Mooka Anongnad Srisurayotin Portfolio_UCL Bartlett 2020

PORTFOLIO

Mooka Anongnad Srisurayotin The Bartlett School of Architecture, UCL 2020

Background // My passion for art and design began while growing up in Bangkok, Thailand where I developed an interest in non-traditional explorations of art. In order to expand my educational opportunities, I became an exchange student in the USA where I later completed my BFA in Interior Architecture from Columbia College Chicago. My professional practice began in NYC as a Store Planning Assistant at Fendi where I worked on major boutique openings. At the same time, I launched a successful fashion blog called TheGrayHaus, which combined fashion content and architectural photography. Throughout my life education and design practice have remained central values and have recently led me to complete a MArch at The Bartlett School of Architecture. These experiences, along with my multi-cultural background have afforded me a unique perspective prevalent in my distinctive creative approach to architectural design.

Architectural Design Workshop Collaboration with Pablo Jaramillo and Prapatsorn Lertluechachai The Bartlett School of Architecture ¦ UCL

Mooka Srisurayotin

cell +44 7780342956 email mooka@thegrayhaus.com linkedIn www.linkedin.com/in/Mooka portfolio issuu.com/mookasrisurayotin instagram @Thegrayhaus

Interior / Architectural Designer

10 University House, 16 Victoria Park Square, London, E2 9PE, United Kingdom

education

experience

2019 - 2020 The Bartlett School of Architecture, UCL Master of Architecture, Architectural Design

Beebi Design 2020 - Present London, United Kingdom

Freelance Interior Designer / Project Manager

Oyster [MATTER] 2019 - Present London, United Kingdom

Founder / Researcher

Fibre Lab Collective 2020 London, United Kingdom

Design Consultant

FENDI North America 2016 - 2018 New York, USA

Store Planning Assistant

THEGRAYHAUS 2015- Present New York, USA

Digital Content Creator

Columbia College Chicago 2015 - 2016 Chicago, USA

3D Tutor

Columbia College Chicago 2015 - 2016 Chicago, USA

Material Lab Manager

DIRTT Environmental Solutions 2014 - 2015 Chicago, USA

Design Intern

2018 - 2019 The Bartlett School of Architecture, UCL Pre-Master Certificate in Architecture 2012 - 2016 Columbia College Chicago Bachelor of Fine Arts, Interior Architecture 2015 Florence University of the Arts Cultural and Italian studies

skills Technical Skills: Autocad Rhinoceros 3d + Grasshopper Revit Architecture Sketchup 3D Adobe Creative Suite Indesign Photoshop Illustrator Lightroom Premier Pro After Effect Maya 3D Zbrush Keyshot 3DsMax + VRay Hands - on: Sketching + Modeling Casting + Moulding Woodworking 3D Printing Photography Languages: English / Thai

Designed and visualised interiors with 2D and 3D modelling, from concept to competition, resulting in the development of private luxury residential properties.

Conceptualised and developed a bioalternative material to concrete resulting in a circular design solution that addresses the environmental impact of architectural design.

Designed and illustrated architectural plans for a sustainable fashion micro-factory that was awarded the Procter & Gamble x London College of Fashion ‘Better Lives’ Award.

Implemented multiple fast-paced interior construction projects while coordinating with local architects, vendors, and logistics to meet deadlines ensuring event launch dates are met and stores are prepared for retail activities.

Created digital content for luxury fashion and interior brands to tell stories that inspire, engage and connect with their audiences.

Instructed students on AutoCad, Revit and 3Ds max programming, increasing student knowledge and gaining a renewed contract from the university.

Facilitated student project collection and categorized donated materials to maintain studio organisation and increase resource accessibility.

Created 3D BIM construction for clients and business partners which promoted the use of the company’s prefabricated modular interiors for educational, healthcare and corporate facilities.

