December 7, 2017 - MN Spokesman-Recorder

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PRST STD U.S.POSTAGE PAID TWIN CITIES MN PERMIT NO. 6391

THE VOICE OF THE AFRICAN AMERICAN COMMUNITY SINCE 1934 December 7-13, 2017 Vol. 84 No. 18 www.spokesman-recorder.com

— See more Sounds of Blackness on pg. 6

Mass incarceration shows ‘a lack of imagination’

Sexual harassment isn’t just about White women or celebrities

Author sees growing resistance to our lock-‘em-up mentality

Professor James Forman, Jr.

By Charles Hallman Staff Writer The issue of U.S. mass incarceration is “the unfinished business of the Civil Rights Movement,” says Yale Law Professor James Forman, Jr., the son of the late Student Nonviolent Coordinating Committee (SNCC) and Black Panther Party leader James Forman. He is the author of Locking Up Our Own: Crime and Punishment in Black America (2017). A former Washington, D.C. public defender, Forman used his courtroom experiences as a backdrop to look at mass incarceration

years” in focusing on mass incarceration issues, Forman told the MSR before a book signing session at Westminster. “Churches and politicians are starting to question why we are locking up so many people.” According to the U.S. Bureau of Justice Statistics, Minnesota is 49th among U.S. states in imprisonment rates — 146 per 100,000 persons — but fourth in the country in highest Black-White disparity with 11 Blacks per 100,000 behind bars. The U.S. average is 5.1 per 100,000. “The term ‘mass incarceration’ was created in 2000,” Forman told the audience. “We already knew that one of every three Blacks is under criminal justice supervision…[and] that Black women is the single largest [population] of our prison system. The United States passed Russia in the 1980s and earned the dishonor of being the world’s largest incarcerator.” Forman pointed to the “first generation Photo by Charles Hallman of Black elected officials” of the 1970s and 1980s and several “constraints” they seemingly had to deal with as they tried to solve the growing mass incarceration problem in from a historical perspective as well as offer- response to citizens wanting a solution to ing suggestions for change. He discussed the the growing crime problem in their neigh-

“In this country we’ve come to see law enforcement as someone showing up carrying a gun and handcuffs.” book and took audience questions during his borhoods. “Black people were elected to represent scheduled November 28 Westminster Town Hall Forum appearance in downtown Min- communities that have been deprived of resources to protect themselves,” he stated. neapolis. “We’ve seen progress in the last couple of ■ See incarceration on page 8

Writer’s art-as-activism bears literary bounty By Dwight Hobbes Contributing Writer

ships, grants, readings in community gathering places, and a poetry library containing more than 5,000 titles. There have been programs in partnership with colleges and universities, public, private and charter schools, including a school for deaf children, social service agencies, and penal institutions. Needless to say, Carolyn Holbrook’s striking out on her own proved valuably innovative, manifesting vital outreach. In 2006, SASE merged with Intermedia Arts, which recently fell on hard financial times. While that organization’s future re-

I come from a long line of role models,” says Carolyn Holbrook, “women entrepreneurs. My grandmother developed and sold hair products, and my great grandmother turned her home into a boarding house for African American railroad porters [who] were not allowed in hotels.” Accordingly, the accomplished lady of letters isn’t a writer simply for writing’s sake; she utilizes the arts as social activism. “[There are] so many ways of being activists. I need to do it in a way that works for me.” Holbrook founded SASE: The Write Place as an alternative to The Loft Literary Center, where she had been programs director. After five years there she decided in 1993 it wasn’t working out. SASE, in fact, was established to afford writers of color true equal opportunity instead of token status at White organizations where the chief value was as funding magnets for liberal institutions financing cosmetic change in the name of cultural diversity. “[The Loft] was a really hard experience. It’s changed since then, but when an organization that’s primarily White wants to bring Carolyn Holbrook Photo by Dwight Hobbs in a person of color, usually it’s window dressing and they don’t really get the point that when we come, we mains uncertain, prospects seem good for SASE. bring ourselves and our culture. “There are three programs that came with “So, they kept finding fault with what I was doing, but the folks in the community the merger. They’re still very viable, and difwould love it.” When she left the Loft, though, ferent people are considering managing each the priority wasn’t what was wrong there so one. Verve, which E. G. Bailey and I cofound-

