As Alcohol Awareness Month highlights ongoing challenges related to substance use and recovery, the Hazelden Betty Ford Foundation is intensifying efforts to dismantle stigma and improve access to treatment, particularly in communities of color.
The Minnesota-based nonprofit, the nation’s largest provider of substance use disorder treatment, is expanding its mission to address systemic inequities and cultural barriers that prevent many individuals from seeking help.
“Substance use disorder is not a moral failing — it’s a medical and public health issue,” said Andrew Williams, national director of diversity, equity and inclusion at Hazelden Betty Ford. “We’re working to shift that perception and create a more inclusive, traumainformed approach to treatment, especially for Black, Indigenous and other communities of color who have historically lacked access to quality care.”
Williams, who has led the organization’s diversity efforts since 2020, said the foundation is investing in workforce development, building partnerships, and expanding culturally responsive care. These efforts aim to address the specific challenges faced by underserved populations, in-
Health
Hazelden expands mission to address cultural barriers
Participants
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cluding racial trauma, systemic poverty, and longstanding distrust of the health care system. Although Hazelden Betty Ford has historically focused on addiction treatment, the organization is now expanding services to address co-occurring mental health disorders.
Williams said the move reflects the growing understanding that substance use and mental health issues often intersect.
“You can’t address one without the other — especially in communities carrying the weight of systemic racism, poverty and trauma,” he said. Minnesota faces significant challenges related to alcohol use. In 2021, the state re-
ported 1,162 alcohol-induced deaths, making alcohol the ninth-leading cause of death that year. That number more than doubled the state’s traffic fatalities and exceeded the total number of deaths by homicide and suicide combined.
Indigenous Minnesotans
“Substance use disorder is not a moral failing. It’s a medical and public health issue.”
experienced an alcohol-induced death rate of 120.5 per 100,000 residents — seven times higher than the rate among white residents and 16 times higher than among Asian residents. Black Minnesotans had an alcohol-attributable mortality rate of 14.0 per 100,000 population. This rate was higher than that of white Minnesotans, who had a rate of 17.8 per 100,000. However, it was significantly lower than the rate among Indigenous Minnesotans.
From 2015 to 2019, about 5% of Minnesota adults met criteria for alcohol use disorder each year, affecting an estimated 236,000 people annually. Yet 77% of individuals who needed treatment did not receive it, according to federal data.
Williams said stigma, medical racism, and a lack of cultur-
ally competent providers contribute to low treatment rates in marginalized communities.
“From Tuskegee to today’s disparities in pain management and maternal care, Black communities have legitimate reasons for mistrust,” he said.
tion also partners with grassroots groups like Turning Point, which offers addiction services rooted in cultural context.
Despite a nationwide decline in opioid overdose deaths, overdose rates remain disproportionately high among Black and Native American communities. Williams called it a “deadly paradox,” where communities of color are overrepresented among those affected by addiction but underrepresented in access to effective treatment.
He also urged insurers and public agencies to do more to fund treatment programs and improve access to care.
“Addiction treatment should be covered the same way we cover other medical care,” Williams said. “Not everyone qualifies for Medicaid, but working-class folks — especially in Black communities — still need coverage and access.”
Williams said that while opioid misuse often dominates headlines, alcohol remains the most commonly abused and
data on treatment outcomes and disparities. The foundation runs a graduate school, a professional training program, and a publishing house, all aimed at improving cultural competence in the addiction treatment field.
One of its initiatives allows students without a bachelor’s degree to become certified counselors, creating pathways for more people of color to join the profession.
“Representation matters,” Williams said. “People are more likely to seek care — and have better outcomes — when their providers share cultural grounding.”
He also encouraged individuals to carry naloxone, a medication that can reverse opioid overdoses. “It’s in my bag every day,” he said. “Sometimes that’s what it takes to save a life — and that moment can lead someone to the care they need.”
“When you combine that with stigma around addiction and mental health, it creates enormous barriers to seeking help.”
