MIDAS
VOLUME 5 ISSUE 2
SPRING 2025
What makes you feel young?
Media Coordinator
Griffin Gross
Editor-in-Chief
Ilysia Pitzer
“Reading a good book for the fun of it in a small space.”
Managing Editor
Nadia Narayanan
“Blasting good music with the windows down.”
Creative Director
Niko Lopez
“Butter pecan ice cream and sticky-wet heat.”
Design Director
Sarah Carson
“When I get to spend time with my friends doing things that I love without having to worry about anything else.”
Writing Director
Lindsay Cabrie
“The confidence I found when entering my twenties.”
“Living with my best friends.”
Event Coordinator
Caprielle Terry
“Being able play around and show my style.”
Media Assistants
Nellie Errett
Jessica Artis
Meaira Alston
Alexandra Fuentes-Fernandez
Jane Cho
Jada Richburg
Abigail Sliwa
Misc. Staff
Gabriel Abbate (Website Manager)
Elizabeth Sloane (Makeup Artist)
Venus Robinson (Stylist)
Kayla Moussa (Stylist)
Design
Mylan Lutz
“Hanging out with friends late at night or doing things outside together (like frolicking!)”
Kim Mai
“Being able to stay up late and hang out with my besties.”
Mia Primus
“When I go back home during breaks, I revert back to my seventeen-year-old self.”
Giselle Carrasquilla
“I feel the most connected with my younger self when I’m driving with the windows down, freeing myself from judgment, and knowing that I still have so much more ahead of me in life.”
Brook Barratt
“Feeling like there are so many things I haven’t experienced yet, the feeling of wondering and wanting to soak in everything around me and gain new perspectives and experiences.”
Creative
Christian Barber
“Learning new things and engaging in creative hobbies.”
Gabriella Neeld
“2 a.m. car rides that take my friends and I far away from where we started.”
“There’s something so innocent about being home with my mom when she prepares a home-cooked meal–when I don’t have to lift a finger, and she does everything for me. As a college student, I’ve grown so independent, always feeling the need to be strong.”
Natalya Ivanna Gina Hull
“When I am out late with my friends driving around in my car or when I am playing rugby.”
Nicole Nguyen
“A wise woman named LDR once said “We have nothing to lose, nothing to gain, nothing we desired anymore– except to make our lives into a work of art” and I think that perfectly captures my youth.”
Writing
Kashika Chaudhary
“Spending time with funny and creative people.”
Tarik Liassou
“Dancing in the rain.”
Sophie Sommer
“The freedom of a sunny day.”
Rosemary Brown
“Those sparks of moments where I feel like I can giggle and squeal without judgement.”
Morgan Cifarelli
“I feel young blasting a song I loved in middle school and remembering every lyric like no time has passed.”
Ryan Arias
“I feel young when I’m laughing uncontrollably with my friends, caught up in the kind of joy that makes time feel irrelevant.”
Rey Dizon
“My sisters. During a time in which we’re plagued by a lot of responsibilities and obligations, all I need to be around them is their little sister.”
Kanousa Thapa
“Embracing the perfect yet flawed moments.”
Janey Medina
“Creating expressive and colorful art.”
Madison Hernandez-Concha
“Driving in the summer with music playing after a fun outing.”
What is youth if not our time of becoming?
ith this tenth issue, we aspired to lean into our namesake, King Midas, without having page after page of gold visuals and rhetoric with no thematic intention behind it. As we started planning, I was determined to include visuals of a hand dripping in gold, without a concrete explanation for why or how we planned to do it. However, in looking at the themes we had not done and ways to implement gold – the term ‘golden age’ was something to explore. Noted as a period of happiness and prosperity, to us, the golden age is an evocation of youth culture – the allure and imperfections of being unapologetically young.
Think back to the head-spinning excitement for summer, dreams of growing older, the temporary euphoria of sneaking out to feel alive. Now, imagine the spontaneity of gas station trips, a mountain of red solo cups and sticky basement party floors of tomorrow. We celebrate youth as collective, cathartic stories rather than a snippet of time in our past. It is more than hitting puberty at the most inconvenient time or going to your first school dance, but they are part of it all the same.
In “Vice or Virtue,” our previous issue, we articulated the depth of beauty, acknowledging the delicate balance between its vices and virtues. However, in this issue, we hold the experiences of our youth close as we continue to evolve – from developing our personalities using online spaces in “Hyperlinked Self” to a guide for throwing the best party with “You’re On The List” to yearning for youth as we enter the corporate world in “The Good, the Bad and the Unpaid Internships.”
We asked our staff, “What makes you feel young?” to reveal some of the defining moments of their lives, leading to who they are today. Volume 5, Issue 2: Golden Age reminds us of a time when life seemed simpler to digest the idea of growing up as the harsh truths of today begin to settle. Yet, we continue to grow, to experience, to explore.
Drown out the noise – let us bask in the here and now while we are still young.
Ilysia Pitzer Editor-in-Chief
here is a moment in every young person’s life when the world feels like it is just beginning, when everything seems possible, and the future awaits us as we do it. This is what we are celebrating in the tenth issue of MIDAS Magazine titled “Golden Age.”
This issue is about the essence of youth: the days when we are figuring out who we are, dressing up for the first time with a sense of self-expression and stepping out into the world with excitement and anticipation. It is the period between childhood innocence and adult responsibility, where everything feels like a new adventure.
The golden age is not about perfection, it is about embracing who you are and discovering who you want to be. At MIDAS, we are dedicated to unearthing the depth and strength inherent in genuine self-expression, recognizing that true power lies in embracing our most authentic selves without compromise. We believe in the transformative potential of vulnerability and the profound impact of allowing our identities to unfold naturally. Troye Sivan’s song “Youth” is an anthem to our theme of a fleeting but beautiful period. Sivan’s lyrics remind us that youth is both precious and wild, “We’re the kings and the queens of the new world.” His lyrics resonated with me, perfectly capturing this spirit, symbolizing this is the time to make mistakes and try new things. It is about finding what works and what does not. Youth is about becoming. About finding who you are. 4
Here’s to our youth and the gold shining within us,
Nadia Narayanan Managing Editor
As you flip through the pages of our golden issue, you will discover all aspects of living in the golden age of youth: the balance between ambition and self-discovery, the clash of old systems with new ideals and the endless potential of a world brimming with opportunity. This issue is an ode to the dreamers, doers and those who know that the golden age is a time full of limitless promise.
