Interior Design Portfolio - Misri Patel

Page 1

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Personal Information :

+91-9624419641

misripatel.id@gmail.com

Hello! I am an Interior Designer and graduate from Faculty of Design, CEPT university. I love to design spaces that not just provide a place to perform an activity but also provokes senses, emotions and create meaningful experiences. In my design process, I strive to achieve a balance between intuition and rational by informing the design with observation of user behavior and their needs. I seek to expand my knowledge and evolve as a designer to create more holistic experiences.

This Portfolio has selected works of my Academic Training of five years course of Interior Design and 2 years of Professional experience thereafter.

“ ”

2013 - Higher Secondary School Degree Sheth CN Vidhyalaya, Ahmedabad.

A-404, Belvista apartment, Iscon-ambli road, Ahmedabad, Gujarat, India.

D.O.B 15 Aug,1996

Nationality Indian Languages Gujarati, Hindi, English

Software Skills :

Research :

2019 - Thesis

Role of Installation Art in Retail Store Environments

Guided by : Ruchi Mehta

2018 - Research Paper Parallels between Craft and Mass Production Process, focused on factors of Customization & Cost.

2019 - Undergraduate Degree Bachelors of Interior Design CEPT University, Ahmedabad.

Skills :

• Design Research & Analysis

• Strategizing

• Space Planning

• Drafting

• Visual Representation

• Collaborating

2017 - Internship Space Matrix, Pune

2017 - Internship FRDC, Bangalore

2019 - Teaching Assistant Mandatory Course : Design as an outcome of living patterns in Domestic Realm, Spring Semester. CEPT University

2019 - Freelance project Belvista Residence, Ahmedabad

2020 - Teaching Associate Level 3 Design Studio : Brand Building Through Spatial Design, Spring & Monsoon Semester. CEPT University

2020 - Designer Hue Design Studio, Ahmedabad

Projects worked on : Private Residences

2021/2022 - Jr. Interior Designer HCP Interior Design (HCPID) Ahmedabad

Projects worked on :

Work Experience : Workshops :

1. Central Vista Redevelopment*

2.Ahmedabad International Airport (Terminal I & II)

2010 - Tie & Die Workshop, NID

2014 - Clay & Ceramic Workshop, CEPT

2015 - Wood Workshop, CEPT

2016 - Textile Weaving Workshop, CEPT

2016 - Make &Learn : Bamboo, CEPT

2019 - Hands on : Rammed Earth, CEPT

*This portfolio does not showcase any data of these project due to confidentiality agreement and concern regarding national security.

Other
AutoCAD PhotoshopSketch-up InDesignV-ray MS officeIllustratorEnscape

Academic Studio I Hospitality Adaptive Reuse Semester 8

Academic Studio II

Retail Brand Building through Spatial Design Semester 9

Thesis

Research

Role of Installation Art in Retail Store Environments Semester 10

FRDC - living Studio Apartments

Semester 7

Professional Work

HCP Interior Design (HCPID)

Ahmedabad International Airport (Terminal I & II) 2021/2022

Academic
03 22
Internship 04 18
01 02 04 05 28
Content

Advance Interior Design Studio Adaptive Reuse POD Hotel

Double Occupancy Pod

The intent of the studio was to explore interior design as a tool for reading and acting within sites of rich historic and cultural significance. It was an adaptive reuse design studio.

Site : AMC Shopping center, Paldi, Ahmedabad

Area : 23,000 sqft

Length of the project : 16 weeks

Expected outcome :

To develop a complete interior design solution for a POD hotel in a 30 years old commercial building which is an integral part of city’s modern architecture. It consisted of developing your own program and approach to the adaptation to an old structure.

Design Approach :

The site has a very strong structural grid which creates cubical modules. The generic concept of pod hotel also resonates with the modular designs. Hence, the form, dimensions, and organization of the Pod module are derived from the existing structural grid, keeping the integrity of the existing structure and materiality intact.

