAN, 1837-1889). (AMERICAN, 1837-1889). “A Squirrels World.” Oil on Wood Panel. Signed: Lower Right “Batcheller”. Work Size: 18-1/4” x 22”. Framed: Gold Painted Molded Wood. Very good overall with undisturbed surface and rich palette. Framed: 24-1/2” x 28-1/2”. (Very Good). 750 - 1,250

www.MorphyAuctions.com | August 29, 2018

LOT - 58

LOT - 59

58 - PORTRAIT OF AN BALD EAGLE. “Mega Storm.” Oil on Canvas. Signed: Lower Right “Rick Brown “RIVER-MAN” Y2K” Work Size: 36” x 48”. Framed: Composite Silver Gilt Molded. A copyrighted version of the original painting on canvas by the artist Rick Brown ‘River-man’. A copyright sign located in lower right corner above the signature. Framed: 44” x 56”. 700 - 1,000 59 - AMERICAN FARMYARD EVENING CURRIER & IVES LARGE FOLIO. 19th century, American. Colored large folio lithograph shows a farmyard filled with livestock, dated 1857. Housed in a fine Victorian deep walnut frame with gold liner. 19” x 25-1/2” (sight). General toning throughout, otherwise very good overall. Not examined out of the frame. Framed: 31” x 25”. 800 - 1,200

LOT - 60

60 - LOT OF 4: N. CURRIER & OTHER POLITICAL/SATIRICAL ENGRAVINGS. Second half 19th century, American. To include: 1) “WASHINGTON’S RECEPTION BY THE LADIES, ON PASSING THE BRIDGE AT TRENTON, N.J. APRIL 1789”, N. Currier, general light foxing, housed in a period mahogany frame under glass, 13-1/2” x 9-1/2” (sight), overall 16-1/2” x 12-1/3”. 2) Currier & Ives Engraving of the Honorable James G. Blane, Republican candidate 22nd President of the United States, horizontal crease across cheeks and nose, vertical creases along the top edge, otherwise good, housed in a metallic gilt frame under glass, 17” x 13” (sight), overall 19” x 14-1/2”. 3) “The Art of Making Money Plenty in Every Man’s Pocket: by Doctor Franklin”, colored engraving of illustrated verse, overall toning, small tears and holes along upper and lower edge in margin, surface soiling, overall good condition, housed in metallic molded frame matted under glass, 12-1/2” x 9-1/4” (sight), overall 19” x 15-/12”. 4) “National Democratic Banner of Victory 1868”, published by Currier & Ives, an advertising print for Presidential candidates Honorable Horacio Seymour and General Frank Blair, housed in a period marbleized frame, matted under glass, very good overall, 14” x 9” (sight), overall 19-1/2” x 16-1/2”. Largest: 22” x 19” x 2 - 3/4”. 700 - 900

www.MorphyAuctions.com | August 29, 2018

LOT - 61

LOT - 62

LOT - 63 61 - WALLACE HERDON SMITH. (AMERICAN 1901-1990). “Coastal Seascape, Estoril, Portugal - Possible Study.” Oil on Artist Board. Signed: Faint Signature Upper Right. Work Size: 12” x 16”. Unframed. Note: Affixed with what appears to be an early if not original tag on verso. Provenance: From a private New England collection. 700 - 900 62 - THE MISSIONARY STEAM-BARKENTINE “MORNING STAR” LITHOGRAPH. 19th century, American. The “Morning Star”, a missionary ship, sailed from Boston November 5, 1884. Lower potion of the border is a contribution form which states “This may certify that ___ has contributed ___ dollars towards the building of the Fourth Morning Star for the American Board of Commissioners for Foreign Missions,”these lines were never completed. Nicely matted and framed under glass in a contemporary dark wood frame. 21-1/2” x 18-1/2” (sight). There is a diagonal tear in the upper right corner, small triangular tear with piece absent proper lower left margin, fold across bottom, toned, overall good condition. Framed: 28 -1/4” x 25 -1/4”. 700 - 900 63 - FRANK RUSSELL GREEN. (AMERICAN, 1856 - 1940). “At the Flower Market - Nemours France” Oil on Canvas. Signed: Lower Left “Frank Russell Green A.R.” Work Size: 16” x 20”. Framed: Molded and Carved Gold Gilt with Liner. Canvas with beginning of cracking through sky and background which appears stable, otherwise good. Framed: 24” x 28”. 600 - 1,200 36

LOT - 64

64 - GROUP OF 3: GROUP SILHOUETTES. Circa mid 19th century, probably American. The first depicting a hunter with a pair of dogs beneath a tree and color heightened ink and water color. Framed and matted under glass. 14” x 16”, overall 21-1/2” x 23”. Very good condition. The second piece is of a family silhouette portrait group of Mary Johnston McLean with her daughter Mary McLean and John McLean as a toddler seated on his mother’s lap. There is a diagonal surface scratch lower right facing, most notable in the girl’s dress, otherwise good. The third of these is of the same family and shows Mary Johnston McLean seated with Hester McLean Singluni standing to the left and Mary McLean to the right. Both are 12-3/4” x 10-1/2”, unframed. Very good overall with no imperfections. Lot is accompanied by an in period hand written note identifying the family in silhouettes, now affixed to the cardboard backings. Provenance: From a private New England collection. Largest: 23 - 1/4” x 21 - 1/2” 600 - 800

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LOT - 65

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LOT - 68

65 - DANIEL IZZARD. (CANDIAN, 1923 - 2007). “Nude Couple Embracing.” Oil on Panel. Signed: Lower Left “Izzard”. Work Size: 18” x 14”. Framed: Carved Gilt Wood with Liner. Very good with original surface. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Framed: 26 -1/4” x 22 -1/4”. 500 - 700 66 - J. NORWOOD DARLING (AMERICAN 1876 - 1962). (AMERICAN 1876 - 1962). “The Long, Long Trail.” Print of Pen and Ink Drawing. Signed: Lower Right in Print and “J.N. Darling Work Size: 11-1/4” x 8 - 1/3” (sight). Framed: Molded Wood. Very good overall. Provenance: From a private New England collection. Framed: 12-1/4” x 9-1/3”. 400 - 600

67 - WILLIAM A. COUPER. (AMERICAN, 1853 - 1942). “Rockport Harbor Scene.” Oil on Artist Board. Signed: Lower Left “Wm. A. Couper”. Work Size: 19-3/4” x 24”. Framed: Molded Painted Wood. Slight bow to artist board. No damage, restoration or in painting. Overall very good. Framed: 25” x 28-3/4”. 400 - 600 68 - AMERICAN SCHOOL PORTRAIT. (AMERICAN SCHOOL, MID 19TH CENTURY). “Bust Length Portrait of Abby Mellish Sweetser.” Oil on Panel. Unsigned. Work Size: 29” x 23”. Framed: Heavy Mahogany. Overall good with surface grime and abrasions, panel is slightly warped. Note: Abby Sweetser (1781 - 1859) was the wife of Benjamin C. Sweetser, a leather worker and trunk maker from Portsmouth, New Hampshire. They had seven children. Provenance: By decent through the family of Major John Mead Gould. Framed: 35” x 30”. 400 - 600

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69 - B.V.M. (AMERICAN, 19TH CENTURY). “Recent Success.” Trompe l’oeil Oil on Canvas. Signed: Lower Right “B.V.M. 1 Work Size: 24” x 14”. Framed: Original Floral Decorated Oak. Surface original with slight even soiling and light craquelure. Small area with chip paint loss at center of duck’s torso mid point of painting. Frame with original surface and patina. Generally good overall. Framed: 28 - 3/4” x 18 - 1/2”. 300 - 500

LOT - 69 LOT - 70

70 - JIMMIE ABEITA. (AMERICAN, 1947 - ). “Nine.” Oil on Canvas. Signed: Lower Right “J. Abeita”. Work Size: 24” x 20”. Framed: Modern Wood Gilt with Liner. Very good with original surface. Note: Titled and signed on verso. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Framed: 32” x 27 - 3/4”. 200 - 400

71 - GROUP OF 2: AMERICAN ARTISTS LIMITED EDITION ENGRAVINGS. 1) Louis Rosenberg (American, 1890 - 1983), “Augsburg Tower”, original engraving, signed lower right, limited edition 87/100, housed in a black wood frame, 10” x 6” (sight), overall 16” x 11-1/2”, minor and minimal toning overall. Image is clear and sharp. Minor foxing in margin, otherwise good. 2) Samuel Chamberlain (American, 1895 - 1975), “Buttresses of Beauvais”, engraving, signed lower right, limited edition 87/100, housed in a molded wood frame, 9-1/2” x 5-1/2” (sight), overall 18-3/4” x 14-1/2”, slight even toning overall, otherwise very good. Note: Livingston Galleries, New York and Gordons Galleries, Detroit labels on verso. Note: Affixed with Harlow, McDonald & Co. label on reverse. Provenance: From a private New England collection. Larger: 14 - 3/4” x 18 - 3/4”. 200 - 300

LOT - 71

72 - LOT OF 3: GORDON ROSS COLORED PRINTS. (AMERICAN 1873 - 1946). “American Horsemen” Prints of Colored Engravings. Signed: Lower Left in the Plate; Lower Right in Pencil. Work Size: 16-1/2” x 11-1/2” to 17-2/3” x 11-1/2”. Framed: Molded Ebonized Wood with Gold Beaded Edge Under Glass. Not examined out of frames. Portrait of Thomas Afsheton Smith with overall light toning, each with minimal spots of foxing, generally good to very good. Provenance: From the private collection of Dorothy Merle-Smith Pyle and David Hunter McAlpin Pyle of “Hunting Hollow Farm,” Dix Hills, NY. Dorothy Pyle was also known as one of the “Galloping Grandmas” of the Essex Fox Hounds circa 1949. By descent through the family to the present owner. Each: 25-1/2” x 19 -1/2”. 200 - 300

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LOT - 73

73 - OSCAR BLUEMNER. (AMERICAN, 1867- 1938). “Harlem, NYC July 23,1914.” Black Crayon Study. Signed: Monogram Signed Lower Left “CFB”. Work Size: 5” x 8”. Unframed. Image is intact, notes on verso distinct and mostly legible, monogram, title and date clear on front of work, very light soiling and minimal toning, original inventory label. Note: Example from Collection Henry Heiman II and second early label identifying the work both accompanying the piece. The artist identified the colors to be placed in various sections of the drawing denoted by abbreviations and so noted in more detail on verso. Provenance: From the Private Collection of a well-known Fine Art collector from Southern Maine. 3,000 - 5,000

SEE WEBSITE FOR ADDITIONAL PHOTOS

74 - ALLAN ROHAN CRITE. (AMERICAN 1910 - 2007). “Portrait of Joseph, Mary & Infant Jesus.” Oil on Metal. Signed: Lower Left Engraved “Allen R. Crite”. Work Size: 5-1/2” x 4-1/2”. Framed: Simple Black Painted Wood . Work retains original surfaces and with original paint. Surfaces has soiling and undisturbed patina. Some areas appear to show shallow denting or creases the majority of which may have been intended by the artist. Very good original condition overall. Framed: 7 -1/2” x 6 -1/2”. 3,000 - 5,000

LOT - 74

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LOT - 75

75 - CHILDE HASSAM. (AMERICAN, 1859 - 1935). “Nightscape On A City Boulevard.” Oil on Canvas Mounted on Panel. Signed: Lower Right “Childe Hassam”. Work Size: 10-1/4” x 14-1/4”. Unframed. Very good with light overall soiling. Note: Signed on verso “C. Hassam”. Provenance: From the Private Collection of a well-known Fine Art collector from Southern Maine. 25,000 - 50,000

www.MorphyAuctions.com | August 29, 2018

LOT - 76

76 - JASPER FRANCIS CROPSEY. (AMERICAN, 1823 - 1900). “Autumn In The Adirondacks.” Oil on Canvas. Signed: Lower Right “JF Cropsey 1868” in red. Work Size: 17-1/2” x 14”. Framed: Gesso Decorated Gilt Wood with Gilt Liner. Light craquelure, minor touch up, overall very good. Provenance: From a private collection. Framed: 26 - 1/4” x 22 -3/4”. 30,000 - 35,000

www.MorphyAuctions.com | August 29, 2018

LOT - 77

77 - EMILE ALBERT GRUPPE. (AMERICAN, 1896 - 1978). “Misty Morning ll, Gloucester Harbor.” Oil on Canvas. Signed: Lower Right “Emile A Gruppe” Work Size: 30-1/2”x 36”. Framed: Modern Wood with Pewter Colored Patina. Very fine, original condition. Note: Inscribed on the stretcher in red paint “My gig! from Pop 8.16.1963”. Framed: 39” x 45”. 10,000 - 15,000

www.MorphyAuctions.com | August 29, 2018

78 - PAIR OF ALPINE MOUNTAIN SCENES IN SPRING. Unknown Artist, Oil on Canvas. Each housed in a carved gold gilt molded deep frame handmade by “Dry Creek Gold Leaf, Inc” Denver Colorado. One signed lower right “J Zapl?”. Both paintings by the same hand. Both: 39-1/2” x 29”; overall 47-1/2” x 37”. Professionally cleaned with minor stabilized craquelure. No restoration noted, palette is vibrant. Each: 47-1/2” x 37”. 3,000 - 5,000

LOT - 78

79 - RUFINO TAMAYO. (MEXICAN/AMERICAN, 1899-1991). “Perfil Blanco con Mancha Negra.” Serigraph. Signed: Lower Right “R. Tamayo” Work Size: 29” x 22” (sight). Framed: Wood under Plexiglas Mounted on Fiberboard with Painted Sand Finish. Overall very good. Note: On lower left marked “P de A X/X”, we believe this to be a 10th example of a limited edition of 10, designated as an artist proof. Title translates to “White Profile with Black Mark”. Framed 37 - 1/2” x 30-1/2”. 2,500 - 3,500

LOT - 79

www.MorphyAuctions.com | August 29, 2018

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LOT - 80

LOT - 81

LOT - 82 80 - DE SCOTT (DAVID) EVANS. (AMERICAN, 1847 - 1898). “By the Light.” Oil on Panel. Unsigned. Work Size: 24-1/2” x 17”. Framed: Deep Gold Gilt and Sand Decorated Wood with Gold Liner. Professionally cleaned, overall very good. Framed: 34-1/2” x 27”. 2,000 - 3,000 81 - LOUIS A. FUERTES. (AMERICAN, 1874 - 1927). “Original Sketch.” Watercolor. Unsigned. Work Size: 11” x 13-1/2” (sight). Framed: Modern Metallic Gilt Molded. Note: Stamped on reverse “I certify this is an original sketch by Louis A. Fuertes 1987” and signed by his wife “Margaret Sumner Fuertes”. Very good, untouched condition. Framed: 19” x 22 - 1/2”. 1,500 - 2,500 44

LOT - 83 82 - DANIEL FRANCOIS SANTRY. (AMERICAN, 1858-1915). “Homestead With Stone Wall.” Oil on Canvas. Signed: Lower Right “D. Santry 92”. Work Size: 22” x 36”. Framed: Gold Painted Composite. Slight discolored varnish with surface soiling, minor craquelure and old restoration. Overall good to very good. Provenance: By decent through the family of Major John Mead Gould. Framed: 28” x 42”. 1,200 - 1,800 83 - FRANK ADOLPH GUBA. (AMERICAN, 1867 - 1938). “The Dinner Party.” Oil on Canvas. Signed: Lower Left “F.A.Guba”. Work Size: 17” x 13”. Framed: Deep Molded and Carved Gold Gilt Wood with Liner. Some light soiling, very good overall. Framed: 24 -1/4” x 20 -1/4”. 800 - 1,200

www.MorphyAuctions.com | August 29, 2018

84 - ALFRED HUTTY (AMERICAN, 1877 - 1954). “My Doorway on Tradd Street.” Pen and Ink Engraving. Signed: Lower Right in Pencil “Alfred Hutty” Work Size: 11-1.4” x 9-1/2” (sight). Framed: Black Wood with Mat under Glass. A fine crisp engraving in very good condition, no foxing or toning. Note: Inscription on reverse in pencil “48 Tradd Street Charleston, South Carolina...” Livingston Gallery Label, New York, New York, on verso. Provenance: From a private New England collection. Framed: 18 - 1/2” x 14 - 1/2”. 800 - 1,200

LOT - 84

LOT - 85

85 - ELIOT FURNESS PORTER. (AMERICAN, 1901 - 1990). “Fortress At Laghouat.” Dry Mounted Color Photograph. Signed: Lower Right “Eliot Porter”. Work Size: 10-1/4” x 8-1/4”. Framed: Black Metal with Mat. Very good, no discoloration or fading. Note: “Catalog #58, Fortress at Laghouat” in pencil script on verso. Provenance: From a private New England collection. Framed: 18 - 1/4” x 16”. 800 - 1,200

LOT - 86

86 - BLAIKIE HINES. (AMERICAN, 1949 - ). “October Moonlight.” Oil on Panel. Signed: Lower Left “Blaikie Hines”. Work Size: 16” x 19-3/4”. Framed: Black Painted Molded Wood. Very fine, original condition. Note: Titled on verso. Framed: 22” x 26”. 800 - 1,200

LOT - 87

www.MorphyAuctions.com | August 29, 2018

87 - HOWARD CHESTNER BEHRENS. (AMERICAN, 1933 - 2014). “Bellagio Hillside Italy.” Serigraph. Signed: Lower Right “Behrens”. Work Size: 23-1/2” x 30”. Unframed. Very fine, untouched condition. Provenance: From the Private Collection of a well-known Fine Art collector from Southern Maine. 100 - 200

LOT - 88

LOT - 89

88 - IN THE MANNER OF FREIDA LOCK. (AFRICAN, 1902 - 1962) . “View Through an Alley.” Oil on Canvas on Board. Unsigned. Work Size: 26-3/4” x 18-3/4”. Framed: Molded Paint Rubbed Wood. Original dry painted surface with subdued palette. Very good overall. 29-1/4” x 21-1/2”. 5,000 - 7,000 89 - FOLK ART PAINTING OF RACE HORSE “CLEM”. (FIRST HALF TO MID 19TH CENTURY). “Folk Art Painting of Race Horse.” Oil on Canvas. Signed: Lower Right Illegible. Work Size: 24” x 29-1/2”. Framed: Ornate Gilt Gesso and Wood. Repair to area of horse’s rear haunch, inpainting to haunches and foreground. Canvas stabilized and cleaned, relined. Damages to gesso throughout the frame, some additional pieces are present but not attached. Provenance: By decent through a Philadelphia family to the current owner. From the private collection of Dorothy Merle-Smith Pyle and David Hunter McAlpin Pyle of “Hunting Hollow Farm,” Dix Hills, NY. Dorothy Pyle was also known as one of the “Galloping Grandmas” of the Essex Fox Hounds circa 1949. By descent through the family to the present owner. Framed: 32-1/2” x 37-1/2”. 5,000 - 6,000

LOT - 90 90 - WILD ROSES IN A GARDEN (UNKNOWN). “Roses on Garden Steps.” Oil on Canvas. Signed: Lower Left Indistinctly Signed. Work Size: 29-3/4” x 40”. Unframed. Professionally cleaned and relined, no restoration or repairs noted. Examined under blacklight. 6,000 - 8,000

www.MorphyAuctions.com | August 29, 2018

LOT - 91

91 - IN THE MANNER OF TOM THOMSON. (CANADIAN, 1877 - 1917) . “Fall Landscape with Trees.” Oil on Board. Unsigned. Work Size: 10” x 8-1/2” Unframed. Painted surface is untouched with light surface soiling, edges of board with abrasions and wear, not involving the painting. Very good overall. 10,000 - 15,000

www.MorphyAuctions.com | August 29, 2018

LOT - 92

92 - JACK BUTLER YEATS. (IRELAND, 1871 - 1957). “River Landscape In Fall.” Oil on Canvas. Signed: Lower Right “Jack B. Yeats”. Work Size: 17-1/2” x 23-1/2”. Unframed. Very good with strong palette, no damage, in-painting or restoration noted, examined under black light. Provenance: From the Private Collection of a well-known Fine Art collector from Southern Maine. Note: One of his finest landscape paintings to be offered at auction. 110,000 - 135,000

www.MorphyAuctions.com | August 29, 2018

LOT - 93

93 - JOHANN NEPOMUK MAYRHOFER. (AUSTRIA, 1764 - 1832). “Still Life of Flowers with Bird.” Oil on Canvas. Signed: Lower Right “Mayrhofer” in Script. Work Size: 28-1/2” x 23”. Framed: Deep Molded Gold Gilt Wood. Professionally cleaned and relined. No restoration or damaged noted. Framed: 33-3/4” x 28-1/2”. 12,000 - 18,000

www.MorphyAuctions.com | August 29, 2018

LOT - 94

LOT - 95 94 - DAVID JAMES. (ENGLISH, 1853 - 1904). “Off the Cornish Coast.” Oil on Canvas. Signed: Lower Right “D James 86” in script. Work Size: 18” x 29 - 3/4”. Framed: Carved Gold Gilt Gesso and Wood. Vertical line on canvas resulting from long term depression against stretcher, proper left side. Otherwise, very good. Note: Frame has a brass plaque affixed noting Title and Artist. Framed: 23-1/2” x 35”. 3,000 - 5,000 95 - LEV TCHISTOVSKY. (RUSSIAN, 1902 - 1969). “Portrait Of A Reclining Nude.” Oil on Board. Signed: Lower Left “L. Tchistovsy Paris”. Work Size: 11” x 14”. Framed: Gesso and Wood Gilt. Very good original condition, examined under black light. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Framed: 18” x 21”. 3,000 - 5,000 50

LOT - 96

96 - GIVERNY SCHOOL OF ART IMPRESSIONIST PORTRAIT. (UNKNOWN). “Portrait of a Doorway on Venetian Canal” Oil on Artist Board Unsigned. Work Size: 16” x 12-3/4”. Framed: Ebonize Molded Wood with Gold Liner. Very fine condition. Note: Gallery label affixed to the back of painting “Brooks Reed Gallery 19 Arlington Street, Boston”. Framed: 21 -1/4” x 18”. 3,000 - 5,000

www.MorphyAuctions.com | August 29, 2018

LOT - 97

LOT - 98

LOT - 99

LOT - 100

97 - HENRI FANTIN-LATOUR. (FRENCH, 1836 - 1904). “Reclining Nude at Rest.” Oil on Canvas. Signed: Lower Left “Fantin”. Work Size: 12-3/4” x 16”. Framed: Deep Gesso and Wood Gilt. Frame with two significant areas of loss at corners. Painting has original surface, craquelure overall, 1” fragment of paint absent by proper left ankle and small pieces in proper right upper ground. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Framed: 18-1/2” x 21-1/2”. 2,000 - 3,000 98 - LUCIEN ADRION. “Jardins de la Ville de Paris Lower Left Adrion”.” Oil on Canvas. Signed: 24” x 32”. Work Size: (French, 1889 - 1953). Framed: Molded Gold Leaf Wood with Fabric Liner. Small “T” shape repair to canvas in area of the twin towers. 2” tear at edge of liner, upper proper left corner of sky. Canvas loose proper right side throughout the foreground along liner, can be rectified by remounting stretcher within frame. Strong pleasing colors throughout. Framed: 32” x 39-1/2”. 2,000 - 3,000

99 - JACQUES BOUYSSOU. (FRENCH, 1926 - 1997). “Le Port de Doelan.” Oil on Canvas. Signed: Lower left “Jacques Bouyssou” Work Size: 18” x 21-1/2”. Framed: Carved and Molded Gilt Wood with Liner. Very slight darkening of varnish, otherwise very good with vibrant palette. Note: Back of stretcher with title of “Doelan Rive Gauche”. Additionally with gallery tag “Galerie Feli Vercel Paris”. Framed: 26” x 29-1/2”. 2,000 - 3,000 100 - SUZANNE EISENDIECK. (GERMAN, 1908 - 1998). “Jeune Femme au Bateau.” Oil on Canvas. Signed: Lower Left “SUZANNE EISENDIECK”. Work Size: 19-1/2” x 24”. Framed: Ornate Molded Carved Gesso and Wood Gilt with Fabric Liner. Professionally cleaned and relined. Overall very good. 27-3/4” x 32”. 1,500 - 2,500

www.MorphyAuctions.com | August 29, 2018

LOT - 102

LOT - 101

LOT - 103

LOT - 104 101 - AMERICAN SCHOOL AFTER CURRIER & IVES. (EARLY 20TH CENTURY). “Camping Out” Oil on Canvas. Unsigned. Work Size: 23-1/4” x 31-1/4” Framed: Modern Wood. There is a small area of discoloration on the lower right. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Framed: 31” x 39”. (Good). 1,200 - 1,800 102 - JULES RENE HERVE. (FRENCH, 1887 - 1981). “Les Tuileries.” Oil on Canvas. Signed: Lower Left “Jules R. Herve”. Work Size: 9-5/8” x 10-5/8”. Framed: Molded and Carved Giltwood. Very fine original condition. Appears to have been lightly cleaned. Very good overall. Provenance: Private collection, Main Line, Pennsylvania. Framed: 14 - 1/4” x 16 - 1/4”. 1,000 - 1,500 52

103 - RAOUL DUFY (FRENCH, 1877 - 1953). “Courses Deauville.” Pen & Ink on Paper. Signed: Lower Right “Raoul Dufy”. Work Size: 11-3/4” x 17”. Framed: Molded Gilt Wood, Matted Under Glass. Very fine, untouched. Framed: 20-1/2” x 25”. 1,200 - 2,400 104 - JOHN PHILLIP. (ENGLISH, 1817 - 1867). “Young Girl at the Fountain.” Oil on Canvas. Unsigned. Work Size: 30” x 20”. Framed: Gold Gilt Molded Wood with Liner. Note: Plaque on front lower frame “John Phillip R.A.” Professionally cleaned, restored and relined. Examined under black light; in painted to grass and foreground and small areas at the top of stone wall, otherwise no issues noted. Framed: 36 -1/2” x 26 -1/2”. 1,200 - 1,800

www.MorphyAuctions.com | August 29, 2018

LOT - 105

LOT - 106

LOT - 107 105 - FLORENTINE SCHOOL. (MID 19TH CENTURY). “The Romantic Proposal” Oil on Canvas. Signed: Lower Right Illegible. Work Size: 29” x 16-1/2”. Framed: Ornate Florentine Style Gilt Wood. Rich color and full palette. Dryness and light craquelure throughout. Canvas needs re-stretching. No damage or restoration noted. Carved frame in very good condition with mostly original gilt surface. Framed: 37-1/2” x 25”. 1,500 - 2,000 106 - FOLK ART PAINTING HORSEMAN PREPARING FOR THE HUNT. (FIRST HALF TO MID 19TH CENTURY). “Folk Art Painting Horseman Preparing for the Hunt.” Oil on Canvas. Unsigned. Work Size: 24-3/4” x 30”. Framed: Molded Ebonized with Carved Giltwood Liner. Painting has been cleaned and tightened on stretcher. In painting within the sky and in area of two horseman, lower right facing. Generally good. Note: Mickleson’s Washington DC Gallery label affixed to stretcher. From the private collection of Dorothy Merle-Smith Pyle and David Hunter McAlpin Pyle of “Hunting Hollow Farm,” Dix Hills, NY. Dorothy Pyle was also known as one of the “Galloping Grandmas” of the Essex Fox Hounds circa 1949. By descent through the family to the present owner. Framed: 27-3/4” x 32-3/4”. 2,000 - 3,000

LOT - 108 107 - VASILY SITNIKOV. (RUSSIAN, 1915 - 1987). “Reclining Sleeping Nude.” Oil on Canvas. Signed: Lower Right “B.R. Chthnkob” Work Size: 24” x 36”. Framed: Modern Composite Simulated Wood. Very good, untouched. Note: Signed and dated on verso in print letter, “1982”. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Framed: 29” x 41”. 2,000 - 3,000 108 - HUGO SCHEIBER. (HUNGARY, 1873 - 1950). “Man in Blue with Pipe.” Oil on Artist Board. Signed: Lower Right “Scheiber H”. Work Size: 14-5/8” x 11-3/4”. Framed: Gold Gilt Molded Wood. Painted surface slightly dry with craquelure, notably in upper half of the work, very good overall. Provenance: From the Private Collection of a well-known Fine Art collector from Southern Maine. Framed: 20 3/4” x 16 -3/4”. 3,000 - 5,000

www.MorphyAuctions.com | August 29, 2018

109 - JULES RENE HERVE. (FRENCH, 1887 - 1981). “L Embarras Du Choix.” Oil on Canvas. Signed: Lower Left in script and On Verso. Work Size: 18” x 21-1/2”. Framed: Carved Gold Gilt Wood with Velvet Liner. Very good overall. No imperfections or restoration noted. Framed: 24” x 27-1/2”. 2,000 - 3,000

LOT - 109

LOT - 110

110 - LOEPOLD SCHMUTZLER. (GERMAN, 1864 - 1941). “The Courting Couple.” Oil on Canvas. Signed: Lower Left “LEO SCHMUTZLER PARIS”. Work Size: 30” x 20-1/2”. Framed: Gold Molded Gilt Gesso and Wood. Professionally cleaned, no damage, restoration or in-painting noted. Examined under black light. Provenance: Private collection, Beverly Hills, California. Framed: 39” x 29-1/2. 1,500 - 2,500 111 - SALVADOR DALI COLORED LITHOGRAPH. (SPANISH, (1904 - 1989). “Europa And The Bull.” Limited Edition Lithograph. Signed: Lower Right in Pencil in Margin “Dali”. Work Size: 18-3/4” x 25-3/4” (sight). Framed: Modern Gold Leaf and Ebony Matted Under Glass. Very fine, untouched. Note: 36/150 lower left margin. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Framed: 31” x 38”. 1,200 - 1,800

LOT - 111

LOT - 112 54

www.MorphyAuctions.com | August 29, 2018

112 - VASILIS ZENETZIS. (GREEK, 1935 - ). “Coastal Mediterranean Summer Landscape.” Oil on Canvas. Signed: Lower Left “Zenetzis”. Work Size: 24” x 49”. Framed: Molded Wood Gold Gilt and Paint Decorated with Mat and Liner. Palette remains vibrant and bright. Multiple areas of paint loss overall including; upper left in tree folige, lower left above signature, within first and second story of corner building, additional spot losses above and to the right, spot losses in central sky, spot losses lower right side facing in boat hull, water and grasses. Framed: 31-1/2” x 56”. 1,200 - 1,800

LOT - 114

LOT - 113

LOT - 116

LOT - 115 113 - CHARLES MAHONEY. (ENGLISH, 1903 - 1968). “The Dog Competition.” Watercolor. Signed: Lower Left “Charles T. Mahoney”. Work Size: 13-1/4” x 20-1/2” (sight). Framed: Modern Wood Matted under Plexiglas. Very good with strong palette. Framed: 24-3/4” x 29”. 800 - 1,200 114 - SEATED NUDE PAINTING. “Half Portrait Nude Seated in Chair.” Oil on Board. Unsigned. Work Size: 8” x 10-1/4”. Framed: Deep Gold Gilt Wood and Gesso. Very good overall, no damages, restorations or in painting, examined under black light. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Framed: 11-1/2” x 13-1/2”. 500 - 700 115 - FRANS PIETER TER MEULEN. (NETHERLANDS, 1843 - 1927). “Netherland Pasture.” Gouache on Board. Signed: Lower Left “Ter Meulen”. Work Size: 20” x 15” (sight). Framed: Gold Gilt Carved and Molded Wood with Liner Under Glass. Appears very fine, untouched condition. Not examined out of frame. Frame is good overall with small losses to the corner shells. Provenance: From the Private Collection of a well-known Fine Art collector from Southern Maine. Framed: 30 -1/2” x 25 -1/2”. 500 - 750

LOT - 117 116 - MARY ALPERT. “Camogli Vini 2001.” Photo-Paintography. Signed: Lower Right “M Alpert”. Work Size: 20” x 30”. Unframed. Limited Edition 3/50. Very good with slight diagonal rub between the middle left wine glass and middle right wine glass stem. Note: a COA from the artist accompanies the piece. Provenance: From the Private Collection of a well-known Fine Art collector from Southern Maine. 300 - 500 117 - KONSTANTIN KONSTANTINOVICH KUZNETSOV. (RUSSIAN, 1895 - 1980). “Calvery Officer at the Well.” Oil on Canvas. Signed: Lower Left “K. Kusnezov”. Work Size: 20” x 30”. Framed: Gold Gilt Carved and Mold Wood with Liner. Strong bright palette, very good overall. Framed: 26 -1/2” x 36 -1/2”. 2,000 - 4,000

www.MorphyAuctions.com | August 29, 2018

LOT - 118

LOT - 119

LOT - 120 118 - PIERRE EDOUARD FRERE. (FRENCH, 1819 - 1886). “Children Playing At The Hearth.” Oil on Canvas. Signed: Lower Left “Ed Frere 67”. Work Size: 13-3/4” x 9-3/4”. Framed: Deep Molded Gilt with Liner. Professionally cleaned and restored. In-painting present above fireplace and spot in-painting left corner facing, craquelure stabilized, relined, examined under black light; overall good to very good. Note: Name also written in the gold liner, partially illegible. Provenance: From the Private Collection of a well-known Fine Art collector from Southern Maine. Framed: 22 -1/2” x 19”. 2,500 - 3,500 119 - MARTIN RICO Y ORTEGA. (SPANISH, 1833 - 1908). “View of Venice.” Oil on Board. Signed: Lower Right “Rico”. Work Size: 18-3/4” x 12”. Framed: Deep Gesso and Carved Molded Wood. Very good overall with soft mellow palette. Framed: 23 -1/4” x 16 -1/2”. 5,000 - 7,000

LOT - 121 120 - HENRI DE TOULOUSE-LAUTREC. (FRENCH, 1864 -1901). “Yvette Guilbert, dans Columbine à Pierrot, 1894.” Lithograph. Signed: Monogram Signed Upper Left. Work Size: 15” x 11”. Unframed. Very slight even toning and fading overall. This example is offered with what appears to be original matte with gold foil liner and with pencil inscription “Rose” and additionally signed “T. Lautrec” followed by “Gold Bevel”. Note: original published in 1895 in the Elles portfolio, this lithograph is from the posthumous printing authorized by the Musee d’ Albi from Lautrec’s original stone. The edition size for the vert was 200 numbered impressions. There were also 1700 impressions in black and 50 in sepia. We believe this to be one of the non-numbered impressions and may have been initially printed in olive, now faded. Provenance: From the Private Collection of a well-known Fine Art collector from Southern Maine. 6,000 - 8,500 121 - ATTIBUTED TO MAURICE (VALADON) UTRILLO. (FRENCH, 1883 - 1955) “Wintry Rural Village Landscape.” Oil on Canvas. Signed: Lower Right “Maurice Utrillo. V.” Work Size: 21-1/2” x 28”. Framed: Ornate Gilt Molded Gesso and Wood with Liner. Painting has been relined and lightly cleaned. No damage or restoration noted, examined under black light. Good overall. Framed: 32-1/2” x 38 -1/2”. 8,000 - 12,000

www.MorphyAuctions.com | August 29, 2018

LOT - 122

122 - CESARE AUGUSTE DETTI. (ITALY, 1847 - 1914). “Portrait of Mother and Daughter with Flowers.” Oil on Canvas. Signed: Lower Left “C. Detti”. Work Size: 58” x 33” (sight). Framed: Elaborate 19th Centruy Gold Gilt Gesso and Wood with Liner. Very good with minor craquelure throughout, no damage or restoration noted. 75” x 50”. 12,000 - 18,000

www.MorphyAuctions.com | August 29, 2018

LOT - 123

123 - EUGENE F. V. DELACROIX. (FRENCH,1798 - 1863). “Portrait Of Seated Arab.” Chalk on Paper, Mounted on Cardboard. Signed: Lower Left Monogram “E.D.” Work Size: 15-3/4” x 10-3/4”. Unframed. Very good and original untouched chalk drawing. Very shallow depressions in area of left arm in folds of robe. Also very small streaks caused by fluid, slightly left of center facing. Note: On verso is an inventory label from the “Musee de Louvre et Bibliotheque Nationale Juin-Juillet 1980 ‘Exposition Delacroix’”. Also a handwritten note identifying as “Delacroix Coll. Mrs Hebster”. Provenance: From the Private Collection of a well-known Fine Art collector from Southern Maine. 125,000 - 175,000

www.MorphyAuctions.com | August 29, 2018

LOT - 124

124 - DESIRE FRANÇOIS LAUGEE. (FRENCH 1823 - 1896). “Beggar At The Door.” Oil on Canvas. Signed: Lower Left “Laugee fils”. Work Size: 49” x 36”. Framed: Molded Gold Gilt Gesso and Wood. Professionally restored, cleaned and relined. Now on replaced modern stretcher. Small flecks of paint loss along roof line, considerable in-painting within central figures and lower foreground; believe to be in areas of cleaning and re-varnishing, examined under black light. Note: One of the artist’s well-known paintings is titled “The Laundress” sold in the rooms of Christie’s New York, on October 27, 2014, Auction Lot: 12. One could project that the painting being offered today is a sequel to “The Laundress” and that the beggar in the painting is the same woman in later years. Provenance: From the Private Collection of a well-known Fine Art collector from Southern Maine. Framed: 53 -1/2” x 40 “. 60,000 - 80,000

www.MorphyAuctions.com | August 29, 2018

LOT - 125

125 - SALVADOR DAIL. (SPAIN, 1904 - 1989). “Saint George And The Dragon.” Etching. Signed: Lower Right “Salvador Dali” & “1947” in Margin. Work Size: 20” x 13” (sight). Framed: 22K Gold Leaf, Museum Mounted Under Glass. Very fine original condition. Note: Stamp of the Print Club of Cleveland on verso. It was published by the Print Club of Cleveland in 1947 and distributed to its members. The prints were not numbered; however, the edition was 250 (+10 for Dali). This lot is accompanied by a documentation of authenticity by the SHORR collection of Scottsdale, Arizona, a letter from the Salvador Dali archives, Astoria, New York signed by Albert Field, Archivist, and a letter from Christopher J. Lae of the SHORR Collection stating the replacement value of the work in December of 1994. Provenance: From the Private Collection of a well-known Fine Art collector from Southern Maine. Framed: 33 - 1/2” x 26 -1/2”. 30,000 - 40,000 60

www.MorphyAuctions.com | August 29, 2018

LOT - 126

126 - EDOUARDO LEON CORTES. (FRENCH 1882 - 1969). “Boulevard de la Madeleine.” Oil on Canvas. Signed: Lower Right “Edward Cortes”. Work Size: 18” x 22”. Framed: Contemporary Carved Wood with Liner. Very fine, untouched condition in the original frame. Note: On verso canvas frame is marked “1960 H W Neuman Paris”. Provenance: Purchased in Paris, France in 1960 by the current owner. Framed: 25” x 28-1/2”. 12,000 - 18,000

www.MorphyAuctions.com | August 29, 2018

127 - ATTRIBUTED TO GEZA VASTAGH. (HUNGARY, 1866 - 1919) “Resting Lion and Lioness.” Oil on Canvas. Signed: Lower Right Work Size: 24” x 32”. Framed: Gold Gilt Molded Wood. Painting has been professionally cleaned. In-painting above head of lioness and to the proper right of the lion’s mane, visible under black light. No major restoration, tears or repairs noted. Overall good. Note: Additionally indistinctly signed on verso of canvas in broad stroke script. Framed: 28” x 36”. 6,000 - 8,000

LOT - 127

128 - IMPRESSIONIST COASTAL LANDSCAPE OF MENTON FRANCE. (UNKNOWN). “Coastal Landscape of Menton, France.” Oil on Canvas. Signed: Monogram lower right, possibly conjoined “MW”. Work Size: 30-1/2” x 30”. Framed: Molded Gilt Wood Frame. No damage or restoration noted. Observed under black light. Framed: 36-1/2” x 36-1/2”. 5,000 - 7,000

LOT - 128 62

www.MorphyAuctions.com | August 29, 2018

LOT - 129

LOT - 130

LOT - 131

129 - DEWA PUTU BEDIL. (INDONESIA, 1921 - 1999). “The Indonesia Village.” Acrylic on Paper. Signed: Lower Right “D.W. Putu Bedil”. Work Size: 15-1/4” x 20-3/4”. Framed: Wide Oak Molded and Painted Frame, Glazed and Matted, Under Plexiglas. Appears to be in very good, untouched condition. No imperfections or scratches noted, not examined out of frame. Provenance: From the Private Collection of a well-known Fine Art collector from Southern Maine. Framed: 33-1/2” x 38-1/2”. 3,500 - 4,500

131 - FRANCOIS LOUIS THOMAS FRANCIA. (FRENCH, 1772 - 1839). “Beach at Calais.” Watercolor - Dry Mounted on Paper. Signed: Signed lower right on rock “L. Francia 1821”. Work Size: 5-3/4” x 8-2/3”. Framed: Molded Gilt Under Museum Glass. Small folding crease upper right corner facing, small spot losses to pigment to mid-ground right side facing in area of two figures walking beneath pole, otherwise good retaining a pleasing color and tone. Provenance: Purchased by the current owner from the widow of Anthony Bade of Parke-Bernet Galleries, New York. Framed: 12-1/2” x 15-1/2”. 1,500 - 2,500

130 - ADOLF MANFRED TRAUTSCHOLD. (GERMAN 1854 - ). “L Embarras du Choix.” Mixed Media on Canvas. Signed: Lower Left and Dated “Manfred Trautschold 1880”. Work Size: 12” x 20”. Framed: Period Giltwood. In good condition with minor area of in painting in the upper left corner. Craquelure in concentric circle, yellowed varnish. The frame has minor losses to the molding. Note: Label affixed on verso inscribed “L’Embarras du Choix, Manfred Trautschold, 18 S. Mark’s Crescent, Regard Park, London”. Framed: 28 -1/4” x 20 -1/2”. 1,500 - 2,500

www.MorphyAuctions.com | August 29, 2018

LOT - 133

LOT - 132

LOT - 134

LOT - 135 132 - LASZLO NEOGRADY. (HUNGARY 1896 - 1962). “Alpine Mountain Snow Scene at Sunrise.” Oil on Canvas. Signed: Lower Right in Full Script. Work Size: 24” x 31-3/4”. Framed: Half Round Carved Wood with Gilt Silver Liner. Very good overall. Framed: 33” x 40-1/2”. 1,500 - 2,000 133 - GERARD DE LAIRESSE. (BELGIUM, 1640 - 1711). “Solome Beheading John The Baptist.” Ink & Graphite on Paper. Signed: Verso Upper Left Corner “Gerard De. Lairesse”. Work Size: 8-1/2” x 9”. Unframed. Some foxing present along upper edge and in lower portion of drawing, otherwise intact and very good. Provenance: From the Private Collection of a well-known Fine Art collector from Southern Maine. 1,500 - 2,000

134 - GIOVANNI PAOLO PANINI. (ITALIAN, 1691 - 1765). “Study For A Painting Of Classical Ruins And Landscape.” Pen, Ink, & Pencil on Paper. Signed: Lower Right “G. Panini”. Work Size: 13-5/8” x 19-1/2”. Unframed. Overall soiling, toning, foxing with water stains in the margins. Overall fair. Note: A rare example of one of the artist’s studies that only infrequently turns up at auction. Together with a hand drawn simulated mount. Provenance: From the Private Collection of a well-known Fine Art collector from Southern Maine. 1,200 - 1,800 135 - GROUP OF 3: OIL PAINTINGS. 1) Karl Gatermann (German, 1883-1959), “Bathers”, Oil on panel, Housed in a gold painted wood frame, Signed lower left “K Gatermann”, 20” x 24”; overall 24-1/4” x 28-1/2”. There is some surface grime, two vertical seams in panel extending from top to bottom with several small areas of touch up along the right edge. 2) Ryan Wurmser (American, 1973-), “Reclining Nude”, Oil on canvas, Housed in a giltwood frame, Signed lower left “R. Wurmser”, 9” x 14”; overall 14-1/2” x 19-1/2”, In very good to excellent condition. 3) F. V. Bergstrom (Swedish School, 20th century), “After Badet”. Oil on Masonite, Housed in a vintage painted wood frame, Signed lower left “FV Bergstrom”, 15-1/2” x 12-1/4”, overall 20” x 17”, In very good condition. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Largest Framed: 28-1/2” x 24-1/4”. 1,000 - 1,500

www.MorphyAuctions.com | August 29, 2018

LOT - 136

LOT - 138

LOT - 137

LOT - 139

136 - JULES RENE HERVE. (FRENCH, 1887 - 1981). “Les Bouquinists.” Oil on Canvas. Signed: Lower Right “Jules R. Herve” and Similarly On Verso. Work Size: 8-3/4” x 10-1/2”. Framed: Nicely Carved and Molded Gold Gilt Gesso and Wood. Original untouched condition. Overall very good with light surface soiling. Note: This painting was sold in 6/20-6/21/2007 at Christie’s New York, Lot No. 127. Provenance: Private collection, Main Line, Pennsylvania. Framed: 17” x 19”. 1,000 - 1,500 137 - TWO WORKS. 1) English School (19th century), “Still Life of Fish”, oil on panel, unsigned, housed in a modern gilt wood frame, 16” x 20-3/4”; overall size 19-1/2” x 24-1/4”, shrinkage cracks throughout, old restoration around edges and surface grime. 2) New England School (Mid 19th century), “Theorem on Velvet with Floral Filled Basket”, oil on panel, unsigned, housed in a lemon gold gilt wood frame, 16-1/4” x 20”, overall 20”x 24”, colors remain vibrant, generally in good condition with toning throughout. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Largest Framed: 24” x 20”. 1,000 - 1,500 138 - PASTORAL EUROPEAN LANDSCAPE. “Pastoral European Landscape.” Oil on Canvas. Signed: Lower right “Charle Erkau”. Work Size: 22” x 17-3/4”. Framed: Ornate Quality Carved Gold Leaf with Liner. Painting depicting a woman walking along a gravel path beneath a Weeping Willow. Light craquelure throughout. Lightly cleaned with light revarnish. No damage or restoration noted. Frame and painting very good overall. Note: Attributed to the work of Karl Kauffman who is known for using multiple pseudonyms on a regular basis. Framed: 30” x 25-3/4”. 1,200 - 1,800

www.MorphyAuctions.com | August 29, 2018

LOT - 140 139 - YATARO NOGUCHI. (JAPAN, 1899 - 1976). “The Seashore.” Oil on Board. Signed: Lower Left “Y Noguchi”. Work Size: 9-1/2” x 13”. Framed: Simulated Bamboo Wood with Liner. Very good, untouched condition, light surface soiling throughout. Note: On verso, label with title and artist in Japanese calligraphy. Provenance: This painting was given to the current owner by a friend in the 1960’s. Framed: 12 -1/4” x 15 -3/4”. 1,500 - 2,000 140 - CLAUDE VENARD. (FRENCH, 1913 - 1999). “Femme a sa Toilette.” Oil on Canvas. Signed: Lower Right “C. Venard”. Work Size: 18” x 13”. Framed: Carved and Molded Silver Gilt with Liner. In-painting in areas around the woman’s head, along the proper right arm and throughout dressing mirror. No damage or restoration noted. Examined under black light. Good overall. Framed: 24-1/2” x 19”. 1,500 - 2,500 65

LOT - 141

LOT - 142

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LOT - 143

LOT - 144

141 - LASZLO NEOGRADY. (HUNGARY 1896 - 1962) “Snow Covered Mountains and Forrest at Sunrise.” Oil on Canvas. Signed: Lower Left “Laszlo Neogrady”. Work Size: 23-1/2” x 31-1/2”. Framed: Housed in a molded painted wood frame. Overall very good and clean. 1” square patch on back of canvas at center, no cooresponding hole or tear visible under magnification or black light on the face of the piece. Paint appears to be original in color and texture. Framed: 32-1/2” x 40”. 1,500 - 2,000 142 - HENRY DEACON HILLIER. (ENGLISH, 1858 - 1930). “Shepherd.” Oil on Canvas. Signed: Lower Left “H.D. Hillier”. Work Size: 28” x 22”. Framed: Carved Giltwood. Minor spotting in painting throughout, primarily in foreground, not distracting to the naked eye, otherwise very good. Vibrant with a strong palette. Note: Cooling Galleries Bond Street London gallery label affixed to back of frame. Framed: 34-1/4” x 28”. 1,200 - 1,800 66

143 - LOT OF 2: ETCHINGS BY RENOIR AND CEZANNE. 1)Pierre Auguste Renoir (French, 1841 - 1919), “Claude Renoir De Trois-Quarts, A Droite”, etching, unsigned, housed in gilt wood frame with molded liner under glass, 10” x 8-1/4”, overall 15-3/4” x 7-1/2”. Minor foxing and toning primarily in border, otherwise good, no imperfections noted. Note: Gallery label on verso “Edgardo Acosta Gallery Beverly Hills, California”. 2) Paul Cezanne (French, 1839 - 1906), “Portrait of Guillaumin” - (“Guillaumin Au Pendu”), etching, unsigned, house in a gilt wood molded frame with linen and gilt wood double liner under glass, 8-1/3” x 7-1/2”, overall 15” x 13-1/4. Very slight fading, otherwise very good. Note: “Premier tirage” 1906 on verso. Gallery label on verso “Edgardo Acosta Gallery Beverly Hills, California” Provenance: By decent to current owner. Largest Framed: 17 -1/2” x 15 -3/4”. 1,000 - 1,500 144 - R. MONTI. (20TH CENTURY). “Dutch Town Docks Village Scene” Oil on Canvas. Signed: Lower Right “R. MONTI”. Work Size: 27” x 42”. Framed: Molded Gold Gilt Wood. With old patch restoration and in-painting, small patch with horizontal repair in upper right sky, patch with small repair at roadside lower right foreground, in-painting upper left corner in sky, palette remains strong and vibrant, good to very good overall. Framed: 31-1/2” x 46”. 800 - 1,200

www.MorphyAuctions.com | August 29, 2018

LOT - 145

LOT - 146

LOT - 147

LOT - 148

145 - FRANCOISE GILOT. (FRANCE, 1921 - ). “Mother Seated with Infant.” Limited Edition Lithograph, 124/200. Signed: Lower Right “Francoise Gilot”. Framed: Gold Brass Under Plexiglas. Very good, untouched condition. Provenance: From a private New England collection. Framed: 32” x 25-1/4”. 800 - 1,200 146 - UNKNOWN ARTIST IN THE MANNER OF JEAN-BAPTISTE MONNOYER. “Floral Still Life” Oil on Canvas. Unsigned. Work Size: 19” x 25-3/4”; overall 24-1/2” x 32”. Framed: Housed in a gesso and wood gold gilt frame. Surface dirty overall; small spots of in painting throughout, small paint chips notibly in left side facing just left of the floral arrangment. Brass plate on frame inscribed “Jean-Baptiste Monnoyer”. Framed: 32” x 24 -1/2” . 800 - 1,200

147 - PIERRE EDOUARD FRERE. (FRENCH, 1819 - 1886). “No Fire - No Burn.” Oil on Panel. Signed: Lowe Left “Edouard Frere 1877”. Work Size: 11” x 8-3/4”. Framed: Gesso and Wood Deep Mold Gilt. Small area of in-painting above date at artist signature, otherwise very good. Recently cleaned. Note: Gallery label affixed on verso “ROBERT BUNTING THE REMBRANDT GALLERY LIVERPOOL” and a page of type written paper giving background on the artist (severely faded). Provenance: Private collection, Main Line, Pennsylvania. Framed: 19” x 16-1/2”. 800 - 1,200 148 - PAUL MARCEL BALMIGERE. (FRENCH, 1882 - 1953 ). “Harbor Scene.” Oil on Canvas. Signed: Lower Left “P. Balmigere”. Work Size: 20” x 25-1/2”. Framed: Modern Deep Molded Gold Gilt Wood with Name Plate. Very good overall, light craquelure. No restoration or in-painting noted. Examined under black light. Note: “Balmigere” written on canvas on verso in upper right and “Painted in France” on bottom right facing. Provenance: From the Private Collection of a well-known Fine Art collector from Southern Maine. Framed: 26 -1/2” x 32”. 800 - 1,000

www.MorphyAuctions.com | August 29, 2018

149 - GEORGES ROUAULT. (FRANCE, 1871 - 1958). “Negro Porter.” Etching on Paper. Signed: Initialed in Plate “GR” and dated 1928. Work Size: 8-3/4” x 12-1/4” (sight). Framed: Modern Molded Wood with Simulated Gilt Liner, Matted Under Glass. Very good, no imperfections or restoration noted; not examined out of frame. Note: Illustration for the “Les Reincarnations du Pere Ubu” by Ambroise Vallard, circa 1932. Ones similar to this are part of the collection at the Museum of Modern Art. Provenance: From the Private Collection of a well-known Fine Art collector from Southern Maine. Framed: 21” x 25”. 500 - 750 LOT - 149 150 - TWO PANEL SCREEN WITH PAINTED LANDSCAPES. Two panel screen, each panel framing an oil on canvas landscape. One depicting a rocky stream between conifers; a range of mountains in the background. The second screen depicts a harbor filled with sailing ships at dock and at anchor. The foreground with small passenger ferry loading for the ships. Each signed lower right “D. PAUL 1896”. Each painting mounted within a half round hinged molded frame; the verso of each mounted with simulated wood grain decorated canvas with border of guilloches. Landscapes with craquelure and even soiling, each with abrasion wear lower sections, the reverse also with substantial abrasions and some small tears in the border, otherwise good. Provenance: From the Private Collection of a well-known Fine Art collector from Southern Maine. Each: 47” x 30 -3/4”. 3,000 - 4,000 LOT - 150

151 - GROUP OF 4: ALFRED BIRDSEY. (BERMUDA 1912 - 1996). “Scenes of Bermuda.” Watercolors. Signed: Three Signed Lower Right, One Unsigned. Work Size: 17” x 22” approximate. Framed: Modern Molded Wood Matted under Glass. All are very and in fine condition. Framed: 25” x 30”. 1,200 - 1,800

LOT - 151 68

www.MorphyAuctions.com | August 29, 2018

152 - LOT OF 3: CURRIER & IVES WINTER & WHALING LITHOGRAPHS. Last half 19th century, American. To include: 1) “American Whalers Crushed in the Ice. Burning the Wrecks to Avoid Danger to Other Vessels”, 10-1/4” x 14” (sight), housed in a gold gilt modern frame with eglomise mat under glass, very good. 2) “The Sleigh Race”, 9-1/2” x 13-1/4” (sight), housed in a modern gilt silver and gold frame with mat under glass, very slight even toning. 3) “Central Park in Winter”, 11-1/2” x 15” (sight), housed in a modern gilt silver and gold frame with mat under glass, very good. Largest: 16-1/2” x 20”. 1,200 - 1,800

LOT - 152

LOT - 153

153 - GROUP OF 7: CURRIER & IVES NAUTICAL RELATED LITHOGRAPHS. Second half 19th century, American. To include: 1) “The Miniature Ship ‘Red, White, and Blue’”, on her voyage from New York to London August 1866 with Capt’s Hudson and Fitch and dog “Fanny”, some spot toning throughout, slightly faded, good to very good. 10” x 13-3/4” (sight). 2) “Terrific Combat between the ‘Monitor’ 2 Guns & ‘Merrimac’ 10 Guns”, small tear to left margin facing, spot toning primarily in border, small puncture holes in bottom line center of text, good overall. 10” x 13-3/4” (sight). 3) “Bound Down the River”, flat barges on the Mississippi, slight toning overall, good to very good. 9-1/2” x 13-1/2” (sight). 4) “Newport Beach”, coastal schooners along the shore, slight even toning overall 10-1/2” x 13-3/4” (sight). 5) “Blue Fishing”, depicts hand lining fish off the coast, light toning and minimal foxing above the sail and mast of foremost boat, very good. 9-1/2” x 13-1/2” (sight). 6) “A Race on the Mississippi” the side wheelers eagle and Diana racing up stream, very good overall. 10-1/4” x 14” (sight). 7) “The Upper Lake of Kallarney. Kerry County, Ireland”. Overall toning with narrow water stain proper right sky at top, otherwise good. 8-3/4” x 12-1/4” (sight). Six of the lithographs are housed in matching modern metallic gilt wood frames with mat under glass, 16-1/4” x 19-3/4”. The Kallarney is housed in a walnut 19th century frame with mat under glass, 15” x 18”. Currently stored in a custom-made wood case. Box: 22” x 18 - 2/4” x 7 - 3/4”. 800 - 1,200 154 - LARGE LOT OF CURRIER & IVES REFERENCE BOOKS WITH COLLECTION OF MISCELLANEOUS PRINTS & LITHOGRAPHS. Second half of the 19th century, American. Prints and lithographs include: six Currier and Ives prints of religions taste to include two examples of “Evening”, a small folio of “Morning”, and a litho of “Sister’s Prayer”, “The Assumption of the Holy Virgin”, “The Sacred Heart of Jesus”, “The Sacred Heart of Mary”, and other miscellaneous prints and engravings, six in all. Five small folio Currier and Ives lithographs to include “The Evening Star”, “The Wreck of The Atlantic”, “Sea Saw”, “Taking Off His Airs” and “The Old Ruins”. Also included are nine ornithological colored plates from “Studer’s Popular Ornithology Birds of North America”, published in 1881, together with three matted ornithological color prints. Additionally, 11 other miscellaneous prints and Harper’s Weekly cover sheets, several matted. Overall, condition is poor to fine. The majority are good to very good. Sizes are from 14” x 10” to 12” x 15”. Largest Box: 21 - 1/2” x 16” x 3 - 1/2”. 800 - 1,000

LOT - 154

www.MorphyAuctions.com | August 29, 2018

LOT - 155

155 - LOT OF 6: N. CURRIER & CURRIER & IVES SCENIC & ORNITHOLOGICAL LITHOGRAPHS. Second half 19th century, American. 1) “Silver Cascade White Mountains” by Currier & Ives, shows a fisherman on a river bank, very good with vibrant colors, 11” x 15” (sight). 2) “California Scenery. Seal Rocks-Point Lobos” by Currier & Ives, minor foxing in sky and in lower margin, small vertical tear at bottom of margin, overall good, 10-1/4” x 13-3/4” (sight). 3) “Falls of Niagara. From Clifton House” by N. Currier, cleaned with vibrant color, very good, 9-1/2” x 13-3/4” (sight). 4) “The Great West” by Currier & Ives, depicts a train passing through a mountain rimmed valley, very good overall, 9-3/4” x 14-1/2” (sight). 5) “Quail or Virginia Partridge” by Currier & Ives, minimal and minor toning, very good, 10-1/2” x 14”. 6) “A Pair of Nutcrackers” by Currier & Ives, depicting a pair of squirrels eating nuts on a tree limb, overall light toning, prevalent in lower border with some foxing, good overall, 13-3/4” x 9-3/4” (sight). All are housed in a molded metallic gilt wood frames and matted under glass, 18” x 15-1/2”. Largest: 22” x 18 - 3/4” x 2 - 3/4”. 600 - 800 156 - AMERICAN FARM SCENES, N. CURRIER NO. 2 LARGE FOLIO. Mid 19th century, American. Large folio from a set of farm scenes depicting a woman and children feeding poultry and livestock in a farm yard at dusk. Housed in a gold molded frame with custom mat under glass. 18-1/2” x 24” (sight). Very good with one minor horizontal repaired tear, upper right corner facing in the sky. Framed: 27” x 33”. 500 - 700

LOT - 156

157 - GROUP OF 6: CURRIER & IVES LANDSCAPE & COUNTRY LITHOGRAPHS. Second half 19th century, American. To include: 1) “The Arkansas Traveler - Scene in the Back Woods of Arkansas”, very good with minor toning in lower border. 10” x 13-1/2” (sight). 2) “In the Mountains” depicting deer by a stream, with light even toning, otherwise very good. 10” x 14”. 3) “Maple Sugaring. Early Spring in the Northern Woods”, very good with even slight toning. 10-1/4” x 13-1/2” (sight). 4) “The Source of the Hudson, In the Indian Pass, Adirondacks”, shows four figures viewing the rapids, very good with slight even toning. 10-1/2” x 13-1/2” (sight). 5) “Night by the Camp-Fire”, depicting a moon light scene by the river, very good with even toning in border. Image very crisp. 11-3/4” x 16-1/4”. 6) “A CLEARING ON THE AMERICAN FRONTIER”, depicting a homestead in a mountain valley, very good overall. 10-1/2” x 13-1/2” (sight). All lithographs are housed in molded gilt wood frames with mat under glass, 16-1/4” x 19-2/3”. Currently stored in a custom-made wood case. Box: 22” x 18 - 2/4” x 7 - 3/4”. 500 - 700

LOT - 157 70

www.MorphyAuctions.com | August 29, 2018

LOT - 158

LOT - 159

158 - GROUP OF 6: CURRIER & IVES SMALL FOLIO RURAL LANDSCAPES. Third quarter 19th century, American. Includes the “American Homestead” series of the four seasons. All four are housed in walnut frames, matted under glass, 9” x 12-1/2” (sight), overall 15” x 18”. Generally very good, “Fall” engraving has slight toning. Also included are “A Home in the Wilderness” and “The Old Farmhouse”. Each housed in a metallic silver and gold gilt wood frame, matted under glass. 9-1/2” x 13-1/4” (sight), overall 16” x 19-3/4”. Both are good to very good condition with overall toning. Largest: 19 - 3/4” x 16 - 1/2”. 500 - 700

159 - LOT OF 6: N. CURRIER AND CURRIER & IVES LITHOGRAPHS. Second half of the 19th century, America. 1) “The Knitting Lesson” by Currier & Ives, slight fading and minimal toning, very good overall, 18” x 15-1/4” (sight). “The Knitting Lesson” is house in period Victorian walnut frame with gold liner, matted under glass, 24” x 21”. 2) “Preparing for Market” by N. Currier, color print commemorating the 100th Anniversary, The Mutual Life Insurance Company, 15-1/2” x 18-1/2”, mounted on cardboard under a hinged mat. 3) “The Old Homestead” by N. Currier, overall soiling and light toning, slightly faded, good condition, 11” x 15-1/2” (sight). 4) “A Mansion of the Olden Time” by Currier & Ives, cleaned and with strong vibrant color, very good, 10-1/4” x 13-3/4” (sight). 5) “Fruits of the Season” by Currier & Ives, water stains present throughout margins and slightly visible proper right side throughout the edge of work, 9-1/2” x 13-1/2” (sight). 6) “Fruit Piece” by Currier & Ives, generally very good with slight foxing in margin and light toning, 9-1/2” x 13-1/2” (sight). Numbers 3 through 6 are housed in a molded metallic gilt wood frame matted under glass, 17-1/4” x 20-1/2”. Largest: 22” x 19” x 2 - 3/4”. 400 - 600

www.MorphyAuctions.com | August 29, 2018

LOT - 160

LOT - 161

160 - LOT OF 4: N. CURRIER AND CURRIER & IVES LITHOGRAPHS. Second half 19th century, America. To include: 1) “Prairie Hens” by Currier & Ives, restored vertical crease behind neck of central bird, small areas of mild toning proper left margin and proper lower left margin, otherwise good to very good, 10” x 13-1/2” (sight). 2) “Mating in the Woods, Ruffed Grouse” by Currier & Ives, lithograph retains strong color, overall toning evident in margins, good to very good, 10-1/4” x 13-1/2” (sight). 3) “Express Train” by Currier & Ives, very good with vibrant color, 10-1/4” x 14” (sight). 4) “Popping the Question” lithograph by N. Currier, tombstone form engraving, toning and minor foxing in the borders, small vertical crease proper right lower margin, otherwise very good with strong color, 9-1/2” x 13-1/4” (sight). All housed in modern metallic gilt wood frames, matted under glass. Largest: 22” x 19” x 2 - 3/4”. 350 - 550 161 - GROUP OF 4: CURRIER & IVES EQUESTRIAN COLORED LITHOGRAPHS. Second half 19th century, American. To include: 1) “A Hard Road to Travel”, 9” x 13” (sight), housed in Victorian walnut frame with liner under glass, good to very good with overall toning. 2) “Mr Bonner’s Horse Joe Elliott, Driven by J. Bowen”, 11-1/2” x 16-1/2” (sight), housed in a rustic weathered pine frame under glass, good to very good with slight faded, foxing in proper left border. 3) “The Favorite Horse”, small folio depicting a white thoroughbred in barn, 10-1/4” x 14” (sight), housed in a modern gilt silver and gold frame with mat under glass, in very good, untouched condition. 4) “The Wonderful Mare Maude S. As She Appears At Speed, Driven by Her Celebrated Driver W.W. Bair”, 11-1/2” x 15” (sight), housed in a modern gilt silver and gold frame with mat under glass in very good, untouched condition. Largest: 16-1/4” x 19-3/4”. 300 - 500 162 - GROUP OF 6: N. CURRIER & CURRIER & IVES SMALL FOILO PORTRAIT LITHOGRAPHS. Third quarter 19th century, American. To include: “Queen Victoria”; “My Absent Love”; “Henry Clay of Kentucky”; and “William.” These four are housed in hard wood plain frames, matted under glass, average 13” x 9” (sight); overall 21” x 16-1/2”. Generally good to very good, light areas of toning, otherwise clean. Also included is “The Barefoot Boy” and “Susanna”. Each housed in a silver and gold metallic wood frame, matted under glass, 13” x 9”; overall 19-1/2” x 16”. Both of these are in very good condition. Largest: 20 - 1/2” x 17 - 1/4”. 200 - 400

www.MorphyAuctions.com | August 29, 2018

LOT - 162

LOT - 163

LOT - 164

LOT - 165

www.MorphyAuctions.com | August 29, 2018

163 - GROUP OF 3: SATIRICAL CURRIER & IVES SMALL FOLIO LITHOGRAPHS. Late 19th century, America. 1) “De Cake Walk.” 10” x 13-1/4 (sight); overall 18-3/4” x 22”, housed in a hardwood molded frame under glass, generally good with small diagonal crease lower right corner facing. 2) “Off His Nut. Gracious Massy, I’see Struck De Comet!” 15” x 10-3/4” (sight); overall 21-1/2” x 17”, housed in a silver and gold metal frame, matted under glass, multiple horizontal creases, otherwise color remains strong, overall good. 3) “On His Style. Take a Mity Smart lokymok to kotch dis coon.” 15” x 11” (sight); overall 21-1/2” x 17”, housed in a silver and gold metal frame, matted under glass, with multiple horizontal creases and some minor stains and tears along the top edge. Largest Framed: 18 -1/2” x 22”. 200 - 300 164 - GROUP OF 2: COLORED ENGRAVING OF ICE SKATERS ON CENTRAL PARK & COLOR PRINT OF BARN SCENE INTERIOR. 1) The first lithograph by J.H. Bufford, Boston, titled “SKATING ON CENTRAL PARK, NEW YORK”. Housed in a modern birdeye maple frame with gilt liner, matted, and under Plexiglas. Generally good with overall toning, impression remains vibrant. 19” x 28-1/2” (sight); overall 29” x 37-1/2”. 2) The second is a colored print depicting a family in a barn interior cleaning corn for winter storage. Unmarked. Housed in molded and gilt wood frame with mat under glass. In very good condition. 19” x 26-3/4” (sight); 26” x 33-1/4”. Largest: 37 - 1/4” x 29 - 1/2”. 400 - 600 165 - GROUP OF 5: ENGRAVINGS & PRINTS. Late 19th century, American. To include: 1) Engraving of Dartmouth College, framed, circa 1855, 13-3/4” x 19-3/4” (sight), overall 22” x 28”. 2) Engraving of Appleton Academy, New Ipswich, New Hampshire, framed, 5” x 7” (sight), overall 10” x 11”. 3) Two Currier & Ives Engravings, “Christmas Pies Now and Then”, framed. 4) Musical Cover Sheet “Kathy Darling” published by Oliver Ditson, 12-1/2” x 9” (sight), overall 17-1/2” x 14”. 5) Print titled “Diana Asleep”, London, printed for R. Sayer & J. Bennett, framed, 10-1/2” x 14” (sight), overall 17-1/2” x 21-1/2”. All are framed and matted under glass and in very good overall condition. “Kathy Darling” has minor foxing. Largest: 28” x 22”. 200 - 300

