Portfolio - Monique Cabral - English version

Architecture

PORTFoLIO M o n i q u e . C a b r a l

TABLE OF CONTENTS LIFE AND 04 CARRER

About Me

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Curriculum

ACADEMIC 06

Final Graduation Design

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Distropya (DMU)

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Tower Folly (DMU)

PROFESSIONAL 34

Architecture 34

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Professional - Architectural design

Interior design 34 34 34 34 34 34 34 34 34 34

Professional Professional Professional Professional Professional Professional Professional Professional Professional Professional

- Architectural design - Architectural design - Architectural design - Architectural design - Architectural design - Architectural design - Architectural design - Architectural design - Architectural design - Architectural design

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Contests

OTHER 76

Drawings

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ABOUT ME I consider myself an architectural designer dreamer. For me, to be an architect represents the opportunity to materialize thoughts, desires and dreams. It is about creating spaces made to be, above all, the sceneries of life. Thus, what admires me the most about architecture is all the life that it can embrace. Through my bachelors degree and professional life, as my main goal, I tried to develop designs that represent and include people and wellbeing, always believing that a good design has the capability to cross boundaries and help to break society’s pre-stablished concepts.

During my graduation course at Federal University of Juiz de Fora, I was able to explore different concepts and solutions, and I got contemplated with a scholarship to study at De Montfort University, in Leicester, UK, for a year, as part of a Government’s program called Science Without Borders. This experience reinforced my path as an architect and set a starting point for my final graduation design and thesis, in which I researched about the human side of architecture, embracing the psychology and sensory aspects of it.

My view on green architecture as well as active spaces is that they are very much essential; therefore I took part in a research group on sustainable design at the university, and, since then, I have been studying this subject by myself.

Throughout the three years I acted as an Architectural designer, I have worked autonomously, developing projects whose main focus was interior design in general and some architectural design; these projects are attached to the following pages of this portfolio. I also worked as a junior architect at Woo Architecture, in Goiânia, being responsible for all the steps of the design, from the client’s first contact whit the office until the executive plans. Also, I have worked as a construction manager for KF Architecture and have worked for the industry, being able to act temporarily in the nuclear power plants in Angra.

Moreover, I have a great interest in graphic representation, as well as model making and photograph, and I enjoy doing some watercolor drawing in my free time. I love art! Overall, I am a passionate creative person who is determined and who wishes to make architectural spaces and the world better by adding feelings, sustainability, functionality and experience to it. Everything that I have been through led me to this passion about design and people, and I really hope I can add to the world by doing something that really matters to it. Architecture is living poetry, and it should respect life by all means, to bring healthier environments to a healthier world.

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WORK EXPERIENCE

EDUCATION 2010 - 2016 Bachelor Degree – Architecture and urbanism – Universidade Federal de Juiz de Fora – UFJF (Federal University of Juiz de Fora)

2012 Project manager at the university’s junior enterprise called Porte Engenharia e Arquitetura Jr. (Juiz de Fora, BR)

2014-2015 Science Without Borders - Scholarship - one year BA Hons Architecture at De Montfort University, Leicester, UK

2012 Internship at Jaqueline Bonjour Arquitetura e interiores (Juiz de Fora, BR) Responsibilities: Building surveying, drawings and detailing of interior design, supporting the lead Architect

RESEARCH 2013 - 2013 Studies on environment wellbeing of UFJF’s buildings based on the application of experimental simulations on the Heliodon Equipment. (UFJF) 2013 - 2014 Bioclimatic Principles Applied to UFJF’s Campus Buildings.

(UFJF)

PERSONAL

Name Monique de Castro Cabral Birth

19/06/1991 Nacionality Brazilian Languages Portuguese (native) English (fluent) Spanish (beginner) Address Rua Maranhão, 29. Mambucaba.

Paraty - RJ. Brazil.

