MIN WOO KANG
Portfolio 2017-2026
Selected Works
Bachelor of Architecture at Hanyang University, Major in Architecture. Hanyang University Graduate School, Master in Design Study
C.P(US) : +1 215-292-4719
E-mail : kang93@upenn.edu
Bridging Complexity and
Connection
For me, architecture is an ongoing conversation between people, cities, and the passage of time. It exists at the intersection of urban challenges and human connections, shaping spaces that not only respond to societal and cultural shifts but also inspire new possibilities. Guided by the philosophy of “creating relationships through interference,” I see architecture as more than physical structures—it’s a way to redefine resilience, explore innovation, and create environm ents deeply rooted in the identities and experiences of the communities they serve. By engaging with these complexities, architecture becomes a tool to connect past, present, and future in meaningful ways.
01. LOCAL MOTIVE : LOCOMOTIVE
A proposal re-imagining museums by using railway tracks for cyclical spatial use and engagement.
Ricardo Bofill -Ricardo Bofill Taller De Arquitectura
David Telerman-Atelier David Telerman
Marijn Schnek - Next Architects
Giuseppe Zampieri - David Chipperfield Architects
Edoardo Tresoldi
Paola Candiani - FAI
Stefania Aru/ Mario Luigi Carcassi - Regione Sardegna
Agostino Cicalò -Camera di Commercio di Nuoro
Monica Stochino - MIBAC
In 2021, independently created everything from design concepts to drafting all the ideas.
In 2024, added physical model, diagrams, renders and revised the drawings.
Matteo Agnoletto - UNIBO
Elini, Italy, is a remote area where nature remains largely untouched, and slow, noisy rail lines wind through the landscape. Many of these railways have fallen into disuse and have been abandoned. Rusted tracks cut through breathtaking scenery, surrounded by scattered vernacular structures.
For a long time, railway infrastructure has been neglected or left to decay, rarely becoming the focus of architectural projects. This is because rail transport, once vital, was perceived as outdated and incompatible with the fast pace of modern life. The purpose of this competition is to establish a museum in Elini that promotes cultural activity and reconnects the local community with its heritage.
Elini
form?
I believe a museum should be a dynamic entity, capable of responding to its context and operating with flexibility. While certain institutions in major metropolitan areas may defy this need, Elini—a tranquil and picturesque village—demands a more adaptive approach. For its residents, a museum may not invite frequent visits unless it offers evolving, thematic, or rotating exhibitions. Therefore, my vision centers on re-imagining how a museum can seamlessly integrate with and enrich the fabric of the local community.
um remains an active and versatile space, even during periods of low activity, by embedding it into the everyday rhythms of Elini. By carefully analyzing the spatial program, I envisioned a configuration where elements such as cafes, restaurants, retail areas, lobbies, assembly halls, exhibition rooms, libraries, and lounges could operate independently or adaptively reconfigure as needed. This approach not only prevents the museum from becoming a dormant space but also fosters a symbiotic relationship with the village’s daily life.
The units, supported by steel frames for stability, move on rail-mounted bases. Adaptable forms, openings, and deployable doors allow flexible use of space.
The design strategy focuses on ensuring the muse-
Formation Cycle of the Units
Mass Process of Train Units
Structure of Train Units
Souvenir Shop
Small Library & Book Store
Open Seminar Room & Stage Cafeteria Restaurant Lounge
Train
Units and Spatial Configuration
When special exhibitions or events take place, Train Units, designed as mobile exhibition and lounge spaces, are transported and arranged at the museum. These units are parked along a semicircular train track, creating a space that serves as the museum’s first impression and the hub of various activities—a lobby hall.
The semicircular track is designed to accommodate exactly six units. The interior of the track forms a rectangular-shaped community space, while the exterior showcases diverse planar surfaces highlighted by the unique structures of the units. For instance, curved exterior walls or linear layers harmonize with the surrounding environment, offering a distinctive visual experience.