LOT - 166

LOT - 167

LOT - 168 166 - COLLECTION OF 24: CLARENCE WILLIAM ANDERSON (1891 - 1971) LITHOGRAPHS. To include 19 horse-related signed, numbered and titled limited edition lithographs, most 12” x 16”. Each is individually dry mounted on cardboard with hinged mats and protective dust covers. Titles include: “Bewitched”, “You and Who Else?”, “Battlefield”, and “Rugged Individualist”. Together with a stormy landscape titled “Northwest Wind”, a portrait of a leafless tree, an interior of a blacksmith shop titled “Changing Tires”, a seated nude titled “Youth” and another untitled seated nude. Overall very good as printed. Each: 19 - 1/2” x 15-1/2”. 600 - 800 167 - LIONEL EDWARDS “THE PASSING SEASONS”. The Passing Seasons Depicted by Lionel Edwards published by London Country Life LTD, circa 1927. This is copy number 178. “This edition is limited to 150 copies for sale at home, numbered 1 to 150, and 100 for sale abroad, numbered 151 to 250, making this copy in the later 100. This volume contains 18 full colored plates dispersed amongst the text. Average size of the plate images are 7” x 9-3/4”, page size is 17” x 13-1/2”. The first plate is titled “The First Snow” and is opposite the title page. The other plates are as follows: Plate 2: “The Water”; Plate 3: “The Mockers”; Plate 4: “Cub-Hunting”; Plate 5: “The Evening Rise”; Plate 6: “Where Bright Waters Meet”; Plate 7: “A May Morning”; Plate 8: “Cloudy June”; Plate 9: “School Days”; Plate 10: “The Great House”; Plate 11: “Pipe of Peace”; Plate 12: “Limestone Soil”; Plate 13: “An Irish Shore”; Plate: 14: “Sunshine and Showers”; Plate 15: “For Bampton Fair”; Plate 16: “A Glen of the Silver Birch”; Plate 17: “The Voice of the Highlands”; Plate 18: “Purple Heather”. All plates are signed in pencil in the lower right. All plates are in very fine, unblemished condition with strong palette. Pages with overall light toning, binding intact but showing signs of separation. Book cover intact as is the spine, paper jacket with considerable discoloration, deterioration and damage due to age and wear. Provenance: From the Private Collection of a well-known Fine Art collector from Southern Maine. 17” x 13 -1/2”. 800 - 1,200 74

LOT - 169 168 - FINE TABLETOP TORTOISESHELL AND GILT METAL MOUNTED VITRINE TABLE. In the manner of Louis XV, late 19th century, French. Nice example with shaped turtle hinged rectangular top, the gilt bronze border and edges leaf carved and cast with scrolling corners, centering a wide tortoiseshell frame, further centering a beveled glass plate. The hinge top opening to a pale green Moray silk compartment. The serpentine apron also with tortoiseshell inserts, raised on cabrio legs cast with scrolling and leaf tips, terminating in scrolling sabots. Retains original key with a matching tassel of later vintage. Normal and expected wear, some cracking to the tortoiseshell panels, back of hinged top is showing some signs of separation between the tortoiseshell and mount attached to the hinge, does not distract from overall. Gilt metal mounts in very good condition. Overall very good. 10” x 15” x 11”. 2,000 - 3,000 169 - UNUSUAL BEVELED GLASS AND GILT METAL MOUNTED STEP BACK TABLETOP DISPLAY CASE. First third 20th century. The display cabinet is in two levels, all with beveled glass panels. The upper case with a hinged lid, cast with leaf tip at the gallery, with mirrored bottom, set back on the lower case with scrolling cast borders raised on brass paw feet with scrolled leaf tip returns, the base also mirrored. Very minimal and minor flea bites on some edges, mirror bottom is likely tin and does show some abrasions. Filigree and feet are intact. Overall in very good condition. Included with the display is 23 ring boxes with lids in various shapes, 16 are marked “Sterling”, some by Berks Jewelers, two with English hallmarks, others marked “925” sterling, seven are silver plated, many have liners with Jewelers names. Very nice collection of ring boxes. Boxes in overall condition with some wear and abrasions. 11” x 13” x 11”. 2,000 - 3,000

www.MorphyAuctions.com | August 29, 2018

LOT - 171A

LOT - 171

LOT - 170 LOT - 172

170 - VICTORIAN FISH BOWL WITH WROUGHT IRON STAND. Late 19th to early 20th century, American. The large bowl with molded lip of a wonderful rich green resting within a rope twist wrought iron framed, raised on four shaped legs tapering to scroll feet, sitting on a ring base with interwoven, scrolling filigree. Bowl is 14” diameter. The outer boarder cast with leaf tips. The bowl has some abrasions around the base, clear with good color, polished pontil. The iron stand retains original copper-gold finish. Overall very good. 7” Dia. 400 - 600 171 - VICTORIAN FISHBOWL AND METAL STAND WITH DOLPHIN SUPPORTS. Second quarter to mid 20th century. The glass chartreuse bowl is molded with designs of Peonies. Fitted on a brass stand with three molded dolphin supports with some wear and scratches to the finish on the stand. Overall in very good condition. 42-1/2” T. 400 - 600 171A - HENRY HUGHES & SON “HUSON” SEXTANT. Circa 1943, London England. Sextant marked no. 35287. Accompanied by its original fitted Mahogany case with hinged lid. The interior of the lid is affixed with the original certificate describing the technical angles, magnification and apertures for this particular model and dated 8-6-1943. Lenses appear to be very good. Sextant appears to be fully operational. Overall very good. Instrument is 9-1/2” x 9”. The case is 5-1/2” x 10-1/4” x 10-1/4”. From the Ray Bentley Collection. 10 - 1/2” x 6” x11”. 200 - 400

172 - GROUP OF 2: MARINE SEXTANTS. The first has a black painted brass frame contained within a fitted box with three brass and black enamel scopes of varying magnification is engraved “A. Hurlimann A Paris 1554” on the arch. Case is Mahogany brass bound with brass carrying handles with original surface. Sextant measures 9-1/2” x 10-3/4”. Case is 4-1/2” x 12” x 10-1/2”. The second sextant is made by George Dobbie, Glasgow. The ebony frame with ivory inserts, the center most is marked “George Dobbie, Glasgow”. Has brass arm and lens in its original case. The first of two labels reads “W. E. Hadlock & Co. Chronometer and Watch Makers, Boston”; the second is for “S. Thaxter & Son, Dealers in Instruments, State Street, Boston”. The original Mahogany case with hinged lid does have a repair to the corner of the lid. Sextant measures 12” x 9-1/2”. Case is 4” x 12-1/2” x 11-1/2”. Both are in very good condition and appear operational. All lenses are intact but fogged. From the Ray Bentley Collection. Largest Box: 11” x 12” . 400 - 600

www.MorphyAuctions.com | August 29, 2018

LOT - 173

LOT - 174 173 - FINE COLLECTION OF 26 PIECES OF BENNINGTON & ROCKINGHAMWARE. Though none of these pieces are marked “Bennington”, many can be ascribed to the factory such as the covered pipkin is photographed on page 104 of “Bennington Pottery and Porcelain” By Barrett and the covered tobacco jar is pictured on page 95. The lot consists of a 10-1/2” tall tulip form vase, 8-1/2” and 8” candlesticks, 7” covered tobacco jar, 7-1/2” covered pipkin, two 5-1/2” tall cow creamers, 5-1/2” bear bank, 4” tall chicken on basket bank, 2-1/2” tall pedestaled soap dish, 9” diameter bundt cake mold, 10” tall hexagonal pitcher, 8” planter, 6” diameter soap dish, 5” tall pitcher, three 10-1/4” diameter plates, three 9” diameter plates, 12-1/2” diameter milk pan, 9” diameter milk pan, 8-1/2” diameter bowl, 6-1/2” long cut corner dish, and a 7” round covered serving dish. Most are in very good condition. The pipkin has hairlines to the base. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Largest: 12 -1/2” x 4 -1/2”. (Very Good). 800 - 1,200

LOT - 175 175 - EARLY L&JG STICKLEY ONONDAGA SHOPS MORRIS CHAIR, NO. 798. Rare Early Onondaga Shops (Handcraft/L&JG Stickley) slat-sided Morris Chair No. 798 in quartersawn oak with excellent, super plush down-filled leather cushions. This chair is the earlier version of this form and is unsigned as is almost every pieces from the Onondaga Shops period. Note the beautiful curves on the back of the arms versus the straight cut angles seen on the later version (No. 498). The original drop-in rope frame is present and included. There is also a very nice custom-made leather wrapped drop-in board included for added support. Factory marked with model number in pencil. Skimmed original finish. Some scratches and wear consistent with age and use. 32”W, 36-1/2”D, 42”H. (Excellent). 3,000 - 4,500

174 - GUSTAV STICKLEY HAMMERED COPPER TRUMPET LAMP. Gustav Stickley Hammered Copper Trumpet Lamp. Rewired with period style cloth covered wire. Matching signed Hubbell “fat-boy” sockets with original acorn pulls and chains. All three sockets have been relined with new paper insulators. Original Japanese split bamboo shade with replaced fabric liner and hammered copper cap. Medium cleaned original patina. Unsigned. Shade diameter is 16”. Overall lamp height is 19”. (Very Good - Excellent). 3,000 - 4,000 76

www.MorphyAuctions.com | August 29, 2018

LOT - 176

176 - RARE GUSTAV STICKLEY HEXAGONAL LEATHER TOP LIBRARY TABLE, NO. 625. Rare & Important Gustav Stickley Hexagonal Leather Top Library Table, Model No. 625, (later model No. 410-L) in quarter sawn oak with fine original finish and original leather top with all of its original tacks in place. Early form with hexagonal top over arched aprons. Mortise and tenon construction with keyed through tenons, stacked trumpet stretchers notched with a central faceted peg and gently tapered feet. Signed with early “Eastwood” paper label underneath of “Grand Rapids Furniture Co. New York” retailer’s label. Circa 1905, Eastwood, NY. Original leather top is distressed from age and use with lifting and cracking. Original finish has some light scratches and wear consistent with age and use. 30.25”H 48”W side to side, 55”W point to point. Provenance: Michael Carey Gallery, SoHo, NYC (Very Good). 10,000 - 15,000

www.MorphyAuctions.com | August 29, 2018

LOT - 177

LOT - 178

177 - L&JG STICKLEY EVEN-ARM SETTLE, NO. 222. L&JG Stickley Even-Arm crib settle in quartersawn oak. Pinned mortise and tenon construction with splined posts. Refinished. Unsigned but factory marked model number “222” in pencil. Nice older replaced leather over original drop-in spring cushion with three matching throw pillows. Nice even wear to the leather. Some scratches and wear consistent with age and use. Dimensions: 76”W, 31”D, 39.25”H. (Very Good-Excellent). 4,000 - 6,000 78

178 - RARE 8 LEG ARTS & CRAFTS MISSION EVEN-ARM SETTLE IN FUMED OAK. Rare Eight (8) Leg Arts & Crafts Mission Even-Arm Settle in quartersawn oak with original dark “Onondaga” fumed finish. Unsigned. Original cushions with original and intact William Morris style upholstery underneath new custom made fitted covers. Some scratches, marks and wear consistent with age and use. 72”W, 31”D, 36”H. (Very Good). 3,000 - 4,500

www.MorphyAuctions.com | August 29, 2018

LOT - 179

179 - SET OF FOUR L&JG STICKLEY HIP-RAIL DINING CHAIRS, NO. 424. Set of Four L&JG Stickley Hip-Rail Dining Chairs in quartersawn oak, model No. 424. Pinned mortise and tenon construction with arched stretchers and original drop-in spring cushion seats. New replaced leather. Original finish. Chairs are structurally very sound and have no looseness. All four are signed with “Work of L&JG Stickley” mark. Some scratches and wear consistent with age and use. 19.5”W, 18.5”D, 36”H. 19.5”W, 18.5”D, 36”H. (Excellent). 2,000 - 3,000 180 - SET OF SIX STICKLEY BROTHERS HEART CUTOUT CHAIRS, NO. 612 1/2. Set of Six Stickley Brothers Heart Cutout Chairs in mahogany with splined and carved seats, Model No. 612-1/2. Each signed under seat with metal tag marked “Quaint Furniture, Stickley Bros. Co., Grand Rapids, Mich.” and stenciled model number. Original finish with some scratches, marks and wear consistent with age and use. 16”W, 16”D, 38”H. (Very Good). 1,600 - 2,400

LOT - 180

181 - RARE GUSTAV STICKLEY SPINDLE SIDED LIBRARY TABLE/PARTNERS DESK. Rare & Uncatalogued Gustav Stickley Spindle Sided Arts & Crafts Library Table/Partners Desk with book shelves in quartersawn oak. Original finish and hammered copper hardware. Signed inside drawer with red “Stickley” joiners compass decal. Excellent pinned, mortise and tenon construction with tongue and groove top and subtle pyramid posts. Slight cupping to top from front to back. 2” chip to bottom of front left leg. Some scratches, marks and wear consistent with age and use. 40”W, 28”D, 29”H. (Good-Very Good). 1,600 - 2,400

LOT - 181

www.MorphyAuctions.com | August 29, 2018

LOT - 183

LOT - 182

LOT - 184 182 - JM YOUNG SLAT SIDED MORRIS CHAIR, NO. 471. JM Young, Camden, New York. Arts & Crafts Morris Chair, Model No. 471, in quartersawn oak with original drop-in spring cushion seat and back cushion, both with beautifully replaced leather. Adjustable back bar appears to be original to the chair. Original finish under old reddish overcoat. Great honest wear to arms. Excellent pinned, mortise and tenon construction with 5 slats and 2 corbels under each arm. Signed with “J.M. Young & Sons” white rectangular paper label. Some scratches, marks and wear consistent with age and use. 29-1/2” W, 35-1/2” D, 38-1/2” H. (Very Good). 1,200 - 1,800 183 - RARE LIFETIME FURNITURE CO. BUFFET SERVER, VARIANT, NO. 5160. Rare Lifetime Furniture Co., Grand Rapids, Mich., Arts & Crafts Buffet/ Server in quartersawn oak, Unique variant of Model No. 5160. Excellent pinned mortise and tenon construction with lower shelf, plate rack, and through tenons. The arched stretchers under the drawer and the lower side stretchers along with the hardware make this piece very desirable, and possibly one of a kind. These design features are not present on the cataloged version of the same model number. The hardware on this server retains their original patina, and are uniquely mounted over vertical inlays of quartersawn oak. Original finish. Signed inside drawer with “Lifetime Furniture” decal, and again on back with original “Lifetime Furniture” paper label marked with “Suite No. 5160”. Structurally sound, solid and sturdy. Some scratches, marks and wear to top consistent with age and use. 32” x 32” x 29”. (Very Good). 1,000 - 1,500 80

LOT - 185 184 - STICKLEY-AUDI PRAIRIE OAK LOVESEAT, NO. 89-210. Stickley by Audi Prairie Loveseat in solid quartersawn oak with distressed leather, No. 89-210. The Prairie Loveseat embodies Mission sensibilities at its finest. Book matched panels, corbels, and two 20” throw pillows complete the look. Signed with branded Stickley mark and metal tag. Some scratches, wear and fading consistent with age and use. 67-1/2”W, 37-1/2”D, 29”H (Good-Very Good). 1,000 - 1,500 185 - GUSTAV STICKLEY HAMMERED COPPER LAMP, NO. 50. Gustav Stickley Hammered Copper Lamp, Model No. 50. Signed “Als Ik Kan” with impressed joiners compass mark. Rewired with period style cloth covered wire. Matching period “fat-boy” sockets with original pull chains. Both sockets relined with new paper insulators. Original Japanese split bamboo shade with replaced silk liner and hammered copper vent cap. Medium to dark cleaned original patina. Shade diameter is 18”. Overall lamp height is 24”. Shade diameter is 18”. Overall lamp height is 24”. (Very Good-Excellent). 4,000 - 6,000

www.MorphyAuctions.com | August 29, 2018

LOT - 186

LOT - 187

LOT - 189 186 - STICKLEY BROTHERS 40” ROUND LAMP TABLE, NO. 130. Stickley Brothers 40” Round Arts & Crafts Lamp Table in quartersawn oak, Model No. 103, with a splined top and arched stacked stretchers. Excellent mortise and tenon construction with original finish. Signed under top with metal tag marked “Quaint Furniture, Stickley Bros. Co., Grand Rapids, Mich.”. Some scratches, and wear consistent with age and use. 40”W, 40”D, 29”H. (Very Good). 1,000 - 1,500 187 - GUSTAV STICKLEY UMBRELLA STAND WITH ORIGINAL COPPER DRIP PAN, NO.55. Gustav Stickley Pencil-Post Large Umbrella Stand with Original Copper Drip Pan in quartersawn oak, Model No. 55. These rarely surface with the original copper drip pan. Signed on bottom with brown paper “Craftsman” label. Circa 1907. Original finish. Some scratches, marks and wear consistent with age and use. 21”W, 11-1/2”D, 33-1/2”H (Very Good). 800 - 1,200 188 - RARE STICKLEY BROTHERS OVAL OCCASIONAL TABLE, NO. 2641. Rare & Uncatalogued Stickley Brothers Oval Occasional Table, No. 2641, in quartersawn oak. Excellent construction with splined top over shoe-footed carved legs. Original finish. Evidence of faded varnished stencil number under stretcher between arched shoe feet. Factory marked model number under top. Slight looseness, but structurally sound. Some scratches, marks and wear consistent with age and use. 24”W, 16-1/4”D, 26”H (Very Good). 800 - 1,200

LOT - 188

LOT - 190 189 - CHARLES P. LIMBERT LAMP TABLE WITH SHELF, NO. 1138. Charles P. Limbert Furniture Co., Grand Rapids Michigan, circa 1910, Arts & Crafts Lamp Table in quartersawn Oak, Model No. 1138 with splined top and lower shelf over arched crossed stretchers. Splayed leg design. Signed under lower shelf with branded Limberts mark and stenciled model number. Nicely refinished. Slight looseness, but structurally sound. Some scratches and wear consistent with age and use. 30”W, 30”D, 29”H. (Very Good-Excellent). 800 - 1,200 190 - STICKLEY-AUDI PRAIRIE OAK CHAIR, NO 89-416. Stickley by Audi Prairie Chair in solid quartersawn oak and distressed leather, No. 89-416. A deceptively comfortable chair, the Prairie Chair is part of the original April 1989 reissued Mission Collection and features book matched side and back panels and elongated corbels. Original designed by L&JG Stickley. Signed with branded Stickley mark and metal tag. Some scratches, wear and fading consistent with age and use. 42-1/2”W, 37-1/2”D, 29”H. (Good-Very Good). 800 - 1,200

www.MorphyAuctions.com | August 29, 2018

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 191

LOT - 192

LOT - 193

LOT - 194

191 - HARDEN (ATTR.) ARTS & CRAFTS DROP-ARM SETTLE/BENCH. Harden Furniture Co., (Attribution) Arts & Crafts Mission Drop-Arm Settle/Bench in quartersawn oak. Circa 1910. Original finish. Great form and design with slats and corbel under each arm. Unsigned. Original drop-in spring cushion seat with nicely replaced vinyl. Some scratches, marks and wear consistent with age and use. 60”W, 24”D, 38.5”H. (Very Good). 600 - 900

193 - STICKLEY BROTHERS 40” SQUARE LAMP/BREAKFAST TABLE. Stickley Brothers Arts & Crafts Square Lamp/Breakfast Table in quartersawn oak. Excellent mortise and tenon construction with splined top, crossed stretchers and through tenons. Nicely refinished. Signed under top with metal tag marked “Quaint Furniture, Stickley Bros. Co., Grand Rapids, Mich.”. Some light scratches and wear consistent with age and use. 40”W, 40”D, 29-1/2”H. (Very Good). 800 - 1,200

192 - STICKLEY BROTHERS ARTS & CRAFTS HEXAGONAL TABLE, NO 2692. Stickley Brothers, Grand Rapids, Mich., Arts & Crafts Hexagonal-Top Table, Model No. 2692, in quarter sawn oak. Excellent pinned, mortise and tenon construction with splined top, crossed stretchers, tapered feet and through tenons. Unsigned but pictured in Stickley Brother’s 1908 catalog. Refinished with some scratches and wear consistent with age and use. 48”W, 41-1/2”D, 30”H. (Very Good). 800 - 1,200

194 - LOT OF 2: PAIR, GUSTAV STICKLEY FOR TOBEY ARTS & CRAFTS TABORETS. Lot of 2: Matched pair of Arts & Crafts Square Taborets in quartersawn oak, designed by Gustav Stickley for The Tobey Furniture Company. One is marked with stenciled model number “127” under top, while the other appears to be unmarked. Pair nicely refinished with an old repair to one top. Pictured in Tobey’s 1901 “New Furniture” catalog as model number 3127 on page 15. 14”W, 14”D, 18”H. (Very Good). 800 - 1,200 195 - CHARLES P. LIMBERT EARLY SPADE CUTOUT HALL CHAIR, NO. 80. Charles P. Limbert Furniture Co., Grand Rapids Michigan. Early Arts & Crafts Spade Cutout Hall Chair, Model No. 80, in solid ash with original faded green finish. Factory marked on the underside with the number “80”. Circa 1905. Typical splits to wood at each cutout. Seat has an old repair present. Both through tenon keys are original and present. Some looseness, but structurally sound. Some scratches, marks and wear consistent with age and use. 18”W, 21”D, 38”H. (Good-Very Good). 800 - 1,200

www.MorphyAuctions.com | August 29, 2018

LOT - 195

LOT - 196

LOT - 197 196 - LOT OF 2: L&JG STICKLEY LIBRARY TABLE WITH DESK CHAIR, NO. 520. Lot of 2: L&JG Stickley, Fayetteville, New York., Arts & Crafts Library Table/Desk, Model No. 520, in quartersawn oak with L&JG Stickley desk chair. Great size and design with long corbels, and a single drawer over a lower shelf. Excellent pinned, mortise and tenon construction with splined top and through tenons. Desk is refinished with original hardware, and signed inside drawer with “Work of L&JG Stickley” decal. Chair has original finished, nicely replaced vinyl and is signed with “Work of L&JG Stickley” metal tag. Structurally sound, solid and sturdy. Partially visible drilled holes to drawer face behind ends of each pull. The hardware was changed at some point in the past, but the original pulls and screws were kept and have been put back on. Some scratches and wear consistent with age and use. Chair dimensions: 16.75”W, 15.75”D, 35”H. Desk dimensions: 36”W, 24”D, 29”H. (Very Good). 800 - 1,200 197 - LOT OF 2: STICKLEY BROTHERS POST CARD DESK WITH CHAIR, NO. 6836. Lot of 2: Stickley Brothers, Grand Rapids, Mich., Arts & Crafts Mission Post Card Desk, Model No. 6836, in quartersawn oak with Stickley Brothers heart cutout chair, model no. 841 1/2. Great size and design with a single drawer, slat sides and two post card racks flanking a central pen tray. Excellent construction with original finish and hardware. Chair also has original finish with replaced red vinyl. Each marked with stenciled model numbers. Desk marked “6836”. Chair marked “841 1/2”. Structurally sound, solid and sturdy. Small screw holes to slat on left side, under top most likely from an old pencil sharpener. Some scratches and wear consistent with age and use. Chair dimensions: 16.5”W, 15”D, 29”H. Desk dimensions: 34”W, 21.5”D, 34”H. (Very Good). 800 - 1,200

www.MorphyAuctions.com | August 29, 2018

LOT - 198 198 - L&JG STICKLEY (ATTR.) LARGE SLAT SIDED ROCKER, L&JG Stickley (Attribution) Large Slat Sided Rocker in quartersawn oak. Excellent pinned, mortise and tenon construction with arched stretchers, corbels and 5 slats under each arm. Skimmed original finish. Replaced black leather cushions. Unsigned. 30”W, 28-3/4”D, 36-1/2”H. (Very Good). 800 - 1,200

199 - LOT OF 2: PAIR OF EARLY GUSTAV STICKLEY HIP-RAIL ROCKERS, NO. 303. Lot of 2: Pair of Early Gustav Stickley Arts & Crafts Ladder-Back Rockers in quartersawn oak, Model No. 304. Hip-rail design with drop-in leather cushions supported by rope foundations. Beautifully constructed with excellent original finish. Both signed with red joiners compass mark in box, Circa 1902. 19”W, 17”D, 33”H. (Very GoodExcellent). 800 - 1,200

LOT - 199

LOT - 200

LOT - 201

200 - STICKLEY BROTHERS 30” ROUND LAMP TABLE, NO. 2508. Stickley Brothers, Grand Rapids, Mich., 30” Round Arts & Crafts Lamp Table in quartersawn oak, Model No. 2508. Excellent pinned mortise and tenon construction with lower shelf over crossed arched stretchers with through tenons and a splined top. Marked with stenciled model numbered “2508”. Very nicely refinished. Some scratches and wear consistent with age and use. 30”W, 30”D, 29-3/4”H. (Excellent). 600 - 900

202 - JM YOUNG HUMPBACK ARMCHAIR, NO. 370. JM Young, Camden, New York. Arts & Crafts Hump-back Armchair, Model No. 370, in quartersawn oak with original finish and original drop-in spring cushion seat with nicely replaced leather. Excellent pinned, mortise and tenon construction with a corbel under each arm. Signed with “J.M. Young’s Sons” black oval paper label. Seat height is 19.5”. 28”W, 25”D, 39-1/4”H. (Very Good-Excellent). 600 - 900

201 - STICKLEY BROTHERS TAPERED MAGAZINE STAND, NO. 4743. Stickley Brothers, Grand Rapids, Mich., Arts & Crafts Tapered Magazine Stand, Model No. 4743, in quartersawn oak with 5 splined shelves fixed between flared slat sides. Over-coated original finish with small nail holes to sides at each shelf. The small nails were added sometime in the past, and have all been removed. The stand has been properly re-glued, and is solid, sturdy and structurally sound. Evidence of faded varnished stencil number under base. Some scratches, marks and wear consistent with age and use. Beautiful iconic form and design. 14”W, 13-3/4”D, 42”H. (Good-Very Good). 600 - 900 84

LOT - 202

www.MorphyAuctions.com | August 29, 2018

LOT - 203

LOT - 204

203 - SET OF FOUR STICKLEY BROTHERS HEART CUTOUT CHAIRS, NO. 841 1/2. Set of Four Stickley Brothers Heart Cutout Chairs, Model No. 841-1/2, in quartersawn oak. Each marked under seat with stenciled model number. Refinished with recovered seats in green vinyl. Some scratches and wear consistent with age and use. One chair is approximately 1” shorter than the others. Each: 16-1/2”W, 15”D, 28-1/2”H (Good-Very Good). 600 - 900

LOT - 205

205 - JM YOUNG HUMPBACK ARMCHAIR ROCKER, NO. 368. JM Young, Camden, New York. Arts & Crafts Hump-back Armchair Rocker, Model No. 368, in quartersawn oak with original finish and original drop-in spring cushion seat with original oil cloth/leatherette. There is a visible tear to the front corner of seat. Excellent pinned, mortise and tenon construction with a corbel under each arm. Signed with “J.M. Young & Sons” white rectangular paper label. Seat height is 17”. 27-1/2”W, 22”D, 35”H. (Very Good). 600 - 900

204 - IMPERIAL FURNITURE CO. TRESTLE TABLE, NO. 1044. Imperial Furniture Co., Grand Rapids Michigan, Arts & Crafts Trestle Table in quartersawn oak, Model No. 1044. Signed and marked with Imperial shield and crown decal, and stenciled model number. Original finish with some scratches, stains and wear consistent with age and use. 48”W, 24”D, 29-1/4”H (Very Good). 600 - 900

www.MorphyAuctions.com | August 29, 2018

LOT - 207

LOT - 206

LOT - 208 206 - LOT (2) HEYWOOD WAKEFIELD BILLIARDS CHAIR WITH BRUNSWICK RACK. Lot (2) Arts & Crafts, Mission Billiards room items in quartersawn oak. One (1) Heywood Wakefield Billiards Chair, signed under seat with paper label. Original finish with some scratches, wear and looseness consistent with age and use. One (1) Brunswick Blake-Collender Co. Billiards Cue Rack, signed with decal. Overcoated original finish with some stains, scratches and marks consistent with age and use. Rack dimensions: 32-1/2”W, 3-1/4”D, 56”H. Chair dimensions: 27-1/2”W, 25-1/4”D, 44-3/4”H (Very Good). 600 - 900

207 - EARLY GUSTAV STICKLEY COTTAGE SEAT, NO. 718. Early Gustav Stickley Cottage Seat No. 718 in oak with black finish and William Morris style upholstery. Unsigned, pictured in Gustav Stickley’s Catalog No. 1 “New Furniture”, circa 1900. Some scratches and wear consistent with age and use. 18-3/4”W, 18-3/4”D, 17-1/2”H. (Good - Very Good). 600 - 900 208 - LOT OF 3: GUNLOCKE CHAIR CO. 3 PIECE MISSION OAK PARLOR SET. Lot includes: W.H. Gunlocke Chair Co., Wayland New York, circa 1910 Arts & Crafts three piece Mission Parlor Set in quartersawn oak. The set consists of a matching armchair, rocker and bench all with slats under each arm, and original drop-in spring seat cushions. The set retains its original oil-cloth upholstery. Old dark overcoat applied over original finish with years of honest wear to tops of arms. Each signed with partial paper label to underside. Structurally sound, sturdy and solid with scratches and wear consistent with age and use. Original upholstery is worn with flaking and looses. Armchair: 28”W, 21”D, 39”H. Rocker: 28”W, 21”D, 37”H. Bench: 57”W, 23”D, 39”H. (Good-Very Good). 600 - 900

www.MorphyAuctions.com | August 29, 2018

LOT - 209

LOT - 210

LOT - 212

LOT - 211

209 - GUSTAV STICKLEY ARTS & CRAFTS TABORET, NO. 601. Gustav Stickley Arts & Crafts Taboret, Model No. 601, in solid mahogany. Circular top over arched crossed stretchers. Original dark finish with great patina and crazing throughout. Top cleaned. Signed with red “Stickley” joiners compass decal. Some scratches and wear consistent with age and use. 14”W, 14”D, 16”H. (Very Good). 600 - 900

211 - EARLY GUSTAV STICKLEY HIP-RAIL HALL CHAIR, NO. 304. Early Gustav Stickley Arts & Crafts Ladder-Back Hall Chair with Arched Stretchers, Model No. 304. Hip-rail design with a drop-in leather cushion supported by a rope foundation. Beautifully constructed with excellent original finish. Signed with red joiners compass mark in box, Circa 1902. 19”W, 17”D, 37”H. (Very Good - Excellent). 600 - 900

210 - LOT OF 5: MISSION OAK GAME TABLE WITH FOUR NESTING CHAIRS. Lot Of 5: Mission Oak Art & Crafts Gaming Card Table in quartersawn oak with four (4) nesting chairs and lower shelf over arched crossed stretchers. Original finish. Factory marked with model number under top. Table is structurally sound and sturdy. Chairs have some looseness. Some scratches, re-glueing and wear consistent with age and use. Chip to one leg of table. Chair dimensions: 20-1/2”W, 16”D, 29”H. Table dimensions: 38-1/2”W, 38-1/2”D, 30”H. (Good-Very Good). 600 - 900

212 - SHOP OF THE CRAFTERS (ATTR.) DIMINUTIVE BOOKCASE. Shop Of The Crafters (Attribution) Diminutive Arts & Crafts Two-Door Bookcase in quartersawn oak with three fixed shelves. Great form and design with arched stretcher. Top panels have original “stained glass” inserts sandwiched between two glass panes. Unsigned. Overcoated original finish. Some scratches, marks and wear consistent with age and use. Keys not present. 23”W, 9-1/2”D, 37”H. (Good-Very Good). 600 - 900

www.MorphyAuctions.com | August 29, 2018

LOT - 213

LOT - 214

LOT - 215

LOT - 216 213 - GUSTAV STICKLEY PENCIL-POST UMBRELLA STAND, NO.54. Gustav Stickley Pencil-Post Large Umbrella Stand, Model No. 54, in quartersawn oak. Signed on side with small red joiners compass decal with “Als Ik Kan” motto above “Stickley” in script. Circa 1904. Dark fuming over original finish with some scratches, marks and wear consistent with age and use. 11-1/2” W, 11-1/2” D, 33-1/2” H. (Very Good). 400 - 600 214 - STICKLEY BROTHERS 26” ROUND LAMP TABLE, NO. 2504. Stickley Brothers 26” Round Lamp Table in quartersawn oak, Model No. 2504, with through tenons, splined top and lower shelf over crossed stretchers. Excellent pinned mortise and tenon construction. Marked with stenciled model numbered “2504”. Refinished with traces of green paint under top. Slight looseness but structurally sound. Some scratches, marks and wear consistent with age and use. 26”W, 26”D, 29-1/2”H. (Good-Very Good). 400 - 600 215 - LIFETIME FURNITURE CO. ARTS & CRAFTS FOOTSTOOL, NO. 400. Lifetime Furniture Co. Arts & Crafts Footstool, Model No. 400, in quartersawn oak with drop-in leather cushion. Great form and design with subtle arches to top rails. Signed underneath with “Lifetime Furniture” paper label. Original finish with nicely replaced leather. Some scratches, marks and wear consistent with age and use. Slight looseness, but structurally sound. 16-1/2”W, 16-1/2”D, 16”H. (Very Good). 400 - 600 88

LOT - 217 216 - LOT (2) MICHIGAN CHAIR CO. BERNARD MAYBECK DESIGNED CHAIRS. Lot of two (2) Michigan Chair Co., Arts & Crafts chairs with twisted rope/rush seats and mackmurdo feet. One armchair with one side chair. Originally designed by Bernard Maybeck. Unsigned. Overcoated original finish. Some scratches, marks and wear consistent with age and use. Side chair dimensions: 18”W, 17-3/4”D, 36”H. Armchair dimensions: 24-1/2”W, 23-1/4”D, 40”H. (Good-Very Good). 400 - 600 217 - GUSTAV STICKLEY HIP-RAIL ROCKER, NO. 327. Gustav Stickley Arts & Crafts Sewing Rocker in quartersawn oak, Model No. 327. Hip-rail design with drop-in leather cushion supported by a rope foundation. Pinned, mortise and tenon construction. Refinished. Unsigned. Some scratches and wear from age and use. (Good-Very Good). 400 - 600

www.MorphyAuctions.com | August 29, 2018

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 219

LOT - 218

218 - ARTS & CRAFTS SINGLE DOOR OAK BOOKCASE. First quarter of the 20th century, Michigan, with the label of “Arts and Crafts/Grand Rapids, Michin” Furniture Company. The quarter sawn case with three quarter gallery is fitted with a single door, having two rows of five glass panes and opening to an interior fitted with four adjustable shelves. The whole is raised on arched supports. Case retains original surfaces, door and case corners now with flat stabilizing brackets, good overall. From the Ray Bentley Collection. 56 -1/2” x 28” x 13 -1/2”. 300 - 500 219 - LIFETIME FURNITURE CO. 32” ROUND LAMP TABLE, NO. 906. Lifetime Furniture Co., circa 1911, Round Arts and Crafts Library/Lamp Table in quartersawn oak, Model No. 906, with tongue and groove top and lower shelf over arched crossed stretchers. Excellent pinned mortise and tenon construction with original finish. Signed and numbered under lower shelf with original “Lifetime Furniture Grand Rapids Bookcase & Chair Co., Hastings, Mich.” paper label. Structurally sound, solid and sturdy. Some scratches, marks and wear to top and shelf consistent with age and use. Lower shelf is 18”W, 18”D. Table dimensions: 32”W x 32”D x 29”H. 32”W x 32”D x 29”H. (Good-Very Good). 800 - 1,200

LOT - 220

220 - WM. RITTER & BROS. ARTS & CRAFTS LIBRARY TABLE/DESK. William Ritter & Brothers, Philadelphia, Pa., circa 1912, Arts and Crafts Mission Library Table/Desk in quartersawn oak. Beautifully designed with bold arches, slat sides and two drawers over a lower shelf. Excellent construction with original finish and hardware. Signed with partial paper label. Structurally sound, solid and sturdy. Some scratches, wear and stains to top consistent with age and use. Some paint transfer present on front edge and right leg. 42”W x 26”D x 30”H. (Good - Very Good). 600 - 900

www.MorphyAuctions.com | August 29, 2018

221 - PAPIER MACHE TRAY TABLE ON CUSTOM BASE. Third quarter 19th century. The large kidney shaped tray with gilt decoration and mother of pearl inlays around the border, fitted to a custom bench made stand with simulated bamboo legs and cross stretcher. With wear to surface of the tray and chips along the edge, dry crusty finish with craquelure. Base is in fine condition. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. 32 - 1/2” x 25” x 18”. 200 - 400

LOT - 221

LOT - 222

LOT - 223

LOT - 224

www.MorphyAuctions.com | August 29, 2018

222 - EARLY AMERICAN LADDER BACK HIGHCHAIR. Last quarter 18th century, New England. The back with three curved horizontal slats joined to cylindrical turned styles with mushroom finials joined to horizontal cylindrical arms raised on sausage turned frontal legs with turned knob hand grips centering a woven rope seat. The legs joined by double box stretcher. Loss to top most back slat, seat a latter replacement, one leg broken and reattached at seat rail, colors blended and tone. Old insect damage, now inactive, also filled and toned. Chair now exhibits a dark patina throughout. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. 22” x 27 - 1/2”. 700 - 900 223 - LOUIS XVI STYLE CARVED FRUITWOOD COMMODE. Late 18th century, France. The rectangular top with canted corners above the conforming case of two long drawers. each carved with bow-tied foliet swags and leafy branches centering around escheon with geometric molded borders. The drawers flanked by stop fluted carved pilasters continuing to tapered feet. The apron carved with a classical urn flanked by leafy vine tendrils. The case sides with raised chamfered panels. Commode with original brasses, top with old seam split, mellow patina and honey brown color, overall good. 35” x 49” x 23”. 1,000 - 1,500 224 - FEDERAL INLAID MAHOGANY HUNT BOARD. First quarter 19th century, Mid-Atlantic region. The rectangular top with applied molded edge above the conforming case, fitted with an arrangement of three aligned drawers over a pair of recessed central cupboard doors, flanked by additional doors, all with contrasting string inlay. The whole is raised on square tapered legs. Top has repairs to shrinkage cracks with stabilizing strips to the underside of top, proper right of top with spliced corner restoration, small molding losses to the proper left front corner, brasses are Victorian replacements. The hunt board with good color and some patina, overall good condition. Provenance: From a private New England collection. 37-1/2” x 65” x 23”. 2,000 - 3,000

LOT - 225

LOT - 226

LOT - 227

225 - FINE CLASSICAL STENCIL-DECORATED MAHOGANY GAMES TABLE. First quarter 19th century, probably Philadelphia. The hinged De-Form top turning on the conforming apron, stencil decorated in the center, raised on columnar supports centering a mirror plate within a molded surround. Joined to four down swept legs terminated in ram’s head cast-brass casters. Table retains original surface with fine patina, no restoration or significant damages noted. From the private collection of Dorothy Merle-Smith Pyle and David Hunter McAlpin Pyle of “Hunting Hollow Farm,” Dix Hills, NY. Dorothy Pyle was also known as one of the “Galloping Grandmas” of the Essex Fox Hounds circa 1949. By descent through the family to the present owner. 30” x 37” x 18-1/2”. 1,200 - 1,800

226 - FINE PAIR OF ROCOCO STYLE CARVED MAHOGANY ARMCHAIRS. 19th century, American, probably Boston. Each chair has arched foliate carved C scrolls above the pierced panel back, profusely carved in deep relief with scrolling vinery, centering a large flower head. The back is joined to blocked, ring-turned foliate-carved stiles capped by acanthus carved finials. The down-swept arms with molded scrolled grips, raised on turned, acanthus-carved supports. The seat is raised on similarly carved legs joined by a box stretcher. One chair with losses and abrasion to both hand grips, resulting from a pet dog chewing on the hand grips. Chairs otherwise with original surface and rich undisturbed patina, very good condition. Size: 58” tall, 25” wide, 26” deep. Height of seat: 20”. Provenance: Private collection. Each: 58” x 27” x 26 -1/4”. (Very Good). 800 - 1,200 227 - SET OF 6: SHERATON STYLE FRUITWOOD ARMCHAIRS. Late 19th to early 20th century, American. Each chair with horizontal crest above a foliate scrolling rectangular panel carved in deep relief, joined to square styles with back-swept ears continuing to back-swept rear legs. The down-swept arms continuing to cylindrical fluted ring-turned supports, centering a trapezoidal caned seat with fluted seat rails. The frontal legs swelled, reeded, and ring-turned taper to pointed feet. The chairs of pegged construction throughout. Chairs now have custom C cushions fitted to each. Chairs have been professionally restored and polished, seats recently re-caned, some looseness to joints of chairs. Overall: 35” tall x 23” wide. Seat height: 17”. Provenance: From a private New England collection. 35” x 23”. (Good - Very Good). 600 - 800

www.MorphyAuctions.com | August 29, 2018

228 - GEORGIAN TWO PART MAHOGANY PEDESTAL DINING TABLE WITH LEAF. Late 18th century, England. In two parts, each section with D-form single board hinged top, original brass latch, joined to a ring-turned pedestal raised on four down-swept reeded molded legs, terminating in original brass-capped casters. Accompanied by four brass fasteners. Table is structurally sound, early strapping on underside of each pedestal, stable legs have no restoration or repair. Table has been clean and polished in the past but retains good mellow color and patina. Size: 28 - 1/2” tall, 47” wide, 53 - 1/2” long. Leaf: 23 - 1/4” wide. Overall length open: 76 3/4”. Provenance: From a private New England collection. 28-1/2” x 47” x 53-1/4”. (Very Good). 2,000 - 3,000

LOT - 228

229 - GEORGIAN WALNUT OYSTER VENEER CANDLESTAND, THREE ANTIQUE MIRRORS & TWO PRIMITIVE THREE - LEGGED STOOLS. 1) Second half 18th century England. The circular top with an arrangement of walnut oyster veneers and contrasting string inlaid borders on a pine foundation raised on a baluster turned, tripod cabriole leg base terminating in snake feet. Pedestal base in dark black varnish. 27” high x 20-1/2” in diameter. The candlestand with old, if not original, surface and age darkened nearly to umber. There is restoration and reattachment of legs at the base, edge of top probably trimmed. 2) Period Chippendale mirror having a curved top and bottom, original plate. 27” high x 17-1/4” wide. Repairs to crest, some cracking, otherwise good. 3) A Sheraton period split column LOT - 229 grain painted picture mirror, having a connected colonial house amongst the trees. Original plate. 25” high x 32” wide. Some speck losses to picture, mirror has lost some back silver, otherwise generally good. 4) Birds-eye maple mirror with nice figuring. 19-3/4” high x 17” wide. Very good, replaced mirror plate. 5) 18th/19th century, a round turned hardwood example with incised decoration raised on three cylindrical splayed ring-turned oak legs. 12” high x 12-1/2” in diameter. Well-worn with good patina. 6) 18th/19th century, fashioned from a plank segment of nice form with gnarled knots and polished surface showing in-use wear from edged tool, raised on three splayed legs formed from tree branches. 14” high x 18-1/2” wide x 14-1/2” deep. Well-worn with good patina. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Largest: 13 -1/2” x 19”. 700 - 900

www.MorphyAuctions.com | August 29, 2018

LOT - 230

230 - PAIR OF GEORGE II STYLE EAGLE CONSOLE TABLES. Late 20th century, in the manner of William Kent with plaque of Theodore Alexander, furniture design, American. Each with simulated grain top above a displayed eagle support on rockwork joined to a rectangular base. Each of molded resin simulating burl walnut. With rim chips on top and on the eagle wings, normal and expected abrasions, structurally good. Each: 39” x 16 -1/2” x 49”. 1,200 - 1,800 231 - FINE GEORGE III INLAID MAHOGANY BUTLER’S SECRETARY LINEN PRESS. Second half 18th century, England. In two parts, the upper case with dentil carved molded cornice, above a pair of cupboard doors, each with inlaid oval panels within rosewood cross-banded borders. Each door with applied molded edges opening to an interior fitted with three sliding linen storage drawers. The lower case with hinged to drawer which opens to form a tooled leather writing surface. The interior fitted with two rows of short drawers centering an inlaid prospect drawer flanked by narrow document drawers, each with inlaid vinery. All beneath a row of valanced pigeon holes. Beneath the desk are two long drawers, each with cock beaded edges. The case on a molded base, raised on strong pronounced ogee bracket feet. Very fine with strong color and rich patina, having been professionally polished and restored in 1986 at the time they were acquired by the current owner. One backboard in upper case is absent, two linen drawers in this section are also absent. 88-1/2” x 50” x 22”. 1,500 - 3,000

LOT - 231

www.MorphyAuctions.com | August 29, 2018

232 - QUEEN ANN WALNUT DROPLEAF TABLE. Second half of the 18th century, American, possibly Mid-Atlantic region. The rectangular top with curved ends has hinged Demilune leaves, projecting above the scalloped and shaped apron, and joined to tapering hinged cabriole legs with scalloped returns. Raised on pointed, ridged pad feel. Both leaves have been spliced, repaired and are with replaced strips of wood. The top has been reset and three legs have been repaired and reattached at apron. Table exhibits older cleaning and re-polishing, feet are original. Size: 27 - 1/2” tall, 39 - 1/2” long, 9” wide. Open: 39 - 1/2” x 42”. Provenance: From a private New England collection. Largest: 23 1/4” x 21 - 1/2” (Fair). 800 - 1,200

LOT - 232

233 - QUEEN ANNE CHERRY BIRDCAGE TILT TOP TEA TABLE & QUEEN ANNE CENTENNIAL WING CHAIR. 1) Second half 18th century, Southern New England. The circular top, hinged and swiveling on a birdcage joined to a ring-turned cylindrical standard raised on a tripod cabriole leg terminating in flattened paddle feet. Stabilizing brackets at underside of top have been removed. One foot broken and reattached at ankle. Second foot replaced from heel to toe. One old repair to base of pedestal at juncture to leg. Surfaces cleaned and repolished. Old insect damage, some activity possible. 2) Early 19th century England. The serpentine crest rail joined to deep ogival wings continuing to rolled arms on incurved and outscrolled supports. The frame over-upholstered in a salmon herringbone pattern. The chair raised on frontal cabriole legs with shaped returns on circular pad feet. The rear legs backswept with pointed feet. Upholstery clean and serviceable. Frame is tight. Legs with good color and patina. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. Largest: 42 -1/2” x 27” x 22 -1/2”. (Fair - Very Good). 400 - 500

LOT - 233

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SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 234

234 - IMPORTANT ARCHITECTURAL WALNUT CORNER CABINET. Late 18th century, Pennsylvania. The stepped and outset molded crest, projecting above the case with keystone molded arch above a pair of astragal glazed doors opening to an interior fitted with four shaped and scalloped edged shelves. The interior restored, now in rose pink paint. The doors are flanked by reeded pilasters with capitols, which have a pair of molded paneled doors below. This corner cabinet was restored by The Furniture Doctor Inc. of Manheim, Pennsylvania in 2017; label is affixed to the backboards. Professionally restored. Size: 8’ 10 - 1/2” tall, 76” wide overall, 52” deep along the side. 106-1/2” x 76”. (Restored. Very Good Plus). 8,000 - 12,000

LOT - 235

235 - CHINESE CHIPPENDALE-STYLE WALNUT CARD TABLE. Early 19th Century, England. The rectangular hinged top with applied half-round molding along the edge, opening and turning on the confirming base. The frontal apron applied with decoration in a Gothic geometric design, raised on square, chamfered legs. The frontal legs with C scrolled open carved returns, one rear leg hinged for support of top. When open, a drawer within the rear apron is relieved. Table retains early surface, rear fixed leg has an old break at apron needing professional restoration, rear swing leg with an old splice repair along edge, small restorations to veneers on top. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. 28-1/2” x 34-1/2” x 17-1/2”. (Fair). 800 - 1,200

www.MorphyAuctions.com | August 29, 2018

LOT - 237

LOT - 236

236 - FINE CHIPPENDALE SANTO DOMINGO MAHOGANY GENTLEMAN’S SECRETARY CHEST. Last quarter 18th century, England. The rectangular dove-tailed case with dentil molded cornice fitted with six long drawers, two of which are simulated. The later opening on hinges, to a lined writing surface. The opening fitted with an arrangement of small drawers centering a row of four stationary slots. The case with molded base raised on bracket feet with shaped returns. The chest with original pine backboards and original feet. Professionally cleaned, restored and polished, resulting in very fine condition. 62-3/4” x 34” x 20-1/2”. 2,000 - 4,000 237 - CHIPPENDALE INLAID CHERRY FOUR DRAWER CHEST. Second half 18th century, Philadelphia or Mid Atlantic Region. The rectangular top above the conforming case fitted with four graduated drawers all the string inlaid borders flanked by engaged fluted quarter columns with turned capitals and bases, raised on ogee bracket feet with scalloped returns. Damage to right upper front facing frieze. Losses to ogee feet, replace later brasses, chest with good surface but in need of professional cosmetic and structural restoration. 34” x 39” x 20 -3/4”. 1,200 - 1,800

LOT - 238

238 - OUTSTAINDING WILLIAM & MARY NECESSARY CHAIR. Circa 1710-1730, New England. Pine with original red painted surfaces. 19th century Spanish brown varnish stain overcoated. The sharply raked back with bold, high scrolled tombstone form pierced heart crest. Outward canted wings terminating in large upswept lollipop form hand grips, above the trapezoidal shaped seat with overhung front. Base sharply canted rearward, the backboard hinged, retaining its original fine iron turnbuckle. Front and sides of base with cupid’s bow scrolling. All elements original, no repairs or losses, hand cut screws and rosehead nailed joinery. Shadow evidence of early or original (probably leather) waist strap visible, inner sides of lower wings. Excellent untouched original condition, minor expected old surface wear abrasions. 30-1/2” x 12” x 13”. 1,200 - 2,400

www.MorphyAuctions.com | August 29, 2018

LOT - 239

LOT - 240

239 - EXCEPTIONAL AND RARE WILLIAM & MARY CHILD’S SLANT FRONT DESK. Circa 1710-20, probably Boston, Massachusetts. Pine with hardwood “onion” feet. Early red over original black painted surfaces. All original hardware, case drawers fitted with teardrop brasses and chased backplates. Fitted interior, case with graduated dovetailed drawers, the whole of properly proportioned child’s scale. All hardware original. Excellent untouched condition, all elements original, expected old minor use imperfections. Very few true American child’s slant front desks known to exist. Two early minor top of case repairs, one early drawer lip repair, all done prior to red paint application. Museum collection marking stamp appears on interior upper drawer. Provenance: Bequeathed to Historic Deerfield Museum, 1960 by Rowena Russell Potter (1880 - 1969), as part of Lucius D. Potter collection. Potter was a prominent cutlery manufacturer, in nearly Greenfield, Massachusetts. Decommissioned by Historic Deerfield in 2017. 27-1/2” x 23-1/2” x 14”. 8,000 - 16,000

240 - RARE DECORATED PIE SAFE FOOD CUPBOARD. Second quarter to mid 19th century, American; probably Ohio or Pennsylvania. The rectangular case with molded cornice all in original paint. The pair of raised panel top doors decorated with simulated tasseled drapery swags, opening to an interior fitted with two fixed shelves, above a pair of cupboard doors with pierced tin panels, punch decorated with conjoined sun-bursts. The case sides continuing to tapered legs with cutout apron. Structurally good, cornice with restoration, some losses to rear legs due to wear and usage. Painted surface is very good. Tin panels with normal and expected corrosion. Good normal wear around knobs and latches. Very good overall. 67” x 49-1/2” x 18”. 4,000 - 6,000

www.MorphyAuctions.com | August 29, 2018

LOT - 242

LOT - 241 LOT - 243 241 - REGENCY INLAID MAHOGANY BUTLER’S SECRETARY. In two parts having cove molded cornice above the straight frieze fitted to the upper case of astragal-glazed doors, stepped back on the lower case. Single drawer with hinged front and tooled leather writing surface fitted with arrangement of drawers and cubby holes over a pair of cupboard doors with figured Mahogany and string inlay oval panels. Raised on shaped French feet. Old polished surface with veneer shrinking, cracking and losses to the top of the lower case and shrinkage cracks to lower cupboard doors. Provenance: From a fine private Long Island, New York collection. 87” x 43” x 22” 1,500 - 2,000 98

242 - PAIR OF REGENCY STYLE GILT MIRRORS WITH WEDGWOOD JASPER PLAQUES. Late 19th century, England. Each with rectangular mirror plate with canted corners within an Acanthus leaf and beaded surround. The scrolling crest of floral sprigs centering a Jasperware oval medallion surmounted by a classical urn. The frame with pendant conforming apron with central urn. Mirrors retain original surface with original mirror plate, some minor losses to beading within the surround on each. Overall very good. Each: 52” x 25”. 1,200 - 1,800 243 - CHIPPENDALE STYLE BURL WALNUT & GILT MIRROR. 20th century, American. In the “Constitution” style, with carved swan neck pediment terminated in large flower heads, centering a spread wing Phoenix on a C scrolled parcel gilt support. The rectangular mirror plate within a egg and dart molded surround, within a geometric outer molding flanked by reticulated floral vinery fillets, above the undulating apron. Areas of gilding loss throughout, mirror plate intact, structurally good. 59” x 29-1/2”. 400 - 600

www.MorphyAuctions.com | August 29, 2018

LOT - 244

244 - LARGE NEW ENGLAND PINE CHEESE CUPBOARD. Last quarter 18th century, New Hampshire. The one piece cupboard with a pair of doors, now framing cheesecloth. The interior fitted with four fixed slatted storage shelves. The whole in original red wash with original wood latch. Structurally sound, all original with the exception of cloth in the doors. Surface with normal and expected in use wear and abrasions. Wood loss at base. Wide pine backboards are original. Note: A nearly identical example is located on the premises of Historic Deerfield, Deerfield, New Hampshire. A photo of the similar cabinet is included with this lot. 60” x 83” x 17”. 1,200 - 1,600 245 - CHIPPENDALE STYLE MAHOGANY BALL AND CLAW WINGCHAIR. Late 19th to early 20th century, American. The serpentine crest joined to ogival wings continuing to rolled arms, centering a trapezoidal seat, fitted with conforming cushion, raised on frontal, well carved cabrio legs, terminating in ball and claw feet with shaped returns. The rear legs back-swept. Retains original pale blue velvet fabric, now discolored and faded, the chair frame is structurally solid, mahogany legs with good color and patina. Provenance: By decent through the family of Major John Mead Gould. 46” x 31”. 400 - 600

LOT - 245

www.MorphyAuctions.com | August 29, 2018

LOT - 246

LOT - 248

LOT - 249

246 - EXCELLENT 18TH CENTURY PIPE TONGS. Early to mid 18th century. Forged iron. Spring leaded elliptical curved thumb grip with notch decorated end, adjoining squared then rounded long tapered ember grips and small penny ended jaws. The other arm having curved and tapered cleanout pin with elliptical handle sharply tapering to round snakey end with penny shaped tobacco tamper. Pinned spring arm with tri-leafage decorated end. Fine craftsmanship throughout, untouched age blackened surfaces, working order in very fine, untouched original condition. 19” x 7”. 1,500 - 2,500 247 - LOT OF 2: WELL-CARVED MEERSCHAUM PIPES. Late 19th century, Austria. The first is carved with a hunter with his hawk blowing his horn, fitted with original case. The second pipe, with bowl carved in deep relief of Leda and the Swan. They have undisturbed surface and mellow patina. The first is 8” long, the second is 9” long. Largest: 10” x 4 -1/4”. (Very Good). 800 - 1,000

100

LOT - 247

248 - SOLID GOLD BOX INSCRIBED TO DAVID PAUL BROWN WITH PAPERWORK. Mid 19th century, Philadelphia. The “Dictionary of National Biography” notes that David Paul Brown (1795 - 1872) of Girard St, Philadelphia was a poet and that his casual poetry sometimes appeared in the “Sunday Despatch”. Some of his dramatic works were composed in verse. The solid gold, well decorated rectangular box with hinged lid has a simulated woven central panel of zig-zag design within a border of fruit and vinery. The bottom of the box decorated with scrolling grave vines. Inside the lid is engraved in the interior of the lid “David Paul Brown/from his affectionate Brother/Robert Eden Handy”. Fine, “gentle” worn surface and very minor waviness to center panels of the box. No other issues noted, very good overall. 80.1 grams total weight. 3” x 2” x 3/4”. 2,000 - 3,000 249 - FINE DAYTON COUNTERTOP COUNTRY STORE COMPUTING SCALE. Manufactured by Computing Scale Co., Dayton, Ohio; patent date 1903 and 1906. Serial no. 331111. This fully professionally restored model in green enamel, gold leaf and polished brass. In excellent condition. From the Ray Bentley Collection. 18” x 15”. 700 - 900

www.MorphyAuctions.com | August 29, 2018

LOT - 250

250 - FINE AESTHETIC MOVEMENT WOOTON STANDARD GRADE WALNUT DESK. Second half 19th century, Wooton Patent Desk Company, Indiana. Of typical form, the gallery with carved urn finials and crenelated crest above the central panel with incised foliate carving flanked by full gallery borders. The rectangular case with hinged frontal apron above a pair of hinged cabinet doors, each with curved top and burl walnut panels, mounted on original cast-iron hinges opening to a fully fitted interior, the centermost with hinged lid over a bank of short drawers flanked by letter and document slots, all with bird’s eye maple panels. The lid hinged and opening to an additional interior fitted with a full complement of stationery compartments and an arrangement of small drawers, all with bird’s eye maple fronts. The cabinet doors with a full complement of compartments and openings on the left door facing. The right door facing with a bank of forty drawers composed of cardboard, each mounted with a brass ring pull, the drawer fronts covered with fabric and green paint. The desk raised on a trestle base. The case sides with recessed, molded panels. Desk retains original surface, professionally cleaned and polished. Surfaces with minor and minimal in-use wear. Small and light abrasions on rear panel at top and bottom. Hardware appears original. Very fine condition overall. This is not a standard shippable item and will require an oversized/breakable quote provided by Morphy Auctions. 70” x 43” x 32”. 8,000 - 12,000

www.MorphyAuctions.com | August 29, 2018

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LOT - 252

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 253 LOT - 251

LOT - 254

251 - FINE REGENCY CARVED BONE WALKING STICK. Second half 19th century, probably England. The handle profusely carved with putti and cherubs amidst scrolling and finery playing musical instruments. The grip with sea-scrolled leaf tip, joined to a tapering hard wood shaft, terminated in a brass ferule. Very good with undisturbed surface. Handle is 11” long. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. 37” L. 300 - 500 252 - EXCEPTIONAL CIVIL WAR SURGEON’S KIT. Circa 1850-1870, England. Maker’s plaque “John Weiss & Son, LTD. 287, Oxford Ste, London”. The surgical instruments arranged in fitted apertures in three removable trays. Most are impressed with the mark of the manufacturer. Some hallmarked. All fitted within the original brass bound, mahogany case. The lid retains the original inventory and illustration of the positioning of the instruments, affixed to the inside. Instruments appears intact and well maintained for the age. Case with normal and expected in use wear. Shrinkage crack in center of lid, surface as original, brass strapping, hinges and latches are operational. Very good overall. Case: 18” x 7”. 2,000 - 3,500

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253 - CARVED GRAND ARMY OF THE REPUBLIC BOWL Norm Flayderman collection, last quarter 19th century, American. This deep bowl is nicely carved with crossed sabers centering “Company D/81st New York/Calvary” flanked by a musket, shot bag, horseshoe, five pointed star, a bullet and an American flag beneath the name “D. Knight”, the opposing side carved with the date “1861” above a pair of crossed pistols above the date “65”. Also carved on that side is a pair of dice and a canteen. Well hollowed interior and a flat bottom, top and bottom adorned with five point stars and other symbols. Surface appears original, now a rich reddish brown with undisturbed patina. Exterior has been varnished at some point, no major splits or damage. Includes a LOA. 5-1/2” Dia. 250 - 500 254 - RARE VICTORIAN CAST IRON & BRASS GAMING WHEEL “DEPOSE”. The brass wheel with spokes, mimicking a ship’s wheel, turns freely on the backing. The center with a stencil painted scene of a couple seated at a table in a garden, eating and drinking. When the wheel is turned a brass ball within fall within impressions above numbers. The whole is joined to a cast iron stand decorated with grapevines, with a receptacle from which one would draw cards, “Depose” cast within the base. The base with normal and expected corrosion and rusting, the brass wheel turns freely, missing a spoke, split in the fastening apron of the wheel, old split, stabilized. Overall good condition. 7” x 5” x 13 1/4”. 400 - 600

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255 - AMERICAN BISON HIDE. Ca. 2002. Harvested from a Wyoming Hunt. American. The cured hide remains supple and soft, fur is intact with a uniform color throughout. 88” x 72”. 400 - 600 256 - PAIR OF CAST IRON HESSIAN ANDIRONS. Second half 19th century, American. This well cast, large pair with original unpainted surface, unmarked. Structurally very good, dogs intact, no repairs or restoration. Each: 18 -1/2” x 19 -1/2”. 300 - 500

LOT - 255

LOT - 256

LOT - 257

257 - EGYPTIAN MUMMIFIED CAT IN DISPLAY CASE. Late Ptolemaic period, Egypt. The small animal wrapped in appropriate material and now displayed on a museum stand with glass dome. The cat is 9” tall. In overall good condition, with normal deterioration from 2000 years of age. Note: This mummy has not be forensically tested. Almost all Egyptian gods were associated with some animal and was assumed the form of that particular beast. The main concentration of cat burials were at sights with an association of a feline deity. Cats were seen as the incarnation of Bastet, The Goddess of Music and Joy, Protector of Woman; whose cult center was at Bubastics in the Delta, but there were other feline deities elsewhere in Egypt. 1,500 - 2,500

LOT - 258

258 - EGYPTIAN MUMMIFIED HAWK IN DISPLAY CASE. Late Ptolemaic period, Egypt. The hawk wrapped in appropriate material, the face decorated with painted eyes and markings, wrappings are now age darkened to a chocolate brown color. Overall good condition. Hawk is 13” long. Note: This mummy has not be forensically tested. Almost all Egyptians gods were associated with an animal and assumed the form of that particular beast, the main concentration of burials were at sites with association to a bird like deity. These deities and accompanied centers were located throughout the Delta areas of Egypt. 1,500 - 2,500

www.MorphyAuctions.com | August 29, 2018

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LOT - 259

LOT - 260

LOT - 261

259 - CANOPIC JAR HEAD OF IMSETY WITH ENGRAVED SILVER BAND. Ancient Egypt. The lid is carved and polished stone, with a silver collar band inscribed “Head of AMSET From Canopic Jar Found in the Royal Mummy Pits DER EL BAHARI 1893”. Maker’s mark on silver band for Harry Atkin, Atkin Brothers, London, 1853-1925. Well worn but structurally sound. 2-1/2” high by 2-1/2” diameter. Box: 4 -1/2” x 4 -1/4”. 300 - 400 260 - GROUP OF 6: BEADED & MESH DRESS BAGS. Circa 1920, American. Two decorated mess exampled by Mandalian Manufacturing Co., two bags Whiting and Davis, one Christiana of floral design and another unmarked beaded bag. Each with chain strap. Conditions vary, overall good to very good with original mess and beading. Size range from 6” up to 9”. Largest: 9 -1/4” x 6 -1/4”. 800 - 1,200 261 - SCOTTISH IRON AND BRASS FLAT IRON ON ORIGINAL STAND. Mid 19th century, Scotland. This fine example of typical form. The removable top section, latching with scrolled brass lever, opening to reveal a compartment designed to house a cast iron slug of conforming shape no longer present. The iron with baluster turned mahogany handle with turned brass terminals joined S-scroll brass supports. Together with the original molded fitted brass stand raised on suppressed ball feet. Iron retains original cleaned surface with normal and expected in-use wear and minimal corrosion. Very good overall. 6-3/4” x 7-1/2” x 5-1/4”. 1,000 - 1,500