Zip Code 23970-000 Phone +55 (62) 99688-3507

moniquecastrocabral@gmail.com linkedin.com/in/monique-cabral-28a2a0106

https://issuu.com/moniquecabral0 @niqueccabral facebook.com/monique.cabral.967

2015-2015 Summer Project Entitled “Critical issues in sustainable urban renewal pedestrianisation of the city street, Leicester, UK” (DMU)

AWARDS 2011 Honorable Mention – Biennial José Lutzemberger – “Sustainable Schools” 2012 Scientific Scholarship for 3 years (see the Research field, above) 2014 Scholarship from Science Without Borders program 2020 IELTS – Score 7.0

2014 Internship at Lego Projetos (Juiz de Fora, BR)

Responsibilities: Building surveying, drawings, Digital 3D modeling, rendering and detailing of interior and architectural design, supporting the responsible architect

2015 Temporary Construction monitoring at company Bealfor Beatty (one week duration) (Leicester, UK) Responsibilities: Construction monitoring of a large-scale building accompanied by the project engineers

2016 Internship at GTA Alimentos

Responsibilities: making of survey, drawings and design for small scale Project within the food industry

2016 - 2017 Sole Practitioner (Paraty, BR)

Responsibilities: Individual work: full interior design drawing package as well as government approval drawings, customer services, administration, and others.

2017-2018 Junior Architect at the company Woo Architecture (Goiânia, BR)

SKILLS Autocad Revit SketchUp* V-RAY Lumion 3D Max Adobe Photoshop Adobe indesign Adobe Illustrator Office

Responsibilities: direct contact with the client and development of smallscale architectural design.

HIGHLY PROFICIENT Proficien HIGHLY PROFICIENT Proficient Proficient Beginner Proficient Proficient Intermedium Proficient

Beginner – In the learning process Intermedium - Acceptable knowledge Proficient – Good knowledge, can handle well the software Highly proficient – High skilled, very good speed and dexterity

9 years 6 years 9 years 6 years 3 years 1 month 6 years 6 years 3 years 9 years

Responsibilities: full interior design packages, customer service and administration.

2018 Construction Monitoring at KF Architecture (Angra dos Reis, BR) Responsibility: Monitoring a remodeling of a High cost apartment

2019 - 2020 (4-month) Temporary job at the Eletronuclear (Angra dos Reis, BR)

Responsibility: Temporary work at the nuclear power plant of Angra dos Reis with administration, monitoring of tasks and translation of documents (English to Portuguese)

2019 – Current Sole Practitioner (Paraty, BR)

Responsibilities: Individual and group work making full interior and architectural design drawing packages as well as in conjunction with the company STUDIO É arquitetura and other architects.

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Final graduation project, year 2016/2. It is a proposal made from concepts previously researched on my final graduation assignment made in 2016/1, which studied the relations between psychology and senses in the architectural environment. The architectural object chosen to materialize this idea was a public cultural center, which was selected because of the range of possibilities it allow, furthermore, the cultural center is a place that gives a great comeback to the city in terms of leisure, culture and even work and studies, uses of which the city is in need. The overall intention was to create a public “oasis� in the middle of an area that segregates the population, opening the space to everyone, inviting the experiment in the area. Additionally, the site consists in large urban emptiness that contains a great potential in itself that should be explore for the population.

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2016

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nal graduation design - LACET cultural center

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06 LACET CULTURAL CENTER

The theme of a cultural center was choose because of the interaction between the population and the building that it can provide. Furthermore, it is a place where people can share experience, creating affective bonds with each other and the space. The public character of the building also helps with the appropriation feeling by the community, without exceptions, which helps the maintenance of the space thru the sense of belonging from the user, combined with the promotion of events and other use incentives, such as comfortable sits, interesting expositions and more. All of it comes together to create moments and memory. The intention, overall, was to integrate the architectural space to psychological and sensorial matters, previously researched in my final graduation assignment, instigating the experimentation of the elements of the space thru the senses, in particular the tactile experience. Moreover, the goal is to bring people’s attention to the whole body and mind contact with architecture, not only using the vision, subjects that are being more and more neglected in contemporary architecture.

