Ruins of Energy Processes Digital Collage
Margaret Gallagher
MLA
Professional 4
La Verde Cultural Trail Brick and Mortar District, Kyle, TX
Griffith Paseo Round Rock, TX
I-35 Cap and Stitch Austin, TX
Creek Show Proposal Austin, TX Academic 13
El Paso’s Front Porch El Paso, TX
Enduring Acequias Albuquerque, NM
In Process Dallas, TX Research 20
Reclaiming Memories-San Jose Cementerio Austin, TX Competition Work 22 • ULI “The Stack” Oakland, CA Art and Sculpture 25 Living Wall Living Cube
•
•
•
•
•
•
•
•
Carya illinoinensis Graphite, charcoal, watercolor
PECAN TREE
Table of Contents
Margaret Gallagher
My passion for the arts, science, community engagement, and early childhood education inspires me to create interactive work that draws attention to subtle evolutions present in the world around us and facilitate lasting connections between people and places
MLA, First Professional
2019-2022
University of Austin, Texas
B.A. Environmental Studies , Global Studies
2011-2015
University of California, Santa Barbara
Contact email: gallagherm08@gmail.com
Experience
Lionheart Places/ Spring 2022 - Present
Landscape Designer and Planner
ARC 308 / Teaching Assistant for Prof. Speck, Fall 2021 + Spring 2022
UTSOA + Building Green Texas / June-August 2021 Graduate Research Assistant
CAMPBELL LANDSCAPE ARCHITECTURE / October 2020-May 2021
Landscape Design Intern
Maas Verde + Mollie Gerber Design / 2020-2022
Landscape Maintenance + Installation Crew Member
• Research Team Member, Reclaiming Memories
• ASLA Student Chapter Co-Chair 2020-2021
• Student Representative-UTSOA Coordinating Committee, Graduate Student Council 2020-2021
Skills
Analog: Ceramics, Watercolor, Photography, Sketching
Digital: Adobe Creative Cloud, AutoCad, Rhino, Sketch-Up, Civil 3D, Revit, Microsoft Suite, Lumion, Enscape
Interpersonal: Long-Term Planning, Creative Direction, Communication, Data-Analysis, Problem Solving
Awards
• ULI Hines Student Competition Winner - “The Stack”
• Texas ASLA Student Honor Award - “Enduring Acequias”
• UTSOA 2021-22 Design Excellence Nominee - “In Process”; “Living Wall”
• UTSOA 2021 Design Excellence Winner “Eduring Acequias”
• UTSOA 2020 Design Excellence Winner - “The Case for Flux”
• UTSOA 2021-22 Design Excellence Nominee - “In Process”; “Living Wall”
• Honorable Mention Street and Urban Furniture, 2020 Gaudi Architecture Prize - “Moving in Place”
3
Professional
La Verde Cultural Trail
Brick and Mortar District, Kyle, TX
Griffith Paseo
Round Rock, TX
I-35 Cap and Stitch
Austin, TX
Creek Show
Austin, TX
4
Aerial render of Cultural Trail Image source: Lionheart Places and Design Distill
LA VERDE CULTURAL TRAIL
Location: Kyle, TX
Client: City of Kyle
Role: Schematic Design, Planting Plan, 3D-Modeling (Rhino), Site Plan Render, Construction Documents
Phase: 95% CD Set
At the core of the 138-acre Brick and Mortar District within the Plum Creek Planned Unit Development, is the La Verde Park and Cultural Trail. The park is a 1.67 acre urban destination surrounded by mixed use development of office, retail, and residential. Connecting the park with an adjacent park space, known as the Heroe’s Memorial, is the 1200’ Cultural Trail. The Cultural Trail prioritizes connection by celebrating the community values that make Kyle special – community, tradition, family and nature. Themed nodes along the trail create moments for education, inspiration and rest for all ages and abilities while utilizing materials (brick, metal) that celebrates Kyle’s history. Along the multi-use urban trail, users are greeted with an ongoing art program, custom lighting, restaurants, interpretation, water features and pedestrian amenities.
Lionheart is leading the master plan, landscape architecture and the entire consultant team for the La Verde Park and Cultural Trail.
