island’s history, the Moria refugee camp. (Ref

The handbook of “in Limbus” contains various information about each scene, accompanied by complementary and necessary data to make the approach, the visual elements, and the storyline more understandable and informative.

The story begins with a portrayal of a humble house in the Middle East. The children in the background sing a song about their grandmother’s house in a happy voice and their mother asks them if they want some juice. An empty living room where almost everything is covered with handmade crochet, kitchen, Family pictures on the walls, a bed and a pink teddy bear. No one is visible in the house. Everything is clearly visible, but nothing is realistic or in focus. It’s a blurry memory. The voices fade away as the sound of jet fighters and falling bombs rises. The camera moves toward the front door and the video goes black.

“Alas the day when we don’t have a safe place in our homes”. According to the UNHCR (United Nations High Commissioner for Refugees), since 1951 until mid-2020, there have been nearly 82.4 million people forcibly displaced worldwide. Among them, an estimated 35 million (42%) are children under the age of 18. (Ref. 02)

Figure 01 Figure 02 Figure 03

Facts:

• I was born in 1988, a year before the ceasefire between Iran and Iraq. At that time, Saddam Hussein was constantly bombing cities and Iranian men were fighting on the front lines. As a result, women and children were taken to safe places. In my case, this safe place was my grandmother’s house in a small village. This small house is a symbol of safety for me. A shelter. Figure 04 Figure 05 Figure 06

Info:

The house was scanned with an iPad equipped with a lidar scanner. By moving the camera in different directions and pointing it at the object or the room, the software constantly captures images, automatically aligns them and creates a 3-D model.

Figure 01 Figure 02 Figure 03