Movable Formations
Each Train Unit is equipped with electric-powered motor systems, enabling seamless movement along the rails. These units are connected via robust couplers, allowing them to operate as a single cohesive train. This mobility transforms the Train Units into not only functional spaces but also traveling experiences, resembling a moving carnival as they navigate through urban landscapes. Positioned strategically, they provide visitors opportunities to participate in diverse programs while enjoying the stunning natural surroundings of Elini, adding flexibility and depth to their purpose.
Mobility and Versatility of Train Units
Formations
and Utility of Train Units
Train Units can be parked at suitable locations to provide convenience for residents. Additionally, these units can cluster together based on their specific functions to form small community groups. For travelers exploring abandoned railways, they serve as rest stops or functional amenities, creating a versatile and welcoming environment for various needs. Furthermore, after the Train Units depart, the remaining museum does not cease to operate but transforms into a permanent cultural facility. Permanent exhibitions will be maintained, and the original museum site will be revitalized with active sports facilities and playgrounds, ensuring the ‘Museum Station’ remains a vibrant hub of activity.
Community
Interactive
The
Life-Cycle of a Museum: A Repeating Cycle of Disassembly and Reassembly 1.
When functioning as a museum, it will serve as a vital cultural hub and iconic landmark for Elini. Designed with a more introspective character, the structure maintains a deliberate detachment from the rhythms of daily life. In essence, this moment is devoted entirely to the museum’s core purpose— immersing visitors in the essence of Elini. It will act as a gateway for tourists to discover the village’s heritage while preserving and archiving the cultural narratives of its residents.
Special Exhibition-1
Special Exhibition-2
Permanent Exhibition
C. Open Seminar Room & Stage
G. Lobby Hall
H. Half Basket Ball Court
I. Play Ground
Museum Formation
02. Stepping Plaza
A versatile pedestrian plaza bridge beneath Bridge, designed for diverse activities and community engagement
Path Ideas Competition Connecting Nodeul to Yongsan
Most of the outcomes are recreated based on my work in concept design, program zoning, rendering, and diagrams (excluding plan drawings)
Transforming Bridges into Urban Squares
The Han-River North Bridge, once home to a sandy beach cherished by city dwellers, has transformed into a transit-focused space The natural white sand, a symbol of leisure and memory, has disappeared, leaving only pathways for cars and pedestrians.
Our design re-imagines the bridge as a series of interconnected urban squares that invite people to pause, gather, and create new memories. By prioritizing diverse experiences over mere transit, the bridge transforms into a versatile public space that fosters connection and engagement.
Revealing the Potential of Spaces Beneath Bridges
Our investigation of the liminal spaces beneath the bridge revealed a striking interplay of architecture and nature. Concrete columns, filtered light through the roadways, and dynamic water reflections highlighted the hidden spatial richness of this neglected urban void. The vibrant red steel framework added a bold aesthetic, creating a visually captivating contrast against the muted tones of the urban environment.
This approach re-imagines the spaces beneath bridges, utilizing steel frameworks to transform vehicular roads into loop-like pathways that balance functionality with aesthetic appeal.
Min Woo Kang (me), Ki Won Nam
Ichon
Han-River Park
Nodeul
Noduel Island
Han-River
A Vision for a Connected and Inclusive Urban Future
Architecture has the power to bridge gaps, create meaningful connections, and enhance the lives of citizens. Transforming overlooked spaces into vibrant hubs of activity fosters community, encourages interaction, and celebrates the relationship between people and their environment.
The plaza becomes more than a physical structure—it symbolizes openness, inviting all to gather, reflect, and enjoy the urban landscape. Thoughtful design turns the act of passing through into an opportunity for engagement and appreciation.
This final statement reflects a commitment to designing spaces that inspire and uplift, leaving a lasting impact on both the city and its people.
