TRENDS Silmo 22

TRENDS by

TRENDS BY SILMO 22 OCTOBRE 18/ OCTOBER 18

LOOKING FURTHER FOCUS

Multi colors / Major forms Always round time TREND

Just one line / Vision ‘Art Archi glasses / Screen presence AWARD

Silmo d’Or, the nominees

W E L C O M E

SILMO 2018,

LE SALON L

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« L’ART VÉRITABLE EST ANTICIPATEUR A ÉCRIT LE POÈTE FRANÇAIS SAINT-POL-ROUX, ENTRE RÉTROSPECTIVE ET PROSPECTIVE, LE SILMO FAIT LE CHOIX DE VOIR PLUS LOIN : LE MEILLEUR DU DESIGN LUNETIER, C’EST MAINTENANT ! »

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«TRUE ART IS FORWARD-LOOKING», SAID THE FRENCH POET SAINT-POL-ROUX. SILMO, AS BOTH A RETROSPECTIVE AND FUTURE-FACING TRADE SHOW, HAS DECIDED TO LOOK FURTHER: THE BEST EYEWEAR DESIGN IS HAPPENING RIGHT NOW!

SILMO 2018, LE SALON

TRENDS BY SILMO SPECIAL EVENT DIRECTRICE DE PUBLICATION / PUBLISHING DIRECTOR Isabel Beuzen ///// ibeuzen@silmo.fr RÉDACTEUR EN CHEF / EDITOR IN CHIEF Dominique Cuvillier ///// dominique.cuvillier@trendmark.fr

CONTRIBUTEURS/CONTRIBUTORS Michel Bérain, Estelle Jaffré, Florence Lecointe, Mathieu Werner.

COORDINATION ARTISTIQUE-PRODUCTION/ARTISTIC COORDINATOR-PRODUCTION Laurent Estrany

EDITION Trendmark Publishing SAS Président Directeur Général/CEO : Dominique Cuvillier 19, rue A. Penaud F-75020 Paris contact@trendmark.fr

DIRECTION ARTISTIQUE / ART DIRECTION Yann Defaÿ

PUBLICITÉ/ADVERTISING info@silmo.fr

Toute reproduction, même partielle, de textes, photos et illustrations publiés par TRENDS by SILMO est interdite.

Magazine digital gratuit B to B./ Any reproduction, even partial, of texts, photos and illustrations published by TRENDS by SILMO is prohibited. Free digital magazine B to B. © Trendmark Publishing 2018.

Cover : Cover : FACE A FACE (Design Eyewear Group).

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FOCUS

MULTI COLORS

FOCUS

MAJOR FORMS FOCUS

ALWAYS ROUND TIME TREND

JUST ONE LINE

TREND

ARCHI GLASSES

TREND

SCREEN PRESENCE

AWARD

SILMO D’OR, THE NOMINEES

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INDEX OF BRANDS

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Artiste allemande qui vit et travaille à Berlin, Natalie Czech produit des photographies au réalisme poétique, des œuvres silencieuses et narratives qui inspirent une gamme couleurs affirmée. Des couleurs en mélanges travaillés artistiquement pour des montures multicolores à forte personnalité esthétique.

Natalie Czech is a German artist who lives and works in Berlin. Her photographs have a poetic realism and are silent narrative works which inspire a pronounced colour palette. These blended colours are worked artistically to create multicoloured frames with a strong individual aesthetic.

Illustrative image: Natalie Czech, Check, Chart, Cross/After Hermès 2016 Photo Jen Ziehe © the artist/VG Bild-Kunst 2017 Courtesy of the artist & Capitain Petzl, Berlin

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1. MODO (Italy) model 7015-MRBWTT – Booth 5 D 093 2. KAOS (Area98, Italy) model KK441.01 – Booth 5 E 039 3. FREE LAND (Barcelona Art Design, Spain) model 71079257 – Booth 6 B 021 4. FROST (Germany) model Urban col.06 – Both 5 M 101

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1. FLEYE COPENHAGEN (Denmark) model Daisy 3020-02 – Booth 5 D 150 2. OWP (OWP, Germany) model PR OWP 2180 – Booth 6 B 024 3. BANANA MOON (Visioptis, France) model BM132 03 – Booth 6 B 021 4. VANNI (Nico Design, Italy) model V1319-A70-01 – Booth 5 L 121 5. VINYL FACTORY (Angel Eyes, France) model Loglazart col.3 – Booth 5 H 060/HJ 060

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1. OGI EYEWEAR (USA) model 7169-274 – Booth 5 CD 101 2. VERA WANG (Kenmark Eyewear, USA) model Brandi – Booth 5 A 070 3.FROST (Germany) model Attraction col.02 – Booth 5 M 101 4. CATIMINI (KNCO, France) model CA0080-Bw-A – Booth 5 D 059 5. PLEIN LES MIRETTES (France) model Diva 12 col.184 – Booth 5 K 116

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La mode est changeante, c’est même sa raison d’être. Le design des lunettes s’inscrit dans des mouvements de mode erratiques, mais à des rythmes moins rapides. Pour les designers, le radicalisme des lignes fait souvent place à une nouvelle vision de l’existant dans une volonté de changement dans la continuité. Ils n’oublient pas que l’ergonomie d’une paire de lunettes est aussi importante que son style, donc tout est une question d’équilibre. Actuellement, quatre formes majeures émergent : Octagonal, Square, Egg et Cat’Eye, à suivre dans le détail.