5
Aerial render of Cultural Trail
Image source: Lionheart Places and Design Distill
La Verde Park and Cultural Trail
Image source: Lionheart Places and Design Distill
Character Imagery
Plant Palette
BRICK EXPRESSIONS
Parklet Typology I
Concept Design
Form: modular, outdoor rooms, geometric, linear
Inspiration:
Celebrating Kyle community values, themed gathering spaces, heritage, public art
Illustrative Render
Moments for All Ages & Abilities Gathering Spaces and Public Art Opportunities
Connecting with Nature, Family & Tradition
Parklet Typology II
Parklet Typology III
Monon GreenwayCarmel, IN
Textured Perforate Extrude
Victoria GardensRancho Cucamonga, CA
Xuhui Runway ParkShanghai, China
Glick Peace WalkIndianapolis, IN
La Verde Park
Hays CISD Performing Arts Center
Heroes Memorial Park
7 TYP. D (30% ROTATION) TYP. A (NO ROTATION) TYP. C (20% ROTATION) TYP. B (10% ROTATION) DETAIL PLAN DETAIL PLAN DETAIL PLAN DETAIL PLAN SD SD SD SD SD SD SD SD SD SD SD SD SD SD SD SD SD SD SD SD SD SD SD SD SD SD SD SD SD SD SD SD SD SD SD SD SECTION A SECTION B SECTION C BELDEN BRICK PAVER "WHEATFIELD" CAST IN PLACE CONCRETE WALL WITH BROOM FINISH ALONG BACK SIGN LEDGE, REF. STRUCTURAL BRICK AND MORTAR SIGNAGE PLAN 5' 8" 1' 3 8 1'-23 4 1" 2' 1" BELDEN BRICK "WHEAT FIELD" EXISTING SUBGRADE PEA GRAVEL AGGREGATE FILL #5 at 12" O.C WEEP HOLES 2" DIA PIPING 6" OC FASTENER, REF. STRUCTURAL SIGN LEDGE, REF. STRUCTURAL BRICK AND MORTAR SIGNAGE 4" DIAMETER STEEL TUBE 3000 psi CONCRETE UPLIGHT MORTAR, "LIGHT BUFF" SECTION A EXISTING STORM DRAIN CMU BLOCK SUPPORT CMU BLOCK SUPPORT 5' 8" 1' 3 8 3'-13 8 4" 2 1 4 8" 1' 3 8 1'-23 4 4" BELDEN BRICK PAVER "WHEATFIELD" EXISTING SUBGRADE PEA GRAVEL AGGREGATE FILL #5 at 12" O.C WEEP HOLES 2" DIA PIPING 6" OC FLEXIBLE DOVETAIL BRICK TIE 3000 psi CONCRETE FOOTER MORTAR, "LIGHT BUFF" EXISTING STORM DRAIN BELDEN BRICK "WHEAT FIELD" EXISTING SUBGRADE PEA GRAVEL AGGREGATE FILL #5 at 12" O.C 3000 psi CONCRETE MORTAR, "LIGHT BUFF" CAST IN PLACE CONCRETE WALL WITH BROOM FINISH ALONG BACK TROV LINEAR UPLIGHT SECTION B SECTION C EXISTING STORM DRAIN CMU BLOCK SUPPORT CMU BLOCK SUPPORT CMU BLOCK SUPPORT CMU BLOCK SUPPORT ROAD CURB ROAD CURB ROAD CURB TYP. A (NO ROTATION) TYP. D (30% ROTATION) TYP. D (30% ROTATION) TYP. C (20% ROTATION) TYP. B (10% ROTATION) TYP. C (20% ROTATION) TYP. B (10% ROTATION) BELDEN BRICK PAVER "WHEATFIELD" TYP. D (30% ROTATION) MORTAR, "LIGHT BUFF" TYP. A (NO ROTATION) TYP. C (20% ROTATION) TYP. B (10% ROTATION) ELEVATION 27'-11" SHEET # DESCRIPTION SET ISSUE DATE: SHEET NUMBER REVIEWED: DRAWN: 1 REVISIONS B C D A KYLE, TX PLUM CREEK PHASE 2 INFRASTRUCTURE 95% CONSTRUCTION DOCUMENTS 1 WWW.LIONHEARTPLACES.COM O: 512.520.4488 1023 Springdale Road, Suite 6E, Austin, TX 78721 SEAL SHEET NAME PROJECT NUMBER: 049-001 ISSUE DATE: MARCH 8, 2023 PRELIMINARY NOT FOR CONSTRUCTION MARCH 8, 2023 ISSUE DATE ___ OF 136 SITE DETAILS L7.05 1 ROUNDABOUT ENTRY MONUMENT 1/2" = 1'-0" PLAN, SECTION & ELEVATION 2 ROUNDABOUT ENTRY MONUMENT - BRICK PATTERN NTS PERSEPECTIVE RENDER 90 OF 136
GRIFFITH PASEO
Location: Round Rock, TX
Client: City of Round Rock
Role: Schematic Design, Planting Plan, 3D-Modeling (Rhino), Site Plan Render, Construction Documents
Phase: Design Development, 60% CD set