Table of Contents //Background

00

//Part 01 MArch The Bartlettt School of Architecture UCL 2020 Research Cluster 5&6 Material Architecture Lab Oyster[MATTER]

Sea[CRETE] Village

09 23

//Part 02 Pre-Master of Architecture,

The Bartlettt School of Architecture UCL 2019 WMN Pavilion

39

//Part 03 BFA Interior Architecture,

Columbia college Chicago 2016 THE UNIT

53

Hussein Chalayan

71

Japanese Cultural Center

63

//Part 04 Desgin Competition Entries Tottenham Pavilion

Association House of Chicago

77 85

//Part 05 Professional Experience Cornwall Gardens - Private Residential Property

89

FENDI - Madison Ave. Flagship

93

Fibre Lab Collective

91

//Part 06 Personal Work Chair Design

Architectural Photography

97

101

Material Architecture Lab, 2019-2020 Architecture Design The Bartlett School of Architecture ¦ UCL

9

Oyster[MATTER]

MArch UCL Bartlett Research Cluster 5&6, Tutors: Daniel Widrig, Guan Lee, Adam Holloway Collaboration with Fu Taimuzi, Xue Zheng, Zinze Zhan Research Cluster Brief: The proposal is for a sustained and ecological design-research through greater understanding of materiality. New Materiality will look into how we build and engage with construction materials in the future. We will prioritise not only physical production but also dissemination of the process and production methodology. The initial step is to research through hands-on making and experimental modes of production. We encourage you to design with novel and interdisciplinary approaches that are both critical and forward looking. This will involve expert and industry partnership, conversation surrounding the intersection of digital and manual craft, science and technology. We believe that design research should be a balanced blend of speculation, experimentation and analysis. This is about creating new materials for architecture.

Taking materiality as the starting point, your research should evaluate a range of materials commonly used in construction for their suitability in a sustainable future. Carefully, you can weigh up performance with environmental impact of industrially manufactured products. The goal is to speculate on new materials or how we can process and employ existing materials.

Project Overview: Oyster[MATTER] is an architectural design project that puts the theory of circular design into practice through both physical material prototyping and digital computation. The development of Oyster[MATTER], a bio-material developed from oyster shell waste, is explored as an alternative to traditional cement. Rich in Calcium Carbonate, a valuable building compound, and with over 2,300 tonnes of shells produced annually in the UK, the exploration of oyster shells is vital in addressing ecological, economic and societal concerns (FAO, 2019). The results of this material research include Oyster[Crete] brick prototypes with comprehensive evidence of process, material context and properties, and application possibilities. Supporting this physical research process is the creation of circular systems, expressed through diagram visualisation.

These initial outcomes offer many sustainable benefits and address the immediate concern of shell waste. However, oysters are continually over-harvested and are an essential part of marine ecosystems that promote biodiversity aid in water filtration (Morris, Backeljau & Chapelle, 2019).

To address this concern and remain versatile, the design of Sea[Crete], a naturally cultivated Biorock process was implemented. Biorock technology is a process in which rebar steel frames are submerged in the sea and connected to an electrical current. Throughout the process, limestone minerals naturally grow over the surface, resulting in a thick white material that is three times stronger than traditional cement. This method is assessed for its low-impact, material autonomy and renewable capabilities that aid in the restoration of marine ecosystems. Therefore, a series of computational design scenarios were created using Sea[Crete] to inform design speculations that address climate adaptation, clean energy and economic viability, offering an alternative solution for the future of architectural materials.

Material Architecture Lab ¦ Oyster[MATTER] ¦ UCL

10

Oyster[MATTER]

11

The Oyster Matter project explores oyster shell waste in London, which is collected locally from the Borough Market. After consumption, oyster shell waste is either sent to landfill or occasionally returned to the sea, both leading to significant environmental impacts. According to the research study titled, The Potential Use of Oyster Shell Waste in New Value , when disposed of carelessly, oyster shell waste can contaminate soil and leach harmful chemicals into the atmosphere, causing a public health crisis to humans.

Additionally, it may infect the marine population when deposited into the ocean. The increasing rate of oyster consumption paired with the lack of recycling processes posses a significant environmental threat.

Material Architecture Lab ¦ Oyster[MATTER] ¦ UCL 12

Oyster[MATTER]

Oyster[CRETE] is inspired from the Tabby concrete as in created from equal proportions of lime, sand, oyster shells and water, along with incidental quantities of ash. It can be mold into various shapes.