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LOT - 262

LOT - 263

262 - LOT OF 2: 17TH CENTURY PEWTER GOBLET & SILVER GOBLET. Inscribed along the bowl in what appears multiple languages and dated 1666, the goblet stem of bobbin form with central compressed ring turning and a circular stepped foot. The foot rim with three pewter touchmarks, including markers mark of WGM over a floral bouquet. Origins unknown. Generally good with in use wear and imperfections, small losses at juncture from stem to base. 7-3/4” tall x 4-1/3” diameter. The second piece with everted rim on a Rococo style acanthys carved and sea scrolled standard continuing to a molded petal base. Unmarked. Tarnished and with some pitting, base has been weighted, foot cover now absent, otherwise good. 9” tall. Provenance: From a Private collection, many which were decommissioned from The Brooklyn Museum, Brooklyn, New York in the mid 20th century. Largest: 9” tall. 2,000 - 3,000 263 - PARTIAL ILLUMINATED RENAISSANCE MUSICAL MANUSCRIPT. 18th century or earlier. The page, on parchment, picturing a baptismal scene on a field of gold leaf with Latin manuscript, now in a modern display box. Parchment is rippled and stiff, decoration is mostly intact with normal and expected losses. The center of the top of the sheet with a “V” shaped 1” tear, part of the fabric remains, lower quarter with a crease, otherwise good. 12” x 14”. Provenance: From a Private collection, many which were decommissioned from The Brooklyn Museum, Brooklyn, New York in the mid 20th century. 12” x 14”. 1,500 - 2,500

www.MorphyAuctions.com | August 29, 2018

LOT - 264

LOT - 265

LOT - 266

LOT - 268

LOT - 267

264 - CARVED FIGURE OF A MAN LEANING AGAINST A TREE. 18th century, Continental. The figure with outstretched left arm, now absent; right arm posed next to torso, also absent. Posed on a rocky terrain, mounted on a simple platform. Arms of male figure as noted, figure retains traces of old original paint, otherwise with undisturbed surface and dry and crusty patina. Offered with a Lucite display case, one panel damaged. 14” tall. Provenance: From a Private collection, many which were decommissioned from The Brooklyn Museum, Brooklyn, New York in the mid 20th century. 14” T. 1,200 - 1,800 265 - HUTSCENREUTHER PORCELAIN PORTRAIT PLAQUE OF NAPOLEON. 19th century, Austria. The plaque depicted, standing in profile in typical fashion, head inclined toward the viewer, in original gilt bronze frame with classical urn crest and with scrolling devises. The verso with the following “7071 Napoleon 1 ER/FUL. Greiner Lohn Lauscha-Dresden”. In very good condition. 6” x 4”. 1,000 - 2,000

266 - LOT OF 2: PAIR OF CONTINENTAL SILVER ROCOCO ALLEGORICAL WINE CADDIES. 18th to 19th century. Each with small unidentified hallmark. The first engraved with religious scenes of various time periods, 7” tall. The second engraved with scenes of Renaissance daily life including card playing and courting, 6-1/2” tall. Both are in generally very good condition with some slight bending of legs, rejuvenation of patina in the last 50 years. Provenance: From a Private collection, many which were decommissioned from The Brooklyn Museum, Brooklyn, New York in the mid 20th century. Largest: 7” T. 800 - 1,200 267 - LOT OF 2: PAIR OF CHAMPLEVE BRASS CANDELABRA. Late 19th to early 20th century, France. Each two arm example with enamel drip pans, centering a flattened enamel finial on a turned brass standard, joined to an enameled raised circular base, raised on a molded onyx sochel. The pair retains original untouched surface, minor and minimal enamel losses under cups on support arms, otherwise very good. 13-1/2” x 8-1/2”. Provenance: From a Private collection, many which were decommissioned from The Brooklyn Museum, Brooklyn, New York in the mid 20th century. 13-1/2” x 8-1/2”. 800 - 1,000 268 - MIDDLE-EASTERN PERSIAN INLAID SCEPTER. 19th century. The scepter of ebony or rosewood, of cylindrical form with silver thread forming a diamond pattern, each with a diamond nine dot bone inlay. The ends turned with bone dot borders. Undisturbed surface with rich patina. Minor losses to dot inlays and with an old, now stable, tight hairline crack running horizontal from end to end. 18”. Provenance: From a Private collection, many which were decommissioned from The Brooklyn Museum, Brooklyn, New York in the mid 20th century. 18”. 800 - 1,000

www.MorphyAuctions.com | August 29, 2018

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LOT - 269

269 - LOT OF 3: MIDDLE EASTERN OBJECTS. 19th century. The first is a dome shaped lantern in two parts, delicately pierced and with reticulating designs of Arabic symbols within window frames. Joined to a conforming circular base with seven openings which may have accommodated lighting devices. Unit has now been drilled for wiring. Verdigris surface and some soiling from smoke. 14-1/2” tall x 12” diameter. The second a copper alms dish, the center of which has four rondels, each decorated with figures of pensioners, decorated overall with etched foliate designs. The outer rim with a 1/2” split, dish has overall warpage from use, original silvered surface is well worn with ruminates remaining, overall very good. 15-3/4” diameter. The last item is a deep copper bowl with rounded base, decorated overall with a wide reserve of Arabic writing flanked by arabesque foliate scroll work. The borders of letters and designs appear to be inlaid with silver. Very good overall with undisturbed surface, with overall in use wear. 5” tall x 9-1/2” diameter. Provenance: From a Private collection, many which were decommissioned from The Brooklyn Museum, Brooklyn, New York in the mid 20th century. Largest: 14 - 1/2” x 12”. 800 - 1,200

LOT - 270

270 - XU FENG. (CHINA, 1925 - 2003). “Cats Playing with Butterflies in the Garden” Watercolor on Silk. Signed: Upper Left in Calligraphy. Work Size: 13-1/2” x 66-1/2”. Unframed. The scroll painting in watercolor depicting a cat and 14 kittens playing with a flock of butterflies. Minor vertical crease in body of cat far right facing, small vertical crease at middle of scroll on the top edge, vertical crescent crease beneath two butterflies at center top edge, small vertical crease in three kitten grouping, vertical crease on kitten and cat upper left center, minor tears and losses at border of scroll backing, otherwise very good with crisp, clear color. No restoration or other damages noted. Note: Attributed to Xu Feng after painted by Xu Beihong. Additionally marked on verso at right end facing. 600 - 800

LOT - 271

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271 - PAIR OF HORSESHOE BACK ARMCHAIRS. 20th century, China. The top rail extending beyond the front corner posts and ending at out-turned hooks. The curved splats showing a nice grain and hard mat seats set within a rectangular frame. Overall very good, some splits in the wood. Each: 39” x 24” x 21 -1/4”. 1,200 - 1,500

www.MorphyAuctions.com | August 29, 2018

LOT - 272

LOT - 273

LOT - 275

LOT - 274 272 - LOT OF 3: ASIAN POTTERY & MIRROR ON STAND. 19th century. The first is a Sang de Boeuf bottle vase with shortened neck and drilled for a lamp fitting with good drip glaze, 8” tall. The second is a Provencal Pottery Tea Jar in emerald green glaze with panels of calligraphy alternating with garden landscapes missing the cap, 6” tall. The last is a Chinese bronze hand mirror, decorated with a garden trees and exotic birds, now mounted on a later, polychrome decorated stand. Overall good condition with normal wear to stand, 6-3/4” diameter, 12-1/2” tall. Provenance: From a Private collection, many which were decommissioned from The Brooklyn Museum, Brooklyn, New York in the mid 20th century. Tallest: 12-1/2” T. 800 - 1,000 273 - LOT OF 2: SLAVIC BRONZE CROSS & BRONZE IMAGE OF CHRIST CRUCIFIED. 19th century, Continental. The bronze Slavic cross cast with an allegorical history of the crucifixion of Christ in picture form, including such details as a lance and pole with sponge on either side of Christ’s body, an illustration of the wall of Jerusalem by the foot bar and an image of a skull beneath the Slavic letters that translate to “The place of the skull, where Adam was”. The cross is 13” tall x 6-1/2” wide. The bronze image of the crucifixion figure modeled in low relief and with undisturbed surface, 7-1/4” long x 7-1/2” wide. Most likely was once attached to a crucifix. Both are in very good condition. Provenance: From a Private collection, many which were decommissioned from The Brooklyn Museum, Brooklyn, New York in the mid 20th century. Largest: 13” x 6-1/2”. 700 - 900

274 - GROUP OF 3: DECORATED SILK PANELS. Late 19th to early 20th century, China. Two panels are decorated with three sensors, each with calligraphy above, the third panel is decorated with a sensor flanked by a vase at each end. All are in bright indigo with gold thread on a black ground with an indigo border below. Two panels have some deterioration and pulling of silk right center facing, one panel has two holes in the leg of one sensor and body of another. The third panel has no damage but the border is folded over and sewn to the panel. Overall good condition. Largest: 18” x 47” 700 - 900 275 - LOT OF 2: COLLECTION OF TOPOGRAPHICAL MAP OF NEW HAMPSHIRE & VERMONT & TWO VOLUMES OF BIRD’S OF NY. 1) Topographical maps, produced in 1972 by the Department of the Interior’s Geological survey, many of which were formally in the possession of Congressman James C. Cleveland, New Hampshire. The larger of these maps are approximately 27” x 22-1/2”, the smaller are 21” x 17”. Condition of maps is generally good, some with toning on edges of margins. Maps possess a loose fold along the midpoint from being stored as a complete group, which could be easily removed. 2) Two volumes of “Birds of New York” by Elon Howard Eaton, published Albany, New York in 1910 for the New York Education Department and New York Museum. These are an encyclopedia representation with black and white photographs of birds native to New York State. Each volume bound in green cloth with fading, spines are intact, illustrations and pages of text are clear with absence of foxing. Largest: 22 - 1/2” x 14 - 1/4”. 300 - 500

www.MorphyAuctions.com | August 29, 2018

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LOT - 276

LOT - 277

LOT - 279 276 - BRONZE AQUAMANILE IN THE FORM OF A DOG. 19th century or earlier. In the Asian taste, the guarding dog with opening for spout. Etched design of rondels and scales. Surface with good patina, a hole on each side of jaw of unknown purpose. Figure maybe missing the underside of the animal. Proper left foreleg is bent. 4-3/4” x 7-1/4”. Provenance: From a Private collection, many which were decommissioned from The Brooklyn Museum, Brooklyn, New York in the mid 20th century. 4-3/4” x 7-1/4”. 300 - 600 277 - LOT OF 4: ASIAN DECORATIVE OBJECTS. 19th to 20th century. Includes a Japanese bottle vase, a pair of stand covers, and a guardian seated dog. The pattenated bottle vase with inlaid signature beneath the vase. Pair of engraved, molded and stamped Chinese stand covers each with articulated central dragon. The last is a seated bronze dog, now mounted as a paper weight. Conditions vary but overall very good. Provenance: From a Private collection, many which were decommissioned from The Brooklyn Museum, Brooklyn, New York in the mid 20th century. Largest: 9” tall. 300 - 500 108

LOT - 278

LOT - 280 278 - STEREOSCOPE VIEWING BOX & CARDS. Circa 1890. Stereoscope viewing box and over 200 viewing cards. Handle turns to view the next card. Minor age wear. 18 - 1/2” x 11” x 10 - 1/2”. 300 - 600 279 - UNUSUAL CHRISTOPHER COLUMBUS SPELTER FIGURAL NAUTICAL THEME CLOCK. Probably late 19th century. After Albert Ernest Carrier Belluse (1824 - 1887). Signed “A. CARRIER” on bottom of cape, proper left side. Depicting Christopher Columbus beside a ship’s captain within which is fitted a clock. The French clock with bevel glass door opening to an enamel dial with Arabic chaptering. The hole overlaid with fine gilt metal work tracery. The clock with 8 day movement striking on a bell. Brass back plate stamped with maker’s name. Serial no. 47748. Clock is offered with pendulum. Movement appears clean and intact. The whole mounted on a deep, molded black marble plinth. Surfaces retain a very good patina. One flange of anchor with split at rear of sculpture, one arm of capstan at rear of clock is absent, otherwise in very good condition. 31” x 17”. 1,200 - 1,800 280 - CARVED & GILT DECORATED CIRCUS WAGON ORNAMENTAL PLAQUE. Second half 19th century, American. The shield shaped plaque applied with scrolling leaf tips centering a paint decorated bust portrait of a Native American Chieftain with headdress within a border of six electrical light fittings, now with four red light bulbs. The plaque retains the original electrical circuitry (untested) and partial iron bracket for fastening to the side of the wagon. Structurally very good, no repairs or damages noted. Old painted surface intact. Normal expected in use wear and weathering. Very good overall. 26” x 22”. 1,000 - 1,500

www.MorphyAuctions.com | August 29, 2018

LOT - 282

LOT - 281

LOT - 283

281 - E. HOWARD & CO. NO. 45 WALL REGULATOR CLOCK. Second half 19th century, Boston, Massachusetts. The case with scrolling crest above a molded cornice, the case with molded circular aperture above the throat mounted with original Howard throat glass in black burgundy and gold above the molded base with shell and foliet scrolled pendant apron. The brass 8 day movement engraved “E. Howard & Co./ BOSTON”. Weight board present, weight absent. The 9” enameled dial with Roman numeral chaptering centering a time only aperture, the dial marked “E. Howard & Co. BOSTON”. The Damascene pendulum bob appears to have acid or some other corrosive liquid spilled on it, the pendulum rod of rectangular oak with gold paint possible replacement. Case has been cleaned and polished within the last 40 years, with losses to ears on apron. Throat glass has had paint repairs, weight absent as note, pendulum as noted, dial has been cleaned and re-coated including numerals and words. Brass movement appears original. Overall fair. 45” x 13-1/2” x 6”. 800 - 1,200 282 - FINE & RARE VICTOR KULLBERG SHIP’S CHRONOMETER. 19th Century, London, England. This fine example in original Mahogany brass bound case with carrying handles of a chronometer on gimble. Dial marked “Victor Kullberg 3 Denmark Grove, Islington, London No.382”. The dial with subsidiary seconds hand and Roman numeral chapter ring. The movement has not been removed from the case for inspection but it does wind freely. Original case with viewing window also is mounted in original shipping case. Appears clean, most likely operational but not guaranteed to work. Diameter of silver dial is 4”. Case is 7-1/2” x 7-1/2”. From the Ray Bentley Collection. 9 -1/2” x 11 -1/2”. 2,000 - 3,000 283 - GOOD HAMILTON WATCH COMPANY SHIP’S CHRONOMETER IN MAHOGANY CASE WITH STORAGE. Circa 1941, Lancaster, Pennsylvania. Serial no. 4026. The chronometer mounted on gimble with 3-3/4” silver dial. Silver dial is in very good condition. Case has two hinged lids. The first for viewing, the second for inspection and winding; fitted with brass straps and carrying handles. One key is present. The chronometer fits within its original storage case which is included. Overall in very good condition. Chronometer appears to be wound very tight. Case is 7-1/2” x 7-1/2”. From the Ray Bentley Collection. 10 - 1/2” x 11” x 9 -1/2”. 800 - 1,200

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LOT - 285

LOT - 284

284 - ORNATELY CARVED OAK ANEROID BAROMETER WITH EAGLE FORM. Late 19th Century, American. This very nice example with arched cresting above a cornice continuing to the carved throat fitted with a encased thermometer with Fahrenheit and Centigrade scales above which is perched a displayed eagle. The box base with scrolling crest and carved leaves at the corners centering the aneroid barometer with circular beveled bezel and enameled dial within which are the workings for the barometer. The base of dial is marked “Patent #16538”. The barometer with a pendant base carved with a crest terminating in scrolled leaf tips. Case is very good with quarter sawn oak in original surface with fine patina. Thermometer appears intact, porcelain scale is very good, barometer intact and appears operational. Very good overall. 41” x 11-3/4”. From the Ray Bentley Collection. 41 - 1/2” x 12”. 300 - 500 285 - LOT OF 3: INGRAHAM SHELF CLOCK, FULPER VASE & SALT GLAZE CROCK. 1) Ingraham shelf clock with Rosewood case with time strike and alarm weight driven movement. Offered with a pendulum bob and with original paper label on case. In as found condition. 16” tall. 2) Fulper vase, now mounted as a lamp with incised signature on base in tones of blues and greens high glaze enamel. Note: vase has not been drilled. 12” tall. 3) Salt glaze jug with floral decoration in under glaze blue. In as found condition with small triangular hole in the neck. 9-1/2”. Largest: 6 -1/2” x 6 -1/2” x 16”. 200 - 300

LOT - 286

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286 - UNUSUAL FRENCH AUTOMATON WATER WHEEL CLOCK. 20th century, this shelf clock, mounted on a fir wood case, functions as ball bearings are dropped from the sluice onto the wheel, causing it to turn, and thus running the clock. The dial is clear glass with a Roman numeral chapter ring, with time and strike apertures, the gears are visible. Ball bearings are included. Condition: Appears to be very good, as new condition; the molding on the proper left side upper tier of case has broken off and is held on with tape, easily restored. Size: 19” tall, 18” wide, 11” deep. From the Ray Bentley Collection. 19” x 18”. 800 - 1,200

www.MorphyAuctions.com | August 29, 2018

288 - FINE CLASSICAL REVIVAL CARVED OAK TALL CASE CLOCK. Late 19th century, retailed by J. E. Caldwell, Philadelphia. The bonnet with molded and leaf carved swans neck crest, terminating in flower heads, alternates with three urn-form flamed tipped finials above the arched door, and flanked by spiral colonettes fitted to the case. The throat with glass paneled door superimposed with delicate metal scrolling fret work, is flanked by spiral twist colonettes, and joined to the box base with architectural carved molding above a shell-carved panel in relief. The whole is raised on carved paw feet. The eight-day brass movement is driven by three brass weights. The brass dial, with brass mask spandrels centering a Roman numeral chapter ring, has a subsidiary seconds dial, and three winding apertures for time and strike, all beneath a moon phase dial in the arch. A plaque inscribed “J. E. Caldwell & Co./Philadelphia”. Condition: Case retains original surface, with fine undisturbed patina, movement appears clean and intact, very good plus overall. Size: 8’ 4” tall, 27” wide, 15” deep. Note: This clock is offered with three original brass-clad weights, a pendulum and a winder. From the Ray Bentley Collection. 123” x 27 -1/2”. 3,000 - 5,000

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 288

LOT - 289

www.MorphyAuctions.com | August 29, 2018

289 - BENJAMIN PEERS GEORGIAN TALL CASE CLOCK. Late 18th century, Chester England. The inlaid mahogany and oak bonnet with swan’s neck pediment termination in rosettes centering a baluster turned finial above the arched door, flanked by square reeded posts joined to the case. The throat, with rectangular door, has scalloped cresting and mahogany cross banding flanked by reeded panels above the molded box base with cross banded raised panel flanked by string inlaid canted corners. The whole on a molded bracket base with undulating apron. The brass, weight-driven movement striking on a bell with a moon phase and ships dial in the arch. The iron back plate engraved “WALKER & HUGHES”. The movement appears intact, moon dial in place but not connected to movement. The enameled face with Roman and Arabic chapter rings centering a sweep seconds and calendar subsidiary dials. Time and strike apertures all within floral decorated spandrels on green and gold field. Clock is 93-1/2” tall, throat width is 17”, case width is 22”, depth is 10”. Case with dry and crusty surface in need of re-polishing, finial present but needs small repair. Clock is offered with pair of weights, pendulum, winder and door key. 93 - 1/2” x 22” x 10”. 1,000 - 1,500 111

LOT - 291

LOT - 292

LOT - 293

290 - TRAMP ART FRETWORK TALL CASE CLOCK. There are numerous themes applied to outside of case. The case contains a spring driven eight-day time and strike movement. The pendulum and key are included. Not tested at the time of inspection. 80” T. (Very Good). 500 - 900 291 - LOT OF 9: JAPANESE CARVED NETSUKE FIGURES. 19th to early 20th Century, Japan. This group includes eight signed examples. 1) Figure of Man with tied bundle, unsigned. 2) Man with Infant in basket, signed. 3) Figure of two frogs on a lily pad, signed. 4) Man carving a Kabuki mask, signed. 5) Man displaying a Kabuki mask, signed. 6) Figure of a Woman selling fruit, signed. 7) Figure of a Scholar with beard, signed. 8) Man on horseback, signed. 9) Figure of Elephant with attendants, signed. Sizes range from 5/8” high to 2” high. Largest: 2” x 2”. (Very Good). 800 - 1,200

LOT - 290

292 - LOT OF 9: JAPANESE CARVED NETSUKE FIGURES. 19th to early 20th century, Japan. Includes signed examples. 1) Figure of reclining man with a scepter, signed. 2) Figure of stooped elderly woman, signed. 3) Figure of stooped elderly woman selling fruit, unsigned. 4) Figure of stone carver, unsigned. 5) Figure of Mother with a fan and a child on her shoulders, unsigned. 6) Figure of crouching Cow, unsigned. 7) Figure of fisherman with net, signed. 8) Figure of Noh actor with rotating face and fan in her hand, signed. 9) Figure of seated female artist painting, signed. Sizes range from 3/4” tall to 2-1/2” tall. Largest: 2 -1/4” x 1”. (Very Good). 800 - 1,200 293 - LOT OF 8: JAPANESE CAVED NETSUKE FIGURES. 19th to early 20th century, Japan. Includes six signed examples. 1) Child with a carp, unsigned. 2) Child on a shell, signed. 3) Child on a lily leaf, signed. 4) Woman with fan, signed. 5) Group of men fighting, signed. 6) Demonic figure with a sack, signed. 7) Acrobat, unsigned. 8) Polychrome figure of a Geisha, signed. Sizes range from 3/4” to 2” high. All are very good condition. Largest: 2” x 2”. 700 - 1,200

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www.MorphyAuctions.com | August 29, 2018

LOT - 294

LOT - 295

294 - LOT OF 8: JAPANESE CARVED NETSUKE FIGURES. 19th to early 20th century, Japan. This lot includes five signed examples. 1) Figure of a man carrying a sack, unsigned. 2) Figure of a man with a Lotus, unsigned, damage to foot. 3) Artist with Kabuki mask, unsigned. 4) Nodding head musician with a drum, signed. 5) Seated man carving a plaque, signed. 6) Figure of a demonic giant with a club, signed. 7) Figure of a child with a hat at play, signed. 8) Figure of a ram, signed. Sizes range from 1-1/2” to 2” high. Largest: 2” x 1”. (Very Good). 700 - 1,000 295 - LOT OF 8: JAPANESE CARVED NETSUKE FIGURES. 19th/early 20th century Japan. All figures are signed. 1) Fukurokuju. 2) Figure of seated drummer. 3) Seated vendor with jar. 4) Crouching Man with tablet. 5) Two figures wrestling with stick. 6) Elderly Woman with crutch. 7) Seated Man with toad and shepherd’s crook. 8) Woman reading from scroll. Sizes range from 1” to 2-1/2” tall. Largest: 2 -1/2” x 1”. (Very Good). 700 - 1,000 296 - LOT OF 3: CARVED IVORY DOCTOR’S EXAMINATION MODELS. Late 19th to early 20th century, Japan. Each model depicting a reclining female nude, one which is polychrome decorated. In overall good to very good condition. Average length is 4-1/2”. Each: 4 -1/2” x 1 -1/4”. 700 - 1,000 LOT - 296

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LOT - 297

297 - RARE & DELICATELY CARVED RHINOCEROS HORN LIBATION CUP. 17th-18th century, China. The cup depicts a mountainous scene forested with conifers and other exotic trees, cloud bands around the rim. The handle in the form of knarled tree trunks, carved in deep relief at the base of which reveals a covered barge exiting from the treed canopy on route down river. The cup with a wonderful amber color and undisturbed rich patina, accompanied by a later stand. Provenance: Acquired by the Reverend Stephen A. Hunter while a missionary in China from 1879 to 1891. Hand written documents from Rev. Hunter beginning in 1880 describe many of his activities during this time period and that he was active in Shandong, having established a church in Jining. It is during this period that he acquired the libation cup. Family lore states that he returned with a substantial collection of Chinese antiquities back with him to his home in Pittsburgh, Pa much was exhibited in a local church in 1895. The cup has descended by direct line through the family, Paul Stewart Hunter, son of Stephen Hunter inherited the cup from his father, which was then passed down to Alleen Moreland Hunter 1912 - 1983 daughter of Paul Hunter. There is a photograph published in the Denver Post in 1912 on page 6 of her baptism ceremony titled “Baby is Baptized with Water from Confucius Bowl” (referring to this libation cup). The reference relates to the area where Rev Hunter acquired the libation cup in China; the region where Confucius and the Kong family originated. Note: This object is accompanied by a certified CITES permit issued by the U.S. Fish and Wildlife Service for this cup. Also with the cup is an appraisal issued in 2013 by Dr. Wei Yang certified member of the American Society of Appraisers and principle of Wei Yang Art, LLC. and a photocopy of the catalog and inventory page for the exhibition of the Hunter collection in 1895. 4” x 6” x 3-3/4”. 150,000 - 250,000

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LOT - 298

298 - LARGE SIX SECTION FLOOR SCREEN. Meiji, Japan. Each section with a large hand painted poly-chrome deity framed with gold leaf and patterned silk accenting the border. Numerous splits to the panels, deterioration to silk border, losses to paint on wood frame. Tears and losses to paper backing. 147” x 72” . 1,200 - 1,800

LOT - 299

LOT - 300

299 - SHICHIFUKUJIN, SEVEN CARVED DEITIES BY TAMAYUKI. First half 20th century, Japan. Finely carved deities in ivory depicting the seven Gods of happiness: Jurojin, Dikoku, Hotei, Benten, Bishamon, Ebish, Fukurokujin. Each figure is signed on the base and is accompanied by the original covered box with compartments. Each are between 3-1/2 to 3-3/4” tall. One deity with the upraised right arm carved to perhaps to accommodate an object that is now absent, otherwise very good with mellow patina and undisturbed surface. Box: 17” x 5 -3/4”. 1,000 - 1,500 300 - LOT OF 4: JAPANESE CARVED IVORY FIGURAL GROUPS. Meiji period. The first depicting a farmer feeding chickens, a rooster within a cylindrical woven cage on a naturalistic ground, one chicken is detached from base but present, undisturbed surface, good natural patina, 4-1/2”. The second depicts a farmer carrying a bundle of wheat sheaves walking with a cane, very good with undisturbed surface and mellow patina, signed below base, 4” tall. The third depicts a figural group of an elderly man feeding his dragon on an oval plinth, the clothing accented with abalone overlays, signed beneath the base, undisturbed surface, mellow patina, dragon missing left eye and part of left horn, 3” x 5”. The last and largest is a carving of a father transporting his infant son on his back, a basket attached to his waist, unsigned, mellow patina and undisturbed surface, small section of basket handle missing, 8-1/4”. Largest: 14” x 11 - 1/2”. 800 - 1,200

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LOT - 301

LOT - 302

LOT - 303

LOT - 304

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301 - GROUP OF 4: JAPANESE SILVER MINIATURE SCULPTURES. Early 20th Century, Japan. The first is a silver sampan or junk, the prow designed as a rooster, 2-3/4” x 3-3/4” with silver hallmarks. The second is a vendor carrying yolk with covered pails holding a long scoop, hallmarks under base. The third is a hexagonal covered engraved box, the base in the form of a basin, 2-1/4” x 2-1/2”, signed and with silver hallmarks under base. The last is a sculpture of a rooster perched on a drum, raised on a cross leg support, unmarked. Box with missing finial on the lid, drum missing end cap, other wise overall good. Largest: 3-3/4” x 2-3/4”. 1,000 - 1,500 302 - GROUP OF 6: SILVER MOUNTED SAKE SET TOGETHER WITH FIVE PORCELAIN TEA BOWLS. Lot includes a six piece silver mounted sake set, circa 1920. Each piece in the set is decorated in the Chinese Fahua style with spurious Yongle mark to base. Original wood case. Tallest: 5”. In good condition. The second is a group of five porcelain bowls, circa 19th to 20th century, China and Japan. The group consisting of a spinach and egg glazed bowl with flared rim, two Japanese pottery bowls with enameled flowers, a ribbed satsuma pottery bowl with Lohan and a yellow glazed bowl with a floral motif done in various glazes. Ranging from 5-1/4” to 7-3/4” in diameter. Overall very good. Both the yellow glazed and the spinach and egg bowl with a hairline extending from the rim. Box: 8 -1/2” x 9”. 1,000 - 1,500 303 - GROUP OF 2: JAPANESE BIWA TOGETHER WITH CARVED IVORY RAFT FERRYING SCHOLARS. 19th century, Japan. 1) The biwa is a Japanese short-necked fretted lute, often used in narrative storytelling. Size is 35” x 10”. Structurally intact, two strings absent, good overall. 2) Raft depicting six scholars positioned on a mat while one reads from a scroll, the seventh figure, standing, poling the bamboo raft. No visible signature. Size is 7-1/2” x 3-1/4”. Original undisturbed surface, very good. Largest: 35” x 12”. 800 - 1,200 304 - GROUP OF 2: CHINESE PORCELAIN PLANTERS. Late 19th to early 20th century, China. The first an oval footed form in a pale indigo enamel, each side decorated with a dragon amongst floral blooms and sprigs, 3” x 11-1/4” x 7”. Good overall with flea bites on foot rim. The second a rectangular celadon example with calligraphy at the corners alternating with garden scenes, raised on feet with a six character Xuantong mark on the bottom, 2-3/4”x 8-1/4” x 6-1/2”. Water staining interior and a shallow chip center of top rim, otherwise good. Largest: 11 - 1/2” x 7 -1/4”. 500 - 600

LOT - 305

LOT - 306

305 - PAIR OF EXPORT PORCELAIN INSERTS. China, early 19th century. Each made in ovoid form painted with various objects throughout the center surrounded by a band of yellow enamel with precious objects accenting the rim. Includes two later wood stands for display. There are areas of wear to the applied artwork. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. 11 - 3/4” L. 400 - 600

306 - A PAIR OF PORCELAIN TEA BOWLS WITH DAOGUANG MARK. Possibly late Ming dynasty, China. Decorated overall with scenes of children at play within blue enamel borders, each with a Daoguang seal mark within the foot rim. One bowl with flea bite on top rim, second bowl with small shallow chip on top rim, otherwise both are very good. Each: 5” x 3 -1/2”. 1,200 - 1,800

LOT - 307 307 - RARE CHINESE EXPORT ORANGE FITZHUGH ROUND COVERED VEGETABLE TUREEN First quarter 19th century, China. In the three parts, the unique tureen with round cover and pomegranate knob finial, fitted to the conforming bowl with applied handles. The interior fitted with a removable liner divided in two sections. The whole in overall floral design, the lid additionally with two floral roundels on opposing sides with the letter “B”, undoubtedly a special order. Note: The tureen was illustrated and described in an article by David Overall in the magazine “Antiques and Fine Art”, The Holiday Issue, 2003. Very fine to excellent. Provenance: From a private Southern New England collection. 10” Dia. x 5-1/2”. 7,000 - 10,000

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LOT - 308

LOT - 309

LOT - 310

LOT - 311

308 - FINE AND RARE CHINESE EXPORT BLUE FITZHUGH PORCELAIN WATER PITCHER. Mid 19th century, China. The pitcher with graceful downturn spout with shaped rim, the delicate curve handle molded to simulate bamboo joined to the tapering body with bulbous waist and flared foot. Decorated overall with floral panels and reserves, ribbons and roundels. Very good to excellent. From a private Southern New England collection. 15-3/4” T. 1,500 - 2,500 309 - FINE CHINESE EXPORT ORANGE FITZHUGH PORCELAIN WATER PITCHER. Third quarter 19th century, China. A large example with elongated spout, arched handle, and tapered bulbous body. The foot flared, floral decorated overall with Peione designs. Very good with minor rubbing to gilt trim. From a private Southern New England collection. 16-3/4” T. 1,200 - 1,800 310 - FINE CHINESE QING DYNASTY DECORATED BALUSTER JAR WITH LID. 19th century, China. Unmarked. Profusely decorated overall with an imaginative water and floral landscape, densely populated with exotic birds and large Pionne blossoms, with song birds throughout perched on Cherry trees in blossom. The shoulder with a band of diaper work with floral vinery alternating with reserves of precious objects. The jar is fitted with a conforming lids decorated with floral with butterflies with suppressed knob. Very good condition throughout with the exception of enamel loss to tip of knob finial. 17” T. x 9-3/4” Dia. 1,500 - 2,500 311 - CHINESE COVERED URN DECORATED WITH FANCIFUL BIRDS AND FLOWERING TREES IN UNDERGLAZE BLUE. With six character Qianlong mark (1736-1795), China, probably out of period. The graceful bulbous vase with lid with scrolling foliette design and pointed finial. Decorated overall with a Chinese Weeping Willow and Cherry tree in blossom. The Willow with a pair of exotic birds perched within the Willow. Overall very good, no abrasions, restoration or repairs noted. 12-1/2” T. x 8-1/4” Dia. 500 - 700

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312 - LOT OF 2: HAN STYLE GLAZED POTTERY JAR TOGETHER WITH HAN POTTERY STANDING FIGURE. 1) China. The jar in bulbous form tapering to a short cylindrical neck with flared top rim, 16” tall x 17” diameter. Incised design decorating the body under a lightly applied celadon glaze. In very good condition. 2) Han Dynasty, China. The figure, with traces of polychrome, has an ax in one hand and a snake in the other, 32” tall. Head is removable. There is possible restorations and wear typical of the age. Largest: 30” x 10”. 2,000 - 3,000

www.MorphyAuctions.com | August 29, 2018

313 - TURQUOISE GROUND FAMILLE ROSE CHARGER. Qianlong mark and possibly of the period, China. The charger with shallow rounded sides and an openwork rim, it is finished with meandering vines and blossoms all done on a turquoise glazed ground. The underside with matching design and stands on a slightly splayed foot with rose colored leaf accents ending at a smooth foot rim. Qianlong seal in iron red. The underside bears numerous labels. One marked “3/1967...S Marchant Chien Lung 18th Century”, another marked “Nathan Bentz Collectors Chinese Art”, and is also accompanied with a paper receipt from the London San Knight Antique Gallery Museum, dated 1970. There is scattered wear to the glaze and rubbing to the gilt. 15 - 1/2” Dia. (Very Good). 8,000 - 12,000 314 - CHINESE EXPORT GREEN FITZHUGH COVERED TUREEN Mid 19th century, China. The rectangular tureen with conforming lid, canted corners and gilt knob finial, decorated overall with floral reserves. Tureen base with small areas of enamel loss on rim, a shallow chip to outer rim, otherwise good. From a private Southern New England collection. 6” x 10 - 1/2” x 9-1/2”. 1,600 - 2,200

LOT - 313

315 - LONGQUAN CELADON GLAZED CENSER. Ming Dynasty, China. The heavily potted censer in compressed form resting on three tapered mask and claw feet. The exterior decorated with trigrams done in relief and the interior with an impressed lotus blossom. There is minor chipping to the unglazed underside. PROVENANCE: The Webster Family Trust descended from the Rockefeller/Dodge Family. 12” x 3 - 3/4”. (Very Good). 700 - 800

LOT - 314

LOT - 315

316 - BAKHTIARI ORIENTAL RUG. Second quarter to mid 20th century, Southwest Persia. The central poled medallion with serrated ivory border within a cranberry red field, populated with dense poly-chrome floral medallions, all within indigo floral filled spandrels. The main border of scrolling flower heads within multiple guard borders. Overall even wear. Some areas of foundation exposed. 4’ 5” x 6’ 7”. 400 - 800

LOT - 316

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LOT - 317

LOT - 318

LOT - 319

LOT - 320

317 - PAIR OF WOOD CARVINGS OF NUDES. 20th century, American. 1) A carving of a nude woman caressing a horse on rocky terrane with chipped carved background. Back of panel with partially illegible inscription, possibly “Max Schmidiamer (1901 - 1958)”. 20-1/2” x 13-1/2”. 2) A carving on board of two nude bathing women posed amidst Cattails. 23-1/2” x 14”. Both are very good with original untouched surface. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Largest: 23-1/2” x 14”. 400 - 600 318 - IMPORTANT AND RARE DECORATED QUEEN ANNE WALL BOX. Circa 1720-50, New England. Pine decorated with bold original chrome yellow ground, umber swirl and perimeter banded dry original painted surfaces. Double tombstone crest with drawer, thin stock construction and fine patina. Deep well box with sloped sides, drawer front lap joined as is the front piece, above and bottom board. Tiny T-head nailed throughout, original forged iron rope twisted drawer pull. Excellent untouched original condition, expected old minor use abrasions. 12” x 12” x 6-1/2”. 3,000 - 6,000 319 - PORTRAIT DECORATED KEEPSAKE BOX. Circa 1800. Pine, dry original painted surfaces and original brass hinges. Yellow and umber exotic faux wood-grained decorated case; pinstriped and trailing vine banded. Interior with blue and green faux exotic wood graining, lid portrait decorated within cartouche. Excellent, untouched, original condition with expected old minor in use abrasions. 6” x 11 -1/2” x 7 -1/2”. 1,000 - 1,500 120

LOT - 321

320 - ART DECO IRON & BRONZE MIRROR. Second quarter 20th century, France. Attributed to Edgar Brandt (1880-1960). The rectangular mirror plate applied with an oval resin rope decoration mounted with raised luminescent dots within a reticulated frame decorated with a row of pierced “stars” within rows of notches. The circular wrought iron crest centering the bust of a German Shepard dog framed by pierced scrolling vinery applied with tendrils and berries continuing down the outer edges of the frame. The lower frame edge applied with ribbon bow tied scrolling berry sprigs. Mirror plate with shell fracture at back of mirror proper left lower corner. Frame retains original surface with very good color and patina. Losses of several berries at tips of stems throughout. 26” x 21 -1/2”. (Very Good). 500 - 700 321 - ANTIQUE TORTOISESHELL DRESSER BOX. Late 19th century, France. The oval top with filigree and a swing handle in the form of intertwined vinery, terminating in flower heads. Opening to a conforming interior with pale green silk lined, lock is engraved “Maison Boissier”. Box is similarly decorated with floral lattice work and fitted with original key, raised on a woven vinery base, also lined with tortoiseshell. Tortoiseshell is dried and cracked with age, silk lining with some staining, the brass frame and filigree work is in very good condition. 4” x 7-1/2” x 6”. 1,000 - 2,000

www.MorphyAuctions.com | August 29, 2018

LOT - 322

SEE WEBSITE FOR ADDITIONAL PHOTOS

322 - GROUP OF 5: TRAMP ART BOX, TRAMP ART WOOD FRAMES, ETTINGER PRINT, BLACK & WHITE PHOTO AND LITHOGRAPH OF BEARS. 1) Tramp Art Matchstick Covered Box. Late 19th or early 20th century, American. The rectangular box mimicking a blanket chest with central inlaid heart flanked by inlaid diamonds. The rectangular lid with matchstick geometric decoration and diamond inlays opening to an interior with hidden tray sliding open to second storage well. The case with flattened walnut mid molding above shaped bracket base. 5-1/2” high x 9-1/4” long x 5-1/3” wide. Original surface with mellow patina with normal and expected in-use wear and abrasions. Losses to the upper right and left corner trim, otherwise good. 2) Outstanding pair of Tramp Art Carved Wood Frames. The rectangular frames having a zig-zag pattern crisscrossing at the corners and having a five step decoration to corners. Original glass. Each frame having a chromolithograph of men delivering speeches in The House of Commons in the 1830’s. Inside dimensions: 16-1/4” high x 22-1/2” wide; outside dimensions: 24” high x 30” wide. Wonderful patina, in very good condition. Prints are foxed, glued down but intact. 3) American School Ettinger print, 20th century. Churchill Ettinger (American 1903-1984), “Nailed Down”, drypoint, signed lower right “Churchill Ettinger”, titled lower left “ed 100”. Housed in a wood frame under glass, 7-5/8” x 8-3/4”; overall 17-3/4” x 18-3/4”. Not examined out of the frame; overall discoloration and fading. 4) Black and white photograph of a turn of the century fishing party preparing to board canoes with birch trees and cabins, unsigned. Housed in a folk art bark wood frame; 10-3/4” x 13-3/4”; overall 15-1/4” x 18”. Not examined out of frame, photograph is not encased under glass and has buckled. 5) Birch bark frame with commercial offset lithograph of bears hunting salmon, 12-1/2” x 8-1/4”; overall: 15-1/2” x 11-1/4”. Not examined out of the frame, overall good condition. PROVENANCE: Contents of a lifetime collection “Brook Crossing,” South Pomfret, VT. Largest Framed: 30” x 23”. 1,200 - 1,500

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LOT - 324

LOT - 323 LOT - 325 323 - GROUP OF 4: NANTUCKET LIGHTSHIP BASKET, HAND CRAFTED WOODEN ROOSTER WEATHERVANE & TWO CARVED AND PAINTED SCULPTURES OF QUAIL. 1) Mid to late 20th century, New England. Mounted on a piece of driftwood simulating natural ground. Illegibly signed in pencil beneath the base. 3-3/4” tall x 6-1/2” wide. Probably loss of paint with later touch-ups to beak, otherwise very good. 2) Mid- to late-20th century, New England. Mounted on a piece of driftwood simulating natural ground. A life-size sculpture posed with left leg withdrawn. Unsigned, attributed to craftsman John Mackenzie of Brewster, Massachusetts. 7-1/2” tall x 12” wide. There is a tight hairline stress crack at the base of the neck. Paint surfaces original with good patina. 3) Early 20th century, Nantucket, Massachusetts basket. Of typical form with D-form bent ash swing handle. The wide carrying basket with figured maple bottom, unmarked. 5-3/4” tall x 12-1/2” diameter. Fine nutty brown color and patina with some surface soiling. The basket is somewhat dry and crusty with a 2” loss of a woven section at midpoint, otherwise good. 4) 19th-20th century. The folk art rooster made in pieces with repairs and paint simulating old repairs and painted surface. Accompanied by a museum quality stand. 16” tall x 19” long. Newly repainted surface with multiple cracks and old tin repairs. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Largest: 28 -1/2” x 20 -1/2” . 3,000 - 5,000 122

324 - ORIGINAL 1940’S WWII FLASH ART TATTOO PARLOR SALES BOARD. This is one of a lot of three original tattoo parlor hand-drawn flash art boards from the Chicago area. Two examples were retained privately with this one being offered for sale. They originated in the Chicago suburbs and were most likely from a tattoo parlor within proximity of the Great Lakes Naval Training Station or Fort Sheridan Army Training Center which were major centers of military activity during WWII. Tattoo parlors traditionally would hang sample artwork on the walls of their parlor with listed prices for military personnel to get their personalized tattoo. One of the boards had a tattoo dated 1940, so these would all be in that same era. Most of the examples on this board have the original prices and have been crossed out, but you can still see that the most expensive tattoo which was the large sailing ship was $24, the medium size tattoos were $6 and the smalls were $4.50. Each piece of artwork on this original board was hand done in color and would replicate a sample tattoo which could be changed and redesigned to fit the customers desire. Most have a war theme which was quite popular with new recruits joining up for service. This would have hung on the wall of the parlor until new designs replaced old ones or the parlor went defunct. They were of little value at the time and the majority of these were thrown out making surviving boards extremely rare, even more so for the large scale tattoos. The art of tattooing and the artist themselves have become synonymous today with style and fashion, and the original drawings are framed and used as artwork much like a famous oil painting. This early large board consists of ten examples of the artist’s renderings. The largest measures 6 - 1/2” x 6 - 3/4” and illustrates a clipper ship. Five others have naval themes, two have skull themes and two have unilateral military themes such as “Death Before Dishonor”. The board itself measures 14” tall x 20” in length. There has been no attempt to clean off any damage. You can plainly see that the artist used recycled boards to display his works. The corners are chipped where the board was simply tacked to a wall. While some collectors might attempt restoration, the period wear shows the disregard for the piece at time of conception. This is a fantastic opportunity to buy an original 1940 oversize flash art display board. Some collectors might desire to separate these pieces and display or sell individually, but it would greatly destroy the significance of this fine and historical piece. 23” x 17”. 1,000 - 2,000 325 - ORIGINAL 1950 & 60’S TATTOO FLASH ART. This was obtained from a Chicago Suburb estate. It represents a tattoo parlor sample board put up by the artist to show his works. It features nine individual hand painted tattoos and the yellow background was hand colored in. All feature serpents of some type, average height is 4” x 3”. It has been shrink wrapped and matted, ready for framing. Matted: 18 - 3/4” x 13 1/4”. 500 - 1,000

www.MorphyAuctions.com | August 29, 2018

LOT - 326

LOT - 327

LOT - 329

LOT - 328

LOT - 330

326 - COLLECTION OF ESTATE ITEMS INCLUDING CARVINGS AND POTTERY. Lot includes: 1) De Keczer, last half 20th century, “Nude Woman’s Torso” carved wood plaque, signed A. De Keczer. 2) Carved wood standing woman, unsigned. 3) Small Waterwheel Garden Fountain, first half 20th century, American, carved and painted, fittings for a common garden hose. 4) 6” stag and hound, Staffordshire vase. 5) 8-1/4” Staffordshire vase with game and hunting bag. 6) 5-3/4” earthenware pitcher. 7) Leather Shot Flask, 19th/20th century, impressed with “2-1/2” above letters “BS” with brass spout embossed with game figures of a pheasant and a rabbit. 8) Bronze nutcracker, 19th/20th century, in the form of a dog. 9) Cigarette box, 19th/20th century, pewter with carved shotgun mounted to the lid, impressed with maker’s name “Palmer-Smith”. 10) Clam Shell Box, 19th/20th century, silver on brass, marked on base “Victoria”. 11) Two Bristle Brushes, 19th/20th century, sterling silver, hallmark for R. Blackinton & Co., North Attleboro, Massachusetts. 12) Capodimonte “Benacchio” Figure of a Fisherman, signed on base “Benacchio” with trademark of an anchor. Conditions vary. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. Largest: 14” x 4”. 800 - 1,200 327 - ANTIQUE BIRD IN A CAGE MUSIC BOX . Late 19th to early 20th century, France. Of typical form, the bird cage containing a mechanical bird with scarlet plumage sits on a floral shrub. The circular cage with silvered panels around the base, embossed with frolicking cherubs, raised on turned brass feet. Music box is operable, on/off switch is functioning, plumage on bird is slightly faded, overall good to very good. 9” x 5 -1/2” . 500 - 800

328 - RARE SHOOTING GALLERY TARGET. Circa 1900, C.W. Parker Co, Ailene, Kansas. Cast iron of a running Greyhound, 1/2 round form. Dry original painted surface, lightly use worn with fine patina and crisp casting detail. Excellent, untouched original condition. Mounted on museum stand. 26 -1/2” x 8 -1/2”. 1,500 - 2,500 329 - FRAMED COLLECTION OF STRAIGHT RAZORS. Late 19th to early 20th century, American and European. 28 vintage straight edge razors mounted on the back centering a Gillete advertising card. Most razors with carved and or decorated bone handles. Several in the Art Nouveau taste. One depicting a stag in the forest, one a classical nude center amongst flowers, a carved and decorated peacock, and one an Art Nouveau portrait of a female bust with flowing hair. All mounted in a rectangular oak cabinet with hinged door. All are in very good original condition, for the most part the blades with good to very good metal finish. Average size of razors is 6” closed. Framed: 26 -1/4” x 22”. 800 - 1,200 330 - LOT OF 7: TRUMP MARKERS FOR CARDS. Early 20th century. The first in the form of a brass cash register, a carved wood pencil holder, a celluloid Monkey in an arch, a scrolling wirework, cast brass nude, elephant and the last is in the shape of die. Sizes range from 1-1/4” to 4”. Conditions vary, cash register is not operational but all others are good to very good. Largest: 5 -1/2” x 2”. 700 - 900

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LOT - 333

331 - LOT OF 6: TRUMP MARKERS FOR CARDS. Early 20th century. The first a rectangular, adjustable tin marked with the molded words “Trump Marker” within which is a celluloid panel. The second is a brass and copper marker in the form of a globe on a stand with central celluloid band. There are three silvered metal Trump Markers, each suspended with celluloid panels, in the forms of a light pole, a harp and a rectangle. The last is in the form of a silvered French Poodle, on which the arms suspend the celluloid markers. Sizes range from 2” to 5”. Conditions vary but overall good to very good. Largest: 5” x 2”. 600 - 800 332 - UNUSUAL DRINKING HORN TROPHY. Circa 1855, Germany. The horn fitted with a silvered lid, mounted with a seated figure playing an instrument. The horn is embellished with filigree gilt metal mounts of vinery. The opposing end with filigree collar fitted for a carrying strap. The lid is engraved in Germany translates to “Harmony Singing Society of Baltimore 1855”. The horn is mounted on a later simple wood stand. 15” x 23” x 19”. From the Ray Bentley Collection. 23 - 1/2” x 15 -1/2”. 400 - 600 333 - LOT OF 8: COMPACTS AND ENAMELED LIPSTICKS. Late 19th century, Continental. Lot includes: a round compact with strong lavender foil work and silvered metal borders; a pale lavender with an ivory celluloid lid; a round compact with attached tassel, pale yellow engraved lid with painted roses; a deep indigo with silver metal work and geometric designs; a square compact with chartreuse foil work centering ivory foil work with a floral design; and a chevron shaped turquoise compact with ribbon tied swags and rose painted blooms. The two lipstick holders of typical form, one in indigo and the other pale turquoise. Overall very good condition with normal and expected wear. Largest: 2-1/2” x 2 -1/2” . 1,000 - 1,500 124

LOT - 335 334 - LOT OF 3: COMPACTS. Late first quarter to early second quarter 20th century. The first is a square compact in ivory and black celluloid, a silhouette profile of a woman on the lid, 2-1/4”. The second is a round compact in black and white, nicely decorated with etched roundels, giving a 3-D effect, the edges and panels decorated with silver to give an Art Deco feel, inlaid with small Marcasites, 2” . The third a black celluloid and silvered metal round compact, decorated with two terrier type dogs on a leashes, small fob with lipstick is attached by chain to compact, 2” . All three in very good condition. Largest: 4 -1/4” x 2”. 600 - 800 335 - LOT OF 3: FINE ENAMELED, CELLULOID AND GILT METAL COMPACTS. Each with a suspended lipstick and conforming covers. The first in the form of a diamond with pale jade green liners and reverse painted with roses and bluebells, 2-1/4”. The second, a round, similarly designed compact, the foil beneath the enamel is incised with a design centering lemon yellow roundel of celluloid within a border of painted roses, 2”. The last, probably French, with silvered metal with a vignette of courting couple and deep purple cylinder containing a lipstick, 2”. Very minor abrasions and in use wear, overall very good with vibrant colors. Largest: 6” x 2”. 600 - 800

www.MorphyAuctions.com | August 29, 2018

LOT - 336

LOT - 337

LOT - 338

336 - LOT OF 9: PIECES OF VICTORIAN GLASS. Last quarter 19th century, American. To include an Amberina swirl glass tumbler, 3-3/4” tall; New England peach bowl, Gunderson tumbler with white interior, 3-3/4” tall; Mary Gregory tumbler with figure of young girl, 4” tall; a pair of pink ribbed glass sugar shakers with raised opalescent design, 4-1/2” tall; a blue satin glass bulbus vase, 4” tall; a clear ruby glass shaker, 6-1/4” tall; a frosted glass covered pitcher with a cranberry leaf tip design, 6-1/4”; and a Carnival glass footed bowl with leafy design and opalescent fluted border, 4-1/4” tall x 8” diameter. All are in very good condition with exception of the Mary Gregory tumbler has a shallow rim fleck and the satin glass vase which also has flecks to rim. Largest: 9” x 9” x 4 - 1/4”. 400 - 500 337 - LOT OF 19: GROUP OF AMERICAN PATTERN, CUT AND FLINT GLASS. Late 19th to early 20th century, American. To include eight clear flint glass water goblets, a creamer, covered sugar, single clear swirled candlestick on square base, cut glass covered vinegar pitcher together with a cut and etched pitcher, a brilliant cut clear glass decanter missing stopper, a daisy pattern banana boat together with a single tumbler, and a pair of American clear pattern glass candlesticks with prisms. Size range from 3-1/2” tall to 14” tall. Good overall condition with possible minor flecks and flea bites throughout that are not noted. Largest: 14” x 15” x 2 - 1/2”. 300 - 400 338 - GROUP OF 2: CARRIAGE LANTERNS WITH RUBY GLASS INSERTS. Second half 19th century, unmarked. Each lantern has original mounting bracket, bevel glass clear panels and faceted ruby glass insert. Each with receptacle for burner, now absent. Each with two side reflectors. Paint surfaces with normal and expected wear and abrasion. Glass panels are intact with heavy soiling. Reflectors intact, burners absent as previously noted. Each: 8 - 1/2” x 5” x 15”. 200 - 300

LOT - 339 339 - GROUP OF 3: GONE WITH THE WIND TABLE LAMP, 3 HANDLED CUP & BOWLING THEMED STEIN. Late 19th to early 20th century, American. The lamp has blue, green and yellow tones with floral decoration of pink roses, 24” tall. Lamp retains original font, chimney and shade, now electrified, burner absent, overall good condition. The second item is a three handled pottery mug in persimmon and beige, decorated with birds and trees, overall good condition. The last is a clear glass stein with etched grapevine and thistle decoration, the lid depicting a gnome bowling, overall good condition. Largest: 9” x 9” x 24”. 150 - 200

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LOT - 341

LOT - 340 340 - GOOD DUTCH BAROQUE STYLE 12 LIGHT BRASS CHANDELIER. Late 18th to 19th century, Holland. The baluster form shaft with large ball finial and Prussian eagle crests issuing two tiers of six scrolled arms, alternating with small decorative arms, each numbered and slotted to the shaft. One candle arm with repair has been disconnected and in need of re-repair, all parts are present. A hole has been drilled in the lower disc for candle arms as well as the candle drip pans on the lower tier for wiring which is no longer present or perhaps never completed. All candle cups and bobeshe are present. Overall good. 32” x 19”. 1,200 - 1,800 341 - GROUP OF 5: CLEAR SANDWICH GLASS FLUID LAMPS. Mid 19th century, Massachusetts. One pair with slender faceted sides, 11” tall, a single lamp with twin wicks and hexagonal foot, 9” tall, and a large pair of waisted lope fluid lamps with square pedestal and double wick burners, 12-1/2” tall. The first pair has chips and damage to each base, the single is in very good condition with minor roughness, and the last pair are very good overall with minor spot roughness at corners of pedestal bases. Largest: 13 - 3/4” x 3 - 1/2” x 3 - 1/2”. 300 - 400

LOT - 342

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342 - RARE OCTOPUS DECORATED HANGING LAMP WITH MICA PANELS. Second quarter to mid 20th century. This unique example of hexagonal form, mounted with an octopus on opposing sides of the fixture, each Mica panel set within a molded metallic silvered tone frame, molded to mimic a wavy sand sea floor. The lamp is mounted on the rim with a three single lights, suspended by three link chains joined to a ceiling cap. Structurally very good, Mica panels are intact, very minor, slight corrosion to metal frame, very good overall. Shade is 8-1/2” tall x 19-1/2 long x 13” wide. 8-1/2” x 19 -1/2”. 1,200 - 1,800

www.MorphyAuctions.com | August 29, 2018

343 - PAUL FAIRLEY BRONZE. (CANADIAN, 1948 - 1991). “Abstract Cello.” Signed: On Base of Cello “P. Fairley 80”. Mounted on a round black Belgian marble. Very fine original surface, cello with nut brown patina, visage and player’s hand’s in a vertigree. 20” x 8 -1/2”. 2,500 - 3,500 344 - LAUNT THOMPSON WHITE MARBLE BUST. (AMERICAN, 1833 - 1894). “Bust Of Young Woman With Lace Bodice.” Signed: Scribed at back of base “Launt Thompson 1880”. She is sculpted with a chignon and ringlets at the back of her head, raised on a socle. Very good with light surface soiling, no damages or imperfections noted. 27” x 17 -1/2”. 3,000 - 4,000

LOT - 343

LOT - 344

344A - STATUE OF DANCING LADY. This chalk-like sculpture is of a women dancing caught mid-step. She leans back up against a three stump with her arm raised. The other arm, catches the top of her dress as it falls. Her head is tilted down, leading her gaze towards her feet. The statue is positioned on top of a small column as her pedestal. There is an exposed screw on the back of the statue at the top of the tree stump. There are also some small scratches to the paint along with several places where the paint has chipped off all together. Nicks and chips to the material are also present. 41” T. (Excellent). 1,000 - 2,000 345 - EMIL SIEBERN BRONZE STATUE (AMERICAN, 1888-1942). “Winged Woman” Note: Kunst Foundry NY mark. 34-1/2” T. 6,000 - 8,000

LOT - 344A

LOT - 345

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LOT - 346

SEE WEBSITE FOR ADDITIONAL PHOTOS

346 - ROBERT FARRINGTON ELWELL. (AMERICAN, 1874 - 1962). “Livingstone” Signed: Copyright symbol on base. Bronze depicts a Native American in a canoe. Fine bronze sculpture in original condition with untouched surface, fine verdigris and patina. Mounted on a black and green marble base. Very fine condition. 35” long not including marble slab. From the Ray Bentley Collection. 35” x 11 - 3/4” x 12 - 1/4”. 8,000 - 12,000 347 - ALLEN GEORGE NEWMAN BRONZE SCULPTURE. (AMERICAN, 1875 - 1940). “The Hiker.” Signed: JNO with copyright 1904. Depicts a standing Rough Rider with a gun over his shoulder. Williams Inc. foundry mark along the base. Fine original condition, untouched surface, dark brown patination. From the Ray Bentley Collection. 14 1/2” x 9 - 1/2” x 28- 1/2”. (Very Good). 6,000 - 8,000

LOT - 347

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LOT - 348

LOT - 349

LOT - 350

LOT - 351

LOT - 352

348 - ORIGINAL RUSTY PHELPS BRONZE “WHERE TRAVEL MEANT TROUBLE”. (AMERICAN, 1963 - ). “Where Travel Meant Trouble.” Signed: Signature not located. A very large and monumental bronze sculpture depicting a stage coach with a six horse team riding through the open countryside while under attack by three Indians on horseback. One Indian is about to mount the roof of the coach and another has grabbed the reigns of the lead horse, all while the occupants of the coach are firing rifles from within. This is a very well-detailed sculpture, which could be considered one of the artist’s best showpiece bronzes. The wood base is mounted with a brass plaque with the title and name of artist. Ray Bentley personally commissioned this bronze with Rusty Phelps. The rifle of the individual on top of the stage coach is bent and there are minor issues with the horse’s reigns which need reattaching; the surfaces are undisturbed with a dark brown color and fine patina. From the Ray Bentley Collection. This is not a standard shippable item and will require an oversized/breakable quote provided by Morphy Auctions. 16” x 50” x 19”. 4,000 - 6,000

350 - RUSTY PHELPS BRONZE SCULPTURE. (AMERICAN, 1936 - ). “Herding Buffalo.” Signed: Rusty Phelps. The group depicts a Native American waving a blanket on a rearing horse amidst three stampeding buffalo, all on a rock work base mounted on a shaped and molded wood plinth. Undisturbed surface and natural patina. From the Ray Bentley Collection. 20” x 18-1/2” x 22”. (Very Good - Excellent). 1,200 - 1,800

349 - RUSTY PHELPS BRONZE STATUE. (AMERICAN, 1963 - ). “Troppers Fighting for Their Lives.” Signed: Rusty Phelps 75 with copyright sign. Bronze figural group depicting an Indian on horseback with lance fighting two downed troopers. The horse leaping over one of the soldiers, all on a naturalistic rock work base. The one trooper’s rifle has broken off at his hands, the piece is present; otherwise good condition with untouched surface and chocolate brown patina. From the Ray Bentley Collection. 21” x 19” x 14”. (Good). 2,000 - 3,000

352 - AFTER A WORK BY FREDERICK REMINGTON BRONZE STATUE. (AMERICAN, 1861 - 1909). “The Scalp.” Signed: Inscribed on Base “Frederick Remington”. Depicts an Indian lifted high in his right hand mounted on a green marble plinth. Undisturbed opaque brown patina. Note: On the rock-wood is stamped in the rectangular plaque “Founders Authorize/ Edition No. 08/100”. 26-1/2” x 21”. 800 - 1,000

351 - MICHAEL B. COLEMAN BRONZE STATUE. (AMERICAN, 1946 - ). “Teddy Roosevelt.” Signed: Signed on top of rock work “Michael Coleman 4/35” with the copyright symbol. The bronze depicts Teddy Roosevelt in a pith helmet, shotgun over his left arm, standing in front of the skull of a long horned sheep, on a rock work base on a molded plinth. No foundry mark. Very good condition with mellow brown coloration with undisturbed surface and patina. From the Ray Bentley Collection. 9” x 7 - 1/4” x 17- 1/4”. (Very Good). 1,000 - 1,500

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LOT - 353

LOT - 354

LOT - 356

LOT - 357

353 - DUBB TUBB BRONZE STATUE. (AMERICAN, 1931 - 2003). “Empty Saddle.” Signed: Dubb, copyright sign, “78”. This sculpture group depicts a Texas Ranger riding a horse and leading a second horse, over whose saddle is draped a body, presumable a Texas Ranger killed on duty, all on a rocky base. Base is sculpted and inscribed with a banner, reading “Texas Rangers” above a five pointed Texas star. All mounted on what appears be a walnut wood shaped plinth with molded edge and affixed with a small brass plaque reading “Empty Saddle” in script above the name of the artist, “Dubb Tubb”. Statue has undisturbed surface with chocolate patina. From the Ray Bentley Collection. 14” x 22”. 800 - 1,200 354 - RUSTY PHELPS BRONZE SCULPTURE. (AMERICAN, 1963 - ). “Hunter and Native American in Canoe” Signed: On Base “Rusty Phelps 8-15-83” and copyright symbol. A very dramatic sculpture with strong details. Very good with original surface and dark brown patina. From the Ray Bentley Collection. 21” x 36” x 19”. (Very Good). 800 - 1,200

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356 - FREDERIC REMINGTON INSPIRED BRONZE STATUE. “Cattle Drifting Before The Storm.” The figural group depicting five long horned steers walking along rocky terrain, mounted on a marble plinth, is marked “Frederic Remington” and “100/500” on the base on the sculpture. The marble plinth is affixed with a plaque reading “Inspired by Frederic Remington” and the title, both in script. Sculpture is very fine overall, good original patina with brown coloration throughout on a green to black marble base. From the Ray Bentley Collection. 26” x 11 - 1/2” x 13 - 1/2”. (Excellent). 800 - 1,200 357 - BILL MACK WALL PLAQUE. (AMERICAN, 1949 - ). “GLORY.” Signed: Upper Right. A fine carved and molded rendition of a displayed eagle, housed in a double molded gilt frame with burl walnut and elm veneers. In very good plus condition. From the Ray Bentley Collection. 32” x 72”. 1,200 - 1,800

www.MorphyAuctions.com | August 29, 2018

LOT - 358

LOT - 359

LOT - 360

LOT - 361

358 - JAMES GRUZALSKI BRONZE SCULPTURE. (AMERICAN, 1938 - ). “Standing Bison.” Signed: Signed on the Plinth “J. Gruzalski”. James Gruzalski is most recognized for his busts of Native Americans. This fine statue with good detail depicts a standing bison with lowered tail on a rock work base mounted on a molded wood plinth. Limited edition, inscribed “19 of 30”, copyrighted. Very fine condition with undisturbed patina. From the Ray Bentley Collection. 16 -1/2” x 26 -1/2”. 800 - 1,200 359 - AFTER A WORK BY FREDERICK REMINGTON BRONZE STATUE. (AMERICAN, 1861 - 1909). “Polo.” Signed: Inscribed on Base Copyright by “Frederick Remington” Depicts a heated polo match. Very good with undisturbed, dark green brown patina. 17 -1/2” x 13” x 18”. 1,200 - 1,800

360 - UNKNOWN ARTIST BRONZE STAG SCULPTURE. (AMERICAN, 20TH CENTURY). “Stag Eating From a Tree.” Signed: Unmarked. Depicting a stag getting sustenance from the foliage of a branch. Posed on a naturalistic plinth. Very good original surface with olive brown patina. 15 - 1/4” x 15 - 1/2”. 700 - 900 361 - EXCEPTIONAL LION HOOKED RUG, FIRST QUARTER. First Quarter 20th century, American. This fine example depicting a rampant lion on a beige and pale indigo ground within a lozenged poly chrome border on an olive green ground. Now mounted on a ridged frame with linen backing. Some repairs above the eye of the lion, minimal and minor thread loss above proper left foreleg. General surface soiling overall. No staining observed. Good to very good overall. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. 29 -3/4 x 45-3/4”. 2,500 - 3,500

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LOT - 362

LOT - 363

LOT - 364

LOT - 365

362 - R. ROUSU. (AMERICAN, 20TH CENTURY). “Bronze Sculpture of a Bison Skull.” Signed: R. Rousu 84. Note: Foundry mark: “Wyoming Bronze” and copyright symbol. Also signed and inscribed on the verso of the skull. Undisturbed patina, olive green color, undisturbed surface; very good overall. From the Ray Bentley collection. 9” x 21-1/2” x 25”. 700 - 900 363 - RUSSIAN ICON. The image of Saint Nicholas with silver oklad, spandrills chased with scenes from the Saint’s life. There is some surface soiling and tarnish, missing the halo. Provenance: From the Tara Colburn Estate. 12” x 10 1/2”. 500 - 800

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364 - RUSSIAN ICON. 19th century. The Icon is depicting the Mother of God of Smolensk with silver oklad and enameled halo. In general good condition with tarnish and soiling, painting and enamel are good. Provenance: From the Tara Colburn Estate. 12” x 9 - 1/2”. 400 - 600 365 - LOT OF 2: PAIR OF RUSSIAN PAINTED & HIGHLIGHTED ICONS. Late 19th century. The first with an image of Saint Nicholas with gold heightened scaled background, decorated on a wood plank. The second is an image of Madonna and Child, with pronounced gold gilt halos, titled at left and right upper quadrant. Each with surface soiling, colors remain vibrant, mostly intact. The second with abrasions to borders and slight warping to board, otherwise good. 12” x 10”. Second 14” x 11-1/2”. Larger: 14” x 11 - 1/2”. 700 - 900

www.MorphyAuctions.com | August 29, 2018

LOT - 366

LOT - 367

LOT - 368

LOT - 369

366 - AFTER A WORK BY FREDERICK REMINGTON BRONZE STATUE. (AMERICAN, 1861 - 1909). “The Cheyenne” Signed: Inscribed on Base “Frederick Remington” Depicts an Indian brave riding on a horse mounted on a green marble plinth. Undisturbed nut brown patina. 21” x 22”. 600 - 800 367 - BRONZE FIGURE OF WWII JAPANESE NAVAL OFFICER. A fine bronze figure of a Japanese Naval Officer with binoculars in right hand and sword in left hand. Makers mark at rear of base, base is hollow. Overall appearance is very good to extremely fine with slight brassing at high edges, specifically binoculars and top of cap. Sword has become detached at the base and hanger strap is detached at the ring, which could be solder repaired. Note: Bronze figures such as these were often given as retirement gifts to Japanese officers. This example may have been given to a school master at one of the U.S.-Japanese Training Academies. We have been informed that the figure is probably of Admiral Heihachiro Togo (1848-1934). This was Japan’s greatest naval officer and victor of the battle of Tsushima, annihilating the Russian fleet in 1915. U.S. Admiral Chester Nimitz, helped with the preservation of the battleship Mikasa (Togo’s flagship) at Yokosuka, Japan. There is also a Togo Memorial Garden at the Nimitz Museum in Fredericksburg, Texas. 19-1/2” x 5-1/2”. 500 - 700 368 - RUSTY PHELPS BRONZE SCULPTURE. (AMERICAN, 1963 - ). “Native American Hunter.” Signed: On base “Rusty Phelps, Limited Edition, 13 of 15 examples” and “80”. Depicts a Native American on an exaggerated base of long grasses stalking game with a rifle in his right hand. Fine undisturbed surface, dark bronze-brown patina, mounted on a conforming molded wooden base, overall very good condition. From the Ray Bentley Collection. 9 1/2” x 9” x 18”. (Very Good). 400 - 600 369 - AFTER A WORK BY FREDERICK REMINGTON BRONZE STATUE. (AMERICAN, 1861 - 1909). “Mountain Man.” Signed: Inscribed on Base Copyright by “Frederick Remington”. Depicts a mountain man precariously riding his horse down a steep bank, on an oval green marble plinth with molded edge. Structurally sound with olive brown undisturbed surface. 28-1/2” T. 600 - 800