To address those barriers, Hazelden Betty Ford has begun establishing communitybased access points. In North Minneapolis, for example, fire stations have been converted into drop-in locations for initial assessments. The founda-
deadly substance in the country. Most patients who seek care at Hazelden Betty Ford are dealing with alcohol use disorder rather than opioid addiction, he said.
“Alcohol kills more people over time than opioids,” he said.
Hazelden Betty Ford also operates the Butler Center for Research, which collects
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As part of Alcohol Awareness Month, Hazelden Betty Ford is encouraging communities to engage in open conversations about substance use, advocate for equitable treatment policies, and invest in long-term solutions grounded in empathy and cultural understanding.
For more information, visit www.hazeldenbettyford.org.
Kiara Williams welcomes reader responses at kwilliams@ spokesman-recorder.com.
engage in
culturally affirming wellness circle, part of Hazelden Betty Ford’s commitment to inclusive, community-based healing for people of color.
Hazelden Betty Ford’s Center City campus serves as a hub for inclusive addiction recovery.
Andrew Williams, DEI director at Hazelden Betty Ford, leads equity efforts in recovery care.
All photos courtesy of Hazelden Betty Ford
Arts & Culture
‘Selma 70’ exhibit opens in Saint Paul, honors civil rights legacy
By Aria Binns-Zager Staff Writer
The Ramsey County Historical Society on April 24 opened a new exhibit, “Selma 70,” at the Landmark Center, honoring the journey of 70 Minnesota residents who traveled to Selma, Alabama, in 2015 to mark the 50th anniversary of the historic Selma to Montgomery marches.
The exhibit features photographs, oral histories and artifacts from the trip, drawing a connection between the Civil Rights Movement of the 1960s and ongoing struggles for voting rights today.
“We wanted to show how history lives on through people who carry its message forward,” said Chad Roberts, executive director of the historical society. “This exhibit reflects that commitment.”
In 1965, civil rights leaders including Martin Luther King Jr. and John Lewis led three marches from Selma to Montgomery, demanding voting rights for Black Americans. On March 7, known as
Bloody Sunday, state troopers attacked peaceful protesters at the Edmund Pettus Bridge. The violence shocked the nation and spurred congressional support for the Voting Rights Act of 1965, which outlawed discriminatory voting practices and authorized federal oversight of elections in certain jurisdictions.
Fifty years later, in 2015, more than 70 Saint Paul-area residents joined thousands of others in Selma for a commemorative march. “Selma 70” highlights their experience through interviews and imag-
ery, placing personal stories at the center of the display.
“We saw how people in Selma turned pain into power,” said one participant. “That legacy is our responsibility now.”
The exhibit opened with a panel discussion as part of the History Revealed series, where attendees reflected on civic engagement and the importance of protecting voting rights. Among the speakers were several individuals who took part in the 2015 pilgrimage.
Katheryn Hogan, a Saint Paul resident who visited the
Jazz Appreciation Month: Festivals, rising stars, and living legends
By Robin James Columnist
Throughout Jazz Appreciation Month, I’ve been reminded of why I love this music so deeply.
Maybe you, too, can recall when you first fell in love with jazz.
On April 15, the Newport Jazz Festival in Rhode Island announced its 2025 lineup, with more artists expected to be revealed soon. This year, the festival takes place August 1-3. I haven’t been back to the festival in years, but my 2005 visit stands out vividly.
I was fairly new to jazz then and was amazed by the artists who came together that year. The music, the people, and
the atmosphere made for an unforgettable experience. Two performances I’ll never forget: Dave Brubeck and Wynton Marsalis performing “Embraceable You,” and Bill Frisell with Kurt Rosenwinkel playing “Just Like a Woman.”
Everyone should experience the Newport Jazz Festival at least once in their lifetime. This year’s lineup features some of today’s most dynamic jazz artists:
• Cécile McLorin Salvant
• Dianne Reeves
• Christian McBride Big Band
• Preservation Hall Jazz Band
• Terence Blanchard: Flow
• Kenny Garrett
• Ron Carter Quartet
• Emmet Cohen Trio
• Etienne Charles & Creole Soul
• Marcus Gilmore: A Centennial Tribute to Roy Haynes
• Aaron Parks Little Big
• Tyshawn Sorey Trio
• Bobby Sanabria & Sexteto Ibiano
For more information and tickets, visit the Newport Jazz Festival website, at www.newportjazz.org.