Perspective

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Centro de exposições

The site is located on an intersection of neighborhoods with different realities, which makes the site itself a converging space that can promote the encounter of people with completely different life perspectives.

The concept of the design started by the insolation and shading analysis, which has great importance on the environmental comfort and on the maintenance of the book collection on the library.

The image above shows the site’s physical model being analyze on the Heliodon equipment.

Praças

Ateliê Livre

Biblioteca

Estacionamento

The Cultural center is compose by: An Exposition center with changeable collection, meant to be a place where local artists can expose their pieces; Three large squares: the first is an open and free square; the second one is a living space and the third one is also a living space that can be use like an observatory to the other ones when events are happening; A Library which has been chosen by the need of the city and A studio, where people can produce things they can’t do at home for lack of structure An open-air cinema made by projection on a wall, with a grandstand made from the Exposition center and studio’s access staircase, and a parking lot underground All the equipment where designed and distributed in a way that would improve the site’s use, creating spaces that are fluid to the pedestrian and could use the unevenness of the site in a clever way, conforming as many walkable spaces as possible.

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The spatial configuration of the Cultural Center was develop from the natural passaging that pedestrians already do in the site. Thenceforward, two areas were create on the site, and then divided again to conform the wiling ambience, in a way that the site would be occupy without leaving isolated empty spaces and not to interrupt pedestrian’s passaging. In addition, the shape of the buildings was design with angles to provide the sight of the total of the space, without sharp walls that make a view barrier.

Further, the conformation of the space was make to enhance the walking tactility, providing paths that people can explore.

Caminho dos pedestres e espaços gerados a partir dele

Conformação dos espaços e ângulos que permitem sua visibilidade geral

Implantação Disposição final dos volumes no terreno

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CENTRO DE EXPOSIÇÃO

BIBLIOTECA Estrutura metálica em malha triangular

Cobertura Acessível - Estar e mirante

Terceiro pav. área silenciosa Segundo pav. área silenciosa

Área de Exposição Aberta e Loja Varanda

Mezanino Leitura casual Térreo - café, administração, área infantil

Mezanino Exposição Linear Térreo Exposição Livre

Subsolo - Restauro, armazenagem de livros

Parede para projeção Arquibancada e estar

Another key point of the cultural center’s design is the levels. They were use in order to emphasize the different behavior wanted in the specific space. Moreover, the level’s access ramps helps with this differentiation especially because they are placed in the exterior of the buildings, creating an inside-out dynamics.

Furthermore, the passage to these ramps are made thru double flush doors, and they give a tactility by providing touch and weigh to the person that crosses it.

Jardim de leitura

SUBSOLO Praça 01 - Estar

Praça 02 - Área Livre Aberta

Ateliê Livre

Estacionamento

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THE LIBRARY

Library entrance - view from the Exposition center’s roof

the Library The library is divide into four different spaces: Casual reading space (ground and mezzanine); Study area (2° and 3° floor); Open air reading (garden and balcony) and book shelter (underground). These areas were design in different levels to emphasize the different behaviors and environments desired in each space. The overall intention was to conform a range of distinct reading areas in order to encourage the population to practice reading, and the equipment and environment in those areas assist with their character. For example, talking is permit in the casual reading spaces, and a coffee was placed in the main area to bring the authentic smell to the space and to help with the casualty.

Another thing that conforms the different aspects of the areas is the furniture, it is more comfortable and loose in the casual areas and more rigid in the study spaces. In the garden, an acoustic barrier was place to help bring a quietness feel to it, once there is a road that surrounds it.

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Vista do Térreo: Recepção, café aberto, área infantil, mezanino e átrio principal

The library has a central atrium with tubular sky lights that allow sun light in the space but makes a filter UV rays, maintaining the integrity of the books.

