Michael McDowell Portfolio

A COLLECTION OF SPECULATIONS ON ISSUES RELATED TO BURIALS, HOUSING, WOLVES, RURAL FLIGHT, WATER, BROWNFIELDS, INFRASTRUCTURE, AND CIVIC SPACES.

MICHAEL MCDOWELL

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CONTENTS RE-ORIENT MOMENTS OF TRANSITION WOLF INSTITUTE FARMING FOUNDATION MUSEUM OF WATER CENTER FOR LAND MISUSE MOMENTS OF TOUCH CIVIC THEATER

A C O L L E C T I O N O F S P E C U L AT I O N S O N I S S U E S R E L AT E D T O B U R I A L S , H O U S I N G , W O L

RE-ORIENT // urban cemetery in dumbo, ny // spring 2018 // critic: karla rothstein

Re(orient) is a space for interring, remembering and departing the dead.

The project re-imagines the natural burial process within an urban context in order to resolve environmental and logistical issues associated with other disposition methods. It addresses a broader need for nonsectarian sanctuary spaces while also presenting an acceptance of death as a natural process.

The project is organized and planned with ten year burial periods, resulting in a constantly evolving form that speaks to a cyclical understanding of life. A grid is established based on the proportions of the human body. The use of natural burial methods allow for vegetation to grow from the caskets, as the nutrients from the bodies are used to increase their growth.

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

1.01 PERSPECTIVE FROM CEREMONY HALL

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1.02 (ABOVE) PERSPECTIVE INTO CEREMONY HALL 1.03 (RIGHT) LONGITUDINAL SECTION

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

1.04 (LEFT) FOURTH FLOOR PLAN 1.05 (ABOVE) SECTION MODEL

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1.06 (ABOVE) EXTERIOR PERSPECTIVE 1.07 (RIGHT) DETAIL SECTION

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

1.08 TRANSVERSAL SECTION

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MOMENTS OF TRANSITION // a housing project for the bronx, ny // fall 2018 // critic: daisy ames // with: xin qin

This housing project aims to provide a community for at-risk individuals of society who are in need of a home.

Through the use of the engawa as an architectural element, the project capitalizes on the liminal space between inside and outside to facilitate interaction, a key aspect that is lacking in many housing projects.

The users, incorporated from Rosanne Haggerty’s organization Breaking Ground, include the chronically homeless, low-income working adults, veterans, seniors, people with hiv/ aids, mentally ill, displaced youth and families. In analyzing both precedents and the needs of our users, we’ve created both temporary and permanent units for families and individuals.

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2.01 SITE PLAN

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

2.02 (LEFT) AXONOMETRIC 2.03 (ABOVE) DAYCARE FLOOR PLAN

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2.04 UNIT PLANS

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2.05 (ABOVE) UNIT MODEL 2.06 (RIGHT) UNIT OBLIQUE

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

2.07 (LEFT) COURTYARD PERSPECTIVE 2.08 (ABOVE) UNIT PERSPECTIVE

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2.09 GATHERING SPACE OBLIQUE

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

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WOLF INSTITUTE // a wolf sanctuary in wyoming // fall 2019 // critic: jimenez lai

Wolves have been depicted as evil creatures for centuries. The Little Red Riding Hood, Dante’s Inferno, and The Boy Who Cried Wolf are just a few examples of how we are taught, from a young age, to believe that wolves are dangerous. However, research has proven that wolves are not only friendly unless provoked, but are vital to ecosystem diversity. This diversity happens through a process called a trophic cascade, in which the re-introduction of the apex predator allows for a number of environmental benefits to occur.

The Wolf Institute seeks to alter the common misconception of wolves, whilst creating a space that allows for the wolves to be re-integrated into their natural habitats and provide research into the resultant environmental changes. The project treats architecture and humans as creatures in order to provide a new type of environment that redefines our relationship with this mystic animal.

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

3.01 RE-ACCLIMATION PEN PERSPECTIVE

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3.02 TAXONOMY OF SHAPES

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

3.03 (LEFT) WOLF SUIT 3.04 (ABOVE) PERSPECTIVE FROM DEN

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3.05 (ABOVE) ZOOLOGICAL TYPOLOGIES DIAGRAM 3.06 (RIGHT) RESEARCH CENTER SECTION

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

3.07 RE-ACCLIMATION PEN PERSPECTIVE II

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3.08 (ABOVE) MASSING MODEL 3.09 (RIGHT) CARETAKER’S HOME SECTION

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

3.10 INSTITUTE OBLIQUE

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FARMING FOUNDATION // an instute for water resourceful agriculture // spring 2020 // critic: juan herreros // with: yixuan cheng

The Farming Foundation seeks to improve the conditions of depopulation and water scarcity in the provinces of Cuenca and Guadalajara in Spain.

