MoAD Annual Report 2022

ANNUAL REP ORT 2 2

Letter from Monetta White

Dear Friends, It is with great pride and appreciation that I share with you the tremendous accomplishments of Museum of the African Diaspora (MoAD) in our 2022 Annual Report. Thank you for your belief in our mission as a contemporary art museum, celebrating Black cultures, igniting challenging conversations, and inspiring learning through the global lens of the African Diaspora. You ensure that MoAD thrives as a space for sharing, appreciating, and better understanding contemporary Black art for learners of all identities and ages. You invest in uplifting Black artists. You invest in the future.

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Reflecting on the significant strides made in 2022, I am filled with a renewed sense of inspiration and confidence in the future of this institution. Despite the unprecedented challenges posed by the pandemic, we emerged stronger, paving the way for an exciting period of growth. As we continue to expand, our commitment to excellence, inclusivity, and accessibility remains at the forefront of everything we do.

Our cutting-edge exhibitions maintain the highest caliber of excellence and provide a platform for both emerging and established artists. In February 2022, we closed Ghanaian artist, Amoako Boafo’s premier exhibition, Soul of Black Folks and Malawi-born Johannesburg-based artist, Billy Zangewa’s first solo U.S. museum exhibition, Thread for a Web Begun. We are excited to be the first museum to highlight the important works of these two artists and build a bridge across continents.

In the spring of 2022, we presented David Huffman: Terra Incognita, showing the world-renowned, Oakland-based artist’s Traumanauts series together for the first time.

Curated by Monique Long, Elegies: Still Lifes in Contemporary Art challenged the art world’s focus on figurative works by Black artists and shared seventeen artists’ use of still life in its many contemporary forms. The Emerging Artists Program which has introduced some of the most talented Bay Area artists since 2015 presented four astounding exhibitions, exemplified by Cynthia Aurora Brannvall’s sublime repurpose of antique lace to explore history, lineage, and memory. In the fall of 2022, MoAD presented the west coast premiere of The New Black Vanguard: Photography between Art and Fashion, a stunning photography exhibition curated by Antwaun Sargent.

Ensuring that all communities have access to MoAD is a priority. We launched Thrive@MoAD, a partnership with Kaiser Permanente that allowed us to open our doors on the second Saturday of each month with free admission. Combined with our Martin Luther King Jr. Community Free Day, free Juneteenth event, and Museums for All, MoAD is making art more accessible to low-income families and youth. In 2022, we proudly welcomed over 3,000 individuals with complimentary admission.

MoAD in the Classroom (MIC) returned in person to over 38 Title One Bay Area public school classrooms. We expanded our youth educational opportunities by creating Diaspora Stories, an arts education program for teens. The classes taught by professional creatives focused on teens exploring their personal histories and were designed to build professional life skills while expanding possibilities for the future. Art and creative production were explored as viable careers.

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In September, MoAD hosted the inaugural Black Food Summit which closed out the seven-year residency of MoAD’s first Chef-in-Residence, Bryant Terry. In 2015, MoAD launched the Chef-in-Residence program—most likely the first of its kind at a contemporary arts museum! Through the program, Bryant carved out how a contemporary art museum could be a platform for food education, advocacy, and celebration. MoAD became a critical component of Black food spaces in the Bay Area. The Black Food Summit explored the histories, the present, and the possibilities of Black foods and chefs through education and activism.

Closing out 2022 and helping to prepare MoAD for the future, was the appointment of Key Jo Lee as Chief of Curatorial Affairs and Public Programs. Funded by Mellon Foundation, this newly created role under Key Jo’s scholarship acts as a guiding star for MoAD’s growth and goals of establishing the institution as a global thought leader in contemporary art of the African diaspora.

Thank you for your support of our mission and work. MoAD is an institution focused on contemporary art of the African diaspora and uplifting Black artists. We are also a community created by artists, curators, scholars, creatives, and you. We appreciate you for being and growing with us.

Sincerely,

Monetta White CEO and Executive Director

EXHIBITIONS

WE WELCOMED BACK

20,000 VISITORS 2022

Amoako Boafo: Soul of Black Folks 10.20.21 - 2.27.22 Curated by Larry Ossei-Mensah, Amoako Boafo: Soul of Black Folks, was the premier museum solo exhibition for Ghanaian artist Amoako Boafo. Soul of Black Folks is a timely exploration into the varying strategies that Boafo employs within his practice to capture the essence of the Black figure. Variables such as COVID-19, the constant resistance against systemic oppression, and the commodification of Black bodies in the media are some of the issues that heighten this exhibition’s urgency.