“When an organization that’s primarily White wants to bring in a person of color, usually it’s window dressing.” much as it was what she wanted to be right ed…[is] the nation’s first-ever spoken word grant. What they’re calling Beyond the Pure, with SASE, which worked out quite well. SASE programs have served writers and which initially was the SASE Jerome Grant. spoken word artists — beginning, interme■ See Writer on page 8 diate, advanced, professional — with mentor-

Black, Brown, low-wage — they’re all targets, and especially vulnerable By Charles Hallman Staff Writer

S

exual harassment allegations in recent weeks have forced the resignations of two Minnesota State legislators, and a Minnesota U.S. Senator is facing an ethics investigation. Paula Brantner, a senior advisor at Workplace Fairness, told Self.com that sexual harassment often can be defined in one of two ways: 1) Quid pro quo — a person with authority says they can ensure a decision regarding the person’s job if they meet a sexual demand: For example, a male supervisor says he will help the female employee get a promotion if they go out on a date. 2) Hostile work environment — this can be unwanted and can be either severe or pervasive, and could turn into sexual assault, says Brantner. The National Woman’s Law Center says that sexual harassment doesn’t have to be sexual in nature, but just has to be related to a person’s sex in some way. Either gender can be sexually harassed. Proving sexual harassment is hard, states Caroline Palmer, the Caroline Palmer public and legal affairs Photo by Charles Hallman manager for Minnesota Coalition Against Sexual Assault (MNCASA). During a November 30 brown bag event at University of Minnesota Humphrey School of Public Affairs, she discussed what constitutes sexual harassment, how to address it, and what can be done to ■ See Harassment on page 8

MN Zoo wants it known ‘We’re for everybody’

That includes its many job opportunities By Dwight Hobbes Contributing Writer

Michelle L. Benson, Minnesota Zoo senior director of marketing and communications, plans to improve the prestige of the venue’s accessibility, so it’s no longer just for haves, excluding have-nots. She notes, “[The zoo has] a new president and executive director [of] about a year and a half, John Frawley. His goal is to ensure the state of Minnesota knows the zoo is for everybody.” Specifically, she underscores, beyond well-to-do Apple Valley and, for that matter, the metro and suburban Twin Cities. “We don’t want price to be a barrier. We have a lot of programs if they can’t afford to pay, [including] Free to Explore for those who are on assistance. There are [corporations] that provide scholarship dollars. If somebody comes and says, ‘I can’t afford it, but I really want to go,’ they can fill out a form. “There are ways,” she sums up. “We are free for Minnesotans who need it to be.” Benson reflects as an aside, “One of my passions is to make sure Black and Brown or other underserved communities are empowered.” Another obstacle she’s surmounting, as much fun as enjoying rides, exhibits and, of course, exotic animals can be, for many the zoo’s location is simply too far out of the way. “We have a transportation problem for people who don’t have a car; it’s a hike. We are working on [that]. For the sake of argument, if they can get to the Mall of America, we’ll [shuttle them] to the zoo and

Michelle L. Benson

Photo courtesy Michelle L. Benson

back. We’re looking at opportunities.” Michelle Benson is not merely following a directive from higher up or just going along with a program. “I wouldn’t be at a place that does not welcome and is not authentically [engaging] my community and other communities.” That engagement entails, among other things, “getting people in the door to be educated about what we do [and] allowing others to take part in what we have. We have a very strong conservation message.” She emphasizes that the overall priority is outreach. “Welcome to the Minnesota Zoo,” but not, Benson adds, to the exclusion of, for instance, Como Zoo. Quite the contrary: “I don’t look at any other attraction as competition [but] as an extension of what Minnesota has to offer. “I don’t have a problem going to Como Zoo and doing a

partnership. Or going to Mall of America at Sealife [or] Crayola, all of that. Because it helps with the brand of what Minnesota is.” Associates back home asked the Chicago native, “’Why would you move to Minnesota? There’s nothing there; not a lot going on.’ But you get here and there is. You just have to be connected. It’s all about exposure. If I can expose people to what we have to offer — the programs we offer — I want to do that.” She is, in addition to being the lone African American female in a leadership position at the Minnesota Zoo, the highest placed African American, period. There are those who’d consider that some kind of badge of honor and enjoy nothing more than to pull the ladder up after them, relishing the I’m-the-only-one-here status. ■ See Zoo on page 8


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