The Griffith Paseo links the roots of the historic downtown to the possibilities of the future. At the physical level, this is the connection of Prete Plaza and the Main Street corridor to the new, modern library. At the conceptual level, the design of the Paseo embraces timeless components of the Round Rock landscape that past, current, and future residents all experience and remixes them with a forward thinking twist. Night sky constellations become ground plane embedded lights that guide visitors through the site. Native flowers are abstracted in the sky as color panels in overhead canopies that are also patterned with forms inspired by the flower seeds. Changeable art nodes, play-friendly chalk boards, and an interactive kiosk all draw visitors through the space and offer chances for a refreshed experience each time. Familyfriendly amenities like shaded seating areas, playful art and materials, drinking fountains and restrooms all provide the opportunity to linger in the space on the way to one of Round Rock’s vibrant retail shops or events.
8
Paseo
Paseo
Image source: Lionheart Places and McKinney York
Image source: Lionheart Places and McKinney York
Concept Collage
COLOR SHADE CANOPIES
CANOPY 1 - MEXICAN BUSH SAGE
Bloom-Inspiration
CANOPY 2 - RED YUCCA
Bloom-Color Panel Gradient
Seed-Inspiration
Seed-Laser Cut Panel
Bloom-Inspiration
Bloom-Color Panel Gradient
Seed-Laser Cut Panel
CANOPY 3 - BLUE BONNET
Bloom-Inspiration
Bloom-Color Panel Gradient
Seed-Laser Cut Panel
9 289 SF RECEPTION 56 SF ELEV EQPM ELEVATOR STORAGE STORAGE 1,496 SF CATERING EVENTS/ 51 SF 51 SF STORAGE
I-35 CAP & STITCH
Location: Austin, TX
Client: City of Austin
Role: Opportunities and Constraints Analysis, GIS Mapping, Design Narrative and Concept Design, Design Guidelines, Community and Stakeholder Engagement
Phase: Design Guidelines
Lionheart is part of an interdisciplinary team working with the City of Austin and Downtown Austin Alliance to co- create a shared vision for TxDOT’s proposed caps and stitches. The I-35 Cap and Stitch Project first established a set of vision, goals and objectives for the project by working with community members and leaders. Lionheart facilitated community outreach and engagement through online surveys and open houses. Then, mapping and analysis tools were utilized to develop an opportunities and constraints report that informed the concept plan scenarios. Lionheart is currently working on developing a final concept plan with design of the caps and stitches beginning in 2025.
CULTURAL TRAIL TYPICAL CONDITIONS
10
Intersections Land Uses Size Constraints
The East Avenue/Cameron Road Cultural Trail is a corridor-wide program element weaving together art, culture and mobility. Stretching from the northern cap at Airport Road to Lady Bird Lake, the Cultural Trail is a multimodal corridor for residents and visitors alike. Key crossings at the cultural trail are called out in orange, bridging the divide between East and West Austin created by the initial freeway construction.
CIVIC PLAZA RESIDENTIAL RETAIL ADJACENT TO CULTURAL
CONNECTS
CONSTRAINED CONDITION IDEAL CONDITION WIDE CONDITION CULTURAL
From top left to bottom right A. Splash Pad Park, Oakland, CA B. Indianapolis Cultural Trail, Indianapolis, IN D. Monon Greenway, Carmel, IN HOOD DESIGN STUDIO
TRAIL
AND CROSSES CULTURAL TRAIL
CORRIDOR CROSSING
RESTITCHING THE URBAN FABRIC REPLANTING THE URBAN FOREST
There were once communities that lived on land currently used by I-35 and planned for future expansion. Furthermore, there were cultural connections linking communities on both sides of the current I-35 corridor. How can those communities that are still bere be supported? How can the communities that are gone be commemorated?