Public area

Restricted area

Rooftop cafe

Single Occupancy Pod

Meeting Pod

Laundry Storage

Break-out zone

Performance stage

Public Entry

Single Occupancy Pod Cafeteria

Reception

Waiting area Staff Entry

Admin officesParking

Shower FIRST FLOOR SECOND FLOOR GROUND FLOOR Shower
Semester VIII01
5
Rendered View of Ground floor single occupancy POD cluster. Meeting podsParking Cafeteria Waiting area Reception Single Occupancy Pods Indoor Break-out zone
Massing of POD capsule
Volume between two beams Divided volume into 8 parts, as each single occupancy pod AC and Electrical services Storage Double Occupancy Pods Shower AdminLockers
Double Occupancy Pod Interiors PLAN UPPER POD DETAILPOD EDGE DETAIL LOWER POD DETAIL SECTION
GF ELECTRICAL PLANGF HVAC PLAN

This studio focused on developing design approach for using spatial design as a tool for brand building. It included carrying out research to understand the brand, development of strategy and development of design details.

Client : Dookdi

(Category - Conceptual jewelery and wearable art from Copper & Brass)

Site : SBR, Ahmedabad

Area : 8000 sqft

Length of the project : 16 weeks

Expected outcome :

To generate spatial design solutions that contribute in building / strengthening the brand image, carrying out brand strategies and it’s implementation in a Flagship store.

Design Goal :

Since the idea of conceptual jewellery

wearable art is not established in Indian market, it is a great opportunity for the brand to create a destination for such kind of product. Hence, the design goal was to establish Dookdi as

jewellery and wearable art brand and create a destination that combines culture with ease of buying. The overall look and feel of the store is driven by the concept of bio-mimicry.

and
a conceptual
Research Spatial Design Strategy Development Site SelectionProduct Environmental Graphic 1 2 Product Range Product Characteristics 1 2 3 Location Building typology Building Characteristics Target Audience 1 3 2 4 Demographic Psychographic Geographic Behavioral Visual Merchandising 1 2 3 Categorization of Product Density of product display Fixtures & Furnitures Touchpoints 1 3 2 Social Media Packaging Exhibitions Development of Program 1 2 Activities & Functions Zoning Competitors 1 2 3 Infographics Signages Mood graphics Moth Series Keeda Series Fauna SeriesNautical Series W e a r a b l e A r t Earings Research driven Interior Design Studio Brand Building through Spatial Design Experience Gallery - Dookdi Semester IX02 Product Range Design Development Process
11
View on arrival showing the display of exclusive products.
GROUND FLOOR PLAN

Point of Sale

Exclusive Product

Secondary series of products

Primary series of Products

Major Product Segmentation

Brand Introduction :

Dookdi is a conceptual jewelery brand which makes handcrafted jewelry on the concept of biomimicry out of metals like brass and copper. The current product range includes earing, rings and brooches and the prospected product range is neck pieces, wrist wares, nose pins etc.

The brand is targeting mainly female audience who are in the age group of 18-60. Who belongs to upper middle class and higher class of society. Majorly creative professionals, social workers and people who are inclined towards nature. Geographically, foreigners and NRIs are also potential customers as they are aware with the concept of conceptual jewelry already.

Program :

Workshop

Administration area

Storage

Multi-purpose area

Retail

The ground level caters to public areas such as Retail, Cafe and Multipurpose area which caters to activities such as workshops, talks etc. These activities helps increase brand visibility. The upper part of the site caters to the production area. Which includes workshop for artisans, artist studio and private workshop and administration area. Having production unit in the same premise, hints towards the authenticity of the handcrafted product.

Public area

area

13PLAN
Cafeteria
Zoning
Restricted

Visual

Moth Series :

Since the products in the series are abstraction of various moths the display elements are inspired from the cacoons, suspended from a tree branch like structure creating the false ceiling.

Keeda Series :

Since the products in the series are abstraction of various insects the display elements represents their natural habitat - mounds. Ceiling contains a canopy like structure which filters the light to add drama to the overall experience.

Nautical Series :

The products in the series are related to sea and nautical creatures, the display systems in the section aims to create an underwater like environment by creating display surfaces in the form of water ripples. The ceiling element made of sheer fabric also creates water like effects and adds to the experience

Fauna Series:

The product in the series are inspired by the flaura and fauna of our planet. The display elements aim to represent it by abstraction of the form of a flower while the ceiling is made out origami flowers creating a canopy for the light to filter.

15
Merchandising

Premium Range of the series

Other products of the series

Primary series Display
Display of Wearable Art Signature piece of the series

Store

Rammed earth plaster - creating earthy brand image.

Logo of the brand on a rusted copper sheet representing the raw and rustic brand image.

Installation resembling trees - giving idea of concept of bio-mimicry.

Clear glass window - to give an overview of the store.

