ITQAN -Identity Guidelines
ITQAN-identity Guidelines Client: Contents:
Date:
Mr.Amr Samir ITQAN for construction & Restoration concrete Co. 1.0 2.0 2.1 3.0 4.0 5.0 6.0
Introduction (page 1) The Logo Design (page 3) The Logo Usage (page 6) Colour Scheme (page 13) Typography (page 16) Files Forms Details (page 20) Contact Details (page 21)
September 2014
1.0
Introduction Overview The purpose of these guidelines is to explain the use of the new brand style and to reinforce consistent application of the visual elements in all communications. This includes publications, presentations, and all other marketing materials both online and offline. Guidelines on the use of the logo are included.
1.0 Introduction
ITQAN-identity Guidelines - September 2014
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Your new “identity�
‍ Ů€ Ů€ Ů€ Ů€ Ů€ Ů€ Ůˆ ا Ů€ Ů€ ـﺎإ‏ Your corporate identity is the face and personality presented to the global community. It’s as important as the products and services you provide. Your identity is the total effect of your logos, products, brand names, trademarks, advertising, brochures, and presentations— everything that represents you.
or
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Because the brand cannot be compromised, we’ve created this guide to provide all the pertinent specifications you need to maintain its integrity. The guidelines set in this document are not meant to inhibit, but to improve the creative process. By following these guidelines, the materials you create will represent your company cohesively to the outside world.
‍ Ů€ Ů€ Ů€ Ůˆ ا ﺎإ‏ Why do we need guidelines?
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1.0 Introduction
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successful visual identity has to be consistent, recognisable and powerful. The following guidelines should help all of us to create a distinct, professional visual identity that clearly communicates our brand values. Please take some time to understand how to apply these guidelines correctly. v
ITQAN-identity Guidelines - September 2014
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2.0
The Logo Design The company logo is an important and valued graphic element and must be used consistently and appropriately, even minor variations will undermine and compromise the image of the branding.
2.0 The Logo Design
ITQAN-identity Guidelines - September 2014
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‍ Ů€ Ů€ Ů€ Ůˆ ا ﺎإ‏ 2.0 The Logo Design
Primary logo - in colour
ITQAN-identity Guidelines - September 2014
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‍ Ů€ Ů€ Ů€ Ů€ Ůˆ ا ﺎإ‏ 2th logo - in colour
2.0 The Logo Design
ITQAN-identity Guidelines - September 2014
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‍ Ů€ Ů€ Ů€ Ů€ Ů€ Ů€ Ůˆ ا Ů€ Ů€ ـﺎإ‏ 3th logo - in colour
2.0 The Logo Design
ITQAN-identity Guidelines - September 2014
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‫ ـ ـ ـ و ا ﺎء‬
‫ ـ ـ ـ ـ و ا ﺎء‬
‫ ـ ـ ـ ـ ـ ـ و ا ـ ـ ـﺎء‬
‫ ـ ـ ـ و ا ﺎء‬
‫ ـ ـ ـ ـ و ا ﺎء‬
‫ ـ ـ ـ ـ ـ ـ و ا ـ ـ ـﺎء‬ logos - alternative colours
2.0 The Logo Design
ITQAN-identity Guidelines - September 2014
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2.1
The Logo Usage Always use master artwork when reproducing any logo design. It should never be recreated under any circumstances. Always ensure you are using the correct artwork for the application. When reproducing any logo elements, only the original high resolution or vector graphic files shall be used - logos should not be taken from this document.
2.1 The Logo Usage
ITQAN-identity Guidelines - September 2014
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Exclusion Zone Make sure that text or other design elements do not encroach upon the logo. The marked space should always be given to let the logo ‘breathe’, free from distraction.
x
50 mm
Minimum reproduction size 60 mm 60mm
In the primary logo format a minimum size must be adhered to so that legibilty is retained. In exceptional circumstances where space is below the recommended size, adjustments may have to be made to balance the shape and visibility.
30mm
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2.1 The Logo Usage
ITQAN-identity Guidelines - September 2014
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Wrong! The logo has become distorted from it’s designed aspect ratio, therefore stretching or squshing the shape and text.
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If the space is restrictive, the scale of the logo (not the dimensions) must be adjusted to fit.
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Correct! The logo’s shape is consistent with the initial design, retaining balance and legibility.
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2.1 The Logo Usage
ITQAN-identity Guidelines - September 2014
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Wrong! The backdrop for the logo’s placement is too similar to the primary colour - it lacks visibilty and contrast.
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To fix this problem, you can either select a contrasting base colour, or switch to one of the secondary colours assigned to the logo.
Correct! The logo is clear and visible, set in primary colours onto a backdrop which shows contrast.
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2.1 The Logo Usage
Although the backdrop is not white, the colours have been adjusted accordingly to work with the design.
ITQAN-identity Guidelines - September 2014
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or Wrong! Important elements within the logo have been distorted, enlarged or shrunk, affecting the balance and design.
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A consistent layout is essential across all media, and by changing key elements it will introduce confusion into the brand.
Correct! The logo has been used in the fashion it was designed. A consistency has been achieved in how it is seen.
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2.1 The Logo Usage
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ITQAN-identity Guidelines - September 2014
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Wrong!
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A colour outside of the selected brand colour scheme has been used. This is not recommended as it confuses the brand image. Replacing the font is a definate no-no. The selected typeface should be used at all times with the presentation of the logo.