Golden Age Golden Age
Written
b Morgan Cifarelli Designedby: Kim Mai
uring an era when everything is fast, fleeting and transactional, time has become just another casualty of our throwaway culture. Our attention spans are getting shorter; we prioritize convenience and seek instant gratification at every turn. A text replaces a conversation. A like replaces real connection. A binge-watch session replaces a night out. The modern world encourages us to be productive and “hustle,” treating time as a resource constantly managed rather than something to experience.
The consequences are undeniable –burnout is on the rise, society feels less sociable and social isolation is deepening more and more. America, a nation built on glorifying work, has forgotten how to embrace the art of enjoyment. We have mastered the stillness of solitude but have forgotten the chaos of shared experience. And yet, we resist it.
Sociologists argue that time has never been more commodified. The 24/7 work culture, amplified by technology, has erased the line between labor and leisure. A study by the American Psychological Association found that 79% of people experience workrelated stress, with many feeling pressured to always be “on.”
Side hustles, gig work and the obsession with productivity
have turned free time into something that must be justified — if it is not “useful,” it is wasted.
This mindset has reshaped how younger generations engage with their time. A report from the Pew Research Center found that Gen Z and millennials experience higher rates of loneliness and anxiety, in part due to a decline in meaningful social interactions.
reconnect, to exist beyond the constraints of daily life. In contrast, American culture often frames partying as frivolous or even reckless – something to grow out of rather than embrace. Indulgence is seen as a distraction, and celebration as a luxury. We are taught to “spend” our time wisely rather than live it fully.
Traditional milestones – homeownership, financial stability and long-term careers – feel increasingly out of reach, leaving many young adults in a state of existential limbo. When the future feels uncertain, celebrating the present can seem pointless.
Even our entertainment habits reflect this shift. Why throw a party when you can get a dopamine hit from TikTok instead? Leisure has been repackaged into something passive, something disposable. The time we spend consuming content is time that never really belonged to us in the first place.
Historically, cultures across the world have understood the necessity of communal joy. Festivals, carnivals and shared celebrations have long provided a space to release and
But research suggests that social leisure is critical to our well-being. A 2022 study published in the Journal of Happiness Studies found that people who regularly engage in communal activities report higher life satisfaction. Countries that prioritize leisure – like Spain with its siestas or Brazil with its vibrant festival culture – consistently rank higher on global happiness indexes than the U.S. Yet, Americans are opting out of social gatherings more than ever.
A 2023 YouGov survey found that while 84% of people enjoy birthday parties, only 59% had attended one in the past year. Another poll from 2022 showed that just 28% planned to host a party for their birthday.
Ellen Cushing from The Atlantic says, “Everyone wants to attend parties, but no one wants to throw them. We just expect them to appear when we need them, like fire trucks.” The result? A growing absence of shared moments. We crave
“Why throw a party when you can get a dopamine hit from TikTok instead?.”
“In a world that constantly demands more, choosing to revel in the now is the ultimate rebellion.”
connection but hesitate to create it. We long for the energy of a crowd, yet shy away from the effort of gathering one. In treating our time as disposable, we have lost the instinct to celebrate it.
If time has become disposable, then it is up to us to reclaim it. America is suffering from a party deficit – so much so that Party City, the nation’s largest retailer of balloons and party supplies, has announced it is going out of business. Even college students – once the heartbeat of house parties – are drinking less, taking fewer risks and gathering less often.
But reclaiming time does not mean returning to outdated ideas of what a “party” should be. It is time to redefine celebration on our own terms. A party does not need to be extravagant, expensive or even particularly well-planned. It can be a dinner crammed into a too-small apartment, a picnic in the park, a spontaneous night out or a slow morning that turns into an all-day adventure. The point is not just to make room for parties – it is to make space for the unexpected and the unplanned, the moments that pull us out of autopilot.
A life without social interaction is not just dull – it is detrimental. Studies show that loneliness is as harmful to health as smoking 15 cigarettes a day. We do not just want connection — we need it.
America does not need more efficiency; it needs more moments. More dancing, more laughter, more reasons to pause and exist without the pressure of achievement. More chaos. In resisting the disposable nature of time, we must learn to find meaning in the fleeting. We tend to think of stillness and chaos as opposites, but they are both necessary. There is value in slowing down, in finding peace within ourselves. But there is also value in surrendering to the chaos of celebration – the kind that throws us into the present moment and reminds us we are alive.
Written by: Ryan Arias
Photographed by: Gabriella Neeld
Designed by: Mia Primus
Makeup by: Elizabeth Sloane
Modeled by: Caprielle Terry, Stephanie Davis, Munira Ali
The Internet is not merely a digital landscape but a key form of escapism for today’s youth; it metamorphosizes into a canvas where one’s identity is painted and redefined. The Internet has reinvented the playing field of crafting an individual’s sense of self, and the main connection medium now includes online spaces built around personal branding and social influence. Digital natives have learned to navigate this complex landscape as they become both the architects and the audience of their evolving identities.
With the growing trend of implementing the Internet into learning spaces for students, it is only natural for digital spaces to be used for personal interests as well. Online communities on YouTube, Tumblr and TikTok have skyrocketed in popularity. People are organically drawn to spaces where they feel welcomed, establishing a sense of connection or belonging. With the cravings for acceptance being fulfilled, so is the third level of Abraham Maslow’s Hierarchy of Needs: love and belonging. The psychological theory outlines five levels of human needs, arranged in a pyramid. The theory suggests that individuals must fulfill lower-level needs before progressing to higher ones. With the third level (Love & Belonging) being met, a feeling of inclusion has taken root. This checkmark allows one’s personal brand to begin to flourish into what becomes of them in the future. In other words, digital spaces are used to fulfill our personal needs of belonging and esteem.
At the core of this digital reinvention lies another psychological framework that explains how individuals adopt behaviors, mannerisms and even aesthetics from those they look up to: Social Learning Theory. The theory, proposed by well-known psychologist Albert Bandura, emphasizes the importance of observational learning, where individuals gain knowledge, skills, attitudes and beliefs by watching the actions of others. The famous Bobo Doll Experiment, conducted by Bandura, demonstrates how indivduals – particularly children – learn behaviors through observation and imitation of role models.
But how exactly does this tie into an individual’s character development as we grow up?
As the internet provides a space for youth to escape and explore different aspects of their identity, online role models who shape their growing personalities are imitated This escapism is not merely about avoiding the real world, it is about exploring new possibilities within a digital realm. The Internet grants individuals the opportunity to learn from the online spaces they take refuge in and gain valuable insights into the character traits they most resonate with and can adapt to, integrating these elements into their own evolving sense of self. With the Internet’s vast fields of content to explore, it leads to unique and creative personalities that heighten one’s sense of individualism. Social media thus fosters the development of personal traits and aspirations in a way that is both reflective and adaptive, helping youth cultivate their own identities while providing a safe space to experiment with new personas. The escapism offered by the internet grants users the freedom that nurtures a sense of confidence. This freedom can then be used to experiment with different identities and expressions, ultimately shaping a more defined and authentic version of one’s identity.