Point of Sale

Sculptures made of brass and copper sheets, in the form of upscaled products.

Environmental Graphics

To educate the customer about the concept of the products displayed in the front, which adds to the conceptual value of the product.

To inform the customer about founder, brand’s philosophy and vision.

To make customer aware about the crafting process and communicate the authenticity of hand crafted designer goods, which adds exclusivity to the product and adds to the value.

17
Material Palette
Front

Introduction :

The Role of Installation Art in Retail Store Environments

Installation Art is a relatively new genre of contemporary art , which involves the arrangement or “installation” of objects in a space. The emerging arrangement of material object and space that it resides in comprises the “artwork”. Since the artwork and the space it is displayed in influence the meaning on each other, Installation art has been used in non-museum settings to create richer spatial experiences. Installation Art has been introduced outside of the Art galleries and museums, by assuming its ability to transform spatial experiences into memorable ones.

With the urge of enhanced shopping experiences in Retail Environments, the focus has shifted from ‘product centric’ design to ‘consumer centric’ or ‘experience centric’ retail design. Thus, the role of retail designer extends from designing a space to display the product, to design a space where brand experience becomes the primary intent.

The emphasis on placing the viewer not as a passive spectator but an active agent in process of communication and experience generation is a common factor of this approach to Retail design and Installation Art. Thus Installation Art is finding its way into retail design.

INTERIOR ARCHITECTURETECHNOLOGY

Genesis of the study:

A study of Prada, focused on Brand Building at the Intersection of Design, Art and Technology.

Aim

To study the role of Installation Art and its various approaches and impact on Retail Store Environments.

Objectives

1. To derive generic features of Installation Art and its relation to design of various interior space.

2. To understand various approaches to Installation Art in Retail Environments.

3. To check the impact of Installation Art on Store perception.

ART INSTALLATION ART Painting Sculpture Murals Digital art Photography Performance Hospitality Art Gallery Public spaces Residence Healthcare Offices RETAIL ENVIRONMENT
Research Thesis Academic Research
Semester X03

Structure of the Study

Installation Art and Interior design

To enable an in depth study of the Role of Installation Art and its various approaches in Retail Environments, this study begins with understanding the role of Installation Art in interior settings.

1.1 Emergence and Evolution of Installation Art

1.2 Features of Installation Art

1.3 Installation Art in Different Environments

Installation art and Retail Store Environment

Then it delves into the impact of Installation Art on store design parameters which builds the store perception.

2.1 Retail Store Design Parameters

2.2 Integration of Installation art in Retail Environments

2.3 Impact of Installation Art on Store Perception

Case Study

The derivation of the analysis done in former part of the study will provide a lens through which the impact of Installation Art on store design parameters will be verified in the case studies.

3.1 Overview 3.2 Melissa : We are flowers

Prada : The Wave

Case study inference

Conclusion

The study concludes the approaches taken by different brands and contribution of Installation Art in building a retail store perception.

What is the Role of Installation Art in Retail Environment?

01 02 03 04
3.3
3.4

Key Take-aways

Features of Installation Art :

Site specificity

Installation Art co-exist with the surrounding space. They use the environment to convey the intended meaning. They create a bond with surrounding space for the viewer to immerse fully and experience the artwork in totality.

Ephemeral Quality Materiality Viewer Centric Approach Interactivity

Installation Art exists in its suggested time and space. The transformation that a space faces under the impact of an Installation art is temporary, regardless of the sitespecificity of the artwork.

Installation art is not bound by any material or medium limitations unlike many traditional art forms. It does not follow any particular style of production. Rather it does allow the combination of other mediums and material in order to generate relevant experiences and portray the complexities of the artist’s idea.

02 Parallels between Installation Art and the field of Interior Design :

Installation Art can also be called as ‘Spatial art’ or ‘Spatial Installations’ as its relation to the physical space is very evident. The field of interior design also works on the relationship of the architectural shell and elements that resides inside it. As both fields aims at achieving a desired spatial experience in order to communicate a specific message and can take inspiration from each other, it is relevant to study Installation Art as a field and its impact on spatial parameters.

Installation art tends to impact the sensory perception of the viewer. In a way, it ‘installs’ the viewer into a curated system with the intention to impact the subjective perception of the viewer as its ultimate outcome.

Interactivity is often a key characteristic and goal of installation art and can occur on multiple levels, sometimes simultaneously. The study looks at interactions between Art+Viewer, Viewer+Viewer and also between multiple disciplines.