The books are showcase in this atrium in an attractive way throughout the place, emerging the reader in a unique atmosphere. Furthermore, the angles of the library walls are explored to emphasize the whole legibility of the space and to create distinct heights, providing different sensations for the user.

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Vista do Jardim de leitura: Área de leitura com estar em meio às plantas cercado por barreira acústica

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Vista do Térreo: átrio principal com seus ragos e estrutura

Vista do Térreo: área de leitura e rampas de acesso ao subsolo e mezanino

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Expositions Center Entrance View from the open square

The Expositions Center The expositions center is destined to young artists.

Due to the proximity between the cultural center and the University, the center becomes a support to it, allowing students to use the space and expose their works for the population to see. The exposition Center has great external doors, which can be open to create an inside-out connection, allowing different interactions with the space and expositions. Moreover, the Exposition center’s entrance is located on a lower level than the street made by the appropriation of the site’s natural slope, providing a staircase that also contains a ramp for accessibility and a grandstand for people to seat and watch movie projections or small performances.

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Vista do térreo: Livre caminhar, e rampa de acesso ao mezanino

Vista do Mezanino: exposição linear

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The interior of the exposition center is also divide according to the levels: The ground level works as a free exposition area, where the user can ramble and explore the space according to preference.

Additionally, there is a closed space in this area with a high ceiling and a sky light in the center of the room, meaning to be a contemplative space; Next to it, the ramp to access the mezzanine is external and comprises a small exposition space as well; The ramp arrives at the mezzanine. It is a linear exposition space, where the spectator is walks on an exhibit that guides the person thru the shape of the area that gives no other path choice. On the upper floor, there is an open exposition space, where you can see the cultural center’s squares, and visually marks the changes in the exhibits for the pedestrians.

Entrada principal do Centro de exposições

Sala fechada de comtemplação no térreo. Pé direito alto e abertura zenital com prateleira de luz

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The Studio The studio is a creation space that people can use to realize any activity they need that the space admits. It works as a support area for both exposition center and the library, allowing events, classes and other practical activities to take place. The Studio’s entrance is connect by an atrium to the expositions center, which provides a link between the spaces thru the big openings that both of then presents. This entrance atrium also connects to the cultural center’s parking, which permits the usage of the three spaces together and allows a safe and comfortable passage for the pedestrians, bikers and others, helped by the vertical circulation made thru stairs and ramps that surrounds it.

Entrada do Ateliê visto da escada/rampa de acesso (praça de estar e biblioteca ao fundo

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Interior do ateliê: Jardim interno com recorte para entrada de luz na praça de estar.

Interior do ateliê: recorte na praça de estar para iluminação e gôndulas móveis de trabalho (oficinas fechadas ao fundo)

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There are two separate spaces on the Studio’s interior, which can be use as stores, snack bars, as well as to be a workshop space. By the studio’s open area, the separations is made by mobile structures coated by cork, element that helps improving the acoustic of the space and provides a place to hang notices, leaflets, notes and others. Moreover, the ventilation and natural light of the space comes thru its big openings and thru cuts on the ceiling that arrives on the cultural center’s square, being part of the landscaping and furniture of the square, therefore allowing the view of the studio by the square. Additionally, these ceiling openings provides the existence of an internal garden on the studio.

Vista Noturna: Projeção de cinema ao ar livre com utilização da escada/rampa como arquibancada

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Design developed during the schoolarship at DeMontfort University, in Leicester, England, which had the theme: “Dystopia and Robotic� and had the site located in the Brick Lane area, in London. The main goal of this design was to create an architectural subject that would perform as antiutopia using technological means to achieve that. To achieve the desire objective, I chose to utilize a multimedia library as subject. As a first premise of the design, the building almost do not touch the ground, being held by cable-stayed structure that which supports itself utilizing the surrounding buildings.