Fashion shifts and changes and, in fact, this is its very raison d’être.

Eyewear design follows erratic fashion trends and these trends move at a slower pace. For designers, radical lines often give way to a new vision of existing design as part of a desire to ensure both change and continuity. They do not forget that the ergonomics of a pair of glasses is as important as its style, meaning that everything is a question of balance. There are currently four major styles: Octagonal, Square, Egg and Cat’s Eye. Here’s a more detailed description of each style.

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Lignes douces, non acérées, ni anguleuses, une géométrie contemporaine facile à porter, moins radicale que le carrée, moins ennuyeuse que le rectangle.

Quadrilatère régulier, le carré dévoile sa symétrie et sa régularité tendues aux quatre angles, une géométrie qui s’adapte à des montures plus arrondies, moins anguleuses.

Soft rather than sharp or angular lines, an easyto-wear contemporary shape, which is less radical than square edges and more interesting than rectangular ones.

A regular quadrangle, square frames are symmetrical and regular with four angles, and the shape also works well with rounder and less angular frames.

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Figure parfaite par excellence, sans commencement ni fin, l’œuf a une dimension universelle adaptée à l’œil ; la forme Egg renouvelle la forme Pilote avec une réelle modernité, tout en restant classique.

Forme iconique de la lunette depuis les années 50, l’œil de chat a un petit parfum rétro qui se modernise par des lignes franches pour ne pas altérer la forme originelle qui séduit par son esthétique tendue.

The ultimate ideal shape, with no beginning or end, an egg shape has a universal feel perfectly suited to the human eye, and egg frames are replacing aviator frames with a dash of modernity, while remaining classic.

An iconic form of eyewear since the 1950s, the cat’s eye shape has an ever so slightly retro feel, brought up to date by its marked lines, without altering the original shape, which is attractive because of its taut look.

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LES PREMIÈRES LUNETTES ÉTAIENT RONDES, UNE FORME IDÉALE POUR LOGER UN VERRE ET LAISSER PERCER LA VUE. LA ROUE DU TEMPS POURSUIT SON CHEMIN, ET COMME LES PREMIÈRES MONTRES QUI ELLES AUSSI ÉTAIENT RONDES, LA SPHÈRE, LE CERCLE, LE ROND, L‘ANNEAU… À LA GÉOMÉTRIE PARFAITE, DEMEURENT DOMINANTS, EN GRAND OU PETIT FORMAT.

THE VERY FIRST GLASSES WERE ROUND, AS THIS WAS THE IDEAL SHAPE FOR FITTING A LENS AND FACILITATING VISION. THE WHEEL OF TIME CONTINUES TO TURN, AND JUST LIKE THE FIRST WATCHES, WHICH WERE ALSO ROUND, THE SPHERE, THE CIRCLE AND RING, ALL WITH A PERFECT SHAPE, CONTINUE TO DOMINATE, WHETHER IN A LARGE OR SMALL SIZE.

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GÖTTI SWITZERLAND (SWITZERLAND) MODEL DUMU BERRY BOOTH 5 A 139WATCH SWATCH 20

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MOSCOT (SWITZERLAND) MODEL GITTEL BLACK – BOOTH 5 D 100 WATCH BERING 21

VINYL FACTORY (ANGELEYES, FRANCE) MODEL VSHOLMAN COL.3 – BOOTH 5 H/HJ 060 WATCH SWATCH 22

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VAVA EYEWEAR (PORTUGAL) MODEL BL0014-BL1 – BOOTH 5 D 090 WATCH NAVA DESIGN 23

PIERRE HARDY X HERVE DOMAR (HERVÉ DOMAR PARIS DISTRIBUTION, FRANCE) MODEL KORRI – BOOTH 5 R 138 WATCH FOSSIL

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MYKITA (GERMANY) MODEL LITE 1508446 – BOOTH 5 E 137/138 WATCH FOSSIL

TOM DAVIES (UK) MODEL TDH052 C1254 – BOOTH 5 L 089 WATCH HERBELIN 26

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METROPOLITAIN (OWP, GERMANY) MODEL METROPOLITAN 8309 – BOOTH 6 B 024 WATCH HINDENBERG 27