13

The chemical formula for the changes in the calcium component throughout the process is seen in the chart below. The original shells are calcium carbonate, CaCO3. Burning drives off carbon dioxide, CO2, leaving calcium oxide or quicklime, CaO. When the quicklime is mixed with the water in the Oyster[Crete], the result is calcium hydroxide, Ca(OH)2. The lime in the completed Oyster[Crete] structure continues to react very slowly over time with the carbon dioxide in the atmosphere, transforming back into the original substance, calcium carbonate (CaCO3). This process explains the strength and endurance of Oyster[Crete] as a building material, as long as it is protected from excess moisture.

Material Architecture Lab ¦ Oyster[MATTER] ¦ UCL

14

Oyster[MATTER]

Oyster[Crete] Circular Production Diagram

An average weight of 1 oyster shell is 60g.

The weight of the oyster shells are being reduced by 41% once it heated to 1200c by Kiln.

Approximately 1 oyster shell creates about 25g of Lime powder (Calcium Oxide).

15

Material Architecture Lab ¦ Oyster[MATTER] ¦ UCL

16

Oyster[MATTER] Initial Experiment of Quicklime (from burnt Oyster shells) This experiment shows the different properties of Oyster[Crete]; using the quicklime from burnt Oyster shells with other aggregate such as, sand, clay, crushed oyster shells, wood ash and organic fibres.

