A Reputation Management Plan

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REPUTATION MANAGEMENT PLAN

Prepared For : Live Nation

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TABLE OF CONTENTS PRestige CRISIS COVERAGE ORGANIZATIONAL OVERVIEW AUDIENCES SWOT & OPPORTUNITY STATEMENT GOALS AND OBJECTIVES STRATEGIES AND TACTICS IMPLEMENTATION TIMELINE CONTENT CALENDAR EVALUATION REFERENCES X 1 2 SITUATIONAL ANALYSIS 3 4-5 6 7 8 9-10 11 12 13 APPENDIX 14

CRISIS COVERAGE

A FATAL CROWD CRUSH OCCURRED ON NOVEMBER 5, 2021, DURING THE FIRST NIGHT OF THE 2021 ASTROWORLD FESTIVAL, A MUSIC EVENT FOUNDED BY AMERICAN RAP ARTIST TRAVIS SCOTT AND HELD AT NRG PARK IN HOUSTON, TEXAS. THOUSANDS OF ATTENDEES RUSHED THE STAGE AS SCOTT PERFORMED THROUGH THE CHAOS. ON THE NIGHT OF THE CONCERT, EIGHT PEOPLE DIED, AND TWO MORE DIED IN THE HOSPITAL THE NEXT DAY. IT WAS REPORTED THAT AMBULANCES ARRIVED ON THE SCENE THROUGHOUT THIS INCIDENT; HOWEVER, SCOTT ONLY STOPPED THE CONCERT BRIEFLY AND THEN PROCEEDED. TWENTY-FIVE PEOPLE WERE HOSPITALIZED, AND OVER 300 WERE TREATED AT THE FESTIVAL'S FIELD HOSPITAL FOR INJURIES.

IN ADDITION, SEVERAL CONCERTGOERS DOCUMENTED THE INCIDENT ON SOCIAL MEDIA, POSTING VIDEOS AND RECOUNTING THEIR EXPERIENCES, WHICH LED TO WORLDWIDE SCRUTINY FOR BOTH LIVE NATION AND SCOTT. AFTER THE TRAGEDY BROKE THE NEWS, THERE WAS A SIGNIFICANT BACKLASH TOWARDS LIVE NATION DUE TO THEIR LACK OF PREPARATION FOR CROWD CONTROL, RESULTING IN THE CROWD SURGING. ON TOP OF THIS, HERE WAS ALSO A LACK OF HELP FROM THE SECURITY TEAM TO HELP THOSE PUSHED TO THE GROUND, ALONG WITH A POOR OVERALL EMPHASIS ON INDIVIDUAL AND GROUP SAFETY.

ANOTHER ASPECT OF THE EVENT THAT CREATED BACKLASH WAS TRAVIS SCOTT CONTINUING TO PLAY HIS SET AND ENCOURAGE THE CROWD TO “GET CRAZY” WHILE HIS FANS WERE IN DANGER IN HIS CROWD. BEYOND EVENT MANAGEMENT, SCOTT ALSO WENT SILENT POST-TRAGEDY. A FEW WEEKS FOLLOWING, HE FINALLY WENT TO INSTAGRAM TO RELEASE AN “APOLOGY” VIDEO THAT THE PUBLIC DID NOT RECEIVE WELL.

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ORGANIZATIONAL OVERVIEW

LIVE NATION, PREVIOUSLY KNOWN AS SFX ENTERTAINMENT, WAS FOUNDED IN 1996 AND OWNED BY ROBERT F.X. SILLERMAN. HOWEVER, IT WAS SOLD IN 2000 AND BECAME CLEAR CHANNEL ENTERTAINMENT BEFORE FINALLY BEING NAMED LIVE NATION IN 2005. THE COMPANY OPERATES IN OVER 40 COUNTRIES AND IS CURRENTLY HEADED BY MICHAEL RAPINO, WHO HAS BEEN THE CEO SINCE 2005. LIVE NATION IS RENOWNED FOR BEING THE TOP LIVE ENTERTAINMENT BRAND GLOBALLY AND IS THE PARENT COMPANY OF TICKETMASTER, A MERGER THAT TOOK PLACE IN 2009. THE COMPANY'S COMMITMENT TO ITS FANS IS EVIDENT IN ITS STATEMENT: "ARTIST POWERED. FAN DRIVEN."

LIVE NATION AIMS TO CONNECT ARTISTS AND FANS, AND THEIR DEVOTION TO THEIR FANS IS REFLECTED IN THEIR SUPPORT FOR LIVE MUSIC AND ARTISTS. THEY HAVE DEDICATED FUNDS TO SUPPORT WOMEN AND YOUTH IN THE INDUSTRY, AS WELL AS THOSE WHO HAVE LOST WORK DUE TO THE PANDEMIC. LIVE NATION OPERATES THROUGH CONCERTS, TICKETING, SPONSORSHIPS, AND ADVERTISING AND IS COMMITTED TO EMPOWERING OTHERS THROUGH MUSIC, WHICH THEY BELIEVE CAN MAKE A SIGNIFICANT DIFFERENCE IN THE WORLD. THE COMPANY STRONGLY FOCUSES ON TAKING CARE OF ITS EMPLOYEES AND OFFERS HEALTH BENEFITS, DEVELOPMENT PROGRAMS, AND STUDENT LOAN REPAYMENT. LIVE NATION IS ALSO COMMITTED TO ENVIRONMENTAL AND COMMUNITY IMPACT, INCLUDING SUPPORTING CHARITIES. AFTER THE TRAGIC EVENTS AT ASTROWORLD, LIVE NATION REITERATED ITS COMMITMENT TO SAFETY AND IS ASSISTING LOCAL AUTHORITIES WITH THEIR INVESTIGATION.