WEB (MARCOLIN GROUP, ITALY) MODEL WE0241-08N – BOOTH 6 F 054 WATCH FOSSIL 28

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VERTIKAL EYEWEAR (USA) MODEL COBEK DASH – BOOTH 5 E 003 WATCH PIERRE LANNIER 29

VI SI ON’

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COLLECTEUR D’IMAGES, ROMAN CIESLEWICZ (19301996) D’ORIGINE POLONAISE, EST CONNU POUR SES AFFICHES ET SES ILLUSTRATIONS À BASE DE COLLAGES DE PHOTOS ET DE MOTIFS. LE MUSÉE DES ARTS DÉCORATIFS À PARIS A ORGANISÉ UNE RÉTROSPECTIVE DE SON ŒUVRE IMMENSE ET STIMULANTE POUR L’ESPRIT. IL DÉFINISSAIT SON RÔLE DE GRAPHISTE COMME UN « AIGUILLEUR DE LA RÉTINE » LUTTANT « CONTRE LA POLLUTION DE L’ŒIL » DUE À UN ENVAHISSEMENT D’IMAGES SANS FORME ET SANS FOND. LES YEUX, LE REGARD ONT ÉTÉ OMNIPRÉSENTS DANS SON ŒUVRE DE PHOTOMONTAGES, L’OCCASION DE LUI RENDRE UN HOMMAGE INSPIRÉ AVEC UNE SÉLECTION DE SES CRÉATIONS EN FIL CONDUCTEUR.

ROMAN CIESLEWICZ (1930-1996) WAS A POLISH PICTURE COLLECTOR AND IS KNOWN FOR HIS POSTERS AND ILLUSTRATIONS USING COLLAGES OF PHOTOS AND MOTIFS. THE MUSEUM OF DECORATIVE ARTS IN PARIS HAS PUT ON A RETROSPECTIVE OF HIS IMMENSE AND INTELLECTUALLYSTIMULATING WORK. HE DEFINED HIS WORK AS A GRAPHIC DESIGNER AS BEING A «TRAFFIC CONTROLLER OF THE RETINA» FIGHTING «VISUAL POLLUTION» CAUSED BY AN INVASION OF IMAGES WITHOUT SHAPE OR SUBSTANCE. THE EYES AND THE GAZE WERE EVER PRESENT IN HIS PHOTOMONTAGES AND THE EXHIBITION IS THE CHANCE TO PAY HIM AN INSPIRED TRIBUTE BY SHOWCASING A SELECTION OF HIS WORKS WITH AN OVERALL THEME.

IMAGE : ROMAN CIESLEWICZ, ESTAM

1976 AFFICHE SÉRIGRAPHIE PARIS M

ROMAN CIESLEWICZ, ESTAMPA 76 V

SCREEN-PRINTED POSTER PARIS MA

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MPA 76 VILLE DE GRENOBLE

MAD INV. 2012.80.368 /// IMAGE:

VILLE DE GRENOBLE 1976

AD INV. 2012.80.368

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Image : Roman Cieslewicz, couverture de magazine Ty i ja, 1966, no 6 - IMEC / Fonds Roman Cieslewicz Image: Roman Cieslewicz, Ty i ja magazine cover, 1966, issue 6 - IMEC / Roman Cieslewicz archive

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1. SUZY GLAM (Netherlands) model Decorates Pine Limited Edition – Booth 5 J 096 2. WAVE OF WOOD (France) model Cactus Beech – Booth 5J081 3. DOKOMOTTO (France) model Iris – Booth 5 M 008 4. ETNIA BARCELONA (Spain) model Carmil 52S-BKCH – Booth 5 D 106/E 106 5. KALEOS EYEHUNTERS (Spain) model Dallas 1452315-1 – Booth 5 D 149 32 6. HISTOIRE DE VOIR (New International Vision, France) model HDV Fil 1 – Booth 5 K 101/ J 103

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1. CAZAL EYEWEAR (OP Couture Brillen Gmbh, Germany) model 6020 – Booth 5 H 059 2. CAROLINE ABRAM (France) model Xquise 2-545 – Booth 5 N 108 3. SUPER by RETROSUPERFUTURE (Italy) model 95E – Booth 5 D 054 4. DREAM by JOHN LENNON (KNCO, France) model JOL19-Zz-B – Booth 5 D 059 34

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Image : Roman Cieslewicz, illustration Horoscope, Elle du 25 avril 1977 / Paris, MAD, centre de documentation Image: Roman Cieslewicz, horoscope illustration, Elle dated 25 April 1977 / Paris, MAD, resource centre

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Image : Roman Cieslewicz, couverture de magazine Ty i ja, 1962, no 2 © Adagp, Paris 2018 - Photo : Paris, IMEC / Fonds Roman Cieslewicz Image: Roman Cieslewicz, Ty i ja magazine cover, 1962, issue 2 © Adagp, Paris 2018 - Photo: Paris, IMEC / Roman Cieslewicz archive