Plaza 4 : Stepped Arena
Plaza 2 : Urban Bench
Plaza 3 : Central Void
03. Anne’s Diary
“KITs for War,” adaptable modules designed to safeguard children and nurture resilience during conflicts
The 49th Nisshin Kogyo Architectural Design Competition
Nisshin Kogyo Co. , LTD.(Japan)
Merit Prize
I independently handled all aspects of this project, including illustration sketching, 3D modeling, rendering, diagrams and drafting.
Ryue Nishizawa - SANAA Yokohama Graduate School of Architecture
Akihisa Hirata - Kyoto University / Akihisa Hirata Architecture office
Yasutaka Yoshimura - Waseda University
Tatsuya Hatori - Nikken Sekkei LTD
Ryuji Fujimura - Tokyo University of the Arts
This competition explored the “Storm House” as an architectural response to the despair of war. Inspired by the Ukraine-Russia conflict, I depicted the fear of death and separation as a “storm,” using fragmented forms and fluid spaces to symbolize chaos and disruption.
Amid this context, I began reflecting on those who must be protected above all in times of war: children and adolescents. My solution revolved around architecture as a means of shielding them.
I proposed a system comprising transport vessels for evacuation, barriers to block external terror, survival shelters, and ultimately, spaces designed for play—a thematic refuge akin to a theme park—where children could overcome fear through engagement and joy.
The overarching narrative of my design drew inspiration from the diary of Anne Frank, who lived an unfortunate life during World War II. I envisioned a modern-day “Anne,” an unknown figure, and explored how she might survive through architecture and evade the tragedies of war.
The 12 War KITs buildings were originally distributed across the city as various types of convenience facilities. During wartime, they serve as transportation means, allowing people to evacuate quickly to safe locations. Once the war ends, these buildings return to the city. Unlike single-purpose structures or abandoned bunkers, each KIT evolves into a sustainable and vibrant public space, fostering continuous interaction with the community.
Surrounding and Protecting Children
These 12 KITS gather in a safe location, forming both a protective barrier and a unified town. Within the irregular courtyard they surround, children can engage in a variety of activities across themed areas categorized into survival, residential, educational, and nature-exploration zones.
While ensuring basic living conditions, the courtyard offers children opportunities to experience everyday joy and comfort, instilling in them not fear or anxiety, but hope for the future.
(0,0) : Orientation Amid Uncertainty
Crafting a structured journey through Uyuni’s vastness to inspire tranquility, orientation, and renewed purpose
Salar de Uyuni, Bolivia
Individual Work, International Competition
Tourism Center
Uyuni Salt Flat Shelter
reThinking!Competition
independently handled all aspects of this project, including illustration sketching, 3D modeling, rendering, diagrams and drafting.
Jury Fran Silvestre Navarro - Fran Silvestre Architects
Guillermo Rubio Boronat - Editor TC Cuadernos
Sevak Asatrian - MArch Investigation
Ze Carlos Oliveira - Noarq studio
Visitors:Point(x,y)
Uyuni Salt Flat, a boundless and awe-inspiring expanse, invites exploration where individuals feel like minuscule elements within its vastness. However, initial wonder often fades into monotony, leading to brief visits.
I envisioned a transformative experience, fostering mental clarity and inner stillness amid the endless horizon. This serenity revitalizes visitors with a renewed sense of purpose, carrying forward the enduring tranquility of Salar de Uyuni.
To achieve this, I designed a framework to reduce disorientation and enhance calm. Guided pathways help visitors navigate and linger at key spots, reducing fear and confusion. A conceptual grid overlays the landscape, with the origin at Salar de Uyuni’s center. Axial lines divide spaces into milestones and shelters, acting as markers for a harmonious journey.
The most destructive mistake is shaping a high volume in the middle of the site. Instead, this architecture is placed lower than ground level to maintain flatness, achieved by excavating the ground.
Excavation partially harms nature but preserves Uyuni’s essential “flatness.” An excavated flat horizon keeps each quadrant consistent.
The point is an origin that can be a destination or a departure point by car. Visitors can take a shower and sleep here, allowing them to rest and refresh after a long journey.
