Architecture Portfolio (2023)

Moh Ryan Efansyah

Education

2020 Present

Undergraduate in Architecture

Institut Teknologi Bandung

(ITB) Bandung, West Java, Indonesia

2017 2020 Senior High School

SMA Negeri 3 Pekalongan

Pekalongan, Central Java, Indonesia

Skill Set

+62 8954 0126 5785

mohryanefansyah@gmail.com

linkedin.com/in/mohryanef

instagram.com/mohryanef

behance.net/mohryanef

issuu.com/mohryanef

Experiences

Apr 2023 Present

Head of Media and Information

Forum Mahasiswa KIP-K ITB

Media and Information is responsible for the publication and documentation for disseminating communicative information and managing FBM ITB s social media channels.

Jul 2022 Jan 2023

Staff of Publication and Documentation

Gaung Bandung of Architecture ITB

Gaung Bandung is one of the contributions of ITB Architecture students to the city of Bandung by inviting the public to voice and move in response to issues related to the city of Bandung.

Jun 2022 Jul 2022

PIC of Curation

EPILOGUE of IMA G ITB

EPILOGUE ITB is an exhibition of the final project of ITB Architecture undergraduate students. The curation team is responsible for the work of graduates who are submitted and will be exhibited.

Achievements

Sepekan Arsitektur 2023

Competition Entry (May 2023)

WEX International Architectural Competition 2023

Architecture Department of Universitas Gadjah Mada

Table of Contents

Citatah Stone Garden Visitor Center

Location Area

Year Building Type Supervisor

: Bandung, Indonesia

: 1,200 m²

: 2022

: Commercial

: Dr. Firmansyah, S.T., M.T.

Architectural Design Studio III

Background

Citatah Stone Garden is located in the highland area of Mount Masigit, Citatah, Cipatat, Padalarang, Bandung. Small and large stones are scattered here. The white-colored stones contrast with the green meadows. This place was formed from the remaining stones at the bottom of an ancient lake caused by the eruption of Mount Sunda millions of years ago. Currently, Citatah Stone Garden is a tourist destination, but it does not yet have a visitor center.

A visitor center (also called a visitor centre or tourist information center) is a place where people can find information about the place where the visitor center is located. It is generally used by people who are on vacation or holiday so they can learn about things to do and see. A visitor center located at a specific attraction or place of interest, providing information, and in-depth educational exhibits and artifact displays. Often a film or other media display is used. If the site has permit requirements or guided tours, the visitor center is often the place where these are coordinated.

The creation of a visitor center at Citatah Stone Garden should complement and respect nature and its resources. Proper design and responding to nature makes nature more beautiful, it gives it strength.

Situation Map

Design Concept

Citatah Visitor Center is divided into three building masses based on zoning functions, such as service, education, and commercial. When entering the Citatah Visitor Center, visitors will be faced with the first building mass, the service building. In the service building, visitors purchase tickets, wait in the lobby, read information, and toilet. Furthermore, visitors are free to go to the educational building or commercial building. In the educational building, there are exhibitions about Citatah Karst, both indoor and outdoor. While in the commercial building, there are places to eat and places to buy souvenirs.

The shape of the roof of the building takes inspiration from the curves of the mountains around the site so that the building seems to merge and become a series of mountains among the existing mountains. The roof material uses bamboo as a frame and bitumen as a cover. Bamboo was chosen because around the Citatah Karst there are abundant bamboo gardens so that it can utilize local natural resources. Bitumen was chosen as the roof covering because bitumen is a flexible material that is suitable for curved roof shapes.

Bitumen Roofing

Bamboo Ø100mm

Bamboo Ø120mm

Plafond

Bamboo Ø150mm

Curtain Glass Wall

Concrete Column 150/200mm

Concrete Floor Slab 120mm

Ramp

Railing

Principal Section

Location Area

Year Building Type Supervisor

: Bandung, Indonesia

: 1,150 m²

: 2022

: Residential and Commercial

: Dr. Firmansyah, S.T., M.T.