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1. ACCRUE (Korea) model Annie Hall IMG4 167 – Booth 5 G 182 2. BRENDEL by TALBOT RUNHOF (Eschenbach Optik, Germany) model 905010 – Booth 6 B 060 3. WOODYS BARCELONA (Spain) model Prova 52285 – Booth 5 D 082 4. SALVATORE FERRAGAMO (Marchon, USA) model SF184S 706 – Booth 6 B 089 5. FACE A FACE (Design Eyewear Group, Denmark) model Bocca Mania 2-4067 Booth 5 D 118/E 117

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Image : Roman Cieslewicz, Ty i ja, 1967, no 8, couverture de magazine © Adagp, Paris 2018 - Photo : Paris, IMEC / Fonds Roman Cieslewicz

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Image: Roman Cieslewicz, Ty i ja magazine cover, 1962, issue 2 © Adagp, Paris 2018 Photo: Paris, IMEC / Roman Cieslewicz archive

1. FROST (Germany) model Baroque col.10 – Booth 5 M 101 2. KIRK & KIRK (UK) model Spectrum Joss SP3 – Booth 5 M 145 3. BLAKE KUWAHARA (USA) model Beelman – Booth 5 C 140 4. NOBIKA (Italy) model Amedeo 084 – Booth 5 H 143 5. PIERRE EYEWEAR (New International Vision, France) model Una – Booth 5 K 101/ J 103 38

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Image : Roman Cieslewicz, magazine Elle 3 décembre 1973, n°1459 / Paris, MAD, centre de documentation

Image: Roman Cieslewicz, Elle dated 3 December 1973, issue 1,459 / Paris, MAD, resource centre

1. MYKITA (Germany) model Martine 1508605 – Booth 5 E 137/E 138 2. TALBOT RUNHOF (Eschenbach Optik, Germany) model 907006 – Booth 6 B 060 3. AIRDP by EYEWEAR (Italy) model Lion col.5 – Booth 5 E 053 4. VINYL FACTORY (Angel Eyes, France) model Germanotta col.2 – Booth 5 H/HJ 060

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1. JEAN-FRANCOIS REY 1985 (JF Rey, France) model Hornet 9999 – Booth 5 K 107 2. KLEY’S (France) model 0304 – Booth 5 D 164 3. VERONIKA WILDGRUBER (Jacques Durand Occhiali, Italy) model Tiberius 147 – Booth 5K164 4. VUE DC (France) model VIB067 – Booth 5 K 081 42

5. AARI.BOSTROEM (Netherlands) model Irja – Booth 5 EF 002

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Image : Roman Cieslewicz Operacja Konieczna 1956 / © Adagp, Paris 2018 Artists Rights Society (ARS), New York

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Image: Roman Cieslewicz Operacja Konieczna 1956 / © Adagp, Paris 2018 - Artists Rights Society (ARS), New York

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Image : Roman Cieslewicz, Harem, photographie préparatoire pour une sérigraphie et la couverture de l’agenda Prisunic, 12,5 x 16,5 cm, 1968, Boîte B63 / Archives Cieslewicz, Musée de Grenoble.

Image: Roman Cieslewicz, Harem, preparatory photo for a screen print and the cover of the Prisunic diary, 12.5 x 16.5cm, 1968, Box B63 / Cieslewicz archives, Grenoble Museum.

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T R E N D 1. DSQUARED2 (Marcolin Group, Italy) model DQ0315 – Booth 6 F 054 2. LONCHAMP (Marchon, USA) model LO623S – Booth 6 B 089 3. LIO (Italy) model ISM 0962 cal 49 col.01 – Booth 5 K 095 4. MO EYEWEAR (Spain) model Harajuku A Gral – Booth 5 D 031 5. ETE (Key Optical Europe, Italy) model Grenoble Neve – Booth 6 G 070

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Image : Roman Cieslewicz, sans titre 1972, Collection Chantal Petit Cieslewicz Image: Roman Cieslewicz, 1972 untitled, Chantal Petit Cieslewicz collection

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T R E N D 1. EDEN PARK (Grasset Associés, France) model EP5056 004778 – Booth 6G074 2. BLAKE KUWAHARA (MSK Eyewear, France) model Lazlo Shell – Booth 5 B 139 3. ENNI MARCO (New Line Group, Czech Republic) model IS 11-453 19P – Booth 6 D 086 4. FLEYE COPENHAGEN (Denmark) model Signature 6002-02 – Booth 5 D 150 5. FYSH (WestGroupe, Canada) model F-3615-864 – Booth 5 L 060

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D’UN TRAIT FIN OU ÉPAIS, LES MONTURES PRENNENT FORME, ELLES TRACENT DES LIGNES ÉPURÉES SUR LE VISAGE, SANS TROP DE FIORITURES, POUR SE RENDRE LÉGÈRES, AÉRIENNES ; ELLE SE FONT OUBLIER SUR LE NEZ, TOUT EN SOULIGNANT LE REGARD D’UN TRAIT DE MÉTAL, MATÉRIAU DOMINANT.

