"Tagträume" by Michael Scherperel

Tagtr채ume (Daydreams)

by

Michael Scherperel Poems of Hermann Hesse Five Visions for Tenor with Clarinet, Violin, Viola, and Cello

www.michaelscherperel.com V0059-002-F2014

Tagträume (Daydreams) Five visions for Tenor with Clarinet, Violin, Viola, and Cello by

Michael Scherperel with poems by Hermann Hesse

-i- Wie sind die Tage...

-ii- Bei Nacht -iii- Einsame Nacht -iv- Berge in der Nacht -v- Wohl lieb ich die finstre Nacht Music copyright Š 2013 Michael Scherperel. All rights reserved.

Hesse poems are in the public domain.

Cover illustration: Arctic Moon, blog.greenslit.net V0059-002-F2014 www.michaelscherperel.com

Tagträume for Brian Thorsett

Hermann Hesse

Clarinet in A*

Violin

Viola

-i- Wie sind die Tage

 

Kräftig 



              



 

 pizz.                     sul G  pizz.                       sul C                        Kräftig (=112)     pizz.

Cello

Tenor

4

Cl. 4

Vln.

4

Ten.

  

  

Vlc.

  

 

       

 



                                                   

   

Vla.

Michael Scherperel



                                                               

 Copyright ©2013 Michael Scherperel.

All rights reserved. www.michaelscherperel.com

* Score in C All string harmonics notated at sounding pitch.



2

7

  

Vln.



7



 

Vln.

 

Vla.

    10





    

10

Ten.







   

       

      

              



    

  



     





     

 





10

  





   

Vlc.

Vlc.

      

   

Vla.

Cl.

  



Cl.

Ten.

 

7





 











 





                                   

                  



3 Cl.





13



















13

Vln.

Vla.

Vlc.

 

                   



17

Cl.





13

Ten.





Vla.

Vlc.

                            



17

Ten.

Ta

-

ge

       

       



   Wie

 





sind



 

wie sind die

               



17

Vln.

 

 



      

 

       

       

         

     

         

     





   





Ta

-

die

-

 -

ge



4

                    



20

Cl.

       

20

Vln.

      

arco

       

Vlc.

arco         20

Ten.



24

Cl.





      

arco

Vla.



     







  

  



        









schwer!







rit.



Vla.



                     3

Vlc.

 24

Ten.



 



3



   

pizz.



 

24

Vln.







     rit.    



Wie sind die

  

ten.

Ta - ge schwer!

ADDITIONAL PAGES REDACTED

10

-ii- Bei Nacht Wiegend 

  

Clarinet in A*

 

Violin

Viola

 

Cello

 

3

Cl.

3

Vln.

3

3

    

3

      





(arco)

Wiegend ( = 60)



3

3

         







       3

3

  







 3

3

3

           



3

3

3

      



3

       3

3

3

               

 

Vlc.

(arco)

 

Vla.

T



 

(arco)

 

Tenor

3



  







*Score in C All string harmonics notated at sounding pitch.





 





11 6

Cl.

Vln.



3

3

      6    

Vla.

3

6

T

9

Cl.



Vla.



 

  9

3

3

    

3

3





 

3

 







   

Nachts,

nachts,



wenn das



   Meer



3









     

3



 

3

 

Vlc.

3



Vln.

9

       

  

 

3

                 

   

Vlc.

T

3



3

  

 

 3

     







    

3

    







mich

wiegt



3

    

12



11

Cl.



11

Vln.

Vla.

Vlc.



  

    

T

Cl.

Vln.

Vla.

Vlc.

T

3

3

3

      

14





3

3









sei - nen

 

      





3

 

     





 

     

3

3

  

3

3

3



3

3





3





Und blei - cher Stern - en glanz

      



3



   

       







sotto voce

3

14







14

sul D



pizz.









3

pizz.

    

11



quasi pizzicato





 

3

  

  

3

3

  



 

  



3

  3

 

wei - ten

3

  

  

Wel

-

3



Auf

       3

3

      3

0

len

3

0

      3

  

   

0



liegt,

3

    

13

  



17

Cl.

17

Vln.

Vla.

Vlc.







arco 0





  



 

17

T



Dann

20

Cl.

Vln.

Vla.

Vlc.

T

    20          



-

 



lö - se ich mich

 









 





und

al

los,



 

   

lem Tun

 

arco

 20            al





  

dann

  

 





















   

lö - se

 



ich mich ganz

  



    

Von





                              sotto          voce              -

ler Lie

-

be los

Und ste - he

ADDITIONAL PAGES REDACTED

22

-iii- Einsame Nacht

                                             Kriegsmarsch   Kriegsmarsch 

Clarinet in A*

Violin

Viola

Cello

Tenor

4

Cl. 4

Vln.