01
Site specificity Ephemeral Quality Materiality Viewer Centric Approach Interactivity
Installation Art
Interior Design
21 04 Architectural shell Store Front Store Organization Ambience Visual Communication 03 Design parameters that helps build the spatial perception Various use of Installation Art in Retail Environment • Enclosed volume • Site dimensions • Construction style • Structure • Window Display • Store / Brand Sign • Sense of Entry • Zoning • Layout • Circulation • Fixtures • Furnitures • Material • Color • Sound • Fragrance • Lighting • Signage • Graphic • Photograph • Artworks Visual Merchandising As Backdrop Window Display Focal Point Pop-up Store Integrated with Retail Store Elements As Retail Store At the intersection of Installation Art & Interior Design 1 3 2

06

Impact of Installation Art on Store Space Perception:

After looking at examples of Installation art the study inferred that various attributes of Installation Art affect the various design parameters in different degrees. The transformation realized under the impact of Installation Art by its different attributes ultimately affects the perception of the brand in customer’s mind.

Inspiration Form & Material

Placement & Positioning

Various approach to Installation Art in Retail Environments:

From the case studies, the study inferred that even in different retail space, the function and meaning of Installation art varies according to brand’s intention and desired function. This defines the approach of a particular brand. The different approaches can be majorly concluded in three categories: 1. Aesthetic creation 2. Value creation 3. Educative approach.

These approaches do overlap in order to create multi sensorial experience and use the Installation art to its fullest in order to generate multi layered brand image to interpret Installation art in their retail environment.

i

Educative Approach

When Installation Art is used to educate the customer about the product or brand or to create awareness about other causes.

Aesthetic Creation

When Installation Art is used to educate the customer about the product or brand or to create awareness about other causes.

Value Addition

When Installation Art is used to educate the customer about the product or brand or to create awareness about other causes.

05

Role of Installation Art in Retail Environments:

Reinforces Brand Identity :

Installation Art also creates an identity for stores by representing brand’s presence in a creative way. It enables the brand to take the ownership of the store space and differentiate from other competitor’s. It acts like a memory trigger and enhance the shopping experience, which is paramount in today’s world of experience economy.

Provides Visual Appeal :

Installation Art adds an element of spectacle and adds visual drama to the store environment. Strategically designed and placed Installation art can help enhance the presence of the brand in Retail stores. Installation Art also acts as an indication of differentiation and taste along with creating an element of spectacle that engages customer in Retail Environments.

Multi - layered Function :

Installation Art used in Retail space can serve many functions. It can act as a backdrop to display the product or create a setting that gives different cues to the customer to build a story around the product. This installation can also provide a pause point in the experience path that attract customer’s attention by its experiential quality. It can also be placed as a pivot point in order to impact store circulation and guide the customers to a desired path.

Provides Flexibility :

Installation Art works as a tool to transform in-store experiences at different times in the same space. Its quality of being relevant for a particular time and space gives possibility to experiment and create different in store experiences in the same space. As it affects the store design parameters, it can be used strategically to modulate the store perception through its placement and positioning that influence the perceived volume and circulation inside the store, in order to generate different experiences.

23 07

STUDIO APARTMENTS

10 studio apartments

Site : HSR Layout, Bangalore

Area : 200-300 sqft

Design Brief :

10 Studio Apartments to rent with different cities as themes for the interior. The building had 3 floors. Each floor had 4 apartments. Apartments on same floor had similar layouts. The top most floor had 2 apartments with attached terrace. Each apartment had been designed with keeping different cities such as Milan, Dubai, Tokyo, London as themes.

Scope of Work :

Living room with TV Unit

Kitchen (incl. refrigerator, microwave, washing machine)

Bar unit / folding dinning table

Bed/s Wardrobe Study table

This drawing is the copyrighted property FRDC pvt ltd. Any reproduction in part or as a whole permission from FRDC for any purpose for which it is intended is prohibited.

GENERAL NOTES :

1. ALL DIMENSIONS ARE IN MILLIMETRES UNLESS MENTIONED OTHERWISE.

2. ALL DIMENSIONS TO BE CHECKED AND VERIFIED CONTRACTORS PRIOR TO COMMENCEMENT OF 3. ANY DISCREPANCIES TO BE CLARIFIED IMMEDIATELY, CHANGES REQUIRED SHALL BE CONFIRMED FROM ARCHITECT.