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WHETHER THEY EMPLOY FINE OR THICK LINES, FRAMES TAKE SHAPE AND HAVE CLEAN LINES ON THE FACE, WITHOUT TOO MANY EMBELLISHMENTS SO AS TO MAKE THEM LIGHT AND ETHEREAL, THEY VANISH OVER THE NOSE, WHILE ACCENTUATING THE EYES WITH A THREAD OF METAL, THE DOMINANT MATERIAL.

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1. KALEOS EYEHUNTERS (Spain) model 1452249-1 – Booth 5 D 149 2. EL NINO (CCO, France) model E359 590G – Booth 6 H 027 3. LINE ART (Charmant, Japan) model XL2127-RG – Booth 5 R 060 4. MONKEY GLASSES (Denmark) model Po-30 – Booth 5 C 093

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1. JOOLY (Oxibis Group, France) model Flower FLO42 – Booth 5 H 053 2. SERAPHIN (Ogi Eyewear, USA) model Fuller 8607 – Booth 5 C/D 101 3. MASSADA (MSK Eyewear, France) model Rashomon – Booth 5 B139 4. ACCRUE (Korea) model Stanley ATBR IMG-3720 – Booth 5 E/F 002

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1. TONY SAME (Japan) model TS624 col. 344 – Booth 5 F 179 2. TREBOSS (FM Optics, Israel) model Tre3027 M.Black-Pink – Booth 5 C 067 3. CLEMENCE & MARGAUX (CCO, France) model CM202 108 3-4 – Booth 6 H 027 4. VUILLET VEGA (France) model Sign 5508 col. 17 – Booth 5 K 060 5. LES HOMMES (Key Optical Europe, Italy) model LH806 col.1 – Booth 6 G 070

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1. CALVIN KLEIN (Marchon, USA) model CK18118 – Booth 6 B 089 2. WOODYS BARCELONA (Spain) model CF049578 – Booth 5 D 082 3. JOHNNY LOCO (Netherlands) model JL INDY – Booth 5 A 081 4. XAVIER GARCIA BARCELONA (Spain) model Grace C01 – Booth 5 C 082

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1. MATSUDA (MSK Eyewear, France) model M3062 – Booth 5 B139 2. JISCO (Spain) model Jonquet – Booth 5 D 079 3. KLIIK DENMARK (WestGroupe, Canada) model K-632-586 – Booth 5 L 060 4. INFACE (Design Eyewear Group, Denmark) model IF1337 col.6031 – Booth 5 D 118/E 117 5. MODO EYEWEAR (Italy) model 4229 Dust – Booth 5 D 093

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1. J.F. REY (France) model SH20053030 – Booth 5 K 107 2. WOOW (Design Eyewear Group, Denmark) model Be Bright1 col.982 – Booth 5 D 118/E 117 3. OKO (Oko Paris Lunetterie, France) model NY25 col.3 – Booth 5 D 081 4. DUTZ EYEWEAR (Netherlands) model SNF0015

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Les montures sont des architectures pures ou complexes, elles sont construites avec précision en métal, acétate, ou en mélange de matériaux sophistiqués.

Les lunettes sont alors comme un building, elles dévoilent un « geste architectural » pour flatter l’œil et dans le même temps, elles répondent à des normes ergonomiques pour un usage quotidien, un confort absolu.

Frames are pure or complex forms of architecture and are precisely manufactured using metal, acetate or combinations of sophisticated materials. Glasses are very similar to buildings and have an «architectural flourish» to flatter the eye and at the same time meet ergonomic requirements for everyday usage and total comfort.

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O-SIX (Thema Optical, Italy) model 00OV-537-0000743M – Booth 5 B 079/6 D 098 64

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EYEPETIZER (Italy) model Bill C2-I 2 – Booth 5 C 100

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JUST (FM Optics, Israel) model J-CH1058 Tr.S. Burdo Silver – Booth 5 C 067 66

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MONOGRAM EYEWEAR (Kabak for Optics Fze, UEA) model X – Booth 5 E 177

BOZ (J.F.Rey, France) model Hop – Booth 5 K 107

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TAVAT EYEWEAR (Italy) model Kafee Product KR001 – Booth 5 N 140

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VDESIGN (Variation Design, France) model 5826 Morgane – Booth 5 F 071

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MARKUS T (Germany) model E2010-335-570-335 – Booth 5 L 140 72

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VUARNET (France) model Ice Collection VL181100052622-2 – Booth 5 B 100