International Jazz Day heads to Abu Dhabi
April 30 marks International Jazz Day 2025. This year, the global celebration will be held in Abu Dhabi and observed in more than 190 countries. Organized by UNESCO and the Herbie Hancock Institute of Jazz, the celebration will feature concerts, educational events, and cultural programming.
“We are thrilled to celebrate this international day on a high note in the UNESCO Creative City of Music Abu Dhabi,” said UNESCO Director-General Audrey Azoulay. “This edition will highlight the city’s rich tapestry of creativity and cultural heri-
exhibit’s opening, said the experience left a lasting impression.
“It was humbling,” she said. “I left asking myself, what am I doing right now to protect democracy?”
The exhibit features photographs, oral histories and artifacts from the trip, drawing a connection between the Civil Rights Movement of the 1960s and ongoing struggles for voting rights today.
The exhibit’s launch comes amid renewed national debate over voter access. The SAVE Act, a bill recently introduced by House Republicans, seeks to require proof of citizenship to vote in federal elections. Supporters say the measure is aimed at safeguarding election integrity.
tage while showcasing jazz’s ability to connect communities and promote dialogue and peace across continents.”
The concert will be led by Grammy-winning pianist Herbie Hancock and hosted by Academy Award-winning actor Jeremy Irons. The artist lineup includes:
• John Beasley
• Dee Dee Bridgewater
• Terri Lyne Carrington
• Kurt Elling
• José James
• John McLaughlin
• Marcus Miller
• Dianne Reeves
• Naseer Shamma
• Danilo Pérez
“Jazz has always been about bringing people together, breaking barriers, and inspiring creativity across cultures,” said Hancock. “International Jazz Day reminds us that music has the power to transcend borders, foster dialogue, and spark joy and hope.”
The concert will be broadcast globally through television and digital platforms.
Jazz charts updates
The Jazz Radio Chart, published April 7 by “JazzWeek,”
However, voting rights advocates warn that the bill could disproportionately affect marginalized groups, including communities of color, immigrants and low-income Americans. Critics say the requirement for additional documentation could deter eligible voters and revive barriers similar to those targeted by the Voting Rights Act.
“This is exactly why Selma 70 matters right now,” said a local organizer during the exhibit’s panel. “The past isn’t history — it’s a mirror.”
Visitors have described the exhibit as emotional and timely, noting its relevance to ongoing conversations about race and democracy.
One attendee said she
brought her teenage daughter “so she could understand that voting is sacred and still under threat.”
Organizers say they hope the exhibit will inspire reflection and action.
“It’s not just about what happened in 1965 or 2015,” Roberts said. “It’s about what each of us chooses to do now.”
“Selma 70” is open to the public at the Landmark Center, 75 W. Fifth St., during regular Ramsey County Historical Society hours. Admission is free. More information is available at rchs.com.
Aria Binns-Zager welcomes reader responses at abinns@ spokesman-recorder.com.
reported the following:
• No. 1, Most Reported: Jeremy Pelt
• Most Added and Biggest Mover: Branford Marsalis Quartet
• Highest Debut: Chicago Jazz Orchestra featuring Bobby Broom
More information can be found at jazzweek.com.
Jeremy Pelt’s “Woven” blends acoustic and electronic jazz
Dynamic trumpeter Jeremy Pelt continues to impress with his latest album “Woven,” released by HighNote Records.
According to Pelt’s website, the album “fuses traditional aspects of 21st-century jazz with the myriad possibilities of electronic synthesized sound.”