Billie Zangewa: Thread for a Web Begun

Beyond the Sky 10.20.21 - 2.27.22 Curated by Leila Weefur, Beyond the Sky was a presentation of four short films from a selection of contemporary African filmmakers. Each film moves seamlessly between the personal and metaphysical, connecting cinematic voices across the different regions of Africa. Finding comfort floating in uncertainty, these filmmakers pose questions —some obvious, some hidden—in an attempt at guiding us toward futurity.

While maintaining allegiance to specific regional traditions, the images presented in this series reframe traditional African images into a new digital vernacular.

Presented Films

10.20.21 - 2.27.22 Malawi-born, Johannesburg-based artist, Billie Zangewa’s first solo U.S. Museum exhibition, Thread for a Web Begun, curated by Dexter Wimberly included examples of the artist’s work from the past 15 years, as well as new pieces made specifically for the show. Although many of the scenes depicted in Zangewa’s layered silk tapestries are autobiographical, there is a relatability that goes beyond her personal journey as an artist.

Zangewa’s labor-intensive processes recall the historic implications of “women’s work” but remain a steadfast contemporary interpretation of lived experiences.

Kalu Oji - Beyond the Moon Lebohang Kganye - Ke sale teng Yo - Yo Gonthier - Burey Bambata Tabita Rezaire - Deep Down Tidal

Sam Vernon: Impasse of Desires

Elegies: Still Lifes in Contemporary Art

3.31.22 - 9.18.22 Curated by Elena Gross, Sam Vernon: Impasse of Desires was a site-specific installation and solo exhibition which used Matt Richardson’s 2013 publication The Queer Limit of Black Memory as a critical entry point. Vernon draped the first-floor gallery and lobby of the museum with sheets of colored fabric creating a constellation of made and found images. Long sheets of colored textiles act as connective tissue, bringing together the museum’s internal and external publics, by creating a visual bridge between the museum’s lobby and the building’s facade. In Richardson’s introduction, he cites the photomosaic based on Chester Higgins Jr’s Young Girl from Ghana that adorns two and a half floors of the museum’s exterior street front as a troubling site of both celebration and erasure: while the mosaic offers a kaleidoscope of Black faces, familial structures, and community, it noticeably underrepresents non-normative gender and sexual expression.

David Huffman: Terra Incognita Curated by Elena Gross, this exhibition showcased the extensive narrative that David Huffman has been designing since the early 1990s across a range of media including large-scale canvas, works on paper, ceramics, video, and printmaking. This work explored an Afrofuturistic landscape disrupting the canon of historical narrative painting with otherworldly horizons.

Curated by Monique Long, this group exhibition brought together an international group of artists who have disrupted or extended the traditional presentation of still lifes. The artists have appropriated the genre to create works within a framework of Black diasporic identities, histories, and collective experiences. Featured: Sadie Barnette, LaKela Brown, Elizabeth Colomba, Njideka Akunyili Crosby, David Antonio Cruz, Awol Erizku, Leslie Hewitt, Yashua Klos, Deana Lawson, Azikiwe Mohammed, Rashaad Newsome, Toyin Ojih Odutola, Paul Mpagi Sepuya, Devan Shimoyama, William Villalongo, and Brittney Leeanne Williams.

The New Black Vanguard: Photography between Art and Fashion Curated by Antwaun Sargent and organized by Aperture, this exhibition highlighted the work of 15 contemporary fashion photographers—from London to Lagos, New York to Johannesburg— whose images presented radically new perspectives on the medium of photography and art, race and beauty, and gender and power. Featured: Campbell Addy, Arielle Bobb-Willis, Micaiah Carter, Awol Erizku, Nadine Ijewere, Quil Lemons, Namsa Leuba, Renell Medrano, Tyler Mitchell, Jamal Nxedlana, Daniel Obasi, Ruth Ossai, Adrienne Raquel, Dana Scruggs, and Stephen Tayo.