TYPE 1 : Characteristics

Dimension

100 mm x 100 mm x 25 mm

Binder : Aggregate

L 300g : S 100g

Curing Time Strength Stickiness

TYPE 2 : Characteristics

Dimension

100 mm x 100 mm x 8 mm

Binder : Aggregate

L 100g : S 100g

Curing Time Strength Stickiness

TYPE 3 : Characteristics

Dimension

100 mm x 100 mm x 25 mm

Binder : Aggregate

L 100g : S 200g

Curing Time Strength Stickiness

TYPE 4 : Characteristics

Dimension

100 mm x 100 mm x 18 mm

Binder : Aggregate

L 100g : S 100g, OS 100g, F 3g

Curing Time Strength Stickiness

TYPE 5 : Characteristics

Dimension

100 mm x 100 mm x 17 mm

Binder : Aggregate

L 50g, C 50g : S 100g, OS 100g, F3

Curing Time Strength Stickiness

L: LIME S: SAND C: CLAY WA: WOOD ASH OS: OYSTER SHELL F: FIBRE 17

TYPE 6 : Characteristics

Dimension

100 mm x 100 mm x 25 mm

Binder : Aggregate

L 100g : S 300g

Curing Time Strength Stickiness

TYPE 7 : Characteristics

Dimension

100 mm x 100 mm x 25 mm

Binder : Aggregate

L 100g : S 150g + OS 150g + F 3g

Curing Time Strength Stickiness

TYPE 8 : Characteristics

Dimension

100 mm x 100 mm x 23 mm

Binder : Aggregate

Hydralime 100g : S 100g OS 100, F 3g

Curing Time Strength Stickiness

TYPE 9 : Characteristics

Dimension

100 mm x 100 mm x 21 mm

Binder : Aggregate

L 50g, WA 50g : S 200g

Curing Time Strength Stickiness

TYPE 10 : Characteristics

Dimension

100 mm x 100 mm x 25 mm

Binder : Aggregate

L 40+ C 40g + WA 20g : S 100g + OS 100g

Curing Time Strength Stickiness

Material Architecture Lab ¦ Oyster[MATTER] ¦ UCL

18

Oyster[MATTER] Brick Prototypes

TYPE 1 : Characteristics

Dimension

100 mm x 100 mm x 25 mm

Binder : Aggregate

L 500g : C 500g : S 1000g : OS 1000g F 5g

Curing Time Strength Stickiness

TYPE 2 : Characteristics

Dimension

100 mm x 100 mm x 8 mm

Binder : Aggregate

L 400g : C 400g : S 800g : OS 800g: F 5g : 5 Shells

Curing Time Strength Stickiness

TYPE 3 : Characteristics

Dimension

100 mm x 100 mm x 25 mm

Binder : Aggregate

L 400g : C 400g : S 800g : OS 800g: F 5g : 7 Shells

Curing Time Strength Stickiness

TYPE 4 : Characteristics

Dimension

100 mm x 100 mm x 18 mm

Binder : Aggregate

L 400g : C 400g : S 800g : OS 800g: F 5g : 10 WS

Curing Time Strength Stickiness

TYPE 5 : Characteristics

Dimension

100 mm x 100 mm x 17 mm

Binder : Aggregate

L 400g : C 400g : S 800g : OS 800g: F 5g : 4 WS

Curing Time Strength Stickiness

L: LIME S: SAND C: CLAY WA: WOOD ASH OS: OYSTER SHELL F: FIBRE 19

Material Architecture Lab ¦ Oyster[MATTER] ¦ UCL

20

Oyster[MATTER]

Oyster[CRETE] is inspired from the Tabby concrete as in created from equal proportions of lime, sand, oyster shells and water, along with incidental quantities of ash. It can be mold into various shapes.

21

The chemical formula for the changes in the calcium component throughout the process is seen in the chart below. The original shells are calcium carbonate, CaCO3. Burning drives off carbon dioxide, CO2, leaving calcium oxide or quicklime, CaO. When the quicklime is mixed with the water in the Oyster[Crete], the result is calcium hydroxide, Ca(OH)2. The lime in the completed Oyster[Crete] structure continues to react very slowly over time with the carbon dioxide in the atmosphere, transforming back into the original substance, calcium carbonate (CaCO3). This process explains the strength and endurance of Oyster[Crete] as a building material, as long as it is protected from excess moisture.

Material Architecture Lab ¦ Oyster[MATTER] ¦ UCL

22

23

Sea[CRETE]

MArch UCL Bartlett Research Cluster 5&6, Tutors: Daniel Widrig, Guan Lee, Adam Holloway Collaboration with Fu Taimuzi, Xue Zheng, Zinze Zhan Project Overview: Sea[CRETE] Research was done into different technologies to grow Calcium Carbonate for building materials. Wolf Hilbertz developed an electrolytic mineral accretion process, which consists of immersing a metal structure in the sea and connecting it to a low current. By electrolysis, calcium carbonate is formed around the metal structure. The energy can be powered by the sun, wind, waves, and ocean currents, generated directly at the site. One of the main advantages of the Biorock process is coral reef restoration. Additionally, the oyster reef can grow ten times faster in length and increase their survival rate. It is useful to compare Seacrete to traditional concrete. Concrete is made up of rebar reinforcement systems and requires a large amount of energy in its production. Seacrete can be considered a self repairing material which has the potential to grow three times stronger than traditional concrete.

Material Architecture Lab ¦ Sea[CRETE] ¦ UCL 24

Test component

Simulating Pattern

30°+ 90°

45°+ 90°

90°Bend-

25

Material Architecture Lab ¦ Sea[CRETE] ¦ UCL 26

90° bending component

27

45° +90°bending

Material Architecture Lab ¦ Sea[CRETE] ¦ UCL 28

BioRock Prefabricate Process Diagram

BioRock Prefabricate Process (In Tropical Region) 1. Steel 2. Design for disassembly and longevity 3. Prefabricate Building Elements 4. Grow material (electrolysis method in mineral-saturated seawater) 5. Biorock Building Elements 6. Building Construction 7. Building Deconstruction 8. Recycling (self-reparing) 9. Building Demolition 10. Biological Nutrients

3-5 Years

4 10 5

3 8 1

200 + Years

2

6 -50 Years

7

Inputs Recycling, Reuse and Repurpose

29

9

+

Floating Solar Panel Sends electricity through cables

+

-

+

Attached Cathode (-) to

+

Electric field is created

steel structures

by positive and negative charges

Material Architecture Lab ¦ Sea[CRETE] ¦ UCL 30

31

Material Architecture Lab ¦ Sea[CRETE] ¦ UCL 32

33

Material Architecture Lab ¦ Sea[CRETE] ¦ UCL 34

35

Material Architecture Lab ¦ Sea[CRETE] ¦ UCL 36

37

Material Architecture Lab ¦ Sea[CRETE] ¦ UCL 38

39

WMN Pavillion

UCL Bartlett Tutors: Paolo Zaide, Sara Martinez and Sabine Storp

Project Overview: The design project explores the role of women in a predominately male area in St. James, London that is notorious for its gentleman clubs and exclusive institutions. Through the creation of a WMN pavilion, a safe public space is proposed to offer the unseen female domestic workers of the area a place to rest and gather. The infrastructure is fluid in both function and form and seeks to challenge the current societal hierarchy. Overall, the project aims to redefine socially constructed ideas of gender and their relation to legacy through the medium of architecture by bridging design and community.