LOT - 370

370 - AFTER A WORK BY FREDERICK REMINGTON BRONZE STATUE. (AMERICAN, 1861 - 1909). “Outlaw.” Signed: Inscribed on Base Copyright “Frederick Remington” Depicting a rider on a bucking horse, hind legs rearing upward, mounted on a conforming oval green marble plinth. Generally in very good condition with olive brown patina. 24” x 14”. 600 - 800

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LOT - 371

LOT - 372

LOT - 374

LOT - 375

371 - AFTER A WORK BY FREDERICK REMINGTON BRONZE STATUE. (AMERICAN, 1861 - 1909). “The Cheyenne” Signed: Inscribed on Base “Frederick Remington” Depicts an Indian brave riding on a horse mounted on a black marble plinth. Undisturbed opaque brown patina. 20-1/2” x 22”. 400 - 600 372 - AFTER A WORK BY FREDERICK REMINGTON BRONZE STATUE. (AMERICAN, 1861 - 1909). “Mountain Man.” Signed: Inscribed on Base Copyright by “Frederick Remington” Depicts a mountain man precariously riding his horse down a steep bank, on an oval green marble plinth with molded edge. Structurally sound with olive brown undisturbed surface. 28” x 20 -1/2”. 400 - 600

374 - ALFRED DUBUCAND BRONZE STATUE. (FRENCH, 1898 - 1894). “The Ostrich Hunter in the Sahara.” Signed: On Base “DUBUCAND”. Depicts a native rider in pursuit of an ostrich in the savanna of Africa. Very good, untouched surfaces. Fine detail of casting. Cast in two parts, the seam joint in need of slight tightening. Note: Imprinted on the edge of plinth “Made in France”. 14 -1/4” x 17” x 8”. 3,000 - 6,000 375 - AFTER ANTOINE-LOUIS BAYRE. (FRENCH, 1795 - 1875). “Standing Bull.” Signed: Front Center Base “BAYRE” Sculpture in very fine original condition with olive brown patina and appropriate wear. There are minor surface scratches, noticeably on left shoulder and additionally along left body within the rib cage area, otherwise surface is undisturbed. 12” x 16-1/4”. 4,500 - 6,000

373 - FREDERIC REMINGTON BRONZE STATUE. (AMERICAN, 1861–1909). “Trooper of The Plains.” The bronze depicts a trooper riding a horse at full gallop jumping over a stump on a rock base; resting on a green marble plinth. Plaque on the plinth with title and artist. Very fine condition with a chocolate brown color, untouched surface and fine patina. From the Ray Bentley Collection. 19” x 22-1/2”. 300 - 500 134

LOT - 373

www.MorphyAuctions.com | August 29, 2018

LOT - 376

LOT - 377

LOT - 379

LOT - 378

LOT - 380

LOT - 381

376 - PAUL LUDWIG KOWALCZEWSKI BRONZE STATUE. (GERMANY, 1865 - 1910). “Plea of an Ancient Warrior.” Signed: Proper Left Side “P. Kowlczewski”. Sculpture representing a warrior gesturing skyward, spear held in his right hand, knife at his belt, standing on rock work base, joined to black, green and white marble socel with on an octagonal base. Very good, undisturbed surface showing appropriate wear and olive brown patina. 20-1/4” x 6 -1/4”. 2,000 - 3,000

379 - ROBERT GODEFROY BRONZE STATUE. (FRENCH, 1928 - ). “BAMERIUME DES BALEINES.” Signed: R. Godefroy. Large figural group depicting the hunt for a impressive sperm whale. One boat with a harpooner approaches the head of the whale while the second boat is foundering in the ocean. Note: The title is also inscribed beneath the waves on the edge of the base. From the Ray Bentley Collection. 11-1/2” x 18” x 14”. 1,000 - 1,500

377 - HANS KECK BRONZE. (AUSTRIA, 1875 - 1941). “To the Victor.” Signed: On rear of base. A classical bronze of a muscular Olympic Greek fighting athlete, a sword and wreath raised in his right hand, holding his helmet in his other hand, raised on a olive green marble base. Structurally very good with medium brown color and undisturbed patina, a series of small scratches or scrape marks on the right hip bone, 20” tall. Note: The bronze was produced in 1910 as referenced on Page 908 in volume four of a four volume publication titled “Bronzes: Sculptors & Founders 1800-1930” by Harold Berman and published by Schiffer. Raised on a black marble pedestal base. 24-1/2” T. 1,500 - 2,500

380 - JULES MOIGNIEZ BRONZE. (FRANCE, 1835-1894). “Poule de Houdan” Signed: End of Base “J Moigniez”. Undisturbed surface, overall very good condition. 5-1/2” T. 350 - 500 381 - BRONZE SCULPTURE. “Gazing Bison.” Signed: Unknown, Faint Signature behind Right Rear Leg. Depicting a standing buffalo with tail down, gazing to the right. Sculpture stands on a rock work plinth, on a wooden base. Well detailed with original patina and undisturbed surface. From the Ray Bentley Collection. 13” x 15”. (Very Good). 300 - 400

378 - ENRIQUE GUERRA BRONZE STATUE. (20TH CENTURY). “Texas Longhorn.” Note: Copyrighted inscribed on base, circa 1989. This realistic rendition stands on a modeled plinth, raised on a rectangular wood platform. Very fine, original surface with mellow brown patina. From the Ray Bentley Collection. 16-1/2” x 33-1/2”. 1,200 - 1,800

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LOT - 382

LOT - 383

LOT - 385

LOT - 384

LOT - 386

382 - JOAN MIRO BRONZE PLAQUE. (SPAIN, 1893–1983). “Laurels Number One 1947.” Signed: Lower Right “Miro” Circa 1947, after an etching and aquatint titled “Femme Et Oiseau Devant La Lune”. Note: Marked on the back “Laurels Number One/1947”. Patina removed from polishing. Overall good condition. 3-1/4” x 4-1/4” 300 - 500

384 - TIFFANY AND CO. BRONZE. “Portrait of a Gentleman” Signed: Side of Base “Tiffany & Co.” Late 19th - early 20th century, American, Tiffany and Company. The sculpture depicting a gentleman in a three piece suit, hands in pockets, with goatee and mustache. Subject is unidentified. Very good with nut brown color and undisturbed patina. 10-/2” T. 200 - 400

383 - BRONZE FIGURAL SHELF CLOCK. “One of the Finest” Signed: On the Back “Copyright 1881, No. 1102 D. Buchner & Co. NY”. Late 19th century, New York. Centering a small clock dial, the clock is set with in a pedestal, surmounted by the figure of an New York Police officer in full period uniform, a baton in his right hand across his chest. Clock movement is a simple key wind brass movement with corrosion to the dial. Undisturbed surface on clock face with dark brown patina. Considerable deterioration to the face of the clock. We assume it is no longer in running order, however, the movement itself looks fairly clean. Pedestal is decorated with scrolling leaf tips. From the Ray Bentley Collection. 7 - 1/4” x 5” x 17 - 1/2”. (Good). 200 - 300

385 - BRONZE 1929 BLOWER BENTLEY ON MARBLE BASE. Limited to 10 of 35 by Giubara. Car is 18” x 8” x 6”. From the Ray Bentley Collection. With Base: 24” x 10” x 8”. (Excellent). 2,000 - 4,000

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386 - SUPERB GEORGE WASHINGTON CARVING. Early mid 19th century. Walnut, original varnish type finish. Dressed in Masonic regalia, fine carving detail throughout, depicted holding his gavel and tricorn hat, wearing fancy ruffled shirt, vest with flower and squared fraternal embellishments, long topcoat and Masonic decorated apron, britches and dress shoes. Single piece full body carving, the work of a master carver. Excellent untouched original condition, one tiny abrasion on the side brim of the hat. 9” x 3”. 1,200 - 1,800

www.MorphyAuctions.com | August 29, 2018

LOT - 387

387 - GROUP OF 5: CIVIL WAR 1ST NATIONAL CONFEDERATE FLAG WITH GAR FLAGS. Lot includes: 1) Civil War 1st National Confederate flag, Stars and Bars, non battle flag; hand stitched, some fraying and tattering from age and use. Note: From previous owner, this flag purportedly take by a Union soldier from a house in Richmond, Virginia, when Richmond fell to the Union, 15-1/4” x 16-1/4”. 2) Civil War veterans GAR brigade flag, 3rd Brigade, Massachusetts; hand stitched, red shamrock with grey border, triangle form of 23” x 33”, some fraying and tattering from age and use. 3) Civil War veterans GAR flag, Massachusetts; hand stitched, red shamrock with grey border, 22” x 33”, some fraying and tattering from age and use, two areas of loss on right side of flag. 4) Civil War Veterans GAR 4th Corps Massachusetts, 4th Corps, U.S. Mail, hand stitched, green shamrock with green border, 20-1/2” x 33”, fraying and tattering from age and use. 5) Civil War Veterans UCV Flag (Blood Stained Banner) 3rd Confederate National Flag, hand stitched, Maltese cross with red “1” at center, grey blue field, fraying and tattering from age and use. All are framed under UV glass with acid free back boards. Largest Framed: 45 -1/4” x 33 -1/2”. 1,000 - 1,500 388 - INLAID WALNUT SLANT LID LETTER BOX. Third quarter 19th century, England. The rectangular counter top hotel letter box with sloping lid and inlay fan spandrels centering a letter slot with ebony panel and contrasting string inlays opening to the interior for the receipt of mail. The front viewing panel of beveled glass. Letter box offered with key. Structurally very good with original undisturbed surface. 9” x 12” x 7-1/4”. 800 - 1,200

www.MorphyAuctions.com | August 29, 2018

LOT - 388

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389 - EDWARDIAN OAK COUNTERTOP HOTEL LETTER BOX. Late 19th to early 20th century, England. The rectangular box of quarter sawn oak with sloping edge above the brass receptacle plate, embossed “LETTERS” above a hinged door with rectangular viewing plate. The box is offered with key. Old original surface with normal and expected in use wear, structurally very good. 14” x 9” x 6-1/2”. 600 - 800 390 - PAIR OF IRISH GUINNESS PAINTED TRADE SIGNS. First half 20th century, A pair of Guinness and Jamerson’s Whiskey trade signs for taverns in Ireland. Each paint-decorated on planks within a molded frame. One depicting a lobster holding a glass of Guinness Stout, the second similarly decorated with a crab. Both have dry crusty paint surfaces and visible vertical seam splits, otherwise very good. 40-1/2” x 58”. 5,000 - 7,000

SEE WEBSITE FOR ADDITIONAL PHOTOS LOT - 389

LOT - 390

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LOT - 392

LOT - 391

LOT - 393

391 - CARVED PINE “FISH CLUSTER” TRADE SIGN. Early 20th century, England or France. Each fish of this nice example carved from the solid and retaining early if not original paint. A carved wood band around the tail simulating a strap. Sign retains original iron hanging bracket. Painted surfaces are well worn and weathered commiserating with age and exposure. Wear and weathering as noted. One secondary fish separating at seam, in need of stabilization. Fins are intact. Good to very good overall. 60” x 29” x 3-1/2”. 2,000 - 2,500 392 - LARGE CARVED CRAB TRADE SIGN. First half 20th century, England or France. This fine example, the shell carved from a solid retains original iron hanging bracket. Designed as a single side sign. Carved from pine with remnants of original coats or paint, old copper bands around legs at joints to strengthen old repairs. Weathering from the elements on upper edges of the carving presenting a very pleasing appearance. Weathered with a large percentage of paint loss, proper right upper leg in need of strengthening. Overall very good. 45-1/2” x 63” x 7”. 2,000 - 2,500

393 - GOOD TWO SIDED CARVED FISH TRADE SIGN. First half 20th century, England or France. The single fish modeled with open mouth and tack teeth in old if not original blue grey and pink tones. The body cut from the solid, proper right side with old copper plates in the area of gills. A riveted copper plate affixed to the back behind the dorsal fin and also between the dorsal fin and head the purpose was to attach hanging chains for display. Structurally very good with weathering and paint wear and loss commiserating with age. All fins are original. Proper left pelvic fin with old sheet copper stabilizer. Good to very good overall. A realistic example. 53-1/2” x 22” x 6”. 1,500 - 2,000

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LOT - 394

LOT - 395

LOT - 396

LOT - 397

394 - HAND PAINTED APOTHECARY TRADE SIGN. Mid 20th century, England. The pine sign with slightly arched molded crest joint to a molded plinth, advertising druggist ointments, tinctures, and other elixirs. The letters are gold gilt highlighted above three banners proclaiming various medication flanked by images of apothecary bottles. Sign has been paint heightened and redone and believe to have not been put into use after restoration. Overall very good with vibrant palette and colors. A 1/4” paint fleck absent, right side facing just below the “R” in Elixirs. 20” x 41”. 1,200 - 1,800 395 - PAINT DECORATED OPTICIAN’S TRADE SIGN. Late 19th century. Pine, dry original paint. Thin stock, single plank construction. Graphic form depicting spectacles with bold calligraphy. Untouched original condition with normal and expected in use wear and weathering from the outdoor elements resulting in overall paint loss. Structurally very good. Good to very good overall. 11-1/2” x 36”. 1,500 - 2,500 396 - CARVED WINCHESTER RIFLE TRADE SIGN. Late 19th century, Philadelphia, Pennsylvania. This 14-foot example of carved flame-grained depicts a Winchester rifle of the era and served as a trade sign for the Walter Hatley Sporting Goods Store located at 510 Girard Street in Philadelphia where it was removed from the building in 1948. The gun retains its original metal back plate, trigger and sight. Applied to the top of the stock, rear of the sight, are applied brass letters forming the word “WINCHESTER”. Note: The Winchester trade sign was mounted vertically on the side of the building. Structurally good with darkened patina, surfaces weathered. 168” x 14 -1/2”. 4,000 - 5,000 397 - CARVED TRADE SIGN OF A DOUBLE BARREL SHOTGUN. Late 19th-early 20th century, American. Nicely carved with remnets of old if not original paint. The sign carved in two sections, joined at the rear sight/trigger area. The trigger guard of shaped metal, the triggers fashioned from heavy gauged bent nails. Shotgun remains mostly intact but with significant wear and weathering from long term display in the elements, the result is a pleasing effect as a piece of quaint folk art, overall fair to good. 8” x 76”. 500 - 700 140

LOT - 398 398 - VINTAGE FOLK ART APOTHECARY SHOP TRADE SIGN. Early 20th century. The bust, carved and painted as the head of a sailor with slouch hat, white collar and kerchief, has a pill on his tongue. It retains an early if not original iron bracket fastener, now mounted on a later rectangular wooden plinth,provenance of OLIVER CLARK. 18” tall. 22” x 11 -1/2”. 3,000 - 6,000

www.MorphyAuctions.com | August 29, 2018

LOT - 399

399 - EXCEPTIONAL BLACK FOLK ART CARVING OF A YOUNG BOY. Late 19th to early 20th century, possibly Ohio. Carved from the solid, depicting a young man in a sitting position, hands crossed in lap and with crossed legs. Carved with a pleasant and lifelike smile, attired in a three button jacket with collard shirt, and three quarter length trousers or knickers, posed with bare feet. The carving with professional restoration, painted surfaces have been restored. The torso carved from the solid in two half sections and joined with butterfly clips. Each leg joined to the torso at the thigh. This appears original. Surfaces show normal and expected light wear commensurate with age. Very fine overall. Note: Chair for prop only. 48” x 14” x 25”. 15,000 - 18,000

www.MorphyAuctions.com | August 29, 2018

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LOT - 401

LOT - 400

LOT - 402

LOT - 403 400 - FINE CARVED GEORGE STAPH EAGLE WALL PLAQUE. Circa 1900, Harrisburg and Lancaster, Pennsylvania. George Staph (1862-1958). Of typical form, nicely, relief carved displayed eagle in the classic Staph manner. Weathered original gilt over gesso base with old red details of later vintage. Old glue repaired horizontal break on proper right wing, not visible from the front. Otherwise, very good condition with fine patina. 30” x 5”. 2,000 - 4,000 401 - RARE CARVED AND DECORATED MECHANICAL FIGURE OF A WOMAN IN LONG DRESS. First quarter 19th century, Continental. This mechanical figure of a woman mounting on a plateau, further mounted on a box within which contains the various rods that connects to the mechanism within her body. When the figure is operated from the small rods, her articulated arms move at shoulder and elbow and her head turns side to side or makes a nodding movement. The whole with classical revival paint decoration. This object retains what appears to be all original paint decoration, the female figure with losses to torso and right shoe, the rear cover to the figure is absent, the mechanism appears partially operational but would need a complete restoration to function as it was designed. 25-3/4” x 14 - 1/2” x 10 - 1/2”. 1,200 - 1,800 402 - FOLK ART COMPOSITION AND CLOTH BLACK DOLL OF A WOMAN WITH BANDANNA. First third 20th century, American. The doll is posed in paper clothing comprised of a long sleeve full length dress with collar, red trim and black cuffs, with matching dark blue apron simulated calico design and wearing black shoes, mounted on a simple wood plinth. Offered with Plexiglas display case. Generally in poor to fair condition with extensive deterioration of bandanna and paper clothing, missing right foot. The display case has a break in the top corner and a hairline crack in one of the panels. 20” T. 300 - 500 142

LOT - 404 403 - LARGE CHALKWARE FIGURE OF A RECUMBANT DEER. Late 19th to early 20th century. This nicely paint decorated example of a deer with raised right foreleg, modeled on a rocky plinth. Structurally good with small abrasions and spot paint losses throughout, notable along base, tail and antlers. 16” x 15-3/4”. 300 - 500 404 - CHAMPAGNE CHARLIE ARTIST PROOF FOR CHARLES HEIDSIECK CHAMPAGNE. First half 20th century, England. The painting on canvas depicting Charles Heidsieck in showman’s outfit. These signs were produced by a studio of artist for companies such as Moet & Chandon, Guinness and others. We believe this is an example from the studio, never used for advertising. Front is affixed with a small sign “Advertising Artwork c. 1880/ Return to Library”. Now housed in a modern frame under Plexiglas. Horizontal fold crease at midpoint, otherwise very good. 43” x 29” (sight). Framed: 45-3/4” x 32-1/4”. 1,200 - 1,800

www.MorphyAuctions.com | August 29, 2018

LOT - 406

LOT - 405

LOT - 407

LOT - 408

405 - EXCELLENT HEART FORM FOOTED CHEESE DRAINER. Circa 1820 - 1840, Pennsylvania. Rolled sheet iron. Elaborately punch decorated, canted sides with rolled edge rim, applied triangulated feet and hanging ring. All solder seams intact. Fine patina throughout. Excellent untouched condition, expected old in use wear. 14” x 13-1/2”. 1,000 - 2,000 406 - PAINT DECORATED SIGN OF THE OCEAN LINER “WESCOTT”. Mid 20th century, American. The sign cut out in profile, depicting a two stack liner on the open ocean, painted in black, yellow and white with blue and white highlighted waves. Structurally good with normal and expected paint wear, losses and abrasions. The boom and antenna at mid-ship with losses. 74” x 44”. 1,000 - 1,200

407 - PAIR OF LARGE RARE MERCURY GLASS APOTHECARY BOTTLES. Mid 19th century. Each with glass stopper. The stoppers are marked “10,000 ML”. Each with a blue panel framed by scroll worked marked with the original contents “Indian Cannabis” and “Laudanum” 16” tall x 8-3/4” diameter. Bottles are in very good condition; silver interior with age appropriate wear and losses, minor loss to painted labels. Stoppers are well fitted and intact. Overall good. 16” T. 2,000 - 2,500 408 - UNUSUAL HAND COLORED RENDERING OF THE OCEAN LINER “ILE-DEFRANCE”. Early 20th century, France. Housed in a simulated marble molded frame with gold liner and rose mat with watercolor and gauche heightened areas. In very good, untouched condition, no imperfections, damage or restoration noted. 10-1/2” x 23-1/2” (sight). Framed: 20” x 33”. 600 - 800

www.MorphyAuctions.com | August 29, 2018

143

LOT - 409

409 - FINE LARGE GODDESS OF LIBERTY COPPER WEATHERVANE. Mid 19th century, New England. Probably individually made flattened copper molded weathervane, the flag simulating waves, face with full blown feathers and exaggerated extended arms. This exact model is illustrated in “A Gallery of American Weathervanes and Whirligigs” by Robert Bishop & Patricia Colbentz published Dutton in 1981 on page 49. Old second gilt surface (early 20th century) with good verdigris and patina, very fine, undisturbed condition overall. Offered with a museum stand. 39-1/2” x 30-1/2”. 40,000 - 60,000

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www.MorphyAuctions.com | August 29, 2018

LOT - 410

410 - FINE LEAPING STAG WEATHERVANE. Late 19th to early 20th century, E.G. Washburne & Co., New York. This fine large example with cast bronze head and antlers with molded tail, a good deep variegated verdigris with remnants of black paint on mounting rods. All solder seams intact, no dents or bullet holes. Very fine, untouched original condition. Very good overall. Museum stand included. 24 -1/2” x 27-1/2”. 8,000 - 12,000 411 - FULL BODY COPPER COW WEATHERVANE. Last quarter 19th century, attributed to L.W. Cushing & Sons, Waltham, Massachusetts. This example of a molded copper vane, now in “barn find” condition, retains some original gilding with good natural corrosion and verdigris. The body with two unrestored bullet holes. Surface as noted, seems have splits along back of neck and front chest of animal. Both horns have been bent, support rod original but with a bow, tail is original, in “as found” condition. Great candidate for restoration. Offered without stand. 15” x 25”. 2,000 - 3,000 LOT - 411

www.MorphyAuctions.com | August 29, 2018

145

LOT - 412

412 - FINE TOBACCONIST COUNTERTOP INDIAN PRINCESS DISPLAY FIGURE. Mid 19th century, The Shop of Samuel Robb, New York City, New York. The figure carved with headband and earrings rendered with long straight black hair, red cape, decorated tunic, leggings and moccasins. She is holding a bundle of cigars and a package marked “Tobacco” in her right arm, a pouch in her left hand by her side. Carved standing on a square base within a simple painted frame, “CIGARS” painted on the side. This lot is offered with a square paint decorated box base with carrying handles, decorated overall with simulated wood grain. Figure is 42-1/2” tall x 14-1/2” wide x 15” deep. Box base is 16” x 23” x 23”. This lot is accompanied by an original bill of sale from Oliver Clark, New York City, New York. Carving retains what is likely original painted surface with normal and expected soiling and weathering. An old stable vertical shrinkage split at the back of the figure. Normal and expected deterioration to the plinth base on the figure. Box base with original decoration. Overall good original untouched with desirable “crusty” surface. 58” x 23”. 15,000 - 25,000

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LOT - 413

LOT - 414

LOT - 416

LOT - 415

LOT - 417

413 - CIGAR STORE CHALKWARE BUST OF NATIVE AMERICAN WITH BEAR CLAW NECKLACE. The sign appears to retain original paint and decoration, good to very good with some abrasions to paint surface on high points of bust. “Copyright 1900 The Bailey Co.” marked on back. 17 -1/2” x 13”. 400 - 600 414 - LOT OF 2: PLASTER PORTRAIT BUSTS “HIAWATHA Late 19th to early 20th century, Francis Statuary Company, Cleveland, Ohio. The first with a stamp of manufacturer, the second is unmarked but with name of subject. The marked bust is in good to very good condition with minimal paint loss. The second, unmarked example, with abrasions and paint loss throughout, significant chip to tip of nose and additional chips around edges and plinth, poor to fair condition. 28” x 17 -1/2”. 150 - 250 415 - LADIES SOLID GOLD & GOLD QUARTZ PIN. Circa 1860. Oval in the center is divided into four partitions; two inlaid with black gold quartz and two with grey. Floral ends are highlighted with black enamel designs. All the bare gold is decorated with a stippled pattern on top. Overall fine condition. 2-3/4” L. (Very Good). 2,000 - 4,000 416 - LOT OF 3: 14K YELLOW GOLD PIECES. First is a pendant with amber, 1-1/2” diameter. Second is a pin with diamond, 2-1/2” long. both probably 14K, not marked, and in excellent condition. Third is a 18K yellow gold modern pendant, 7.4 DWT. 800 - 1,200

LOT - 418

417 - LOT OF 15: PIECES OF 14K GOLD. Lot includes: six rings, some bracelets, earrings and pendants and one necklace. Total weight with stones: 35 DWT. 1,000 - 1,500 418 - 14K GOLD PANDORA BRACELET WITH 21 CHARMS & CLIPS. 14K Yellow Gold Pandora Charm Bracelet with a total of twenty-one 14K Yellow Gold Pandora charms with clips. Some set with diamonds, rubies and murano glass. Overall length measures 8”. Gross weight is 49.9 DWT. The bracelet and all but one charm/clip are clearly marked “ALE 585”. (Excellent). 1,200 - 1,800

www.MorphyAuctions.com | August 29, 2018

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LOT - 420

LOT - 419

LOT - 421

419 - 14K YELLOW GOLD CHAIN WITH 3 DIAMONDS. Diamonds are 1.0 carats V.S.1, G-H color. 17” chain. 800 - 1,500 420 - LOT OF 3: 14K AMETHYST & PEARL EARRINGS, RING & NECKLACE. Lot of three vintage 14k yellow gold amethyst and pearl jewelry items including one pair of earrings, a ring and a necklace. The earrings are pierced/post style, being marked “14K” on each back/nut, and each have one prong-set faceted oval amethyst measuring 12x10mm along with four half-drilled round pearl measuring 2.5mm each. The earrings measure 20mm long by 17mm wide. The ring is marked “14K” and consists of one bezel-set faceted oval amethyst measuring 14x10mm, along with 20 bead-set half-round seed pearls. The ring measures 21mm at the widest point, and is size 7-1/2. The pendant has a grape motif with a biw on top. It is marked “14K” on the bale, and consists of one rectangular faceted amethyst with cut corners, measuring 20x15mm, along with 18 half-drilled baroque pearls. The pendant can also be work as a brooch, and has a pin closure on the back. It is currently hanging on 14k yellow gold 1.5mm wheat chain measuring 20” in length. The pendant/brooch measures 45mm long by 29mm wide. There appears to be one small pearl missing. Gross combined lot weight is 19.5 DWT. (Good-Very Good). 1,200 - 1,500

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 422

421 - 14K GOLD THREE-PIECE RUBY & DIAMOND JEWELRY SUITE Three-piece ruby and diamond jewelry suite in 14k yellow gold consisting of one pair of pierced earrings, one ring, and one hinged bangle bracelet. The earrings are marked “585” and each contain 36 channel-set square cut rubies, and 37 channel-set round cut diamonds. The earrings measure 20mm long by 11mm wide, and have French wire backs. The ring is marked “14K 585” and contains 36 channel-set square cut rubies, and 37 channel-set round cut diamonds. The ring measures 11mm at the widest point and is size 8-1/2. The bracelet is marked “14K 585” and contains 96 channel-set square cut rubies, and 98 channel-set round cut diamonds. The bracelet measures 11mm at the widest point, and has an inside diameter of 2-3/8”. One of the earrings is missing a small ruby. Gross combined lot weight is 26.0 DWT. (Very Good). 1,000 - 1,500 422 - LOT OF 5: 14K YELLOW GOLD NECKLACES. First is a 18” chain with cross, then a 16” chain with pug dog. Third a 20” chain with cameo pendant. Fourth a 18” chain with cross and ruby. Last a 18” chain with “Missy” pendant. 25 DWT. (Excellent). 800 - 1,200

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LOT - 423

LOT - 424

LOT - 425

LOT - 426

423 - 18K GOLD, SAPPHIRE & DIAMOND TENNIS BRACELET. 18k yellow gold sapphire and diamond tennis bracelet consisting of fourteen bezel-set faceted oval blue sapphires, fifty-two channel-set faceted square cut blue sapphires, and fifty-six round full cut diamonds. Approximate diamond total weight is 0.50cts. Approximate sapphire total weight is 7.50ctw. Length is 7-1/4”, Width is 1/2” at center. Gross weight is 17.0 DWT. This bracelet is accompanied by an independent jewelry appraisal dated from October of 2012, with estimated pre-tax retail replacement value of $5,750. (Very Good). 1,500 - 2,500

425 - 18K YELLOW GOLD THICK LINK CHAIN. 19” chain, 29.5 DWT. 1,200 - 1,800 426 - LOT OF 6 GOLD PIECES. Lot includes: 18K yellow gold enameled bird on branch pin, 2” long, 4.75 DWT. Cameo pendant on a 14” 14K white gold chain. Blue stray pendant on a 16” 14K white gold chain. These pendant and chains together weigh 4.4 DWT. 20” 14K yellow gold chain. 14K yellow gold ring. Cross with modern Jesus. 18 DWT. (Excellent). 800 - 1,500

424 - LOT OF 3: 14K GOLD BRACELETS. Lot includes: 14K white and yellow gold bracelets, 7-1/4” long. 14K diamond tennis bracelet, 7” long. 14K tennis bracelet with simulated diamonds, 7” long. 14.6 DWT. (Excellent). 500 - 700

www.MorphyAuctions.com | August 29, 2018

149

LOT - 427

LOT - 428

LOT - 430

LOT - 429

LOT - 431

427 - LOT OF 11: 10K YELLOW GOLD PIECES. Lot contains: High school ring from 1977. Ladies ring with small diamonds, size 7-3/4”. Baseball charm. Two crosses, 1” and 1-1/4” long. Two heart pendants with small diamonds, 1” long. Bracelet with simulated diamonds. Necklace with blue stone, 14” long. Necklace 22” long. 29 DWT. (Excellent). 700 - 900

429 - LOT OF 3: 14K YELLOW GOLD NECKLACES. Chains are 18”, 14”, and 18” long. 16.6 DWT. 500 - 800

428 - LOT OF 5: 14K YELLOW GOLD PIECES. Lot contains: 14K yellow gold 22” necklace. 1/2” 14K teddy bear with diamond and 15” chain. 1-1/2” 14K white and yellow gold cross with 22” chain. 14K xa heart necklace with 20” chain. 14K xa lady bug bracelet, 6”. (Excellent). 600 - 900

431 - LOT OF 8: 14K GOLD PIECES. Lot includes: Two pairs of men’s cuff links with small diamonds, a cameo pendant 1” long, a charm bracelet with three children charms, a heart pendant with simulated diamonds, and three charms including a teddy bear, Mom with hearts, and a sun. 17.4 DWT. (Excellent). 500 - 800

150

430 - LOT OF 3: 18K YELLOW GOLD PIECES. Lot includes: 7” bracelet, 8” bracelet, and a ring with yellow topaz, size 6-3/4. (Excellent). 500 - 700

www.MorphyAuctions.com | August 29, 2018

LOT - 432

LOT - 433

LOT - 434 432 - LOT OF 7: 14 & 10K GOLD PIECES. Lot contains: Pierced earrings with small diamonds and sapphires. 14K white gold earrings with matching 1” long pendant. 14K white gold pear pin, 1-1/4” long. 14K xa Tree of Life pin, 2” long. 14K - 12 DWT. Also three pairs of 10K gold pierced earrings. (Excellent). 500 - 700

LOT - 435

433 - LOT OF 3: 14K MULTI-COLOR GEM RING & BRACELET SET, WITH DIAMOND EARRINGS. Lot of three items. 14k Yellow Gold Multi-Color Semi-Precious Gemstone bracelet and matching domed ring set with rectangular faceted Peridot, Amethyst and Blue Topaz. Bracelet measures 7-1/2” long, 3/8” wide and weighs 19.9 DWT. Ring is measures 7/16” wide and weighs 4.0 DWT. Finger size 8. Ring and bracelet are both stamped “14KMG”. Also included in this lot is one pair of 14k Yellow Gold Diamond pierced earrings with Euro-wire backs. They are set with a total of 164 (82 in each) straight and tapered baguette cut diamonds with an approximate total weight of 4.00cts. Earrings measure 7/8” long, 9/16” wide and weigh 10.0 DWT. Each earring is stamped “14K”. Gross weight for this entire lot is 33.90 DWT. (Very Good-Excellent). 1,700 - 2,500 434 - 14K GOLD 30” BYZANTINE CHAIN NECKLACE. 14k yellow gold 30” byzantine chain necklace with lobster claw clasp. Measures 7x7mm wide. Stamped “14K” on each end tab, and also on the clasp. All jump rings are semi-hollow and soldered closed. Gross weight is 34.9 DWT. (Very Good-Excellent). 1,400 - 1,800 435 - 14K GOLD OMEGA CHAIN WITH RUBY & DIAMOND SLIDE. 14k yellow gold 4mm domed 18” omega necklace with a ruby and diamond slide pendant. Six channel-set, faceted tapered-baguette cut rubies and 93 channel-set, faceted tapered-baguette cut diamonds. Approximate diamond total weight is 2.00cts. Slide measures 43mm long by 13mm high and is stamped “14K”. Omega chain is stamped “14KT Italy”. Combined gross weight is 27.5 DWT. (Very Good-Excellent). 1,200 - 1,500

LOT - 436

436 - 18K GOLD EMERALD & DIAMOND BANGLE BRACELET. 18k yellow and white gold emerald and diamond hinged bangle bracelet. Twisted cable design. Three bezel-set faceted oval cut natural emeralds measuring approximately 5x7mm each. All three stones with natural fracture lines and visible inclusions. 42 bead-set faceted round cut diamonds measuring approximately 2mm each. Approximate diamond total weight is 1.00cts. Stamped “18K”. Bracelet measures 3/8” at widest point, and 2-1/2” across (inside diameter). Gross weight is 21.6 DWT. (Very Good). 1,200 - 1,800

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437 - 10K GOLD VICTORIAN SLIDE ON CHAIN WITH LOCKET. 10K yellow gold Victorian slide on round link chain with a multi-color 10k gold and diamond round locket. Locket is fashioned from an antique pocket watch case decorated on each side with a flowers, leaves, a horseshoe, riding whip and cap. There is also one old mine cut diamond set into one side. Marked inside “D.W.C.C.” over a half sun, and numbered “9195”. The slide, chain and locket have all been electronically tested to be 10k gold. The swivel hook is stamped “14K”. Chain length is 28”. Gross weight is 21.6 DWT. Locket measures 1-9/16” in diameter. Slide measures 1” long by 3/4” wide, and is decorated with black enamel and one small seed pearl. (Very Good). 800 - 1,000

LOT - 437

LOT - 438

LOT - 439

438 - LOT OF 2: 18K OVAL PARROT LOCKET & 10K CAMEO BROOCH/ PENDANT. Lot of two antique jewelry items. One tri-color gold oval parrot locket with a bezel-set round ruby eye and nine single-cut round diamonds, stamped “18K” on the bale, measuring 44mm by 29mm with a gross weight of 7.5 DWT. One 10k yellow gold carved cameo brooch/pin with folding pendant bale, unmarked, measuring 49mm by 39mm with a gross weight of 7.7 DWT. (Good-Very Good). 800 - 1,200 439 - 14K GOLD TIFFANY & CO. SAPPHIRE ETERNITY BAND IN BOX. 14k Yellow Gold Vintage Tiffany & Co. Sapphire Eternity Band. 13 faceted round cut natural blue sapphires measuring approximately 2.5mm each. Two of the sapphires have visible breaks, while others show surface scratches and nicks. The ring measures 4mm wide, and is finger size 8. The textured 14k gold setting shows signs of wear consistent with use and age. Gross weight is 2.95 DWT. Stamped “Tiffany & Co. 14K”. Includes genuine Tiffany & Co. ring box. (Good-Very Good). 700 - 900

LOT - 440

LOT - 441

440 - 18K GOLD 4 PIECE PINK CORAL JEWELRY SUITE. Four piece pink coral jewelry suite in yellow gold consisting of one pair of 18k pierced earrings, one 18k ring, one 18k bracelet and one 14k necklace. The earrings are marked “750” and each contain one bezel-set oval cabochon pink coral measuring 10x8mm. The ring is marked “750” and contains one bezel-set oval cabochon pink coral measuring 16x12mm. Ring size 9-1/2. The bracelet is marked “750” on the clasp which contains one bezel-set oval cabochon pink coral measuring 14x10mm. The bracelet is strung with a total of 111 5mm pink coral beads divided into three equal strands. The necklace is marked “14K” on the clasp which contains one bezel-set oval pink coral measuring 7x5mm. The necklace is strung with a total of 80 individually knotted pink coral beads graduating in size from 5mm to 12mm. Gross combined lot weight is 45.8 DWT. (Very Good-Excellent). 700 - 900 441 - 14K GOLD SIGNED & NUMBERED NANTUCKET BELLE BASKET LOCKET. 14k yellow gold vintage Nantucket Belle locket by Diana Kim England. This miniature is designed after a wooden basket shape, and includes a round inlay of genuine ebony with three gold sea shells on top along with a scrimshaw depiction of a large sailing ship on the inside lid. There is also a small gold heart on a chain hidden inside. Limited edition of only 200 pieces. Signed “DKE 14K 33/200” on reverse. Gross weight is 10.5 DWT. (Very Good). 600 - 800

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LOT - 442

LOT - 443

LOT - 444

442 - LOT OF ASSORTED COSTUME & STERLING SILVER JEWELRY. Lot includes: Vendome necklace and earrings, necklace 20” long. Antique large pin with turquoise and ruby flowers, 3” long. Yellow gold beaul necklace, 14” long, bracelet and earrings. Brass pin with charus hearts and cherubs. Brass bracelet with heart charms. 20+ pieces imitation diamond, necklaces, bracelets, pins and other. Five heavy hinged bracelets, .925 silver. 16” necklace with simulated diamonds. Genevieve pendant with turquoise cuff links. Filigree pin, 2-1/4”. Two Native American Indian bracelets, one with Zuni inlay. 45” necklace, Tiffany style bracelet with heart, 20” chain with pendant, and sterling silver bracelet. Four rings with sterling and gold. Sterling bracelet with small diamonds and rubies with matching earrings, four assorted rings, lariat with turquoise stone, and amber colored choker. 600 - 1,200 443 - LADIES ROLEX DATEJUST WATCH REF. 69173, CIRCA 1989. Ladies Rolex Datejust Oyster Perpetual Watch in 18K Yellow Gold & Stainless Steel with Rolex Jubilee Bracelet. Case diameter is 26mm. Champagne index dial with date at 3 O’clock. Fluted gold bezel. Quick-set, 19 Jewel Automatic, Self-Winding Swiss Rolex Movement, Caliber 2135. Screw-down crown. Sapphire crystal with flea bites to edge between 11 and 12 O’clock. Reference No. 69173, Serial No. L548XXX, circa 1989. Bracelet marked “Steelinox Rolex Swiss Made” and “DE3 62523D-18” on clasp, and “468 B” on ends. Bracelet is in excellent condition with almost no signs of wear or stretch. Length is adjustable from 7.5” to 8”. Running. (Very Good-Excellent). 1,500 - 2,500

LOT - 445

LOT - 446

444 - LADIES CARTIER SANTOS GALBEE WATCH REF. 1567 IN BOX. Ladies Cartier Santos Galbee Watch in 18K Yellow Gold & Stainless Steel, Reference No. 1567. Case diameter is 24mm. Brushed silver dial with gold Roman numeral markers in gold and blued steel hands. Sapphire crystal. Cartier Swiss quartz movement, caliber 157. The faceted blue sapphire set in crown is worn with visible fracture. Case, bracelet and bezel showing wear and scratches. Includes original Cartier inner box with four removed links from bracelet. Current length is 7”, adjustable from 5” to 8”. New battery installed in June of 2018. Running. (Very Good). 1,200 - 2,200 445 - 14K & STEEL LONGINES AUTOMATIC 5 STAR ADMIRAL WATCH IN BOX. 14k Gold & Stainless Steel Longines Automatic 5 Star Admiral Watch with Date In Box. Case diameter is 35mm. Circa 1960’s. Outer caseback reads “14k Gold Bezel SS Back” and “Remove Bezel To Use Admiral 1260 Wrench”. Bezel and lugs are 14k yellow gold; case and caseback are stainless steel. Swiss made. Includes an 18mm black stitched replacement strap and a period Longines box. Running. (Excellent). 800 - 1,200 446 - 14K GOLD TISSOT VISODATE SQUARE WRISTWATCH. 14k Yellow Gold Tissot Visodate Square Wristwatch. Circa 1950’s. Case diameter is 29mm. Inner caseback marked, “Tissot 14k 0.585 42408-1, N-41”. Movement marked “Tissot 17 Jewels, Swiss”. Caliber No. 782-1, mechanical/manual wind. Includes an 18mm black stitched leather replacement strap and a Mathey-Tissot box with hang tags and booklet. Running. (Excellent). 800 - 1,200

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LOT - 447

LOT - 448

LOT - 449

LOT - 450

LOT - 451

447 - 14K GOLD 1950’S LONGINES DIAMOND WATCH IN BOX. 14k Gold 1950’s Longines Diamond Watch In Box. Case diameter is 29mm, and it is set with two round diamonds in white gold bezels. Black dial with white gold diamond markers. Dial and hands both with slight oxidation and crown shows wear from age and use. Inner case-back marked “Longines-Wittnauer Watch Co. Inc. New York Geneva Montreal K&E 14K 118865”. Mechanical wind movement marked “Longines Watch Co. Swiss Seventeen 17 Jewels”. Serial number 8568178, Caliber 22L. Includes an 18mm black stitched replacement strap and a period Longines box. Running. (Very Good). 800 - 1,200 448 - 14K GOLD MOVADO 1950’S WRISTWATCH IN BOX. 14k Yellow Gold Movado Wristwatch. Case diameter is 33mm. Circa 1950’s. Mechanical wind. Inner caseback marked, “14K 0.585, Movado Factories, Switzerland, A1132786 & 48145”. Inner dust cover/cuvette marked, “Metal, A1132786 & 48145”. Movement marked, “Movado Factories, Swiss Made, 17 Seventeen Jewels, Unadjusted” and (Cal.) “7025”. Includes a 16mm black lizard-grain leather replacement strap and newer Movado watch box. Replacement strap and buckle. Running. (Very Good). 800 - 1,200

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449 - LOT OF 297 WASHINGTON QUARTERS. Ranging from 1943 to 1964. Includes a partial album, most are loose. From average circulation to BU. $74.25 face value. Largest: 9 -1/4” x 6 -1/2”. 800 - 1,000 450 - LOT OF 86: WALKING LIBERTY HALF DOLLARS. Ranging from 1916 to 1947. Includes two partial albums, 1917-S, 1917-S obverse, and 1917-D. Average circulation. $43.00 face value. Largest: 8” x 5 -1/2” . 500 - 700 451 - LOT OF 89: FRANKLIN & BARBER HALF DOLLARS. Lot includes 83 Franklin Half Dollars and six Barber Half Dollars. The Franklin’s range from 1948 to 1963. Includes a partial album. Average circulation. $44.50 face value. Largest: 8” x 5 -1/4”. 500 - 700

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LOT - 452

LOT - 453

LOT - 454

LOT - 455

LOT - 456

LOT - 457

452 - LOT OF 3: EARLY ALBUMS OF MORGAN & PEACE SILVER DOLLARS. Lot includes 29 Morgans and 22 Peace Dollars. Morgan Dollars: 1886-O XF; 1887 XF+; 1887-O F; 1887-S VG; 1888 XF+; 1888-O F+; 1889 F+; 1889-O F; 1890 AU; 1890-O F; 1890-S AU+; 1891 XF; 1891-O F; 1891-S AU; 1892 XF; 1892-O G; 1896 BU; 1896-O F; 1897-S AU; 1898 XF+; 1898-S F+; 1899-O G+; 1900-O F; 1901 VG; 1901-O VG; 1902 G; 1921 BU; 1921-D BU; and 1921-S BU. Peace Dollars: common dates, eight BU and eight VG/F plus six loose coins F. Largest Book: 8” x 5 -1/2”. 1,300 - 1,600

453 - LOT OF 50: MORGAN SILVER DOLLARS. Common dates. VG - XF+. 1,200 - 1,800 454 - LOT OF 40: MORGAN SILVER DOLLARS. Common dates. XF - BU. 1,200 - 1,500 455 - LOT OF 60: PEACE SILVER DOLLARS. Common dates. G - AU. 1,000 - 1,500 456 - LOT OF 40: PEACE SILVER DOLLARS. Common dates. XF - BU. 1,000 - 1,400 457 - 1885 CC CARSON CITY MORGAN SILVER DOLLAR. MS65 NGC. 800 - 1,000

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LOT - 458

LOT - 459

LOT - 460

458 - LOT OF 25: MOGAN SILVER DOLLARS. Lot includes: 20 coins in early album of 1878-1886 and five loose coins XF+. 1878 Seven Tail Feathers AU; 1878-S AU; 1879 XF; 1879-S AU; 1880 F; 1880-O F; 1880-S XF+; 1881 G; 1881-O XF; 1881-S MS 60+; 1882-O F; 1882-S AU; 1883 F; 1883-O AU; 1883-S G; 1884 F; 1884-O XF; 1885 AU; 1885-O AU; and 1886 BU. Largest: 8” x 5 -1/2”. 700 - 1,000

LOT - 461

SEE WEBSITE FOR ADDITIONAL PHOTOS

459 - LOT OF 3: CARSON CITY SILVER DOLLARS. Silver dollars are in government plastic holders, no boxes or paper work. 1882-CC MS 62/63, 1883-CC MS 64/65, 1884-CC MS 63. Each Case: 5 -1/4” x 3 -1/2”. 600 - 900 460 - LOT OF 4: HIGHLY TONED MORGAN SILVER DOLLARS. Lot includes: 1884-O, 1888, 1897, and 1900. All are MS60. 500 - 1,000 461 - 1885 CARSON CITY PCGS W/ UNCIRCULATED DETAILS. 1885 Carson City PCGS with genuine uncirculated details 500 - 700 462 - LOT OF 3: HIGHLY TONED MORGAN SILVER DOLLARS. Coins dated 1879, 1886 and 1898. All are AU/BU with golden tones in her hair and purple highlights in the periphery. 400 - 800

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LOT - 462

LOT - 463

LOT - 464

LOT - 465

LOT - 466

LOT - 467

463 - LOT OF 8: MORGAN SILVER DOLLARS. Lot includes: 1880-O MS60, 1884-O MS60, 1885 MS62, 1886 MS60, 1887 MS62, 1887-O AU, 1900 AU, and 1921 MS60. 400 - 600 464 - LOT OF 2: CARSON CITY MORGAN SILVER DOLLARS. Lot includes: 1878 Carson City PCGS AU58 and 1880 Carson City F. 400 - 700 465 - LOT OF 3: CARSON CITY MORGAN SILVER DOLLARS. Lot includes: 1880 F, 1882 MS60, 1891 Carson City XF. 400 - 600

466 - LOT OF 10: SILVER DOLLARS. Included are six Morgan silver dollars: 1878-S MS60, 1878-S Details, 1879-S PCGS MS64, 1881-S MS64 ANACS, 1884-O MS62 NGC and 1888 PCGS MS63. Also included are four Peace silver dollars: 1922 PCGS MS63, 1925 NGC MS63, 1925 MS60, and 1927 AU. 400 - 600 467 - LOT OF 2: SILVER DOLLARS. Lot includes: a 1883 and a 1884. Both are MS64 NGC. 400 - 500

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LOT - 468

LOT - 469

468 - LOT OF 2: MORGAN SILVER DOLLARS. Lot includes a 1878 eight tail feather MS62 NGC and a 1878 seven/eight tail feather MS62 NGC. 400 - 500 469 - LOT OF 2: HIGHLY TONED MORGAN SILVER DOLLARS. Lot includes 1885 and 1897. Both MS60 with golden and purple tones. 300 - 500

LOT - 470

470 - LOT OF 10: MORGAN SILVER DOLLARS. Lot includes: 1880-O AU, 1882-O VF, 1883-S VF, two 1884 VF, 1886 VF, 1886-O F, 1891-O F, 1896 AU, and 1921 F. 300 - 500 471 - LOT OF 10: MORGAN SILVER DOLLARS. Lot includes: 1878 seven tail feathers F, 1880 F, 1885 F, two 1886 VF, 1887 F, 1889 F, 1892 F, 1892-O F, 1921-S F. 300 - 500

LOT - 471

472 - LOT OF 2: CARSON CITY MORGAN SILVER DOLLARS. Lot includes: 1879 F and 1892 VG. 300 - 400

LOT - 472 158

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LOT - 473

LOT - 474

LOT - 475

LOT - 476

473 - LOT OF 4: MORGAN SILVER DOLLARS. Lot includes: a 1883-O MS64 PCGS, 1883-O MS63 PCGS, 1885-O MS63 NGC, and 1885-O MS66 SGS. 300 - 500 474 - LOT OF 3: CARSON CITY SILVER DOLLAR COINS. In government holders, no boxes. One 1883-CC and two 1884-CC. All are MS 62+. 500 - 700 475 - COLLECTION OF U.S.A. COINS. Lot includes: 1805 Large Cent G+, 1837 Large Cent G, 1851 $2-1/2 Gold Liberty coin F, 1852 $1 Gold Liberty coin with hole, 1856 $1 Gold Liberty coin with hole, 1856 Dime with hole, 1868-S $2-1/2 Gold Liberty with pin soldered to back, 1887-O Morgan silver Dollar, 1908 $2-1/2 Gold Indian coin F, two 1909 Alaska Gold coins, 1/4 dwt each with soldered pin back, and 1837 copper token “Time is Money”. 1,200 - 1,600

476 - LARGE LOT OF U.S. COINS. Mint sets: 1961, 1964, 1965, 1966, two 1973, 1974, 1976, two 1977, and 1978. Proof sets: 1963, 1964, 1967, two 1973, 1974, 1977, and 1978. Also includes two Ike Silver Dollars, 1971-S and 1972-S; two 1976 Bicentennial proof sets; two Barber Quarters, two Standing Liberty Quarters; two Barber Half Dollars; two 2 Cents 1864 and 1865; 1875-S 20 Cent; 13 JFK Half Dollars 1966-1969 (40% silver); four Washington Quarters in an album; 18 Indian Head Cents in album, 1887-1909; two Half Cents; and six Large Cents. Largest: 6 -1/2” x 9 -1/2”. 500 - 700

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LOT - 478

LOT - 477

LOT - 480

LOT - 479 477 - LARGE LOT OF U.S. BUFFALO NICKELS, JEFFERSON NICKELS, MERCURY DIMES AND ROOSEVELT DIMES. Lot includes: two albums with Buffalo Nickels 1925 - 1938 plus 70 loose with ten War Nickels; Jefferson Nickels 1938 - 1964; Mercury Dimes 1916 - 1945 (missing 1916-D and 1921-D); Roosevelt Dimes 1946 - 1964; four albums Liberty Cents 1909 - 1968 (missing some key dates); and ten tubes of Lincoln Cents, mostly Wheat. Largest Book: 9 -1/4” x 6 -1/2”. 400 - 600

LOT - 481

478 - LOT OF 11: PROOF MINT COIN SETS. Sets are from 1951 - 1961, all in plastic holders and boxes. Each Box: 6 -1/4” x 2 -1/4”. 1,000 - 1,500 479 - LARGE LOT OF CURRENCY. Lot includes: a 1928 silver certificate, two 1957 silver certificates, circulated; five BARR $1 notes, average circulation; 27 #1 Star Notes, VG-AU; a 1999 unusual serial no. 55999555N; four lots of 10 - $1 Star Notes each in consecutive order, all crisp; and one $5 Star Note, crisp. 200 - 400 480 - GOLD 1879 RUSSIAN 15 RUBELS. Nicholas II - XF. 700 - 900 481 - GOLD 1965 LIBERIA 30 DOLLARS. President William V.S. Tubman proof. 700 - 1,000 482 - GOLD 1923 COLUMBIA 20 PESOS. Inverted “B” on the reverse. AU. 600 - 900

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LOT - 482

LOT - 483

LOT - 484

LOT - 485

483 - GOLD 1897 NETHERLANDS 10 G. Uncirculated. 300 - 500 484 - GOLD 1952 BOLIVIA 3.5 GRS. Uncirculated. 200 - 300

485 - AMERICAN HOOKED RUG OF COMPASS DESIGN. Late 19th - early 20th century. A nice example of a compass design in earth tones with orange highlights. The central compass flanked by half wheels within a woven poly-chrome striated boarder, the edge braided. Surface soiling throughout with in use wear, patches of reweaving visible from the underside, with multiple small holes in need of restoration. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. 43” x 57”. 300 - 500

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LOT - 486

486 - PARTIAL SET OF BIRK’S STERLING SAXON FLATWARE DINNER SERVICE. Early 20th century, Canada. Twelve Dinner forks, 7-3/4”, twelve luncheon forks, 6-3/4”, twelve table spoons 7”, twelve teaspoons 6”, twelve demi tas spoons 4-1/4”, ten serving spoons, 9”. One each: 5” strainer, 6” pickle fork, cheese scoop 5-1/2”, sauce ladle 5”, Cold meat fork 7”, cake cutter 10-1/4”, berry spoon 6-3/4”, gravy ladle 5-3/4”, large serving spoon 8-3/4”, sugar tongs 3-1/2”, master butter knife 6-3/4”, berry spoon 7-1/2”, and a pair of salad servers 8-1/2”. Total weight appx. 122 toz. Largest: 9” x 2”. 2,500 - 3,500 487 - SET OF INTERNATIONAL STERLING SILVER FLATWEAR, “RHAPSODY” PATTERN. Mid 20th century, Meriden, Connecticut. Comprising a service for 12; each a seven piece place setting - 91 pieces total. 147.60 ozt. Unmonogrammed. Includes: 12 dinner knives, 9”, 12 dinner forks, 12 salad/dessert forks, 6-1/2”, 12 teaspoons, 12 dessert spoons, 12 soup spoons, 6-3/4”, 12 butter knives, three serving spoons, 8”, a slotted serving spoon, a meat fork, 9”, gravy ladle, 6-1/2”, and a master butter knife, 7”. Very minimal and minor in use wear. Mahogany case of commercial grade with surface abrasions and some fading. Case: 15 -1/2” x 6 -1/4”. 2,000 - 3,000

LOT - 487

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488 - SET OF INTERNATIONAL SILVER COMPANY PATTERN COURTSHIP. Partial sterling silver flatware service: Comprised of: eight salad forks, 6-1/2”; eight soup spoons, 6-1/2”; eight butter knives, 5-3/4”; twelve teaspoons, 6”; eight dinner forks, 7”; and eight dinner knives, 9”. Total weight approximately 49.8 toz. Largest: 9” x 1”. 800 - 1,200 LOT - 488

LOT - 489

489 - GROUP OF 6: GORHAM STERLING SILVER TABLEWARES. 20th century, Rhode Island. Includes gravy boat and matching tray, scalloped sugar bowl with handle and matching creamer, another matching sugar and creamer, and Gorham tea pot. Gravy boat and tray is marked “A2803”. Sugar bowl with monogram of classical form with reeded edge marked “A2313” and matching pedestal creamer marked A2314 with monogram. Creamer and sugar of cylindrical form decorated with guilloches marked “2510”. Gorham tea pot with ebony handle and finial marked “A2412” and “1 pint retailed by Bigalow Kennard & Co.” 40.23 toz. Largest: 9” x 5 -1/2”. 600 - 800 490 - GROUP OF 6: ENGLISH SILVER TABLEWARES. Includes a three piece English tea set and toast caddy together with a Whiting silver tray and sterling sugar caster. The tea set with English hallmarks, unreadable due to wear. The silver sugar caster with a design of four flower clusters joined by punch silver brightwork has a maker’s mark of “F” within an oval. A small Whiting silver tray for individual breakfast set is model “B890”. The last piece is a silver toast caddy with compartments for six slices on a rippled base decorated with leaf tips and etched scroll work. Marked on the bottom “L&W, an anchor, and BP within an oval”. Total weight: 40.45 toz. not including toast caddy. 9” x 5 -1/2”. 600 - 800

LOT - 490

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491 - GROUP OF 4: THREE PIECE STERLING SILVER COFFEE SET & STERLING DECORATED CANDLESTICK. Second quarter to mid 20th century. The set comprised of a pot with lid, 9-1/2” tall; sugar bowl with lid, 5-3/4”; and creamer, 6” tall with a Hazorfim candlestick, 12” tall with incised leaf decoration. Total weight 48.0 ozt. Coffee set is in very good condition. Candlestick has been cut open around the base interior to remove the base weight, otherwise good. Largest: 12 -1/4” x 4 -1/4”. 600 - 800

LOT - 491

492 - A GROUP OF MISCELLANEOUS STERLING SILVER FLATWARE AND SERVING PIECES. Late 19th to early 20th century, American. Items include Cold Meat Fork, Old Mount Vernon pattern, 9-3/4” long; Ladle with gold wash, Toll Silversmith, English pattern, 6-1/2”; Gravy Ladle, Colbert, Old Frank Smith pattern, 7-1/4”; Serrated Bone Trimmer, Frank M. Whiting Silversmiths; Bon Bon Serving Spoon, Gorham Silversmiths, Old Whiting pattern, 4-1/2”; Five Tine Meat Fork, Frank M. Whiting Silversmiths, 7-3/8”; Gravy Ladle, Tiffany & Co. New York, 7-1/4”; Gravy Ladle, Gorham Silversmiths, Old English pattern; Gravy Ladle, Villa Norfolk, Gorham Silversmiths, 7-1/4”; Serving Spoon, Gorham Silversmiths, Old English Pattern, 8-1/2”; Pie Server, Frank M Whiting Silversmiths, 6-1/2”; Sauce Ladle, M.F. & Co., 5”; Rococo Sauce Ladle, Whiting/Gorham, Lilly pattern, 5-3/4”; five Rococo Teaspoons, unknown. Also included is two pair of silver plate Salad Servers, and two pair of sugar tongs. All items individually listed are sterling. Total weight 25.40 toz. Largest: 10” x 2-1/4”. 400 - 600

LOT - 492

493 - FINE GEORGIAN SILVER SALVER BEARING MARK OF EBENEZER COKER. Circa 1762, London. Hallmarks remain clear and crisp. Salver with scalloped edge and shell decoration, raised on three scrolled feet. Incised decoration along the border of the surface is of an ornate scrolling floral design, wrought in fine detail. The hallmarks are located on the underside in the area of the floral brightwork. 13” diameter x 1-1/4” high. The salver has a warp resulting in the separation of the edge from the surface, we believe the piece can be professionally straightened, otherwise good with very light surface abrasions. Note: This salver was discussed in an article found in the “Antique Monthly” September 8,1982, page 22A by John Bly. The author of the article stated that the decoration on the salver is original to the 18th century as the hallmarks were struct post decoration. A copy of the article is included with the salver. 13” Dia. 2,500 - 4,500

LOT - 493 164

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AUGUST 30, 2018 Thursday Session | Auction Starts at 9:00am LOTS: 600 - 1,107 Items Now on Preview: Monday - Friday 9:00am - 4:00pm Auction Day Preview Begins at 8:00am

∙ 20% BUYER’S PREMIUM ∙ PROV IDED C ERTAI N C ONDI TION S ARE M E T

AUCTIONEERS: Shaye Krispine Aidan Heining Dan Morphy

DIVISION CONSULTANTS: Mike Fredericks

Fine & Decorative Arts Department Head

Ron Ciarmello Arts & Crafts Furniture Expert

Tony Greist

Fine Art Expert

John Morphy, M.D.

Jim Kreuzer

General Antiques Consultant

Radio Consultant

Tom Sage, Jr.