4. WRITTEN DIMENSIONS SHOULD BE FOLLOWED.

5. THIS DRAWING SHALL BE READ IN CONJUNCTION OTHER PERTINENT.

REVISION DATE DESCRIPTIONREV

Washing Machine

Rerigerator MicroWave

R1 09-09-2017 SHOE RACK MODIFIED

R0 08-09-2017 NEW DRAWING

No-325, 5th Main, Koramangala 1st Block, Bangalore - 560034. T - 080-65391936, 080-41468424 www.frdc.inFuture Research Design Company

HSR 2751

Mr.

This drawing is the copyrighted property FRDC pvt ltd. Any reproduction in part or as a whole permission from FRDC for any purpose for which it is intended is prohibited.

Furniture Layout - First Floor - South East Flat

GENERAL NOTES :

1. ALL DIMENSIONS ARE IN MILLIMETRES UNLESS MENTIONED OTHERWISE.

DRAWN BY : Prasanth CHECKED BY PS

SCALE:

PROJECT : DWG TITLE : ITEM CODE

2. ALL DIMENSIONS TO BE CHECKED AND VERIFIED CONTRACTORS PRIOR TO COMMENCEMENT OF 3. ANY DISCREPANCIES TO BE CLARIFIED IMMEDIATELY, CHANGES REQUIRED SHALL BE CONFIRMED FROM ARCHITECT.

DATE:08-09-2017

4. WRITTEN DIMENSIONS SHOULD BE FOLLOWED.

5. THIS DRAWING SHALL BE READ IN CONJUNCTION OTHER PERTINENT.

REVISION DATE DESCRIPTIONREV

R0 08-09-2017 NEW DRAWING

PROJECT

HSR 2751 Mr.

DWG TITLE :

Furniture Layout - First Floor - South West Flat

DRAWN BY : Prasanth

CHECKED BY PS

SCALE:

DATE:08-09-2017

Rerigerator
Washing
Machine
MicroWave
CLIENT
Lighting
Bangalore - 560034. T - 080-65391936, 080-41468424 www.frdc.inFuture Research Design Company
REVISION
FF-F1-P1
Lighting Legend First floor typical furniture layout Second floor typical furniture layout My Contribution: • Space Planning • Furniture Detailing • Material and Fixture selection • 3D model making Internship Works FRDC Studio Apartments 201704

Lighting

4.

1'-3"1'-2"1'-2"

1'-3"1'-3"1'-2"1'-2" 3'-10" 2' 2'-9"

DRAWN BY : Prasanth CHECKED BY PS

DATE:08-09-2017

Space for washing machine (clear height of 925mm to be provided)

Space for washing machine (clear height of 925mm to be provided)

1'-5" 1'-5" 1'-5" 1'-5" 1'-7"

1'-2"

2'-5" 2'-11" 2'-11" 2'-5" 1'-2"1'-2"

1'-5" 1'-5" 1'-5" 1'-5" 1'-7"

storage

2' 2'-9"

4'-9"

2'-5" 1'-10" 1' 1'

1'-10"

B

2'-7"

2'-7"

1'-3"

1'-3"

2'

2'

Cylinder and storage

and storage

ELEVATION A 10'-11"

ELEVATION A 10'-11"

2'-9"

WM ELEVATION B

WM ELEVATION B

2'-9"

A

3' 2'-1" 2'-2" 2'-1" 1'-10" 2'-4" 1'-10" 2'-4"

Pots and pans

B

6'-1" 8'-10"

8'-10"

A

3' 2'-1" 2'-2" 2'-1" 1'-10" 2'-4" 1'-10" 2'-4"

