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Curriculum Vitae
MOHAMED ELMUBARAK
Architect
T: +39 351 6760603
E: m.elmubarak.wail@gmail.com
W: elmubarakstudio.com
Via Zante, 21 Milano, Milano Lombardia, Italia
I believe that architecture as a profession is far beyond the basic idea that anyone gets, because of that I figured changing these ideas through my designs, from small designs to big innovative projects that has its impact on the community.
I can only achieve that through having a good analyzing skills with the ability of detecting and solving problems and being a good communicator with the ability of both working independently and cooperate effectively with any team.
Education
Masters degree
Politecnico di Milano
Graduated with masters of science in building architecture
Bachelor degree
Sudan university of science and technology
2013-2018
Experience
2023-2024
2021-2024 2021
2018-2021
Achievement
2022-2024
Graduated with bachelor of science in architecture and planning
BIM Collaborator
3.im - design and engineering
Main responsibilities, building information modeling, and coordinating with team members and senior architect on the production BIM files.
Design Architect
Architonics
Main responsibilities, preparing conceptual drawings, and coordinating with team members and senior architect on the production of schematic, construction drawings sets and management.
Junior architect
Iskanco
Main responsibilities, preparing conceptual drawings, and coordinating with team members and project architect on the production of schematic and construction drawings sets.
Competitions
Thesis project selected by Ordine Degli Architetti di Milano
Transcending the tangible and diving into the spirit, this project focuses on how we perceive the world and how it perceives our existence. This vision guided the transformation of an abandoned abbey into a meditation center—a sanctuary designed to harmonize space and soul, fostering introspection, balance, and mindfulness.
The essence of the design lies in the thoughtful integration of architectural elements and sensory experiences, creating spaces that connect individuals with their inner selves and the surrounding environment.
Repurposed from the church’s existing structure, the pointed arches hold profound spiritual symbolism. Traditionally associated with the sanctity of space, they represent a connection between earth and the divine, guiding the eye upward toward enlightenment. Their sharp angles and verticality evoke aspiration and transcendence, inspiring introspection and spiritual elevation.
The repeating arches create a rhythmic sequence, mirroring the meditative breath and fostering a state of mindfulness and focus. The hall framed by these arches symbolizes a spiritual journey, culminating in the meditation room—a sacred space of calm and reflection.
The presence of the ruined walls of the abbey embodies the weight of the past, grounding the space in history. The blurred view of the sky through the new roof elevates the spiritual essence beyond the physical form. As we meditate, we elevate our souls, supported by our physical being— like stone and glass in harmony—on a journey of self-discovery.
VALLEY OF KNOWLEDGE
Transcending the tangible and diving into the spirit, this project focuses on how we perceive the world and how it perceives our existence. This vision guided the transformation of an abandoned abbey into a meditation center—a sanctuary designed to harmonize space and soul, fostering introspection, balance, and
mindfulness.
The essence of the design lies in the thoughtful integration of architectural elements and sensory experiences, creating spaces that connect individuals with their inner selves and the surrounding environment.
The synthesis between the layered/ fragmented architecture , as well as the social dimension and the vision of a library that connects/links the past to the presents produces a volume grouped according to the relationships of each program, and is “connected” by a central space which links all the other program creating an architecture that looks fragmented on the outside yet compacted/connected from within.
Respond to Topography Levels
Schematic diagram of social stair in connection with slope and setting floor levels
Library is bounded by four imposing structural walls, serving as guardians of the library’s essence. By carving out elements to facilitate light and views into the library gives the facade depth, reveals the allure of recesses.
Within the structure are carved out hollow spaces to host private functions within the central space
Identifying views
Atrium Openings to pins
The volumes also opens up to create segregated open spaces allows the building to connect with the outdoors on every level as one arises through the building. These open spaces also allow views to the valley and the filtering of the eastern sunlight which does not come with a lot of heat.
MALMÖ LIGHTHOUSE TOWER
Together with the turning torso tower by Santiago Calatrava, the two buildings form a silhouette of the gate, establishing the entrance to the city, and creating a dialogue with the Copenhagen gate by Steven Holl.
The height of the building is symbolic, exactly the same as of the Kockums crane, that for many years was located on this site, and it used to be a landmark of the city. Thus, the tower pays homage to the past of the city and to its history of ship construction. The concept of the tower evolves from the idea of the lighthouse, “a building that looks far and is seen from afar”. the lighthouse tower marks the presence of the city, when approached from Copenhagen and from the historical center.
The composition of the detached buildings creates a courtyard block, where the self-standing tower is the dominant, and the low-rise podium buildings are visually, functionally and geometrically connected to it. The tall building is characterized by two inclined walls and a large ‘cut’. it is located at the level of the cathedral, symbolizing its pinnacles. from the other side, a vertical panoramic wall faces the Oresund Bridge.