By providing a framework for a water efficent agriculture, the project redefines the economic model of the small town of Buendia; transforming it into an agricultural hub for the region.

Pre-owned greenhouse structures are utilized by attaching to existing structures, creating a new type of domesticity in which agriculture and living occur in parallel. At the larger scale, a production facility allows for the town to export agriculture that is produced through a diverse range of methodologies, including hydroponics, aeroponics and aquaponics.

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

4.01 PROJECT AXONOMETRIC

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R U R A L F L I G aquaponics H T, W AT R, BROWNFIELDS, INFRASTRUCTU Rshared E garden AN D C I V I C S PA C E S . aquaponics garden labElab shared exhibition space

rainwater harvesting system rainwater harvesting system gathering space

residence residence aquaponics lab

street shading street shading device controlled light lab aquaponics exhibition space labdevice

hydroponics hydroponics lab lab shared garden rainwater harvesting system

rainwatergathering harvesting space system

street controlled shading light device aquaponics exhibition space lab lab

4.02 (LEFT) SITE ANALYSIS 4.03 (ABOVE) TYPOLOGY STUDY

residence street shading device

hydroponics lab shared garden

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

5.04 DETAILED SECTION

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

5.05 (LEFT) EXTERIOR COLLAGE 5.06 (RIGHT) DOMESTIC PLANS

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5.07 (ABOVE) AERIAL PERSPECTIVE 5.08 (RIGHT) FLOOR PLAN

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

5.09 (LEFT) AXONOMETRIC II 5.10 (RIGHT) PERSPECTIVE FROM PRODUCTION CENTER

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

5.11 SITE SECTION

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MUSEUM OF WATER // a landscape proposal for corlears hook, ny // fall 2017 // critic: stephanie lin

Infrastructural land art redefines our relationship with water as inhabitants of the city. A series of excavated follies generate a relationship with the east river that is based on an awareness of water and geology.

In an attempt to discover different water flows and create a unique experience for the visitors, the excavations each have a distinct character akin to the landscape art of the 60s and 70s.

Yet, rather than replicate these precedents, the project adds a dimension of environmental awareness. As sea water levels rise and our cities continue to be built up, it is necessary to re-evaluate our role in the anthropocene.

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

6.01 SITE PLAN

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6.02 FLOOR PLAN 6.03 LONGITUDINAL SECTION

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

6.04 SECTION THROUGH PUBLIC POOL

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

6.05 (LEFT) SECTION THROUGH BIO-REMEDIATION 6.06 (ABOVE) SECTION THROUGH MEMORY SPACE

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

6.07 (LEFT) PERSPECTIVE FROM BIO-REMEDIATION 6.08 (ABOVE) PERSPECTIVE FROM MEMORY SPACE

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6.09 TAXONOMY OF SPACES

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

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CENTER FOR LAND MISUSE // a remediation proposal for newburgh, ny // fall 2019 // critic: nahyun hwang // with: kate mcnamara

Challenging the tabula-rasa approach to brownfield remediation, the Center for Land Misuse uses a toxic brownfield site as an archive of hazardous waste, a research center for new remediation techniques, and a place for remediation policy making.

The Center creates a new kind of park, not just scenic landscape, but an anthropo-senic landscape, to study remediation while exhibiting all parts of the process.

Through the study of different remediation techniques and establishing a relationship with different actors, the project seeks to rethink the future of contamination at the intersection of rural and urban environments.

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

7.01 MODEL THROUGH CONTAMINATION

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7.02 SITE PLAN

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

7.03 (LEFT) POLICY CENTER FLOOR PLAN 7.04 (ABOVE) RESEARCH CENTER FLOOR PLAN

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

7.05 (LEFT) REMEDIATION CATALOG STUDY 7.06 (ABOVE) SECTIONS

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7.07 THESIS DRAWING

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

7.08 PROPOSED REMEDIATION METHODS

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

7.09 PERSPECTIVE FROM RESEARCH CENTER

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7.10 SECTIONAL MODEL

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

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MOMENTS OF TOUCH // a subway proposal for the east village, ny // fall 2017 // critic: stephanie lin

Moments of touch is an intervention that accenctuates the lack of touch in the metropolis. Located on 14th street and Avenue A in New York city, it serves as a new typology for subway access by putting people in close contact with each other.

The intervention is composed of thin delicate frames suspended between two layers of fabric, resulting in a structural system of compression and tension. The flexibility of the fabric itself relates to the concept of touch since the impact at one point of the fabric affects someone located at a different point, allowing people to be in contact with each other indirectly.