Correct! The logo is presented in it’s primary colours using the primary typeface that has been selected for the logotype.
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2.1 The Logo Usage
ITQAN-identity Guidelines - September 2014
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‍ Ů€ Ů€ Ů€ Ů€ Ůˆ ا ﺎإ‏
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Content
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Content
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In most cases, use of one company logo is all that is required. If an advertiment is made by your company then that logo is usually all that is required for recognition by your audience and/or customers.
2.1 The Logo Usage
ITQAN-identity Guidelines - September 2014
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3.0
Colour Scheme Accurate reproduction of the brand colour scheme is essential in communicating a clear and consistent message about the company image. The Pantone colours should be used wherever possible, with CMYK / RGB being matched as closely as possible depending on the materials and print process. Black and white are acceptable as accent colours, in addition to the colours within the assigned scheme.
3.0 Colour Scheme
ITQAN-identity Guidelines - September 2014
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Pantone colour ref.
Primary Brand Colour logo / main background / business cards
Secondary Brand Colour logo text / secondary background / accent
Third Brand Colour highlighting / second accent
Text / Content Colour
Background / Base Colour
Background / Base Colour Alt.
3.0 Colour Scheme
CMYK
RGB
HEX
Pantone Violet C
90 / 90 / 000 / 000
64 / 63 / 153
#403F99
Pantone Violet black C
100 / 100 / 0 / 10
42 / 42 / 130
#2A2A84
Pantone Medium Yellow C 2 / 10 / 100 / 0
255 / 217 / 0
#FFD900
Pantone Cool gray 1C
10 / 10 / 10 / 0
218 / 216 / 214
#DAD8D6
100 / 100 / 100 / 100
35 / 32 / 33
#232121
000 / 000 / 000 / 000
255 / 255/ 255
#FFFFFF
Panton Black
Pantone white
ITQAN-identity Guidelines - September 2014
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‍ Ů€ Ů€ Ů€ Ů€ Ůˆ ا ﺎإ‏
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‍ Ů€ Ů€ Ů€ Ů€ Ůˆ ا ﺎإ‏
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Examples of how the primary logo deals with the alternative colour backgrounds from the suggested scheme.
This also applies to the logo’s placement over a photographic background, pattern, visual graphics or other media.
The only ‘rules’ are that the colours do not clash and that there is a level of contrast (or difference) between logo, typography and it‘s specified backdrop.
3.0 Colour Scheme
ITQAN-identity Guidelines - September 2014
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4.0
Typography The primary typeface is [insert name here] with a secondary [insert name here] to complement the primary. These have been carefully selected to best represent the brand image, and must be used to retain consistency - especially within the logo. Replacing fonts with alternatives should not be done under any circumstances.
4.0 Typography
ITQAN-identity Guidelines - September 2014
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English Primary Typeface Avenir Next LT Pro (Regular)
Main logotype text / Content
abcdefghijklmnopqr s tuv w x y z ABCDEFGHIJK LMNOPQRS TU V W X Y Z 1234567890 !@£$%^&*()¡€#¢∞§¶•ª º- – _=+ {} [];:/ \ ,.~ å∫ç ∂´ƒ©˙^∆˚¬ µ~ø πœ®ß† ¨√ ∑≈¥Ω
4.0 Typography
ITQAN-identity Guidelines - September 2014
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Secondary Typeface Avenir Next LT Pro (Demi)
Tagline / Subheadings
abcde f ghijk lmnopqr s tu v w x y z A BCDEFGHIJ K LMNOPQ RS TU V W X Y Z 1234567890 !@£$%^&*()¡€#¢∞§¶•ª º- – _=+ {} [];:/ \ ,.~ å∫ç∂´ƒ©˙^∆˚¬ µ~ø πœ®ß† ¨√ ∑≈¥Ω
4.0 Typography
ITQAN-identity Guidelines - September 2014
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Arabic Primary Typeface Helvetica Neue LT Arabic (Regular -Bold)
Arabic text / Content
ظ ط ض ص ش س ز ر ذ د خ ح ج ث ت ب أ ي ﻻ ه و ن م ل ك ق ف غ ع !@£$%^&*( )¡€#¢∞§¶•ª º- – _=+{}[ ];:/ \,.~ å ∫ç∂ ´ƒ©˙^∆˚¬µ~ø πœ ®ß†¨√ ∑≈¥Ω
4.0 Typography
ITQAN-identity Guidelines - September 2014
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5.0
File Forms Details
File Ready To Print Brochour Business card Calendars CD sticker - cover Coffee - cup Envelope V1&2 Flyer Folder For Papers
5.0 Contact Details
Digital Files Letter Head Note Pad pen Rollup
Social-Media-Sheet “ facebook - youtube channal ” wallpaper “for 1024 screens , Ipad air ,galaxy S3 ” mini prototype for the website
ITQAN-identity Guidelines - September 2014
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Thank You For Choosing Us To Your Business We Hope To Make You Proud .
6.0
Contact Details Designer: Email:
menius@live.com
Web.Portfolio:
www.behance.net/iMenius
Twitter/Skype:
@Menius_
Phone:
5.0 Contact Details
Mohamed kamal Helmy
01117 207 407
ITQAN-identity Guidelines - September 2014
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