Amid the rise of digital culture, personal branding has become an essential part of self-expression. People want to know who you are and what you are about! As young people cultivate these digital identities, they not only influence how others see them but also how they see themselves. Influencers such as Emma Chamberlain (YouTuber and model) and Leah Kateb (influencer from the latest season of Love Island U.S.A.) serve as examples of online figures who shape the minds of many teenagers and young people interested in the fields of fashion, body-positivity and unfiltered self-expression. Although social media can give platforms to areas of hate and negativity, it would be ignorant to look past the landscape it provides to important and positive messages that can be implemented into the brands of young generations. In this way, the Internet allows youth to leverage digital realms to explore and reshape themselves in ways never before possible, fostering personal growth and identity development in a rapidly-changing world. Something as simple as pressing a hyperlink serves as our means of self-expression, where young minds paint their identities with each interaction, shaping not only how they are seen but who they ultimately become.
Photographed by: Natalya Ivanna
Designed by: Sarah Carson
Modeled by: Zoey Jones
Styled by: Venus Robinson-Epps
Every party has one essential role to fill: the girl with the digicam. This girl might not always be the life of the party, but she is indeed the backbone. Moving through the hordes of drunken people, capturing the sparkles of her surroundings, gathering people posed together with goofy smiles and half-shut eyes. Flashes of light from a tiny silver box might not seem like such a huge deal, but in the digital age of “pics or it didn’t happen,” these photos are the hottest commodity after a night out. That same girl’s inbox will be flooded with messages 12 hours later. Sure, everyone wants pictures of themselves, but there is a difference between those and the selfies haphazardly taken in the bathroom: vintage.
To be effortlessly cool is to be unique enough to be interesting but also somehow natural and attractive. And what is more effortlessly cool than vintage? The increased curation of decade aesthetics have connected youth to older generations in a manner that was previously impossible to capture. The experiences of parents and grandparents are no longer located in the same world as us, but instead in faraway landscapes for precocious minds to take shelter. The difference in widespread technological abilities makes it seem so alien that it feels like a different world. Sitting in their childhood bedroom is a child wishing they were born in a different decade. Since we cannot travel back in time, the youth are living in the past vicariously through all things vintage, specifically vintage tech.
the girl with the digicam
Written by: Kashika Chaudhary
Designed by: Mylan Lutz
There is no question that we have superior technology now compared to five or 10 years ago. The newest iPhones have features like a wide shot angle, a photonic engine and deep fusion. They are less point-and-shoot and more point-adjust-the-lighting, change again and shoot. While camera quality is unmatched from the previous years, we are approaching a point where the latest and greatest technologies are no longer the most desired. Instead, opting for the more physical forms of media from the past, CDs, vinyls and digital cameras are new (and old) tools for the younger generations. Now, will they ever surpass the effects of the widespread digital revolution? No. They never will. However, as the internet hones the uprisings of niche trends, there has been a documented rise in demand to recreate the past, not just sonically, but visually too. Digital cameras are back in the forefront of the public’s consciousness, with their nostalgic aesthetics desired by teenagers everywhere. However, minus the ones from Shein, they retail for approximately $100, which is quite a lot of money. What makes this investment worth it?
Digicams not only put the experience of taking photos back in the hands and focus of the photographer but delay the gratification of the perfect photo. Fumbling with the clasps of time’s necklace and grasping a digital camera sparks the connection between us and the youth of the past.
Cameras are not the only resurfaced form of vintage media. Vinyl sales hit a record number in 2022 since 1987, signaling a phenomenon that people call the “vinyl resurgence.” There is some thing about having a physical copy of an album that does not compare to the play button on Spotify. The action and care of buying, holding and setting up a vinyl record is a breath of fresh air in a time where gratification is often immediate. When vinyl collectors were asked why they felt so drawn to this time-consuming and expen sive hobby, they responded with sentiments about the physical aspect of putting on a vinyl. One responder claimed they “love the ritual of putting on a record and everything that goes with it.” Many others mentioned how it makes them feel a specific sense of intentionality that streaming cannot convey. Another responder likes the listening experience as the art ist intended: uninterrupted. Most albums are carefully curated to be in a specific order that tells a story, and the initial intentionality of the format lends itself to the listen ing experience. Some like the thrill of the hunt. Rummaging through the crates like a lion on the hunt never gets old.
Heirlooms are not always antique hairbrushes or fancy sometimes, they are plastic disks with the date scribbled on the back and a
Written by: Rey Dizon
Photographed: by: Gina Hull
Designed by: Giselle Carrasquilla
Modeled by: Jayden Mccullen
You are called into the void.
Thrown into oblivion. Orchestrated by the stars. It disappears as soon as you see it. The Gateway to the World. You sip and suckle, teeth sunk into skin with a cigarette burn dressing the rib. Sweet nothings fill your ears. Every light is a blurry constellation, fingers reaching down at you between the gold.
You do not remember when the world began to whirl from beneath you. The veins in your legs ached for more, your feet speckled with rocks and chalk. The apple seed from last week’s lunch has not grown after you dug a hole in the ground. The dirt is still in between your fingernails when you look down. Your old neighbor is bent over his daffodils, watering them when he says, “Some things take their time to grow. And some things never do.”
Your hands are stuffed with pencils and crayons, confined to lines and finite paper. You are scolded when the words in your mind leak onto the wallpaper. A friend asks you to hold your hand. When their palm brushes yours, that is when you know humans can wield electricity. You feel the sparks fly from their stout pinkies through your whole body. The kid that sits next to you in class keeps swatting their eraser shavings onto your desk. You tell them to stop, and they do not. They snatch away your favorite crayon. It creaks in their careless hand as they color, color, color. It snaps in the small of their palm. That is when you know anger. Your fingers spread when you lunge at them, knocking them off their plastic chair. Their head hits the linoleum. Your hands are filled with their hair, an angry heartbeat vibrating all the way to your fingertips. You have to be pried off of them before your chest feels empty of rage. The teacher holds her pale ruler in hand. When she slaps your wrists, you wish you were older so no one can get mad at you anymore.
“Some things take their time to grow. And some things never do.”