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8.01 STRUCTURAL STUDY MODEL

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8.02 FLOOR PLAN

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

8.03 PERSPECTIVE FROM PLATFORM 8.04 PERSPECTIVE FROM STREET

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8.05 TAXONOMY OF SHAPES

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

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CIVIC THEATER // a performance space in brooklyn, ny // fall 2018 // critic: craig schwitter // with: timothee mercier, matt ninivaggi, adam susaneck

The Civic Theater provides a public amenity for Greenpoint through a series of stacked programmatic volumes. A focus on the construction details allows for the volumetric strategy to be communicated, as material continuity extends to the end of each volume. The stacking of the volumes also provides a number of publicly accessible outdoor spaces, generating viewpoints of the surrounding context.

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R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

9.01 PERSPECTIVE FROM STREET

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BOX: Program Requirements

REMOVE BLOCK 2: Provides Secondary Access

ROTATE DISPENSARY: Creates Second Terrace

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REMOVE BLOCK 1: Provides Main Access

SHIFT BLACK BOX: Creates Access to Park and Terrace

SHIFT FOH: Creates Third Terrace

VES,

R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

SYSTEM THREE: TRUSSES

SYSTEM TWO: CORES

SYSTEM ONE: COLUMNS

9.02 (LEFT) MASSING DIAGRAM 9.03 (ABOVE) STRUCTURAL AXONOMETRIC

87

A C O L L E C T I O N O F S P E C U L AT I O N S O N I S S U E S R E L AT E D T O B U R I A L S , H O U S I N G , W O L

A

B

D

C

M E

G

F

H

I

182' - 7"

39' - 8 1/2"

54' - 4 1/2"

25' - 2"

19' - 5 1/2"

DN

25' - 10 1/2"

18' - 0"

DN

WA2

WA2 WA3

DISPENSARY

2

WA3

WA1

WA1

1869 SF

WA4

WA4

WA2 LOBBY

1

WA4

2787 SF

WA4

WA4

UP

WA2

BLACK BOX ThEATRE

WA3

3 1741 SF W.C

6

MECH ROOM

WA2

46 SF

5

WA3

W.C

123 SF

WA2

7 45 SF

WA1

WA1 B.O.H

4 2186 SF

WA2

55' - 1"

16' - 2"

0' - 0"

48' - 0" 182' - 7" 182' - 7"

88

63' - 4"

VES,

B

C

D

M E

F

G

H

I

J

208' - 6" 139' - 8 1/2" 14' - 10"

8' - 0"

25' - 2"

19' - 5 1/2"

25' - 10 1/2"

18' - 0"

25' - 11"

WA3

WA2

WA3

W.C

W.C

13

14

178 SF AUDITORIUM LOBBY

WA1

178 SF

WA3

WA3

WA3

WA3

15' - 6"

WA1

14' - 2"

20' - 9"

31' - 6 1/2"

12 2348 SF

WA2

WA4

WA2

PREP AREA

15

39' - 9"

WA3

WA2

AUDITORIUM

144' - 11"

WA2

16

21' - 6"

20' - 4"

9197 SF

PREP AREA

17

UP

WA2

WA3

WA3

WA3

WA2

WA3

12' - 0"

WA3 WA2

MECH ROOM

18 313 SF

WA3

WA1 WA2 STUDIO

19 1132 SF

WA3

CHANGING ROOM

WA3

20 500 SF

9.04 (LEFT) GROUND FLOOR PLAN 9.05 (ABOVE) AUDITORIUM FLOOR PLAN

WA3

21' - 8"

8 1/2"

R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

CHANGING ROOM

21

WA2

455 SF

WA2

89

A C O L L E C T I O N O F S P E C U L AT I O N S O N I S S U E S R E L AT E D T O B U R I A L S , H O U S I N G , W O L

90

VES,

R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

9.06 (LEFT) DETAIL SECTION I 9.07 (ABOVE) DETAIL SECTIONS II & III

91

A C O L L E C T I O N O F S P E C U L AT I O N S O N I S S U E S R E L AT E D T O B U R I A L S , H O U S I N G , W O L

92

VES,

R U R A L F L I G H T, W A T E R , B R O W N F I E L D S , I N F R A S T R U C T U R E A N D C I V I C S PA C E S .

9.08 EXPLODED DETAIL AXONOMETRIC

93

A COLLECTION OF SPECULATIONS ON ISSUES RELATED TO BURIALS, HOUSING, WOLVES, RURAL FLIGHT, WATER, BROWNFIELDS, INFRASTRUCTURE, AND CIVIC SPACES.

2019

MICHAEL MCDOWELL