CutleryGroceries PLAN

Pots and pans

CutleryGroceries PLAN

25 Washing Machine MicroWaveRerigerator
1. ALL DIMENSIONS ARE IN MILLIMETRES UNLESS MENTIONED OTHERWISE. 2. ALL DIMENSIONS TO BE CHECKED AND VERIFIED ON SITE BY CONTRACTORS PRIOR TO COMMENCEMENT OF WORK. 3. ANY DISCREPANCIES TO BE CLARIFIED IMMEDIATELY, AND CHANGES REQUIRED SHALL BE CONFIRMED FROM THE ARCHITECT.
WRITTEN DIMENSIONS SHOULD BE FOLLOWED. 5. THIS DRAWING SHALL BE READ IN CONJUNCTION WITH OTHER PERTINENT. GENERAL NOTES : This drawing is the copyrighted property of FRDC pvt ltd. Any reproduction in part or as a whole without permission from FRDC for any purpose other than for which it is intended is prohibited. CLIENTPROJECT DWG TITLE : ITEM CODE REVISION DATE DESCRIPTIONREV SCALE: No-325, 5th Main, Koramangala 1st Block, Bangalore - 560034. T - 080-65391936, 080-41468424 www.frdc.inFuture Research Design Company Furniture Layout - First Floor - North East Flat - F4 R1 HSR 2751 REVISION Mr. Mayur Reddy FF-F4-P1 R0 08-09-2017 NEW DRAWING
Legend
1'-3"
3'-10"
Cylinder and storage Cutlery Groceries Pots and pans
6'-1"
Cylinder
Cutlery
True Ceiling level
Cylinder and
Cutlery Groceries Pots and pans
1'-2" Cutlery
1' 1' Ceiling level 4'-9" Rerigerator Washing Machine DRAWN BY : Prasanth CHECKED BY : PS DATE:08-09-2017 1. ALL DIMENSIONS ARE IN MILLIMETRES UNLESS MENTIONED OTHERWISE. 2. ALL DIMENSIONS TO BE CHECKED AND VERIFIED ON SITE BY CONTRACTORS PRIOR TO COMMENCEMENT OF WORK. 3. ANY DISCREPANCIES TO BE CLARIFIED IMMEDIATELY, AND CHANGES REQUIRED SHALL BE CONFIRMED FROM THE ARCHITECT. 4. WRITTEN DIMENSIONS SHOULD BE FOLLOWED. 5. THIS DRAWING SHALL BE READ IN CONJUNCTION WITH OTHER PERTINENT. GENERAL NOTES : This drawing is the copyrighted property of FRDC pvt ltd. Any reproduction in part or as a whole without permission from FRDC for any purpose other than for which it is intended is prohibited. CLIENT :PROJECT : DWG TITLE : REVISION DATE DESCRIPTIONREV SCALE: No-325, 5th Main, Koramangala 1st Block, Bangalore 560034. - 080-65391936, 080-41468424 www.frdc.inFuture Research Design Company Furniture Layout - First Floor - North West Flat - F3 HSR 2751 Mr. Mayur Reddy R0 08-09-2017 NEW DRAWING 571 375 Lighting Fourth floor typical furniture layout KitchenThird floor typical furniture layout

Beading of 40mm x 533mm of sal wood.

Beading of 25mm x 533mm of sal wood.

Plywood of 12mm finished with putti and paint.

Beading of 25mm x 533mm of 19mm sal wood.

Pegs of Sal wood of 10mm attached to above ply with a groove.

Cupboard boxing of 19mm ply.

Shutter of 19mm ply.

Door handle of square metal section of 10mm x 10mm.

Legs of square metal section of 10mm x 10mm.

Beading of 40mm x 533mm of sal wood.

Beading of 25mm x 533mm of sal wood. Plywood of 12mm finished with putti and paint.

of 25mm x 533mm of 19mm sal wood.

Pegs of Sal wood of 10mm

to

ply with a groove.

19mm

FLOOR CABINET FLOOR CABINET

SIDE ELEVATION

5th Main,

1st Block, Bangalore 560034.

- 080-65391936, 080-41468424

This drawing is the copyrighted property of FRDC pvt ltd.

Any reproduction in part or as a whole without permission from FRDC for any purpose other than for which it is intended is prohibited.

GENERAL NOTES :

1. ALL DIMENSIONS ARE IN MILLIMETRES UNLESS MENTIONED OTHERWISE.

2. ALL DIMENSIONS TO BE CHECKED AND VERIFIED ON SITE BY CONTRACTORS PRIOR TO COMMENCEMENT OF WORK.

3. ANY DISCREPANCIES TO BE CLARIFIED IMMEDIATELY, AND CHANGES REQUIRED SHALL BE CONFIRMED FROM THE ARCHITECT.

4. WRITTEN DIMENSIONS SHOULD BE FOLLOWED.

5. THIS DRAWING SHALL BE READ IN CONJUNCTION WITH OTHER PERTINENT.

DRAWN BY :

BY :