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MOREL (France) model Thalia 20028K Koali Collection – Booth 5 H 054

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EINSTOFFFEN (Germany) model 20180514-100148 – Booth 5 F 016

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DIESEL (Marcolin Group, Italy) model DL027377U – Booth 6 F 054

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SCREE TR E N D

Notre environnement est surpeuplé de photos numériques, amateurs et professionnelles, qui s’empilent dans les clouds et déferlent sur les écrans. En 1985, l’artiste conceptuelle Barbara Kruger a signé un photomontage sur lequel on pouvait lire : « Help ! I’m Locked Inside this picture » (A l’aide ! Je suis prisonnière de cette image), symbole de la pression des flux er reflux d’images qui s’exerce sur nous. Dans cette logique, l’iconographie publicitaire de l’univers optique cherche à la fois à entrer dans le cadre, et dans le même temps à sortir du portrait trop normé.

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ANDY WOLF EYEWEAR (Austria) – Booth 5 F 139 /// Screen Philips

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Our environment is overcrowded with both amateur and pro digital photos which are piling up in digital clouds and flashing by on screens. In 1985, the conceptual artist Barbara Kruger created a photomontage on which the following text was displayed: «Help! I’m Locked Inside this Picture» to symbolize the pressure of the ebb and flow of images on us. Following this ethos, the advertising images used by the optics industry seek to both fit within the set framework and, at the same time, move away from overly standardised portraits.

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Screens Samsung, Philips, LG

IKKS EYEWEAR (Grasset Associés, Paris) – Booth 6 G 074 LIO (Italy) – Booth 5 K 095 VAVA EYEWEAR (Portugal) – Booth 5 D 090

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Screens Philips, Haier, Thomson

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PASCAL MATHIEU (France) – Booth 5 E 171 FRANCOIS PINTON (KNCO, France) – Booth 5 D 059 ACCRUE (Korea) – Booth 5 EF 002 VINYLIZE x ACDC (Hungary) – Booth 5 J 144 WAITING FOR THE SUN (France) – Booth 5 E 158

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BINÔCHE (Belgium) – Booth 5 K 068 FROST (Germany) – Booth 5 M 101 DUTZ EYEWEAR (Netherland) KOMONO (Belgium) – Booth 5 D 089 ØRGREEN (Denmark) – Booth 5 K 139 SABINE BE. (France) – Booth 5 N 122

EEN Screens Aya, Sony, Benq, Samsung, Panasonic

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TREND SERENGETI (Adventure Protection, France) – Booth 6 B 001 DERAPAGE (Nico Design, Italy) – Booth 5 L 121 DANDY’S (Faoflex, italy) – Booth 5 F 150/M 133

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BELLINGER HOUSE (Denmark) – Booth 5 K 133/J 137 MASAHIROMARUYAMA (Japan) – Booth 5 F 158 DELIRIOUS EYEWEAR (Italy) – Booth 5 D 157 GERMANO GAMBINI (Faoflex, Italy) – Booth 5F150-5M133

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P R E S E N C E Screens Thomson, Oker, Panasonic, Philips 89

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G-SPECTACLES (Cosmic s.r.l, Italy) – Booth 5 E 025 Screen Samsung

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SILMO D’OR, TH E NOMINEES En attendant le résultat de la 25ème remise des SILMO d’OR organisée dans le cadre du salon, découvrez la liste des nominés dans chacune des catégories.

While we eagerly await the announcement of the 25th SILMO D’OR awards at the trade show, why not take a look at the list of award nominees in each category?

MONTURE INNOVATION TECHNOLOGIQUE FRAME TECHNOLOGICAL INNOVATION OBE : « Rivet & Bend » (Booth 5 J 006) GÖTTI Switzerland : « Götti Perspective PS06 » (Booth 5 A 139) L’AMY : « McLaren Ultimate Vision » (Booth 6 H 082) NETOPTIC : MALT « Serre-Cercle intégré » (Booth 5 B 095) SPECIAL’EYES : « Dark Hole » (Booth 5 E 042)

ENFANT CHILDREN COGAN : « Zoobug Panda » (Booth 5 H 019) JEAN-FRANÇOIS REY : « Boréal 3020 » (Booth 5 K 107) MINIMA : « Minima BB Hybrid 1 » (Booth 5 P 060) TARTINE & CHOCOLAT: « TC AA327 » OPAL (Booth 6 B 011) URBAND : « Eyelet Active » (Booth 5 P 134)

MONTURE OPTIQUE « TENDANCE MODE » OPTICAL FRAME « FASHION TREND » LONGCHAMP : « LO2109 » MARCHON (Booth 6 B 089) MARNI : « ME 2623 » MARCHON (Booth 6 B 089) MAUBOUSSIN : « MAU1808 » ADCL (Booth 6 F 074) ROUSSILHE : Bonnie « Lumineuse » (Booth 5 P 108) SALVATORE FERRAGAMO avec « SF 2174 FIORE» MARCHON (Booth 6 B 089) 92