This concept “brings back” the ecosystems that would have attracted early residents of Austin -the Edwards Plateau and Blackland Prairie. Austin’s dense urban forest and savannah is an integral part of the city, providing residents with invaluable social, economic and environmental benefits. During the initial phase of community engagement, trees were ranked as the number one amenity by Austin residents, and the City’s Community Tree Priority Map identifies a large discrepancy of tree canopy coverage. East of I-35 has just 22% tree canopy cover, while the west has 78%.
11
A. Taopu Central Park, Shanghai, China B. Canadian Museum of Civilization Corporation, Quebec, Canada C. Phil Hardeberger Land Bridge, San Antonio, TX D. Broad Museum Plaza, Los Angeles, CA E. Freeway Park, Seattle, WA F. Pease Park, Austin, TX E. A F. B. C. D. D. HOOD DESIGN STUDIO Birds Eye View of Downtown Austin, TX Tree Disparity Map Eco-Zones of Central Texas 22% Tree Canopy Cover East Austin West Austin 78% Tree Canopy Cover A. North End Parks, Boston, MA B. I Am A Man Plaza, Memphis, TN C. Project Row Houses, Houston, TX D. New Fauborg Lafitte, New Orleans, LA E. 7th St. Oakland A. A. E. B. C. D. HOOD DESIGN STUDIO Sanborn Map of 6th St and Red River, TX 1900 6th 1st 11th St. Brushy St. 1st 11th St. 6th Brushy St. I-35 Building Footprint 2023 Cultural Corridors, Hood Design Studio CORRIDOR
WIDE CONCEPTS
CREEK SHOW PROPOSAL
Location: Austin, Texas
Client: Waterloo Creek Show
Phase: Unbuilt
Mosses, ferns and fungi are among the most ancient species on Earth and are integral to the health of our planet. While often overlooked by those traversing the trails and parks of Austin due to their small size, these plants and fungi play a vital role in our local ecosystems. Mosses and ferns provide important microhabits for other flora and fauna, while fungi aid in the decomposition of plant and animal debris, transforming them into nutrients to be used by plants. The proposed project, “hiddenGenus”, elevates these tiny but mighty living systems found throughout Waller Creek by reimagining them as a larger-than-life sculptures that light the way for visitors to meander through a playful and magical forest full of plants and fungi. Scannable QR codes throughout the installation lead visitors to additional iNaturalist* guides and recorded audio of the greenbelt, amplifying the quiet sounds of the creek. By drastically increasing the size of these local mosses, ferns and fungi, the installation creates the illusion that the visitor has shrunk down in size, and is thus able to appreciate the magic of these species.
*iNaturalist is a plant identification app that is a joint initiative by the California Academy of Sciences and the National Geographic Society that features guides that help teach about biodiversity around the world.
12
Collage of the proposal installed along the walkway leading to the 11th St. bridge; collaboration with Aaron Odland and William Harries Graham
CONCEPT COLLAGE
Resurrection
Maidenhair
Wavy
AUSTIN’S FERNS, MOSSES AND FUNGI USED IN PROPOSAL
Golden Jelly Fungus Tremella mesenterica Genus: Tremella
Angel’s Wings Pleurocybella porrigens Genus: Tsuga Indigo
Fern Pleopeltis polypodioides Genus: Pleopeltis
Fern Pleopeltis polypodioides Genus: Pleopeltis
Scaly Cloak Fern Pleopeltis polypodioides Genus: Pleopeltis
Star
Moss Tortula ruralis Genus: Tortula
Silvery bryum Bryum argenteum Genus: Bryum
Broom Moss
Dicranum
scoparium Genus:Dicranum
Milk Cap Lactarius indigo Genus: Lactarius
Paso’s Front Porch
Paso, TX
Acequias
In Process
TX
Academic El
El
Enduring
Albuquerque, NM
Dallas,
Render “Enduring Acequias”
Image source: Margaret Gallagher
El Paso’s Front Porch
The proposed site sits as a void above the 1-10 freeway in El Paso, only a few miles from the US-Mexico border and the Rio Grande river. Defined by political and geologic division, industry has further bisected the space into increasingly smaller fragments. Beginning with the construction of the railroad, which first separated the neighborhoods of El Segundo Barrio, Chihuahuita, and Durangito from Sunset Heights, the construction of 1-10 physically created a new, void space, displacing residents, disconnecting pedestrians and bikers and prioritizing vehicle flow. Coupled with limited green space (the largest park in a 10 mile radius is less that 1.5 acres), the extractive history of the space, first sundered apart by railroads, then freeways, demands a unifying design that prioritizes community gathering, relaxation, and play. The design proposal seeks to reconnect the site with the surrounding neighborhoods and the existing city through a series of front porches and yards that create safe, welcoming space for El Paso residents to come together.