Vla.

Vlc. 4

T

 



 

 

                      



        

 

 

  



*Score in C All string harmonics notated at sounding pitch.

 

           

  

  

  



         

                     





                        

    

     

    

6

Cl. 6



       

Vln.

Vla.

Vlc. 6

T

9

Cl. 9

Vla.

Vlc. 9

    

    

     



                

 

  

    





       

Vln.

T



               

    

  

 

     

  

    



       

    

          

    

 

     

          

               

   

               













23

24

 

11

Cl.



11

Vln.

Vla.

Vlc.

                              

11

T





     

Vln.

Vla.

Vlc.



T





     14                                                 



                          

 





14





 

                                           

14

Cl.

                                               









                          

Die







    

       



 

ihr

mei- ne

   

Brü

-

der seid,

25 17

Cl.

     

17

Vln.

pizz.

   pizz.

Vla.

   pizz.

Vlc.

    

Cl.

Vln.

Vla.

Vlc.















  



colla voce



  



 



colla voce





colla voce

      

















nah

und

  





ten. ten.

 



frei

Ar - me Men -schen

         arco 20          arco          

  

fer

-

ne,

 



 

 



 



           

             

          

          

                              

20

T



 

    



mei - ne Brü - der,

a tempo



    

    

20



    

17

T

 

  



frei



a tempo





 

Die

 ihr

 

im Be -

ADDITIONAL PAGES REDACTED

32

-iv- Berge in der Nacht Still 

  

Clarinet in A*

 

Violin

Cello

Tenor

Cl. 3

Vln.

Vla.

3

T





 



  

 

Con sord.

 









Vlc.





Con sord.

   

  



3 3 3 3                 Con sord.                         Still (= 58)   

Viola

3



3

3

3

 

3





 3

 

3

 



3



3

                                                          





*Score in C All string harmonics notated at sounding pitch.











33 6

Cl. 6

Vln.



Vlc. 6



9



T

Cl. 9

Vln.

Vla.

Vlc. 9





 

Vla.

T

 















3



pizz.

 



 



pizz.

pizz.

 



 



      3



3

  



   

                

3

 



  

 

 

 



 





  



   





 





 



 



 





























 

Der



34

    



11

Cl.

 

Vla.

Vlc.

        



 



 





 



 







  

11

T

 





11

Vln.



 

See

ist





 

14

Vln.

Vla.

Vlc.



 











   

   

14

T



Schwarz,



   

  



 



schwarz

 



















 



  

schläft

























 

er - lo - schen,



  



    

14

Cl.











 das

 

  

Senza sord.

Senza sord.









Senza sord.

  Ried,





      

arco



 

 

17

Cl.

arco

17

Vln.

Vla.

Vlc.

  

arco

 



  

 



  





17

T



        





        

20

Cl.

20

Vln.

Vla.

Vlc.

  

20

T



 

 

  

 





flü - sternd.









      



 





 

 

 







 



Im

Trau







sotto voce

-

     

  

  

  

  



pizz.





pizz.





    

   



    

   

pizz.



35



 





me

 

 arco



arco



arco

















ADDITIONAL PAGES REDACTED

42

-v- Wohl lieb ich die finstre Nacht Ruhig 

Clarinet in A*

Violin

   

























Viola

 













Cello

 













  

    

Ruhig (= 63)

Tenor

    

Wohl

7

Cl.

  

(arco)

Vln.

 

Vla.









7

Vlc. 7

T



  

 

 

   lieb

 

ich

    



(arco)

 

 die





*Score in C All string harmonics notated at sounding pitch.

-

stre

Nacht;

   



 



fin

  

    





 



 

  















(arco)

  

Wohl

12

Cl.

 



 











 









  







  

12

Vln.

 

Vla.

 

Vlc.

  12

T



16

Cl.

43



  

 







lieb

ich

die

zurückhaltend

rit.



 

16

Vln.

Vla.

Vlc.









     

16

T

fin

rit.

Nacht;



  

 

zurückhaltend









   



-



   





stre

Nacht,













 

 

44 19

Cl.



19

Vln.

Vla.

Vlc.

 



23

Cl.





Vla.

a tempo

Vlc.

 23

T



sim.

  



  

  

  



sim.

  









  

  

  

  

  



 







 











     

  

   









   



 

 



  

  

  



sim.

23

Vln.

  



 19

T

   a tempo

    

 

 

45

 

 

26

Cl.

26

Vln.

Vla.

Vlc.

 

   

  

  

  

  











   















  

  







26

T





 





Oft

a - ber,

29

Cl.

 

29

Vln.

Vla.

Vlc.

 

  





 











     

   

wenn

  

sie



al - so

     

     

     







29

T













 bleich









Und

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