You do not know when you got taller. Skin is pulled taut from bone, reorchestrating itself to erase the traces of immaturity in your features. You need to retrain yourself to recognize the man in the mirror. Your sentences are stringing longer. They are singing your remembrance, creating worlds with lead. Everyone is consumed with painting their faces, wanting their name to be known. Their eyes are shining with ambition, mouths frothing with desire. They are all fascinated by love, swallowing each
other’s lips clumsily like in the movies. You wonder what it is like to love that much, to want to encapsulate someone else wholly. You wonder if it is something you have the potential for. You try it out, once, holding someone’s hand again. There is no electricity in the roughness of their palm and the spininess of their fingers. Their voice is doused in pride when they tell others you are theirs, an arrogance not featured in cinematic love. You notice the hunger in their eyes as their hands travel over the ridges of your ribs and hips. Their touch alone makes you eager to rush home. There, the old neighbor’s daffodils are sunken. They plead for a drink. Dad is at work more often. Mom smells stronger when you come home from school. You ask for a drink of her dark red, curious of her craving for it. The tip of her cigarette is set ablaze before she tells you, “No. When you are older.”
You know the world less and less the more distant you grow from the floor. It is much bigger than the confines of your childhood bedroom, more unfamiliar and overwhelming, yet intriguing and captivating. There are glowing stars on the universe’s ceiling, a room you share with many others. So much to see, such fleeting time. You want to see Laocoön and his sons someday. And Venice, you have read, has been sinking since its creation. You wonder what it is like to feel so temporary – you almost drown in the city’s peculiar familiarity. Yet, there is no time to get overwhelmed, for there are more important things upon you. More places open themselves up to you, swallowing you, until your childhood home seems like a fever dream. You can barely recall the freckles sprinkling your mother’s face, but you remember her cigarette breath. You are tasked with making your dreams your reality, or throwing them away for something more realistic. The world expects an adult out of you, but it sees you as the child you have been eager to escape. You did not foresee adolescence as a thing of anger, of frustration. The sadness and aching in your bones is not one of aging, but something you cannot quite put your finger on. You have spent so much time fleeing from youth and all of the unseriousness tied to it, hoping the adult world would treat you with respect and agency. But it is so loud. And demanding. And cruel. You have never wished to be younger before. The feeling is as dysphagic as it is guilty. You close your eyes and can almost taste the gold streaming in through your window, kissing you gently as you color on the walls of your home. The gentleness of it sounds like humming, a vague shadow coming into your vision of a cigarette burned breast. It is so sweet, it is nauseating.
“The world expects an adult out of you, but it sees you as the child you have been eager escape.”to
But the world is not done with you. You are not made of your dissatisfaction, restlessness or anger. Remember, you are stardust. You are made of gold, a miracle. Amid all uncertainties, you are sure the universe did not fashion you half-heartedly. Your brain and body are treasures, destined in luminosity. You have the warmth and potential of a thousand suns in just your pinky. And when all is said and done, you will be released back into the constellations, and they will know of your
greatness.
summer. Tomorrow, I will finally grow up. But for now, I just want to go out and soak up the sun on my face. It is the last day of
Written by: Madison Hernandez-Concha
Photographed by: Nicole Nguyen
Designed by: Giselle Carrasquilla
Modeled by: Akemi Childs, Makeup by: Elizabeth Sloane, Styled by: Venus Robinson-Epps and Kayla Moussa Production Assitance by: Nadia Narayanan and Nellie Errett, Car courtesy of Matthew Huber
I pulled off every single detail to perfection: The shoes, the skirt, my hair. I flip through the pages of old fashion magazines I borrowed from the corner bookstore. “I could do this. I could wear that.” That is what creativity is all about, right? I am only on the first magazine of this stack, so I will let you go for now.
Standing here, I can really see what it looks like from the outside. I wonder how many other things I can see as an outsider now. Everyone knows that things change as you grow up. When I was younger, I thought being young meant I could not do anything at all.
But now, sometimes I worry it meant I could have done everything.
You know, even with everything I wear, I still hold on to what used to be. It is all about the details, right? I remember the old parties, Valentines and quarter prize machines.
I find that the sun can be quite beautiful. From lying down to absorb its warmth or driving with it hovering above, lighting the way. To be out with the sun, on a trip or eating candy as it rises and sets. To follow the schedule of the sun, even when it is hidden behind clouds and fog. To be under the sun every day. To see the same beautiful sun as every generation that came before you and every generation that will come after you.
I chased the sun and it took me to the pool. Here, all my memories come rushing towards me. Cannon balls and dives, cookouts and fireworks. That was not so long ago, just last year. Right now, I can float with no tears spilling down my cheeks but sticky-sweet popsicle juice dripping down my wrist.
The day is over, and I am ready to go home, reaching up to the sky as it dries the chlorinated water off my back. The years pass and I feverishly obsess over them, but I am still young. I look forward to what is yet to come, but I cherish what I have now. This is my
Modeled by: Nadia Narayanan, Parth Vyas, Kion Slade and Shayin Yang
Styled by: Venus Robinson-Epps
Production Assistance by: Lia Markese and Nellie Errett
Photographed by: Christian Barber
Designed by: Brook Barratt
Written by: Sophie Sommer
by: Gina Hull
Designed by: Kim Mai
The college party is the stuff of mythos. Folktale whispered in the ears of soon-to-graduate high school seniors. From the infamous frat party to Friendsgivings that get a little too messy, everyone is looking for the time of their lives. Whether you are an extrovert with an invite to every event on campus or an introvert who leaves the apartment once a month, I have one question: What makes the perfect party?
Partying has become one of the pillars of college social society. While the unacquainted may find themselves scared, I promise it is not! There is an event for everyone – an instinct for each individual. Many attend while others are destined to host.
I prefer a small party, especially if I get to host. Does this make me a complete control freak? Well… let me just say if the music sucks I have got to be able to change it. However, this is not everyone’s preference. Many people are right at home in Charlotte’s prospering rave scene. So, I have gone ahead and asked some of my friends:
What Makes a Good Party?
Most people pregame with friends. Try getting ready with your best girls (gender neutral)! Play whatever music you know you will not hear at the party! Change your outfit every 20 minutes! You will end up doing this every time you go out. This is usually the best time to solidify your designated driver. Pregaming does not necessarily mean getting drunk; a friend of mine shared that she prefers to stay sober. Pregaming is for bringing up the energy.
How Important is the Ambiance?
Does Size Matter?
Small parties that are just friends are always nice, but what if you are trying to hold an event? Make sure the room does not look empty. A friend shared that it is easier to dance when it feels like no one is watching. Being a stranger in a crowd is always a good time.