At the same time, this plaza serves as a social hub, where visitors can meet and interact, sharing stories and experiences with others, fostering a sense of community in the vast expanse of Uyuni.
Marking Spot/(x,y)
This space is positioned away from the axis to serve as a relaxing place, as multiple points where one encounters accidentally on the quadrant plane. Visitors can stay as long as they want, setting up a tent or enjoying a campfire if they wish to.
Marking Place on Axis/(x,0), (0,y)
This space provides shelter where visitors can have a meal and light a fire to ward off the cold, offering comfort in an otherwise stark environment. It also serves as a meditative retreat for those who have walked along the seemingly endless paths, allowing them to pause, reflect, and regain their inner balance before continuing their journey.
The axis are fundamental guiding elements throughout the entire system. These open linear paths stretch across the entire desert, evoking the sense of an infinite journey. As visitors walk along these paths, they may find themselves liberated from countless worries. Intermittent loops provide elevated pathways, while ladder-like walls nearby allow visitors to climb up and view the vast Uyuni desert whenever they wish.
Axis [X],[Y]
05. Craco Nest
Preserving Craco’s historical identity while creating sustainable, functional spaces for public interaction.
Craco, Italy
Team Work, International Competition
Visitor Center, Suite, Poly
Young Architects Competition 2019; Ghost Town Refuge Young Architects Competitions (YAC) -
Min Woo Kang (me), Suk Jong Hong, Jang Hee Han
Most of the outcomes are recreated based on my work in concept design, program zoning, rendering, diagramming (excluding section drawings)
Jury David Chipperfield - David Chipperfield Architects
Benedetta Tagliabue - Miralles Tagliabue EMBT
Angelo Luigi Marchetti - MARLEGNO s.r.l.
Alberto Veiga - Barozzi Veiga
Ian Ritchie Ian Ritchie Architects
João Luís Carrilho da Graça
Vincenzo Latina - Vincenzo Latina Architetti
David Basulto Archdaily
Giuseppe Lacicerchia - Craco Ricerche
Franco Audrito - Studio 65
Revitalizing Public Spaces
We began by exploring the public spaces of Craco, both past and present. Today, the city is characterized by its ruins, which, while visually striking, no longer function as true public spaces. Formerly private residential areas have been abandoned, leaving only roads and squares that still reflect the city’s original layout. Rather than rebuilding or replicating these ruins, we focused on revitalizing the existing open spaces to restore their public nature. Drawing inspiration from the harmony of a bird in its surroundings, we aim to create small-scale architecture that offers functional areas and viewpoints while preserving the openness of the public space.
Wander : Re-connect Space
Craco’s hauntingly beautiful ruins offer visitors a one-of-a-kind experience. Walking through its broken streets and crumbling buildings, one can feel the weight of time. Everyday objects like tableware, bathtubs, and furniture tell stories of the lives once lived here. To help visitors immerse themselves in Craco’s unique atmosphere, we designed eight thoughtfully placed shelters near its streets and squares—three on the outer ring and five on the inner ring. Each shelter is uniquely designed, creating opportunities for rest and reflection while blending seamlessly with the surrounding landscape.
Craco’s resilience is reflected in its retaining walls and arches, built to withstand landslides, though a disaster eventually left it abandoned. To honor this legacy, we designed lightweight, movable shelters using wooden frames and tight joints. These structures are easy to assemble, disassemble, and relocate, minimizing ground impact and respecting the site’s fragility. The eight shelters, including suites and service centers, blend tradition with modern sustainability, harmonizing with the landscape.
Honoring Resilience with Light Structures
Uncovering Historical Layers
Craco’s ruins rest on layers of histo ry—roads, buildings, and squares that once formed a thriving community. Each surface holds the memory of past events, waiting to be rediscovered. Our proposal seeks to bring these layers to life, trans forming the site into a dynamic journey. Rather than focusing on a single vantage point, we emphasize the act of wandering through these historical layers, allowing visitors to experience Craco’s story as an ever-evolving narrative.