The project features original
compositions that stretch the boundaries of jazz. Track list:
1. Prologue: Invention #1
2. Rhapsody
3. Afrofuturism
4. Dreamcatcher
5. Michelle
6. Fair Weather
7. Invention #2
8. Black Conscience
9. Labyrinth
Charles McPherson to perform at the Dakota Jazz legend Charles McPherson will perform at the Dakota in Minneapolis on May 22 at 7 pm. Still vibrant in his eighties, McPherson recently released “Reverence,” his 2024 debut with Smoke Sessions Records. The album pays tribute to his mentor, pianist Barry Harris. The late saxophonist Frank Morgan once said McPherson was the one living saxophonist who sounded most like Charlie Parker. This show is a mustsee for jazz enthusiasts. For ticket information, visit the Dakota box office or www. dakotacooks.com.
Robin James welcomes reader responses at jamesonjazz@ spokesman-recorder.com.
Library of Congress
The exhibit documents a group of 70 local activists who traveled from Saint Paul to Selma, Alabama, for the 50th anniversary of the 1965 Selma to Montgomery marches.
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In re the Estate of: Christopher Thomas Lyle, Decedent.
IT IS ORDERED AND NOTICE IS GIVEN that pursuant to Minnesota Supreme Court Order ADM20-8001 a hearing will be heard remotely on June 2, 2025 at 1:30 p.m. by this Court for the formal adjudication of intestacy and determination of heirs of the Decedent, and for the appointment of Judy Cooper Lyle, whose address is 2619 Logan Ave N, Minneapolis, MN 55411 as Personal Representative of the Estate of the Decedent.
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Continued from page 10
C.J. Hallman, Travis’ high school coach, said that it’s not surprising that his former player would impress NFL types with his character. “He was a type of kid that you want to coach,” he said of Travis. “A leader in the classroom and a leader on the field. He
“I’m ready to get to work. I think it’s been a dream come true.”
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so being able to coach at Macalester was a dream. I just felt really proud of where the program is.
“I’m ready to get to work,” Travis told him on the short phone call.
“We look forward to getting you here,” responded the coach. Now, the next step for Travis is the OTA sessions and everything else he needs to do as he moves from college to professional.
“I think it’s been a dream come true,” stressed Travis. “I think at every step of
the way guided by my faith and putting the right people around me, starting with my family but working my tail off the last five years to have the right mentors, the right people in my life that I could look up to help guide me and make sure about important decisions.”
Charles Hallman welcomes reader comments to challman@ spokesman-recorder.com.
“I would just say, we restored belief in the program, both internally at the college and I think externally with alums and people in the basketball community in our state. I think Macalester maybe didn’t have much respect for a while, and we restored that, and we became a team that people really had to prepare for. They couldn’t just walk in and beat us.”
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HBCU baseball series canceled The three-game HBCU baseball series planned at the St. Paul Saints ballpark in May will not be held as scheduled. “We’ve enjoyed the planning process with both Alcorn State and Florida A&M, and we’re disappointed that the event will not be held this year. We look forward to working with them over the course of the next 12 months to bring HBCU baseball to the Twin Cities,” Saints President Derek Sharrer told the MSR last week.
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through it. I pray for our student athletes, I pray for people that are involved in our program, and I pray for the young ladies that I’m going to impact daily.
Charles Hallman welcomes reader comments to challman@ spokesman-recorder.com.
Finally, “I’m already starting to work and reach out to recruits. There’s only three players currently on the roster,” the former Scots HC concluded. “We have a lot of work ahead in terms of adding the right kids that fit in academically to Denver.”
lenge every single day, and what an opportunity I’ve been given.
“I pray that it’s for young women that look like me, or for young women in general of any color that if you have a dream and you continue to work at it, there’s an opportunity for you. And if God is willing to open that door, you walk in like a model.
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“We’re around these young ladies 10 months out of the year…so I take my responsibility very seriously. I wouldn’t do it any other way, and that’s how I’ve done it as an assistant, and that’s how I live my life. It’s just who I am.”
“I’ve earned this not just because I’m Black. I earned this because I worked hard for it. I just pray that I am a good example for young people…and that I’m as good a role model as I could be.”
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More importantly, being a Black female head coach is a serious responsibility, says Anderson. “I’m up for a chal-
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Charles Hallman welcomes reader comments to challman@ spokesman-recorder.com.