What is the Best Party you Have Ever Been to?
Every single response I have gotten has been the same: VERY. One person said that if the lighting and music are bad, then things get awkward quickly. Another friend said it perfectly: big lights are a big no-no! Instead, try some soft, colored lighting. A sunset lamp always does the trick!
Party
Gimmicks Yay or Nay?
I am personally a fan of a party gimmick. Responses on themes seemed positive, though I am sure we have all been to one too many white lie parties. Opinions on games seemed mixed. Do not expect your drunk friends to be able to master anything that requires any level of organization. Now, a hearme-out cake? Instant hit.
One respondent shared that the best party she had ever attended was a local performance artist Mono Feo’s blood rave titled “Chasing Horses II.” A party with fast-paced EDM and fake blood drenching the attendees. Others shared about a small event where they drank cheap champagne (no, not from the French region) and watched reality TV.
What is Your Favorite Part of a Party?
A response that really stuck out was someone whose favorite part of a party was the aftermath – going to Taco Bell with friends and staring up at the one twinkling star piercing through the light pollution while friends chattered on either side. I am inclined to agree. The meandering journey home is what I remember most fondly and where my strongest connections bloom.
Photography
disposable dishware and any drinks and snacks you think people may want. It sucks to try and find someone willing to drop their conversation to buy more of whatever beverage you have run out of. If you know your friends will want to smoke, set aside and label a cup for ashing before the evening starts.
Modeled by: Nellie Errett
Production Assistance by: Jessica Artis and Abigail Sliwa
“One thing I particularly enjoy doing is introducing my friends who do not know each other.”
During
The actual party is the easiest part. lighting – NO BIG LIGHTS!!! – and shuffle whatever playlist you think fits the vibe. can add their music to the cue. Ensure you are attentive to your guests not only when they arrive but also throughout the night. No one likes to be ignored!
One thing I particularly enjoy doing is introducing my friends who do not know each other. This is especially good if you have a guest who struggles to start conversations. Think of any shared interests and use brute force if necessary. If you are unwilling to shove your friends together, this template always works:
“Hey! This is my friend X. X, this is Y. You both like Z.”
Now, flee the scene to ensure no one touches the shot glasses you specifically told them were off limits!
As the host, you should do your best to be sober by the time the party is over.
absolutely your job to ensure everyone gets home safely. Offer rides, ensure guests text you once they are back in their beds and do not let someone leave alone if you think they are too drunk to navigate themselves. You do not want to wake up to news of an incident on someone’s trek back. It is your job to make sure this does not happen.
“As the host, you should do your best to be sober by the time the party is over.”
So What Now?
You know how to attend a party and you know how to throw one too. The only step left is to stop being afraid. Ask the cool person at your class table about their plans for the weekend. Text back that one friend you forgot to respond to and ask them to hang out. Everything feels scary before you do it, especially parties, but this is not the time to stay scared. Go hang out with friends, old and new. Create the stories you will tell your kids when they are older. You are only young once, and that time is right now.
Pre Party
Party Checklist
Is your outfit picked out?
Do you have a comfy pair of boots to change into when you inevitably decide you do not want to wear heels right before you leave?
Have you decided on a designated driver?
Do you have a backup for when that person ends up drinking too?
Double-check that you fed your cat (or else you will be second-guessing yourself the rest of the night and come home guilty).
Are you bringing cigs or bumming?
Dos and Don’ts
Dance even when you are embarrassed
Take an Irish Exit
Set up painkillers and a glass of water before you go to bed
Have a nip slip
out
Be the first to leave
Ignore the other girls in the club bathroom
Show up empty-handed, then drink all the booze
Dos
Don’ts
Green
Nicole Nguyen
by: Dara Alegre and Andre Douglass
Photographed by:
Designed by: Giselle Carrasquilla
Modeled
Styled by: Kayla Moussa
Let us go back for a minute – a blast to the past.
Close your eyes and try to picture the last time you did something truly embarrassing. Was it an infodump about a childhood show? Did you draw a self-insert for your favorite video game? Were you posting lip-sync videos to Musical.ly? I want you to reach back into the corners of your mind and find what you loved but now cringe at.
There is no doubt you have heard the term “cringe.” In the literal sense, cringe refers to the sudden movement away from something as a means to shrink or bend in form. However, with how we use it now, cringe refers to a feeling of second-hand embarrassment, awkwardness and often shame people have as a reaction to something else. We have all encountered variations of cringe videos, such as “Try Not to Cringe Challenge!” or “Ultimate TikTok Cringe Compilation,” showcasing video collections of individuals who post them on their social media platforms. These kinds of videos are not new nor particularly special: over the last six years, they have become increasingly more popular and common. Cringe is subjective to each person – what you and I think are cringey likely differ – but there seem to be a few patterns that people online dub “cringe.” A reaction to cringe is quite expected; it is normal not to like something, but a hyperfocus on others’ behavior that is ultimately unnecessary and overcritical is detrimental to the development of our youth.
What is the big deal? It is not like these videos are harmful, are they?
Well, yes! It can be damaging to post pictures or videos of people without their permission, to make fun of them or treat them like they are a cartoon character or freak show.
“You should expect this kind of stuff; it is the Internet. Get used to it.”
As the new supposed “third space” – an external space outside of home, school or work to foster community – the Internet serves as a hub where people come together. These posts perpetuate a cringe culture that is harmful in that the label “cringe” is used as an attack to suppress someone for expressing authenticity or joy. This subscribes to an almost conservative agenda that we should all be uniform and restrict expressions of non-normative behaviors, which is a dangerous rhetoric to uphold. Many of the subjects of “cringe” labeling are often adolescents and preteens with common embellishments such as amateurly applied makeup, a DIYed accessory or beginner performing skills, which are activities that are commonly associated with this age group. It is like we have come to associate youth with cringiness. Is that the narrative we want to push – that expressions of enjoyment should be ridiculed, especially when these people are often children?
O f course, I am like many of you. When the “millennial-core” videos pop up on my feed, I sit, watch, laugh and cringe. I am not claiming to be perfect, nor trying to tell you how you should feel or react when you do not like something. Yet, with decreasing media literacy rates and a lack of empathy, we must be mindful of what we consume and produce online. I want there to be a focus on how we post content and interact with others on social media. Sometimes, it is not just a silly little internet post, so reflecting and recontextualizing how we see and interact with “cringe” is a major step in breaking down the concept of cringe as an entity. If we could redirect these uncomfortable feelings about people who have no direct impact on us, we could stop perpetuating the cycle of bullying and prevent these negative stereotypes that can often border on ableism. Many traits associated with being cringy are part of the autism spectrum or another form of neurodivergence, which, again, is a problematic association.