The intention was to create some confusion for the users and people passing by, making hard to understand the hole of the building by just looking at it, making the living of the space fundamental to it. The second point of the design was based on the site’s area, which is characterized by the brick buildings that conforms it. The form of the builds was exploded and distorted to mold the multimedia library. Thus, concepts coming from deconstructivism and surrealism was implemented in order to accomplish the desired goal.

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2015

DMU - DISTRopya PROJECT

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The design is a symbolic space where people can have the opportunity to look at the area with a different perspective each time.

The main goal is to make a critique on the area’s image, showing that what we see can be very distinctive of the true (if there is any true at all).

The intention is to work with the image as a combination of elements that can form a wild range of realities.

What is meant by that is that there are many different realities, and the image of one place is not just what you see. The project intends to take these images and distort them, with the propose to show that the real image does not really exist; it is a combination of elements that can change according to circumstances.

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The concept of the project lays on the problematic of the image of the place. “Most often, our perception of the city is not sustained, but rather partial, fragmentary, mixed with other concerns. Nearly every sense is in operation, and the image is the composite of all of them.�

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The design is composed by six blocks that are disposed on the site, hanged by metal structures and cables, and only one of the blocks touches the ground to conform the entrance of the building. Each Block represents a distinct kind of distortion of the surrounding buildings. Beyond the fact that the building almost does not touches the ground, the composing blocks of it presents different levels from each other and come mezzanines hanging from the ceiling, which helps to create a confusing atmosphere even from the inside.

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The entrance block represents the frames of a basic house shape that rolls over across the volume; the second block is a representation of a building peeling off; the third one is a translucent house shape; The fourth block is an exploded building, with walls and ceilings that are unconnected with each other; The fifth volume is a simple house shape made only by frames with simple finishing and a glass panel, that includes another house inside, with another house inside, conforming a house whiting another, withing another; The last block represents the same idea from the fifth one, but representing another perspective by being upside down.

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Under the raised floor of the building, physical books are shown as antiques which conform the path to technology. On the block number six (the upside down one) the person walks in a glass structure above the apparent wood structure of the upside-down roof. The stairs presents continuity between itself and the furniture of the building.

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design model

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It was a quick project that was intended to enhance the alumni’s creativity and plastic capability. It consists in a “Tower Folly”: a building without defined type of use.

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2014

DMU - TOWER FOLLY

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The tower volume is basically shaped thru a combination of metal stripes that convey into a center. Some of the metal stripes can be used as stages or open-air areas for events. The intention was to create shapes that interact with the building in an inside-out manner, creating an ascending form at the same time, based on the local culture of art and the location of the site, but acting as something different and new. The central metal stripe is a vertical garden that can be seen from many different locations of the surrounding area, representing the green that lacks in the city.

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The project area, known as brick lane, is a multicultural space with an artistic side pronounced which can be seen thru the street art on many different points of the area. The design concept is to integrate this art into itself, in a contemporary way. The tower is a sculpture which makes a mark in the space thru its hight, inviting people to come to the place, bringing life to it.

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The metal “arms� that are distributed on the space from the center of the tower can be used for many purposes, such as open-air events, stages, as well as rain shelter. The plant is open on the building’s interior to embrace many different uses of the space that it may need to.

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Open air Performing spaces

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PROFESSIONAL ARCHITECTURE 08 monique cabral

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Os braços que se distribuem a partir do centro da torre e se alastram pelas passagens de pedrestre por todos os lados do edifício podem ser utilizados para diversos fins, como eventos ao ar livre, serem palcos para performances e também abrigo para chuva.

O interior do edifício possui planta aberta, com a intenção de ser um espaço genérico que possa comportar qualquer tipo de uso que precise.