EMERGING ARTISTS PROGRAM 2022

Cynthia Aurora Brannvall: The Threads That Bind

Richard-Jonathan Nelson: Interlacing Distributed Intelligence/ Noir Care

The Threads that Bind was an allusion to a body of artwork rendered in textiles to evoke memory, presence, labor, trade, industry, slavery, luxury, baptisms, weddings, funerals, gender, and history in the African diaspora. The concept and material of thread created meaning as an ancestral carrier traveling through time across borders through voluntary and involuntary migration from one body to another. The bind refers to shared experiences of trauma, oppression and perseverance that cohere in Black identity.

In this exhibition, Nelson brought together traditional craft practices like embroidery, weaving, and quilting along with digital art to reimagine the Black body as a place for futuristic progress.

Nelson created images of the Black diaspora far removed from the historic depiction as servile and without agency, and instead as visually and culturally complex individuals. The work is balanced visually between the dichotomy of Blackness as an expansive unknowable monolithic void and a chromatically intense generator of culture.

Trina Michelle Robinson: Excavation: Past, Present and Future Using early photography and motion picture processes, Excavation looked at the relationship between memory and migration. Robinson’s ancestry was the catalyst for this exploration, but the work also looked at stories of migration and memory outside of her immediate family. In Paul Virilio’s The Vision, the author talks about capturing the impression of someone or something rather than producing an exact copy when it comes to creating an image. An ethereal copy was Robinson’s approach when considering the excavation of memories. An exact replica might not be possible, but we can get a glimpse, hold on, and sit with what remains so we can move forward into the future.

Ashley Ross: 10/27/03 10/27/03 is a body of work that surveys the ways in which experiential dualities can exist within the confines of a religious upbringing. Bringing together staged black and white photographs, familial archive layered works, and installation, this body of work uses photography and personal memorabilia to illustrate ideas about indoctrination and legacy within the black familial structure.

Whether through visual allegories or the artist’s personal explorations of religion, each photographic work represents the process of rumination and memory when confronting one’s own former spiritual experience allowing the viewer to contemplate the ways in which we internalize belief systems.

RESIDENCIES, RESIDENCIES, AWARDS AWARDS & & PUBLIC PROGRAM PUBLIC PROGRAM HIGHLIGHTS HIGHLIGHTS

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6027 ATTENDEES Chef-in-Residence MoAD’s Chef-in-Residence program, the first of its kind in a contemporary art museum, has been seminal in creating space for people of color to give voice to crucial issues around food justice, climate justice, and social justice while nurturing a love of healthy foods, creativity, and community. From its very first offering, a panel discussion entitled Black Women, Food, and Power, to the widely lauded Black Food Summit in September 2022, the program under Chef-in-Residence Bryant Terry’s direc­ tion brought together hundreds of leading Black chefs, writers, scholars, activists, artists, and other creatives to advance the health and well-being of the African Diaspora.

2022

I always search for The lovely spirit different ways that poetry canday intersect of that has withcarried other artme forms, inhabit public spacthrough these espast differently, and couple be interactive. The of weeks. activation was - Attendee beautiful.

- Attendee

Poets-in-Residence

African Literary Award

Founded in 2018, the MoAD Poets-in-Residence program provides writers with opportunities to respond to contemporary art of the African Diaspora and extend the reach of the museum through programming embedded within historically marginalized Bay Area communities. This annual four-month paid residency provides two poets of African descent the opportunity to further develop their writing, while partnering with a local high school to lead youth poetry workshops. The 2022 Poets-in-Residence were Tureeda Mikell and Nefertiti Asanti.

Presented by MoAD, the African Literary Award recognizes an African author who has produced a work of literary excellence and taken a leadership role in promoting writing and literacy in their local communities. The award is granted to an author whose work has been read by the Museum’s monthly African Book Club. In September 2022, author Rémy Ngamije was selected as the inaugural African Literary Award recipient for his book An Eternal Audience of One and his community literary initiatives in his home country of Namibia.

1,101 PARTICIPATED

I N TO U RS Performance | bone black: a ritual reading for bell hooks bone black was a ritual performance reading for the late black feminist writer and theorist, bell hooks/Gloria Jean Watkins. Conducted

by Courtney Desiree Morris, a visual/concep­ tual artist and an assistant professor of Gender and Women’s Studies at the University of California, Berkeley, the performance featured 69 Black women, transgender, and non-binary performers who served as live and virtual ritual readers reciting hooks’ prolific body of work. The ritual gathered artists, scholars, activists, workers, spiritual leaders, and everyday people to engage in this work and create collective spaces for grieving, reflection and ancestral veneration.