So, with that, I want to share a little
piece of me:
T he year is 2019, middle school is rough, and I mean extremely rough. My skin is covered in pimples, my limbs long and lanky with chipped nail polish and my hair is fried pink and purple. I had gotten too many Ramona Flowers comparisons at this point, I did not know if that meant people were making fun of me. I knew I was liked to an extent; I had enough friends at school that I could count on one fingerless gloved hand and use both if I wanted to count all the online friends I made through Tumblr, Amino and mutuals from Instagram.
I had a lot going on, with meeting my parents’ new partners, figuring out my sexuality and gender identity and the countless other things that happen to a preteen. I found myself in a pretty isolated and dark place. It was a constant battle in my head about my emotions, and I felt riddled with shame no matter what I did, whether it was through my art, the music I listened to, how I did my makeup and especially how I interacted with my friends.
A ll I wanted was the life I saw my peers have, yet countless times, I would see content creators mock people who looked and acted like me. The overwhelming negativity was suffocating. I felt like I had to mask my true self and force the “cringe” qualities down and become someone else to please people. I did not want to have to deal with the walls built by this fear of cringe. I knew I could not talk about my favorite anime with my friends nor show them the fan art I made for it. I could not share the new K-pop debut album and express how much I loved
It was draining to keep so much of myself inside, and I craved an outlet. I turned to online spaces like Tumblr and, specifically, Amino to find people with the same interests. It was exciting to be free from the restraints of cringe culture. I met so many people in the same position, feeling like they had nowhere else to go, finding online spaces as a temporary haven for cringiness.
I was unapologetically myself, and proud to say I still am. There are certainly some interests I no longer like, but that is part of growing up. Those parts of my adolescence I carry with me, and the lessons I have learned make me who I am today. I know it is much easier said than done, but allow yourself to be cringe. Let yourself love talking about your favorite series and do those activities that people give you sideways looks for – their opinion does not matter. If you are content with yourself and you like what you love, cringe culture cannot exist.
“If you are content with yourself and you like what you love, cringe culture cannot exist.”
Photographed by: Niko Lopez
Designed by: Sarah Carson
Modeled by: Lea Ahmad
Nail artist and sophomore at UNC Charlotte studying Business Analytics, specializing in custom press-on sets and unique gel designs.
“I started my nail business in 2023 because I’ve always loved creative and detailed work, and nail art became my favorite way to express that. And, since then, I’ve been growing my skills and my client base, specializing in custom press-on sets and unique gel designs.”
How did you get into nail art?
“I’ve always loved creative and detailed work, seeing unique and intricate designs really inspired me to start practicing. And, since then, I decided to turn it into a business when I realized how much I enjoyed helping people feel confident with their nails.”
Pricing varies depending on the design, complexity and nail length. For detailed pricing, feel free to message Lea on Instagram DM @nailsxlea. Potential clients can book with Lea by DMing her on Instagram; for custom press-on sets, she also takes orders through DMs.
Behind the nails in ‘My Wet, Hot American Summer’
“I reached out to the creative director [of MIDAS], letting him know I was interested in showcasing my skills, and we discussed the overall mood and style of the shoot. The process of creating the press-ons was quite long and required multiple drafts to truly embody the theme. I experimented with different designs, colors and textures, making sure each element reflected the aesthetic. I even went out and brought specific materials to perfect the set. It was a challenging but rewarding process, and seeing the finished set come together in the shoot made all the effort worth it.”
Do you see nails as more than a beauty service?
“I think they’re a form of art and empowerment because every set I create is like a tiny canvas where I can bring unique designs to life. Like fashion and makeup, nail art is a way for people to express their individuality and showcase their personality. When clients get a fresh set, they feel put together and excited to show them off. For me, nail art isn’t just about aesthetics. It’s about self-expression, creativity and making people feel their best.”
Instagram: nailsxlea
TikTok: nailsxlea
Modeled by: Ella Evans, Sabrina Coffaro and Alden Sanderson
Styled by: Kayla Moussa
Most people hold onto their youth or golden age, and the desire to revisit such youth often drives individuals forward. The limbo between graduating from college and being hastily pressured to find footing as new adults triggers cravings for such youthfulness. Many college students are expected to leave behind their young adult lives and follow in the footsteps of older generations. The shift from structured school schedules, part-time work and leisure time with friend groups to rigid work hours and in-office involvement is overwhelming. This expectation to seamlessly adapt to adulthood while deciphering its nuances intensifies the feeling. Pressures of financial independence, professional development and societal expectations contribute to the anxiety associated with entering the workforce.
Unpaid internships are another thing on the list to worry about. It is common knowledge that every college student should leave with experience when they graduate; that experience will pave the way for a successful career. However, not all internship experiences are ideal. Unpaid internships are increasingly prevalent among companies hiring interns. According to a 2022 study by the National Association of Colleges and Employers, 47% of interns in the United States receive no compensation for their work. This creates a financial barrier for students who cannot afford to work for free while covering tuition, rent and basic living expenses.
The burden of unpaid labor is heavy for students interning in expensive cities where companies often provide little to no support for housing or transportation, requiring an oddhour job to supplement lost income while juggling unpaid, full-time work. Thousands of college students compete for the privilege to work for free each year. Inside Higher Ed states that the primary concern among students is emotional stress (54%), followed by personal mental health reasons (43%) and the cost of higher education (31%). The expectation that experience alone is adequate compensation raises fundamental questions about corporate America’s labor ethics.
The irony of the situation is evident considering the broader capitalist narrative. The American workforce champions the idea that hard work leads to success; however, young professionals are often denied payment for their labor under the cover that they are gaining valuable experience, which is not always enough. This contradiction poses a frustrating reality: if work is supposed to lead to financial stability, why is it that the initial stages of a career often require financial sacrifice? The process becomes cyclical. Students need experience to get a job, but the experience comes at a cost that many cannot afford.
Capitalism further complicates this transition by fostering a competitive job market where entry-level positions
require a minimum of 1-2 years of full-time professional experience. The notion of ‘paying dues’ is ingrained in corporate culture, yet it disproportionately affects those without financial support. Robert Farrington, a senior contributor at Forbes, claims that while 52% of college graduates are working in jobs that do not require higher education, 75% remain in this situation for a decade after college because “underemployment is sticky.”