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SITUATIONAL ANALYSIS

Live Nation is experiencing distrust from users due to the incident at Astroworld where 11 people were killed during Travis Scott’s performance at the concert. It is important that Live Nation rebuild its trust with its consumers. They came out with a statement stating that their sympathies went out to the friends and families of the victims; it ended with this line, “Our entire team is mourning alongside of the community.” This statement shows how Live Nation is aware of what happened and the impact this event will have on their organization They are mourning as well, for the families, because it is something that shouldn’t have happened. In addition to their public apology, we feel it important that Live Nation also brings awareness to safety protocols for future concert-goers to feel safe at Live Nation concerts. These safety and wellness protocols would include, but not be limited to: what to do in the event of emergencies, knowledge of security and personnel, and encourage the usage of online communities for those affected by concert safety malpractices

We feel that promoting these safety protocols will help Live Nation ensure that concerts in the future will create a safer environment that will help concert-goers create lasting memories. It is important that Live Nation emphasizes the importance of fans during this process and refocus their brand to their statement of “Artist powered. Fan driven.” Live Nation has an opportunity to grow even stronger from this event that took place and turns its name into something that is greater than before. This can even set a model for future entertainment industries to follow

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AUDIENCES

PRIMARY:

The primary audience for this campaign is Live Nation's current and potential users who expect to feel safe attending concerts after the crisis. They want to enjoy concerts without worrying about their safety, and their opinions can impact Live Nation's reputation through social media. It's crucial to maintain positive media coverage to avoid a negative impact on the company's reputation and business.

SECONDARY:

The secondary audience for Live Nation includes stakeholders such as performers, venue owners, promoters, employees, funders, and customers, as well as those who indirectly experienced the impact of the tragedy through media coverage or attending parts of the event. Their expectations moving forward are to receive coverage of the event, updates on Live Nation's remedial measures, and regain trust in the brand. Positive perception from stakeholders is vital for smooth operations and reputation management. Understanding and addressing the expectations of this audience is crucial for repairing Live Nation's reputation with the public and media, as they have the potential to influence opinions through social media and other channels

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AUDIENCES

MARGINAL:

The marginal audience for Astroworld/Live Nation are the families impacted by the tragedy. The aftermath of Astroworld left a profound impact on their lives as witnesses to the disaster, with ongoing court cases and lawsuits against Scott and Live Nation. They are still expecting answers and recompense from Live Nation, and their sentiments have been prioritized in media and communications regarding the event. Along with this, they are the driving force behind the changes withinsafety and wellness for the corporation.

TARGET:

The target campaign audience would be people who have been directly affected by the incident put on by Live Nation (Astroworld), as well as future Live Nation users. Individuals who have been directly affected by the incident that occurred during the Astroworld festival and potential future Live Nation users are the primary campaign audience for Live Nation Individuals who attended the Astroworld festival and witnessed the incident, including concertgoers who were injured or affected in any way, may be included. It could also include members of their families, friends, or other stakeholders affected by the event. Furthermore, Live Nation may seek to engage potential future users interested in attending Live Nation events by addressing their concerns and reinforcing their commitment to safety and security measures at their events.

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OPPORTUNITY STATEMENT

This crisis presents an opportunity to help Live Nation improve its reputation and increase trust with its audiences through digital content and awareness of safety measures.

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SWOT

GOALS AND OBJECTIVES

Reputation management goal: Increase the positive perception of Live Nation

Objective 1: Increase digital awareness of safety by 10%

Objective 2: Promote positive perception through digital content

Relationship management goal: Increase trust with primary audience

Objective 1: Build an online community for those impacted (i.e. Facebook group type)

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STRATEGIES

Accepting responsibility for the incident and expressing genuine remorse to the affected families.