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renew and facade renew and adaptation of a studio apartament building to trasnform it into a small hotel

Project developed to renew an existing building and transform it from studio apartments to a small hotel, Located in Angra dos Reis-RJ, Brazil. The design consists in the building’s adaptation and renew of the façade and main entrance to embrace it’s new usage in a simple inviting manner with the usage of light wood and vegetation to achieve it.

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New windows were designed in order to maintain the privacy in the rooms wich are opened directly to the building’s circulation. The wooden elements in front of them were used as a key element not only to ensure that privacy but also to change the design of the building, adding personality with a new fresh and welcoming beach feeling to it.

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Interior design 06 monique cabral

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Interior design interior of a meeting room for a cfompany of young lawyers called planning

Interior design for a meeting room of a company in Goiânia made by me with the Studio É team. The company is formed by young lawyers that wanted to accomplish a young but serious environment, bringing the image of confidence and innovation to the clients. Therefore, we created a contemporary space that embraces that image needed with the usage of navy blue color blocks (the company’s color) that divide the spaces in the room and creates intersecting surfaces in the room, keeping the room clean but with personality. The emphasis is on the art of Iza Costa, a local talented artist.

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Projeto de Interiores Projeto em parceria com o escritorio studio e para loja b-rock (atacado)

Projeto desenvolvido em conjunto com o Studio É, para a loja de atacado de jeans feminino B-Rock. A intenção foi seguir a marca com um ar rock-and-roll, sem cair na literalidade.

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projeto de interiores Projeto em parceria com o escritorio studio e para loja radio 7 (atacado)

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Projeto desenvolvio em conjunto com o Studo É para a loja de atacado de roupas Masculinas Radio 7. O projeto visa seguir a marca e dar visual masculino e urbano para a loja.

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Projeto de Interiores Projeto em parceria com o escritorio studio e para loja lemon & soda (atacado)

Projeto desenvolvido em conjunto com o Studio É, para a loja de atacado de Roupas de banho Lemon & Soda. A intenção foi seguir a marca com um ar fresco, utilizando elementos como a corda dos balcões e o revestimente imitando madeira de demolição para dar toque praiano ao ambiente.

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projeto de interiores Projeto desenvolvido em conjunto com o Studio É, para a loja de atacado de Roupas femininas Julita Maria.

A marca transparece atmosfera mais clássica com muitos elementos preto e brancos, portanto a intenção era fazer uma loja com elementos que remetessem ao clássico, mas com sobriedade suficiente para exaltar as roupas e banner das coleções.

Projeto em parceria com o escritorio studio e para loja julita maria (atacado)

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Projeto de interiores Interior completo para clinica de estetica solarys - sede paraty

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Projeto desenvolvido para uma nova sede da clínica Solarys em Paraty, Rj. O conceito do projeto se baseou em deixar o ambiente limpo com “ar” de SPA. A intenção foi criar um ambiente claro e aconchegante e que transmitisse uma aura de limpeza e bem estar aos clientes.

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de interiores 15 InProjeto terior completo para mabu cafe

Projeto desenvolvido para o cafĂŠ entitulado Mambu CafĂŠ, em bairro no interior de Angra dos Reis.

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O projeto visa aliar um orçamento baixo com soluções convidativas à permanência por períodos maiores de tempo. A estética desejada para este interior foi baseada em um visual praiano, calmo, aconchegante, e à meia luz.

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Projeto de interiores Interior completo para um apartamento de solteiro - projeto em parceria com o escritorio woo arquitetura

Este projeto foi desenvolvido para o pequeno apartamento de um homem solteiro, que desejava que o local mostrasse sua personalidade, sem grandes exageiros. A metragem quadrada reduzida se somou ao desafio da alvenaria ser estrutural, fazendo com que desenvolvessemos um projeto sem poder remanejar paredes ou pontos hidrรกulicos.

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O conceito do projeto baseia-se na utilização de elementos mais frios como o azul e o concreto contrapondo-se ao calor da madeira. O jogo das cores e elementos segue por todos os ambientes, criando uma unidade e destacando o conjunto atravÊs da simplicidade aplicada de maneira cuidadosa.