14
Planting-Plan
Seating - Plan
Seating - Model
15
Enduring Acequias- The Land Directs the Water and the Water Guides the Land
“Enduring Acequias”, a proposal for a new stadium and park at the former rail yards in downtown Albuquerque, explores the intersection of land ethics and aesthetics to create an oasis for locals and visitors that honors the site’s agriculture history while creating green jobs through urban agriculture and culinary training, remediating the polluted, compacted soil and creating public green space that celebrates the New Mexico United soccer team and what the new stadium means for Albuquerque. Drawing inspiration from acequias, mutually managed water irrigation systems that have functioned in New Mexico and parts of Colorado for almost 300 years, the project shares its title with a book by New Mexican poet, farmer, artist and writer Juan Estevan Arellano that studies how people live with and interact with water in arid landscapes. The site-adjacent neighborhoods of Barelas and Broadway have agricultural origins, with farms developing around the “Acequia Madre de los Barelas” when it was constructed in the 1800s. When the rail yards were built, the acequia was redirected and cut off from the neighborhoods as workers pivoted to industrial jobs. The closure of the railyards in the mid-1900s had devastating effects, and the stadium represents an opportunity for new investment, jobs and opportunities for Barelas and Broadway. At the heart of the design is the desire to connect visitors with the story of water in such a dry space, and water flow guides the forms of the site, from the arroyo at the stadium’s entrance to the more formal, channelized acequia that runs through a water treatment plant on site before being directed into the fields. Large bosques of Cottonwood, Honey mesquite and Pinyon pine filter the water as it flows through the site, and cisterns underneath the parking garages hold rainwater for future use.
16
17 Broadway Neighborhood Barelas Neighborhood P P P I II III Stadium Great Lawn Agriculture Desert Garden I II III IV Rio Grande History of ABQ Site Plan Industry People+Culture A A B C B C IV
Planned Meow Wolf Development
Rail Yards Structure
In Process
Cadillac Heights, a neighborhood just south of downtown Dallas, was once a vibrant African-American community that faced unsafe living conditions due to environmentally racist zoning practices by the City of Dallas that placed harmful industry, from lead smelting to animal rendering, directly next to residential homes. These industries, along with illegal dumping and no levee, meant that the soils and water were contaminated, and floodwaters would disperse these contaminants across the neighborhood. Attempts to clean the site or advocate for city services were either prevented or ignored by the city until the early 2000s, when two lawsuits by the law firm of Daniel and Bashara secured buyouts for residents to move. While some residents did choose to remain, most lots have since had their structures demolished, with the few remaining roads and existing trees the only evidence of the historic urban grain. Imagining that this project could be a pilot project for the hypothetical Dallas Department of Care, the proposal centers the community of current and former residents, focusing on the right to return for the former community, the remediation of contaminated soils, and the creation of a new public park. "In Process" imagines a space where landscape and architecture work together to create form that responds to and acknowledges the spatial memory of the land and the community, and slowly rebuilds them. Completed with Narsis Holmes, M. Arch
18
Design Concepts
Existing Trees
Texas Redbud Cercis canadensis
Saucer Magnolia Magnolia X soulangeana
Historic Urban Grain of Neighborhood Lot Lines
Texas Buckeye Aesculus glabra
Existing tree canopy is supplemented with new plantings
Former roads as framework for primary pathways Urban grain used to bring visitors into open spaces
Pecan Carya illinoinensis Cedar Elm Ulmus crassifolia
Live Oak Quercus virginiana Burr Oak Quercus macrocarpa
Procession
Reflect + Grow
19
Surrounding Neighborhood Visitors DDOC Maintenance Workers New + former residents of Cadillac Heights 7 1 2 9 3 11 10 4 6 P P P 5 8 0 20’ 60’ 140’ 1”= 100’ 1 7 2 8 3 9 4 10 11 5 6 Entrance + Mounds Playscapes Trailhead + Restrooms The Clearing Community Center Open Lawn Phytoremediation Education Center Cadillac Heights Neighborhood Prairie Prairie Trailhead + Restrooms
Procession Gather + Rejoice Reflect + Grow Gather + Rejoice Procession
Gather + Rejoice
Research
Lo Sagrado/The Sacred Austin, TX
20
Black Swallowtail , San Jose Cementario I
Image source: Margaret Gallagher
Lo Sagrado / The Sacred
Maestra Marika Alvarado, A Lipan Mescalero Apache medicine woman collaborated with myself and historical preservationist Diana Hernandez on a field study centered around sacred plantings found in San José Cemetery I. This study was documented and organized with an emphasis on plant properties and medicinal uses for these specific specimens, and is included in the current exhibit at the Mexi-Arte museum’s exhibit for Día de los Muertos. The research was also part of Reclaiming Memories fall symposium "The Necropolis Politic / Lo Sagrado”. As the landscape architect and photographer on the team, I documented and identified plants through photography and field studies with Maestra Alvarado.