Architectural Design Studio III

Background

Gempol was one of the residential clusters designed for native employees when the Dutch East Indies government planned to move the capital to Bandung. This residential cluster was built with a "Tropical European" character, with the morphology of an enclosed enclave with an open garden and a landmark building at the center and entrance of the area (Siregar, 1990: 167-189).

In the development after independence, Gempol began to experience changes, especially in its garden, which gradually began to be occupied by traders, turning it into a very dense residential area that did not meet the criteria for good housing. On the other hand, due to its location and ease of access, Pasar Gempol slowly developed into a destination, especially for culinary, which developed by renting part of the existing residential space. In the midst of increasing its economic value, Pasar Gempol is increasingly experiencing a decline in the quality of the residential and market environment.

To overcome this problem, it is necessary to rejuvenate the Pasar Gempol by consolidating the land to obtain a healthier and more appropriate residential and market environment and to provide public open space for residents and provide and improve the infrastructure.

Design Concept

Ugahari is a residential building integrated with retail and market as an effort to organize housing and retail in Pasar Gempol, Bandung. Ugahari means 'simple and unpretentious', where it is hoped that residents and visitors will have a memorable experience after occupying or walking around in the simplicity of this building.

The shape of the building is a horseshoe as an effort to maintain the existence of two Kihujan Trees that have been around for decades in the corner of the site. This shape also facilitates circulation and at the same time gives a spacious impression in the middle area so that it can be used as a public space for the community to socialize. Therefore, an amphitheater was built in the central area. The stepped shape of each floor aims to give a beautiful impression and also avoid massive shapes and cover the surroundings with high walls.

The market and retail are placed on the ground floor and also the second floor because these two areas are easily accessible to visitors. While the residential units are spread out, but focused on the 3rd and 4th floors to provide privacy from the hustle of public activities below.

Front Elevation

Back Elevation

Left Elevation

Soil and Grass

Concrete Beam 150/300mm

Concrete Sun Shade

Window

Brick Wall 150mm

Concrete Floor Slab 120mm

Curtain Glass Wall

Principal Section

Location Area

Year Building Type Supervisor

: Bandung, Indonesia

: 2,500 m²

: 2023

: Commercial

: Dr. Ir. Lily Tambunan, M.T.

Architectural Design Studio IV

Background

"Places exist because of activities. People carry out activities in a place. What they do, in this case, is responsible for giving meaning to a place. ... Space becomes a place when it is used and has life." (Cresswell, 2009)

The concept of 'place' in architectural design is simply used to distinguish between space and place, where place is space that has meaning. Place is created by the composition of the form of the space (form), the activities of the users (activities), and the image of the use of the space (images) (Montgomery, 1998:98).

Architectural design with the theme of 'place-making' is simply changing the space and form by imagining how the place will be alive with activity and provide a good image for its users. Creative Placemaking is a comprehensive community/creative group-based process that uses art and cultural expression to create or rejuvenate spaces. This process aims to analyze the character value of a place and can inspire the community in it (Clarke, 2017).

The concept of 'place' and the theme of ‘place-making’ is applied in the design of a community center located in Taman Film, Kebon Bibit Village, under the Pasupati overpass. 'Place-making' means creating a safe, comfortable place that can be a place for self-actualization for all people in the surrounding environment.

Taman Film (Site) Rusunawa Balubur Town Square

Division of Zones

SERVICE AREA

This area is used as a service and support facility, which contains the Management Office, Warehouse, Utility Room, and Public Toilet. The wall used is a closed brick wall to provide more privacy.

COMMERCIAL AREA

This area serves to accommodate commercial facilities, such as Retail and Food Stalls and Dining Areas. The walls used are folding wooden panels to provide flexibility and permeability in lighting and ventilation.

Elevation

Section

Location Area

: Bandung, Indonesia : 2,000 m² : 2023

Architectural Design Studio IV

structural system taking into account the typical space lay-out, circulation for building safety, and the mechanical and electrical aspects serving the building.

The selected project case is a midrise Budget Hotel. This facility was built primarily to respond to the need for accommodation supporting the development of tourism in Bandung. The designed building area is ±9,600 m², has 2 podium floors intended for non-room facilities, 6 typical floors containing room units, as well as 1 semi-basement and 2 basement floors for parking and utilities.