WMN Pavilion ¦ UCL

40

THE UNITED KINGDOM

[ LOCA

ST. JAMES S

[

[

[ [

CITY OF WESTMINSTER IN GREATER LONDON

ST. JAMES St. James is located in the central district in the City of Westminster, London, forming part of the West End, and also known as ‘Clubland’, St James’s is home to many of the best known private gentlemen clubs in London.

St. James Square has four paths join a central circular path around a central circular grass area with a statue man on horseback on a plinth in the centre of the square entitled “Gulielmus III”. is predominantly surrounded by Georgian and neo-Georgian architecture and remains a privately owned and managed garden by the St James’s Square Trust.

Opening hours: 10am-4.30pm.

11

+

A

1 + C

10

+ 9

+

+3

1 EAST INDIA CLUB 2 NAVAL AND MILITARY CLUB 3 NAVY AND ARMY CLUB 4 THE ROYAL AUTOMOBILE CLUB 5 THE REFORM CLUB 6 THE TRAVELERS CLUB 7 OXFORD AND CAMBRIDGE CLUB 8 CARLTON CLUB 9 BROOKE’S 10 BOODLE’S GENTLEMEN CLUB 11 WHITE’S CLUB

41

8

+

7

+

ATION ]

SQ. GARDEN

LOCAL OCCUPIERS

+

- THE LONDON LIBRARY - CHATHAM HOUSE - RIO TINTO - BP PLC - WILTONS - THE AVENUE - THE RITZ - THEATRE ROYAL HAYMARKET - HER MAJESTY’S THEATRE - CRITERION THEATRE - UK COMMERCIAL CLEANING - MANILA GENERAL SERVICES

2

STATUES

A

WILLIAM III B

+

5

6

+

JOHN NASH SUMMERHOUSE KING EDWARD VII DUKE OF YORK COLUMN

PRESERVATION ELEMENTS

GEORGE NATHANIEL CURZON

4

+

A

B

CHARLES DE GAULLE

QUEEN ELIIZABETH (THE QUEEN MOTHER)

C

GENTLEMEN CLUBS

LEGEND PROPOSED SITE GENTLEMEN CLUBS GREEN SPACE BUILDINGS STATUES

+

+200 M

POINT OF INTEREST

[

1 EAST INDIA CLUB 2 NAVAL AND MILITARY CLUB 3 NAVY AND ARMY CLUB 4 THE ROYAL AUTOMOBILE CLUB 5 THE REFORM CLUB 6 THE TRAVELERS CLUB 7 OXFORD AND CAMBRIDGE CLUB 8 CARLTON CLUB 9 BROOKE’S 10 BOODLE’S GENTLEMEN CLUB 11 WHITE’S CLUB

WMN Pavilion ¦ UCL

42

[

43

WMN Pavilion ¦ UCL

44

45

FOUR ACCESS POINTS

HIERARCHY

CREATE SPACE UNDERNEATH

ROOF

RAMP PATH

PASSAGE OF GARDEN

WMN Pavilion ¦ UCL

46

47

WMN Pavilion ¦ UCL

48

NATURE SPECIES The advantage of the square s sunniest aspect coupled with inner London s ability to create micro-climates, has enabled exotic plants from all over the globe to be successfully grown. The warmth and free draining soil made this area an ideal environment for growing many Australian and South African plants.