Sustainable Harmony
Ultimately, we employed interlocking wooden structures to form a sense of mass that extended seamlessly into space. This design emphasized sustainability while minimizing the building’s impact on the site, integrating the surroundings into a broader narrative of harmony. We also aimed for the interwoven spaces to evoke emotional resonance, offering visitors a profound sense of connection.
06. Openness Analysis on 40 Public Libraries
An Analysis on Spatial Characteristics of Public Libraries’ Lobby in South Korea : Focus on Openness Analysis
Year Work Type
Target of Research
Thesis Advisor
Contribution 2017-2018
Individual Work, Academic(Research from Graduate School Master’s Thesis)
Targeting 40 public libraries with more than 3,500sqm, built in South Korea between 2010 and 2019 Yong Seung Kim (yskim@hanyang.ac.kr 031-400-5137)
Research and methodologies extracted from my graduation thesis. independently conducted on-site measurements, created drawings, developed Rhino 3D models, and designed all diagrams.
Purpose of the Research
In contemporary discussions on publicness, openness as an architectural embodiment of publicness has gained increasing importance across various public facilities. Among these, public libraries, which are highly responsive to the discourse on publicness, actively incorporate openness into their spaces. In urban settings, lobby spaces are particularly highlighted as requiring the highest degree of openness. Official guidelines often describe them as “open spaces” or
Calculating Integrated Visible Area
“spaces with a sense of openness.” However, there has been a lack of clear definitions and precise examples regarding the characteristics of openness in lobby spaces. This ambiguity has led to variations in interpretation depending on the designer’s discretion, emphasizing the need for a definitive framework and practical indicators.
Integrated Visible Area(Volume)
This research introduces the concept of the ‘Integrated Visible Area as a spatial domain defined by an observer’s unrestricted movement and visibility, accompanied by a methodological framework for its quantification. Using advanced ray tracing techniques, visible areas were meticulously analyzed and constructed. Unlike traditional planar analyses limited to two-dimensional interpretations, this study delves into the volumetric complexity of three-dimensional environments, carried out using Rhinoceros 5.0 by McNeel & Associates.
The ‘Integrated Visible Area’ is delineated into two categories: the ‘Open Integrated Visible Area,’ which is physically unobstructed and fully accessible, and the ‘Transparent Integrated Visible Area,’ which is visually open but enclosed by transparent materials like glass, maintaining perceived openness despite physical boundaries.
To calculate the ‘Integrated Visible Area penetrating upper layers at acute angles, planes formed by the lowest penetrating vertical axes were generated. These planes represent the lowest boundary of the integrated visible area. Once these planar boundaries were defined, they were vertically extruded to the ceiling boundary, forming a volume. Subsequently, the algorithm-generated 3D isovist was applied to the floor boundary corners, filling the morphological gaps when compared to the manually constructed visible area. This step served as a verification process to address any oversight during manual drafting.
Once the ‘Integrated Visible Area’ was deemed complete, it was classified into ‘Transparent Integrated Visible Area and ‘Open Integrated Visible Area’ based on the boundaries of glass surfaces.
The calculated volumetric value of the constructed integrated visible area represents the visible space. To perform an objective and quantitative analysis, the method for calculating the visible volume index is applied.
Integrated Visible Bulk Index Ratio, which indicates the proportion of the visible area relative to the total building volume, is determined to enable intuitive comparisons and evaluations. These evaluation Index Ratio enabled an objective analysis of the openness of library lobby spaces. This portfolio presents the methodology and insights gained from deriving these metrics, highlighting their significance in advancing architectural design evaluation. By quantifying spatial openness, this research bridges the gap between subjective perception and empirical assessment, offering a valuable tool for architects and planners to enhance public spaces systematically.