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/ 15 PROJETO DE INTERIORES loja de roupas infantis - papagaio loiro

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O projeto em questão foi desenvolvido para uma loja de roupas infantis chamada Papagaio Loiro, em Angra dos Reis, RJ. Os clientes desejavam uma loja que contivesse o verde da marca, mas de maneira calma, criando uma atmosfera em que os clientes se sentissem a vontade para permanecer por grandes períodos. Áreas para sentar e a brinquedoteca foram essenciais para alcançar este objetivo.

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DE INTERIORES 15 PROJETO Home office no quarto de meninas

Este projeto consiste na criação de uma área de home office no quarto de duas meninas em Paraty, RJ. A intenção foi criar uma área que pudesse ser usada pra trabalhos, criação de arte e penteadeira e que contivesse os objetos e personalidade das moradoras.

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projeto de interiores Projeto em parceria com o escritorio studio e para UM APARTAMENTO em goiania

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Este quarto é parte do projeto que virá nas páginas seguintes, em parceria com o Studio É.

Consiste no Interior completo para um apartamento de uma senhora e seu Marido, que estavam se mudando de sua antiga residência após todos os filhos casarem e se mudarem, em Goiânia, GO. O maior desejo dos clientes foi o de deixar este apartamento totalmente do jeito deles, umas vez que já não tinham mais que se preocupar com os filhos.

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Projeto de interiores Projeto em parceria com o escritorio studio e para UM APARTAMENTO completo em goiania

O principal objetivo foi criar uma atmosfera que transparecesse os gostos dos clientes e criar um local que permitisse receber as famílias dos filhos com aconchego e comodidade. A madeira e a pedra natural entraram como protagonistas no espaço, trazendo o natural como ponto focal e destaque

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Projetos para consursos de Arquitetura O projeto a seguir foi desenvolvido em grupo (Arquitetors: Huber Teixeira, Fernando Canhete, Lucas Lacerda e Monique Cabral)

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CONCURSOS

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PEACE PAVILION SEDHIOU / SENEGAL Reddish monoliths stand out from the dirt floor. They are primordial components of the sterile volumetry that reveals itself to those who observe it from the Access Square. Visitors will visually notice the access to the pavilion by horizontal and vertical recesses, finding soon afterwards a small cozy hall.

Soon, they follow way through the artificial valley created by these walls. Exaggeratedly high and lack of roofing, they create the uncomfortable feeling of confinement as they are exposed to information about the modern conflicts that have ravaged this continent for the last century.

These walls represent the soldiers of the past, who oppressed, but were also big victims of exploitation and colonialism. Photos and documents will be exposed in holes in these surfaces, which will never be intact. Scars on our deeds. They reach an open space created by the arched section of the parallel walls. A simple round arena carved in the floor creates space for internal reflection while exposed artistic interpretations of the events reported. The exhibition continues through the same tight corridors, recounting the horrors of war, as visitors climb the almost imperceptible ramp until they finally reach the apex of the exhibition, which contains nothing.

A solemn high court, which allows a privileged view of the Casamance River.

Offering a wide view, direct counterpoint to other visuals of the pavilion, always restricted by the heavy parallel walls. It’s represent the future. This space is intended for observation and reflection, together with nature and other visitors for reflection together. The sun rises on that façade. Continuing the path, we returned to the point of arrival, but different. A large tree makes the reception of who arrives and who leaves the pavilion, while children run in the Access Square. A new generation more conscious of its history, responsible for not repeating the atrocities of our recent past.

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WOOD LEFT-

OVERS

MUD+STRAW LAYER WOODEN MAIN STRUCTURE WOODEN TRUSS CEMENT BRICKS LATERITE FLOOR

MUD / CLAY

CEMENT BRICKS

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Obrigada!

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