PLATANUS, LONDON PLANE

PAULOWNIA (TROPICAL CORNER)

49

FASTIGIATE BEECH

BUXUS

CYCAD

LEUCADENDRONS

SPIKY AGAVE

(TROPICAL CORNER)

(TROPICAL CORNER)

(TROPICAL CORNER)

HERBACEOUS

FUCHSIAS

NARCISSUS “FEBUARY GOLD”

CROCUS

SNOWDROPS

(AUTUMN)

(SPRING)

(SPRING)

(SPRING)

PERSICARIA AMPLEXICAULIS

BANKSIA

THE GOLDEN DAISY FLOWERS OF RUDBECKIA HERBSTONNE

(TROPICAL CORNER)

PROTEA

(TROPICAL CORNER)

PALM

ENSETTE

SHRUB ROSES

HYDRANGEAS

(TROPICAL CORNER)

(TROPICAL CORNER)

(AUTUMN)

(AUTUMN)

DOG’S TOOTH VIOLETS

GRAPE HYACINTHS

CAMASSIA

TULIPS

(SPRING)

(SPRING)

(SPRING)

(SPRING)

Source: https://www.stjamessquaretrust.co.uk/gardening

WMN Pavilion ¦ UCL

50

OYSTER[CRETE] SCENARIO1: MARKET

51

WMN Pavilion ¦ UCL

52

53

THE UNIT

Year 4 - BFA Interior Architecture, Columbia College Chicago

Project Site: 1100 -1108 W. Randolph ST. Chicago IL, USA Project Overview: The inspiration for the concept of Interline derives from the convenience and fast-paced nature of a 21st Century lifestyle. The design inspired by the motion and the speed of times. The space is an innovation that incorporates futuristic, industrial and dynamic design, whilst complementing the existing historical character and features. Guest interaction is streamlined, using self checkin machines; combining such elements brings the past into the future. The concept uses line elements to showcase the movement and circulation of the space, incorporating light tubes as one example. The line element will bring the unseen part of the industrial site, such as the PVC piping, plays with the scale, voids and solid form. Light is manipulated in motion throughout the space to convey the different experiences as the guest moves through it. A pop of color creates a sense of energy and an organic mood, and the floors and walls are embedded with high technology systems, including green technology.

Project: The UNIT ¦ BFA Columbia College Chicago

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55

Project: The UNIT ¦ BFA Columbia College Chicago

56

57 PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

mookA

mooka.takao.virb.c

T 312-593-5361 anongnad.srisurayo

NOTES

NOTICE: THIS DO PROPRIETARY IN USED OR REPRO DISCLOSED IN WH PRIOR WRITTEN C RECORD.

I HEREBY CERTIF PREPARED UNDE BEST OF MY KNO TO THE CITY OF C ORDINANCES. .

No.

THE UN

Micro ho

Interior Project number Date Drawn by

Project: The UNIT ¦ BFA Columbia College Chicago

Checked by

58

A8.3

59

PIPE DETAILS

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

CROSS SECTION

Project: The UNIT ¦ BFA Columbia College Chicago

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61

Project: The UNIT ¦ BFA Columbia College Chicago

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63

THE JAPANESE CULTURAL CENTER

Year 3 - BFA Interior Architecture, Columbia College Chicago

Client: The Japanese Cultural Center provides an environment to be immersed and experience Japan s cultural and marital arts. The JCC continues this tradition, offering classes in over a dozen martial and cultural arts. The Center is not a museum where lifeless objects are displayed; it is a school where living skills are passed on person to person from generation to generation. You become an active participant in arts that have been around for hundreds, if not thousands of years.

Project Overview: The concept inspiration of Erosion and Tatami grid forms derived from the Japanese surrounding geography and its tradition. The Japanese cultural center is dynamic and an open plan design splitting between creative offices and an exhibition gallery. The design accommodates various multifunctional uses for their employees as well as a large group of visitors. The concept uses the distinct shape of erosion of Japanese geography, which including geometrical and parabolic forms to showcase how space become eroded with a mix of traditional Japanese.

Additionally, the ceiling will be highlighting a sense of solid concrete transforming into the fluidity and layering movement.

ORMS THE ES THE TH A MIX OSION LIC.