01. ‘WB’ Library Year 2009 Location Namyangju-si, Gyeonggi-do Int VBIR 5.13%
02. ‘DB’ Library Year 2009 Location Yongin-si, Gyeonggi-do Int VBIR : 10.95%
03. ‘PK’ Library Year 2010 Location : Seongnam-si, Gyeonggi-do
09. ‘KYW’ Library Year 2010 Location : Bucheon-si, Gyeonggi-do Int VBIR 4.46%
10. ‘GD’ Library Year 2010 Location : Anseong-si, Gyeonggi-do Int VBIR : 15.82% 11. ‘SS’ Library Year 2010 Location Changwon-si, Gyeongsangnam-do Int VBIR : 24.01%
12. ‘SD’ Library Year 2011 Location : Bucheon-si, Gyeonggi-do Int VBIR : 13.03%
13. ‘TJMR’ Library Year 2011 Location : Suwon-si, Gyeonggi-do Int VBIR : 10.66%
15. ‘MH’ Library Year : 2011 Location : Iksan-si, Jeonbuk-do Int VBIR : 9.61%
15. ‘S’ Library Year : 2012 Location : Seoul Int VBIR 19.83%
15. ‘BR’ Library Year : 2012 Location : Yongin-si, Gyeonggi-do Int VBIR 35.30%
17. ‘MG’ Library Year 2012 Location Changwon-si, Gyeongsangnam-do Int VBIR : 12.95%
18. ‘GR’ Library Year 2012 Location Paju-si, Gyeonggi-do Int VBIR : 14.10%
19. ‘BS’ Library Year 2012 Locwwation : Iksan-si, Jeonbuk-do Int VBIR : 16.57%
20. ‘CS’ Library Year : 2013 Location Gwangmyung-si, Gyeongsangnam-do
21. ‘BU’ Library Year : 2013 Location Daegu Metropolitan City Int VBIR : 6.24%
22. ‘SPGMR’ Library Year : 2013 Location : Seoul Int VBIR 10.28%
23. ‘BP’ Library Year : 2013 Locaation : Seoul Int VBIR : 11.13%
24. ‘BDN’ Library Year : 2014 Location : Suwon-si, Gyeonggi-do Int VBIR 21.28%
25. ‘CR’ Library Year 2014 Location Suwon-si, Gyeonggi-do Int VBIR : 17.86%
26. ‘HMS’ Library Year 2014 Location Suwon-si, Gyeonggi-do Int VBIR : 42.56%
27. ‘KDR’ Library Year 2014 Locwwation Osan-si, Jeonbuk-do Int VBIR : 30.07%
28. ‘HS’ Library Year : 2014 Location : Hoengseong-gun, Gangwon-do Int VBIR : 8.30%
29. ‘BU’ Library Year : 2015 Location : Seongnam-si, Gyeonggi-do Int VBIR : 15.04%
30. ‘IW’ Library Year : 2015 Location : Suwon-si, Gyeonggi-do Int VBIR 38.46%
31. ‘SH’ Library Year
32. ‘GJ’ Library Year : 2016 Location : Goyang-si, Gyeonggi-do Int VBIR 22.13%
Professional Works
Archimosphere
Profile for Profile
2024
Milan, Italy
Professional Work, Project Manager
Architectural Exhibition ‘Drop city 2024
Drop City 2024
Completed
Archi@mosphere
Min Woo Kang (me), Na Won Lee, Eun Bi Lee
Project Management, Concept design, 3d modeling, Detail Design, Presentation, Render, Mechanism plan
When Archi@Mosphere was invited by Drop City to participate in their exhibition, the opportunity inspired us to design a concept rooted in showcasing the heritage of our studio’s design philosophy. As part of this effort, I focused on exploring aluminum, balancing its inherent characteristics with innovative applications.
Through a series of intensive experiments,
we transformed aluminum from its raw metallic form into designs that embody human-centered spaces. This project highlighted my commitment to understanding material properties and their creative potential, emphasizing a design narrative that harmonizes precision, imagination, and the spirit of our studio’s identity.