533
PLAN UPPER SHELF 533 533 101 737 200 267 267 203 1456 383 1835
MISRI CHECKED
PS DATE:16-10-2017
CLIENT :PROJECT : DWG TITLE : ITEM CODE REVISION DATE DESCRIPTIONREV SCALE: No-325,
Koramangala
T
www.frdc.inFuture Research Design Company R0 HSR 2751 REVISION Mr. Mayur Reddy R0 12-09-2017 NEW DRAWING NTS BAR CABINET DETAILS (F1 & S1 : SOUTH EAST) F1/S1-BCD 533 25 19 76 15 76 15 76 15 76 15 76 15 76 27 25 2541 533 30 25 368 38 172 203 FRONT ELEVATION SIDE ELEVATION 533 200 267 267 203 FRONT ELEVATION
PLAN LOWER SHELF 3019 73 19 73 19 73 19 73 19 73 19 30 533 FRONT ELEVATION SIDE ELEVATION 19 165 19 19 165 19 3000 True Ceiling Cupboard boxing of 19mm ply. Shutter of
ply. Door handle of square metal section of 10mm x 10mm. Legs of square metal section of 10mm x 10mm. Plywood of 12mm finished with putti and paint. UPPER SHELF LOWER SHELF
attached
above
Beading
Furniture Details

Area : 3.6 lac sqft

Ahmedabad

Work

(Terminal

Development

Design Brief :

The newly developed airport should cater to increased number of passenger flow with providing additional facilities such as new premium lounges, Kid’s area and other immersive experiences to bring out an impression of a modern yet rich in heritage city of Ahmedabad. For example, the Reserved Lounge was designed to provide calm, soothing, sophisticated environemnt.

Development

Scope of Work :

Renovation of existing Airport facilities including Check-in Areas, Immigration Area, Baggage Claim area, Waiting lounges, Reserved and Transfer Lounges, Restrooms, BOH & FOH offices of Terminal I & II.

Contribution:

• Research and References

• Space Planning

Design Development of Counters

Development

• Millwork Furniture Drawings (including Check-in, Immigration, Departure gate counters, Security area furniture , Lounge furniture and interior elements)

• Bought-out Furniture selections

• Material and Fixture selection

A solid mass with a base of 900x750mm, 1100mm high

Working top height reduced to 800mm, allowing for 300mm niche for screen &oth er electronic devices. 250mm skirting also added.

600mm high glass pane added as per Covid Guidelines, SS Gueard rail added.

Corian with curved edges added to the counter & working top, for ease of working.

Corian fascia with an in clined front added to acco modate a ledge.

Corian fascia with an inclined front added to accommodate a ledge

Corian with curved edges added to the counter & working tops, for easy working

Note : Example shown is for check-in counters. Other counters were also developed with similar design language.

Professional
International Airport
I & II) 2021-202205
My
Ideation 01 05 Form
05 Form
05 Form Development 05 Form Development 01 600 MM high glass pane added as per COVID
02 03 04 05 Form
1 2 3 4 5

1. Check-in Counters

1. Check-in Counters

1. Check-in Counters

Instead of

all counters

1. Check-in Counters

1. Check-in Counters

Isometric View of Check-in

Metal structure with square base and tapered joints to hold the FIDS & numbers above the counters.

Metal structure with square base and tapered joints FIDS & numbers above the counters.

Suspended bulkhead that holds the FIDS & counter numbers. Metal frame and intermediate supports with metal jali main fascia.

Suspended bulkhead that holds the FIDS & counter frame and intermediate supports with metal jali main

Glass/ acrylic screens provided as per COVID protocols.

Glass/ acrylic screens provided as per COVID protocols.

Additional storage for accessories & equipment. Top and shorter sides in Corian

Additional storage for accessories & equipment. Top sides in Corian

Tapered fascia, counter tops in accent shade & Corian finish. The tapered fascia allows for an integrated ledge in front side of the counter

Tapered fascia, counter tops in accent shade & Corian tapered fascia allows for an integrated ledge in front counter

Body of the counter in laminate finish with adequate structural support

Body of the counter in laminate finish with adequate support

250 MM SS Skirting with guard rails to avoid any damage to the counters

250 MM SS Skirting with guard rails to avoid any damage counters

Weight display for airline staff, with buttons to control baggage belt placed below it

Weight display for airline staff, with buttons to control placed below it

Storage to keep accessories such as baggage tags, paper rolls, etc.