MoAD & SFJAZZ Present: Black History Month Celebration with Martin Luther McCoy In celebration of Black History Month, San Francisco native Martin Luther McCoy blessed the space with a concert and multimedia performative excavation of Amoako Boafo: Soul of Black Folks. With original and repurposed found film and video as the backdrop along with original music, Luther celebrated the close of the current exhibitions with his signature mix of blues drenched R&B and griot storytelling from a classic soul point of view.

Chef-in-Residence | Black Food Summit A two-day summit inspired by MoAD Chef-in-Residence Bryant Terry’s latest book Black Food: Stories, Art, and Recipes from Across the African Diaspora. The weekend featured thought-provoking panels at MoAD (navigating the ins and outs of publishing, telling compelling stories, and effectively using design).

The following day, hosted at the TomKat Ranch in Pescadero, was a day of experi­ ential learning and communal leisure (hikes, contemplative writing, gardening, breathwork, and equine activities) and a community supper made by some of the Bay Area’s most talented Black chefs.

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The lovely spirit of that day has carried me through these past couple of weeks.

- Attendee

MoAD & SFJAZZ Present: Paula West Paula West, an artist JazzTimes calls “the finest jazz-cabaret singer around,” presented an exclusive intimate concert featuring bassist Owen Clapp and pianist Adam Shulman. They performed a mixture of originals, jazz standards, and socially conscious Americana classics.

MoAD & Litquake Present: Comrade Sisters: Women of the Black Panther Party Celebrating the publication of Comrade Sisters: Women of the Black Panther Party, this panel conversation featured author Ericka Huggins, photographer Stephen Shames, and contributors Cheryl Dawson and Gayle Asali Dickson, moderated by Professor Leigh Raiford.

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Gardener

by Yashua Klos in Conversation with Michael Ealy In conjunction with the exhibition Elegies, artist Yashua Klos conducted a collective reading of his installation Gardener, which consists of 16 cardboard protest signs, each sign bearing a line from Ross Gay’s poem ‘A Small Needful Fact’ in commemoration of the slain Eric Garner (1970-2014). This reading highlighted the communal acts of mourning and protesting, while blurring the boundaries between the two. The activation was followed by a conversation with the artist Yashua Klos and actor-art collector Michael Ealy.

EDUCATION PROGRAM HIGHLIGHTS

2,053 SERVED YOUTH & TEACHERS

2022

MoAD in the Classroom (MIC)

Teen Program

MoAD in the Classroom is an arts-based, visual literacy and cultural studies program for third grade classrooms in the San Francisco Bay Area. Through MIC, students view current art exhibitions, learn how to view and talk about art, and participate in hands-on art activities.

MoAD Educators teach students about museum themes, current exhibitions, and visual arts vocabulary. As a culminating event, students display and present their work to peers, family members, and other stakeholders beyond the classroom.

MoAD Teens: Diaspora Stories Project is a program where Bay Area youth explore their identities in relation to their diaspora stories and influence the future of museum youth programming.

MoAD worked with dedicated Bay Area students from grades 10, 11, and 12 who showed commitment to documenting diaspora stories in the Bay Area. During their participation, youth worked collaboratively with Black art professionals on learning, investigating, and exploring their connection to their individual stories through the lens of digital photography and podcasting.

Virtual Programs In the Artist’s Studio

Art As We See It

Each month, MoAD staff members visit some of our favorite artists in their studios to see what they’re currently working on and how their work has changed since the onset of Covid-19. This is a rare opportunity to hear from artists directly from their studios.

We follow all talks with an audience Q&A.

This series of conversations by MoAD Docents celebrates the art and rhythms of the African diaspora by pairing visual art with music. Our Docents search online archives to bring selected artworks and pair each piece with music. Participants are invited to join the discussion via chat as they consider style, inspiration, political and cultural context, and highlight the textures and rhythms of art and music.

FINANCIALS REVENUES Corporations

$987,438

Earned Income

$969,584

Foundations

$759,349

Government

$1,065,989

Individuals

$990,968 $4,773,327

EXPENSES Capital Expenditures

$10,703

Designated Operating Reserve

$294,442

Fundraising

$1,192,122

Management General

$670,697

Program Funding

$2,605,363

$4,773,327

2022

THANK YOU TO OUR GENEROUS SUPPORTERS This list reflects gifts received between January 1, 2022 and December 31, 2022. Every effort has been made to ensure accuracy. If you have any questions or concerns, please email Sheeka Arbuthnot, Chief Development Officer, at sarbuthnot@moadsf.org.