Sports Consultant

Michael McDowell

Law Enforcement & Fire Department Expert

M o r p h yA u c t i o n s . c o m | 8 7 7 - 9 6 8 - 8 8 8 0

LOT - 600

LOT - 601

600 - RARE 14K GOLD FDNY MEDAL OF VALOR. 14K gold medal. The James Gordon Bennett medal is the highest honor that can be awarded to a New York City firefighter. This one was awarded to Joseph E. Smith in 1935. Made by Tiffany. 20 dwt. From the Ray Bentley Collection. 1 - 1/2” dia. (Very Good - Excellent). 1,800 - 2,800 601 - EARLY FDNY 14K GOLD FOREMAN’S BADGE. 14K gold. Presented in 1901 by the members of Engine 106. Unusual enamel work and banner were used for this badge. Presented to John Maguire, LOT - 602 November 1901. Part of the catch is missing, otherwise very fine. Note: Foreman is an unusual rank for 1901. FDNY had changed from Foreman to Captain several decades earlier. Includes one small clean diamond. 15.8 dwt. From the Ray Bentley Collection. 2-1/4” T. 1,500 - 2,000

LOT - 603

602 - FDNY CHIEF OF BATTALION’S PRESENTATION 14K GOLD BADGE. Presented to M. F. Loughman in May of 1918. Extremely rare badge. 28 dwt. From the Ray Bentley Collection. 2” x 2”. 1,500 - 2,500 603 - 14K GOLD 20 YEAR ACTIVE SERVICE BADGE TO A NEW YORK CITY FIREMAN. 14K gold, 20 year active service badge to a New York City fireman, Wesley Sprague. 1891 to 1911. Presentation on the back. Made by Dieges and Clust. 18.3 dwt. From the Ray Bentley Collection. 2” x 1 - 3/4”. (Very Good - Excellent). 1,200 - 1,500 604 - FDNY 20 YEAR ENGINEER’S 14K GOLD PRESENTATION BADGE. 14K gold. Presentation on the back for service 1895-1915. Unusual design for FDNY. Made by Newman, NY. 14.6 dwt. From the Ray Bentley Collection. 2” Wide. (Very Good - Excellent). 1,200 - 1,500 LOT - 604

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LOT - 605

LOT - 606

LOT - 607

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 608

LOT - 609

605 - FDNY ENGINEER’S 14K GOLD 20 YEAR SERVICE BADGE. Presented to James Van Pelt, 1895 - 1915. 14K gold with diamond. 15 dwt. Depicting early steam fire pumper. From the Ray Bentley Collection. 2” T. (Very Good - Excellent). 1,200 - 1,500 606 - LARGE 18K GOLD ASSISTANT CHIEF’S BADGE FROM NEW ROCHELLE NY. This jeweler’s made badge is in tri-color gold and has three colored enamel and diamonds. 25 dwt. Presentation on the back reads “Presented to John Koellner, 1896”. From the Ray Bentley Collection. 3-1/2” T. (Very Good - Excellent). 1,000 - 2,000 607 - LARGE CHIEF ENGINEER’S 14K GOLD SUSPENSION BADGE FROM SOUTH HADLEY FALLS FIRE DEPARTMENT. Presentation reads “Presented to Frank E. White, May, 1886”. 14K gold. 21 dwt. From the Ray Bentley Collection. 4” T. (Very Good - Excellent). 800 - 1,200 168

608 - 14K GOLD FOREMAN’S SUSPENSION BADGE 14K gold jeweler made suspension badge. Presented to the Foreman of Rescue Hook and Ladder Co. No. 1, LFD. Presentation reads “Presented to P.J. Cronin by Fireman & Friends Oct 29 1892”. This handmade badge has hose, hydrants, ladders, a helmet and a ladder truck. 15.7 dwt. From the Ray Bentley Collection. 4” T. (Excellent). 800 - 1,200 609 - LOT OF 2: 14K GOLD BADGES. The first is a 14K gold, 20 year active service badge from Summit, NJ. Presentation on the back. Made by Dieges and Clust. The second is a 14K gold Ex Chief’s badge from Long Branch, NJ fire department. Presentation on the back. Made by Braxmar, NY. Total of 29 dwt. From the Ray Bentley Collection. Largest: 2-1/4” T. (Very Good - Excellent). 1,000 - 1,500

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610 - 14K GOLD 27 YEAR BADGE FROM FDNY. Unusual 14K gold 27 year badge from FDNY to a Lieutenant in 1913. Presented to Lt. Thomas O’Connor in 1913. Features an eagle topped Maltese cross encircled with olive branches and a trumpet. Made by Dieges and Clust, NY. 12 dwt. From the Ray Bentley Collection. 1-5/8” T. (Very Good - Excellent). 1,000 - 1,500 611 - CAST IRON VOLUNTEER FIRE CO. GRAVE MARKER. Late 19th century, American. “A. P. & S. L. Vol Fire Co.” surmounted by a displayed eagle crest above a cast roundel, centering the numeral 1. Normal and expected wear and weathering. Good to very good condition. 27” T. 200 - 400 612 - SIX SIDED PRESENTATION WRIST LANTERN WITH 42 RED GLASS JEWELS. Extremely rare six sided wrist lantern with leveled red and blue panels cut to clear. One panel has a wheel cut image of a firefighter, the second a trumpet and a third panel a fireman’s helmet. One red panel read “Empire Hose Co. 1, Flushing, NY”. A blue panel reads “Presented by Mrs. T W White” and a clear panel reads “In Memory of M. Frank White”. The illustrated panels are cut with exquisite detail. Burner is present. Note: This was once a pair. The mate to this lantern sold for $18,000. From the Ray Bentley Collection. 7 - 1/4” x 6” x 17 - 1/2”. (Very Good - Excellent). 8,000 - 12,000

LOT - 610

LOT - 611

LOT - 612

613 - LOT OF 2: MATCHED PAIR OF FIREMAN’S SIX SIDED WRIST LANTERN. Main panel on each is red, wheel cut to clear. The other panels have wheel cut geometric patterns. Crescent 2, TFD. From Thomaston CT. Patent date on the bottom “August 31, 1875”. The original candle burners are intact. One blue panel is cracked on each lantern, otherwise they are very fine. Plating is very fine. From the Ray Bentley Collection. Each: 6 - 3/4” x 6” x 15”. (Very Good - Excellent). 5,000 - 7,000

LOT - 613

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614 - BOSTON ENGINE LAMP FROM NATHANIEL SEAVER ENGINE 22. The title panels are blue flashed glass, wheel cut to clear. The front panel is red flashed glass, cut to clear with the Commonwealth of Massachusetts’s seal: the image of a heraldic symbol of an arm gripping a cutlass over the image of a Native American holding a bow in one hand and an arrow in the other. Partially encircling this vignette is a banner with the state motto “Ense Petit Placidam Sub Libertate Quietum” which translates to “By the sword we seek peace, but peace only under liberty”. The two side panels are blue flashed glass, wheel cut to clear with “Nathaniel Seaver 22”. The rear panel is clear glass with an engraved federal shield with stars and stripes and a floral pattern. All panels are in the shape of a federal shield. From a steam fire engine, most likely an Amoskeag. A stunning piece of work from the Boston Fire Department. The burner is missing. Plating had been nickel or silver but is mostly gone. Otherwise, in very fine condition. From the Ray Bentley Collection. 8” x 8” x 20 - 1/2”. (Very Good - Excellent). 5,000 - 8,000 615 - LOT OF 2: FINE EARLY AMERICAN FIREMAN PARADE HATS. Mid 19th century, Pennsylvania. The first in black paint with red on underside of brim, decorated with a “Pennsylv.A Hose” on a banner centering the image of a fireman in period dress within a wreath flanked by rearing horses. The interior with a hand written paper affixed to the interior identifying the hat as belonging to the Pennsylvania Hose Co. No. 21 Philadelphia, Pa. instituted-August, 4. 1831. The second hat is red paint, decorated with the word “DILIGENT” in a banner above a cartouche with 5 point star beneath the word “HOSE” the underside of brim in green paint with the initials E.D/D.H. Co. The reverse paint decorated with an active beehive flanked by flower shrubs. Both examples with surface soiling and significant wear from extended use. The Diligent hat with a depression tear in top section. Hats retain original paint surface with abrasion throughout. Largest: 6 -1/2” x 14 -1/4”. 5,000 - 7,000

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 614

LOT - 615 170

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LOT - 616

LOT - 617

616 - CHIEF ENGINEER’S HIGH EAGLE PRESENTATION HELMET. Chief Engineer’s High Eagle helmet with 32 combs presentation fire helmet with hand painted, gold leaf front. A ladder truck and Art Nouveau patterns are painted on the helmet front. The silver presentation plaque on the back reads “Presented to John Stannens by the members of F H Allen H&L Co. No. 1, New London Conn., Dec. 1896”. Fancy stitched blue wool and red silk liner is intact. Made by Cairns and Brothers, New York City. Minor paint loss to the combs and outer edge of the brim. From the Ray Bentley Collection. 11” x 14” x 9”. (Very Good - Excellent). 1,200 - 1,600 617 - SECOND ASSISTANT CHIEF’S PRESENTATION HELMET FROM FLUSHING QUEENS. High Eagle helmet with 64 combs and hand painted, gold leaf front with a hose carriage on the front. The silver shield on the brim reads “Presented to Geo. C. Townsend by the members of Empire Hose No. 1, Flushing NY January 1st, 1897”. Fancy, blue stitched helmet liner is intact. Made by Cairns and Brothers, New York. Note: The helmet presented to the Chief of Department on the same day was sold for $12,000 several years ago; it did have some extras that aren’t on this helmet. From the Ray Bentley Collection. 11” x 14” x 9”. (Very Good - Excellent). 2,000 - 2,500 618 - ASSISTANT CHIEF FIREMAN’S HELMET FROM BASKING RIDGE FIRE DEPARTMENT. High Eagle helmet by Cairns. Circa 1950. From the Ray Bentley Collection. 10 - 1/2” x 14” x 9”. (Very Good). 350 - 500 619 - LARGE WOODEN THE GAMEWELL FIRE ALARM TELEGRAPH. 18” Gamewell indicator gong. Oak case. Seems to be all original except the two keyed locks have been replaced by brass knobs to make it easier for firefighters to rewind the clockwork mechanism. The 18”indicator gongs are the rarest of the wood cased gongs. Complete with large batwing winding key. The oak case looks to be all original and the paper reels seem original and undamaged. From the Ray Bentley Collection. 55 - 1/2” x 20 -1/4” . (Very Good - Excellent). 7,500 - 13,500

LOT - 618

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LOT - 619 171

620 - MAGNIFICENT FIRE PROTECTION PRESENTATION PIECE TITLED “RECOLLECTIONS OF AUG. 25, 1881”. The framed presentation from the Hook & Ladder Company No. 1 of Lockport, New York to the Hook & Ladder Company No. 1 of Bradford, Pennsylvania. The ornate gold frame with hooks, ladders, and fireman’s helmet crest, cast chevron border and floral decoration on a sand finish ground. The upper corners of the frame applied with carved crossed fire horns, the lower corners each applied with carved fire hydrant and hose with nozzle. Within the frame are 35 albumen photographic prints on disc shaped roundels, each with the image of the firefighters of the Lockport, New York Fire Department arranged on burgundy velvet. The whole, now set within, a molded velvet lined deep display case of later vintage. The framed presentation is 44” x 51”. In very fine original condition. From the Ray Bentley Collection. This is not a standard shippable item and will require an oversized/ breakable quote provided by Morphy Auctions. 49” x 61”. 4,000 - 6,000

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SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 621

LOT - 622

621 - EXCEPTIONAL CHALKWARE FIREMAN. 1850, probably Pennsylvania origin. Original paint surfaces. Rare form, full bodied thin hollow casting of a fireman depicted, wearing his helmet, holding his fire horn which rests upon a tall tapered hydrant, standing on a nicely detailed plinth base. Pristine untouched original condition. 14 -1/2” x 5”. 2,000 - 3,000

622 - SILVER PLATE PRESENTATION TRUMPET. Silver plated presentation trumpet won at Augusta, Maine on September 24, 1869. A spectacular example of a “naked lady” trumpet. She is holding a sickle and wheat sheaves to commemorate the harvest festival. Features eagle tassel holders and applied medallions of Roman soldiers on the bell. An early example of this trumpet style. From the Ray Bentley Collection. 22 - 1/4” x 8 - 1/2”. (Very Good - Excellent). 4,000 - 6,500

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623 - COIN SILVER PRESENTATION TRUMPET. Coin silver presentation trumpet from New York City. Beautifully engraved, early fireman’s horn. Presentation reads “Presented by Protection Fire Engine Co. No. 5 to David J. Camfield, Foreman. A token of the esteem & respect for the faithful & impartial performance of duty. July 19th, 1853”. This is an important piece from the volunteer Fire Department of New York. On the reverse of the trumpet is a beautifully rendered spread eagle over a Smith style fire engine and the motto “Semper Paratus:” (Always Ready). Very fine condition with one small ding. 25 toz. From the Ray Bentley Collection. 20 - 3/4” x 7 - 3/4”. (Very Good - Excellent). 7,000 - 9,000

624 - COIN SILVER NEW YORK CITY FIREMAN’S TRUMPET. Coin silver New York City fireman’s trumpet with triple presentations. An exceptional trumpet with beautiful repousse of a landscape. Tassel holders are lion heads. The first presentation is to “Ringgold Hose Co. No. 7 of New York by Ringgold Hose. Co. No. 1 of Newburgh N.Y. October 17th 1859.” The second presentation reads “Returned to the Donors by A.S. Pratt Last Foreman of Ringgold Hose Co. No. VII N.Y. October 1st, 1873”. The final presentation was “Presented to C.M. Leonard Ex-Chief Engineer Fire Dept. Newburgh N.Y. by Ringgold Hose Co. No. 1. May 6th 1874”. Chauncy M. Leonard was a former volunteer fireman in New York City. A truly historic piece. 40 toz. From the Ray Bentley Collection. 22 - 3/4” x 9 - 1/4”. (Very Good - Excellent). 8,000 - 10,000

LOT - 623

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LOT - 624

625 - STUNNING COIN SILVER PHILADELPHIA SPEAKING TRUMPET. Coin silver speaking trumpet in the shape of an oak tree. This exceptional trumpet uses repousse work to illustrate the trunk, branches, leaves and acorns of an oak tree inhabited by squirrels, a mourning dove with nest and baby birds and an engraved hose carriage. The tassel holders are mythic Greek dolphins. The presentation is in a knot hole and reads, “Presented to James Quinn, Esq. by his Friends of Philadelphia as a token of their appreciation of his abilities as a Fireman, his Gentlemanly worth and his true Fidelity”. 39 toz. From the Ray Bentley Collection. 24 - 1/4” x 9”. (Very Good - Excellent). 9,000 - 12,000

626 - RARE ANTEBELLUM COIN SILVER FIREMAN’S TRUMPET. Antebellum coin silver fireman’s presentation trumpet from Savannah, Georgia. Presentation reads “Presented by the Savannah Fire Department to Tho. Purse, Chief Engineer as a token of Esteem for his faithful services. May, 1854”. Few fire department items from the south survived the Civil War, making this a rare item. 25 toz. From the Ray Bentley Collection. 20 - 3/4” x 8 - 3/4”. (Very Good Excellent). 8,000 - 10,000

LOT - 625

LOT - 626

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627 - ANTEBELLUM COIN SILVER FIREMAN’S TRUMPET. Antebellum coin silver fireman’s trumpet from Mobile, Alabama. Presentation reads “Presented to Charles P. Gage, Esq., Foreman, Mobile Hook and Ladder Co. No. 1 as a testament of the confidence and respect reposed in him by the company. Nov. 21st, 1853”. Very fine with some squashing to the mouthpiece, otherwise excellent. From the Ray Bentley Collection. 20 - 1/2” x 8 - 1/2”. (Very Good - Excellent). 7,000 - 9,000 628 - UNIQUE & EXTRAORDINARY MARINE RESCUE PRESENTATION HORN. This exceptional example has applied mythological dolphins beneath the mouth piece and with a dory, ship’s anchor, binnacle entwined in rope at the juncture of throat and bell. The throat is inscribe “Presented to Capt. Samuel Brooks/March 12th/1869/ by a few friends” all within an ornate cartouche of brightwork. The bell is decorated with a three masted steamship sailing in rough seas and inscribed with a declaration “Suaviter in modo, fortiter in re” which translates to “Gentle in manner, resolute in deed”. The opening of the bell bordered with a rope design. Inside of the bell is the hallmark of Gorham Silversmiths, Providence, Rhode Island and inscribed “Made by W. R. Tice, Corner Fulton & Johnston Sts. Brooklyn, N.Y. U.S.A.” Horn is mounted in an retains the original velvet lined, leather covered, presentation case, also with the company name inscribed within. Horn is 15-1/2” tall, 36.97 toz. The horn is in very fine to excellent condition, there are some light surface scratches on exterior of bell by the Latin phase. Case is in very good condition with light surface abrasions. 32 toz. From the Ray Bentley Collection. 18” x 8 -1/2”. 3,000 - 5,000

LOT - 627

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LOT - 628

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LOT - 629

LOT - 630

LOT - 631

LOT - 632

629 - LARGE SILVER PLATE FIREMAN’S PRESENTATION HORN. Large silver plated fireman’s horn. Presentation reads “Prize Fire Horn presented to Harmony Fire Co. No. 6, having received the highest number of votes at a Fair held in Assembly Building by the American Protestant Association, Dec. 1868”. Beautiful repousse work includes a hydrant, oak leaves and acorns. Nice engraving and pick work. The tassel holders and finely cast eagle claws. From the Ray Bentley Collection. 21 - 1/4” x 9 - 1/2”. (Very Good - Excellent). 1,600 - 2,200 630 - GERMAN SILVER PHILADELPHIA FIREMAN’S WORKING TRUMPET. Working trumpet from Philadelphia with double presentations. The first presentation reads “Presented to the Hand in Hand Fire Co. No. 1 by the Oakland Assembly Jan 16 1868”. The later presentation reads “Presented to Exempt Fireman’s Association of Bradford, Pa. by Wm. F. Englehart of Philad. Pa.” In very good condition with minor dings and scratches throughout. One stand is broken off. From the Ray Bentley Collection. 18 - 3/4” x 7”. (Very Good). 1,600 - 2,200 631 - EARLY SILVER FIREMAN’S TRUMPET. Early silver fireman’s trumpet from Dorchester, Massachusetts. Presentation reads “Presented to Sam’l F. White of Protector Engine Co. No. 2 by the Citizens of Dorchester as a token of respect and esteem. May 11, 1855”. This fine trumpet employs embossing, casting and engraving of floral patterns. The eagle tassel holders are truly unique. 14 toz. From the Ray Bentley Collection. 14 - 1/2” x 6”. (Very Good - Excellent). 1,600 - 2,500 632 - SILVER PLATED FIREMAN’S HORN. Silver plated fireman’s horn made by Fred Miller and presented to Captain G.E. Lockwood. The presentation is framed by an applied device of a hydrant, wrist lantern, helmet, trumpet, ax, hose and ladders. Fred Miller was a supplier of fireman’s equipment, including helmets and trumpets. This same metal device can be found on Miller’s finest helmet fronts, not seen before on a trumpet. Nicely engraved steamer on the bell. Fire helmet tassel holders. Made by Fred Miller, New York, circa 1880. Fine with one minor ding and very fine plating. From the Ray Bentley Collection. 18” x 7 - 1/2”. (Very Good - Excellent). 1,500 - 2,000

LOT - 633

633 - CONNECTICUT FIRE DEPARTMENT SPEAKING TRUMPET. Speaking trumpet presented to “T.C. O’Brien/ Assistant Engineer/ Waterbury Fire Dept./ Protector Hose Co. No. 4.” Waterbury Connecticut, circa 1890. Beautiful engraved steamer with horses racing to the fire on the side. From the Ray Bentley Collection. 23” x 10”. (Very Good - Excellent). 1,400 - 1,800

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LOT - 634

LOT - 635

LOT - 636

LOT - 637

634 - SILVER PLATE FIREMAN’S TRUMPET. Silver plated presentation fireman’s trumpet from the J.D. Campbell Hose Fair, Schenectady, N.Y. Presentation reads “Won by J.C. Carmichael Nov. 14, 1908 with 1640 Votes”. This was the prize for a popularity contest. Another inscription reads “Foreman Jas. T. Wasson Hose Co. No. 7”. From the Ray Bentley Collection. 23” x 9 - 1/4”. (Very Good - Excellent). 1,300 - 1,600 635 - SILVER PLATE PRESENTATION TRUMPET. Silver plated trumpet presented to the Foreman of Eagle Hose Co. No. 1 of Lawrence, Massachusetts on May 3, 1871. Features applied medallion of George Washington and three Roman Centurions. From the Ray Bentley Collection. 23 - 1/2” x 9”. (Very Good - Excellent). 1,200 - 1,800 636 - FIREMAN’S PRESENTATION TRUMPET. Fireman’s trumpet presented to James Quinn, Esq. Nice repousse Philadelphia style hand pumper. The presentation reads “Presented to James Quinn, Esq. by his friends of Philadelphia as a token of their appreciation of his abilities as a Fireman, his Gentlemanly worth and of his true Fidelity”. Eagle tassel holders. From the Ray Bentley Collection. 23 - 1/4” x 9 - 1/4”. (Very Good - Excellent). 1,200 - 1,400 637 - PERPETUAL SILVER PLATE CHAMPIONSHIP TROPHY HORN. Silver championship trophy won by either Pacific Co. No. 1 and Atlantic Co. No. 2 from 1865 through 1869. From the Ray Bentley Collection. 20” x 7 - 3/4”. (Very Good - Excellent). 1,200 - 1,500 638 - LARGE SILVER PLATE FIREMAN’S SPEAKING TRUMPET. Large silver plated fireman’s speaking trumpet “Presented to Coln Drake Hose Co. No. 1 by Courier Hose Co. on July 4th, 1872”. Finely engraved axes, trumpets and steam fire engine on the shaft. In fine condition with no discernible flaws. From the Ray Bentley Collection. 21 - 3/4” x 7 - 1/4”. (Very Good - Excellent). 1,200 - 1,600

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LOT - 638

LOT - 639

639 - SUSQUEHANNA STEAM FIRE ENGINE CO. SILVER PARADE HORN. Silver plated fireman’s trumpet from “Susquehanna Steam Fire Engine Co. No. 9, Harrisburg, PA. Organized Sept. 17th 1884” with a beautiful engraving of their steam fire engine and their hose wagon. From the Ray Bentley Collection. 24 - 1/4” x 8 - 3/4”. 1,200 - 1,400

www.MorphyAuctions.com | August 30, 2018

LOT - 640

LOT - 641

LOT - 642

LOT - 643

640 - SUSQUEHANNA STEAM FIRE ENGINE CO. SILVER PARADE HORN. Silver plated fireman’s trumpet from “Susquehanna Steam Fire Engine Co. No. 9, Harrisburg, PA. Organized Sept. 17th 1884” with a beautiful engraving of their steam fire engine and their hose wagon. From the Ray Bentley Collection. 24 - 1/4” x 9”. (Excellent). 1,200 - 1,800 641 - SILVER PLATE PRESENTATION TRUMPET. Silver plated presentation trumpet. “Presented to Montgomery Hose & S.F.E. Co. No. 1 of Norristown, PA by Firemen of So. Bethlehem, PA Oct. 9, 1915”. From the Ray Bentley Collection. 22” x 9 - 1/4”. (Very Good - Excellent). 1,200 - 1,500 642 - LARGE SILVER PLATE FIREMAN’S SPEAKING TRUMPET. Large silver-plated fireman’s speaking trumpet reads “Presented to the Eben Simpson S.F.E. Co. No. 2 of Biddeford, ME May of 1872. In fine condition with excellent plating and a minor ding to the mouthpiece. From the Ray Bentley Collection. 21 - 3/4” x 7 - 1/4”. (Very Good - Excellent). 1,200 - 1,500 643 - SILVER PLATE PRESENTATION SPEAKING TRUMPET. Silver plated presentation speaking trumpet from Schenectady, New York. Reads “Presented to “T. W. McCamus by the Officers & Members of Protection Engine Co. No. 1 Schenectady July 4th 1860”. From the Ray Bentley Collection. 20” x 8”. 1,200 - 1,600 644 - CAIRNS AND BROTHERS FIREMAN’S OCTAGON TRUMPET. Fireman’s octagon speaking trumpet “Presented to A.M. Keene by the Members of Hope H.& L. Co. No. 1 Yonkers, Nov. 27th 1895”. Nickel plate over brass. This is the larger model with three bands. Made by Cairns and Brothers. From the Ray Bentley Collection. 17 - 1/4” x 7”. (Very Good - Excellent). 1,200 - 1,500

LOT - 644

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LOT - 645

LOT - 646

LOT - 647

LOT - 648

645 - PHILADELPHIA WORKING FIREMAN’S TRUMPET. Brass and nickel working fireman’s trumpet. Presentations read “Presented to the Good Will Fire Co. by the Himmelwright Library Association, March 27, 1851”. Many of the volunteer fire houses had libraries. Very good with minor and moderate dings commensurate with use as a working fire trumpet. From the Ray Bentley Collection. 20” x 6 - 1/4”. (Very Good). 1,200 - 1,800 646 - SILVER PLATE FIREMAN’S SPEAKING TRUMPET. Silver plated fireman’s presentation speaking trumpet “Presented to Robert Venn by Copper Range Fire Dept. 1902”. Unusual shaped trumpet with nice engravings of a steam fire engine, ladder truck and hose carriage on the bell. From the Ray Bentley Collection. 18” x 8 - 1/4”. (Very Good - Excellent). 1,000 - 1,400 647 - SILVER PLATE PRESENTATION FIREMAN’S TRUMPET. Very nice, silver plated presentation fireman’s trumpet. Stewart’s Prize trophy, presentation reads “Won by the Central Hose Co. Running Team Bradford, Pa Sep 4th 1887”. From the Ray Bentley Collection. 23 - 3/4” x 8 - 3/4”. (Very Good - Excellent). 1,000 - 1,200 648 - SILVER PLATED FIREMAN’S HORN. Silver plated fireman’s horn. Presentation reads “Presented to Jay Bates, Foreman, by Aetna Hose Com(pany) No. 2, December 15, 1875”. Very fine with one minor ding and a few fine scratches. From the Ray Bentley Collection. 20” x 7”. (Very Good). 1,000 - 1,300 649 - SILVER PLATED FIREMAN’S SPEAKING TRUMPET. Silver-plate fireman’s speaking trumpet. Nice engraving of an early steam fire engine and some repousse work. Very good with minor damage to the mouthpiece. Plating is excellent. From the Ray Bentley Collection. 17 - 1/2” x 7 - 1/2”. (Very Good). 1,000 - 1,200 LOT - 649

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LOT - 650

LOT - 651

LOT - 652 650 - SILVER PLATED FIREMAN’S TRUMPET. Silver plated fireman’s trumpet presentation reads “Presented to Chas L. Pierce April 13th 83 by P.E. Kern”. Nicely engraved steam fire engine on the bell. Very fine with no discernible flaws. From the Ray Bentley Collection. 18 - 1/4” x 6 - 3/4”. (Very Good - Excellent). 1,000 - 1,500 651 - TUG OF WAR SILVER PLATE TROPHY. Tug of War trophy from Fireman’s Muster, August 1911 won by Brandywine Fire Company. From the Ray Bentley Collection. 22” x 9 - 1/4”. (Very Good - Excellent). 900 - 1,200 652 - SILVER PLATE PRESENTATION FIRE HORN. Silver plated fire horn. Presentation reads “Presented by Citizen Hose 2 President J.C. Greenwald Aug. 20th 1895”. From the Ray Bentley Collection. 21 - 1/2” x 10”. (Very Good - Excellent). 900 - 1,200 653 - SILVER PLATED PRESENTATION TRUMPET. Silver plated trumpet presented to “Central Hose Co. Bradford, PA” on August 19, 1898 for the Championship Hose Race. Beautifully engraved ladder truck and floral patterns. Free of dents and scratches. From the Ray Bentley Collection. 19” x 8 - 1/2”. (Very Good). 900 - 1,200

LOT - 653

LOT - 654

654 - FOREMAN PRESENTATION FIRE TRUMPET. Silver plated presentation trumpet. From the Ray Bentley Collection. 19 - 3/4” x 7”. (Excellent). 900 - 1,100

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655 - STERLING PLATED PRESENTATION TRUMPET. Silver plate over brass, Ohio fireman’s presentation trumpet. Presentation reads “Prize Won at the Ohio State Tournament Sept. 8. 1870”. Engraved steamer on the bell. There is some wear to the plating, minor dings on the shaft and some crumples on the bell. From the Ray Bentley Collection. 19” x 6 -1/2”. (Good). 900 - 1,200 656 - FIREMAN’S BRASS PARADE TRUMPET. Fireman’s working trumpet, circa 1860. Very good with fine cracks on the mouthpiece. From the Ray Bentley Collection. 17 - 1/2” x 7”. (Very Good). 300 - 500

LOT - 655

LOT - 656

SEE WEBSITE FOR ADDITIONAL PHOTOS

657 - FRANK D. CREAMER’S 14K GOLD SHERIFF BADGE FOR KINGS COUNTY, NY. Presented by his friends on June 21, 1898. This is a large, heavy badge with diamonds or semi-precious stones from a major city. 14K gold. 78.8 dwt. Center stone has a small chip on corner. Made by Tiffany. Note: Kings County, NY is better known as Brooklyn. From the Ray Bentley Collection. 3-5/8” T. 5,000 - 8,000

LOT - 657 182

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LOT - 658 658 - EXTREMELY RARE SILVER CONGRESSIONAL MEDAL FOR SURVIVOR “CHARLES TONG SING” OF THE “JEANNETTE” ARCTIC EXPEDITION OF 1879-1882. The round silver medal showing a three mast ship with the sails rolled and anchored to the ice, a group of men, dogs and dog sleds depicting the abandonment of the ship and the saving of some of its supplies. The reverse has an outer band reading “Jeannette Arctic Expedition 1879-1882” below this at the top center is engraved “To Charles Tong Sing”. The bottom half “In Commemoration of Perils Encountered and as an Expression of the High Esteem in which Congress Holds His Services. Act Approved Sept. 30. 1890.” The top bar and ribbon are missing but medal still retains the clasp that would have held it. Note: This medal was produced for either the survivors or the next of kin of those who had perished in the expedition. Eight gold and 25 silver medals were struck by the Philadelphia Mint and were probably designed by Charles E. Barber or George Morgan, chief engravers to the mint. The story of the expedition was recounted in an 1882 book “Arctic Lost Ship Shipwreck Jeannette”. The account of the expedition and its survivors caught the attention of the American public and caused Congress to act with this medal. The crew consisted of 30 officers and men with three civilians. It departed from San Francisco July 8, 1879. Shortly after September 4, it was caught fast in the ice pack near Wrangel’s Island. For the next 21 months, it drifted to the Northwest towards the North Pole, steadfast in the ice. On June 12, 1881 the pressure of the ice finally began to crush the Jeannette. It was at that time that provisions were unloaded and the ship sank the following morning. Three boats took off in hope of reaching the mainland. A storm blew up and one of the boats with eight men capsized and sank. The remaining two boats with 25 men continued on their harrowing, almost 2-year adventure, finally eight survivors found native hunters in Northern Siberia. They were then guided to the Russian settlement, Bulun, where they procured good sleds and used reindeer in the place of dogs until they reached the Siberian Railroad where they eventually made their way to St. Petersburg, then to London and onto New York where they arrived in the spring of 1883. Two of these survivors went insane as a result of this experience and shot themselves. The surviving six men became quite the celebrities and much was written about their exploits in their day. The recipient, Charles Tong Sing, was a ChineseAmerican and had served as Captain’s Steward on the ill fated expedition. He proved to be one of the strongest of the surviving men as noted in a 1902 Los Angeles Herald newspaper article which should be read along with articles included in provenance. There are some rim nicks and some toning on verso at top edge. 1 - 1/2” Dia. (Very Good - Excellent). 12,000 - 18,000

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LOT - 659

LOT - 660

LOT - 661

LOT - 662

659 - NYC METROPOLITAN SILVER POLICE BADGE. This is a second issue New York City Police Department: Metropolitan Police. Used from 1857 to 1870 when the city’s corrupt police force was replaced by a police force appointed and run by New York State. Complete with loop for the chain keeper. Badge is sterling silver. From the Ray Bentley Collection. 2 - 3/4”. (Very Good - Excellent). 2,000 - 2,500 660 - 14K GOLD SERGEANT AT ARMS FOR THE CHICAGO CITY COUNCIL. 14K Gold with center ruby stone. 22.6 dwt. Presented to R.D. Corbett on May 3, 1900. From the Ray Bentley Collection. 2-1/2” T. (Excellent). 1,500 - 2,000 661 - PHILADELPHIA POLICE DEPARTMENT PATROLMAN’S BADGE. Second issue of 1851 T-pin with a tunnel catch. Made of white metal and brass. From the Ray Bentley Collection. 3” T. (Very Good). 1,500 - 2,000

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662 - LOT OF 3: PHILADELPHIA POLICE BADGES The first is the third issue of 1861 to 1874, with the engraved badge number “735” in the lower panel. The pin assembly consists of a t-pin and tunnel catch. The second badge is a fifth series Sergeant’s badge with “2nd Dist.” engraved in the lower panel. The pin assembly consists of a t-pin and tunnel catch. The last badge is a sixth issue patrolman’s badge with the numeral “60” stamped in the lower panel. It is hallmarked “Wm. Davey & Son, Phila.” It has a manufactured pin and tunnel catch. All three items are white metal. From the Ray Bentley Collection. Largest: 3 - 1/2”. 1,500 - 2,100

SEE WEBSITE FOR ADDITIONAL PHOTOS

www.MorphyAuctions.com | August 30, 2018

LOT - 663

LOT - 664 663 - LOT OF 2: NEW YORK CITY POLICE BADGE & METAL. The first is a sterling badge for NYC Special Deputy Sheriff, circa 1880. The second is a 14K Medal of Valor from the Sergeant’s Benevolent Association from 1980. Medal is 30 dwt. From the Ray Bentley Collection. Largest: 2 1/4”. (Very Good - Excellent). 1,500 - 2,200 664 - LOT OF 2: GOLD POLICE BADGES. The first is a hand engraved from Dover, New Hampshire and presented to Charles Stevens in May 8, 1883. 14.4 dwt. The second is for Patrolman August Trappaso of the White Plains New York Police Department in February 1946. 13.9 dwt. From the Ray Bentley Collection. Largest: 2 - 1/2”. (Very Good - Excellent). 1,350 - 1,800

LOT - 665

LOT - 666

665 - 14K GOLD RETIRED DEPUTY CHIEF INSPECTOR BADGE. 14K gold. Platinum with white gold center seal with a large diamond for Retired Deputy Chief Inspector for the New York City Police. The presentation reads “W.T. O’Brian Oct, 1922”. Made by Dieges and Clust. 51 dwt. From the Ray Bentley Collection. 2-7/8” T. (Excellent). 2,000 - 3,000 666 - NEW YORK CITY POLICE DEPARTMENT CHIEF INSPECTOR’S BADGE. Circa 1930’s. Gold filled. Beautiful enamel work. From the Ray Bentley Collection. 3” T. (Very Good). 1,200 - 1,500

LOT - 667

www.MorphyAuctions.com | August 30, 2018

667 - LOT OF 8: LIFE SAVING MEDALS. An assortment of medals in sterling, bronze and nickel. Medals awarded between 1875 to 1912. From the Ray Bentley Collection. Largest: 3” x 3”. (Very Good - Excellent). 1,200 - 1,800 185

668 - LOT OF 2: STERLING NEW YORK CITY MEDALS. Two life saving medals awarded to Philip Rogers for rescuing people from the east river in Brooklyn in 1896 and 1898. From the Ray Bentley Collection. Each: 2 - 1/2” (Very Good - Excellent). 1,200 - 1,600 669 - LOT OF 4: NEW JERSEY & NEW YORK POLICE BADGES. The first is a cap badge from NYC Police for a Roundsman, circa 1885. The Roundsman rank was the equivalent of a Corporal. The second is a sterling badge from Elizabeth, New Jersey, circa 1880. The third is from Hoboken, New Jersey, circa 1880 and the last from Radburn, New Jersey Bureau of Police, circa 1928. From the Ray Bentley Collection. Largest: 3 - 1/2”. (Very Good - Excellent). 1,200 - 1,800 670 - LOT OF 2: CALIFORNIA LAW ENFORCEMENT BADGES. The first is a gold filled badge for Deputy Sheriff from Contra Costa by Ed Jones. The second is a sterling silver badge for Chief of Colfax Police. From the Ray Bentley Collection. Each: 2 - 1/2”. (Very Good - Excellent). 1,200 - 2,000

LOT - 668

671 - LOT OF 3: 14K GOLD NEW JERSEY BADGES. The first is a 14K gold badge for the Chief of West Hoboken, presented in 1920. Made by Union Badge Company. The second is a 14K badge for the Undersheriff from Monmouth County and the third for a councilman from Hoboken. Total of 50.7 dwt. From the Ray Bentley Collection. Largest: 2 - 1/2”. (Very Good - Excellent). 1,500 - 2,500

LOT - 669

LOT - 670

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LOT - 671

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LOT - 672

LOT - 674

LOT - 673

LOT - 675

672 - 10K GOLD CHIEF OF POLICE BADGE. Chief of Police Badge, North Arlington, N.J. Circa 1890. A beautiful jeweler made badge. Badge tested for 10K gold. 20 dwt. From the Ray Bentley Collection. 3” T. (Excellent). 1,000 - 1,500 673 - LOT OF 3: GOLD PRESENTATION BADGES. The first is a 14K gold suspension badge. Presented to Ex Chief Warren C. Brown of Tarrytown Fire Department. The second is a solid gold suspension badge. Presented to C.W. Hubschmitt the President of the Centennial Fire Company No. 1 in 1894. The two gold badges total 14.9 dwt. The last is a 14K gold and sterling presentation badge has an applied gold steam fire engine. Presented on December 31, 1874. Made by Braxmar and others. From the Ray Bentley Collection. Largest: 3” T. (Very Good - Excellent). 1,000 - 1,300

LOT - 676

674 - 14K GOLD UNITED STATES SENATOR’S BADGE RS COPELAND. 14K gold Senator badge for “RS Copeland”. 10.5 dwt. Royal Samuel Copeland (November 7, 1868 - June 17, 1938) was a United States senator from New York from 1923 to 1938. He was an academic, homeopathic physician and a politician. He held elected offices in both Michigan as a Republican and in New York as a Democrat. From the Ray Bentley Collection. 2”. (Very Good - Excellent). 900 - 1,200 675 - 14K GOLD PRESENTATION BADGE FOR THE FINANCE COMMISSIONER OF MAPLEWOOD. 14K gold badge. 26 dwt. Presented to Lee Wilson April 10, 1929. From the Ray Bentley Collection. 3” T. (Very Good - Excellent). 1,000 - 1,500 676 - 14K GOLD JUDGE’S BADGE. 14K gold judge’s badge with applied sterling NJ State seal. 19.9 dwt. “Police Justice, Jersey City”. Circa 1880. From the Ray Bentley Collection. 2-1/2” T. (Very Good - Excellent). 800 - 1,200

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LOT - 677 677 - LOT OF 3: PHILADELPHIA POLICE BADGES. The first is a sterling with a gold seal fifth issue badge for the Clerk, Philadelphia Bureau of Police. These were used by the Philadelphia PD from 1884 to 1888. The second is for the Captain of Philadelphia Bureau of Police, circa 1930. The last is for a Guard 14, Bureau of Corrections, circa 1880. From the Ray Bentley Collection. Largest: 3”. (Very Good - Excellent). 800 - 1,200

LOT - 678 678 - LOT OF 5: BADGES. Lot includes badges from New York Fire Patrol, San Francisco Fire Department, hand engraved Chief’s Badge from New England circa 1880, a Maltese Cross from Salem, Massachusetts and another early hand engraved badge from New England. From the Ray Bentley Collection. Largest: 2 -1/2” x 2”. 700 - 1,000

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679 - LOT OF 9: MEDALS AND BADGES. Lot includes a CG Braxmar advertising badge and one gold presentation badge. The gold badge is 14k and 9.6 dwt. From the Ray Bentley Collection. 2 - 3/4” x 1 - 3/4”. 600 - 800 680 - LOT OF 3: LAW ENFORCEMENT BADGES. The lot includes two badges from Chicago and one from the Texas Rangers. The two Chicago badges are marked “CH Hansen”. From the Ray Bentley Collection. Largest: 3 - 1/2”. 500 - 600

LOT - 679

LOT - 680

LOT - 681 681 - LOT OF 18: VARIOUS LAW ENFORCEMENT BADGES. The lot includes an assortment of gold plated and nickel plated badges. There are also two 2-piece Policeman’s belt buckle, circa 1900 and a celluloid mirror. Some badges are replicas. From the Ray Bentley Collection. Largest: 3 - 1/2” x 3 - 1/2”. (Very Good - Excellent). 400 - 500

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LOT - 682

LOT - 683

682 - STERLING PRESENTATION BADGE. Sterling silver, jeweler’s engraved presentation badge for 25 years. Presented to the Treasurer of a Hose Company, 1881 1906. From the Ray Bentley Collection. 2 - 3/4”. 350 - 550 683 - LOT OF 8: FRENCH & ENGLISH MEDALS. Includes a sterling French fireman’s medal of valor and a large gold locket from the Boer War. From the Ray Bentley Collection. Largest: 5” x 3 -1/2”. 650 - 950 684 - COIN SILVER NAUTICAL LOUD HAILER WITH CIVIL WAR PRESENTATION. An important presentation piece. Presentation reads “Presented to Captain Oliver Eldridge of U.S.S. Atlantic by the Officers of 3rd Regt, N.H. Volunteers for his gentlemanly and courteous treatment during the passage from Annapolis Md. to Port Royal S.C. from Oct. 15th to Nov. 7th, 1861. Port Royal S.C. Jany 1st, 1862.” Beautifully detailed engraving includes the steamship Atlantic on the reverse equipped with two masts, a smoke stack and a side wheel paddle. The Atlantic was not a navel ship but was hired to transport troops. 22 toz. An elegant piece from the Ray Bentley Collection. 17 - 1/2” x 7 - 3/4”. (Excellent). 3,500 - 5,500 685 - COIN SILVER NAUTICAL PRESENTATION SPEAKING TRUMPET. Coin silver nautical presentation speaking trumpet. Presentation reads “Presented to Capt. Charles H.E. Judkins, by his grateful friend, Eustace Barron, New York, August 1849.” Nicely engraved with a steam ship on the reverse. 18 toz. From the Ray Bentley Collection. 20 - 3/4” x 7 - 1/2”. (Excellent). 2,000 - 4,000 686 - HOSE RACE CHAMPIONSHIP TRUMPET. Hose Race championship trumpet won at Warren, Pennsylvania, on August 14, 1896. Won by Central Hose Company of Bradford, Pennsylvania. Silver plate is in excellent condition. From the Ray Bentley Collection. 20 - 1/4” x 7”. (Very Good - Excellent). 900 - 1,200

LOT - 684

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687 - SILVER PLATE PRESENTATION TRUMPET. Silver plated presentation trumpet. From the Ray Bentley Collection. 23 - 3/4” x 8 - 3/4”. (Very Good - Excellent). 900 - 1,200 688 - WESTERN ELECTRICAL VOLT METER WITH BELL SYSTEM TELEPHONE SIGN. Early to mid 20th century, American. The Voltmeter with engraved cast brass name plate encasing the voltage dial above a row of controls encased in an oak cabinet. The round Bell System wall sign with white glass dial, blue and set in brass bevel can be illuminated within. Voltmeter is 18” x 12” x 9. Sign is 15” in diameter. Both are in good to very good condition. Largest: 32 -1/2” x 6 -1/4”. 400 - 600 689 - LOT OF 3: OAK WALL PHONES. Early 20th century. The first is a rare Julius Andre & Sons example, all original. The other two are by the Western Electric Company, one with a replaced mouth piece. Largest: 32 -1/2” x 6 -1/4”. 300 - 500 690 - LOT OF PHONES, PARTS AND PERIODICALS. Lot includes two stick phones, two wall phones, two portable wind up phones, cap pin in original box, large carton of parts and three boxes of telephone periodicals. Largest: 32 -1/2” x 6 -1/4”. 300 - 500 LOT - 685

LOT - 688

LOT - 686

LOT - 687

LOT - 689

LOT - 690

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691 - LOT OF 4: CAST IRON WALL MOUNTED PAY PHONES. Mid 20th century, Chicago, Illinois. Lot includes three Automated Electric Co. models and one Northern Electric Co. model. All with original black enamel finish, two with black dials, two with white dials. All with chrome plated coin slots. All in well used condition, overall good. Largest: 32 -1/2” x 6 -1/4”. 100 - 300

LOT - 691

692 - LOT OF 9: TABLETOP AND WALL HOME PHONES. Second quarter 20th century. Lot includes six table phones by Western Electric Co., one monophone, one wall phone by Western Electric and one wall phone by Automatic Electric Co. Conditions vary but overall good. Largest: 32 -1/2” x 6 -1/4”. 100 - 300

LOT - 692

LOT - 693

LOT - 694

693 - PAUL DACHSEL CERAMIC FOOTED COMPOTE OF FIVE STYLIZED LEAVES. Leaves are in relief. Circa 1906. Impressed “1005, 3”. 7” x 11 - 1/4”. (Mint). 1,000 - 1,500 694 - AMPHORA CERAMIC PITCHER. Decorated with enameled flowers and glass jewels. Combed “RSTK” mark, Amphora oval mark, impressed “04-3353”. Similar examples of the decoration is illustrated in “Monsters and Maidens Collectors Edition,” by Byron Vreeland, page 226. 10 - 1/2” x 7”. (Mint). 500 - 700 192

LOT - 695 695 - AMPHORA CERAMIC TWO HANDLED FLORAL VASE. Circa 1900. Amphora oval mark, Crown mark, and impressed “3863”. 7 - 1/2” T. (Mint). 300 - 500

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LOT - 696

696 - AMPHORA CERAMIC MONUMENTAL DRAGON VASE. Vase in high fired and matte glazes. Circa 1900. Imperial Amphora mark, Amphora oval mark, Austria oval mark, Crown mark, impressed “4105, 40”. The model is illustrated in “Monsters and Maidens Collectors Edition”, Byron Vreeland, page 288. 17 1/2” T. (Mint). 10,000 - 15,000

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SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 697

LOT - 698

697 - PAUL DASCHEL MONUMENTAL CERAMIC GREEN PINECONE TREE VASE. Circa 1908. Impressed “2022, 7”. The Model is illustrated in “Monsters and Maidens Collectors Edition” by Byron Vreeland, page 408. An additional example of the Model is illustrated in “The House of Amphora” by Richard Scott on page 270. 20 - 1/2” x 9 - 1/2”. (Mint). 8,000 - 10,000

698 - AMPHORA CERAMICS FATES VASE. Vase with carved sirens swirling around the vase in cream and gold glazes. Circa 1900. Raised Amphora mark, impressed “41”, painted “505, 1029”. The Model is illustrated in “Monsters and Maidens Collectors Edition”, by Byron Vreeland, page 189. 11-3/4” T. (Mint). 6,000 - 9,000

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LOT - 699

LOT - 700

LOT - 701

LOT - 702

699 - AMPHORA CERAMIC GRES BIJOU “STRETCHED MIDDLE” VASE. Amphora oval mark, Austria oval mark, impressed “3787 D”. Similar examples of this decoration are illustrated in “The House of Amphora” by Richard Scott, page 185. 9 - 1/2” T. (Mint). 800 - 1,200 700 - AMPHORA CERAMIC WATER DRAGON VASE. Vase with gold gilt applied dragon on body of vase. Circa 1900. Amphora oval mark, Austrian oval mark, Crown mark, impressed “4551, 50”. An example of the Model is illustrated in “The House of Amphora” by Richard Scott, page 110. 7 - 3/4” T. (Mint). 800 - 1,200 701 - AMPHORA CERAMIC MATTE & ENAMELED GLAZED SPIDER VASE. Circa 1902. Amphora oval mark, Austria oval mark, Crown mark, impressed “1636”. 7-1/4” T. (Mint). 800 - 1,200 702 - AMPHORA CERAMIC SECESSIONIST VASE. Vase has a portrait of a tiger. Amphora oval mark. 8-5/8” T. (Mint). 600 - 800 703 - LOT OF 3: ROOKWOOD POTTERY VASES. The first is an ivory vase decorated with thistles in blue and grey, circa 1910, no. 952-F, some crazing to glaze, 6” tall. The second of balister form, pale terra cotta with burgundy flowers, circa 1922, no. 935-E, artist signed “LNL”, 7”. The last is a high-glazed vase with Wisteria, late 19th century, artist signed, some crazing to the glaze, 8-1/4” tall. Largest: 8 -1/2” x 2 -1/2”. 1,000 - 1,500

LOT - 703 704 - LOT OF 7: ROSEVILLE WISTERIA POTTERY VASES. Circa 1937. Lot includes five vases ranging in size from 6-1/2” to 9-1/2”, a wall pocket and a hanging planter with a 7-1/2” diameter. Three pieces retain original silver paper labels. Overall in good to very good conditions, some with minor crazing at bases. Largest: 9 -1/4” x 5 -1/4”. 800 - 1,200

LOT - 704

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705 - LOT OF 6: ROSEVILLE ROSECRAFT PANEL POTTERY PIECES. Circa 1920. Lot includes: No. 298 vase, 11” tall with some crazing; No. 400 variation, 8”; two vases, 8-1/2” tall; and two wall pockets, 7”. Conditions vary but overall very good. Largest: 12” x 5 -1/2”. 800 - 1,200 706 - LOT OF 4: ROSEVILLE BANEDA POTTERY VASES. Circa 1933. All four with a pink to mottled lavender tone, ranging from 6-1/2” to 9-1/2”. All in overall very good condition. Largest: 9 -1/2” x 4 -1/2”. 700 - 900

LOT - 705

LOT - 706

LOT - 707

LOT - 708 707 - LOT OF 3: ROSEVILLE WALL POCKETS Circa 1930’s. Lot includes a Cherry Blossom pattern, 8”; a Morning Glory pattern, 8-1/2”; and an Art Nouveau style in green, 8-1/2”. Conditions vary but overall very good. Largest: 8 -1/2” x 4 -1/4”. 600 - 700

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708 - LOT OF 7: ROSEVILLE ASSORTED POTTERY VASES. Second quarter 20th century, American. Lot includes: three Morning Glory vases, one 12”, one 7” and one 5”; two Ferella vases, one 9” and one 6”, tall one repaired at the base; and two Baneda vases, both at 6-1/2” tall. Conditions vary, overall very good. Largest: 12 -1/4” x 10”. 600 - 800

www.MorphyAuctions.com | August 30, 2018

709 - LOT OF 3: ROSEVILLE SUNFLOWER POTTERY PIECES. Circa 1930. Lot includes two bulbous vases, 9” and 5” and a wall pocket. All in overall very good condition. Largest: 9 -1/4” x 4 -1/2”. 400 - 500 710 - LOT OF 5: PINE CONE & CHERRY BLOSSOM PIECES. Lot includes: a 7” vase, shape no. 907-7” with a repair to the rim; a 8” vase, shape no. 746-8” with a repair to the rim; a set of triple 5-1/2” candle holders, shape no. 1106 and a 8” RV cherry blossom bulbous vase, shape no. 625-8”. From the collection of James Lee Soffer. Largest: 8” T. (Good). 300 - 400

LOT - 709

LOT - 710

LOT - 711

LOT - 712

711 - LOT OF 2: ROSEVILLE PANCE NUDE VASES. Both pieces are marked with the Roseville ink stamp. From the collection of James Lee Soffer. Largest: 8” T. (Excellent). 200 - 300

712 - LOT OF 4: ROSEVILLE BLACKBERRY POTTERY PIECES. Circa 1932. Lot includes two vases, 5” and 5-1/2”, one with an original paper label; one hanging planter, 7” diameter; and a wall pocket, 8” tall. Overall very good condition. Largest: 8 -1/2” x 7”. 200 - 400

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713 - THREE GALLON STONEWARE JUG W/ ELABORATELY DECORATED COBALT BLUE BIRD. Mid-19th century, Bennington, Vermont. Impressed with the “J&E Norton” stamp and marked as 3 gallons. Vibrant cobalt decoration, the bird with long plumage perched in a large, leafless tree. There is some minor unevenness to color of glaze, notably to proper left side of tree. 17” x 10”. (Very Good). 3,000 - 4,000

LOT - 714

LOT - 713

714 - FINE N.A. WHITE & SON THREE GALLON STONEWARE JUG DECORATED W/ FANCIFUL COBALT BLUE BIRD. Second half 20th century, Utica, New York. Impressed mark “N. A. White & Son Utica, New York / 3”. The numeral three within a laurel wreath. Decorated in cobalt blue with large and fanciful bird perched on a flowering branch. Small, shallow fleck in stoneware between leaves of branch and additionally on rear quadrant of jug. Intermittent areas of color variation behind bird’s head and behind tail. There is a large drip mark of blue glaze, a product of firing that obscures the letter “N” in company name. 17” x 10”. (Very Good). 1,500 - 2,500

715 - PINK GLAZED STONEWARE TEA BOWL. 16th century or later, Japan. Pink glaze with white splashes and pin hole bursts throughout. Old Japanese gold restorations. Box: 6 -1/2” x 4”. 1,200 - 1,800 716 - LOT OF 6: WELLER POTTERY VASES. Early 20th century, Ohio. Lot includes: two Dickensware decorated with golfers, 6-1/2” and 9”; two die impressed decorated with birds, woodpeckers 5” and shorebirds 9”; a Louwelsa vase decorated with Ibis, 8”; and a Louwelsa three handle with a duck, artist signed, 7” tall. Conditions vary but overall very good. Largest: 9 -1/2” x 4”. 500 - 600

LOT - 716 198

LOT - 715

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LOT - 717

LOT - 718

LOT - 719

717 - GROUP OF 2: NEAR PAIR OF CAPO-DI-MONTE STEINS. Early 20th century. Each with profusely decorated scene with animals and nudes dancing and eating. One example with lion finial, and one with putti finial. Each with figural handle of a fanciful female figure. Both are in very good condition. Largest: 9-1/2” T. 800 - 1,200 718 - GROUP OF 2: INCISED DECORATED METTLACH STEINS. Early 19th century, Germany. The first with model No. 2035 engraved “Mettlach”, a 0.3 liter example decorated with Bacchus designs all over. The lid is decorated with a jester; 6-1/2” tall. The second, No. 2133, with impressed Mettlach mark, a 0.5 liter example with an etched polychrome design depicting a gnome sitting on a branch of a tree drinking from a large goblet. The lid decorated with a rooster crowing at the sun, the thumb grip in the design of a gnome’s bust; 8-1/2” tall. Both are in very good condition. Largest: 5 - 1/2” x 8 - 1/2”. 700 - 900 719 - INTERESTING STUDIO PRODUCED CERAMIC DECORATED PITCHER. Trumpet formed pitcher with angular pouring spout. Glazed in a gradient green, its decorated with large and small chickens under a radiant sun. Blue glazed handle. The bottom marked with an unknown maker with conjoined initials “AT”. Probably mid-20th century. Minor imperfection in the making, mostly bubbles in glaze with crazing to inside glaze at spout. 10 -1/2” x 6”. (Very Good). 700 - 900

LOT - 720

LOT - 721 720 - GROUP OF 4: THREE TRANSFERWARE MUGS & ICE WATER PITCHER. Second half 19th century, England and American. The first is a memorial mug, titled “To The Memory to the Immortal Washington”, 4-1/2” tall, flecks in the rim, overall good. A green transferware mug titled “Shore Bird Hunting Scenes” with the mark Edge, Malkin & Co, 3” tall, overall good. A Staffordshire polychrome decorated mug marked “E. J.” for Elijah Jones, titled “Hurra for the Railway”, 3-3/4” tall, some toning and foxing. The last is a polychromed decorated pitcher marked “Ice Water” on the front and verso, the underside with the mark for “Knowles, Taylor and Knowles, Liverpool, Ohio”, 6-3/4” tall, some toning and light crazing. Largest: 7 - 3/4” x 4 - 1/4” x 7”. 300 - 500 721 - CANTON RETICULATED OVAL CHESTNUT BASKET WITH UNDER PLATE. Late 19th to early 20th century, China. The oval basket with reticulated sides has typical marine scene on bottom with a conforming under plate. Largest: 10” x 8 - 3/4” x 4 - 3/4”. (Very Good). 200 - 300

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LOT - 722 722 - EARLY MAKAH TRIBE DECORATED & COVERED ROUND BOX. The round basket with conforming lid, decorated with two circling whales, one in dark indigo and the other in deep red, fitted to the conforming basket depicting a whale hunting scene having two whales chased by a large canoe. Pictured in “Northern Washington Coast Indian and Eskimo Artifacts of North America” by Charles Miller, page 162. Age appropriate wear. Colors are significantly faded on the exterior but bright on the interior. 2” x 3-1/2” diameter. 200 - 300

LOT - 723

723 - LOT OF 7: ART POTTERY PIECES. Lot includes: vase with weeping cherry trees, circa 1919, artist signed, some crazing, 7”; vase with river landscape, circa 1917, some crazing, 9”; tapered vase with cherry blossoms, circa 1917, some crazing, 9”; Weller vase, die impressed with caribou, 11”; vase with daffodils, makers mark “N” within a “C” and other impressed marks, 6”; indigo vase showing trees with Spanish Moss, 8”; and a Kay Finch figure of a Dalmatian, signed beneath foot, 16-1/2” tall. Conditions vary but overall very good. Largest: 17” x 6”. 200 - 300

LOT - 724

724 - GROUP OF 5: SALT GLAZE CROCKS WITH UNDER-GLAZE BLUE DECORATION. Second half 19th century, American. To include: a 6 gallon storage crock decorated with floral sprays, general good condition with light surface stains; a 3 gallon crock with under-glaze blue squiggle decoration and foliate sprays, two large firing imperfections with absent of glaze, shallow chip on rim and vertical hairline crack, moderate surface soiling; a 3 gallon crock decorated with berries and fruit, significant vertical hairline cracks extending from rim now stabilized with glue; small crock, probably 1 gallon, with foliate decoration, significant chip in outer rim, a drilled hole in bottom center and paint soils on surface; a butter or cake advertising crock for “D. P. Hetzel & Co. Groceries & C. Cumberland, MD” in under-glaze blue, significant chip to upper rim and significant crack, repaired, covering 1/3 of lower section of the crock. Size range from 6-1/2” to 16” tall. Largest: 16” x 9 -1/2”. 200 - 300 725 - GROUP OF 3: EUROPEAN POTTERY CANDLEHOLDERS. Early 1900’s. A rabbit, fox and dog dressed in human attire. Largest: 11” T. (Excellent Plus). 400 - 800

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LOT - 725

726 - REDWARE MILK JUG. 19th century, American. Jug has bands of polychrome and manganese slip decoration. Pitcher with combed squiggle and drip design around the mid body. Flecks on rim and a chip on tip of spout. 7 - 1/2” x 6”. (Good). 200 - 300 727 - OPEN TOP FIGURAL CAR TAPE MEASURE. First third 20th century. This choice brass and Bakelite model of an open touring car conceals a cloth tape measure within the body which is released and recovered by brass gears operated by the car’s steering wheel. Car is missing the left front tire, mechanics appear operation and tape is intact but faded. 2 - 1/2” x 1 - 1/2”. 300 - 500

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 726

LOT - 727

728 - LARGE LOT OF ASSORTED TAPE MEASURE. Lot includes: 18 celluloid and seven figural tape measures. Lot also includes three pieces of costume jewelry; two Christmas tree pins and a pair of Christmas tree earrings. Conditions vary. Laregst: 3 -1/4” x 1”. (Very Good). 300 - 500 729 - LARGE LOT OF ASSORTED TAPE MEASURE. Lot includes: 27 celluloid and four figural tape measures. Conditions vary. Largest: 2” Dia. 300 - 500

LOT - 728

LOT - 729

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201

730 - RARE NAVAJO WOMAN’S CHIEF BLANKET, NINE SPOT PATTERN. Circa 1880, Southwest America. Third phase chief blanket with three rows of zig-zag patterns in cochineal red, natural churro indigo, yellow dye and brown yarn enclosing full and half diamond patterns. These patterns alternating with natural brown and grey tone thin stripes, all within a red woven border. The blanket now stretched and mounted on a wood frame for display. Colors remain vibrant with areas of slight fading. No soiling or stains present. Minor unraveling to braided borders. Possible small areas of spot reweaving. Overall in very fine, well preserved condition. Note: The thinner brown stripes makes it a woman’s blanket. PROVENANCE: Contents of a lifetime collection “Brook Crossing”, South Pomfret, VT. 67” x 52 -1/2”. 3,500 - 4,500 LOT - 730

LOT - 731

LOT - 732

731 - NICE NORTHWEST COAST PAINT DECORATED SEAL GREASE BOWL. Late 19th to early 20th century, most likely Kwakiutal. Grease bowls were made to hold edible oils used as an accompaniment to dried meats that were served during feasts and celebrations on the Northwest Coast. In overall very good condition. Bowl appears to be in unused condition. 14-1/2” L. 800 - 1,200

732 - IMPORTANT CHUMASH COILED POLYCHROME BASKETRY BOWL. Last 19th century, California. This fine example with tight even weave, decorated with 12 vertical rows of cross form devices, each row alternating in red and blue/grey. 5-1/8” tall, approximately 8” in diameter at the center line, 5-3/16” diameter at the opening, and 5” diameter at the base. Structurally very good, weave and basket is sound and tight, colors of cross design are now faded but visible. Very fine and rare basket. 1,500 - 2,500

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SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 734

LOT - 733

733 - VICTOR MODEL “VIC-O” TABLE TOP PHONOGRAPH WITH ASSOCIATED OAK MUSIC STAND. Early 20th century, Victor Talking Machine Co. Model VIC-O No:_894. Sold with an original exhibition model reproducer and peach colored metal horn with original decal, believe to be unique to this particular model phonograph. The Mohoganized birch case with spring driven 8” turntable. Phonograph is 13” tall x 11” x 11”; the horn is 15” tall x 13-1/2” diameter. The oak music cabinet, interior fitted with record slots; includes 19- 9-1/2” 78 rpm records and 4- 7-1/2” discs. Cabinet is 34” tall x 16” x 16”. The phonograph is in operable condition. The case with repolished cleaned surface and replaced turntable cover. The horn has original decorated surface with some minor enamel loss and slight denting around the opening, otherwise very good. The cabinet has been refinished with new surface, good overall. 57 -1/2” x 16”. (Excellent). 400 - 600 734 - VICTOR OAK TABLETOP PHONOGRAPH WITH OAK HORN. Late 19th-early 20th century, American. Type Vic III #8188 and so labeled. Appears to retain original reproducer and original quarter sawn oak horn, 19” tall x 18” diameter with rim, original Victor Talking Machine decal. The player case, also of quarter sawn oak, with square fluted colonettes at the corners joined to a step molded base. Accompanied by winder and two Edison cylinder cases. Case and horn retain original surface with dark honey brown color and mellow patina, turn table spins freely when wound, no needle present to sample reproducer. The oak horn is all original with the original sticker. Case: 17” x 14” x 14”. (Excellent). 400 - 800

LOT - 735

735 - SYMPHONION MUSIC BOX NO. 10. Last quarter 19th century. This table top model playing 7-1/2” discs on a single comb, the walnut box with hinged lid includes original Symphonion paper label, original label reading “Model No. 10” and instruction label. Accompanied with the original winder. Case retains original surface, mechanism is operational, comb intact. The machine can not be disengaged when disc is in place. The lever only disengages when it is at full extent and that requires the disc to be removed. 10 -1/2” x 6 -1/2”. 300 - 500

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736 - KLOTZ FAMILY VIOLIN WITH BOW IN CASE. 18th century, Mittenwald, Germany. Retaining the label of a Aegidius Klotz (1733-1805). The figured maple violin with single board back and mellow well worn surface. Fingerboard and tail piece of ebony. Tail piece inlaid hand harp of gilt metal. A fine tuner currently attached to the tailboard. The violin is accompanied with an unmarked bow, fitted in a carrying case. 33-1/4” length x 8” at widest point. The instrument may possibly have had very minor restoration to possible shrinkage cracks that may have appeared overtime. Not visible damage or imperfections noted. Tone appears clear and crisp with no signs of vibration. Surface with mellow patina retaining good French polish luster, overall very good. Note: There is a handwritten letter from L.R. Davis of Rock Island, Illinois dated 1937 certifying in his opinion the authenticity of this instrument in relation to the Klotz family of violin makers. The original letter will accompany the violin. Case: 31” x 9 -1/2”. 2,000 - 4,000 737 - GROUP OF 2: BRASS MUSICAL HORN INSTRUMENTS. Early 20th Century. Each accompanied by their original carrying case. The first is a chrome plated brass trumpet made by The Grand Rapids Horns Company and is so marked in the case. 21” long including the mouth piece. The second is a long horn, similar to a hunting variety, in the form of a trombone without the slide. Chrome plated with braided shoulder strap. 30” long. Both are in need of repolishing, possibly replating. Both are operational. Overall fair to good condition. From the Ray Bentley Collection. Largest Case: 30” x 6 -1/2”. 200 - 300

LOT - 736

LOT - 737

LOT - 738

LOT - 739

LOT - 740 204

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738 - LOT OF 2: MARBLE’S AUTOMATIC FISH GAFFS. Early 20th century, American. The largest, is engraved with company name on iron collar, “M.S.A. Co. Pat: June 1900 Gladstone, Mich. U.S.A.”; 41” long. The second smaller example, unmarked; 38” long. Both with turned walnut handles from the period. Largest: 41” x 3-3/4”. 1,000 - 1,200 739 - LOT OF 2: MARBLES AUTOMATIC FISH GAFFS. Early 20th century, American. One is marked “W.L. Marbles Mfg Pat Allowed”, the other is not, but is of a similar design. Both show appropriate wear and corrosion to metal parts, in operable condition with well patinated handles, very good overall. Largest: 38 -1/4” x 3”. 300 - 500 740 - LOT OF 2: MARBLES AUTOMATIC FISH GAFFS. Early 20th century, American. One is stamped “M.S.A. Co. Pat. June 1900 Gladstone, Mich. U.S.A.” on the collar and the other is stamped “W.L. Marbles Mfg. Pat. Allowed” on the arm of the teeth. Both show appropriate wear and corrosion to metal parts, in operable condition with well patinated handles, very good overall. Each: 38” x 3”. 300 - 500

741 - LOT OF 2: UNMAKRED MARBLES STYLE AUTOMATIC FISH GAFFS. Early 20th century, American. Both are unmarked but of similar designs. One with shortened handle has drilled holes to accommodate a rawhide loop handle. Both show appropriate wear and corrosion to metal parts, in operable condition with well patinated handles, very good overall. Largest: 38” x 3”. 300 - 500

LOT - 741

742 - LOT OF 2: UNMARKED MARBLES AUTOMATIC FISH GAFFS. Early 20th century, American. Both are unmarked but of similar designs. Both show appropriate wear and corrosion to metal parts, in operable condition with well patinated handles, very good overall. Largest: 38” x 3”. 300 - 500

LOT - 742

LOT - 743 743 - LOT OF 2: MARBLES AUTOMATIC FISH GAFFS. Early 20th century, American. Both are stamped with the “M.S.A. Co.” mark and are of similar design. One with slightly shortened handle, and missing the grip; 36-1/4”. Both show appropriate wear and corrosion to metal parts, in operable condition with well patinated handles, very good overall. Largest: 38” x 2 -1/2”. 300 - 500

LOT - 744

744 - LOT OF 3: MARBLES AUTOMATIC FISH GAFFS. Early 20th century, American. One with the “M.S.A. Co.” stamp on collar, the other two are unmarked but of similar designs. All show appropriate wear and corrosion to metal parts, in operable condition with well patinated handles, very good overall. Each: 38” x 3”. 300 - 500 745 - LOT OF 2: SPRING DRIVEN FISH GRABBERS. Early 20th century, American. Both are unmarked for manufacturer but the silver one is marked “Patent Allowed” and the black one is marked “Patent Pending”, both are of similar designs, functioning with spring driven hand grip. Both show appropriate wear; in operable condition, very good overall. Largest: 17” x 9 -1/2”. 200 - 400

LOT - 745

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THE JEANNE CHERRY TENNIS COLLECTION Jeanne Cherry (1932-2017) was a tennis historian and passionate collector of tennis antiques. She wrote and published the landmark book Tennis Antiques and Collectibles in 1995, and left behind a nearly completed manuscript of a forthcoming biography of the 1920’s U.S. tennis champion, Helen Wills. Jeanne was a leading member of the Tennis Collectors of America and The Tennis Collectors’ Society in the U.K.; a friend, mentor, and inspiration to countless tennis collectors; and an indefatigable huntress of tennis-related treasures at antiques shows, flea markets and auctions both in the U.S. and abroad. The depth and diversity of Jeanne Cherry’s collection reflect her interest in the entire breadth of tennis history and its material culture. She acquired antiques relating to the game of tennis in every possible category—including books, ephemera, photography, equipment, clothing and accessories, toys and games, fine art, jewelry, decorative arts, and furniture. Driven by her keen intellect and unquenchable curiosity about all things related to tennis history, Jeanne was as much a scholar of the sport as she was an enthusiast. One of Jeanne’s favorite rituals was attending the tennis tournaments at Wimbledon with her husband Dr. James Cherry and their friends and colleagues. Another was attending the Brimfield Shows with her son, antiques dealer Jeff Cherry. While walking the hot and dusty fields of Brimfield on her final trip there in July 2016, she found and purchased one of the tennis cameos featured in this auction. Good things came her way, but even when the pickings were slim she reveled in the pursuit. Through her convivial nature, magnanimous outlook, gracious presence, and generous spirit Jeanne developed many friendships over the years, both within and beyond the antiques world. Now her enthusiasm will live on as the tennis antiques she once owned pass along to others to appreciate.