The site where the Budget Hotel will be built is located at The Saparua, Jl. Ambon No. 15, Citarum, Bandung Wetan District, Bandung City, West Java. The site measures 29 m x 69 m with an area of 2,000 m². This site has an elevation difference of 1 meter, which is at 718 m and 717 m so it is classified as a flat area.

Design Concept

The initial mass of the building is box-shaped in accordance with the size and regulations on the site. The mass was then transformed by substraction and addition methods.

The ground floor and 2nd floor are podiums with front of the house, back of the house, and commercial areas in the form of convinience shops, meeting rooms, and coworking spaces. Floors 3 to 8 are typical floors containing room units. This typical floor protrudes back 4-5 meters from the podium floor. On the typical floor there is a facade in the form of sun shades and also louvre wood panels on the more protruding parts. This facade is used as an attempt to respond to the east-west oriented building, to avoid excessive sunlight. In addition, this facade is also used to cover the fcu unit on the air conditioner of each room.

Jalan Banda

Floor Plan

Front Elevation

Left Elevation

Back Elevation

Right Elevation

Concrete Sun Shade

Window Concrete Core Wall 300mm

Concrete Beam 350/650mm

Brick Wall 150mm

Elevator

Air-Cooled Chiller

Concrete Slab Floor 120mm

Concrete Beam 250/400mm

Gypsum Board Ceiling 50mm

Glass Wall Panel

Fire Evacuation System

Building Vertical Transportation System

Clean Water Distribution System

Ground Water Tank Roof Water Tank Water Line from GWT Water Line from

Sewage Distribution System

Waste Water Treatment Sewerage from Branch Shafts Sewerage from Main Shafts

RWT

Architectural Design Studio I 2021

Space, Form, and Light

Architecture and its manifestations in form and space are generally enjoyed and appreciated through the sense of sight. In relation to this sense, light is a very important aspect. Light is a parameter for humans to feel and perceive the space around them. This assignment trained me to recognize the relationship between form, space and light, as well as the atmosphere created through an exercise in drawing simple objects; an exercise in slicing, bending and folding paper and drawing it; an exercise in describing the impression of a space with a certain character based on adjectives.

Supervisor: Dr. Ir. Christina Gantini, M.T.

Architectural Computation Studio 2022

Supervisor: Aswin Indraprastha, S.T., M.T., M.Eng., Ph.D.

Parametric Modelling

In this assignment, the outcome is that I understand and can explain the process of exploring and parametrically designing 3D geometry objects using programming, or indirect modeling techniques with Grasshopper, a visual programming editor built-in to Rhinoceros 3D. Objects are designed from natural and man-made sources which are then implemented into architectural buildings. Next is to reconstruct and create Grasshopper programming and explain the process. The fundamentals of

Grasshopper Script

Outcome

Space and Form Organization Studio 2022

Supervisor: Dr. Ir. Woerjantari Kartidjo, M.T.

Mass & Facade Composition

Saroja or seroja is another name for the Lotus flower. The name Saroja is used because this building has a façade design inspired by Lotus flowers. Saroja was inspired by the Mahanakhon Building in Bangkok, Thailand. Saroja is an apartment building with a total height of 10 floors. There are two entrances to the building, both of which are located diagonally on the front and back sides which can be indicated as the 'introduction' of the 'substract' of the building.

Metaphor Concept

This building has an initial mass form in the form of beams with a size of 20 m x 25 m x 40 m. Then the mass is divided by a grid of 4 m x 4 m. From the grid then the mass is subtracted in such a way that it produces a rigid twisting shape. There are two entrances in the Saroja building, both of which are located diagonally on the front and back sides. These two entrances can be indicated as "preludes" of "subtracts" on the building so that it is easy for people to find them.

Façade Concept

The Saroja building facade design is divided into 2, the first is a window pattern in the form of rhombuses arranged to form lotus flowers which is the origin of the name of this building, because it is hoped that this building will be like a lotus flower that looks beautiful even though it is in a not very good environment. The lotus flower window pattern itself is arranged abstractly. The second facade is in the form of square windows in grid to strengthen the impression of the grid on the building mass.