Project: Japanese Cultural Centre ¦ BFA Columbia College Chicago

64

65

Project: Japanese Cultural Centre ¦ BFA Columbia College Chicago

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67

Project: Japanese Cultural Centre ¦ BFA Columbia College Chicago

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69

Project: Japanese Cultural Centre ¦ BFA Columbia College Chicago

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71

Hussein Chalayan Store

Year 2 - BFA Interior Architecture, Columbia College Chicago

Hussein s vision of the future of design through his innovative fashion techniques was the inspiration behind the concept of Intersection. The store is an exclusive retail space that fuses futuristic yet dynamic design, using complex forms to showcase intersecting, interlocking, and overlapping in nature and the fashion design world, such as garment, fibre, yarn, etc. and incorporates them into furniture, floor plans, and lightings.

Neutral colour palettes are utilised to complement the vibrancy of the clothing design. The space also explores the use of a variety of recyclable materials and its patterning, which are carefully chosen as much for their sustainability as the possibility of material s expression Overall the space is not only designed to function as a structural component, but to behave through form of intersection; subliminally immersing the customer into the world of Hussein Chalayan.

Project: Hussien Chalayan ¦ BFA Columbia College Chicago

72

73

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

FLOOR PLAN LEVEL 1

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

FLOOR PLAN BASEMENT LEVEL

PRODUCED BY AN AUTODESK EDUCATIONAL PRODUCT

Project: Hussien Chalayan ¦ BFA Columbia College Chicago

74

PART 04 // DESIGN COMPETITION ENTRIES

// Tottenham Pavilion London

// Association House of Chicago (Awarded)

77

Tottenham Pavilion

Design Competition - London Festival of Architecture 2020 Collaboration with Daniel Widrig, Fu Taimuzi, Xue Zheng, Zinze Zhan

Project Overview: The act of making spans all age groups, races and socioeconomic statuses, and can be a tool for bridging the gaps caused by gentrification. The proposed pavilion is composed of an assembly of concrete blocks embedded with found objects, made by the community using local materials. Over time and through use, the softer parts of the blocks are allowed to erode, revealing from the concrete surface the memories hidden within, memories that tie the community to ownership of the things they have made.

The design approach is driven by a material aspiration to produce an accessible, simple and functional space for the artist community and local residents to cohabit. The community of Harringay Warehouse District will be empowered throughout the process of developing this pavilion by participating in the material creation. By allowing residents creative freedom to include an object of their choice into the material of the pavilion, a sense of mutual ownership is created. Most importantly, this allows members of the community the opportunity to define their own environment, which is often beyond their control.

Project: Tottenham Pavilion ¦ Design Competition

78

The Harringay Warehouse District is a large former industrial estate between Stamford Hill and Finsbury Park. Since the 1990s the area has been home to a large number of artists, musicians and creatives with many of its former warehouses and factories transformed into improvised live-work premises.

SITE

79

+

OYSTER SHELLS WASTE

LOCAL DEBRIS AND DISCARDED OBJECTS FROM THE COMMUNITY

COMMUNITY AND VOLUNTEERS MAKING OYSTER[CRETE]

Project: Tottenham Pavilion ¦ Design Competition

80

Design Concept While the community s objects of choice will be the most emotionally valuable elements of the construction materials, they will also contribute to a local and free source of material. The community s objects alongside local waste streams such as demolition debris will account for more than 50% of the pavilions construction materials.

These Oyster[Crete] blocks will be mixed, moulded and cast on site, allowing for an easy and low-impact approach to construction.

Once created, the blocks can be reconfigured to provide seating, shelving, tabletops or presentation surfaces. An open-grid design plan allows for the pavilion to be used in a variety of outdoor activities such as markets, workshops and yoga classes.

OYSTER BLOCK 1 DIMENSION: 200 MM X 200 MM

OYSTER BLOCK 2: DIMENSION: 400 MM X 400

81

Project: Tottenham Pavilion ¦ Design Competition

82

83

Project: Tottenham Pavilion ¦ Design Competition

84

85

The Association House of Chicago 2016

Awarded Finalist - Design Competition Charrette Project Overview: When You think of the Association House of Chicago, you see so many opportunities to bring different cultures, interests, and programs together in one building. We wanted to incorporate the AHC vision to positively impact Chicagoans by offering solutions that address both immediate and long term goals for the space. So this is our opportunity to bring the AHC community together in our designed concept of convergence. De-fined by coming closer together, we are merging cultural flavor with generational health and wellness that inspires a space where the whole family could relax and have a good time. We were inspired to do a multi-purpose space that houses a variety of different things in an open layout. Incorporating a welcoming area, a game room and lounge area, a kitchenette, small locker rooms, a large meeting space, a large event space, a small gym, a dance studio,small study pods, and a fitness center.