Generational expectations add another layer to the issue. Older generations often question why young professionals seem unmotivated to work. However, securing a well-paying job is not as simple as it once was. If you take a second to look at the news, you will quickly notice that the job market is saturated. Wages have not kept pace with inflation, and corporate structures continue to prioritize unpaid or underpaid labor, since, after a period of robust growth, the job market has noticeably slowed, says senior contributor Jack Kelly at Forbes. Hiring rates have dipped, and job postings have declined from their highs. The assumption that securing financial stability is straightforward ignores the systemic barriers that many young professionals face. Addressing the issue of unpaid internships requires systemic change. Companies must be held accountable for compensating interns fairly, recognizing that their contributions add value to the workplace. Policies should be implemented to ensure that entry-level positions provide suitable financial support rather than exploiting young professionals under the illusion of experience. Educational institutions can advocate for fair labor practices and connect students with paid internship opportunities found through a school’s career help page. Negotiating internships, seeking grants or stipends and prioritizing opportunities that offer at least some form of financial compensation can help ease strain. Additionally, networks and mentorships can provide other doors leading to career advancement without relying solely on unpaid positions.
The transition into adulthood should not be marked by financial distress and professional uncertainty. While the challenges of unpaid internships and job market instability persist, acknowledging these issues and pursuing change can help reshape the internship-to-career pipeline for future professionals. The worth of work must be recognized, not just in gained experience, but in the ability to keep one’s life afloat.
rittenby:
Kanousa Thapa
Designed by: Mia Primus
ofME
Your Version of a “Cracked Mirror” (Vulnerability & Imperfection)
What symbolizes your moments of vulnerability or self-doubt?
What Style Identity Are You?
A broken mirror
Faded makeup or messy hair
Well-worn shoes
A scratched vinyl
You are unapologetically yourself, and you stand out! For you, fashion equals fun. You are expressive, loud and vibrant – like your outfits – wearing a blend of high contrasts paired with bold and flashy jewelry. There are times when you face an undertone of vulnerability, which is transparent in moments of exhaustion and weariness. However, during your moments of imperfection, you don’t hide it. You incorporate it into your clothing because it is part of your story.
STYLE: You are more fashion-forward. You wear bolder colors that radiate your confident energy; there are still slight intentional imperfections (like an asymmetrical necklace). Your style represents your individuality without hiding your raw sense of self-expression.
Words of Affirmation (Reflection & Expression)
Which words best describe your inner struggles or feelings of self-expression?
A) “I am unstoppable.”
B) “I find inner peace in my imperfections.”
C) “I’m still learning who I am.”
D) “I embrace my flaws.”
The Poised Artisan (The Soft & Elegant)
You express confidence softly and with grace. You find beauty within simplicity. With a well-rounded, composed exterior, there is still a quiet undertone of vulnerability beneath it. You like to style more muted colors and strive for more classic shapes, keeping it elegant but comfortable. A good personal touch to your outfits never hurts, like a pastel scarf or a vintage purse, which adds a subtle flair. Your vulnerabilities are often shown through softer designs and textures like silk blouses, vintage fabric and delicate statement pieces.
STYLE: You are effortlessly graceful, serene and poised. The pastel tones and classic shapes represent your subtle confidence in silence, paired with small pieces (like your accessory), which add a layer of authenticity.
Your Reflection (How You Want to Be Seen)
If you could instantly embody one image to express how you want the world to see you, what would it be?
A) A loud, glistening firework that can’t be ignored.
B) A calm ocean that holds depth and mystery.
C) A steady sunrise, quiet but progressive.
D) A lightning bold – quick, energetic and striking.
Your Light (Confidence vs. Doubt)
Your Escape (How You Unwind)
When you are feeling overwhelmed, what is your favorite way to escape reality?
A) Going out to a party and escaping reality through the music.
B) Finding a quiet corner to read or journal.
Your Mirror Frame (External Expectations & Internal Identity)
C) LSpending time in nature with myself or loved ones.
D) Creating something new baking, painting, writing or crafting. When you feel confident, what kind of light shines around you?
A) Bright, golden and radiant – I shine through, unapologetically.
B) Soft, warm and inviting – I make people feel comfortable and welcome.
What kind of mirror frame best represents how you feel society sees you?
A) Bold, ornate and striking – I want to stand out.
B) Sleek, minimal and modern – I try to fit in but still have a subtle flair.
C) Simple, rustic and comfy – I embrace being grounded and real.
D) Vintage, peculiar and unique– I like to style differently from the norm.
Your Flaw (Vulnerability in Perfection)
What small imperfection in your appearance or personality do you like about yourself?
A) A freckle, birthmark or scar that tells my story.
C) Calm, cool and soothing – My confidence is quiet but constant.
D) Playful, neon and fun – I like attention but in a fun and spontaneous way.
B) The messy strands of hair I cannot tame – it makes me real, it is human.
The EarthBound Sage (The Grounded & Neutral)
C) A small, subtle imperfection in my style – it gives me character.
D) A flaw I often try to hide but have learned to embrace with confidence.
You are calm, collected and steady. You quietly emit confidence and strength. Your vulnerability is rooted within your authentic self, you embrace it instead of hiding it. You embrace comfort, seeking it in well-worn denim and more earthy cool-tone accessories, focusing more on durability, where your imperfections are part of your journey.
STYLE: Your style is grounded and practical. In an outfit, you look for pieces, like well-worn denim (that you love), a simple, solid-colored shirt and metal accessories, striving for more natural materials at the thrift. Embracing your imperfections is apparent in your clothing and accessories, like worn Converse, a faded denim jacket or a vintage tote bag. You value authenticity over perfection.
The Eclectic Outlaw (The Creative & Unpredictable)
You tend to express yourself in a bold manner that is creative but unpredictable. Vulnerability lies within your truth, which is being yourself unapologetically. You thrive in creativity, individuality and personal expression. As a free spirit, you pair supposedly mismatched elements representing your individuality and a more rebellious approach to fashion.
STYLE: Your style is vintage and a little bit eccentric. You choose clothes that challenge norms, wearing more bold statement pieces like an oversized bomber jacket, paired with a retro graphic tee and a layer of unique accessories. You have no issue showing your imperfections as they make your identity and your outfit.
Photographed by: Natalya Ivanna
Designed by: Sarah Carson
Modeled by: Aezyah Johnson, Minna Siddiqui Dara Alegre, Raheim Jayes, Wamah Mattaldi and Rey Dizon
YOUCOULDNever
BE FAMOUS!
Writtenbytarik liassou
Look!