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746 - HIGH GRADE 19TH CENTURY OLYMPIA PHOTO ALBUM/MUSIC BOX WITH SPORTS PLATES. Exceptional copy of the German-made Olympia photo album complete with a music box built into the back cover. Album features vivid color plates throughout, with scenes of tennis, baseball, football, cricket, and other sports. The key-wound music box is operational and includes the original key. Some original photographs are included. The cover and pages have minor wear. 9 1/4” x 12” x 3”. 800 - 1,200 LOT - 746 747 - 1887 WOMEN’S TENNIS TROPHY PAINTING BY H.F. COLBURN. Elegant painting of a woman wearing Victorian clothing holding a period tennis racket. Signed lower right “H. F. Colburn” and inscribed on the reverse “Won by Mr. Benjamin Ames as a prize in the tournament of Altamonte Tennis Club, Washington D.C. 1887”. Helen Frances Colburn was a 19th/20th century artist known for portraits. The painting measures 8” x 13 - 1/2” and is housed in gold gilt molded frame. There is an old repair to the upper left corner. 12” x 17 - 1/2”. 1,500 - 3,500

LOT - 747

749 - GEORGE TINWORTH DOULTON LAMBETH STONEWARE CLOCK CASE. Circa 1880-1902. This clock case was made by the famous Doulton artist George Tinworth and was assisted by artists Eliza Simmance and Rosina Brown. All artists marks are on the reverse of the piece. Decorated with two boys holding tennis rackets and it is in immaculate condition. There is a top piece that is missing from this 10” high case. Accompanying the piece is the original Sotheby’s catalog and the George Tinworth book written in 1982. The clock is pictured in both pieces of literature. Excellent condition, from the Harriman-Judd English Art Pottery Collection. 10” x 4 - 3/4” x 10”. 3,000 - 6,000

748 - EDOUARD FRANCOIS ZIER. (FRENCH, 1856 - 1924). “Joueuses De Tennis.” Oil on Canvas. Signed: Lower Left “E. Zier”. Work Size: 18-1/4” x 15”. Framed: Ornate Bronze Gilt Gesso and Wood with Liner. Frame with small gesso damages. Painting retains original surface with light craquelure with muted pleasing tones, no damage, restoration or in painting noted, examined under black light. Very good overall. Framed: 35” x 31”. 4,000 - 8,000

LOT - 748

LOT - 749

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LOT - 750

750 - FINE MOLDED COPPER LADY TENNIS PLAYER WEATHERVANE. First third 20th century, New England. Attired in period costume consisting of a tailored blouse, long skirt and Tam O’Shanter cap. Finely molded and well detailed face. Weathervane retains early painted surface over original gilding, now weathered a blue-grey. The support rod with pleasing vertigis. Offered with museum stand. Surface as previously noted with two old bullet holes repairs both in lower torso. All seams are intact, no major dents or restoration noted. Very good overall with pleasing surface. 28-3/4” x 23”. 10,000 - 20,000

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751 - LOT OF 4: TENNIS RELATED VICTORIAN PORCELAIN DISHES. 20th century, German. Collection of four pieces of exceptionally decorated porcelain dishes. Victorian tennis theme shows a lady and gentleman speaking in between games on the green. Surrounding the main theme on the rim are houses, trees and sky. Beautiful colors of greens, blues, pinks. Marked “Schwarzburg” on the back. There are four pieces including a charger, serving bowl, handled vase, and a small plate. All four are clean with good color; no chips, cracks, or repairs. Largest: 12” Dia. 800 - 1,200

LOT - 751

LOT - 752

LOT - 753

752 - 1920’S TENNIS DECORATED CELLULOID PURSE. This elegant oval shaped celluloid purse was probably made in the 1920’s. The front is decorated with a leaping female tennis player while the original interior contains a mirror, change purse, and a few pockets. It retains its original carry strap. Excellent original condition with custom display case. 5 - 1/4” x 5 - 1/4” x 14 - 1/4”. (Excellent). 600 - 1,200

LOT - 754 753 - LOT OF 5: TENNIS TABLE SERVICE ITEMS. 19th and 20th century group contains two toast racks; one brass and one silver plate, a pair of figural knife rests in their original box, a small brass dinner gong, and an interesting salt and pepper service set. All are decorated with tennis rackets and nets. Conditions vary, overall very good. Largest: 5 - 1/2” x 7 - 1/2”. 1,000 - 1,500

754 - LOT OF 3: TENNIS NAPKIN RINGS AND FIGURAL TOOTH PICK HOLDER. The toothpick holder is a silver plate with a turn of the century female tennis player in a full backhand swing. The first napkin ring is sterling silver with an unengraved shield at the center of two 19th century style rackets, balls and a net. The second napkin ring is silver plate with a figural Victorian era woman standing with a racket held high. It has the initials “ABJ” at the top. All are in overall excellent condition. Largest: 3 -1/2” x 2 -1/2”. 800 - 1,200

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755 - LOT OF 13: TIFFANY TENNIS KEY CHAIN & OTHER TENNIS COLLECTIBLES. The lot includes a Tiffany & Co. tennis racket key chain with its original pouch; a small unsigned bronze of a 19th century tennis player, a 19th century tennis player that probably use to be attached at the knee to a napkin ring; a tennis decorated top for a woman’s purse, a dresser dish with a figural racket; two sterling tennis rackets, a mirror with an Art Deco tennis player in the handle and five lime green dishes, one is inscribed from an umpire for the national doubles championship. Largest: 2 - 1/4” x 2 - 1/4” x 5”. 500 - 1,000 756 - TENNIS DECORATED BISCUIT BOX. Silver plate biscuit box is decorated on the end with crossed tennis rackets. The both lids are monogrammed “AEJ” and there are English hallmarks beneath. Overall excellent condition. Largest: 27 1/4” x 9 - 1/4”. 500 - 1,000

LOT - 755

757 - LOT OF 3: FIGURAL TENNIS MEERSCHAUM PIPE & TWO HUMIDORS. A figure of a woman with an early tennis racket and ball adorns the bowl of this 19th century meerschaum pipe. Includes the original pipe case. The figure has no chips or cracks and the stem is clean as well. The very small bowl does have a chip on the upper rim. Also included are two wooden ball-shaped humidors with a small unmarked shield on the fronts and a tennis racket on the top. Both are in excellent condition. Largest: 5” x 5” x 5 - 1/2”. 400 - 800

LOT - 757

LOT - 756

LOT - 758

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758 - STICK SPATTER RABBIT WARE WITH TENNIS SCENE PLATE. 19th century, Boston. Stick Spatter serving dish is in the Virginia pattern with rabbits playing tennis. Reverse is marked “Smith Patterson Company Boston”. There are no chips or cracks and is in excellent conditon. 12” Dia. 400 - 800

LOT - 759

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759 - LOT OF 6: PAIR OF CUPS & SAUCERS, FOOTED DISH & STATUE. Early transfer cup and saucer pair with fantastic tennis decoration, circa 1900. Accompanying them is a bronze double handled and footed centerpiece with a porcelain bowl marked “Sevres”; there is a repaired crack, visible from underneath. Also included is a 16” bust of a woman with a tennis racket made of white metal with a gold paint; a few imperfections probably from the manufacturing process. Largest: 16” x 4”. 400 - 800

LOT - 760 760 - LOT OF 4: FIGURAL TENNIS RACKET NAPKIN RINGS. This collection of Victorian era napkin rings all are decorated with figural tennis rackets. All four are silver plate and have excellent detail. One has a name engraved and the ring with dual rackets has several broken strings at the corners. Largest: 3 -1/4” x 2 -1/4”. 400 - 800 761 - LOT OF 5: TENNIS DECORATED MATCH SAFE & PAPER CLIPS. Group consists of a Victorian wall match safe with crossed rackets. Accompanied by four paper clips from a similar time period. Varied sizes and all have unique shape to them. Overall, in excellent condition. Largest: 7” x 6”. 400 - 800 762 - LOT OF 4: TENNIS RELATED DECORATIVE PIECES. This lot contains four small pieces of tennis related decorative items including an ink well, basket, a dish and a pin box. All are turn of the century and have good honest wear. The silver plated pin box and dish are marked “Pairpoint” on the bottom. Largest: 7” x 2 -1/4”. 400 - 800 LOT - 761

LOT - 762

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LOT - 763

LOT - 765

LOT - 764

LOT - 766

763 - LOT OF 9: TENNIS THEMED PLATES & MUGS. 19th to 20th century. The collection includes an early ABC mug, transfer ware glass, a tea cup and saucer. There is a large 1910’s era stein marked “Austria” and a small match holder. Plates include a transfer advertising plate, a Wedgwood blue decorated scene and a small multi racket dish. Overall in excellent condition. Largest: 7 - 1/2” x 6”. (Excellent). 400 - 800 764 - LOT OF 2: CIGARETTE CASES DECORATED WITH TENNIS SCENES. Pair of cigarette cases showing decorative tennis scenes on the lids. Both have a man and a women engaged in play, dressed in traditional tennis clothing. One is marked “800” on the inside while the other has two hallmarks on the catch but no other markings. Nicely detailed with expected in use wear. Largest: 4” x 3 -1/2”. 400 - 800 765 - LOT OF 2: TENNIS RELATED VICTORIAN STERLING SILVER CARD CASES. Pair of sterling silver calling card cases includes one decorated with a tennis racket on the front side. The second case, decorated with a floral motif, was awarded to Miss Ferbiger for the Inland Empire Ladies Singles Lawn Tennis Championship. Largest: 3 -1/2” x 2”. 400 - 800

766 - 14K GOLD & DIAMOND TENNIS CAMEO. 14K yellow gold large antique cameo brooch depicting a figural carving of a female tennis player holding a racket. She is beautifully hand carved from shell, and is wearing 14K white gold diamond earrings and bracelet. There are a total of five round cut diamonds set is the cameo. The cameo is set into a yellow gold bezel with a twisted gold rope border, and has a hinged folding pendant bale as well as the pin closure. Stamped “14K”. Measurements: 2-1/4” tall by 1-3/4” wide. Gross weight is 12.6 DWT. Provenance: This particular cameo is prominently pictured on the cover of the book “Tennis Antiques & Collectibles” by Jeanne Cherry. (Excellent). 1,500 - 2,500 767 - 14K WHITE GOLD & DIAMOND TENNIS CAMEO. 14K white gold large antique cameo brooch depicting a figural carving of a female tennis player holding a racket. She is beautifully hand carved from shell, and is wearing 14K white gold bracelet set with two round cut diamonds and a 14K white gold pendant with a bezel-set round synthetic emerald. The emerald has a small chip on the crown. The cameo is set into a white gold bezel with a beautiful filigree border set with four bezel-set French-cut marquise synthetic emeralds, and has a hinged folding pendant bale as well as the pin closure. Stamped “14K”. Measurements: 2” tall by 1-1/2” wide. Gross weight is 11.6 DWT. (Very Good). 1,000 - 1,500

SEE WEBSITE FOR ADDITIONAL PHOTOS

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768 - 14K WHITE GOLD & DIAMOND TENNIS CAMEO. 14K white gold large antique cameo brooch depicting a figural carving of a female tennis player holding a racket. She is beautifully hand carved from shell, and is wearing 14K white gold bracelet set with two round cut diamonds. The cameo is set into a white gold bezel with a beautiful filigree border with leaves, and has a hinged folding pendant bale as well as the pin closure. Stamped “14K” and signed “MK 14K”. Measurements: 2-1/4” tall by 1-3/4” wide. Gross weight is 14.8 DWT. (Excellent). 1,000 - 1,500

LOT - 768

LOT - 769

LOT - 770

769 - 14K WHITE GOLD TENNIS CAMEO. 14K white gold antique cameo brooch depicting a figural carving of a female tennis player holding a racket and ball. She is beautifully hand carved from shell. The cameo is set into a white gold bezel with a beautiful filigree border with bows, and has a hinged folding pendant bale as well as the pin closure. Stamped “14K”. Measurements: 1-7/8” tall by 1-1/2” wide. Gross weight is 8.1 DWT. (Excellent). 1,000 - 1,500 770 - 14K GOLD & DIAMOND ENAMELED TENNIS CAMEO. 14K white and yellow gold cameo brooch depicting a figural carving of a female tennis player holding a racket. She is beautifully hand carved from shell, and is wearing 14K white gold necklace set with one round cut diamond. The cameo is set into a white gold bezel with a beautiful filigree border with four yellow gold overlays each decorated with reg, green and blue enamel. It also has a hinged folding pendant bale as well as the pin closure. Stamped “14K”. Measurements: 1-1/2” tall by 1-3/8” wide. Gross weight is 6.5 DWT. (Very Good). 1,000 - 1,500

LOT - 771

771 - LOT OF 3: STERLING SILVER TENNIS BANGLE BRACELETS W/TENNIS PENCIL. Lot of three: Two Wide Sterling Silver Tennis Themed Bangle Bracelets. One made by Minshull & Latimer in Birmingham with full hallmarks, dated 1884. The other is hallmarked at clasp. Each hinged bangle measures approximately 1” wide. Each bracelet has an inside diameter of 2.25”. Both clasps are fastening securely. This lot also includes a Sterling Silver mechanical/sliding Tennis racket pencil measuring 2.75” when closed, marked “Sterling”. Gross weight is 41.8 DWT. (Very Good). 800 - 1,000 772 - LOT OF 2 STERLING SILVER TENNIS BANGLE BRACELETS, CIRCA 1880’S. Lot of two: Wide Sterling Silver Tennis Themed Bangle Bracelets. Both made by Minshull & Latimer in Birmingham with full hallmarks. One is dated 1882, and the other 1884. Each hinged bangle measures approximately 1” wide. One bracelet has an inside diameter of 2”, and the other measures 2.25”. Both clasps are fastening securely. Gross weight is 44 DWT. (Very Good). 800 - 1,000

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LOT - 772

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773 - LOT OF 8: TENNIS DECORATED BEADED PURSE, FRAMES & VASES. This group of novelty tennis items is highlighted by a beaded purse that is well decorated along the top frame. There are a few picture frames, including a sterling one that was a trophy in 1910 for Ladies Singles. Also included is a pair of matching bud vases decorated with female tens Antiques nis players, probably turn of the century, a small plaque and a 1986 Wimbledon promotional goblet. This purse is shown on page 130 of “Tennis Antiques and Collectibles”. Largest: 7” x 9”. 800 - 1,200 LOT - 773

LOT - 774 774 - PAIR OF LEATHER HORSE BOOTS. Very rare horse boots worn over the horses hooves to prevent damage to lawns during rolling or mowing. Leather-constructed boots are unmarked but have excellent design. They probably are late 19th to very early 20th century. These are shown on page 109 of the book “Tennis Antiques and Collectibles” by Jeanne Cherry. Each: 5” x 5” x 4”. 500 - 1,000 775 - TWO PAIRS OF EARLY TENNIS FIGURES. The first pair are 19th century bisque figures of a young man and woman, both holding a racket and ball, unmarked. There is a stress crack from firing and a couple of chips on the male figure. The second are a slightly larger pair of white metal figures in the exact same design as the bisque figures. They have some light oxidation but overall are excellent condition. Largest: 15” x 5”. 500 - 1,000

LOT - 775

LOT - 776 776 - WRIGHT & DITSON TILT-HEAD TENNIS RACKET. 19th century, Boston. Lawn tennis racket stamped “Wright & Ditson Boston” on the convex throat. The cork gripped racket handle is worn. The head retains original gut strings, unbroken. Fine original condition overall. 27” x 8”. 800 - 1,400

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777 - FELTHAM TILT-HEAD TENNIS RACKET 19th century, London. The maker “Feltham London” and “14 OZ” is stamped into the convex throat of this tilt-head racket . The throat is traced in black inlay while the handle sports the two tone colors all the way down. The head has two very small cracks and the strings are damaged. This racket has great display qualities! 26 1/2” x 8 - 1/2”. 800 - 1,200 LOT - 777

778 - HORSMAN MAKER TILT-HEAD TENNIS RACKET. 19th century, New York. Tilt-head tennis racket is stamped “Horsman Maker 6” on the convex throat. There is decorative black inlay starting at the throat and running down the shaft to the evenly worn cork handle. A small portion of the original collar remains. The head is clean with no breaks while the strings have damage. Fine example of this early New York maker. 26” x 8 1/2”. 800 - 1,200 779 - HORACE PARTRIDGE #13 TILT-HEAD TENNIS RACKET. 19th century, Boston. The convex throat of this tilt-head racket is stamped “Horace Partridge & Co. Boston” and “13” on the reverse. Decorated with a black inlay from throat down the shaft. There is even wear to the handle with a small spot of green paint. Original leather collar is missing. The head is intact with two broken strings at the very top. Fine original condition. 26” x 8” 800 - 1,200

780 - ST. JAMES #3 TILT-HEAD TENNIS RACKET. 19th century. Tilt head tennis racket is lightly stamped “St. James Trade Mark 3” and a small decoration on the convex throat. On the reverse throat is marked “J. Dobbins Tennis Racket 1882” lightly in old pencil. Both the the original leather collar and butt piece are present with wear. The head is clean with no major chips or breaks. Strings are multi colored with a square pattern woven in the center. 26 - 3/4” x 7 - 1/4”. 800 - 1,200

LOT - 778

LOT - 779

LOT - 780

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LOT - 781

LOT - 782

781 - WRIGHT & DITSON “SPECIAL” TILT-TOP TENNIS RACKET. 19th century, Boston. This tilt-top tennis racket is stamped “Wright & Ditson Boston Special” on the throat. On the reverse throat is the name “S.V. Adams” lightly inscribed. The head itself is cracked and the strings are distressed. The original cloth collar remains intact as well as much of the leather on the butt. Classic American shape. 28 1/4” x 7”. 800 - 1,200

782 - HORACE PARTRIDGE CO. TILT-HEAD TENNIS RACKET. 19th century, Boston. This tilt-head tennis racket is stamped “Horace & Partridge Co. Boston” on the black inlaid convex throat with the number “17” carved underneath. The reverse side of the throat is stamped “14”. There is a small chip to the throat in the right corner as well as a light break in the upper right corner of the head. The strings have a couple non-offensive breaks and the original leather has been lost. 26” x 8”. 800 - 1,200

783 - 19TH CENTURY TILT-HEAD TENNIS RACKET. 19th century. Tilt-head tennis racket with black inlaid throat is unmarked. The strings are in original condition with a single break. This example sports an exaggerated tilted head and is in overall fine condition. 27” x 8 1/2”. 700 - 1,000 LOT - 783

784 - WRIGHT & DITSON “THE CLUB” TILT-HEAD TENNIS RACKET. 19th century, Boston. This tilt-head tennis racket is stamped “Wright and Ditson Boston” on the throat and “The Club” at the top of the head. The head has a small crack. The handle retains the original collar and leather at the butt. The strings are intact and unbroken. Nice original condition. 26 - 1/4” x 8 - 1/4”. 800 - 1,000 LOT - 784

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785 - LOT OF 2: WRIGHT & DITSON “THE CLUB” AND JEFFERIES TENNIS RACKETS. 19th century, London and Boston. The first concave throat racket is deeply stamped “Wright & Ditson” on the throat and “The Club” lightly at the top of the head. It retains the original cloth collar but is missing the leather band on the butt. The flat head has several cracks at the corners and the strings are broken in many spots. The second racket is stamped “Jefferies” with a Coat of Arms on the convex throat and lightly stamped “Jefferies” on the top of the head. Black inlay runs on the sides of the throat down the shaft. The handle is complete with both its red collar and leather on the butt. Head in overall good condition with a few broken strings. 27 - 1/2” x 8 1/4”. 500 - 1,000

LOT - 785

LOT - 786

786 - FRENCH & CO SPHAIRISTIKE TILT-HEAD LAWN TENNIS RACKET. 19th century, London. Major Walter Clopton Wingfield defined the rules which would become the modern game of tennis in 1874, he called it “Sphairistike” which is Greek for “ball games.” This racket dates from that early lawn tennis time period of approximately 1874-1875. The concave throat is stamped “French & Co 46 Churton St London” and “Sphairistike”. The handle sports a replaced sheep skin grip which is historically accurate. The racket’s head is in great shape with no defects and the strings are the original two color; four are broken. 27” x 8 - 1/2”. 5,000 - 8,000

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LOT - 787

LOT - 788

787 - HENRY MALINGS TILT-HEAD TENNIS RACKET. 19th century, London. This tilt-head tennis racket is stamped “Henry Malings Frances St Woolwich” with a crest on the convex throat. The handle sports a leather wrapped grip that while very early, may not be original. The head and strings are intact with no chips, cracks, or breaks. Mailings was one of the first racket makers of England when the game was “invented” in 1874. 27” x 8”. 800 - 1,200 788 - LOT OF 2: WRIGHT & DITSON AND HORACE & PARTRIDGE FLAT-TOP TENNIS RACKETS. 19th century, Boston. The first racket is stamped “Wright & Ditson Boston” and “13” on the throat. Original cork grip handle. It is missing the fabric collar with remnants of the leather at the butt. The head is excellent but the strings are damaged with multiple breaks. The second racket is stamped “Horace Partridge & Co. Boston” on the concave throat and “Peerless” on the reverse. The grip is cross hatched and retains leather at the base. The head and two color strings are clean and unbroken. Largest: 27 - 1/4” x 9”. 800 - 1,200

789 - LOT OF 3: 1930’S HAZELL’S STREAMLINE TENNIS RACKETS. Hazell’s Streamline rackets are in the classic aerodynamic design of the 1930’s. Lot includes the Red Star, the Blue Star and the Green Star. All three are natural wood with exceptional decals overall with their original grips and butt plates. There are a few strings that are broken, the Red Star has two small cracks noticeable on close inspection, and the side decal of the Blue Star has a chip. Each: 27 - 1/4” x 9”. 1,000 - 1,500

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790 - LOT OF 2: HORSMAN FLAT TOP TENNIS RACKETS. 19th century, American. The first racket has a convex throat with “Horseman Maker” stamped on one side and a stylized “G” carved on the reverse. It retains the original brass collar but is missing the leather at the butt. The grip shows heavy wear with a large chip missing at the bottom. The head is extremely flat with a chip on the reverse with a few broken strings. The second racket is stamped with “Elberon Trade Mark Horsman Maker” on the convex throat. It retains the leather at the butt. The head is unbroken with several damaged strings. Largest: 26 - 1/4” x 8 3/4”. 800 - 1,200

LOT - 790

791 - LOT OF 2: WRIGHT & DITSON TENNIS FLAT-TOP RACKETS. 19th to 20th century, Boston. The first flat-top racket is stamped “Wright & Ditson Boston Longwood” on the concave throat with name written in pencil on the reverse. The handle is clean with the original leather at the butt. The head has a chip on the reverse left and a couple cracks on the right side. The strings are damaged. The second flat-top racket is stamped “Wright & Ditson Boston” under the concave throat. The handle is clean although the collar and leather are missing. The head exhibits several cracks and one string is broken. Each: 27” x 8 - 1/4”. 700 - 1,000

LOT - 791

792 - MARYLEBONE #4 TENNIS RACKET. 19th century, London. Racket with symmetrical head stamped “Marylebone Trade Mark” and “4” and the Prince of Wales crown are on the throat. The handle retains the original collar but the leather at the butt is not present. A diagonal pattern has been carved into the handle near the butt for a better grip. The strings are intact. There are a cracks on both the head and convex throat. 25 - 3/4” x 7 3/4”. 400 - 800

LOT - 792

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793 - EARLY FLAT-TOP TENNIS RACKET. 19th century. Flat top tennis racket is stamped with a Coat of Arms, “13-1/2 oz” and the “3” on the convex throat. The original twine collar is present just above the well used cork handle. The name “S REER” is carved on the reverse of the throat. The head shows heavy use with a couple chips, distressed strings and a crack in the shaft. 25 - 1/2” x 9”. 400 - 800 LOT - 793

794 - COLLECTION OF RACKETS & 40 VINTAGE RACKET CASES. This collection includes five rackets; a double strung Horseman, a Wilson made Ellsworth Vines, a 1920’s Spalding, a Wilson made Jack Kramer, and a decorative racket with decorative brass metal strings. Also included with the lot of racket cases in a variety of shapes and sizes and a travel case. Largest Case: 28” x 11 3/4” x 5”. 400 - 800

LOT - 794

LOT - 795 220

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795 - LOT OF 2: HORSMAN AND UNMARKED FLAT-TOP TENNIS RACKETS. 19th century, American. The first racket is stamped “Seabright Trade Mark Horsman Maker” on the convex throat and “13 oz” on the side. The grip is evenly worn cork. The flat-top head and strings are clean and unbroken. There is a crack at the base of the throat. The second racket, unmarked, has a convex throat. The name “Thos. Tate” stamped on one side and “13 oz” stamped on the other. The head and strings are clean with no problems. There is a crack on the shaft right above the grip. Largest: 27 1/2” x 8 - 3/4”. 500 - 800

796 - LOT OF 2: SPALDING FLAT-TOP TENNIS RACKETS. 19th to 20th century, American. The first racket has “The Slocum” above the Spalding logo printed in gold on a black throat. The handle is cork and retains an interesting butt cap. The head is problem free with a few broken strings. The second racket is stamped “Windermere” above a Spalding logo on the concave throat. The handle is clean and retains original leather at the base. The flat head is problem free but there are quite a few damaged strings. Largest: 26 3/4” x 9 - 1/4”. 500 - 800 LOT - 796 797 - LOT OF 2: HORACE & PARTRIDGE AND WRIGHT & DITSON TENNIS RACKETS. 19th century, Boston. The first racket is stamped “Wright & Ditson Boston” and “Octagon” on the concave throat. Clean overall with the original leather on the butt. Head is clean with only one broken string. The second racket is a flat-top with “H. Partridge & Co. Boston” stamped on the sides of the concave throat. The heavily carved grip retains the original leather on the butt. The head is clean with a few broken strings. Largest: 26 - 3/4” x 9 - 1/2”. 400 - 800

798 - LOT OF 2: PECK & SNYDER AND DW&G CO. FLAT-TOP TENNIS RACKETS. 19th century, New York. The first flat-top racket is stamped “Peck & Snyder New York” and “13-1/2 oz” on the concave throat. The initials “JHB” are lightly carved into the grip. Retains a wood knob at the butt that has a chip and the initials “JHB” on the end. The flat head of the racket is clean with the name “JH Bankin” impressed at the top. The strings have several breaks. The second flat-top racket is stamped “D.W.G. & Co. N.Y. Handmade” on the concave throat. The handle is striped with original leather at the butt. The original collar is missing. The head is is very clean although the strings are all missing. Largest: 27 - 1/4” x 8 - 3/4”. 400 - 800

LOT - 797

LOT - 798

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LOT - 799

LOT - 800

LOT - 801

LOT - 802

SEE WEBSITE FOR ADDITIONAL PHOTOS

799 - LOT OF 5: FIVE ANTIQUE TENNIS RACKETS. 20th century, American. Rackets include D.W.G & Co, Victor Sporting Goods, Dingle, Horace Partridge & Co. and one unmarked. All are very clean overall with convex throats, all retain the leather on the butts. Heads and throats are in good condition with no cracks. The strings appear to be clean and intact. Largest: 27 - 1/2” x 9 - 1/4”. 500 - 800 800 - LOT OF 4: ANTIQUE TENNIS RACKETS INCLUDING CRISS-CROSS GRIPS. 20th century, American. This post flat-top collection includes Peck & Snyder, Peabody Whitney Company, Horsman, and an unmarked one. Three have criss-cross grips, the unmarked one is smooth. All have concave throats, clean heads and intact strings, the Peabody has a few broken strings and is missing the leather on the butt. Largest: 27 - 1/4” x 9 - 1/4”. 500 - 800

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801 - LOT OF 3: ANTIQUE TENNIS RACKETS. 20th century, American. The lot includes “The Beekman” by Peck & Snyder, V. Kent “Germantown” and V. Kent “John Wannamaker.” Both the Beekman and the Germantown have criss-crossed grips. All heads and convex throats remain clean and unbroken but the strings all have damage. Largest: 27 - 1/2” x 9”. 400 - 800 802 - LOT OF 5: EXCEPTIONALLY CLEAN ANTIQUE TENNIS RACKETS. This collection of rackets appear to be unused. The lot includes: two Wright & Ditson “Comet”, one with its original hang tag, one marked with the initials “JB” in sharpie on the head; a Narragansett “Sixty” with fancy multi-colored strings, a chips in the paint of the head and a rub in the decal on the reverse; a Harry C. Lee & Co “Beekman” with original hang tag; and a Wright & Ditson “Challenge Cup” with a few broken strings. The overall visual appeal of this group is spectacular. Largest: 27” x 9 1/4”. 500 - 800

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803 - LOT OF 3: FISHTAIL & FLARE GRIP TENNIS RACKETS. 20th century. The first is an interesting fishtail racket impressed with the demon logo on one side and bears a decal with “The Demon” and a colorful likeness of the devil. It has support tape at the base of the head, a broken string and a chip out of the fishtail. The second fishtail is stamped with a Star of David on the throat with the words “Best is Best S&S Throughout the World”. The reverse is stamped with “The Demon” logo at the convex throat. The fish-tale and head are clean but there is a broken string. The third racket is flared at the base and near flat at the top of the head. Stamped with “Benetfink, London” on one side of the convex throat and “The Club” on the other hand. The head is clean with numerous broken strings. Largest: 27” x 9 - 1/4”. 500 - 800 804 - LOT OF 3: ANTIQUE TENNIS RACKETS WITH UNUSUAL KNOB BUTTS. 19th century. The first is an early Spalding with a gold decal on the convex throat and a grip that has an unusual knob butt. Head and strings are in very good condition without cracks or breaks. The second is a Slazenger Demon with fishtail butt. Head is in nice condition with some broken strings. The last has a ball end with a faint gold decal at the throat. The throat is cracked and the strings are distressed on this very unusual racket. Largest: 27 - 1/4” x 9 - 1/2”. 500 - 800

805 - LOT OF 4: MULTI RACKET TENNIS PRESSES. Selection of vintage racket presses. All are in great shape and are exceptionally well made. Makers include Thos. Tate, Slazenger, and A. A. Tunmer. One press has no manufacturers mark and the Slazenger has the initials “R.M.J.” neatly carved in it. Largest: 15 -1/2” x 12”. 400 - 800 806 - LOT OF 13: MODERN TENNIS RACKETS. This collection of modern rackets includes some potentially used by professional players. The group includes a Wilson metal racket signed on the head cover by Billy Jean King; Hyper Carbon signed on grip by Patrick Rafter, Goran Ivanisevic (note on handle), and Rick Leach signed on frame. There are several other training rackets and odd designs included. Also included is a ball with a note stating that Patrick Rafter threw this into the audience after his win at Infiniti open 1997. Largest: 28 -1/4” x 12”. 400 - 800

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807 - LOT OF 18: CHILDRENS RACKETS & RACKETS FOR OTHER GAMES. Variety of rackets made for children’s use in tennis and many other turn-of-the-century racket games like tennis and ping pong. There even a graphic early paddle ball toy and a racket made into a fishing net. Conditions vary with wear to each racket. Largest: 22” x 7 -1/2”. (Excellent). 400 - 800

808 - LOT OF 9: ANTIQUE TENNIS RACKETS. 20th century. Lot includes rackets from D&M,U and I, Vantage, Ward and Wright, Fairview, two Wright & Ditson, Iver Johnson, and Alex Taylor Co. All are in very good condition with no breaks to the heads or throats. Several do have some broken strings. The Wright & Ditson “Sutton” is missing all of the strings and the leather on the butt. Largest: 27 - 1/2” x 9 - 1/2”. 400 - 600 LOT - 807

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LOT - 809 809 - LOT OF 19: ANTIQUE TENNIS RACKETS. 20th century. This is a nice group of rackets that include: H Hodgson “The Winner”; Wright & Ditson “The Park”; Henry C Lee “The Runner Up”; James W. Brine; E Kent “Newport”; Vincent Richards “The Bat Model” and others. Also included are some transitional early metal rackets, including a Spalding. Overall the group is in very good condition; some decals have rubs, some have broken strings and other minor distress. Largest: 27 - 1/4” x 9 - 1/2”. 500 - 800

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810 - LOT OF 9: 1920’S TENNIS RACKETS INCLUDING WINCHESTER. 20th century, American. This group of rackets include: The Horace Partridge Co.; Midget; Winchester “Ranger”; FJ Bancrof; N.J. Magnan Corp. “Superior”; two Spalding “Wimbledon”, both with grip wear; Ashland “Puritan”; and Wright & Ditson “Challenge Cup”. All are very clean overall with exceptional decals. A few have string damage. Largest: 27” x 9 - 1/4”. 500 - 800

www.MorphyAuctions.com | August 30, 2018

811 - HAZELL’S STREAMLINE BADMINTON RACKET WITH SHUTTLECOCKS. Classically designed racket is rare to find in the badminton style, due to its frail nature. The decal has some wear from use as does the head. Also included is a canister of R.S.L. Official Badminton Shuttlecocks. Largest: 26 - 1/4” x 8 - 1/4”. 300 - 600

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812 - LOT OF 3: TENNIS MULTI RACKET PRESSES. Selection of vintage racket presses. All are in fine shape and exceptionally well made for three or four rackets each. Makers include Prosser & Sons and J. Holden. The third is unmarked except for the initials “T.R.L. Thompson”. Largest: 16” x 11 -1/2”. 300 - 600 813 - 1920’S KING GEORGE VI & QUEEN ELIZABETH SOUVENIR TENNIS RACKET. This souvenir tennis racket was produced in the 1920’s to commemorate the marriage of King George IV and Queen Elizabeth. There is a tin collar at the throat with the photos of the King and Queen with the English flag on either side and “Made in England” on the reverse. The head is decorated in red, white and blue. Clearly meant as a souvenir, as the strings are made of real string and unsuitable for playing tennis. 7 - 1/4” x 22”. 300 - 600

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814 - LOT OF 4: ANTIQUE FLARED GRIP TENNIS RACKETS. The collection of four flared grip tennis rackets include: E. Kent “Duchess” and “Yale”, Ingersoll, and College. All have interesting handles to help improve the grip. The Ingersoll has the initials “WF” carved into the grip. The heads and throats are in very good condition with no cracks; three have string damage. Largest: 27 - 1/4” x 9”. 400 - 800

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815 - MARYLEBONE TILT-HEAD TENNIS RACKET. 19th century, London. Tilt-head lawn tennis racket is stamped “Marylebone Trade Mark 4” with a simple design on the concave throat. The handle has a simple plain design and is missing the leather collar and butt. Strings are in nice condition with one broken. Fine original condition with in use wear. 26 - 1/2” x 8 1/4”. 800 - 1,200 LOT - 815

816 - LOT OF RARE BERKELEY BELL TOURNAMENT USED TENNIS RACKET & PHOTOGRAPH. Born in 1907, Bell played during the 1920’s and 1930’s. He was the seventh ranked player in the world at one time. He played in many doubles tournaments, as well as played in majors and made it to the third round of Wimbledon, the quarter finals of U.S. Open and twice in the final of the U.S. Open as a doubles player. Bell passed away in 1967 at 59 years old of a heart attack following a Veterans tennis tournament. The framed photograph shows Berkeley as a young man in tennis attire swinging his racket. The Bancroft wooden racket with registration number of “21257” has good tournament use with some string damage and some wear around the top of the racket. The racket cover has “Bancroft” on one side and Berkeley Bell’s signature on the other side. An interesting lot of tennis history. Largest: 9 - 3/4” x 27 - 3/4”. (Very Good - Excellent). 600 - 900 817 - HARVARD B #4 TILT-HEAD TENNIS RACKET. 19th century. This tilt-head lawn tennis racket is stamped “Harvard B Trade Mark 4” on the convex throat. The handle is carved with the initials “VLG” and an “X” pattern down the length of the side. There is a notched groove carved around the butt. The head has several broken strings and a chip to the reverse side. 26 - 1/2” x 8”. 800 - 1,000 818 - LOT OF 14: PLAYER ENDORSED TENNIS RACKETS. This collection of player endorsed tennis rackets includes Ellsworth Vines, Gussie Moran, George Lott, Billy Jean King, Bobby Riggs, Bill Tiden, and others. Most are in excellent condition with good decals. A few have string damage. Largest: 27” x 9 - 1/4”. 300 - 600

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819 - CECIL “PUNCH” FAIRS ESTATE ARCHIVE. Estate collection that belonged to Cecil “Punch” Fairs, Court or “Real” Tennis Champion of the World. Important items include the four rackets he used when winning his World Championships in 1905, 1906, 1908, and 1910. Each racket has an engraved silver shield or plaque at the throat as well as a smaller silver plaque or collar. These are engraved with the year, score of the match and the name of his opponent. All four rackets show heavy use and broken strings. Three rackets are made by Nusser and one is a Punch Fairs Model by H Prosser & Sons. Other pieces include a 1905 photograph signed on the mount and a postcard announcing the 1906 Court Tennis Championship with ticket prices. Personal effects include a sterling silver cigar case with an enameled Punch logo with the initials “C.F.” and an English 9K rose gold match safe, also monogrammed. Awards and jewelry include an 18K gold pendant set with pearls and turquoise engraved on the front “Cecil Fairs 1905, 1906, 1908”. The reverse reads “C. ‘Punch’ Fairs Tennis Champion of The World”. The pendant was made by Spink & Son London and is accompanied by a 14K gold chain. There is also an 18K pocket watch engraved “From His Grace The Duke of Manchester to Cecil (Punch) Fairs Winner Tennis Championship 14.10.1905”. Finally there is a 25 oz. sterling silver chalice engraved “Tennis Championship of the World. C. Punch Fairs beat Peter Latham October 14th 1905” and the reverse, “C. (Punch) Fairs Beat Ferdinand Garcin (France) April 28th 1906”. It sets on a center pedestal surrounded by five smaller 4 oz chalices detailing his Worlds Championship wins and losses from 1905-1910. There is an oak chest with a brass plate on the door that reads “C. Fairs”. The interior is blue velvet and is designed to hold the center chalice and has a compartment that would fit the smaller chalices. A wonderful collection as it was originally found with the exception of the stamp case that was lost to time and the most important Court or “Real” Tennis collection to ever be offered. Largest: 15” x 21”. 30,000 - 50,000

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820 - 1913 RENSHAW CUP WON BY MAURICE MCLOGHLIN FIRST AMERICAN FINALIST. Beginning in 1905, the Renshaw Cup was offered to the winner of the Wimbledon Men’s Singles All Comers Final. The winner then went on to play the champion of the previous year in the Challenge Round for the title. This practice ended in 1922. All players and past champions now had to battle through all the rounds to the final playoff. The cup was then awarded to the Champion (winning both trophies). The trophy made by Elkington & Co. is a winged figure of Mercury holding a bowl. It sits on an octagonal wood base and stands 12 - 1/2” tall. The outside rim has raised lettering, “The Renshaw Cup”, and is engraved “All England Tennis Club, Wimbledon 1913, All Comers Championship Singles”. The reverse reads “Won by Maurice E. McLoughlin”. McLoughlin was the first American ever to play in the final and was inducted into the Tennis Hall of Fame in 1957. Besides his defeat in the challenge round, McLoughlin won two U.S. Open titles, in 1912 and 1913. The trophy is in excellent condition with little to no wear except for a small nick in the base. 12 -1/2” x 9 -1/4”. 30,000 - 60,000

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821 - THE LONGWOOD BOWL USED 1911-1915, WON LAST BY MAURICE MCLOUGHLIN. Important Challenge Bowl used for the Eastern Lawn Tennis Championships held annually at the Longwood Cricket Club since 1883. Known as the Longwood Bowl, it is sterling silver with scalloped edges decorated with grape leaves. Engraving reads “Longwood Cricket Club Lawn Tennis Championship Sixth Challenge Bowl”. The reverse reads the list of champions with Maurice McLoughlin winning three of the five, including the last one. McLoughlin was the first American to play in the Wimbledon final match. The large bowl is 12 1/2” tall to the top of handle and 20” wide from handle to handle. 20” x 12 - 3/4”. 4,000 - 6,000

LOT - 822 822 - MARYLAND STATE CHAMPIONSHIP TROPHY WON BY BERKELEY BELL. Huge sterling loving cup won by noted amateur Berkeley Bell in 1933, 1934, & 1935 at the Maryland State Tennis Championships held at the Baltimore Country Club. It has a raised applied BCC crest. and an engraved scene on the opposite side. The cup stands 14” tall, approximately 22” wide handle to handle and weighs 138.5 toz. The cup rests upon a 3” tall wood base that has some wear to its ebony paint. 22 - 1/2” x 17 - 1/2”. 3,000 - 6,000

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823 - BERKELEY BELL CLAY COURT CHAMPIONSHIP TROPHY AND ARCHIVE. From the Estate Collection of Berkeley Bell who was a high ranked amateur in the 1930’s and a professional doubles player reaching the U.S. Open finals twice. Included is a large two handled trophy for the Eastern Clay Court Championships Men’s Singles. The perpetual cup was last won in 1935 by Berkeley Bell. Mounted on a black wooden base, the trophy stands 14-1/2” tall. Marked “Wallace” and weighs 75 toz. The trophy is accompanied by six scrapbooks loaded with photos and snapshots from the 1930’s. Lots of candid tennis and wire photos of many different professionals. An amazing collection with many unseen shots. Also included is a Bancroft Racket signed by Berkeley Bell across the head cover. 15 - 1/4” x 19 - 3/4”. 1,500 - 3,000 824 - LOT OF 11: TENNIS TROPHIES. This collection of trophies, all relating to tennis matches, mostly from the first quarter of the 20th century. All but two are marked sterling and they both have English hallmarks. One example predates the traditional game of tennis and is for the game of House Racquets and is dated 1866. Others include The West Side Tennis Club 1916; the Biarritz and Pau Lawn Tennis Club Gentleman’s Single Handicap 1884; Middle States Championship 1911 and others. All in excellent condition. Largest: 5” x 14”. 1,000 - 2,000

LOT - 823

825 - 1892 UNITED STATES NATIONAL LAWN TENNIS ASSOCIATION (U.S. OPEN) 2ND PRIZE TIFFANY TROPHY. The U.S.N.L.T.A. Championship was held in Newport, Rhode Island, beginning in 1881. This later became known as the U.S. Open, the final event of tennis’ “Grand Slam.” The championship was played the last week of August at the Casino in Newport, Rhode Island, the “home” of American Lawn Tennis. This early Tiffany & Co. sterling footed dish was presented to Fred Hovey in 1892 who was then defeated by Oliver Campbell in the championship three sets to one. The dish itself has a floral decorated ring and paw feet and is stamped “Tiffany & Co” on the bottom 6 -1/2” x 3 -1/2”. 1,000 - 3,000

LOT - 824 826 - 1889 BRIGHTON LAWN TENNIS TOURNAMENT LADIES SINGLES CHALLENGE SHIELD. Beginning in 1889, this shield came in to use for the Brighton Lawn Tennis Tournament. The Challenge Shield, as it was called, was in use from 1889-1893 and has great details. It shows a scene of ladies playing tennis at the center and crossed rackets at the top. Scroll work and engraving spots decorate the interior. The shield is mounted to a black frame that has some wear including some chipping and a cracking but does not take away from the exceptional 19th century metal work. 14” x 16” x 2”. 600 - 1,200

SEE WEBSITE FOR ADDITIONAL PHOTOS

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LOT - 827 827 - 1931 LONGWOOD BOWL TOURNAMENT TROPHY WON BY ELLSWORTH VINES. Sterling bowl presented to Tennis Hall of Fame member Ellsworth Vines for his victory at Longwood Cricket Club in 1931. This was the same year he won the National Championship. Longwood is located in Chestnut Hill, Massachusetts and had grass courts. The bowl is marked “Smith Patterson Co.” and “Sterling” on the bottom and measures 7 1/2” wide and 4” deep. Largest: 9” x 4 -1/2”. 600 - 1,200

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828 - LOT OF 3: TENNIS TROPHIES WITH RACKET DECORATION. 19th to 20th century. The first is a silver plated goblet from the Fenwick Tournament, Second Prize, August 25th, 1887. Made by the Meriden Company, it has exceptional detail with crossed tennis rackets at the base. The second is a silver plated cup that is marked “Pairpoint” with crossed rackets and balls at the base. The last is a two handled cup with rackets at each handle. Issued between 1929-31, it has the appearance of an earlier trophy. Largest: 8” x 11 - 3/4”. 600 - 1,200 829 - LOT OF 12: TENNIS TROPHIES. 20th century. This is a collection of trophies in various forms including cups, cocktail shaker, serving dish, tankard and a three handled cup. They are all from local events like The Buffalo Evening News, 1908 Bedford Springs Womens’ Doubles, and the 1902 YMCA Lawn Tennis Handicap. These trophies are exceptional for display. Largest: 8 - 1/2” x 9”. 500 - 1,000 830 - 1892 NEW YORK ATHLETIC CLUB FIGURAL TENNIS TROPHY. Wonderful high quality silver plate trophy features a tennis player with a flat-top tennis racket in full court attire on top of this two handled cup. There is also a pair of tennis rackets on either side of the base. Presented by the New York Athletic Club on September 24, 1892 for First Prize Doubles. 8 - 1/2” x 15 - 1/2”. 1,000 - 1,600

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831 - 19TH CENTURY GOLD WASH TENNIS TROPHY. Figural trophy of a cherub holding a horn with a cup on top. The cup is engraved with an 1880’s lawn tennis scene with two men in traditional outdoor grass court. Measures 19 - 1/2” including base and has not been engraved. 7 - 1/2” x 19” (Excellent). 500 - 800

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LOT - 832 832 - LOT OF 15: TENNIS TROPHY COLLECTION. 20th century. Collection of trophies including a sterling cigarette box and a 1932 sterling chalice with lid that sits on a wooden base as a perpetual trophy. There are six miniature trophies, four have English sterling hallmarks; a U.S. Doubles Tennis Championship cup from March of 1930; as well as a trophy with a figural player on a Bakelite base from 1953 and a bowl from Longwood Cricket Club 1930. Largest: 15” x 5”. 400 - 800 833 - LOT OF 27: LARGE GROUP OF TENNIS RELATED DISHWARE. Collection includes a range from formal to children’s dishware, all tennis related. The group is highlighted by a selection of early comic decorated plates including ducks, elephants, and people. The majority are early decorative pieces but about ten are of a modern pattern that looks old. Largest: 10 - 1/2” (Excellent). 400 - 800

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834 - LOT OF 40: TENNIS VANITY SET, PINS, TIFFANY PAPERWEIGHT AND MORE. This great collection includes a variety of tennis related items from the 19th/20th century. The first piece is a frosted crystal tennis ball paperweight, etched on the bottom “Tiffany & Co.” There is an exceptional vanity hair brush set featuring a Victorian woman with a tennis racket, in its original box. Also included in the lot are a few figural hatpins, two tennis related pin cushions, a lighter, a jewelry tray, and other dresser related items. Largest Box: 9 -1/4” x 9 -1/4”. 600 - 1,200

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835 - RARE & UNUSUAL WICKER ROCKING CHAIR WITH TENNIS RACKET & BALL MOTIF. Turn of the century. Probably made by Heywood & Wakefield, the two premier wicker manufacturers in the United States in the late 19th century and partnered up in 1897. This chair depicts a tennis racket on the back with two tennis balls next to it, 36” tall x 24” wide. 36” x 24”. (Very Good - Excellent). 1,200 - 1,800

836 - VICTORIAN GARDEN WROUGHT IRON LAWN TENNIS REFEREE CHAIR. Late 19th century. This chair would have been set up on a table to get a better view of the tennis matches. Wooden handles circa 1895. Appears to have been repainted a few times because of outdoor conditions. Pictured on page 114 of Jeanne Cherry’s book “Tennis Antiques & Collectibles”. 54” x 23”. (Very Good). 800 - 1,200

837 - PAIR OF WROUGHT IRON LAWN TENNIS CHAIRS. Both have identical crossed tennis rackets and tennis ball motif. Both have been repainted due to outdoor use. Each: 35” x 19” x 21”. (Very Good - Excellent). 1,200 - 1,800

838 - LARGE TENNIS PAINTING. Huge Art Deco style painting with a man and woman playing tennis. This extraordinary modern painting hung in the Cherry home and was a personal favorite. Unsigned. It is in excellent condition and beautifully framed. Framed: 85” x 52”. 1,500 - 3,000

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839 - LOT OF 3: VINTAGE TENNIS CHALK LINING & LAWN MOWER MACHINES. The first is a small lawnmower with wooden handles, has “Well” embossed on the frame, three small wooden rollers on front followed by a small grass cutting blade and press roller in rear. The second item is a chalk line machine made by Eclipse and the third is an unmarked chalk lining machine with chain mechanism on right outside wheel. Items appear to be pre-war. Largest: 34” x 11 -1/2”. (Very Good). 600 - 900

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840 - LOT OF 7: TENNIS FIGURES INCLUDING PAIR OF HAGENAUER DECO TENNIS PLAYERS. This excellent group of figures includes an Art Deco pair of tennis players marked “Hagenauer Wein, Austria”, taller one is 7”; a porcelain figure on a bronze base marked “Wimbledon Albany England” on the base, one finger is broken but it is obscured by the brass racket; an unmarked figural dresser box and two porcelain women figures, upper torso, one which has been made into a hanging piece. Largest: 10” x 5 -1/2”. 600 - 1,200 841 - HORSMAN’S LAWN TENNIS BOXED SET. 1880’s lawn tennis boxed set. Features a bright and colorful tennis scene on the interior label. The Victorian men and woman are impeccably dressed, showing that the game was played by the elite and wealthy. The box contains a net, one and a half posts, a mallet and stakes. The interior label displays nicely but has some soiling from moisture and loss. 37 - 1/2” x 12 - 3/4” x 5 - 1/2”. 1,000 - 2,000

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842 - LARGE LOT OF VINTAGE TENNIS ATTIRE. This lifetime accumulation of vintage tennis garments includes dresses, skirts, belts, tops and even a men’s cap. There are even a few pairs of tennis underwear signed by Gussie Moran. There is a wide range of years, with a few early formal pieces including belts with tennis decoration. Almost everything is white in color. While there are a few very minor condition problems, the majority in great shape. An amazing assortment. 1,000 - 2,000

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843 - LOT OF 14: UNOPENED KEY WIND TENNIS BALL CANS. The lot includes key wind cans, all with their original seals intact. Eras range from the 1940’s and later. Manufacturers include Wright & Ditson, Spalding, Dunlop, Winston, Wilson, Pennsylvania, MacGregor and others. Most are excellent condition and all but one retains their original key. Each: 3” x 8 - 1/2”. 800 - 1,600 844 - EXTREMELY RARE UNOPENED WILSON DOZEN TENNIS BALL CAN. An unopened dozen tennis ball can is truly one of the more elusive tennis equipment collectibles. The patent numbers tell us that this Wilson can was manufactured after 1931 (last patent date). The original key is still firmly intact. The Wilson label is readable but with considerable damage; one side being in much better condition than the other. 6 3/4” x 7 - 1/4”. 600 - 1,200

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845 - LOT OF 15: ASSORTED TENNIS BALL CANS. Lot includes 11 unopened cans: two Dunlop, Slazenger, three Wilson, two Bancroft, a Spalding, a Pennsylvania, and a Court King. Some are missing their original keys. Most are in excellent condition with a few having significant wear. The opened cans include Bill Tilden, Wright & Ditson, Jelinek’s and a Pennsylvania. All four have nice display qualities. Largest: 3” x 10 - 3/4”. 500 - 1,000

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846 - RARE OXFORD DOZEN TENNIS BALL CAN. This rare Oxford tennis ball can would hold one dozen balls. The can is in great condition and the purple label has great visual appeal. The label has a vertical tear top to bottom that has been repaired with tape and wrapped in plastic for further protection. There is spotting and some paper loss to the label. Written in pencil on the side panel “25 cents each”. There are no original balls present. 6 - 3/4” x 7 - 1/4”. 400 - 800 847 - LOT OF 14: VARIOUS TENNIS BALL BOXES INCLUDING THE SLAZENGER DEMON. Ball boxes include The Slazenger “Demon”; The Championship by F.H. Ayers, The Warwick Dunlop, Spencer Moulton and others. These very graphic boxes range from the 1930’s to the 1960’s. There are some original balls included. Conditions vary with a few in lesser condition. Largest: 8 - 1/4” x 5 - 1/2” x 2 - 3/4”. 400 - 800 848 - LOT OF 7: TENNIS BALL BOX COLLECTION WITH UNOPENED CANS. Collection of tennis ball boxes includes Spalding, Cortland, Wilson, Dunlop, Spalding with Pancho Gonzales picture and two Pennsylvania. One of the Pennsylvania boxes includes three of its original four key wind cans. The boxes show some minor imperfections but display well. Largest 12” x 8” x 3”. 400 - 800

LOT - 846

849 - LOT OF 22: ASSORTED TENNIS BALL CANS. Huge assortment of tennis ball cans. The unopened cans include three Dunlop and a Bancroft. There are two unopened bags; one Don Budge by Regent and one Super Tournament. The rest of the lot are opened cans that include manufactures Macy’s, Victor, three Dunlop, three Spalding, Tru Shot, four Wright & Ditson (one with no lid), a generic X-Pert, Tournament and a Pennsylvania. Conditions vary, some with significant wear. Largest: 3” x 8 - 1/4”. 400 - 800

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850 - LOT OF 21: 1940-80’S TENNIS BALL CANS INCLUDING UNOPENED KEY WINDS. Lot includes a variety of makers and eras. There are seven unopened cans by a variety of makers; three being key winds, a 1940’s style Pennsylvania, a Spalding and a Dunlop from the late 1950’s. The opened cans include a variety of makers with a couple cardboard tubes. Conditions vary with most being excellent overall. Each: 3” x 8 1/2”. 400 - 800

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LOT - 851 851 - EXTENSIVE COLLECTION OF TENNIS BALL STYLES. This collection of three dozen balls starts with an uncovered ball made of rubber that is from the 19th century; ball has hardened. Other early patterns include a figure eight canvas ball that was found in an 1880’s boxed set. There is also an early Spalding stamped ball that is not felt covered, early Wright and Ditson, a group covered in a woven pattern and even an early patent ball cleaner. Conditions vary, overall very good. 400 - 800 852 - COMPLETE PECK & SNYDER LAWN TENNIS BOXED SET INCLUDING RACKETS. Circa 1886. The as found tennis set contains four Staten Island rackets, net, posts, mallet, stakes and guide ropes. The box is unmarked but well made. The matched rackets are in overall excellent condition with good decals and criss-cross grips. Two of the rackets have some string damage. The ropes and net are in good shape and are not broken or brittle. Largest: 39” x 12” x 7”. 1,000 - 1,600

SEE WEBSITE FOR ADDITIONAL PHOTOS

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LOT - 856

LOT - 855

853 - EARLY PECK & SNYDER’S LAWN TENNIS WOOD BOX. 19th century, American. The wood box is for the Peck & Snyder Lawn Tennis set. The large wooden box would have held everything one needed to play tennis in the 1880’s. The label on the inside of the lid pictures a game of tennis being played at the Staten Island Cricket and Base Ball Club. The label is dated 1884 and has some obvious wear over the years. The box does have an age crack and some nail holes on the lid which does go through the label in the interior. No equipment is included. 41 - 3/4” x 15 - 1/2” x 6 1/2”. 600 - 1,200 854 - LOT OF 2: NATIONAL LAWN TENNIS BOXED SET & THE PRINCETON RACKET BOX. The National Lawn Tennis boxed set appears to be English. The paper label on the inside of the lid portrays an hourglass shaped court, indicating an 1870’s time period. Contents include posts with decorative finial, a net, pegs, mallet, and three balls that are from a later time period. There are two tin medallions tacked on either side of the label that read “R. Spence & Co Ironmongers, Richmond”. There is a horizontal crack in the through the middle of the lid that splits the paper label. The second box is empty. There is a very small label on the interior lid that reads “The ‘Princeton Racquet’”. Largest: 38” x 14 1/2” x 7 - 3/4”. 600 - 1,200 855 - MILTON BRADLEY GAME OF LAWN TENNIS SET BOX. 19th century, American. The box was meant to house a complete tennis set. The interior label is nearly mint and portrays Victorian men and women playing tennis outside a mansion. The label is marked “Milton Bradley & Co Springfield Mass”. The exterior of the box is clean; the original hardware has been removed but is included. 40 - 1/2” x 11” x 6”. 500 - 1,000 856 - LOT OF 2: BOX FOR THE NEW GAME OF LAWN TENNIS SET & BOXED PARLOUR GAME. The first item is an 1880’s style box for a lawn tennis set. It has a typical plain exterior with a blue lithographed label on the interior lid that reads “The New Game of Lawn Tennis”. The label itself has tears that could be repaired. The maker is unknown. The second box is a racket parlor game. It is complete except for the ball the was used. The paper label on top of the box has a piece missing through the name of the game. The contents appear mint. 37” x 15 - 1/2” x 6”. 500 - 1,000 238

LOT - 857 857 - WRIGHT & DITSON LAWN TENNIS POLES WITH CAST IRON BASES & NET. Complete lawn tennis net setup. The iron bases have “Lawn Tennis Poles Wright & Ditson Boston Mass” embossed in the casting. Poles and net are unmarked, but appear correct for the set. 500 - 1,000

www.MorphyAuctions.com | August 30, 2018

858 - LOT OF 3: LAWN TENNIS NETS WITH POSTS. This is a collection of lawn tennis posts and two nets. The one set of posts are made by Spalding; the other two pairs are made by Wright & Ditson. The Spalding pair are clean with strong logos. The Wright & Ditson poles are well-marked; one has a crack. The sets includes nets that are in excellent shape overall. Largest: 53” x 10”. 400 - 800 859 - LARGE LOT OF ASSORTED TENNIS PRESSES, LINE MARKERS & STRINGING TOOLS. This huge grouping of racket and court items including a large tennis club racket press made by Slazenger; other presses in different shapes and configurations; two line markers, one is Wright & Ditson; some stringing tools, extra strings, and a period lawn sprinkler. Largest: 23 -1/2” x 8”. 400 - 800 860 - LOT OF 75: TENNIS RELATED YEARBOOKS & GUIDES. Lot includes Official USLTA Tennis Yearbooks ranging from 1941 to 1986, plus other yearbooks, media guides and players guides. See online catalog for link to complete list of titles. 500 - 1,000 861 - LOT OF 3: RARE WRIGHT & DITSON BALL WITH SPALDING ADVERTISING SIGNS. The Wright & Ditson ball is in mint condition, still sealed in its original red wrapper. It is accompanied by the original tool that is used to open this style of packaging. The two Spalding easel back signs are both 14 - 1/4” tall and made of cardboard. Both advertise a different Spalding rackets and viscose sealed balls similar to the Wright & Ditson in this lot. The Ardmore sign has paper loss to the left side while the Speedwin sign has a few minor chips. Larger: 3 - 1/2” x 3 1/2”. x 3 - 1/2”. 500 - 1,000

LOT - 858

LOT - 859

LOT - 860

www.MorphyAuctions.com | August 30, 2018

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862 - LOT OF 5: 19TH CENTURY TENNIS AWARDS. 19th century. This is a collection of five trophies from the 1880’s to 1890’s. Trophies include an inkwell, without insert, for the Championship of Maine 1891; a perpetual cup from Bridgewater Country Club used from 1890-1894; a chalice won by H. B. Lyon in 1887 for second place singles at Newcastle, which has several hallmarks on the reverse; a small cup from the Lowell Tennis Club First Prize in 1885; and a Tennis Tournament First Prize mug dated August 19, 1889. All are in excellent condition. Largest: 9” x 4”. 500 - 1,000

LOT - 862

LOT - 863

LOT - 864

863 - LOT OF 2: EARLY FRAMED MAGAZINE COVERS FEATURING WOMEN HOLDING TENNIS RACKETS. The first print is a 1912 “Saturday Evening Post” and the second is a “McClure’s” dated 1916. They are nicely framed and look to be in excellent condition. Largest Framed: 15 -1/2” x 18 -1/2”. (Excellent). 300 - 600 864 - LARGE FRAMED PRINT OF ACTRESS JEAN HARLOW HOLDING TOP-FLITE RACKETS. Circa 1930’s. This 16” x 20” publicity photo taken of American film actress Jean Harlow holding two rackets. Print is featured on page 173 of Jeanne Cherry’s book “Tennis Antiques & Collectibles.” Framed: 27” x 22 -1/2”. (Excellent). 300 - 600

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LOT - 865

LOT - 866

865 - LOT OF 2: EARLY & RARE LAWN TENNIS BOOKS. Lot includes “The Games of Lawn Tennis (with Authorized Laws) and Badminton” by Cavendish (pseudonym of Henry Jones), 1876 and “Lawn Tennis” by Strawhat (pseudonym of John Jeffery), 1898. 1,000 - 1,500 866 - LOT OF 12: EARLY AND RARE LAWN TENNIS BOOKS. Includes one of the four known copies of “Lawn Tennis Recollections” by Herbert Chipp. See online catalog for link to complete list of titles. 1,000 - 1,500

www.MorphyAuctions.com | August 30, 2018

867 - LOT OF 500+: TENNIS RELATED BOOKS. Lot includes a copy of the comprehensive “Tennis Bibliography: 1874-2000” by Phelps and Sabine, a copy of Jeanne Cherry’s “Tennis Antiques & Collectibles”, and others. See online catalog for complete list of titles. 750 - 1,000 868 - LOT OF 19: BOOKS RELATED TO COURT TENNIS AND A COURT TENNIS RACKET. Lot contains books related to court tennis (also known as real tennis or royal tennis) and a court tennis racket. Includes an autographed copy of “How to Make the Real Tennis Ball: From Core to Cover” by Hamilton, Sir Richard and Anthony Hobson, an autographed copy of “Tennis: The Development of the European Ball Game” by Roger Morgan, “A History of Tennis” Vol 1 and Vol 2 by E.B.Noel and J.O.M. Clark, dated 1924 and others. Comes with an assortment of contemporary auction catalogs and booklets about court tennis. See online catalog for link to complete list of titles. 750 - 1,000

LOT - 867

869 - FIFTY YEARS OF WIMBLEDON BY A. WALLIS MYERS. Published: London, England: The Proprietors of “The Field” for the All England Lawn Tennis & Croquet Club, 1931. Green cover with gold lettering. Inside the front cover and on the first page there are over 50 autographs including the autograph of Suzanne Lenglen, who won 31 Championship titles between 1914 and 1926. Also includes a letter to Wimbledon competitors dated 1926. 750 - 1,000

LOT - 868

LOT - 869

870 - LOT OF 10: SPORTS RELATED BOOKS. Lot of early books related to sports and the history of sport, including tennis. Included is “Handbook of Athletic Games for Players, Instructors and Spectators” by Jessie H. Bancroft and William Dean Pulvermacher, “The Book of Sports and Games” by Walter Camp ed., “The tribune Book of Open-Air Sports” by William Patten ed. and others. See online catalog for link to complete list of titles. 750 - 1,000 LOT - 870 871 - LOT OF 10: BOOKS RELATED TO TENNIS. Lot of books related to tennis rackets and tennis memorabilia. Includes an autographed copy of “Player Endorsed Tennis Rackets” by Randy Crow, an autographed copy of “Book of Tennis Rackets: From the Beginning in the 16th Century Until About 1990” by Siegfried Kuebler as well as autographed copies of the updates from 2007 and 2010. See online catalog for link to complete list of titles. 500 - 1,000

LOT - 871

LOT - 872

872 - ACES, PLACES AND FAULTS BY WILLIAM T. TILDEN. Published: London: Robert Hale Ltd, 1938, with dust jacket. Inscribed and signed by the author with attached letter from the author. 500 - 1,000

www.MorphyAuctions.com | August 30, 2018

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LOT - 873

LOT - 874

LOT - 875

LOT - 876 873 - LOT OF 2: TENNIS RELATED BOOKS. Lot includes: Suzanne Lenglen North American Tour Souvenir Program and “Fifty Years of Wimbledon: The Story of the Lawn Tennis Championships” by Arthur Wallis Myers, published by London, England: The Proprietors of “The Field” for the All England Lawn Tennis & Croquet Club, 1931 with over 30 autographs including Suzanne Lenglen. 500 - 1,000 874 - LOT OF 20: TENNIS RELATED AUTHOR & PLAYER AUTOGRAPHED BOOKS. Signed books include Don Budge, Alice Marble, John McEnroe, Fred Perry, Helen Wills, Bobby Riggs and others. See online catalog for link to complete list of titles. 500 - 1,000 875 - LOT OF 21: RARE TENNIS RELATED BOOKS. Lot includes an autographed copy of “The Quest of the Davis Cup” by Stephen Wallis Merrihew, the comprehensive “Tennis Bibliography 1874 - 2000” by Phelps and Sabine. See online catalog for link to complete list of titles. 500 - 1,000 876 - LOT OF 63: WRIGHT & DITSON AND SPALDING TENNIS BOOKS. Lot includes a rare Spalding 1888 “Rules of Lawn Tennis” and two pre-1900 “Wright and Ditson Official Lawn Tennis Guides”. See online catalog for link to complete list of titles. 500 - 1,000 877 - LARGE GROUP OF 27: TENNIS TINTYPES. Important group of tennis tintypes including half plate and three quarter plate images. Collection includes both indoor and outdoor scenes with group shots, couples, individuals, and even a couple guys in drag. A great selection of equipment as well as traditional tennis attire is shown in these pictures. Largest: 7” x 4 - 1/4”. 1,000 - 2,000

LOT - 877 242

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SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 878

LOT - 879

878 - COLLECTION OF 41: TENNIS CABINET CARDS. Tennis rackets were exceptional props used by photographers in the late 19th and early 20th centuries. This lot contains mostly standard-sized cabinet photos of both indoor and outdoor shots. This form of photography spanned several decades so the photos show a variety of attire and equipment. There are a few with tack holes, however most appear in excellent condition. Largest: 7” x 5 - 1/4”. 1,000 - 2,000 879 - LARGE LOT OF 19TH AND 20TH CENTURY TENNIS PHOTOGRAPHS. This is a huge group of tennis cabinet photos with a good mix of 19th and 20th century shots. Highlights include a great group of large class shots from Exeter, New Hampshire; dated 1887. Also included are many smaller cabinet-sized photos showing a variety of anonymous players in an array of posed to action shots. There is also a group of action shots, eight to ten on a page, depicting early tennis shots and strokes. Includes roughly a hundred images total. Largest: 22” x 18”. 1,000 - 2,000 880 - LARGE LOT OF TENNIS STARS CANDID & PRESS PHOTOS Range from late 19th century to 1980’s, this is a who’s who of tennis greats including Don Budge, Bill Tilden, Bobby Riggs, Pancho Gonzales, Chris Evert, Billy Jean King, Virginia Wade, May Sutton, Helen Wills Moody and many others. Candid shots of early Forest Lawn championships, Wimbledon, and others. A great lot with interesting tennis memorabilia. Conditions vary. (Very Good - Excellent). 800 - 1,200 LOT - 880

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881 - GROUP OF 25: OUTDOOR TENNIS CABINET PHOTOS. These photos are slightly larger than average cabinet cards. They are all of groups, outside, and with a tennis theme. There are various amounts of equipment and people in each photo; taken from a variety of distances. Most are in very good to excellent condition. Largest: 6 - 1/2” x 10”. 600 - 1,200 882 - LOT OF 5: EARLY FRAMED TENNIS GROUP PHOTOS. Group shots of staged men and women holding tennis equipment or having lunch. One shows a doubles match with the umpire in the chair and an audience watching. Also included is a shot from St. Joseph’s Academy in Emmittsburg, Maryland, which shows about 50 female tennis players holding rackets. All photos appear to be turn of the century from their dress and the type of photographs. Largest Frame: 16 -1/2” x 12 -1/2”. (Very Good - Excellent). 600 - 900

LOT - 881

883 - LOT OF 5: EARLY FRAMED TENNIS THEMED PRINTS. The first is a magazine cover from “The Ladies World”, dated 1912. The second is from “The Woman’s Magazine”, dated 1906. A large framed print titled “The Lawn Tennis Party”, 1890, is by T. Agujari and depicts a group of women playing outdoor lawn tennis. The fourth is a small watercolor shows a single women swinging a racket and the last is a small etching of a man and women playing outdoor tennis, signed in the lower right in pencil and numbered “18” in the lower left. Largest Framed: 32” x 27”. (Excellent). 600 - 900

LOT - 882

LOT - 883 244

www.MorphyAuctions.com | August 30, 2018

884 - LOT OF 8: EARLY FRAMED TENNIS PRINTS. The lots includes a print that depicts a child holding an early racket in one hand and ball in the other, a “Vanity Fair” magazine pictures of men holding rackets circa 1904, and a “Dolly Dingle, Johnny, and the Story of Fido” print which shows two children that look very similar to the Campbell kids. Several other prints are also included. Largest Framed: 23” x 17 - 1/4”. (Very Good - Excellent). 600 - 900

LOT - 884

LOT - 885

LOT - 886

885 - COLLECTION OF BERKELEY BELL MEMORABILIA. Lot includes seven scrapbooks with photographs and newspaper clippings detailing much of Berkeley Bell’s career. The lot includes an early photograph of Bell as a child and an accompanying watercolor of Bell as a youth. This interesting lot has many items of intrinsic historical value. 12 - 1/4” x 15 - 3/4” x 10 - 1/4”. (Very Good - Excellent). 400 - 800

886 - LARGE LOT OF TOURNAMENT PASSES, PROGRAMS & MEMORABILIA. Selection of programs from various events ranging from the 1910 - 1970’s. Some highlights include the 1924 Davis Cup, The Tilden Tennis Tour, Olympia International Tennis Tournament 1939, Bobby Riggs World Championship Tennis Tour 1949-50, Bobby Riggs vs. Jack Kramer and many others. There is a small broadside for a NH appearance of Bill Tilden as well as tickets including a complete book for Wimbledon in 1956. Also included is a large banner for the National Boys Tennis Championships and Wright & Ditson Tournament Bracket cards. Largest: 14” x 22”. 1,000 - 2,000