VISIONARY City and County of San Francisco Dignity Health Institute of Museum & Library Services

INNOVATOR Jill Cowan & Stephen Davis Crankstart Foundation Kaiser Permanente San Francisco Grants for the Arts

CHAMPION Anonymous AT&T California California Arts Council Chan Zuckerberg Initiative Collective Impact CSAA Insurance Group Lisa & Kenneth Jackson Renaissance Charitable Foundation San Francisco Foundation Union Bank Foundation Westridge Foundation

BENEFACTOR Benefit Cosmetics Wayee Chu & Ethan Beard Elisa Durrette & Ruth McFarlane

First Republic Bank FivePoint Communities Glassdoor Global Fund for Women Honeywell International Inc Karen Jenkins-Johnson & Kevin Johnson Kelson Foundation Pacific Gas and Electric Company Beryl & James Potter Siebert Williams Shank & Co., LLC Verizon Robin & Carl Washington Wells Fargo Foundation

ADVOCATE Katie & Rodger Allen Bernard Osher Foundation Bloomberg Philanthropies Boys & Girls Club of San Francisco Alicia & Mark Carter Suzette & Jeff Clarke Jay C. Cowan Quinn Delaney & Wayne Jordan Dodge & Cox Harry & Michele Elam Peggy W. Forbes & Harry Bremond Greenberg Traurig Melinda Hightower

Kim & Daniel Johnson K.A. Zankel Foundation Charles LaFollette & Dawn Davis Dorothy Lathan LSP Family Foundation Shannon & Bill Nash Patreon Penguin Random House Mauree & Mark Perry Soraya & Julio Rios Sony Interactive Entertainment The Allen Group The Food and Farm Communications Fund The McKinsey Institute The Williams & Hart Rainbow Fund Tides Foundation Denise Vohra Cheryl & Charles Ward Warner Music Group/Blavatnik Family Foundation Social Justice Fund Diane B. Wilsey Wilson Sonsini Goodrich & Rosati Foundation Yerba Buena Community Benefit District

CURATOR Adobe Systems Inc Ariel Investments David Broussard Susan E. Brown Sonya & Eugene Clark-Herrera Gail Covington Brenda & Michael Drake Michelle Gaskill-Hames & Charley Hames Julie Goldman Peter Griffith & Cori Taylor Reggie Hodges David Tundie ibnAle & Mollie Ricker Joyce Johnson Miller Vimbayi Kajese & Tawanda Sibanda Lisa Kim Luminx Marin Community Foundation

Eric McDonnell & Hydra Mendoza Marc & Marjorie McMorris Bryan & Tara Meehan Morby Family Charitable Foundation, Inc Neiman Marcus Pam Moore Perkins Coie LLC Gregory & Sonjia Redmond Arthur Rock & Toni Rembe Julius Robinson L. Wade & Madelynn Rose San Francisco Travel Association Brandon Simmons Marc Spencer Tiffany Stevenson Synchrony The Leila & Mickey Straus Family Charitable Trust Gina & Michael Warren Barry L. Williams & Lalita Tademy Robin Wright Ammanuel Zegeye & Erin Saade Zlot Buell & Associates

COLLECTOR Charles & Paula Collins Brook Dooley Gina Fromer Niquette & Geoff Hunt Akieva & Martin Jacobs

THANK YOU TO OUR GENEROUS SUPPORTERS (continued)

Tonia & Adam Karr Nilka & Maik Klasen San Francisco Giants Baseball Club The Archie-Brown Springboard Fund Tripplett Management Corporation University of California, Berkeley Yerba Buena Gardens Festival

DOCENT Abimbola Adetola Abatan Claude Ames Anna Barber John Barnwell M Lucey Bowen Alfred Bowie Denise Bradley-Tyson Heidy Braverman & David Skinner Elizabeth Cabraser Caroline & Rahel Queer Justice Fund Andrea Crow Beverly Daniels-Greenberg & Don Greenberg Elizabeth Devaney DLA Piper LLP Richard & Theresa Ellis Cheryl Finley Michael Ginther Charlie Goldberg Thelma Golden Steve & Mary Gorski Tony & Angela Harris Tom Jones Melissa Lim Jayne Lipman & Bob Goodman Richard & Rosemary Mayhew Nion T. McEvoy Cornelius Moore Catherine S. Muther Jared Newberry Peter Nicks Erin O’Connell-Simqu Michael Pearson Tricia Perkins Sherri Pittman Janet Reilly

