February 21-27, 2019 Vol. 85 No. 29 www.spokesman-recorder.com
See the local BHM calendar on pg. 8
Power in unity:
Stateâs Black lawmakers join forces
Rep. Rena Moran
Sen. Jeff Hayden
Sen. Bobby Joe Champion
Rep. Hodan Hassan
By Stephenetta Harmon Editor-In-Chief
Black lawmakers still face an uphill battle when it comes to representation and systemic disparities. Even with record numbers of legislators of color, the governing body remains overwhelm-
Though participating in one of the most diverse legislatures in state history, Minnesotaâs
PRST STD U.S.POSTAGE PAID TWIN CITIES MN PERMIT NO. 6391
THE VOICE OF THE AFRICAN AMERICAN COMMUNITY SINCE 1934
Rep. Ruth Richardson
Rep. Mohamud Noor ingly White and out-state in its composition. Black Minnesotans make up approximately six percent of the stateâs population, while the six Black legislators in office make
up less than three percent of the legislature. However, they understand the power of bridgebuilding and are looking to amplify their efforts with their formation of the United Black Legislative Caucus. The four Black state representatives and two Black senators have teamed up to address criminal justice issues and economic and educational disparities between Black and White communities in Minnesota. They include three veteran lawmakers â Senators Jeff Hayden and Bobby Joe Champion (both Minneapolis) and Rep. Rena Moran (St. Paul) â and three newcomers to the State House this year â Reps. Hodan Hassan (Minneapolis), Mohamud Noor (Minneapolis), and Ruth Richardson (Mendota Heights). âThe newly formed United Black Caucus creates an opportunity for legislators to intentionally engage other policymakers, community and business leaders around issues and resolutions that will improve the lives of Blacks and Minnesotans as a whole through strategic partnerships,â said Champion in a press statement. â See LawmakerS on page 5
Black History salute THE FIRST BLACK PERSON BORN IN MINNESOTA In honor of Black History Month, weâre sharing short clips highlighting the legacy and history of Blacks in Minnesota. This week, we salute George Bonga, Minnesotaâs first African American resident to be born in Minnesota. In 1802, George Bongaâs birth marked the beginning of Minnesotaâs freed Black experience. Born near Duluth, he was the first documented Black person to be born in the territory of Minnesota. By 1850, he was only one of 14 Blacks counted in Minnesotaâs 1850 territorial census. Bongaâs father, Pierre, was a freed African slave and fur trader, and his mother, Ogibwayquay, was Ojibwe. Living close to the Canadian border, he and his siblings were educated in Quebec, where he became fluent in French in addition to English and Ojibwe. He went on to follow in his fatherâs footsteps and got a license to trade, earning notoriety as an entrepreneur and voyageur. He is most well-known, however, for his role in Minnesotaâs first murder trial. In 1837, he was hired to track down a
George Bonga, ca. 1870
man accused of killing a man by the name of Alfred Aitkin. After less than a week of tracking, Bonga returned with CheGa Wa Skung, an Ojibwe man, tied to a sled, traveling 250 miles to bring him to Fort Snelling for trial. Skung was eventually acquitted, as Aitkin was halfOjibwe and not considered to be a White citizen. However, Bongaâs ability to brave Minnesotaâs frigid January and his success tracking what another group had failed to do earned him great respect in the territory. â See SaLute on page 2
WHY BLACKFACE?
The origins of a racist American stereotype
THEN: 1899 lithograph of White minstrel performer Carroll Johnson depicted in Blackface, right. Photo courtesy of Library of Congress
NEWS ANALYSIS By Michael Millner Contributing Writer For almost three weeks, conflict has raged over the use of Blackface by two current Virginia politicians when they were younger. The revelations have threatened the menâs jobs and their standing in the community.
Although use of Blackface is now politically and culturally radioactive, there was a time when it wasnât. I teach the history of Blackface in the United States. Like much of America, my undergraduate students suffer from a kind of historical amnesia about its role in American culture. They know little about its long history, and they havenât considered its prevalence and significance in everyday American life.