Hanssem Design Park Song-Pa/Mok-Dong/Non-Hyun
2023
Seoul, Republic of Korea
Professional Work
Commercial
Hanssem
Song-Pa(Completed)
Mok-Dong, Non-Hyun(On hold)
Archi@mosphere
Min Woo Kang (me), Yu Jin Choi, Min Ki Shin
Concept design, 3d modeling, Detail Design, Presentation, Render, Mechanism plan
Design Park Songpa, the starting point of Hanssem’s store reform, is a flagship store designed to cater to Hanssem’s millennial muses. It offers diverse customer-centric experiences and draws inspiration from the varied lifestyles of its target audience. Under the concept of “From Home to Life,” the store goes
beyond the physical representation of a “home” to evoke rich narratives that inspire customers to imagine their own styles of living. The space is thoughtfully designed to guide visitors through a journey, encouraging them to envision a more appealing and refined way of life.
Professional Works
Archimosphere
IONIQ Sub-brand Zone Design Pre-Guideline
Archi@mosphere
Min Woo Kang (me), Na Won Lee, Eun Bi Lee
Project Management, Sketch, Concept design, 3d modeling, Detail Design, Presentation, Render, Mechanism plan
This project develops a global design guideline for the IONIQ zone to be applied within Hyundai showrooms worldwide. The guideline defines how an IONIQ zone is formed, establishing a clear identity while remaining visually connected to the surrounding showroom.
To achieve this balance, we adopted the Korean spatial concept of Chagyeong, which means borrowing the surrounding view. Rather than fully enclosing the zone, Chagyeong frames selected views and allows visual continuity between the IONIQ space and its context.
Based on this concept, the guideline introduces framed elements that partially reveal the vehicle as it enters the viewer’s line of sight, like an image within a frame. This moment of partial visibility creates curiosity and naturally draws visitors into the IONIQ zone.
The guideline forms the IONIQ zone using only walls and furniture, while reusing the existing ceiling and floor. This approach ensures consistent application across different showroom conditions.
Eco-friendly wood wool boards are specified throughout to express IONIQ’s vision of sustainability. The modular system allows the guideline to adapt to various dealer environments, ensuring easy installation and intuitive use.
Professional Works
Tomoon Architects & Engineers
Sejong City Multifunctional Administrative City 6-3 District M4BL Project
2021-2022
Sejong, Republic of Korea Professional
Apartment (1,035 Residential Units)
and Housing
(LH)
Tomoon Architects & Engineers
Min Woo Kang (me), In Han Lee, Na Ri Kim
Approval for Business and Other Permits
Coordination with Clients and Management of Partner Companies
Regulation Review
Preparation of Detailed Design Documents
Replanning of Ancillary Facilities and Underground Parking Lots
Review of Standards Related to the Disabled and Elderly
Preparation of Construction Documents
This project presents an integrated community design that harmoniously incorporates pedestrian-friendly micro-pathways, high-end lobbies, and versatile community spaces, fostering meaningful interaction and coexistence among residents.
Additionally, as a designated special supply apartment for individuals with disabilities, the development emphasizes Barrier-Free design principles, ensuring seamless accessibility across all aspects of the space.
Incheon Geomdan AA34BL Apartment Complex Construction Project
Republic of Korea
and
(LH)
Tomoon Architects & Engineers
Min Woo Kang (me), Yeon Joong Jung, Jung Eun Park
Approval for Business and Other Permits
Site Layout Planning, Regulation Review
Re planning Auxiliary Facility Design
Preparation of Detailed Design Documents
For a climate-resilient apartment project, I proposed a central facility addressing heat-waves and air pollution, anchored on natural ground with pedestrian-friendly pathways overcoming site gradients.
A 6.4m modular framework and external PD system enabled flexible stacking of residential units, supporting diverse structural configurations.
Green terraces with duplex units soften edges near low-rise neighborhoods, while 29-depth step terraces enrich the central pedestrian flow. Mid-level piloti structures ensure openness, and stacked 36 and 46 unit types add depth and dynamic visuals to the façade.
MIN WOO KANG
The 49th Nisshin Kogyo Architectural