Jennifer Roberts Jessica Ross Catherine Sanger Jacqueline Sellers Francine O. Shakir Joy Simmons Deborah & Joel Skidmore Temitope Sonuyi Greg Stern Laura Sweeney Rahsaan Thompson & Kara Kelly Gerald Vurek & Lynda Martyn Cerisse & Vincent Ward Thurman & Eileen White Merele Williams-Adkins Carmen Rita Wong

IN-KIND Adobe Systems Inc Bi-Rite Family of Businesses The Girl Friends Inc., Golden State Moet Hennessy One Workplace TomKat Ranch Educational Foundation Uncle Nearest Whiskey Wade Cellars

ESTATE & TRUSTS GIFTS Frankie Gillet Susie Johnson

MATCHING GIFTS Adobe Inc BlackRock Inc. eBay Inc Google Kaiser Permanente LinkedIn Corporation Lumen Technologies McKinsey & Company Inc. Microsoft Corporation Okta Inc Roblox The Commonwealth Fund

COLLABORATORS & PARTNERS The Village Project City of San Francisco Black Public Media Poets & Writers New York Times Docs Asian Art Museum SFJAZZ CCA Architecture The Mechanics’ Institute UC Berkeley Gender and Women’s Studies Department UC Berkeley African American Studies and African Diaspora Studies Department The Othering and Belonging Institute at UC Berkeley Omi Black Writer’s Residency Black [Space] Residency TomKat Ranch 4 Color Books Kaiser Permanente Yerba Buena Gardens Festival

Yerba Buena Community Benefit District Ethnicity, Race and Indigenous Peoples Section of the Latin American Studies Association Goethe Institute San Francisco Public Library Lorraine Hansberry Theater CubaCaribe Festival of Dance and Music Healdsburg Jazz Festival Community Music Center Artist as First Responder Brittle Paper Litquake ODC Counterpulse 826 Valencia Smithsonian Affiliates Ruth Asawa School of the Arts Smithsonian’s National Museum of African Art Emerson Collective

BOARD MEMBERS L. Wade Rose - Board Chair Peggy Woodford Forbes - Vice Chair Eric McDonnell - Treasurer Julius Robinson - Secretary Susan E. Brown Jill Cowan Elisa Durrette Michelle Gaskill-Hames Vimbayi Kajese Christine Keener Robert S. Kenney Beryl Potter Tiffany Stevenson Tom Troy Ammanuel Zegeye

STAFF Monetta White - Executive Director Sheeka Arbuthnot - Chief Development Officer Selam Bekele - Curator, Interim Director of Exhibitions Kendall Benford - Visitor Experience Associate Demetri Broxton - Senior Director of Education Lisbeth Cervantes - Executive Assistant Tinashe Chidarikire - Digital Content Manager Henry Davis III - Visitor Experience Associate Mela Delgado - Registrar Sedey Gebreyes - Senior Education Program Manager Elizabeth Gessel - Director of Public Programs Elena Gross - Director of Exhibitions and Curatorial Affairs Kitsaun King - Development Manager Imani Lee - Visitor Experience Manager Nia McAllister - Senior Public Programs Manager

Tamara Orozco - Director of Marketing and Communications Paul Plale - Brand Design Manager Paul Rodriguez - Director of Operations Maya Sadler - Education Program Manager Dayonna Tucker - Development Associate Charlena Wynn - Visitor Experience Manager

PART-TIME TEACHING ARTISTS Charles Anderson Asual Aswad Dariane Beamon Viviana Martinez Carlos Aja Johnson Christie Jones Aambr Newsome Theresa Nguyen Ramona Soto Mallorie Winn

INTERNS Lily Basting Sky Choi Samantha Cue Naomi Amenu Fesseha Samantha Ann Jewell Suhyeon Kim Natalia Olivares Madriles Sumin Oh Nadia Scott Ember Tharpe

DOCENTS Charlie Goldberg LuCurisa Hammork Rodney Paul

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