LUNETTES SOLAIRES « TENDANCE MODE » SUNGLASSES « FASHION TREND » ELEVEN PARIS : « EP AS052 » OPAL (Booth 6 B 011) LONGCHAMP : « LO623S » MARCHON (Booth 6 B 089) MAJE : « MJ7007 » MONDOTTICA (Booth 6 B 067) SALVATORE FERRAGAMO avec « SF184S FIORE» MARCHON VON ARKEL SWITZERLAND : « Calibre 4 »​(Booth 5 M 089)

MONTURE OPTIQUE « CREATEUR LUNETIER » OPTICAL FRAME « EYEWEAR DESIGNER » BLAKE KUWAHARA : « Johnson » (Booth 5 C 140) HENAU : « Koga » (Booth 5 F 059) MORÀ BUSOLI : « Venti » (Booth 5 N 082) PIERRE EYEWEAR : « New York » (Booth 5 K 101) YOHJI YAMAMOTO : « YY3021 » BRANDO (Booth 5 E 139)

LUNETTES SOLAIRES « CREATEUR LUNETIER » SUNGLASSES « EYEWEAR DESIGNER » FACTORY 900 & ELZA WINKLER : « EL-002 » (Booth 5 F 142) IMPRESSIO : « Impressio 609 Vortex » (Booth 5 HJ 149) NINA MÛR : « Nathalie Bacterio » (Booth 5 K 072) PIERO MASSARO : « PM 362 » (Booth 5 H 161) VAVA EYEWEAR : « CL0008 » (Booth 5 H 162)

VISION VISION BBGR Optique / «BLUV Xpert » (Booth 6 C 039) DIVEL Italia : « IR BLOCK » (Booth 5 J 006) ESSILOR : « Crizal® Sapphire+™» (Booth 6 J 105) NIKON : « SeeCoat Bright UV » (Booth 6 B 039) ZEISS : « UV Protect » (Booth 5 H 032)

MATERIEL / EQUIPEMENT MATERIAL / EQUIPMENT ACCESS France SECURITE & RFID : « ID Robot 2.0 » (Booth 6 F 126) ESSILOR : « Vision R-800 » (Booth 6 J 105) NIDEK : « Téléréfraction »​(Booth 5 P 054) 93

INDEX

OF BRANDS F MULTI COLORS

O

C

U

S

MODO (ITALY) - KAOS (AREA98, ITALY) - JEAN RENO BY CENDRINE O. (SOCODEIX, FRANCE) - FROST (GERMANY) - FREE LAND (BARCELONA ART DESIGN, SPAIN) - OWP (OWP, GERMANY) - FLEYE COPENHAGEN (DENMARK) - VANNI (NICO DESIGN, ITALY) - BANANA MOON (VISIOPTIS, FRANCE) - VINYL FACTORY (ANGEL EYES, FRANCE) - VERA WANG (KENMARK EYEWEAR, USA) - OGI EYEWEAR (USA) - FROST (GERMANY) - PLEIN LES MIRETTES (FRANCE) - CATIMINI (KNCO, FRANCE)

F O ALWAYS ROUND TIME

C

U

S

GÖTTI SWITZERLAND (SWITZERLAND) - MOSCOT (SWITZERLAND) - VAVA EYEWEAR (PORTUGAL) - VINYL FACTORY (ANGELEYES, FRANCE) - PIERRE HARDY X HERVE DOMAR (HERVÉ DOMAR PARIS DISTRIBUTION, FRANCE) - MYKITA (GERMANY) - METROPOLITAIN (OWP, GERMANY) - TOM DAVIES (UK) - VERTIKAL EYEWEAR (USA) - WEB (MARCOLIN GROUP, ITALY)