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887 - LARGE LOT OF ASSORTED TENNIS LITERATURE, ENGRAVINGS, SHEET MUSIC, & RULE BOOKS. This huge paper lot may exceed 1000 pieces and includes etchings, sheet music, and pages from magazines. There are scrapbooks with candid photographs from the collection of female tennis player Dorthy Andrus. Also included are great rule books for tennis and other outdoor games including baseball, some advertisements, bills of sale, and prints including two Currier & Ives Darktown. This fantastic collection is filled with items ranging from the 19th century to present day. 1,000 - 2,000

LOT - 887

LOT - 888

LOT - 889 888 - LARGE LOT OF ASSORTED TENNIS CATALOGS, PAMPHLETS & ADVERTISMENTS. 19th to 20th century. Exceptional group of over 60 pieces. Highlights include F. H. Ayeres catalog, 1897 Spalding Pocket Edition, 1907 Wright & Ditson, 1923 A.G. Spalding & Bros. and other catalogs in to the mid 1950’s. There is a wide range of manufacturers and items. Many of the catalogs include other sports such as baseball and golf as well as a binder of 1880’s Wright & Ditson ads. Most are excellent condition overall. Largest: 11 -1/2” x 10 1/4”. 1,000 - 2,000 889 - LARGE LOT OF TENNIS MAGAZINES, BROCHURES, & CATALOGS. Interesting lot consists of 13 boxes of vintage to contemporary tennis papers. Magazines include early “World Tennis” right up to later “Sports Illustrated”. Includes programs, tickets, binders full of “The Tennis Collector”, old auctions catalogs from major auction houses, as well as hundreds of pamphlets and other items. (Very Good - Excellent). 600 - 900

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890 - LARGE LOT OF TENNIS RELATED TRADE CARDS, DIECUTS & FANS. Group contains 75+ trade cards and diecuts most of which are 19th century with pleasing graphics on the fronts and advertisements on the reverse. Fans are mostly early 20th century, advertising a variety of products, a few missing their handles. Also included is a turn of the century Valentine with cherubs playing tennis. Conditions vary but overall in very good to excellent condition. Largest: 8” x 14”. 600 - 1,200

www.MorphyAuctions.com | August 30, 2018

LOT - 891

LOT - 892

LOT - 893 891 - LOT OF 2: BOBBY RIGGS SCRAPBOOK WITH MECHANICAL BANK. Scrapbook filled with paper items regarding Bobby Riggs; highlighted by contracts (copies), press releases, and correspondences regarding the historic 1973 Battle of the Sexes match with Billie Jean King. There are also some Bobby Riggs vs. Margaret Court items including a full ticket. Also included is Riggs 1974 scrapbook loaded with content and photographs. The last item is a 1976 released mechanical bank depicting the match between Bobby Riggs and Billie Jean King. It is in excellent condition despite some minor paint loss. 13 - 1/2” x 15 - 1/2” x 3 - 1/4”. 600 - 1,200 892 - LARGE LOT OF 200+: TENNIS POSTCARDS. A lifetime collection of tennis-related postcards. There are hundreds of cards that include real photo shots, a 1930’s Wimbledon series with about ten autographed, tennis club photos, comic and romantic series. Largest: 10 - 1/2” x 11 1/2” x 1 -1/2”. 600 - 1,200 893 - LOT OF 13: VARIOUS TENNIS PRINTS & ADVERTISEMENTS. Includes a few early framed French advertisements, one for a tennis racket and another for Ricard Liqueur. Also includes a nice Jack Cramer Converse tennis shoe cardboard stand-up. Nice large Kodak stand-up with a woman holding a tennis racket and tennis ball. A Lear & Oliver Ice Cream standee paper vital color label, an O’Keefe Ginger Ale standee, another smaller Kodak standee, and earlier Kodak advertisement. Circa 1948 7-Up ad, and associated new service paper ad featuring Helen Wills, Wills English Gold Flake Cigarette advertisement, and some other pieces which appear to be original artwork for tennis advertising. An interesting lot of nice items, in various conditions. Largest Framed: 21 - 1/2” x 29 - 3/4”. (Very Good - Excellent). 600 - 900

LOT - 894 894 - LOT OF 7: EARLY FRAMED TENNIS THEMED PHOTOGRAPHS & PRINTS. All framed. Lot includes one small print called “Something More Than A Diversion”, copyright 1907, which depicts a man talking to a woman on a tennis court. The other six items are photos of individual or groups, either staged holding tennis equipment or shots of tennis players at an early outdoor court. One photo is titled “A Group of Players from Horace Partridge & Co. Tennis Tournament 1891”. Another photograph shows a group of about 100 men with the Class of 1890, one holding a sign, which has some staining. Lastly is a shot of famous tennis player May Sutton. Largest: 22” x 25 -1/2”. (Very Good - Excellent). 600 - 900

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895 - LOT OF 6: TENNIS PHOTO ALBUMS, PYROGRAPHY WOOD BOX & DECORATED FRAMES. Collection includes a pair of photo albums: one with a celluloid cover and the other with a small mirrored racket. Both display nicely. There are two oak decorated frames (one with light damage) that are early 20th century. There are also two pieces of Flemish pyrography: one is a decorated two door box and the other just a panel but is probably decorated by the same person. Largest: 10 - 1/2” x 14 - 1/2”. 400 - 800 896 - TENNIS DESKTOP & BOOKSHELF ITEMS. This group of items is highlighted by three early inkwells. One has a figural girl holding a tennis racket, 6” tall. The other two have lids with embossed crossed rackets and balls. There is also a desk organizer, a pencil sharpener, and four sets of bookends including a bronze pair by J.F.J. Company. Largest: 6 - 1/2” x 6 - 1/2” x 4 - 1/2”. 400 - 800 LOT - 895 897 - PAIR OF 1904 TENNIS PILLOW TOPS. Early 20th century. Colorful pair of unused pillow tops. The first is a mixed doubles scene with players in traditional tennis outfits. The center image is bright and clean. There is soiling on the top and lower borders from being stretched in a frame at one time. The second linen is framed and features a Victorian female tennis player. The pastel colors are bright and there is a 1904 copyright in the bottom right corner. Largest: 23 - 3/4” x 24 1/4”. 400 - 800 LOT - 896

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 897

LOT - 898

898 - LOT OF 8: TENNIS LINEN BOX WITH ASSORTED LINENS & PILLOWS. The collection includes a pillow from the 1910’s that shows a woman on a fence post holding a period racket. A second pillow has embroidered detail and shows a young lady with a 1920’s style hat with a tennis racket. The 19th century box for Griffon Brand has a beautiful tennis scene, there is some wear and damage to the edges. Also included are three unfinished pillows and two tapestries. 400 - 800

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899 - GROUP OF 12: TENNIS STEVENSGRAPH & CDV SIZED PHOTOS. Lot includes an immaculate copy of the Tennis Stevengraph entitled “The First Set”. It has been framed two sided to show the beautiful ad on the reverse. Of the photos included, probably half are American. Several photos are dated 1886 from Lynn, Massachusetts, all subjects in the photos are holding tennis rackets. Photos are in excellent condition. Largest: 6 - 1/4” x 9 1/4”. 400 - 800

LOT - 899

900 - TENNIS STEREOVIEW COLLECTION. Views included are the historic Casino Tennis Grounds in Newport Rhode Island, Central Park New York, and two generic scenes. There is a near complete boxed set by Corte-Scopic depicting professional players including Bill Tilden and others. Finally, there are several well-made view copies from the 1990’s. Largest: 7 - 1/4” x 14 - 1/4”. 400 - 800

LOT - 900

LOT - 901

LOT - 902

901 - LARGE FRAMED 12 PHOTO SEQUENCE FOR A TENNIS SWING. Photos A through L show stop photography of a man preforming a tennis swing. Appears to be pre-war. There is some staining and toning to the photos. Framed: 85 -1/2” x 30 -1/2”. (Very Good). 400 - 800

902 - LOT OF 6: VINTAGE TENNIS & WOMENS SHOES. Highlighted in this lot is a pair of canvas tennis shoes, circa 1915, which are made by Goodyear. They are very fragile as the rubber has hardened. The second pair are Women’s tennis shoes by Keds, probably from the late teens - early twenties, one of the earliest sneaker styles. The lot also includes two pairs of ladies shoes which are probably tennis and appear Victorian, their canvas has been recolored white; an early pair of children’s shoes and a pair of Chris Everet tennis shoes in the original box. Largest: 6 - 1/2” x 10” x 10”. 300 - 600

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LOT - 904

LOT - 903 903 - TENNIS MOTIF HANGING OIL LAMP. A rare early 20th century hanging oil lamp with tennis player silhouette decoration. The chains and hardware are cast white-metal with a gold colored finish. It has a floral decorated ceramic holder for the oil reservoir and a glass shade. The oil reservoir, burner and chimney are missing. The shade is probably a later replacement. 16 - 1/2” x 18” 800 - 1,200 904 - LOT OF 20: ASSORTED TENNIS DISHES AND PHOTOGRAPHS. Group of cups and saucers with different tennis motifs including a cup with a dark town type scene. There are two teapots, a lidded tobacco humidor, a cup and saucer with The Racquet Club of Philadelphia logo, all with tennis related decor. There are also five Wheaties advertising bowls with sports champions. Also included is a group of tennis related photos. Conditions vary but is in overall very good condition. Largest: 5 - 1/4” x 9” x 3”.” 300 - 600

LOT - 905

905 - LOT OF 6: ASSORTED TENNIS DECORATIVE ITEMS. Victorian-era collection includes a lithographed charger of two children playing tennis; two candy containers, one in the shape of a racket and the other an egg shaped with a picture of two girls playing tennis; a three panel travel mirror with tennis scenes on the reverse; a dresser box with a colorfully decorated celluloid lid; and a small modern box decorated with two people playing tennis. Conditions vary, in overall good condition. Largest: 12” x 12” 300 - 600 906 - LOT OF 26: TENNIS FIGURINES & VASES. Early to mid 20th century. This is a collection of small tennis figures, some planters, and vases. There are also several very early Christmas light bulbs. All appear to be good, clean condition. Largest: 6” x 1 - 1/2” x 7 1/2”. 300 - 600 250

LOT - 906

www.MorphyAuctions.com | August 30, 2018

LOT - 907

LOT - 908

LOT - 909

907 - LOT OF 3: PAIRS VINTAGE TENNIS-THEMED BOOKENDS. The first pair of bookends are giant tennis balls on marble type bases. The second set is gold colored showing a female tennis player a racket. The third set shows a man swinging a tennis racket on one. The other side shows crossed tennis rackets with a tennis ball, the bottom edge marked “REAL BRONZE J.F.J. Co. N.Y” . Largest: 5” x 5” x 5”. (Very Good - Excellent). 300 - 600 908 - LOT OF 3: MARY GREGORY TENNIS BARBER BOTTLES. Collection of three early 1900’s barber bottles decorated with tennis scenes. Mary Gregory glass often consists of children painted in enameled silhouette, the “Children at Play” were always dressed in “Sunday Best Victorian Clothes” and shown to be playing tennis or other forms of playing while surrounded by various grass, trees or ferns. They are clean overall with no chips or cracks. Each: 8” x 3 -1/4”. 300 - 600

LOT - 910 909 - LOT OF 2 GOLD CROSSED TENNIS RACKET PINS. Lot Of Two Antique Gold Crossed Tennis Racket Pins. One is 9K yellow gold, measuring 43mm long with English .375 hallmarks. The other is 18K yellow gold, measuring 34mm long with two small pearls and stamped “750”. Gross weight is 4.3 DWT. Largest: 1 - 3/4” L. (Very Good). 300 - 400 910 - LOT OF 29 SILVER TENNIS & BADMINTON SPOONS. Twenty-five are solid sterling silver with hallmarks and four are silver plated and marked “EPNS”. Gross weight is 15.75 ozt. Largest: 5 - 3/4” L. (Very Good). 300 - 400

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911 - LARGE LOT OF TENNIS RELATED MEDALS, TOKENS & MORE. Large lot of Tennis related medals, tokens, tins, buttons and other items. Includes a tennis racket themed room thermometer, a few items in sterling silver and gold filled. Approximately 45 pieces. Conditions vary in overall good to very good condition. Largest: 7 - 1/4” x 3”. 300 - 500 912 - LOT OF 9: ANTIQUE STERLING SILVER TENNIS PINS & MEDALS. Lot of nine antique sterling silver tennis pins and medals, with one locket, of which four are clearly marked “Sterling” or hallmarked. Gross weight is 32.8 DWT. Largest: 2 - 1/2” L. (Very Good). 200 - 300 913 - LOT OF 9 ANTIQUE STERLING SILVER TENNIS PINS & MEDALS. Lot of nine antique sterling silver tennis pins and medals, of which seven are clearly marked “Sterling” or hallmarked. Gross weight is 49.3 DWT. Largest: 1 - 3/4” x 1 1/2”. (Very Good). 200 - 300

LOT - 911

LOT - 912

LOT - 913

LOT - 914

LOT - 915

914 - LOT OF 2: 14K GOLD TENNIS & BADMINTON PINS. Lot Of Two Antique Gold Tennis and Badminton Pins. Badminton pin measures 44mm long and is stamped “14K”. Engraved on back, “To Wanda Love Kenneth”. Tennis pin appears to be also 14k gold with two sterling silver bands, and measures 33mm long. Lot includes period brooch box marked “London”. Gross weight is 3.2 DWT. Largest: 1 3/4” L. (Very Good). 200 - 300 252

915 - LOT OF 18: TENNIS JEWELRY ITEMS WITH A STERLING SILVER GORHAM BRACELET. Lot of tennis jewelry consisting of: silver tennis bangle bracelet marked “Gorham Sterling 1476”, a sterling silver charm bracelet with tennis and other sports related charms, and 16 additional mixed tennis themed pins, brooches, clips and buckles. Largest: 2 - 1/2” L. (Good-Very Good). 200 - 300

www.MorphyAuctions.com | August 30, 2018

916 - SWISS O/F BREVET 22872 POCKET WATCH WITH TENNIS SCENE. Antique Swiss O/F Pocket Watch with Tennis Scene on reverse. Case measures 59mm, and is brass or brass alloy base metal. White enamel dial with hairline cracks, chips to edge and one small restoration between the 1 and 2 O’clock position. Dial marked “Chronometro Swizzero B-L” & “1ere Qualite Echappement Roskopf”. Pin set. Movement marked “Brevet 22872 Garanti Antimagnetique”. Serial No. 111057. Not running. Largest: 3 - 1/4” x 2 - 1/4”. (Good). 100 - 200 LOT - 916 917 - LARGE LOT OF AUTOGRAPHED BALLS, PHOTOS AND MEMORABILIA. This large group includes Venus Williams and Serena Williams signed dolls; twelve signed balls including Billy Jean King, Gussy Moran; there are three Bill Tilden letters, two of which are signed “Bill” with envelopes; a Bobby Riggs signed page; a Venus Williams signed dress(pers) and a Pete Sampras signed Wheaties Box(pers). There are also 35 signed photos including Tracy Austin, Ivan Lendl, and Pancho Gonzales and an early autograph album with many signatures including Vincent Richards and Bill Tilden. 300 - 600

LOT - 917

918 - VERY EARLY TENNIS PRACTICE PARLOR SET. Turn of the century set with two rackets, a wooden stand and a practice hoop. Appears to be an early game to play in a parlor to hit a ball back and forth to each other through the wooden hoop. Nice paper label showing people playing dressed in late 19th to early 20th century clothing on the front of the original wooden box. Wooden box and contents are in very good to excellent condition, label has some peeling. 31” x 10 - 1/2” x 3 - 1/2”. 800 - 1,200

LOT - 918

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LOT - 919

LOT - 920

919 - LARGE LOT OF TENNIS TRADING CARDS. Lot includes both English and American cigarette cards, premiums, and flip books. Highlights include eight John Player and Sons albums, 50+ other English cigarette cards, six flip books, three Lew Hoad, and three H.W. Austin. American items include two N43 Allen and Ginters with back damage, a tennis silk and several other tobacco cards and felts. There are also 50 Sportscaster cards from the late 1970’s. Largest: 8 - 3/4” x 7”. 400 - 800

920 - UNUSUAL WOODEN “TENNIS PARKING” SIGN. Wooden sign was once attached to stake, painted to read “Tennis Parking”. Paint shows significant weathering from years of being outside, holes in the center of sign from where it was attached when displayed. 26” x 16”. 600 - 1,000

921 - LOT OF 4: THREE TURN OF THE CENTURY TENNIS BLOCK PUZZLES AND GAME. Lot contains three early puzzles with tennis scenes. There is a 48 block puzzle that has a circus scene on the box cover but one of the sides makes a Victorian tennis scene. There is a 24 block set that features a tennis scene on the box top and the puzzle inside and a 12 piece unboxed block puzzle with a scene of children playing tennis. Also included is a lawn game “Mammoth Conette” by Milton Bradley, dated 1898. The box has a colorful label showing players trying to fly cones into a gridded box. This is a larger version of the table-top game named “Conette”. Includes the wooden catapults and paper cones. Conditions vary. The 48 block box is separated and missing an apron, other have split tops and edge wear. Largest: 14 1/4” x 10 - 3/4” x 2 - 1/2”. 400 - 800

LOT - 921

LOT - 922

922 - LARGE LOT OF TENNIS THEMED GAMES AND TOYS. This huge lot contains an early graphic Lawn Tennis game by G.H. Singer; two copies of Grasshopper tennis; as well as five copies of Wimbledon game. Also included are six early dexterity games; several card games; two pencil cases that feature sports stars like Babe Ruth, Bobby Jones, Gene Tunney and Bill Tilden, one is very damaged; a couple of lead figures; and a couple of tin toys including a noisemaker. Largest: 15” x 6 1/4” x 3”. 400 - 800 254

www.MorphyAuctions.com | August 30, 2018

923 - LOT OF 2: TENNIS SCENE MIRROR FRAME. Pair of identical cast tennis mirror frames. The scene is of a boy and girl standing at opposite sides of a net. The first one is complete with easel back and mirror. This first one is complete with easel back and replacement mirror; this example has no paint. The second is painted but is missing the easel and mirror. There is paint loss but no chips or breaks. Largest: 13” x 11”. 400 - 800 LOT - 923

LOT - 924

LOT - 925

LOT - 926 924 - LOT OF 10: TENNIS CHOCOLATE MOLDS. Collection of chocolate molds in a variety of designs. According to Jeanne Cherry’s book “Tennis Antiques & Collectibles”, they are mostly German in design. Overall excellent condition. Largest: 15” x 6 - 1/4” x 3”. 400 - 800

LOT - 927 926 - LOT OF 19: TINS & BOXES WITH TENNIS MOTIF. Assorted tins and boxes made for products from biscuits to ice cream, all with a tennis motif on the container. They have varying degrees of wear. Many of the tins are foreign and have multiple scenes including basketball, soccer, skiing, and auto racing. Largest: 12 - 1/4” x 10 - 3/4” x 6. 400 - 800

925 - LOT OF 11: TINS DECORATED WITH TENNIS IMAGES. Vintage group of graphic tins with varying degrees of wear. They all were made abroad for a variety of products including tobacco and biscuits. Many have several sporting scenes besides tennis including cricket, rugby, skating, cycling, and shooting. Largest: 12 - 1/2” x 9 - 1/2” x 7”. 400 - 800

927 - 19TH CENTURY VICTORIAN STERLING SILVER TENNIS SCORER BY WHITING. 19th Century Victorian Sterling Silver Tennis Scorer with Repousse border. Made by Frank M. Whiting & Co., N. Attleboro, Massachusetts. Signed with early Whiting mark which was in use from 1878 until 1896. Marked “Sterling” with model number “645”. All four scoring wheels turn and work properly. Measures 3” by 2.5”. Gross weight is 29.1 DWT. 3” x 2 - 1/2”. (Very Good). 400 - 600

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LOT - 928 928 - LOT OF 9 MEN’S ANTIQUE TENNIS ITEMS WITH LESTER STOEFEN BRACELET. Lot of nine men’s antique tennis items, including one 8.25” sterling silver men’s ID bracelet, engraved “Les Stoefen La Jolla Beach and Tennis Club” on the front, and “Boss Man I Love You Dearly Tweetheart” on the reverse, stamped “Sterling”. Lester Stoefen, partnering with compatriot George Lott, won three Grand Slam doubles titles: the 1934 Wimbledon Championships, and the 1933 and 1934 U.S. National Championships. Also included in this lot is a sterling silver tennis trophy match-safe with gold gilt interior dated 1910, one pair of 9k yellow gold tennis cuff links weighing 6.3 DWT, one pair of white metal cuff links with tennis photos, one gold plated tennis racket money clip, one brass tennis racket bookmark, one tennis racket cigar cutter fob, one folding carved bone knife with three bone blades, and one pen knife marked “Depose” with a boxer on one side and a tennis player on the other which measures 6” when open. Largest: 4 - 3/4” L. 400 - 600

LOT - 929

LOT - 930

929 - TENNIS DECORATED CAST IRON FIREPLACE BACK. The gold washed cast iron fireplace back is a variation of the Gaylorde Coat of Arms. The shield with a crown at the top is decorated at the center with a crossed pair of tennis rackets with a lion and a unicorn on either side. Drilled in four places for mounting. 16 -1/2” x 17 -1/2”. 400 - 800 LOT - 931 930 - LARGE LOT OF TENNIS ADVERTISING INCLUDING SPALDING. Great lot of advertising includes Harry Lee & Co. Tennis Racket sign, Cortland racket display, Bow Brand easel back sign, and an early Champion Tennis Shoes cardboard sign. There is a large 21” diecut “Serve More Aces With Spalding Tennis Equipment” sign as well a 22” tall Cortland Rackets sign. Finally, are some Grays salesman sample sized rackets, a Halex tennis trainer and a faded Armour’s Strings Clock. Advertisements are in nice condition with great color unless noted. Largest: 15” x 15” x 4 - 1/4”. 800 - 1,600 931 - LOT OF 5: COLLECTION OF 19TH CENTURY ENGLISH CERAMIC MATCH STRIKERS. 19th century, England. Collection of match holders and strikers made by Taylor & Turncliffe Co. Staffordshire, circa 1880. Two are decorated with a painting of Herbert Lawford, while the others have various other tennis scenes. All are marked on the bottom. Largest: 6” x 7 - 1/4”. 400 - 800 256

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LOT - 932

SEE WEBSITE FOR ADDITIONAL PHOTOS 932 - LOT OF 6: LAWN TENNIS COURT MEASURING TAPES. As most tennis courts were constructed on the lawn, these measuring tapes provided precise measurements. There are three Dean trademark tapes, one of which is in its original box, and three with a crossed arrow trademark. All have court dimensions printed on them. Conditions vary with the Dean tapes in the best condition and two showing heavy use. The original box has tape reinforcement. Each: 5 - 1/2” x 8 - 1/4” x 2 - 3/4”. 300 - 600 933 - LOT OF 16: TENNIS GUT STRING TINS & GUT PRESERVER. Collection of vintage gut-string tins of various sizes and time periods. There are also six full boxes of Slazengers Gut Preserver to make the strings last longer. Largest: 6” x 17 - 1/4”. 300 - 600 934 - LARGE TENNIS RACKET PRESS WITH TRAVEL STICKERS. Rare mahogany press for multiple rackets has traveled the seas via the White Star Line and the Royal Mail Steam Packet Company. It is of the finest quality with reinforced brass joints at the top and bottom. Press has some wear from travel and use. 16 -1/4” x 11 -1/2”. 300 - 600

LOT - 934

LOT - 935

935 - RARE TENNIS SKIRT LIFTER. Locking skirt lifter used in the 1880’s to raise a woman’s hem to make it easier to walk, bicycle, or play tennis. Decorated with period rackets and balls on the locking mechanism, an excellent example of these extremely rare skirt lifters. A similar one resides in the Wimbledon Tennis Museum. 4 - 1/4” x 1”. 300 - 600

LOT - 933

LOT - 936 936 - LOT OF 3: TENNIS MULTI RACKET PRESSES. This collection of three rare presses includes J. Cunningham of New York, a Thos. Tate London which has no inserts with the initials “H.A.B”, and a seven racket press by Williams & Co. Paris. All are in excellent shape with medium wear from use. Largest: 15” x 11”. 300 - 600

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LOT - 938

LOT - 937

LOT - 939

937 - TALL WALNUT CASE CLOCK WITH HAND PAINTED FACE BY CONWAY REIGATE. Moon type top clock in a walnut case with three brass finials on the top. The hand painted topper shows two boys playing tennis, the ball goes side to side as the clock ticks. Face of the clock decorated with roses. Includes pendulum and two weights. 105” x 18 -1/2”. (Excellent). 1,500 - 3,000 938 - UNIQUE 19TH CENTURY NEEDLEWORK. Exceptional quality. The needlework portrays an 1870-80’s tennis scene in great detail. This needlepoint linen remains in excellent condition even with its delicate borders. Framed: 32” x 29 - 1/4”. 1,000 - 2,000 939 - ZENITH MODEL 7S-232 KNOWN AS THE WALTON RADIO RECEIVER. Zenith Model 7S-232 Known as The Walton Receiver; This radio is in beautiful condition, with all tubes. Includes a shutterdial with short wave bands. 17” x 13” x 23”. 2,000 - 3,000 258

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LOT - 940 940 - MARCONI TYPE 120 SIGNAL CORPS RECEIVER, 1919. Marconi Type 120 Signal Corps Receiver uses a VT1 vacuum tube which is included. Front panel has five holes that were professionally filled and repaired, there is no tag. 20” x 7” x 1 - 3/4”. 2,500 - 3,500

LOT - 941 941 - GOLDEN LEUTZ SUPER PLIODYNE-9 RECEIVER SHOW WINNER. Golden Leutz Super Pliodyne-9 Receiver, serial no. 176 in beautiful original condition from 1924. Includes an all shielded cabinet with nine vacuum tubes. It won Best of Show and People’s Choice in 1999. Provenance: From the John Caperton collection. 42 - 1/4” x 12” x 11”. 4,000 - 5,000

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SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 942

LOT - 943

942 - VERY RARE WESTERN ELECTRIC TYPE 25A AMPLIFIER. Used in the early movie houses, circa 1920-30’s, in very good condition. Includes two Western Electric Type 205-D vacuum tubes. Both filaments have been tested and are good in the 205-D tubes. 13 -1/4” x 11 -1/4”. 1,800 - 2,000 943 - ABC STANDARDIZED RADIO CO. 3 PIECE ALL ORIGINAL RECEIVER. (ABC) Standardized Radio Company three piece receiver. First item is a tuner with a crystal detector, second is a vacuum tube detector and one step audio amplifier which includes two brass based tipped 01 tubes. Third item is a two step amplifier with two brass based tipped 01 tubes. Very rare. Each: 8 -3/4” x 7” x 7 -1/2”. 1,500 - 1,800

LOT - 944

LOT - 945

944 - AMRAD TYPE SE1420C WWI RECEIVER. Medium Wave Receiver, made for the Navy Dept by American Radio & Research Corp 1920. Serial # W 163 A. In overall good condition but it does appear that the tube mounting inside the case is incorrect. 11 -1/2” x 9”. 1,200 - 1,500 945 - JOHN FIRTH COMPANY VOCAPHONE TYPE 41-A RADIO RECEIVER. This is a regenerative one tube receiver from 1922 that contains a unique feature- the vacuum tube slides up and down on two rails, allowing it to become flush with the front panel. A very rare set in beautiful condition. 12” x 9 -1/4”. 1,800 - 2,000 260

LOT - 946 946 - DEFOREST 11 PANEL INTERPANEL RECEIVER WITH HEADPHONES. Deforest 11 Panel Interpanel Receiver using three vacuum tubes appears to been built up in the 1970’s. Includes a pair of Brandes headphones. in very good condition. 26” x 14 -1/2” x 16 -1/2”. 2,500 - 3,500

www.MorphyAuctions.com | August 30, 2018

LOT - 947 947 - LEUTZ MODEL L 2 PIECE SUPERHETERODYNE RECEIVER, 1922. Leutz Model L Two Piece Receiver, this is the first of its type on the market, only eight are known to exist, very rare. A very impressive set, when places and to end they are 80” long. Ten tubes, superheterodyne, in beautiful condition, highly desireable. From the John Caperton Collection. Each: 40 -1/4” x 10” x 8 -1/4”. 8,000 - 12,000

LOT - 948

948 - ALL ORIGINAL ATWATER KENT MODEL 5 BREADBOARD WITH FACTORY TAGS & DISPLAY CASE. Atwater Kent Model 5 Breadboard Type no. 4333 includes a five tube TA unit and a Type 11 Tuner with all original tags below the wooden board. Magnificent and one of the nicest to be seen, beautiful condition. Includes a period display case. 19” x 13 -1/2” x 17”. 7,000 - 9,000

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LOT - 949

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949 - UNIQUE AND HISTORIC TITANIC WIRELESS ROOM DISPLAY. This group is a collection of period apparatus and ephemera that makes up a reasonable replica of the Titanic Marconi. The contents include: 1) Circa 1910 Marconi Multiple Tuner Serial # 5133 - Restored in 1985 by Art Albion to original condition. This exact tuner appeared on the first color cover in the June 1987 issue of “Antique Radio Classified” (ARC). It has gained a wonderful patina over the last 33 years and would be the first Multiple Tuner to come to the U.S. public market-ever. 2) Circa 1908 Marconi Magnetic Detector Serial Number # 17733 Built by English Marconi Co., this is a beautiful example of an original “Maggie” and matches up with the above Multiple Tuner perfectly, and together they represent an accurate state-of-the-art Marconi Receiving station from the 1912 period. This fine example retains the original table mounting flanges, as well as its winding key and is in very good condition. 3) Circa 1912 American Marconi Co. Charging Panel, Serial # 3050, on a slate base mounted on a wooden backboard that contains a reading lamp assembly with a green shade and a Champion Motor Regulator, it is in good condition. 4) Circa 1890 Induction Coil for the Spark Transmitter by John Browning Co. Scientific Apparatus Maker - London. This is a beautiful spark coil, representative of a high voltage source for producing Hertzian waves. Built years before the advent of wireless, this fine instrument would have originally been used in a laboratory or school to power Crookes’ Tubes, Geissler Tubes, or experiments in high voltage insulation breakdown tests. In later years, it would work perfectly as a spark transmitter, and is in very good condition. 5) Two green shaded metal lamp fixtures that hung over the wireless operator’s desk, in working condition. 6) Original framed front page newspaper of “The Intelligencer”, Lancaster, Pa. from the day of April 15, 1912 announcing the sinking of the Titanic, the paper is nicely displayed on an easel with a light mounted on top, and is in very good condition. 7) Framed photo of G. Marconi with signed presentation to H. J. Round 1914. This appears to be a recent color photocopy. 8) J.H. Bunnell Co. Paper tape telegraph recorder - used to make a permanent record of a telegraph signal on a thin strip of paper, circa 1910, in good condition. 9) A beautiful Commemorative Model of a Sterling Silver Marconi Disc Discharger Spark Transmitter that was given to the delegates of the June 1912 Wireless Conference in London. This special item is attractively displayed in an original silk lined case complete with a description on the outside of the case and inside on the silk. The 1912 London Conference was convened as a direct result of the Titanic disaster and resulted in new international laws being passed concerning wireless operation at sea. 10) British style spark key, unmarked, circa 1910 and could be for landline GPO use as well, in good condition. 11) Reproduction of a Marconi spark key, made by Carmen Ambroggio, circa 1990, in good condition. 12) Transmitting Helix coil, measuring 12” x 10” in diameter, no nameplate, circa 1912, in good condition. 13) A nice commercial antenna switch, complete with rope and wooden handles, made for the US Navy around 1917, in very good condition. 14) Original old Brass Porthole, 9” in diameter, circa 1910. It contains an image of an iceberg when viewed through the glass! Nice condition. 15) Large DC Milliameter 0 - 50 Ma. 6 1/2” in diameter - The Hickock Instrument Co., circa 1940, in very good condition. 16) Thordarson Type R Spark Coil, 3/4 Kilowatt in good condition. 17) Marconi Victor Record set “Course in Wireless Telegraphy” with five records at 78 RPM and old cassette tape in good condition. 18) Early shipboard Loudspeaker with bracket for mounting on ships’ bulkhead, in good condition. 19) Westinghouse “Whirlwind” Electric Fan, circa 1917, 13” high in good condition. 20) Electro-Importing Co. (EICo.) 2” Spark Coil in good condition. 21) Advance Electric Co. “Chopper Wheel” Circa 1915- in good condition. 22) Italian Commemorative 500 Lire Coin honoring the 100th Anniversary of the Birth of G. Marconi, in like new in presentation case. 23) Plastic Model of the Titanic, 18” long, some plastic pieces need to be re-glued. 24) Automatic Telephone Co. Potbelly style Strowger Type- the first automatic desk phone on the market. A very rare desk telephone. Marked; “The Richmond Home Telephone Company” - Richmond, Indiana, in very good original condition. 25) Large reprint in poster size of a menu from the Savage Club Dinner that occurred on February 21, 1903 - Limited Edition Printing- 99/100, in very good condition. 26) J. H. Bunnell & Co. 20 Ohm Sounder, circa 1920, in very good condition. 27) Wooden School type clock, circa 1900, in very good condition. 28) Original framed letter to Seymour Blomfield- July 3, 1931- on Marconi House, Strand, London letterhead, signed by G. Marconi, in very good condition. 29) “Story of the Wreck of The Titanic - 1912 - Memorial Edition” book in good condition with wear to the cover and hinges. 30) Reproduction newspaper of “The Boston Globe”, April 16, 1912 with the Titanic sinking headlines, in very good condition. 31) Framed Schematic Diagram of the Wireless Telegraph System on Board the Titanic. This is a photocopy of an article copied from the web. 32) Marconigram Blank Form # 1, red and white, in very good condition. 33) “Marconi International Code Book Vol IV”, in English, German and Dutch languages, 1919, in good condition. 34) Framed reproduction of Father Brown’s image, the only known photo of the Titanic wireless room, in good condition. 35) Framed reproduction of a photograph of Jack Phillips, the Marconi Wireless Operator who went down with the ship, in good condition. 36) Marconi Dictionary Book, used in a wireless station for reference, 1914, in good condition. 37) William J. Murdock Wireless Station Logbook, 1914, unused, in good condition. 38) Seven reproduction Marconi Wireless Telegraph Co. Telegram blanks, circa 1912, in very good condition. 39) Reproduction of The White Star Line Boarding Pass, produced by RMS Titanic Inc. for M & T Bank and The Whitaker Center, in good condition. 40) A damaged manikin that was seated at the desk of the Marconi Wireless station on board the Titanic, dressed in a reproduction wireless officer’s uniform that has “Marconi” and “Wireless” stitched on the collar and sleeve, respectively. He is adorned with a period wristwatch, a pair of circa 1912 headphones, a NYS official cap and proper dress shoes. The manikin will need some repair as the arm has become separated from the body. 41) Original Porcelain Sign; Marconi Wireless Telegraph Co. “Messages Accepted Here” Cobalt Blue, 17” x 2-1/2”. (Very Good). 40,000 - 60,000 263 www.MorphyAuctions.com | August 30, 2018

LOT - 950

950 - MARCONI TYPE 106-D WWI BATTLESHIP RECEIVER. Marconi Model 106-D Battleship Receiver includes one original crystal detector mount on the panel, the case has been refinished. Good condition. 23 - 1/4” x 11” x 12”. 3,000 - 4,000 951 - LOT OF 3: RADIO APPARATUS CO. POTTSTOWN PA COMPLETE TYPE 94 LONG WAVE RECEIVER. Receiver is comprised of three units, including a detector with a very rare Liberty Valve Audion. 1) Type 94 Long Wave Receiver, vertical loose coupler with a Navy style tuner. 2) Audion Detector Box with a Liberty Valve Audion Detector tube, known as the oscillation detector box type 36. 3) Vertical Long Wave Loading Coil, in beautiful condition, very rare. Lot includes paperwork. Largest: 13” x 10 -1/2”. 5,000 - 6,000

LOT - 951 264

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952 - GREBE “RADIOTONE” TYPE CR -10 IN PHONOGRAPH CASE. Grebe “Radiotone” Type CR -10 Four Tube Receiver, serial no. 157. This is one of only three known, a very rare find. Includes a phonograph style cabinet. Includes four Gold Airline 01A vacuum tubes and a folder of documentation. The grill cloth has been replaced with pink fabric, otherwise complete. A very rare and beautiful receiver. 3,000 - 3,500 953 - NORDEN-HAUCK INC. SUPER-10 1926 10 TUBE PRIZEWINNER RADIO. Serial No. 47, in beautiful condition. This won the “Best of Show” in 2001 and includes ten pages of typed description written by John Caperton describing the set in its circuit. Also includes a set of blueprints. 38 - 1/2” x 13” x 12”. 2,500 - 3,500

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 952

LOT - 953

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954 - LOT OF 2: E.H. SCOTT WORLD’S RECORD SUPER 10 RADIO RECEIVER & WESTERN ELECTRIC CONE SPEAKER. Lot includes: 1) E.H. Scott World’s Record Super 10 Superheterodyne, includes the tubes and original documentation, very rare and in very good condition. 2) Western Electric Cone Speaker with original base, the paper cone is a reproduction, very good condition. Largest: 28” x 14” x 9 -1/4”. 2,000 - 2,500

LOT - 954 955 - LOT OF 2: ATWATER KENT BREADBOARD AND HORN. Lot includes: 1) Atwater Kent Breadboard Factory-built 5 Tube Receiver, Model 7 Type # 4066, appears to be all original factory wired, includes five tubes, all brass based tipped 01 tubes. Has binding posts for the power connection and is in very good original condition. 2) Atwater Kent Model M Horn with brown paint, in very good condition. Largest: 26” x 8 -1/2”. 2,000 - 2,500

LOT - 955

LOT - 956 266

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956 - LOT OF 6: WORLD WAR I BC-14A FIELD CRYSTAL RECEIVER AND BC-15A AIRPLANE SPARK TRANSMITTER AND ACCESSORIES. Lot includes: 1) Liberty Type BC-14A Crystal Set, original headphones, complete in very good condition. 2) Connecticut BC-15A Airplane Spark Transmitter, complete with booklet, in very good condition. 3) LS Brach Co. Type DR2 Airplane Antenna Reel, in very good condition. 4) Western Electric Type 509W Headphones. 5) Western Electric Breast Microphone & Earphone Assembly. 6) Western Electric Model 1A Leather Helmet Liner with original headphones and breast microphone, mounted on a manikin head. Largest: 12 -1/2” x 8 -1/4”. 2,000 - 2,200

957 - LOT 3: DAVEN “HOME BREW” SCANNING DISK TELEVISION. Using original Daven parts, including a spare Raytheon Kino lamp and rotating Felix The Cat. Television consists of a three stage amplifier, 12” diameter Daven scanning disk, and a Daven Kino Lamp mounted in socket. A magnifier is mounted on the front and a motor is attached to the scanning disk. The Raytheon Kino Lamp is new in the original box with paper instructions. Felix the Cat composition doll is 13” tall and mounted on a motorized turn table and in good condition. Largest: 18” x 18”. 2,000 - 2,500

LOT - 957

958 - LOT OF 12: WESTERN ELECTRIC & RCA TUBES. Lot includes: Western Electric 212D, 212E, 101-D, WT-14 and W.E. Type 305-A, new in the box, all have good filaments. Also includes one pair of RCA Transmitting Tubes in their sockets. Largest: 10” x 6 -1/2”. 2,000 - 2,500

959 - LOT OF 10: CRYSTAL DETECTORS, TRANSMITTER AND OTHERS. Lot includes: 1) Cenco Induction Coil Transmitter, in a wooden display case, in very good condition. 2) Nice “Home Brew” Wooden Variometer, in good condition. 3) Clapp-Eastham Blitzen Turner on a marble base, note states that it came from Lloyd Jury in 1989. 4) Fada Vertical Crystal Detector, Bakelite base, in good condition. 5) Reproduction of Adams Morgan silicon and antimony detector, made by Carmen Ambroggio. 6) Clapp-Eastham Ferron Detector, note states that it came from Lloyd Jury. 7) Pacent Crystal Detector, metal cover, in very good condition. 8) De Forest Vertical Crystal Detector, same style used in BC-14A Crystal sets. 9) Adams Morgan Three Slide Tuner, includes an early metal tag, in very good condition. 10) Miniature Crystal Set, built in a small Western Electric case, reproduction using old parts. Largest: 14” x 12 -1/2”. 1,800 - 2,000

LOT - 958

LOT - 959

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LOT - 960

LOT - 961

960 - LOT OF 13: ATWATER KENT BREADBOARD ITEMS. Lot includes: 1) Atwater Kent Breadboard Variometer, in the original box. 2) Atwater Kent Breadboard Variocoupler, in the original box. 3) Atwater Kent Breadboard Type 11 Tuner, in the original box. 4) Atwater Kent Breadboard 3 Tube TA Unit Detector and Two Stage Amplifier, green. 5-7) Variable Capacitors for Atwater Kent Breadboards, all green. 8 & 9) Atwater Kent Breadboard Audio Transformers, black, both in good condition. 10) Atwater Kent TA Unit, green, in fair condition. 11) Atwater Kent Breadboard WD11 Tube Socket, in good condition. 12) Atwater Kent Potentiometer, missing three binding posts, used on a breadboard, in good condition. 13) Atwater Kent Breadboard Tube Unit, in the original box, in good condition. Largest Box: 8” x 7”. 1,600 - 1,800

961 - LOT OF 3: NORDEN-HAUCK SHIELDED MODEL SUPER 10 RADIO RECEIVER, A BOX OF COILS, AND A WESTERN ELECTRIC SPEAKER. Lot includes: 1) Norden Hauck Shielded Super 10 Radio Receiver, includes ten tubes, in beautiful condition. 2) Box of Norden Hauck and Leutz RF Coils, 14 coils, two are new in the box. 3) Western Electric Cone Speaker, looks to have a newer paper cone, possible reproduction. Largest: 39” x 13” x 12 -1/4”. 1,500 - 1,800

962 - LOT OF 2: CARVER M400 AND TRANSCRIPTOR TURNTABLE. Lot includes a Carver M400 Magnetic Field Power Amplifier and a Transcriptor Turntable, glass skeleton case, includes the original platter, in very good condition. Originally shipped by R.Allen Wash Associates in Wisconsin. Largest Box: 28” x 21 -1/2”. 1,500 - 1,800

LOT - 962 268

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963 - LOT OF 21: AUDIO OUTPUT TUBES. The first group includes 15 Type 45 tubes including 12 in boxes; one Type 2A3 tube and two RCA Type 50 in the original boxes. The second group includes 10 tubes and one Type 211 tube. Largest: 7” x 3 -1/4”. 1,500 - 1,800 964 - LOT OF 2: ATWATER KENT BREADBOARD MODEL 6 AND MUSICMASTER MODEL VII HORN. Lot includes: 1) Atwater Kent Breadboard Model 6, Style No. 4052 includes a type 11 tuner and has green paint on the TA unit and a type LR RF transformer with a “1” stamped on it. Also includes four brass based tipped 01 tubes. Factory assembled and all original board without any tags and in very good condition. 2) Musicmaster Model VII Large Wooden Horn in beautiful condition in the original box, 22” diameter. Largest Box: 23” x 16 - 1/2”. 1,500 - 2,000 965 - LOT OF 2: NORDEN-HAUCK 10 TUBE SUPERHET AND A MAGNAVOX HORN. 1) Norden Hauck Superhet with 10 tubes, looks close to a Navy Model Superhet however there is no engraving or identification, includes all the tubes, in very good condition. 2) Magnavox Model R3 Horn Speaker in very good condition. Largest: 31” x 12” x 10 -1/2”. 1,400 - 1,600 LOT - 963

LOT - 964

LOT - 965

LOT - 966

LOT - 967

966 - LOT OF 4: ORIGINAL DEFOREST SPHERICAL AUDION TUBE & TUBULAR AUDIONS. Lot includes: 1)An original Spherical Audion with double plate and Hudson filaments - this example contains the original DeForest Hudson label and has two good filaments. 2) A reproduction Spherical Audion in very good condition- probably made by Phil Weingarten. 3) Tubular Audions- one has “DF” on the plate and another has the original Audiotron Label. Filament condition unknown. 4) A reproduction Edison Electric lamp with wood base, most likely manufactured for the Centennial (1979). Largest: 12” x 8 - 1/4”. 1,400 - 1,700

967 - LOT OF 2: RARE ADAMS MORGAN SHORTWAVE RAS & GREBE SYNCHROPHASE MODEL MU1. Lot contains: 1) Adams Morgan Type RAS shortwave version of the RA10 includes three brass based tipped type 01 tubes, very good condition. 2) Grebe Synchrophase Type MU1 with chain drive and five tubes, in very good condition. Largest: 22” x 12 -1/2” x 9”. 1,200 - 1,500

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269

968 - LOT OF 3: ATWATER KENT BREADBOARD MODEL 9, HORN SPEAKER & PLAYING CARDS. Lot includes: 1) Atwater Kent Breadboard Model 9 Variometer Style No. 4445, All factory original with both tags and battery cable. Includes four brass based tipped 01 tubes, in very good condition with original finish. 2) Atwater Kent Model H Horn Speaker in black paint in very good condition. 3) Atwater Kent Playing Cards, a rare double pack in the original box, complete with all cards and almost no wear, excellent condition. Largest: 24” x 9 -1/4”. 1,200 - 1,400

LOT - 968

969 - LOT OF 2: ATWATER KENT BREADBOARD & ATWATER KENT MODEL L HORN. Lot includes: 1) Atwater Kent Breadboard Model 12 Style No. 4910 with brown paint on the TA unit. This set comes with six rare Atwater Kent tube shields, painted green, which appear all original. The wiring and finish are also all original. Includes both tags and six brass based tipped 01 tubes, in very good condition. 2) Atwater Kent Model L Horn, missing driver, but includes spare AK phonograph driver. Largest: 33 -1/2” x 10”. 1,200 - 1,400 LOT - 969

LOT - 971 970 - LOT OF 19: AUDIO OUTPUT TUBES. Lot includes: one Blue Arcturus Type 80, four Type 50, a Blue Arcturus Type PZ, three RCA Type 10, two Type 47, one Type 6A3, four Type 45, two GE Navy Type JAN-10Y and a Type 203A brass based tipped tube in the original box. Largest: 9” x 3”. 1,200 - 1,400

LOT - 970

270

971 - LOT OF 3: PARAGON RECEIVERS. Lot includes 1) Paragon Type Two Receiver, includes original cardboard identification card inside and two tubes, in very good condition. 2) Paragon Type Three, includes three tubes, in very good condition. 3) Paragon Regenerative Radio Receiver Model IIIA, includes three tubes and original metal tag on the inside, in very good condition. Also included are award ribbons. Largest: 19” x 12 -1/2”. 1,100 - 1,300

www.MorphyAuctions.com | August 30, 2018

972 - LOT OF 2: LEUTZ MODEL C-7 & ATWATER KENT MODEL 20 COMPACT. Lot includes 1) Leutz Model C-7 which includes a set of blueprints and two panel meters, all seven tubes are included, in beautiful condition. The second item is an Atwater Kent Model AK20 Compact, includes all the tubes and two paper labels on the bottom, in very good condition. Largest: 40” x 8” x 8 -1/2”. 1,100 - 1,400 973 - LOT OF 9: ASSORTED RADIO ITEMS. Lot includes: 1) 30” wide “Home Brew”, includes a tag that reads “NAA” which was an early Government Station in Washington, DC, crystal set on a board, uses a factory loose coupler and all factory parts including the detector, great display item. 2) “Home Brew” One Tube Tuner, using three De Forest variable coils. 3) Nice Factory Variable Condenser in a wooden box, unmarked but could be Adams Morgan. 4) Eletcro Importing Company (EICO) Bulldog Spark Coil. 5) Porcelain Reostat, about 3” in diameter. 6) Large Spark Gap on a Heavy Marble Base, about 7” wide. 7) Western Electric Type SE1000B Two Stage Audio Amplifier, includes original socket mounting and two brass based with tipped 01 tubes, in good condition. 8) Large “Home Brew” Transmitting Helix Coil. 9) Dubilier Transmitting Condenser, circa 1920’s. Largest: 32 -1/2” x 6 -1/4”. 1,100 - 1,300 974 - LOT OF 2: WESTERN ELECTRIC TELEPHONE MODEL 14 LOUDSPEAKING OUTFIT AND HORN SPEAKER. Lot includes: 1) Western Electric Model 14A Loudspeaking Telephone Outfit, includes three Western Electric 216A tubes with good filaments, in very good condition. 2) Western Electric Horn Speaker Model 518W, horn is marked “The Super Speaker” in very good condition. Largest: 33” x 14 - 1/4”. 1,100 - 1,200

LOT - 972

LOT - 973

LOT - 974

LOT - 975

975 - LOT OF 6: WESTINGHOUSE, RCA & WESTON RADIO AND TUNERS. Lot consists of: 1) Westinghouse Type RADA Radio/Receiver in very good condition with tubes. 2) Westinghouse Type RA Tuner in very good condition. 3) Westinghouse Type DA Turner with three tubes in very good condition. 4) RCA Radiola Type AR, radio frequency amplifier, includes three brass base tipped tubes in good condition. 5) Weston Model 785 Industrial Circuit Tester, includes original leads and instructions, in good condition. 6) Bosch Radial Speaker in fair condition, grill cloth is torn and discolored. Largest: 12 -1/2” x 13”. 1,000 - 1,100

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271

976 - LOT OF 9: CROSLEY, PARAGON & RCA RADIOS. Lot includes: 1) Crosley 52 Receiver with tubes in good condition. 2) Crosley 50 with tube and paper label in good condition. 3) Crosley Type 5 with tube and paper label in good condition. 4) Crosley 51 with two tubes, paper label, and paper warranty card in good condition. 5) Very Rare Crosley Type RFTA which appears to be an audio amplifier and a tuner in one box, utilizing the wooden tuning condenser and ceramic tube socket with the original Crosley label on the inside. 6) Crosley 51 Wood Panel Version with two tubes and paper label in very good condition. 7) Paragon Type VT Audion Control has a VT tube in place and is in very good condition. 8) RCA Model 100-A Loudspeaker in very good condition, the grill cloth is perfect. 9) Homemade Receiver Box which is complete as a receiver. Largest: 15” x 11”. 1,000 - 1,200

LOT - 976

977 - LOT OF 4: GREBE RADIO, AMPLION LOUD SPEAKER & MAJESTIC B IN BOX. Lot includes: 1) Grebe Type CR5 Receiver, includes brass bass tipped 01 tube, in very good condition. 2) Grebe Type RORK Two Stage Amplifier, two brass based tipped 01 tubes, in very good condition. 3) Amplion Wooden Horn Speaker, Type AR111, in very good condition. 4) Majestic - B Power Supply, brand new in the original sealed box. Largest Box: 12” x 13”. 1,000 - 1,200 LOT - 977

LOT - 978 978 - LOT OF 2: ATWATER KENT HOMEBREW BREADBOARDS. Lot consists of: 1) Atwater Kent “Home Brew” Breadboard using a Type 11 Tuner and two tubed TA Island Detector/Amplifier in green paint. 2) Atwater Kent “Home Brew” Breadboard using a variometer, variocoupler and single tube detector unit with two stage Audio Amplifier TA Island. Not wired. Largest: 24 - 1/4” x 8 - 1/2” x 7”. 1,000 - 1,200

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LOT - 979

LOT - 980

LOT - 981

LOT - 982

979 - LOT OF 2: ATWATER KENT HOMEBREW BREADBOARDS. Lot consists of: 1) Atwater Kent “Home Brew” Breadboard using a coupled circuit tuner, variometer, and three tube TA island in green paint. 2) Atwater Kent “Home Brew” Breadboard using a coupled circuit tuner, variometer, two single Bakelite tube units with a Type L audio frequency transformer. Includes two nice switches and looks to be of older construction. Largest: 23 - 1/4” x 8” x 6 - 1/2”. 1,000 - 1,200 980 - LOT OF 2: ATWATER KENT “HOME BREW” BREADBOARDS. Lot includes: 1) Atwater Kent “Home Brew” Breadboard using a variometer, variable condenser, variocoupler, two Model AF audio transformers, two resistors and three Atwater Kent WD-11 sockets. Includes three WD-11 brass based tipped 01 tubes. 2) Atwater Kent “Home Brew” Breadboard using a Bakelite sub chassis on top of a wood base. Includes a variable condenser, a couple circuit tuner, a variometer and a three tube TA island in green paint. Largest: 31 - 1/2” x 10” x 6 - 1/2”. 1,000 - 1,200 981 - SILVER MARSHALL IMPROVED SHIELDED LABORATORY MODEL RECEIVER. This Silver Marshall Improved Shielded Laboratory Model Receiver includes the tubes and the paperwork. A beautiful receiver and very rare. Provenance: From the John Caperton Collection, who obtained it from Lauren Packham in 1968. 26” x 13” x 8 -1/2”. 1,000 - 1,200 982 - WIRELESS SPECIALTY APPARATUS COMPANY TYPE IP501A NAVY RECEIVER. Wireless Specialty Apparatus Co. Type IP-501A three tube receiver from 1922. This commercial receiver was built by WSA and sold by RCA for the Military & Commercial market. In overall good condition. 24 -1/4” x 9 -1/4” x 11 -1/2”. 1,000 - 1,400

LOT - 983 983 - RCA/WIRELESS SPECIALTY APPARATUS COMPANY LARGE LOOP ANTENNA. Item is a Model AG1380, made by Wireless Specialty for RCA. This loop antenna stands 5’ tall and is all original including the variable condenser. 57 -1/2” x 51 -1/2”. 1,000 - 1,200

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LOT - 984

984 - LOT OF 9: HALLICRAFTERS, PATTERSON TYPE PR10, NATIONAL SW-3 AND OTHER RADIOS. Lot includes: 1) Patterson Type PR10, chrome chase and tube covers, in very good condition. 2) Hallicrafters SX-62 Receiver, one incorrect knob and some rust, otherwise complete with all tubes, in good condition. 3) Hallicrafters S-40 Receiver, complete with all tubes, in good condition. 4) Hallicrafters S-41G, includes original back and tubes, in fair condition. 5) Hallicrafters Sky Buddy, complete with all tubes, in good condition. 6) Hallicrafters S-47, complete with all tubes, in good condition. 7) National Type SW3 Receiver includes one set of short wave coils, complete with a spare Type 32 vacuum tube new in the box, in very good condition. 8) National Type 5886 Doghouse Power Supply, in good condition. 9) Pair of Military style headphones, style circa 1930’s, good rubber, in good condition. Largest: 20” x 16” x 10”. 1,000 - 1,200

985 - LOT OF 5: RADIOLA RADIOS AND WESTINGHOUSE LOUDSPEAKER. Lot includes: 1) Radiola III A Radio/Receiver, includes four tubes, in good condition. 2) Radiola III, includes two tubes and original instruction manual, in good condition. 3) RCA Radiola Balanced Amplifier, includes two tube, in good condition. 4) Radiola RCA Type UZ 1320 Horn Loudspeaker, in good condition. 5) Westinghouse Vocarola Horn Loudspeaker, circa 1921, includes original label, in good condition. Largest: 26 -1/4” x 12”. 1,000 - 1,200

LOT - 985

986 - LOT OF 2: GOOD CHILD & PARAMOUNT ITEMS. Lot includes: 1) Radioshop Three Tube Receiver, Paramount Radio Co tag on the front panel, includes three tubes, in very good condition. 2) Very Rare Good Child Electrical Co., New York City, circa 1910 Pancake Tuner, mounted on a marble panel with tap switches in front and rear, the tag on it is a reproduction. Largest: 14 - 1/2” x 9”. 1,000 - 1,200

LOT - 986

987 - LOT OF 2: ATWATER KENT BREADBOARD MODEL 10B STYLE 4550 FACTORY BUILD WITH TAGS & ART DECO RADIO LAMP WITH GLASS SHADE. Lot includes: 1) Atwater Kent Breadboard Model 10B Style No. 4550 brown paint in very good condition. Includes both tags and five tubes. 2) Gorgeous Art Deco Radio Lamp with a woman figure in perfect condition with glass shade, 22” high. Largest: 31” x 9 -1/2”. 1,000 - 1,100

LOT - 987 274

www.MorphyAuctions.com | August 30, 2018

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 988

LOT - 989

988 - LOT OF 3: GOLDEN-LEUTZ PLIODYNE-6 RADIO AND STROMBERG CARLSON PEDESTAL FLOOR SPEAKER. Lot includes: 1) Golden-Leutz Pliodyne 6 Serial No. 1211 Six Tube TRF Receiver from 1924, includes six brass based tipped 01 tubes and the original instruction card in the lid. This set was found in a box and is like new. 2) The cardboard box is in fair condition, starting to come apart a little, but the artwork on the sides is readable. 3) Stromberg Carlson Floor Model Pedestal Speaker, 22” diameter, in very good condition. Largest: 34” x 21 -1/2”. 1,000 - 1,200 LOT - 990 989 - SCOTT MODEL 800B-1 RADIO PHONOGRAPH WITH CHROME CHASSIS. E.H. Scott Model 800B-1 console radio phonograph contains chromed chassis, in very good condition, no pitting seen. Many extra tubes. Mounted in a Chippendale Grand cabinet. Turntable has been replaced with a more recent model. This set is in beautiful condition, ready for the nicest living room. Largest: 42” x 37 -1/2” x 20”. 1,000 - 1,200 990 - RAYMOND LOEWY DESIGNED COLONIAL MODEL 700 NEW WORLD GLOBE RADIO. Colonial Model 700 New World Globe Radio also known as the Mephisto. This incredible world globe radio was designed by Raymond Loewy in 1933 and built in Buffalo New York and Long Island New York. In very good condition with little wear, no cracks, and very readable map texture. A masterpiece. 17” x 11”. 1,000 - 1,200

LOT - 991 991 - ORIGINAL PHOTO ALBUM FROM ATWATER KENT THIRD ANNUAL RADIO DISTRIBUTORS CONVENTION. The convention was held May 1926 in Philadelphia and Atlantic City. Original photo album was made for David M. Bauer, the Atwater Kent Advertising Manager. It includes hundreds of photos of attendees and their wives on auto road trip, dinners and meetings. Some show Atwater Kent advertising, mostly the Model 20 and 30 Receivers. The leather covering is worn and the album’s pages have become separated from the binding. 17” x 11 -1/2”. 1,000 - 1,500

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275

992 - LOT OF 31: RARE & UNUSUAL VACUUM TUBES. Lot includes: a De Forest Type H, two Sodion Type S-21, four Welsh Peanut tubes, Electrad Diode, Kino Television lamp, six Meyers Audions, Daven tube, Weagant Valve, Delta Midget tube in the box, two Ballast tubes used in SCR-68 Transceiver, two Western Electric 215-A, Atwater Kent Type 607, Marconi/DeForest ER Electron Relay tube, Westinghouse Type WR-21 in original box, De Forest Type 860 Transmitting tube, and three unidentified European vacuum tubes. All tubes have good filaments. Largest: 8” x 5 -1/4”. 1,000 - 1,200

LOT - 992 993 - LOT OF 6: BURNS HORN SPEAKER, RECEIVERS AND ADAPTER. Lot includes 1) Emerson Small Wood Table Receiver, complete with back and all tubes, in good condition. 2) Radiola 26 Portable Receiver, antenna in the lid, includes all tubes, one brass tube cover missing, in good condition. 3) Bristle Model A Power Amplifier, includes tube, in very good condition. 4) Jefferson Tube Rejuvenation, in good condition. 5) AC Dayton Flewelling Short Wave Adapter, complete with three coils, in very good condition. 6) Beautiful Burns tortoise shell Horn Speaker, in excellent condition. Largest: 14” x 13”. 900 - 1,000

LOT - 993

LOT - 994 276

994 - LOT OF 5: CROSLEY PUP AND METEOR RECEIVER, AND AN AMPLION AR102 DRAGONFLY HORNSPEAKER & OTHERS. Lot includes: 1) Meteor Regenerative Receiver, includes three vacuum tubes sticking out the front panel, complete and in good condition. 2) Dragonfly Metal Horn Speaker made by Amplion Type AR102, in good condition. 3) Three tube mounting amplifier for a Fada receiver, includes three tubes, in good condition. 4) ControlO-Meter by Malone-Lemmon Co. made by Stephenson Laboratories, New York, appears to be a wave meter, in good condition. 5) Crosley Pup Regenerative Radio Receiver, complete with vacuum tube, grid leak, bottom panel with original paper label affixed, in very good condition. Also included is statue of the Crosley Pup. Largest: 13” x 19”. 900 - 1,000

www.MorphyAuctions.com | August 30, 2018

LOT - 995 995 - LOT OF 30: MARTIAN BIG 4 CRYSTAL SET, WEEDEN STEAM ENGINE AND ASSORTED RADIO PARTS. Large lot includes: 1) Martian Big 4 Crystal Set complete and in good condition. 2) Signal Antenna Switch in very good condition. 3) Polar Cub Miniature Table Fan in very good condition. 4) Weeden Steam Engine on a cast iron base, very heavy, in very good condition. 5&6) Pair of Radioceive Manufacturing Headphones and an unmarked set of headphones. 7&8) Two Murdock Variable Condensers with a clear plastic cases in very good condition. 9) Radio Apparatus Variable Condenser in very good condition. 10) Murdock Variable Condenser in like new condition in the original box. 11) Leads & Northrup Single Pole Switch, it appears the one of the switch posts is missing. 12) EI Company Loading Inductance in good condition. 13) Double Year Variable Condenser in very good condition. 14) Chelsea Radio Company Variable Grid Leak in good condition. 15) Philmore Super Tone Radio Receiving Crystal Set catalog number 336, green in color and has some rust on the finish. 16) Federal Standard knob and dial in good condition in original box. 17) Single Circuit Tuner with a 4” panel and no tubes, homebrew, in good condition. 18) RCA Faradon Variable Receiving Condenser Model UC1818. 19) Columbia Radio Corporation Tuner using three honeycomb coils, variable inductance. 20) Black Philmore Crystal Set in good condition. 21) Crystal Detector, unmarked but manufactured and not a homebrew. 22) Crystal Detector, homebrew and primitive. 23) Fixed Condenser on a Bakelite base. 24) EI Company Crystal detector which dates circa 1915, in very good condition. 25&26) Two Carborundum Detectors in the original boxes, very good condition. 27) Durham Variable Grip Leak in the original box in very good condition. 28) Chelsea Radio Company Variable Air Condenser Box, empty. 29) General Radio Company Type 164 Audibility Meter, in good condition. 30) Philmore Super Radio Crystal Set in the original box, red in color, in good condition. 31) Home-made Crystal Set on a Bakelite base, about 5” square, in fair condition. 32) Pair of Trimm Dependable Headphones in a Frost Headphones original box Largest Box: 9 -1/2” x 5 -1/2”. 900 - 1,000 996 - LOT OF 20: ASSORTED RADIOS. Lot includes: 1) Automatic Radio Manufacturer’s TomThumb Model B-44, complete with back and antenna, in very good condition. 2) Bendix Model 526B Radio, in very good condition. 3) Emerson Radio, brown Bakelite, in good condition. 4) Emerson Model 547-A, white Bakelite, in very good condition. 5) Zenith Model 5S-319, in very good condition. 6) General Electric Model 506 Clock Radio, in good condition. 7) Truetone by Western Auto, AM Radio, push button, in good condition. 8) Philco Transitone Radio, brown Bakelite, in good condition. 9) Emerson Model 520, brown and white Bakelite, in very good condition. 10) Philco Model 38-89 Radio, wood tombstone, AM and short wave bands, in very good condition. 11) Emerson Radio, LOT - 996 brown Bakelite tombstone, small version, in very good condition. 12) Fada Radio, small brown Bakelite, in good condition. 13) Emerson Radio, brown Bakelite, case is broken, in poor condition. 14) Emerson Model AX-211 Radio, brown Bakelite, in good condition. 15) Emerson Radio, brown Bakelite, small version, in good condition. 16) Nora Menniet Short Wave Radio, green and white Bakelite, made overseas for the US market, in good condition. 17) Zenith Model K-412W Miniature Radio, white plastic, in good condition. 18) Telechron Model 8809 Digital Readout Clock, mechanical, in good condition. 19) Zenith Royal 750 Portable Radio, leather case, in good condition. 20) RCA Braille Radio Model RZC 375W, AM/FM/VHF/UHF Receiver that was one of the few radios made for the blind to use. Largest: 17” x 13”. 900 - 1,000

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997 - LOT OF 7: REMLER CONTROL PANELS, WALTER’S BOY SCOUT RADIO, CROSLEY 52, A REPRODUCTION DEFOREST RJ-4 AUDION CONTROL BOX & OTHERS. Lot includes 1&2) Remler Type 330 Control Unit, both include brass base tipped 01A tubes, both in good condition. 3) MG Co. Small Panel Detector Unit Type AW2, includes a Type VT vacuum tube; brass base with tip top made by the Marcony Co., in good condition. 4) Very Rare Walter’s Boy Scout One Tube Receiver, in good condition. 5) Crosley 52 Receiver, complete with tubes, tag and lid, in very good condition. 6) Na-Ald Midget Cone Speaker, in original box, in good condition. 7) Reproduction De Forest RJ4 Detector Box, circa 1914, includes the De Forest circle audion with open filaments, appears original; good reproduction Largest: 14” x 6”. 900 - 1,000

LOT - 997

998 - LOT OF 4: PARAGON RA10, DA2, 10R AND DICTOGRAND HORN. Lot includes 1) Paragon Type RA10 Receiver, tuner only, no tubes, one repaired hole on the front panel, in good condition. 2) Paragon Type DA2 Detector/Amplifier, includes three tubes, in very good condition. 3) Paragon 10R Amplifier, includes a brass based tipped no. 01A tube, in very good condition. 4) Dictogrand Loudspeaker, probably an R3, in very good condition. Largest: 19 -1/2” x 7”. 900 - 1,000 999 - LOT OF 2: GREBE MODEL CR3 SPECIAL & REPRODUCTION FLEMING VALVE SET. Lot contains: 1) Reproduction Fleming Valve Receiver using a light bulb instead of a Fleming Valve, mounted on a Leeds & Northrup scientific instrument base. 2) Grebe CR3 Special with Bakelite Variometers, in excellent condition. Largest: 19” x 7” x 7 -1/2”. 900 - 1,100