Storage to keep accessories such as baggage tags, paper

Niche for telephone & barcode scanner with a charging socket

Niche for telephone & barcode scanner with a charging

All in one monitor screen (without CPU)

All in one monitor screen (without CPU)

Ticket printing machines

Ticket printing machines

Drawer with G profile handle to keep extra accessories

Drawer with G profile handle to keep extra accessories

Open storage for personal belongings of airline staff

Open storage for personal belongings of airline staff

29
CounterDesign modifications to cater to specially-abled people
Front Isometric View with handicap counter 350 MM 800 MM Instead of making all counters handicap compliant, we propose developing an alternate disable friendly design, and integrate it with other set of counters. 350 MM 800 MM
making
handicap compliant, we propose developing an alternate disable friendly design, and integrate it with other set of counters.
01 02 01 02 Millwork Drawings for Check-in Counter

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DEVELOPMENT OF

CLIENT:

JOB No.

TITLE:

31 W E S N
SARDAR VALLABHBHAI PATEL INTERNATIONAL AIRPORT ADANI AHMEDABAD INTERNATIONAL AIRPORT LTD. PROJECT: Date DescriptionRef. R E V S I O N S NOTES: SPECIFIC INSTRUCTIONS
NORTH ARCHITECT: iseDPCH g n Planning & Managem e n t .dtL.tvP FOR EXECUTION W E S N DRAWING
PROJECT:
DSGN DRWN CHKD APPD NAME DRAWING No. RELEASED FOR INFORMATION TENDER STATUS: Date DescriptionRef. R E V I S I O N S 1134-HCP-PT/T2-CE-P1 1134 SARDAR CONSTRUCTION CHECK-IN
GF-IN-6151 DRAWING TITLE: CLIENT: PROJECT: JOB No. SCALE: SIZE: PROJECTIONDSGN DRWN CHKD APPD NAME DATE DRAWING No. RELEASED FOR INFORMATION TENDER APPROVAL CONSTRUCTION DEVELOPMENT OF SIGN STATUS: SARDAR VALLABHBHAI PATEL INTERNATIONAL ADANI AHMEDABAD INTERNATIONAL PROJECT: Date DescriptionRef. R E V I S O N S ARCHITECT: 1134-HCP-PT/T2-CE-P1 1134 DEVELOPMENT OF SARDAR VALLABHBHAI PATEL INTERNATIONAL CONSTRUCTION RECEPTION TABLE iseDPCH g n Planning & Managem e n t dtLtvP FOR EXECUTION 13/06/2022R0 GF-IN-6151 DRAWING TITLE: CLIENT: PROJECT: JOB No. SCALE: SIZE: PROJECTIONDSGN DRWN CHKD APPD NAME DATE DRAWING No. RELEASED FOR INFORMATION TENDER APPROVAL CONSTRUCTION DEVELOPMENT OF SIGN STATUS: SARDAR VALLABHBHAI PATEL INTERNATIONAL ADANI AHMEDABAD INTERNATIONAL AIRPORT PROJECT: Date DescriptionRef. R E V S O N S ARCHITECT: 1134-HCP-PT/T2-CE-P1 1134 DEVELOPMENT OF SARDAR VALLABHBHAI PATEL INTERNATIONAL CONSTRUCTION RECEPTION TABLE iseDPCH g n Planning & Managem e n t dtLtvP FOR EXECUTION 13/06/2022R0 W E S N CLIENT: DEVELOPMENT OF SARDAR VALLABHBHAI PATEL INTERNATIONAL AIRPORT ADANI AHMEDABAD INTERNATIONAL AIRPORT LTD. PROJECT: NOTES: SPECIFIC INSTRUCTIONS NORTH W Millwork Drawing of Reception Table Reserved Lounge Layout Millwork Drawing of Partition Screen 1 2 3 4 5 1. Reception 2. Seating area 3. VIP Seating area 4. Restroom 5. Pantry
33 View 01 Washbasin Area Reserved Lounge Check-in Area Restroom Toilet facilities were designed keeping in mind high passenger flow, ratio of female vs male passengers and other ana lytical data. Female Toilet Male Toilet Toilet Layout 1 2 33 4 455 6 6 7 7 1. Baby-care room 2. ADA Toilet 3. Janitor Room 4. Nappy-changing station 5. Dressing Area 6. Washbasin area 7. WC Area
Thank you for looking through my portfolio misripatel.id@gmail.com 91-9624419641 @miisree

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