95

T VISION’ART

R

E

N

D

DOKOMOTTO (FRANCE) - SUZY GLAM (NETHERLANDS) - WAVE OF WOOD (FRANCE) -ETNIA BARCELONA (SPAIN) - KALEOS EYEHUNTERS (SPAIN) - HISTOIRE DE VOIR (NEW INTERNATIONAL VISION, FRANCE) - WOODYS BARCELONA (SPAIN) - BRENDEL BY TALBOT RUNHOF (ESCHENBACH OPTIK, GERMANY) - SALVATORE FERRAGAMO (MARCHON, USA) - ACCRUE (KOREA) - FACE A FACE (DESIGN EYEWEAR GROUP, DENMARK) - CAZAL EYEWEAR (OP COUTURE BRILLEN GMBH, GERMANY) - 2. X-IDE (IMMAGINE98, ITALY) - SUPER BY RETROSUPERFUTURE (ITALY) - DREAM BY JOHN LENNON (KNCO, FRANCE) - BLAKE KUWAHARA (USA) - NOBIKA (ITALY) - KIRK & KIRK (UK) FROST (GERMANY) - PIERRE EYEWEAR (NEW INTERNATIONAL VISION, FRANCE) - VINYL FACTORY (ANGEL EYES, FRANCE) - TALBOT RUNHOF (ESCHENBACH OPTIK, GERMANY) - AIRDP BY EYEWEAR (ITALY) - MYKITA (GERMANY) - VERONIKA WILDGRUBER (JACQUES DURAND OCCHIALI, ITALY) - JEAN-FRANCOIS REY 1985 (JF REY, FRANCE) - VUE DC (FRANCE) - KLEY’S (FRANCE) - AARI.BOSTROEM (NETHERLANDS) - LIO (ITALY) - LONCHAMP (MARCHON, USA) - DSQUARED2 (MARCOLIN GROUP, ITALY) - MO EYEWEAR (SPAIN) - ETE (KEY OPTICAL EUROPE, ITALY) - ENNI MARCO (NEW LINE GROUP, CZECH REPUBLIC) - FLEYE COPENHAGEN (DENMARK) - BLAKE KUWAHARA (MSK EYEWEAR, FRANCE) - FYSH (WESTGROUPE, CANADA) - EDEN PARK (GRASSET ASSOCIÉS, FRANCE)

T JUST ONE LINE

R

E

N

D

OKO BY OKO (OKO PARIS LUNETTERIE, FRANCE) - WOOW (DESIGN EYEWEAR GROUP, DENMARK) - DUTZ EYEWEAR (NETHERLANDS) - J.F. REY (FRANCE) - JOOLY (OXIBIS GROUP, FRANCE) - MASSADA (MSK EYEWEAR, FRANCE) - SERAPHIN (OGI EYEWEAR, USA) - ACCRUE (KOREA) - TONY SAME (JAPAN) - TREBOSS (FM OPTICS, ISRAEL) - VUILLET VEGA (FRANCE) - CLEMENCE & MARGAUX (CCO, FRANCE) - LES HOMMES (KEY OPTICAL EUROPE, ITALY) - WOODYS BARCELONA (SPAIN) - XAVIER GARCIA BARCELONA (SPAIN) - JOHNNY LOCO (NETHERLANDS) - CALVIN KLEIN (MARCHON, USA) - KLIIK DENMARK (WESTGROUPE, CANADA) - MATSUDA (MSK EYEWEAR, FRANCE) MODEL M3062 - MODO EYEWEAR (ITALY) - JISCO (SPAIN) - INFACE (DESIGN EYEWEAR GROUP, DENMARK) - EL NINO (CCO, FRANCE) - KALEOS EYEHUNTERS (SPAIN) - MONKEY GLASSES (DENMARK) - LINE ART (CHARMANT, JAPAN)

T ARCHI GLASSES

R

E

N

D

O-SIX (THEMA OPTICAL, ITALY) - EYEPETIZER (ITALY) - MONOGRAM EYEWEAR (KABAK FOR OPTICS FZE, UEA) - JUST (FM OPTICS,ISRAEL)-TAVAT EYEWEAR (ITALY)-BOZ (J.F.REY,FRANCE)-VDESIGN (VARIATION DESIGN,FRANCE)-RYE &LYE (IMMAGINE 98, USA) - VUARNET (FRANCE) - DIESEL (MARCOLIN GROUP, ITALY) -EINSTOFFFEN (GERMANY) - MOREL (FRANCE)

96

T R SCREEN PRESENCE

E

N

D

ANDY WOLF EYEWEAR (AUSTRIA) - PASCAL MATHIEU (FRANCE) - FRANCOIS PINTON (KNCO, FRANCE) - ACCRUE (KOREA) - VINYLIZE X ACDC (HUNGARY) - WAITING FOR THE SUN (FRANCE) - IKKS EYEWEAR (GRASSET ASSOCIÉS, PARIS)- LIO (ITALY) - VAVA EYEWEAR (PORTUGAL) - CAROLINE ABRAM (FRANCE) - SERENGETI (ADVENTURE PROTECTION, FRANCE) - DERAPAGE (NICO DESIGN, ITALY) - DANDY’S (FAOFLEX, ITALY) - BELLINGER HOUSE (DENMARK) - MASAHIROMARUYAMA (JAPAN) MODEL BROKEN - DELIRIOUS EYEWEAR (ITALY) - GERMANO GAMBINI (FAOFLEX, ITALY) - BINÔCHE (BELGIUM) - FROST (GERMANY) - DUTZ EYEWEAR (NETHERLAND) - KOMONO (BELGIUM) - ØRGREEN (DENMARK) - SABINE BE. (FRANCE) - G-SPECTACLES (COSMIC S.R.L, ITALY)

97

LE SALON 27 - 30 S E P T.

2019