Designedbybrook barratt
The algorithm says someone has their eye on you. This is what life on the internet has become: numerous attempts at seizing the next chance at going big, the dream of virality and the dream of fame. But what was once a chance at seizing the spotlight is now little more than a common occurrence. Spend enough time on an app like TikTok, and you will become more than familiar with going viral, blowing up and all the likes and accolades that follow. The occasional viral post does not easily translate to an enduring career, unlike an actor’s breakout movie or an artist’s anticipated exhibition. The hallmarks of fame are changing, and so are the people blessed to carry them. Trends rise and fall, influencers are born and then canceled at frightening speeds and there no longer seems to be any promise of longevity in the internet age. The fate of today’s stars may be sealed: timelessness, now more than ever, seems so out of reach. Are they doomed to sink back into the chaos and creativity from which they were born?
Think of Marilyn Monroe, the Beatles, Hollywood stars and people you would hear about on the radio all day long. Now, think of Addison Rae, Emma Chamberlin, TikTok phenomena like the Hype House and YouTube stars like Mr. Beast. Both groups may be high on the social ladder, while the second commands interest, the first commands respect and reverence. The first group rose in a world that worshiped more traditional forms of entertainment, such as television, film and magazines. These forms of media not only launched cultural icons but preserved them through long-term collective exposure. Everyone watched the same channels and saw the same people, cementing a celebrity’s place in the public consciousness. But in the age of the internet, our consumption has become hyper-personalized. Algorithms, the rules and signals that dictate what we see on our platforms, keep us in echo chambers of content, only showing us more of what we like. Fame in a world of algorithms becomes decentralized and niche, stripping individuals of global impact and turning iconic personalities into a rare breed.
The ease of access and the prominence of algorithmbased content are the leading reasons for this cultural shift. Platforms like YouTube, TikTok and Instagram have all made it so that at the tap of a button and from the comfort of one’s bedroom, anyone can be famous.
A video made in bed, first thing in the morning, can reach the eyes of thousands or millions if it strikes the right chord with the algorithm. But one viral video is no guarantee of fame. The next video, if the algorithm wills it, can suffer an abysmal number of views, and an app that initially feels like a welcoming place receptive to its users can swiftly become impersonal and cold. Even content creators who are celebrated for a particular type of content can vanish as soon as viewers move on to the next big thing. Think of creators like Charli D’Amelio, who had gotten big for dancing videos. Their fame had lasted for years, but as the intrigue for dancing on the app faded, so did their influence. Because of the fickleness of these platforms, people are encouraged to create content that appeals to short-term interest, like trends, memes and humorous bits that are only relevant for a few weeks. It is easier to go viral for following a trend than to start one, and trends go as quickly as they come. Now, it is rarer than ever for creators to rise above digital waves of change and form something tangible and lasting. Today’s seemingly easier access to fame through content creation is an illusion. Fame is still elusive, and it has only become that much harder to make it last.
The question remains of how to rise above cultural waves and become timeless. What makes a creator unlike the rest? In Hollywood, an actor would often rise to prominence only after featuring in a series of films deemed universally recognizable by their simple but profound themes. By attaching themselves to respected works that spoke to some deeper truth about human experience, they distinguished themselves from others. It was their artistry that helped them rise above the times – artistry fortified by genuine emotional and intellectual appeal. Trends touch on collective humor and passing fascinations, but true artistry has a stronger foundation. An actor’s image is solidified by the feelings they provoke in their fans. A designer gains renown when their works reflect their political beliefs or philosophies. These things touch the hearts of consumers and forge a lasting bond between artist and audience.
“But in the same way our former stars seemed to be chosen by luck or fate to be launched into the public eye, the internet has created its system for birthing celebrities.”
Modern creators are scrambling to replicate this kind of process, and not all of them have failed. Look at former YouTuber Emma Chamberlain, who has recently been applauded for her successful rebrand from quirky and relatable vlogger to fashion icon, interviewer and entrepreneur. She was able to successfully detach herself from the era of content that defined her (in this case, relatable vlogging) and chose to embody her tastes, interests and creativity regardless of what happened around her. Whether or not she will become truly timeless is yet to be seen, but her adaptability and longevity show promise. It shows hope that we, in our day and age, are capable of forming an enduring legacy.
The internet seems simultaneously ripe with potential and yet somehow keen on killing what potential it finds. Algorithms are prone to passing over users with unique and thoughtprovoking content and showing strange and undermining biases. Those who show potential for timelessness may not even be given the chance. But in the same way our former stars seemed to be chosen by luck or fate to be launched into the public eye, the internet has created its system for birthing celebrities. We may not be so different from our predecessors after all. The journey to fame seems riddled with similar obstacles. The very real difference is that original means must be found for breaking into fields and staying on top. Artistry must be secured by strategy and versatility. It is not enough to hope that the algorithm shines a light on you. You have to take matters into your own hands, whether that means creating innovative marketing techniques, forging the right connections or simply trusting that your work will make its way to the right audience organically.
There is no telling what the future has in store for the cult of celebrity and its rapid evolution. For all we know, the dream of timelessness may go out of fashion or take shape as something entirely new. It is difficult to imagine what does not exist yet. But it has to be said that our generation, despite its tendency to follow trends and to chase the next viral moment, shows promise in leaving an impact. What that impact may look like is unknown. But we yearn to make something that lasts, like those who came before us. And that desire might be the one thing that never disappears.
MIDAS Magazine is a premier arts and culture magazine at the University of North Carolina at Charlotte. Drawing inspiration from the ancient mythos of King Midas and his golden touch, MIDAS seeks to highlight the four pillars of artistry, identity, culture and lifestyle. Our mission is to illuminate the talents of the UNC Charlotte student body population and the burgeoning arts and culture scene in the greater Charlotte area. Since 2020, MIDAS has published ten issues amplifying the voices of creatives within our community.
MIDAS is a nationally award-winning production that is entirely student-led and developed with the support of Niner Media’s professional staff and funding from the Student Activity Fees Commission. As part of UNC Charlotte’s Niner Media, MIDAS joins other student organizations such as Niner Times and Nova Literary-Arts Magazine. You can visit @STUDENTNINERMEDIA on Instagram to learn more about Niner Media and upcoming events.
You can join our Creative, Design, Writing or Promotions department to get involved with MIDAS. For questions and concerns regarding applications or involvement, please email us at midasmagazine@charlotte.edu.
See you at our next launch party!
Volume 5, Issue 2: Golden Age of MIDAS Magazine was printed by iTek Graphics on 8.5” x 11” 80-pound satin cover with gold foil and 80-pound satin text. This issue was created with Adobe InDesign, Illustrator, Photoshop and Lightroom. Front and back cover photos by Nicole Nguyen, modeled by Akemi Childs.