Most of all, theyâve never asked themselves, on their faces. They exaggerated their red lips and âWhy Blackface?â wore outlandish costumes, portraying character types like the raggedly slave, dubbed Jim Crow, Cultural persistence or the ostentatious but simple-minded dandy Zip The Blackface minstrel show was a form of bur- Coon. lesque theater in which White men painted their Minstrel shows consisted of jokes and clownfaces Black in order to mock people of African de- ing skits. The Blackface characters mispronounced scent. It held sway as one of the most popular forms words and acted like âbumpkins.â They sang songs, of entertainment in the 19th century. In the early sometimes sentimental and sometimes randy. In 20th century, Hollywood studios used the popu- the minstrel show, White men from behind the larity of Blackface to draw a mass audience to the Black mask forged some of Americaâs most racist new medium of film. stereotypes. After World War II, even as the Civil Rights And, itâs worth emphasizing, they made a good Movement emerged, Blackface remained a staple of living at it. Blackface turned prejudice into profcartoons, community theater, toys, household dec- it. Perhaps Blackfaceâs profitable prejudice answers orations, and corporate branding. American music the question about why America so often returned â from the Great American Songbook of the 1930s and to it in the 19th and early 20th centuries. â40s to rock ânâ roll in the 1950s and â60s â finds its Blackface offered the perfect entertainment for a roots in the minstrel shows of the 19th century. slave nation and then, after the Civil War, a society With the recent Blackface scandals in Vir- built on racial segregation. ginia, weâve also come to reckon with Blackfaceâs importance to what it meant to be a Cauldron of contradictions young White man in the South in the 1980s. But, a number of scholars over the last few decades have proposed that thereâs a great deal more Prejudice and profit to Blackface than a racist caricature. For instance, Blackface has always been flat-out racist. Since historians have examined the ways immigrants its emergence in the 1830s in the taverns and on the put on the black mask as part of a process of becomtheater stages of New York and other northern cit- ing American. ies â it originated in the North, not the slave South Irish immigrants in the 1830s and 1840s, and â Blackface has involved the vicious ridiculing of then Jewish immigrants in the early 20th centupeople of African descent. ry, dominated Blackface performance. In part, it White men blacked up by smearing burnt cork â See BLackface on page 5
SMALL BUSINESS SPOTLIGHT: ME&I FITNESS & PERFORMANCE By Jonika Stowes Contributing Writer Jeff Scott had been a personal trainer for 16 years before opening the doors to his own gym in North Minneapolis. Looking to leave a 25-year career in financial services, Scott opened ME&I Fitness & Performance last September. He hadnât been dreaming of owning a gym â or any businesses. It was simply an opportunity that presented itself. When he saw construction for Thor Corporationâs Restoration Acceleration Center on Penn Avenue North, Scott thought, âWow, thatâs a great building going up, and right now itâs a building in the community. Itâs not a building for the community.â So, he decided to give the community a way to use the building being constructed in their midst. The North High School graduate said a fitness center is something he never saw in his North Minneapolis community growing up. He said a gym in the
community helps the community to focus on being healthier. As a registered provider for the Centers for Disease Control and Preventionâs National Pre-Diabetes Program, ME&I is helping the Black community tackle the diabetes epidemic and lead their way to healthier lifestyles, one push-up or jumping jack at a time. The fitness and performance center also offers health outreach to youth and senior citizens. Through its partnership with SilverSneakers, ME&I provides a fitness program for adults over 65, as well as training programs for student-athletes from as far away as Cottage Grove. Here, we talk with Jeff about his gym and future plans.
having to travel a mile or two away.â We get people who say theyâve been making up excuses not to go â but four blocks away, thereâs no excuse. Itâs becoming a nice location for people to get out of the house and into their community and meet others in the community. Many people donât know the African American Museum is in the building, and theyâve gone upstairs before or after their workout to muse. The gym was the catalyst of them recognizing whatâs here.
MSR: What would you consider your businessâ hero service? JS: We purposely said fitness because most people arenât trying to be bodybuilders, they just want to be more fit and have a healthier lifestyle. OfMSR: How does your business impact ten times, we see providers of information. Itâs great to have the information on the community? Jeff Scott: Members come through dai- what to do, but If I donât have the tools to ly and say, âThank you for opening this take the action, all weâre really having is gym. This is much more convenient than a conversation.
ME&I Fitness & Performance What weâre providing are the space and the tools that will allow people who are serious about changing their lifestyle [to do so], whether for themselves or being the model for their children. I had a woman once tell me that
Submitted photo healthy eating is expensive, and I told her, âItâs still cheaper than insulin.â This membership is cheaper than insulin â so our hero service is our presence. â See SBS on page 5