LOT - 998

LOT - 999

1000 - LOT OF 4: FEDERAL TYPE 61 RECEIVER, REMLER AMPLIFIER, MARCONI INSULATOR & HORN SPEAKER. Lot includes: 1)Marconi 1902 Insulator from the South Well Fleet station on Cape Cod, is corroded. 2) Remler Infradyne three tube Amplifier, includes three tubes, two of which are Airline Gold 01A tubes. 3) Dictagrand Type R4 Radio Horn Speaker in good condition. 4) Federal Type 61 Radio Receiver, includes the original instruction card and inspection tag, complete with tubes and in good condition. Largest: 17” x 24 -1/4” x 17 -1/4”. 900 - 1,100

LOT - 1000 278

www.MorphyAuctions.com | August 30, 2018

1001 - LOT OF 12: KADETTE JR 22TRF, WESTERN ELECTRIC MODEL 100F, EMERSON AX 212 AND OTHERS. Lot includes: 1) Western Electric Model 100F Loudspeaker Set Amplifier in wooden cabinet, good condition with small screw holes in the top. 2) Delco Model R-1229 Wooden Tabletop Receiver, in good condition. 3) Binocular Case has a built in transistor radio, a scarce novelty receiver, in good condition. 4) RCA Model 3-X-533 Green Plastic Table Radio in good condition. 5) Crystal Rock One Quart Glass Jug used to hold distilled water for radio batteries. 6) Bronze-colored Art Deco Clock Figurine and candle stick holder, the clock was made by New Haven, and this was used as a decorative item on top of a radio cabinet. 7) RCA Model 45X1 Brown Bakelite Table Radio in good condition. 8) Philco Model C580 Red Table Radio with a plaid speaker grill, in good condition. 9) Scarce Kadette Jr. 22TRF Receiver, brown Bakelite, the first pocket-sized portable radio. 10) Emerson Miniature Brown Bakelite Table Receiver in good condition. 11) Emerson Model AX 212 Bullseye Receiver with wooden front, and a repaired crack on the wooden speaker grill, otherwise good condition, from 1938. 12) Airguide Temperature, Humidity, and Barometer Indicator in good condition. Largest: 19” x 5 -1/2”. 900 - 1,000 1002 - LOT OF 11: ATWATER KENT BREADBOARD COMPONENTS. Lot includes: 1) Atwater Kent Breadboard Variometer, in the original box. 2) Atwater Kent Breadboard Variometer, in the original box. 3) Atwater Kent Breadboard Variocoupler, in the original box. 4-7) Variocondensors with brown colored paint, used on breadboards. 8) Atwater Kent Breadboard Type TA Unit, detector/ amplifier, in the original box. 9) Atwater Kent Potentiometer, missing one binding post. 10) Atwater Kent Breadboard Audiotransformer, black, in good condition. Also included is a group of binding posts used on Atwater Kents. 11) Atwater Kent Breadboard, 24” x 10”. Largest: 9” x 4”. 900 - 1,000 1003 - LOT OF 4: ATWATER KENT AND FREED-EISEMANN ITEMS. Lot includes: 1) Atwater Kent Model 20 Receiver, in the original box, complete with tubes, in very good condition. 2) Atwater Kent Model 33 Radio, in the original box, complete with tubes, in very good condition. 3) Atwater Ken Radio Speaker Model E, in the original box, beautiful condition. 4) Freed-Eisemann Radio Type NR7, in original box, all original including tubes, in very good condition. Largest Box: 32 -1/2” x 16”. 900 - 1,000

LOT - 1001

LOT - 1002

LOT - 1003

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279

1004 - LOT OF 3: RCA RADIOLA VII B, FADA MODEL 192A, AND MUSICMASTER HORN SPEAKER & FADA MODEL 192A RECEIVER. Lot includes: 1) RCA Radiola VII B Receiver cabinet is in good condition, the internal horn assembly is missing and the front grill is loose, a very rare item, and this one includes the vacuum tubes. 2) Musicmaster Wooden Horn Speaker in very good condition. 3) Fada Model 192A five tube Neutrodyne Receiver, with the original inspection card in very good condition, with tubes. Largest: 23” x 16 -1/2” x 14”. 900 - 1,000

LOT - 1004

1005 - LOT OF 3: ATWATER KENT BREADBOARD MODEL 10 TYPE 4340, ARBE-III UNIVERSAL POWER ELIMINATOR & WESTERN ELECTRIC TYPE 518-W HORN SPEAKER. Lot includes: 1) Atwater Kent Breadboard Model 10 Type No. 4340 early style five tube receiver with black paint and binding posts for power. Has remains of both paper labels underneath and includes five brass based tipped 01 tubes, in very good original condition. 2) Arbe-III Universal Power Eliminator powers up battery powered radios from the 1920’s. 3) Western Electric Horn Speaker Type 518-W in very good condition. Largest: 31 -1/2” x 10”. 900 - 1,000

LOT - 1005

1006 - LOT OF 4: DE FOREST AND ZENITH RECEIVERS. Lot includes: 1) Zenith Model 4R Receiver, in beautiful condition with original decal, no marks, all knobs are free, in excellent condition. 2) Tower Adventurer Ships Cone Speaker, tear in the rear of the cone. 3) De Forest DT600 Crystal Receiver, includes headphones and tuning coil, missing lid and instructions. 4) De Forest DT700 One Tube Receiver, includes tube, tuning coil, lid, and instructions, in very good condition. Largest: 25” x 10 - 1/2”. 900 - 1,000 LOT - 1006 280

www.MorphyAuctions.com | August 30, 2018

1007 - LOT OF 19: WESTERN ELECTRIC TUBES. Lot includes one VT-2, three VT-1, 11-216A and four 101F types. All have good filaments. Largest: 6” x 2”. 900 - 1,100 1008 - LOT OF 4: PHILCO MODEL 90 CATHEDRAL AND ABBOTWARE HORSE RADIOS. Lot includes: 1) Philco 90 Cathedral, complete with tubes, in good condition. 2) U.S. Glorytone Cathedral, Model 99A, in very good condition. 3) Abbotwares Horse Radio Model Z477, standing gold tone horse, in very good condition. 4) Abbotwares Horse Radio, rearing horse, two added pens/pen holders and a plaque, in good condition. Largest: 19” x 12”. 800 - 1,000 1009 - LOT OF 3: ORIGINAL A.C GILBERT RECEIVER AND TWO REPRODUCTIONS. Lot includes 1) A.C. Gilbert Co. one tube, loose coupler receiver, complete and in good condition. 2) RCA type AA484, two stage amplifier, reproduction made by Ron Frisbe, includes two brass base tipped O1A tubes. 3) Reproduction of a shortwave loose coupler, built by Carmen Ambroggio. Largest: 14 -1/2” x 8 -1/2”. 800 - 900 1010 - LOT OF 3: RADIOS & SPEAKERS. Lot includes 1) Kennedy Type 281 manufactured in San Francisco, complete with one DeForrest 01A tube in a tip on the top, in very good, all original condition. 2) Clapp Eastham Haynes Tuner, complete with one vacuum tube, in good condition. 3) Brandes Table-Talker Horn, appears to have the incorrect driver, in good condition. Largest: 17 -1/2” x 6 -1/4”. 800 - 900

LOT - 1007

LOT - 1008

LOT - 1009

www.MorphyAuctions.com | August 30, 2018

LOT - 1010 281

1011 - LOT OF 14: ASSORTED 1930’S 1950’S RADIOS. Lot includes: 1) Philco Model 60 Cathedral Radio which includes the original cardboard box, in very nice condition. 2) Emerson Model 547A Table Radio. 3) Motorola Model 68X Table Radio. 4) Zenith 5S-327 Table Receiver whose speaker has been replaced with a newer version. 5) Douglas Model 1 Pink Table Radio. 6) Crosley D-25CE Clock Radio Table Model Set. 7) Dahlberg Coin-Operated Hotel Radio with added speaker in good condition, has a crack on the top of the case. 8) Workrite George Walker Model B Multi-Unit Tuner. 9) Westing House H-126 Refrigerator Radio, in white. 10) Firestone Air Chief Model 4-C-5 Portable Radio in good condition. 11) General Electric Mickey Mouse Radio Model C2418A made of plastic. 12) Atwater Kent Model E Cone Speaker in very good condition. 13) Emerson leatherette Table Radio. 14) Zenith Model 5S-126 Table Radio in good condition. Largest: 18 -1/2” x 15”. 800 - 900

LOT - 1011

LOT - 1012

LOT - 1013 1012 - LOT OF 6: SPARK TRANSMITTER COMPONENTS & DEFOREST HOMEBREW OT5 TRANSMITTER. Lot includes: 1) Mesco Spark Telegraph Key mounted on a fiber base. 2) “Home-brew” copy of a DeForest Type OT5 Transmitter, includes three brass based tipped tubes, not complete or wired. 3) EF Johnson Helix Transmitting Coil. 4) Rotary Spark Gap using a GE motor, synchronous type. 5&6) Murdock Antenna Switches. Largest: 17” x 11”. 800 - 900 1013 - LARGE LOT OF ASSORTED RADIOS RELATED ITEMS. Includes four large flats full of radio parts, advertising, novelties, radio batteries, radio pins, meters, seven radio games and a small group of Amos ‘N Andy. Largest: 14 -1/2” x 11 -1/2”. (Good-Very Good). 800 - 900 282

LOT - 1014 1014 - LOT OF 4: RADIOS. Lot consists of: 1) Radiola 2 Portable Receiver in very good condition, not including tubes and was made by RCA. 2) Audion Control Box possibly made by Parkin, includes a tubular Audion with the paper label attached. 3) Detector Box from the Dearborn Ford sale in 1995 when the Dearborn Ford Auction was held at the museum, has the ID tag on the side and includes a blue O1A tube sticking out of the front. 4) International Radio Company Variable Condenser which has the Ford tag as well as the Edison Institute paper label inventory card. Largest: 11” x 11 -1/2”. (Very Good). 800 - 900

www.MorphyAuctions.com | August 30, 2018

1015 - LOT OF 4: RCA, RADIOLA SPECIAL, BROWN AMPLIFIER AND GECOPHONE MODEL 1. Lot includes: 1) Radiola Special made by RCA which is complete with the small lid except the outside cover lid is missing, very good condition. 2) Radiodyne Model WC-15 Jr. which includes five tubes in good condition. 3) Brown Crystal Amplifier in very good condition. 4) Gecophone Model 1 Crystal Set in very good condition. Largest: 14 -1/2” x 7 -1/2”. 800 - 1,000 1016 - LOT OF 3: WESTERN ELECTRIC TYPE SE-1071 AUDION DETECTOR BOX, TUSKA MODEL 224 AND A HOMEBREW RECEIVER. Lot consists of: 1) Western Electric Type SE-1071 Audion Detector Box, missing the tag but the tube is included, and tube socket includes the original suspension, obtained from the Dearborn Ford Auction in 1995. 2) Tuska Model 224 Regenerative Receiver, includes a tube and the wooded top is warped and defective. 3) Very nice homebrew copy of the Grebe CR3 Tuner, looks very similar to the original, and utilizes wooden variometers and a wooden coupler. Largest: 14 -1/2” x 6”. 800 - 900 1017 - LOT OF 10: GE, DELCO, RCA, FEDERAL PLIOPHONE HORN & OTHER RADIOS. Lot includes: 1) General Electric FM Radio Model JFM90, this tunes the early FM band, before World War II from 42 to 50 megahertz. 2) Zenith Trans-oceanic Portable Model 5G-40 in good condition with some stain on the red leather cover, FM Tuner in good condition. 3) GE Musaphonic AM-FM Radio in very good condition. 4) Delco Model R-1218 Radio/ Phonograph Combination Table Model. 5) Atwater Kent ignition Coil Type N7 for 6 volt use, brand new and includes original box, very early, circa 1910, in very good condition. 6) Atwater Kent Ignition Coil System Type K in very good condition. 7) Federal Radio Company Pliophone Miniature Horn Speaker in very good condition. 8) The Little Giant Crystal Set manufactured by Metropolitan Radio Corporation in good condition. 9) Westinghouse Aeriola Jr. Crystal Set appears to have all original parts, the detector is certainly original, has some wear on the tuning plate, complete. 10) RCA Radiola 20 in very good condition, complete with all tubes and original instruction manual inside, and original optional volt meter on the panel. Largest: 19” x 16”. 800 - 900

LOT - 1015

LOT - 1016

LOT - 1017

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283

LOT - 1018

LOT - 1020

LOT - 1019

LOT - 1021

1018 - LOT OF 3: KENNEDY TYPE 220 WITH KENNEDY HEADPHONES AND A LOOSE COUPLER CRYSTAL SET. Lot includes 1) Kennedy 220 Receiver, made in San Francisco, early style, in good condition. 2) Kennedy headphones, all original, in good condition. 3) A “Home Brew” loose couple crystal set on a breadboard using an early Murdock loose coupler and a Crosley Co. detector, manufactured by Wireless Specialty. Largest: 18” x 10”. 800 - 900 1019 - 1941 FADA MODEL 1000 BULLET CATALIN RADIO. Maroon with orange nobs and trim. in very good condition. 10 -1/2” x 5 -1/2”. 800 - 1,000 1020 - LOT OF 2: RADIO RECEIVER LOUD SPEAKER. Lot includes a Western Electric 4D Receiver, complete original condition with all the tube and a Western Electric Type 518W Horn Loudspeaker. Both are in very good Largest: 19” x 5 -1/2”. 800 - 900

LOT - 1022

1021 - LOT OF 3: RCA RADIOLA IV WITH WESTERN ELECTRIC CONE SPEAKER & RCA RADIOLA 17. Lot contains: 1) RCA Radiola IV with three UV 199 tubes, all original, very nice condition. 2) Western Electric Cone Speaker with a reproduction paper cone in very good condition. 3) RCA Radiola 17 with seven tubes, the hood over the dial lamp is missing, otherwise in good condition. Largest: 27” x 7 -1/4” x 8 -1/2”. 800 - 900 1022 - LOT OF 3: KENNEDY MODEL V & MODEL XV & 9 IN-LINE TUBE SUPERHET. Lot includes: 1) Kennedy Mode V three tube receiver in good condition, missing the front metal trim. 2) Kennedy Mode XV which includes the tubes and original inspection tag, in good condition. 3) Nine In Line Superhet with all tubes, in very good condition. Largest: 27 -1/2” x 11 -1/4” x 9”. 800 - 900 284

www.MorphyAuctions.com | August 30, 2018

LOT - 1023

1023 - LOT OF 3: BLUE 1927 MODEL NEUTROWOUND BREADBOARD & MAGNAVOX 6 TUBE RECEIVER. Lot includes: 1) Blue Neutrowound 1927 also known as an armored breadboard. Includes a single ladies ear phone with a 10” handle and all tubes in good condition. 2) Magnavox Six Tube TRF Receiver, includes tubes. It appears that the cabinet has been refinished, very good condition. 3) Two Tube “Home Brew” Receiver, appears to be regenerative and includes two 199 tubes, good condition. Largest: 32 -1/2” x 9” x 5”. 800 - 900

LOT - 1024

SEE WEBSITE FOR ADDITIONAL PHOTOS

1024 - LOT OF 4: FADA, ATWATER KENT, AMRAD WITH AN AMPLION SPEAKER. Lot includes: 1) Atwater Kent Model 20 with tags and tubes, in good condition. 2) Fada Neutrodyne Type 160A with four tubes, in good condition. 3) Amrad Inductrole Model 3500-3, with four tubes, includes the original operating chart. 4) Amplion Wooden Horn Speaker, Type AR114 in very good condition. Largest: 14 -1/2” x 17” x 12 -1/4”. 800 - 900

LOT - 1025

1025 - LOT OF 3: HOT SPOT 14, SPARTAN MODEL AC-62 & TRIM WITH REX HORN SPEAKER. Lot contains: 1) Hot Spot 14 which includes all fourteen tubes and is in very good condition, a rare find. 2) Spartan Model AC-62 early Alternating Current Model Radio using Spartan tubes, which are all included. 3) Trimm Model REX Horn Speaker in very good condition. Largest: 32” x 11” x 9 -1/4”. 800 - 900

LOT - 1026

1026 - LOT OF 2: KENNEDY MODEL 110 BATTERY SET & ORIGINAL KENEDY HORN SPEAKER. Lot includes: 1) Kennedy Model 110 Receiver San Francisco, includes a brass base tipped type 012 in very good condition. 2)Very rare, Kennedy Bakelite Horn Speaker, the horn has a crack. Largest: 19 -1/2” x 13” x 8 -1/2”. 800 - 900

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285

1027 - LOT OF 2: RADIOLA GRAND ON RCA FLOOR CABINET BATTERY BOX. Lot includes: 1) Radiola Grand which includes four brass bases tipped WD-11 tubes. 2) Original RCA Console Battery Box Stand with original wood and original factory tag. Largest: 32” x 23” x 19 -1/2”. 800 - 1,000 1028 - LOT OF 7: GREBE CR14, OSRAM RECEIVER, RCA/GE AR1300 & AA1400 AND SPEAKERS. Lot includes: 1) General Electric RCA Model AR1300 Crystal Receiver with green paint, missing the cover. 2) GE RCA Model AA1400 Detector Amplifier with green paint, includes three tubes, also missing the cover. 3) Teletone Cone Speaker in wooden cabinet, very good condition. 4) Radiola Model 100-A Metal Loudspeaker in very good condition. 5) Magnavox Model R3 Horn Speaker, early model with a straight neck. 6) Osram Music Magnet three-tube Receiver, rare UK receiver, includes the tubes, in good condition. 7) Grebe Type CR14 which includes three tubes, of which two are Brightson Blue tipped, UV-199. Largest: 20” x 14 -1/4” x 8 -1/2”. 800 - 900

LOT - 1027

LOT - 1028

1029 - LOT OF 8: SUNDAY & SHOLTZ, SUPERTONE SUPERHETERODYNE AND WENGER’S RECEIVER FROM LANCASTER, PA. Lot includes: 1) Wooden Variometer by Sunday & Scholtz. 2) Wooden Variometer by Sunday & Sholtz. 3) Wooden Variocoupler by Sunday & Scholtz. 4) Early Spring Mounted Microphone, has double button and spring suspension on a homebrew base, the call letters on top are WGAL. 5) Homebrew Crystal Set using a two slide tuner and a Klein crystal detector. 6) Magnavox Cabinet Speaker Model M20 in good condition. 7) Wenger’s Super Receiver, a rare local receiver manufactured by The Electrical Equipment Company in Lancaster Pennsylvania, in very good condition. 8) Supertone eight tube Superheterodyne Receiver with eight tubes, in very good condition. Largest: 30” x 10 -1/2” x 10- 1/2”. 800 - 1,000 LOT - 1029

286

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1030 - LOT OF 11: PHILCO, EMERSON, CROSLEY, ZENITH, SILVERTONE AND MITCHELL RADIOS. Lot includes: 1) Philco Transitone Car Radio including the remote head with flexible cables, in fair condition. 2) Philco Automobile Remote Loudspeaker in good condition. 3) Philco Transitone Car Radio including the remote head with flex cables also includes a Majestic control head, in good condition. 4) Emerson Model 541 Wood Cabinet Table Radio in good condition. 5) Crosley Model 104 AC Power Converter for use with the band box Model 602 receiver, in good condition. 6) Philco High Efficiency Areal for a foreign tuning system, from 1937 and in the original box in good condition. 7) Emerson Leatherette Covered Receiver with plastic grill, in fair condition. 8) Philco Green Plastic Radio with white dial for a table receiver, in good condition. 9) Zenith Model Z511R Maroon Plastic Table Receiver, in good condition. 10) Sears Silvertone Model 3551 Commentator, with the candy cane finish, gray marbled onyx with gold knobs and push buttons in very good condition. 11) Mitchell Lumitone Lamp Radio, 1041, bullet shaped, in good condition, has the incorrect shade. Largest: 18” x 5 -1/2”. 800 - 900 1031 - LOT OF 5: ATWATER KENT BREADBOARD, RECEIVERS, POWER SUPPLY AND SPEAKER. Lot includes: 1) Atwater Kent Breadboard on a newer wooden base with a variometer, a variocoupler, a detector stage unit one tube, and a two stage Type-TA amplifier unit, includes two gold airline O1A Tubes; very good condition. 2) Atwater Kent Type-E3 Speaker in good condition. 3) Atwater Kent Model 36, from 1928 and includes the tubes. 4) Atwater Kent Type-Y Power Supply, used with the Model 36 Receiver, in good condition. 5) Atwater Kent Model 21 Dry Cell Receiver, with five Type-UV199 tubes, in very good condition with the paper label. Largest: 19 -1/2” x 6” x 6”. 800 - 900 1032 - LOT OF 15: RADIO RELATED ADVERTISING ITEMS. Lot includes: 1)Illuminated RCA Victor Radio Service Sign, Art Deco style, in very good condition. 2) TV Radio Service Sign the reads “We Use RCA Tubes”, in very good condition. 3) Radios Richest Voice, Spartan, Cardboard Standup Sign, in good condition. 4) National Union Radio Service cardboard sign that shows a ship in trouble at sea, in fair condition. 5) Bromwell’s Radio Flour Sifter, in good condition. 6) RCA Nipper and Phonograph cast iron figure, reproduction. 7) RCA Nipper plush toy, in good condition. 8) Chalkware RCA Victor Nipper statue, possibly original, in good condition. 9-13) Group of Nipper statues made of china, two are salt and pepper, in overall good condition. 14) Reproduction Artist Painting of an Atwater Kent Radio Service Mobile Truck, approximately 48” x 36”, colorized print. 15) Nice Original RCA Advertising Chair used in a Dealer’s showroom in very good condition. Largest: 48 -1/2” x 36 -1/2”. 800 - 900

LOT - 1030

LOT - 1031

LOT - 1032

www.MorphyAuctions.com | August 30, 2018

287

LOT - 1034

LOT - 1033

SEE WEBSITE FOR ADDITIONAL PHOTOS

1033 - LOT OF 3: GREBE CR8, CR9 AND TYPE RORN RADIOS. Lot includes: 1) Grebe CR8 receiver includes a brass based tipped top 01 tube in very good condition. 2) Grebe CR9 Receiver with three tubes and a pair of Tower scientific headphones, very good condition. 3) Grebe Type RORN Tuned Radio Amplifier includes the original Grebe coupling coil and one brass based tipped 01 tube, in very good condition. Largest: 22” x 7 -1/4” x 7 -1/2”. 800 - 1,000 1034 - LOT OF 2: ATWATER KENT BREADBOARD COPY OF MODEL 2 STYLE 3945 RECEIVER & ATWATER KENT TYPE E3 CONE SPEAKER. Lot contains: 1) Atwater Kent Breadboard Three Tube Receiver, this set appears to be a copy of a Model 2 Style No. 3945 Breadboard with the variometer. The board looks old and has old mounting holes from a different configuration. Has a coupled circuit tuner, variometer and the three tube TA island. 2) Atwater Kent E3 Cone Speaker in perfect condition. Largest: 18” x 8 -1/4”. 800 - 900 1035 - LOT OF 2: PAPIER MACHE BUST OF MARCONI. Life size paper mache bust, marked “His Excellency the Marquis Marconi” with the initials G.C.V. O. at the bottom of the tag. The bust sits on a wooden pedestal base, 36” tall. Also included is a pair of Lambert Schmidt headphones. The bust appears to have been repainted in the distant past, in good condition. 60” x 16”. 800 - 1,000

LOT - 1035 288

www.MorphyAuctions.com | August 30, 2018

1036 - LOT OF 25: CRYSTAL SETS, DETECTORS AND RECEIVERS. Lot includes: 1) Codell Gold Star One Tube Receiver, includes tube, in good condition. 2) Crystal-Dyne Crystal Set, cast aluminum base, includes detector, missing glass cover over the detector, in good condition. 3) De Forest Coil Mounting, includes three honeycomb coils, in good condition. 4) Jove Crystal Detector, in good condition. 5) Nice Crystal Detector on a homemade base, no identification but probably a JJ Duck. 6) Two Slide Tuner, probably homemade, in good condition. 7) Philmore Blackbird Crystal Set, in good condition, missing plastic cover over the crystal detector. 8) Pacent Crystal Detector with Bakelite top, in good condition. 9) Pacent No. 31 Crystal Detector Stand, metal cover, in good condition. 10) De Forest Horizontal Crystal Detector, complete, in good condition. 11) Grewold Crystal Detector, missing dome cover. 12) Puretone Crystal Receiver, in the original box, in very good condition. 13) Codell Crystal Set, slant front case with leatherette covering, in good condition. 14) World Crystal Set, nickel plated case, missing cover over detector. 15) Homemade Miniature Crystal Set, 2” slide coil for tuning, glass enclosed crystal detector. 16) Ten Crystal detectors in cups, all various make and conditions. 17) Flivver Metal Crystal Set, complete, in good condition. 18) De Forest Style Horizontal Detector, unmarked, appears to be circa 1920’s, in good condition. 19) Box of 16 pair of headphones and one microphone. 20) Howe Crystal Set, missing a crystal cup. 21) Steinite Crystal Set, horizontal style, in good condition. 22) Kenrad Crystal Set, complete, in good condition. 23) Kelford Three Stage Audio Amplifire, includes three tubes, in good condition. Largest: 10” x 7”. 800 - 900

LOT - 1036

LOT - 1037

1037 - LOT OF 4: DE FOREST & BRISTOL ITEMS. Lot includes: 1) De Forest MT200 Style Tuner, no tag, appears old and panel is molded. 2) De Forest Detector Audio Box, includes two VT Gold tubes with De Forest grid leak pencil detector, unmarked. 3) Arnold Navy Style Coupler, in very good condition. 4) Audiophone Horn made by Bristle, known as the “Super S”, in good condition. Largest: 18” x 6”. 800 - 900 1038 - LOT OF 3: WESTINGHOUSE AND RCA RADIOS WITH TOWERSHIP CONE SPEAKER. Lot includes: 1) Westinghouse Model RADA, complete with three tubes, in good condition. 2) RCA Model ER753A Crystal Set, built by General Electric, also known as the RCA Radiola I, incorrect detector, in good condition. 3) Towership Cone Speaker, in very good condition. Largest: 15” x 14” . 800 - 900

LOT - 1038

www.MorphyAuctions.com | August 30, 2018

289

1039 - LOT OF 3: DE FOREST & AMPLION ITEMS. Lot includes: 1) De Forest D7 Receiver, original loop antenna and three De Forest tube, original detector stand and components are present, in very good condition. 2) De Forest Laboratory Variable Condenser, glass is cracked, large capacity condenser. 3) Amplion Model AR19 – Wooden Horn Speaker, in very good condition. Largest: 39” x 27”. 800 - 900 1040 - GREBE MODEL CR-18 SHORTWAVR RECEIVER. Lot includes six coils, all original. In beautiful condition. 17” x 7 -1/4”. 800 - 900 1041 - LOT OF 6: EDISON GEM HORN PHONOGRAPH AND 5 OTHER EDISON ITEMS. Lot includes: 1) Edison Gem Phonograph with a small horn, includes original key, in very good condition. 2) Peter Pan Gramophone, leatherette case, in good condition. 3) Edison Model H – 4 Minute Reproducer, in the original box, in good condition. 4) Edison Reproducer, no details, in good condition. 5) Edison Standard Phonograph Cover only, quarter-sawn oak with handle, in good condition. 6) Original Edison Straight Horn, 30” long, in good condition. Largest: 30” x 14”. 800 - 900

LOT - 1039

1042 - LOT OF 2: DE FOREST RECEIVER AND AMPLION SPEAKER. Lot includes: De Forest Type D10 Receiver, includes original antenna, spare set of four De Forest coils and four De Forests tipped tubes. 2) Amplion Wood AR-19 Speaker. Both are in very good condition. Largest: 41” x 27”. 800 - 900

LOT - 1040

LOT - 1041 290

LOT - 1042

www.MorphyAuctions.com | August 30, 2018

LOT - 1043

1043 - LOT OF 11: CENTENNAL, WESTERN ELECTRIC, EMERSON AND OTHERS RADIOS. Lot includes: 1) Na-Ald Midget Cone Speaker, in the original box. 2) Zenith Royal 500 Transistor Radio, red, chase no. 8CT40Z2, works. 3) Centennal Radio, Bakelite, wear to the cabinet and the carrying strap, in fair condition. 4) Very Rare Western Electric Type 100F Loudspeaker Amplifier, Bell System amplifier for audiences, in very good condition. 5) Stromberg Carlson Model T-4 Radio, yellow cabinet, in good condition. 6) Marconi of New York Wood Table Receiver, circa 1940, in good condition. 7) Traveler Portible Radio, circa 1940’s, in very good condition. 8) Nice Emerson, brown Bakelite Art Deco set. 9) Zenith Royal 2000 AM/FM, All Transistor Radio, in nice condition. 10) Nice Emerson Art Deco Radio, in an Ingraham wooden cabinet. 11) Emerson Table Radio wood Ingraham cabinet, in good condition. Largest: 11 -1/2” x 10 -1/2”. 800 - 900

1044 - WESTERN ELECTRIC 36” CONE SPEAKER FOR THE WALL. Western Electric Type 548CW cone speaker that hangs on the wall. This is a massive cone speaker that is in near perfect condition, possible that Buford Chichester may have restored this! The paper cone appears to be a reproduction. A very rare example of a much sought after 1924 cone speaker. 38” Dia. 800 - 1,000

LOT - 1044

LOT - 1045

1045 - LOT OF 4: PILOT WASP RADIOS & OTHER ITEMS. Lot includes: 1) Pilot Super Wasp Receiver, with tubes and original blue prints, in very good condition. From the Estate of John Caperton II. 2) Two boxes of Pilot short wave tuning coils in original boxes. 3) Crosley AC Power Supply Model 104, in good condition. Largest: 18” x 9 -1/4”. 700 - 800

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291

1046 - LOT OF 3: COMET, MAJESTIC AND HOPALONG CASSIDY RADIOS. Lot includes 1) Arvin Hopalong Cassidy Radio, in good condition with original back. 2) AirKing Comet Art Deco Radio, unusual Art Deco finish, in good condition 3) Majestic 6 Model 411-A, Art Deco style with a chrome speaker grill, Art Deco knobs and original back. Largest: 11” x 80 -1/2”. 700 - 800

LOT - 1046

LOT - 1047

LOT - 1048 292

www.MorphyAuctions.com | August 30, 2018

1047 - LOT OF 6: ATWATER, KENT MODEL 19, PAUSIN & CROSLEY RADIOS. Lot includes 1) Atwater Kent Model E3, cone speaker, in good overall condition. 2) Pausin Engineering Co cone speaker, in good condition. 3) Atwater Kent Model 19, rare table model receiver, in good condition with three tubes. 4) Crosley Model 51 Receiver, good condition with the original paper label and two tubes. 5) Radiola 3A made by Radio Corp. of America (RCA) in good condition and four tubes. 6) Atwater Kent Model 35 Receiver in good condition with five tubes. Largest: 19 -1/2” x 7 -1/2”. 700 - 800

1048 - LOT OF 13: RADIOS AND RECEIVERS. Lot includes: 1) Time-Lite Radio Clock, in original box with instructions, in good to very good condition. 2) Mirror Tone Deluxe Model 850. 3) Emerson R152, tombstone shaped, AM and short wave receiver, in good condition. 4) Emerson Miniature brown Bakelite receiver, in good condition. 5) Philco Transitone Model 46-200-122, in good condition. 6) Delco Model R-1139, push button tuning, in good condition. 7) Telefunken Caprice Model 7141W, in very good condition. 8) Majestic Melody Cruiser Boat Radio, Model IS49, made of wood with chrome plated pieces for sails, dial and escutcheon is missing, in good condition. 9) RCA Victor, Model 1X-55, blue Bakelite case with a crack at the top. 10) Motorola Model 5M1U, in good condition. 11) Zenith Royal 700 All Wave Receiver in a leather case, in good condition. 12) Zenith Model X334, FM Radio Receiver, in good condition. 13) Silvertone Ultra Power 800, Model 2222-2223, in good condition. Largest: 16” x 10”. 700 - 800

1049 - LOT OF 15: TELEGRAPH KEYS SOUNDERS AND RELAYS. Some manufacturers include Bunnel, Western Electric, Century, Buzzer, Liberty, Signal Electric, Western Union. There is two J38 keys and a Vibroplex, serial #17077, early style circa 1915 with the bug decal. The Buzzer has telegraph key and condenser on a board. There are two Alfred Vail reproductions of an 1844 key, used by Samuel Morse reproduced around 1980 by Carmen Ambroggio. Also included is a Commercial Cable Co. Tuning Fork made by the Brooklyn Tool and Machine Co, New York, used for tuning transatlantic and long lines cables. Largest: 10” x 7”. (Good - Very Good). 700 - 800

LOT - 1049

LOT - 1050

LOT - 1051

1050 - LOT OF 2: AMRAD DOUBLE DECKER RADIO AND STROMBERG CARLSON HORN SPEAKER. The first item is an Amrad Double Decker Receiver, includes a no. 3500 unit and a short wave turner unit no. 2596, original screens in place, in very good condition. The second is a Stromberg Carlson Model 1-A Horn Speaker, in good condition. Largest: 21 -1/2” x 6”. 700 - 800 1051 - LOT OF 7: RADAK, TUSKA AND FEDERAL RADIOS. Lot includes: 1) Federal Junior Crystal Set, includes a pair of Baldwin headphones, in very good condition. 2) Ferbend Wave Trap, in very good condition. 3) Clapp Eastham Radak R-4 Set, in very good condition. 4) Clapp Eastham Type HR Receiver, original tube and battery, in good condition. 5) Clapp Eastham HZ Two Stage Audio Amplifier, missing the tubes. 6) Atwater Kent Model 20 Receiver, includes all tubes, in very good condition. 7) Tuska Model 225 Receiver, includes three tubes, all original, in good condition. Largest: 19 -1/2” x 5 -1/2”. 700 - 800

LOT - 1052

1052 - LOT OF 6: ECOPHONE RECEIVER, DICTOGRAND HORN SPEAKER, FEDERAL TYPE 110 RECEIVER, AND CLAPP EASTHAM HR - HZ RECEIVER AND AMPLIFIER, AND TRI-CITY W6 RECEIVER. Lot includes 1) Echophone three tube regenerative receiver, includes three tubes, in very good condition. 2) Dictogram Type R3 Horn Speaker, in very good condition. 3) Federal Type 110 Radio Receiver, includes three tubes and original identification card on the inside, in very good condition. 4) Clapp Eastham Type HR Receiver, includes one tube and the original battery, in very good condition 5) Clapp Eastham Type HZ Two Stage Audio Amplifier, in very good condition. 6) Tri-City Model W6 Receiver, original paper label inside and three UV199 tubes, in very good condition. Largest: 16 -1/2” x 7 -1/2”. 700 - 800

www.MorphyAuctions.com | August 30, 2018

293

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 1053

LOT - 1054

LOT - 1055 1053 - LOT OF 2: WESTERN ELECTRIC MODEL 7A AMPLIFIER AND WESTERN ELECTRIC MODEL 10-D HORN. Lot includes a Western Electric Type 7A Amplifier with three Type 216A vacuum tubes and a Western Electric Type 10D Horn Loudspeaker. Largest: 27 -1/2” x 5 -1/2”. 700 - 800 1054 - LOT OF 2: PHILCO MODEL 38-3 & ZENITH SUTTERDIAL ZEPHYR MODEL 9S-367 CONSOLE RADIOS. Lot includes: 1) Philco Model 38-3 Console Radio has ten tubes and is missing one tube, in good condition. 2) Zenith Shutterdial Console Zephyr Model 9-S-367 and includes nine tubes, in very good condition. Largest: 28 - 1/4” x 15 - 1/2” x 43 - 1/2”. 700 - 900 1055 - LOT OF 5: PHILCO MODELS 37-61, 70, 60, & 37-93 & ATWATER KENT MODEL 84 CATHEDRAL RADIOS. Lot includes: 1) Philco Model 37-61 Tomb Style Radio, very nice condition. 2) Philco Model 70 Cathedral in nice condition with tubes. 3) Philco Model 60 Cathedral, refinished, in nice condition. 4) Philco Model 37-93 Cathedral, all original and in nice condition. 5) Atwater Kent Model 84 Cathedral, refinished and in nice condition. Largest: 19” x 15 -1/2” x 9 -1/2”. 700 - 900 294

LOT - 1056 1056 - LOT OF 3: FEDERAL TYPE DX-58, KENNEDY TYPE XV & FREED-EISEMANN TYPE NR-7 RECEIVER. Lot includes: Federal Type DX-58 with four tubes, has original coils, and scratches on top of the metal cabinet. 2) Kennedy Type XV with four tubes in very good condition. 3) Freed-Eisemann Type NR-7 with six tubes and the original audios, in very good condition. Largest: 28” x 8 -1/4” x 9”. 700 - 800

www.MorphyAuctions.com | August 30, 2018

LOT - 1057

LOT - 1058

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 1059

1057 - LOT OF 5: PHILCO MODEL 514, GREBE MODEL MU1, MAGNAVOX MODEL J & OTHERS. Lot includes: 1) Philco Model 514, produced in Philco’s first year in 1928, finished in a lime Nile green color with hand painted floral designs on the top and front, in very good condition, a beautiful piece. 2) Magnavox Model J with five tubes, in very good condition. 3) Music Master Wooden Horn with original finish, in beautiful condition. 4) Grebe Syrincrophase Model MU1 which has the chain drive and includes all five tubes. 5) Radiola 16 with six tubes, in very good condition. Largest: 24” x 11” x 7”. 700 - 800 1058 - LOT OF 3: GREBE SYNCHROPHASE SEVEN, RCA P-31 & TOWER CASTLE CONE SPEAKER. Lot consists of: 1) Tower Model Castle Cone Speaker with the original paper cone and some damage. 2) Grebe Synchrophase Seven with all tubes and no pot-metal problems, in good condition. 3) RCA Victor P-31 Portable Battery Set, leatherette covering, missing the outer cover for the front, otherwise very good condition. Largest: 23 -1/4” x 13 -1/4” x 11”. 700 - 800

LOT - 1060

1059 - LOT OF 2: SILVER MARSHALL UNIVERSAL ALL WAVE TUNER. Lot includes: Three-Tube Homebrew Regenerative Receiver with three O1A tubes. 2) Silver Marshall Universal All-Wave Tuner has four tubes and includes spare coils. Largest: 22” x 8” x 10”. 700 - 800 1060 - LOT OF 3: GREBE CR 12, THOROLA ISLODYNE RECEIVER AND RCA HORN SPEAKER. Lot includes: 1) Grebe CR 12 with original inspection card and instructions, and extra documentation, in very good condition. 2) Thorola Islodyne made by Reichmann Company, includes five tubes and is in very good condition. 3) RCA Radiola UZ1325 Horn Speaker in good condition. Largest: 21” x 13” x 11”. 700 - 800

www.MorphyAuctions.com | August 30, 2018

295

LOT - 1061

LOT - 1062 1061 - LOT OF 17: HICKOK, SUPREME TUBE TESTERS, COIL WINDER, AND OTHER TEST EQUIPMENT. Lot includes: 1) Cenco Electro magnetic demonstration apparatus. 2) Jewel Tube Checker pattern No. 115 for testing battery set tubes. Circa 1925. 3) RCA Senior Volt Ohmyst Model WV97A, in good condition. 4) Wizard Wire Winder, unusual coil winder, circa 1925 in very good condition. 5) All American Radio Corporation Constant B Battery Eliminator, includes the tube. 6) Supreme Model 400B Diagnometer, circa 1929, in good condition. In-circuit tube tester and an unusual radio analyzer. 7) Variable condenser in factory box, uses a DeForest celluloid dial, so possible DeForest manufacture. Circa 1922, in good condition. 8) Homebrew Tube Tester for battery sets, includes a QRS tube, circa 1925 in good condition. 9) Hoyt Milliammeter in the box, in good condition. 10) Supreme Model 30 Vacuum Tube Short Tester and Pre-Heater in good condition. 11) Dayrad Early Signal Generator, using type 171 A2. 12) General Electric AC Ammeter Type P3, calibrated in 1922 and in very good condition. 13) Rubicon Projection Volt meter, in good condition. 14) RCA model WG-299E Vacuum Tube Volt Meter Probes, new in the box, perfect condition. 15) B&P Inc. Heavy Cast Iron Ammeter, been recently painted in copper color, otherwise good condition. 16) Emico DC Milliammeter in the original box, includes an Everready 1.5 volt battery with an interesting Lehigh Electric Company Allentown Pennsylvania sticker. 17) Hickok Electrical Instrument Company Model AC47 Radio Tube Tester in leatherette case in very good condition, a rare item. Largest: 14” x 8” x 8”. 700 - 800 1062 - LOT OF 10: RADIOLA SR. IDEAL NOVELTY TELEPHONE RADIO, AERODYNE 5 TUBE RECEIVER & OTHERS. Lot includes: 1) RCA Radiola Sr. with a WD112 in very good condition. 2) Aerodyn 1927 Special Five Tube Receiver with tubes, very rare and in very good condition. 3) Homebrew Antenna Tuner with nice early dial. 4) Roland Super Radio Homebrew Receiver, in good condition. 5) Ideal Radio Phone Model RT800 made by AR Toys Company early desk telephone novelty radio with the original instructions contained in the original box. 6) Teletone Radio Speaker 60 wooden cone speaker in good condition. 7) Very Early Homebrew French-style Crystal Receiver with two slide tuners, circa 1915. 8) Homebrew Crystal Receiver using a DeForest Crystal Detector. 9) RCA Loudspeaker Model 100 in good condition. 10) Crosley Model 51SD Radio, includes the paper label and tag on the inside and two tubes in very good condition. Largest: 16 -1/2” x 9” x 8 -1/2”. 700 - 800 296

www.MorphyAuctions.com | August 30, 2018

LOT - 1064

LOT - 1063

LOT - 1065

LOT - 1066

1063 - LOT OF 5: CANADIAN WESTINGHOUSE RADIOLA III WITH A CANADIAN WESTINGHOUSE TWO STEP AMPLIFIER WITH RADIO HORN. Lot includes: 1) Canadian Westinghouse Radiola 3 with two type 864 tubes, includes the original manual and is in good condition. 2) Canadian Westinghouse Two Step Amplifier with two 864 tubes, in good condition. 3) RCA Balanced Amplifier with two WD11 tubes, in very good condition. 4) Radio Horn, Type UZ1325. 5) Radio Rex Novelty Doghouse with Dog, complete and in good condition. Largest: 25 -1/2” x 12”. 700 - 800

1065 - LOT OF 5: RCA, CROSLEY MODEL XJ AND WESTINGHOUSE ITEMS. Lot includes: 1) Radiola Type RS Regenerative Receiver and Amplifier, includes two tubes, in very good condition. 2)Willard Radio Storage Battery, circa 1924, includes that reprint of the catalog, in good condition. 3) RCA Type FH Horn Loudspeaker, in very good condition. 4) Crosley Model XJ Receiver, includes the original metal and paper tag and four tubes, in good condition. 4) RCA Westinghouse Areola Senior Receiver, includes one tube, paper insert is a reproduction, in very good condition. Largest: 21 -1/2” x 8” x 6 -1/4”. 700 - 800

1064 - LOT OF 3: DUPLEX ALARM BOX, WEBSTER MODEL 80 WIRE RECORDER, AND AUTOMATIC ELECTRIC TAPE MACHINE. Lot includes: 1) Duplex Electric Company Alarm Box, circa 1928, glass front, in good condition. 2) Webster Model 80 Wire Recorder, includes two rolls of wire, in good condition. 3) Automatic Electric Type SCC Recorder/Announcer/Tape Machine, includes five tubes, in very good condition. Largest: 22” x 12”. 700 - 800

1066 - LOT OF 5: HALLICRAFTERS & SCOTT MARINE RADIOS. Lot includes: 1) Hallicrafters Model S-38 with tubes, in good condition. 2) Hallicrafters S-94 with tubes and back, in good condition. 3) Hallicrafters S-20R with tubes, in good condition. 4)Hallicrafters Model 85 Radio with tubes, in good condition. 5) Scott Marine Radio, Model SLRM, known as the Moral Receiver, used on-board ships for the off-duty sailors, includes internal factory power supply and shock-mount base, looks brand new as if it was never used, build by Scott Radio Labs, Chicago, Illinois. Largest: 18” x 15 -1/2” x 12 -1/2”. 700 - 800

www.MorphyAuctions.com | August 30, 2018

297

1067 - LOT OF 4: FEDERAL MODEL 59, DAYFAN MODEL OEM7, MICHIGAN MODEL MRC10 AND RCA MODEL 103. Lot includes: 1) Federal Model 59, includes four tubes, in very good condition. 2) Dayfan Model 0EM7, includes four tubes, in good condition. 3) RCA Tapestry Loudspeaker Model 103, in good condition. 4) Michigan Model MRC10 One Tube Regenerative Receiver, in good condition. Largest: 23” x 16” x 11 -1/4”. 700 - 800 1068 - LOT OF 6: GREBE MODEL MU1, FEDERAL MODEL 102 AND OTHERS. Lot includes: 1) Victor Lumiere Loudspeaker, in good condition. 2) Grebe Synchrophase Model MU1, model that does not have a chain drive, includes five tubes. 3) Federal Model 102 Portable, chassis with no cabinet. 4) Federal Model 159, chassis only, no cabinet. 5) “Home Brew” Three Tube Radio, uses three 215A Western Electric tubes, in good condition. 6) Raven Superheterodyne Kit with three tubes, circa 1924, Albany New York. In very good condition- rare. Largest: 22” x 12 -1/2” x 9 -1/4”. 700 - 800

LOT - 1067

1069 - LOT OF 5: GRUNOW, SILVERTONE, ZENITH AND EMERSON RADIO/RECEIVERS. Lot includes: 1) Grunow Model 510-530 Art Deco Receiver, chrome grill, in very good to excellent condition. 2) Zenith Model 5S-220, in good condition. 3) Silvertone Model 6421 AM/short wave, in a wooden cabinet, in good condition. 4) Emerson Model 520, brown and white Catalin set, in very good condition. 5) United Motors Service Inc, wooden tombstone, in good condition. Largest: 14” x 11”. 700 - 800

LOT - 1068

1070 - LARGE LOT OF RADIO PARTS AND RADIO FLYER WAGON. Lot includes: Early radio batteries, matchbooks, ribbons, Remler and National 1920’s radio parts in their boxes, tube sockets, adaptors, insulators, flour sifter, wave meter, early toy electric motors, microphone and many others. Approximately 100-150 items. Conditions vary, overall good condition. Largest: 13” x 13”. 700 - 800

LOT - 1069

LOT - 1070 298

www.MorphyAuctions.com | August 30, 2018

1071 - LOT OF 3: PATTERSON MODEL PR-16 COMMUNICATIONS RECEIVER & MARCONI OF CANADA MODEL MSL5 NAVY RECEIVER & POWER SUPPLY. Lot includes: 1) Patterson Model PR-16 Communications Receiver, 16 tubes with a beautiful chrome chassis and outside cabinet in very good condition, includes documentation. 2) Marconi of Canada Model MSL5 Navy Receiver with four tubes and a crystal detector, includes the shock mount base. 3) Marconi of Canada Power Unit for the MSL5 Receiver, Model PPR1-43142. These items have all their tubes and are in very good condition. Largest: 20” x 11”. 700 - 800 1072 - VALLEY ELECTRIC CO. “VALLEY TONE” MODEL 52 BATTERY RECEIVER IN ORNATE INLAID CABINET. Valley Electric Company “Valley Tone” Model 52 includes five type 01A tubes used for this model. This receiver is housed in a fine and extremely ornate custom cabinet with intricate inlay. Wired in is a nice homebrew battery eliminator, receiver also includes an internal wooden horn and driver. Very good condition. Largest: 40” x 17 -3/4” x 49 -3/4”. 600 - 800

LOT - 1071 1073 - LOT OF 12: HALLICRAFTERS, PHILCO, SILVERTONE, WESTON & RCA RADIOS. Lot includes: 1) Hallicrafters Model S-38C Short-Wave Receiver in good condition. 2) Hallicrafters SX140 with speaker in good condition. 3) Sparten Model 517 in very good condition. 4) Philco Jr. Cathedral Radio in good condition. 5) Crosley Model RFL with a decorated panel, with some wear to the decorations, no damage, in good condition. 6) Silvertone Model 4569 Tombstone Radio in good condition. 7) Realistic 10 Meter Transceiver Model HTX-100 which comes with the original microphone and is in very good condition. 8) AM House Transmitter in good condition. 9) Sterling Model 406 Tube Tester complete with a tube and is in very good condition. 10) Heathkit Model HM-11 Reflected Power Meter and SWR Meter in good condition. 11) RCA Model UP-1654 Filter Reactor in good condition. 12) Weston DC Ammeter Model 45 dated October 1924. Largest: 15” x 9 -1/4”. 600 - 800

LOT - 1072

LOT - 1073

1074 - LOT OF 11: ZENITH, WILLARD, SILVERTONE, ATWATER KENT, TOM THUMB BATTERY PORTABLE & OTHER RADIOS. Lot contains: 1) Zenith Model 6S-222 Wooden Table Receiver in good condition. 2) General Radio Model 1748 Wave Meter in good condition. 3) Atwater Kent Type Y Power Supply complete with a Type 380 tube in good condition. 4) General Electric Model 250 Portable Radio in good condition. 5) Crosley Model 516 Table Radio in good condition. 6) Tom Thumb made by The Portable Radio Manufacturing Company, battery set with a leatherette covering, in very good condition. 7) Willard Radio A Power Unit in good condition. 8) Transitone Model 39-6173 Small Table radio in good condition. 9) RCA Small Bakelite Receiver, which tunes the broadcast and shortwave bands, has a tuning eye, in very good condition. 10) Silvertone Model 101-487 AM. 11) Silvertone Shortwave Table Radio in good condition. Largest: 16 -1/2” x 17”. 600 - 800

LOT - 1074

www.MorphyAuctions.com | August 30, 2018

299

1075 - LOT OF 4: ATWATER KENT RADIOS. Lot includes: 1) Atwater Kent Model 36 with the attached power supply and all tubes, in good condition. 2) Atwater Kent Bread Board, consisting of one tube unit. A coupled circuit tuner and a variometer. 3) Atwater Kent Type F Variable Condenser which has been modified with dark colored binding posts on the back and a light bulb in the top which may have been used as a wave meter. 4) Very Rare One Stage Audio Frequency Amplifier by Atwater Kent for a breadboard, green paint, very good condition. Largest: 21” x 6 -1/2”. 600 - 800

LOT - 1075

1076 - LOT OF 4: HALLICRAFTERS TELEVISION MODEL 505 (T-54) & GE TELEVISION IN ORIGINAL BOX, MOTOROLA VT-71M, & TV MAGNIFIER. Lot includes: 1) Hallicrafters Television Model 505 T-54 1948 has a wooden cabinet, push buttons, channel 1 and original back, in very nice condition. 2) General Electric Model 810 Television in the original box, 1948. Includes the original back and inspection tags, in excellent condition. 3) Motorola Model VT-71M Television with channel 1, missing the back, otherwise in good condition. 4) Television Magnifier, 11-1/2” diameter, good condition. Largest: 24” x 24” x 17 - 1/2”. 600 - 800

LOT - 1076 1077 - LOT OF 4: GENERAL RADIO & HICKOK TEST EQUIPMENT, AND A REMOTE RADIO TRANSMITTER MONITOR LICENSED BY WESTERN ELECTRIC. Lot includes: 1) General Radio Model 246L Variable Condenser in very good condition. 2) General Radio Model 375A Station Piezo-Electric Oscillator in very good condition. 3) Hickok Model 533 Dynamic Mutual Conductance Tube Tester in beautiful condition and includes the original instruction manual. 4) Remote Radio Transmitter Monitor used in field operations with a label stating it is licensed by Western Electric Company, in good condition. Largest: 16 - 1/4” x 18 - 1/2” x 8”. 600 - 800 LOT - 1077

1078 - LOT OF 2: RCA RADIOLA X & BROWNING DRAKE 4 TUBE RECEIVER. Lot contains: 1) RCA Radiola X includes the original back and large format layout paper sheet with illustration printed, attached to the back cover. Includes the tubes, and original manual. Has been refinished. 2) Browning Drake Four Tube Receiver, includes the original book and blueprint, as well as four Clover brand 01A tubes, new in original boxes. Largest: 20” x 21 -1/2” x 16”. 600 - 700

LOT - 1078 300

www.MorphyAuctions.com | August 30, 2018

1079 - LOT OF 4: ATWATER KENT MODEL 165 CATHEDRAL & THREE PHILCO CATHEDRALS. Lot includes: 1) Philco Cathedral Model 60 with tubes, in good condition. 2) Philco Cathedral Model 20 with all tubes, in good condition. 3) Philco Cathedral Model 70, missing the paper label and the front escutcheon plate. 4) Small Atwater Kent Cathedral Model 165 with all tubes, in beautiful condition. Largest: 18 -1/4” x 17” x 11”. 600 - 700 1080 - LOT OF 6: ZENITH RADIOS AND GRUNOW & STROMBERG CARLSON REMOTE CONTROL TUNERS. Lot includes: 1) Grunow Remote Control Tuner Type 2A. 2) Stromberg Carlson Remote Control Tuner Model 55, also known as a TE-LEK-TOR-ET. 3) Atwater Kent Model 185A Art Deco Table Receiver in good condition. 4) Zenith Portable Radio Model 6G-601M in a leatherette case and sail boat grill cloth in fair condition. 5) Zenith Portable R600 Trans Oceanic Receiver, includes the original booklet in good condition. 6) Zenith Portable 8G005TZ1Y Trans Oceanic Receiver, includes the original booklet, in good condition. Largest: 15” x 7 -1/4” x 11 -1/2”. 600 - 700

LOT - 1079

LOT - 1080

LOT - 1082

1081 - LOT OF 3: MICROPHONE AND FLOOR STANDS. Lot includes: 1) Electro Voice Model 611 Microphone on floor stand. 2) Double Button Carbon Microphone on fancy engraved floor stand with the call letters “WGAL” on the reproduced frame, the call letter flag is on cardboard. 3) Box containing a Turner Model 80X in original box, and Electro Voice Model 950 Cardax Microphone and two others. Largest: 62” x 11”. 600 - 700 1082 - REPRODUCTION MARCONI COHERER RECEIVER USING A REPRODUCTION COHERER DETECTOR ASSEMBLY. Reproduction of a Marconi Coherer Receiver using a Bunnell Polarized relay and a glass Coherer reproduced by Phil Weingarten nicely assembled on a board for a great display item. Very good condition. 28 - 1/2” x 8”. 600 - 800

LOT - 1081

www.MorphyAuctions.com | August 30, 2018

301

1083 - LOT OF 6: STEINITE MODEL A.C. SEVEN TUBE RECEIVER, MIDWEST MIRACO ULTRA 5 RECEIVER AND OTHERS. Lot includes: 1) RCA Radiola 16 Battery Operated TRF Receiver, no tubes. 2) Magnavox Type R-3 Metal Horn Speaker in good condition. 3) No-Name Factory-Built Five Tube Radio, possibly Freshmann, no tubes. 4) Midwest Miraco Ultra 5 Five tube TRF Receiver, with all five tubes. 5) “Home Brew” Regenerative Receiver, includes a UV 199 tube. 6) Steinite Model A.C. Seven Tube No-Battery Receiver, 1926, one of the first A.C. operated radios on the market. Includes seven tubes of which four are UX 199and the original instruction card and newspaper ad. In good condition. Largest: 27 -1/4” x 14 -1/4”. 600 - 700

LOT - 1083

LOT - 1084

1084 - LOT OF 4: PRIESS STRAIGHT 9 RECEIVER, DETROLA MODEL 3041 AND OTHERS. Lot includes: 1) Priess Straight 9 from 1926 TRF Receiver using nine tubes and a loop antenna, which is included, in very good condition. 2) RCA Radiola 21 Battery-Operated Set with a business card indicating that it comes from the RCA Training School. Includes the tubes and is in good condition.3) Detrola Model 3041 wooden table radio with the original back, in very good condition. 4) Silvertone Model 101410 AM Short Wave Wooden Table Radio, includes eight tubes and is in good condition. Largest: 27” x 12”. 600 - 700

LOT - 1085

1085 - LARGE LOT OF 79+: VACUUM TUBES INCLUDING EARLY AC OPERATED TUBES. One group contains 36 tubes in original boxes, all have good filaments. The second group contains 30 loose tubes including UX-201A, WD-11 and others. The last group has 13 early AC operated vacuum tubes with side connectors for the filaments, all have good filaments. Largest: 6 -1/4” x 2 -1/2”. 600 - 700 1086 - LARGE LOT OF VACUUM TUBES. One group contains 53 UV-199 and UX-199 tubes including four brass base tipped, all have good filaments. The second group contains 20 vacuum tubes, some in original boxes and transmitting tubes, all have good filaments. 9” x 5 -1/4”. 600 - 700 302

www.MorphyAuctions.com | August 30, 2018

LOT - 1086

LOT - 1087 1087 - ATWATER KENT “HOME BREW” BREADBOARD. Atwater Kent “Home Brew” Breadboard using a variable condenser, variometer, variocoupler, and one tube detector unit and includes a two tube TA amplifier island in green paint. One of the tube sockets is loose on the detector unit, needs to be glued. 32” x 8 - 1/2” x 7 - 1/2”. 500 - 600

LOT - 1088 1088 - LOT OF 6: POOLE ROYAL 5 TUBE, BOSCH, DEFOREST D-12, RADIOLA 25 RECEIVERS. Lot includes: 1) Royal Radio Corporation Poole Royal five tube receiver with tubes and nicely engraved front panel, in very good condition. 2) American Bosch Model 5A Receiver with nice inlaid wood cabinet includes the tubes and original back, in very good condition. 3) Freshman Masterpiece five tube TRF Receiver with five tubes in good condition. 4) Freed - Eiseman Type NR-7 Neutrodyne five tube receiver, with five tubes, very good condition. 5) Deforest Type D-12 with original coils and four original Deforest tubes, the antenna is missing, otherwise in very good condition. 6) RCA Radiola 25 with the original loop antenna, includes the original instruction card and six UV-199 vacuum tubes, in good condition. Largest: 22 - 3/4” x 16 - 1/4” x 16 - 3/4”. 500 - 600

LOT - 1089

LOT - 1090 1089 - LOT OF 2: RCA RADIOLA SUPER VIII CONSOLE RADIO & ATWATER KENT MODEL 55 CONSOLE. Lot includes: 1) RCA Radiola Super VIII Console Radio in beautiful condition. 2) Atwater Kent Model 55 Console Radio has the original needle point landscape grill cloth, nice condition. Largest: 48 -1/2” x 25 -1/2” x 17”. 500 - 700 1090 - LOT OF 5: GM MODEL 110A, PHILCO JR. CATHEDRAL, WURLITZER LYRIC CATHEDRAL MODEL S-7, SILVERTONE CATHEDRAL & PHILCO MODEL 80 CATHEDRAL. Lot includes: 1) General Motors Model 110A Cathedral with tubes in good condition. 2) Philco Jr. Cathedral with four tubes in very good condition. 3) Rare Wurlitzer Lyric Cathedral Model S-7 with tubes, in good condition. 4) Silvertone Cathedral Five Tube Receiver, the speaker is missing the cone and may be the incorrect speaker, otherwise good condition. 5) Philco Jr. Model 80 with four tubes, in good condition. Largest: 19” x 14 -1/2” x 10”. 500 - 600

www.MorphyAuctions.com | August 30, 2018

303

LOT - 1091

LOT - 1092

SEE WEBSITE FOR ADDITIONAL PHOTOS

LOT - 1093

LOT - 1094

1091 - LOT OF 4: RCA RADIOLA V, TOWER MEISTERSINGER HORN, OZARKA MODEL R-201 & OZARKA SR. MODEL S-1 RECEIVER. Lot contains: 1) RCA Radiola V which includes its original transformers, original tubes and the original optional wooden cover, in good condition. 2) Tower Meistersinger Horn Speaker, worn finish with some pitting. 3) Ozarka Model R-201 five tubes, and includes the original instruction sheets. 4) Ozarka Model S-1 Sr, with fives tubes, in very good condition. Largest: 24” x 14 -1/2” x 13”. 500 - 700 1092 - LOT OF 5: RCA, ZENITH, ATWATER KENT AND OTHERS. Lot includes: 1) RCA Radiola 18 with tubes. 2) DeWald Model H-533 Table Radio, cream colored plastic cover, in good condition. 3) Atwater Kent Model 20, the big box model with tubes, in good condition. 4) Seven tube “Home Brew” Receiver using Radio Receptor parts, a Superheterodyne model. 5) Zenith Model 6G601M Portable in a leatherette case with a sailboat grill. Largest: 38” x 10” x 8”. 500 - 600

304

1093 - LOT OF 2: ZENITH CONSOLE AND WARDS AIRLINE CONSOLE. Lot includes: 1) Zenith Console Model 1207 with the Shutterdial and push buttons in very good condition. 2) Montgomery Wards Airline Model 62-311, a Superheterodyne console with movie dial, a magic eye and a chrome chassis, in good condition. Largest: 42 -1/2” x 14 -1/2” x 26 -1/2”. 500 - 700 1094 - LOT OF 4: ZENITH TABLES RADIOS INCLUDING TOMBSTONE & CUBE. Lot Includes: 1) Zenith Tabletop Radio with black dial, chassis number N492212. 2) Zenith Tabletop Radio with black dial, chassis number N571693. 3) Zenith Table Cube Model RS218 Radio. 4) Zenith Tombstone Model 80862 Receiver. All are in good condition. Largest: 19” x 9” x 9 -1/4”. 500 - 700

www.MorphyAuctions.com | August 30, 2018

LOT - 1095

LOT - 1096

LOT - 1098 LOT - 1097 1095 - LOT OF 3: SUPER ZENITH 27 & ROYALIST GRANDFATHER CLOCK WITH RADIO. Lot includes: 1) Royalist Grandfather Clock Radio which includes a Virginia Electric Clockworks. 2) RCA Radiola 103 Loudspeaker in good condition. 3) Super Zenith 27 72 Console TRF Radio in good condition. Largest: 69 -1/2” x 16 -1/4”. 500 - 700

1097 - LOT OF 34: TYPE 200 & 201, RCA WD-11 BRASS AND BAKELITE BASED VACUUM TUBES. The first group includes 11 brass based tipped Type 201 and 200 tubes, four WD-11 tubes in boxes and 14 WD-11 Bakelite base tubes. The second group includes five WD-11 brass based tipped tubes. All have good filaments. Largest: 6 -1/2” x 2 -1/2”. 900 - 1,000

1096 - LARGE LOT OF 34: DEFOREST, RCA WD-11 AND WD-12 AND OTHER VACUUM TUBES. One group includes 34 vacuum tubes including some De Forest in metal cans; 14 are WD-11 and WD-12 tubes, all have good filaments. The other group contains new in the box vacuum tubes including UX-200, UX-299, WD-11, and WD-12, all have good filaments. Largest: 5” x 2 -1/4”. 500 - 600

1098 - LOT OF 3: CONSOLE RADIOS BY ZENITH, CROSLEY & STEWART WARNER. Lot includes: 1) Zenith Console Radio Model 1005, Chassis No. S690660. Has nine tubes, and is in good condition. 2) Crosley Console Radio Model 127. known as the Happy Hour radio, includes nine tubes and is in good condition. 3) Stewart Warner Model R-100A Console Radio, unique because it has a built-in short wave converter Model 301A. Includes ten tubes, of which five are the blue tube variety. Largest: 28 - 1/2” x 16 - 1/2” x 42”. 400 - 500

www.MorphyAuctions.com | August 30, 2018

305

LOT - 1099 1099 - LOT OF 3: RCA MODEL AR813, SPARTAN MODEL 478A AND ATWATER KENT CONSOLE RADIO. Lot includes: 1) Spartan Model 478A Console Radio in good condition. 2) Atwater Kent Console radio, in good condition. 3) RCA Brunswick Radiola Model AR813, and the phonograph is a BR60. This includes a six tube superheterodyne receiver and a wind up phonograph, all tubes are present, the crank for the phonograph is missing. Largest: 37 -1/2” x 39” x 22”. 400 - 600 1100 - LARGE LOT OF 43: UV199 AND UX199 TUBES. Lot includes 43 UV199 and UX 199 vacuum tubes, including four brass base tipped UV199, three are new in the box. All have good filaments. Largest: 4 -1/2” x 2”. 400 - 500

LOT - 1100

LOT - 1101

1101 - NIPPER RCA VICTOR DOG. Nipper RCA Victor dog made of plaster of Paris stands 15” high and is mounted on old wood RCA radio cabinet. It has been repainted. 21” x 8 -1/2”. 300 - 400 1102 - LARGE LOT OF 100+ 1920’S BATTERY SET VACUUM TUBES - ALL THE TUBE FILAMENTS ARE OPEN. These are all battery set tubes from the 192’s and include many WD-11, both brass and Bakelite bases, brass base tipped 201As and De Forest Isolanite based tubes. All open filaments but good for display. Largest: 5” x 2 -1/4”. 400 - 500

LOT - 1102 306

www.MorphyAuctions.com | August 30, 2018

1103 - LARGE LOT OF TUBES. Lot includes 74 201A and 200A tubes. All have good filaments. Largest: 4 -1/2” x 1 -1/2”. 300 - 400 1104 - VERY LARGE LOT HUNDREDS OF VACUUM TUBES. Lot includes a few transmitting tubes as well as a few television tubes but the bulk of the lot contains radio receiving tubes from the late 1920’s through the 1960’s. All types of tubes are included but not many rare or unusual examples. Many are new in the box. Highly advised to inspect this lot in person. 700 - 900 LOT - 1103

LOT - 1104

1105 - LARGE LOT OF TRANSFORMERS. This large lot includes many highly desirable transformers, including Power, Audio, Interstage, a few chokes and RF, most of them are new in the original box. A few are from the 1920’s, while most date from the 1930’s to the 1960’s. There are a handful of used transformers, but most are new. Largest Box: 5” x 5”. 500 - 600

LOT - 1105

www.MorphyAuctions.com | August 30, 2018

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1106 - LOT OF 3: ZENITH & RCA RADIOS. Lot includes: a beautiful Art Deco style Zenith 9S-55 nine tube console receiver that includes an original Zenith antenna control and a Zenith Shutterdial Model 9S-262 complete with the acoustic adapter, in great condition. Also included is a RCA Model K62 six tube console receiver in good condition. 700 - 900

LOT - 1106

LOT - 1107 1107 - RONALD FRISBIE RADIO LIBRARY. Circa 1920 - 1930â&#x20AC;&#x2122;s. There is a total of 25 boxes full of books and paper items which includes 350 hardbound books, photocopies and original stock certificates, letters, letterheads, trade catalogs and magazines, periodicals, tube manuals, radio histories, club bulletins, photographs, technical manuals and radio servicing books. All are in good to very good condition with some exceptions such as missing covers, torn pages and other blemishes. 1,500 - 2,000

NOTES:

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www.MorphyAuctions.com | August 30, 2018

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