Communicate the steps it is taking to address the issue in a transparent and consistent manner with all stakeholders

Promote changes to safety protocols for public awareness

Creating long-term strategy to restore trust and confidence in its brand through online branding and communties

TACTICS

Direct communication to the audience through emails and press releases

Release an apology letter to the primary audience Newsletters addressing changes in security

Create and share a throughout apology

Create and share 20 social media posts promoting safety

Create and share 5+ social media posts promoting events and customer experience

Engagement through online communities

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TIMELINE PRestige

Week One: Research

Week Two:

Monday: Team check-in meeting

Tuesday: Social Posts - Apology (IG/FB Post)

Wednesday: Release newsletter (Apology)

Thursday: Content Creation

Friday: Content Scheduling

Saturday: Review analytics

Sunday: Day Off

Week Three:

Monday: Team Check-In

Tuesday: Social Posts- Online Community CTA (IG/FB post)

Wednesday: Newsletter (Prep): Updated Saftey Measures

Thursday: Content Creation/ Content Scheduling

Friday: Social Posts: Security Personal Highlight (post/story)

Saturday: Review Analytics

Sunday: Day Off

Week Four:

Monday: Team Check-In

Tuesday: Social Posts- Fan Highlight Post (IG/FB)

Wednesday: Newsletter (Updated Safety Measures)

Thursday: Content Creation

Friday: Content Scheduling

Saturday: Review Analytics

Sunday: Day Off

Week Five:

Monday: Team Check-In

Tuesday: Social Posts- Concert Safety Tip (IG/FB post)

Wednesday: Newsletter (Prep)

Thursday: Content Creation/ Content Scheduling

Friday: Fact Friday- Security Highlight

Saturday: Review Analytics

Sunday: Day Off

Week Six: Press Release Week

Monday: Team Check-In

Tuesday: Social Post - Artist Highlight (IG/FB Post)

Wednesday: Newsletter (Send)

Thursday: Content Creation

Friday: Content Scheduling

Saturday: Day Off

Sunday: Day Off

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TIMELINE

Week Seven:

Monday: Team Check-In

Tuesday: Social Post- Concert Safety Post (IG/FB)

Wednesday: Newsletter (Prep): General Update

Thursday: Content Creation/ Content Scheduling

Friday: Security highlight

Saturday: Review Analytics

Sunday: Day Off

Week Eight:

Monday: Team Check-In

Tuesday: Social Post- Fan Highlight (IG/FB)

Wednesday: Newsletter (Send General Update)

Thursday: Content Creation

Friday: Content Scheduling

Saturday: Review Analytics

Sunday: Day Off

Week Nine:

Monday: Team Check-In

Tuesday: Social Post - Community Group (IG/FB)

Wednesday: Content Creation

Thursday: Content Scheduling

Friday: Security Highlight

Saturday: Review Analytics

Sunday: Day Off

Week Ten:

Monday: Team Check-In

Tuesday: Social Post - Concert Safety Post (IG/FB)

Wednesday: Day Off

Thursday: Content Creation

Friday: Content Scheduling

Saturday: Review Analytics

Sunday: Day Off

Week Eleven:

Monday: Team Check-In

Tuesday: Social Post Artist Highlight (IG/FB)

Wednesday: Day-off

Thursday: Content Creation/ Content Scheduling

Friday: Security Highlight

Saturday: Review Analytics

Sunday: Day Off

Week Twelve: Evaluation

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CONTENT CALENDAR

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EVALUATION

Several metrics can be used to evaluate the campaign's success. Social media analytics can be used to measure the success of increasing digital awareness. The number of posts regarding safety will reflect an increase, as well as metrics (clicks/likes/comments) on these posts. Social media analytics can also be used to measure the increase in positive perception with Live Nation by evaluating social media traffic and online conversation Furthermore, measuring the metrics of online communities, such as interaction numbers and member amounts, will reflect in creating trust and community with their audience.

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REFERENCES

TREISMAN, R., & SHIVARAM, D. (2021, NOVEMBER 6). 8 PEOPLE WERE KILLED AT HOUSTON'S ASTROWORLD FESTIVAL AFTER CROWD RUSHED THE STAGE. NPR. RETRIEVED APRIL 16, 2023, FROM

HTTPS://WWW.NPR.ORG/2021/11/06/1053177597/HOUSTON-CONCERTDEATHS-ASTROWORLD-FESTIVAL-TRAVIS-SCOTT

RYAN, H. (2021, NOVEMBER 7). WHAT IS ASTROWORLD? WHO IS TRAVIS SCOTT? AND OTHER THINGS TO KNOW ABOUT THE INCIDENT. CNN. RETRIEVED APRIL 16, 2023, FROM

HTTPS://WWW.CNN.COM/2021/11/06/US/WHAT-IS-THE-ASTROWORLDFESTIVAL-INTL/INDEX.HTML

FORBES. (2023). LIVE NATION ENTERTAINMENT | LYV STOCK PRICE, COMPANY OVERVIEW & NEWS. FORBES. RETRIEVED APRIL 16, 2023, FROM HTTPS://WWW.FORBES.COM/COMPANIES/LIVE-NATIONENTERTAINMENT/

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A P P X . A A P P X . B

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APPENDIX
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APPENDIX
A P P X . C A P P X . D
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APPENDIX
A P P X . E

APPENDIX

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A P P X . G

APPENDIX

MEDIA ADVISORY

Contact Info

Date of Release

City, STATE-

WHAT:

WHO:

WHEN:

WHERE: RSVP:

Headline

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PRestige 20 APPX. H EVENT PRESS RELEASE Contact Info Date of Release Headline City, State###
APPENDIX

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