Project: Association House of Chicago ¦ Design Competition

86

PART 05 // PROFESSIONAL EXPERIENCE

// Cornwall Gardens - Private Residential Property For Beebi Design // Fibre Lab Collective London

// Fendi Madison Ave Flagship Store - Interior Retrofit

91

Cornwall Gardens - Private Residential Property Kensington, London - 2021

Interior Design for Beebi Design

Project Overview: The Cornwall Garden house restored an existing mews property with a modern yet classic touch.

A clean and contemporary space was created by bringing in natural materials and elements of balance, contrast and modern colour palettes together. The space aimed to open up and play with natural light to elicit a feeling of comfort and serenity for the future inhabitants.

ATTIC LEVEL AXOMETRIC VIEW Project: Private Residential Property For Beebi Design ¦ Professional Experience

92

93

Fibre Lab Collective

Waltham Forest, London - 2020

Collaboration with London College of Fashion, UAL Procter & Gamble Better Lives Award

Project Overview: The Fibre Lab project examines the unsustainable realities of the current global fashion supply chain and asks: How can urban landscapes, with limited space and expensive real estate, develop their own regional textile or fashion supply chains? What materials could be used to fuel the development of regenerative fashion systems within an urban setting? These questions are considered to develop an actionable framework for an urban Fibershed that utilises local waste streams to create materials for urban fashion production, thereby contributing to community resilience and environmental regeneration. This resulted in the formation of an educational material testing and recycling facility in the Waltham Forest area. Funded by Proctor & Gamble s Better Lives award, the studio houses small-scale machinery to recycle and compost textiles, plastics and food waste into a variety of different circular prototypes. The overall project seeks to offer proof of concept and material solutions for new localised fashion systems to be replicated in urban areas.

Project: Fibre Lab Collective ¦ Professional Experience

94

95

Fendi Madison Ave Flagship Store New York, New York - 2017 Interior Retrofit Project

Project: Fendi Madison Ave Flagship ¦ Professional Experience

96

LEGEND

AREAS NOT

EXISTING C REMAIN

Room Name ROOM / SP 0000

A

ELEMENTS DIM

2'-8" MIN

DIMENSION

06 05

MEN'S 201

J

2'-8" MIN

04

E

06 04

J

01

NEW RTW F MILLWORK OF EXIST. C VERIFY ALL ALSO KEYN

02

EXIST. COL REMOVE M RTW FIXTU ENCLOSUR REQUIRED

03

ELECTRICIA COLUMN (B FIXTURE. H FIXTURE TH CONNECTI LOCATION. MILLWORK

04

RELOCATE

05

RELOCATE

06

NEW RUG B IN FIELD PR

07

EXIST. FLO A-101.

02 04

01

C ALIGN 07

E

OPEN TO BELOW

01

INDICATES JUNCTION

KEY NOTES

03

B

INDICATES

RTW 202

FURNITURE PLAN Project No. 5033.02

Project

FENDI FLAGSHIP - M 598 MADISON AVEN NEW YORK, NY 100

97 93

Project: Fendi Madison Ave Flagship ¦ Professional Experience

98

PART 06 // PERSONAL WORK

// Chair Design

// Architectural Photography

101

Object Design ¦

102

103

White Tree

Architect ¦ Nemesi Location ¦ Italian Pavillion, Milano Expo 2015, Italy

Photography ¦

104

CUBE

Location ¦ Ørestad, Copenhagen, Denmark

105

Photography ¦

106

107

Garden + Reflection

Location ¦ Poland Pavilion, Milano Expo 2015, Italy

Photography ¦

108

109

Hand Drawings ¦

110

MOOKA SRISURAYOTIN

+44 7780342956 mooka@thegrayhaus.com www.linkedin.com/in/Mooka www.Thegrayhaus.com @Thegrayhaus @Oystermatter Flat 10 University House, 16 Victoria Park Square, London, E2 9PE GB