Gill Sans Specimen Booklet- Mia Gutierrez

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Gill Sans

1 9 2 6

A Sans-serif typeface based on Roman Monumental Captials created for headlines and displays.

Designed by Eric Gill

Eric Gill Eric Gill

GRAPHIC ARTIST TYPE DESIGNER

SCULPTOR

The Helvetica of England The Helvetica of England

humanistic

a b c d e f g h i j k l m n o p q r s t u v w x y z

a b c d e f g h i j k l m n o p q r s t u v w x y z

dynamic

A B C D E F G H

A B C D E F G H I

I J K L M N O P Q R S T U V W X Y Z

J K L M N O P Q R S T U V W X Y Z

modern geometric

LIGHT light Light LIGHT

Gill Sans was created in 1926, but the roots can be traced back to the typeface that Gill’s teacher Edward Johnston designed for London Underground Railway in 1913.

The “O” is a perfect circle, and the oblique and vertical strokes as well as upstrokes and downstrokes have a consistent thickness.

O

Eric Gill was not fully satisfied with Johnston Sans, he wanted to create a typeface that is perfect legible.

REGULAR regular regular REGULAR aeg

Only “a,” “e” and “g” have thinner strokes at the openings of the small eyes.

SEMIBOLD semibold SEMIBOLD semibold

Gill Sans typeface uses a double storey lowercase “g”. This has a distinctive eyeglass shape, which is easily recognisable.

Noticed by Stanley Morison of Monotype company for its commercial potential, Eric Gill was given the job to design a font that could be the British counterpart to Futura.

BOLD bold BOLD bold

The tail of the “Q” does not extend into the counter

The font was then released by Monotype in 1928 as Gill Sans.

Q

CONDENSED Bold Condensed UltraBold Condensed

c e f

Based on Roman character shapes, the design maintains a warmth and humanity not typically associated with sans serif typefaces. While each character shape shares design attributes with the others, the individual characters have their own organic uniqueness and are not derivative of a single design.

“C,” “e” and “f” have vertical stroke ends, creating the effect of the strokes thinning towards the ending.

“Lettering is a precise art and strictly subject to tradition. The New Art notion that you can make letters whatever shapes you like, is as foolish as the notion, if anyone has such a notion, that you can make houses any shape you like. You can’t, unless you live all by yourself on a desert island.”

Gill Sans Light

Gill Sans Light Italic

Gill Sans Regular

Gill Sans Italic

Gill Sans Semi Bold

Gill Sans Semi Bold Italic

Gill Sans Bold

Gill Sans Bold Italic

Gill Sans Extra Bold

Gill Sans Ultra Bold

Gill Sans Condensed

Gill Sans Bold Condensed

Gill Sans Ultra Bold Condensed

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