LIVE OAK Tree of Life
• It was once common practice to plant a young tree in the center of cemetaries.
• Different species can be found amongst the tombstones at San Jose Cementario I, but the Tree of Life” is the only Live Oak
• Planted in San Jose Cementario I when it was founded, the tree symbolizes the connection between life and death, and serves as a reminder of change and growth over time
ASPARAGUS FERN
Helecho Esparrago
• A medicinal herb whose branches are made into a tea for dysentery and pulmonary infections
• The young shoots are edible
BULL NETTLE
Mala Mujer
• Spiny, deep-rooted, herbaceous perennial. The roots are numbing, and can be used for teething.
• It’s presence indicates good soil conditions.
21
Competition Work
ULI, “The Stack”
Oakland, CA
22
Render of “The Stack”
Team Lead- Sanket Kamdar
Sophia Aitken
Kent Carlson
Margaret Gallagher
Alay Thakrar
ULI Hines Student Competition 2022 Winners “The Stack”
The Stack is designed to unlock the creative and transformational potential of the site. Knowing that this site is integrated into a multicultural area of high social vulnerability, especially among the Black population, we really wanted to maximize the uses dedicated to serving these communities and provide needed infrastructure for long-term growth and equity. To achieve these goals, The Stack’s design and program is grounded by three key pillars: Health, Culture and Connection.
To promote health and social wellbeing, The Stack provides diverse and richly programmed spaces for outdoor gathering, recreation and sports. The buildings are sited and implement various strategies to help mitigate highway air and noise pollution.
Supporting and expanding Oakland’s strong cultural and community assets is one of the main objectives for this project. The Stack offers a home for the city’s non-profit changemakers to thrive, as well as numerous platforms and opportunities to amplify Oakland’s artistic talent and entrepreneurial enterprise. Home to an established health care sector, skilled workforce, and proximity to international travel and shipping hubs, major employers will be drawn to The Stack’s Class-A offices.
Improving transit connections for all mobility modes is a driving force for the project. Stacking multi-modal transit below the highway, improving city-wide linkage with green street connections, and boldly bridging the highway with a park, The Stack stitches together the various neighborhoods, people, waterfronts and stadium within its reach.
23 The Stack
Sophia Aitken Master of City and Regional Planning Margaret Gallagher Master of Landscape Architecture Sanket Kamdar (Team Leader) Master of Urban Design Alay Thakrar Master of Urban Design Kent Carlson Master of Business Administration
Concept Design
Health: Stacked green infrastructure, open space and highway buffer network
Health: Public open space programming and overstructure park
Concept Framework
Culture: Activity circulation and street
Culture: Stacked cultural districts and primary activity spaces
Connection: Gateway nodes and BART station link
Connection: Stacked multi-modal transit and enhanced highway underpass connections
24
View from the Loop
Underpass connections
Old Oakland BART Station
connectivity
Pedestrian spine
Overpass link
Green infrastructure
Jefferson Square
The Loop Sound buffers
Broadway Transit
Art and Sculpture
Living Wall Living Cube
25
Render “Living Breezeblocks”
Image source: Margaret Gallagher
Living Breeze Blocks
This project, completed for the UTSOA seminar class «Living Wall» with Prof. Danielle Briscoe, is an exploration in how the material properties of terracotta clay and the form of mid-century modern breezeblocks could come together to create a living wall that hosts moss, ferns and air plants. Terracotta clay is a low fire clay with high porosity, making it ideal as a watering device or container for plants due to its ability to both retain and slowly release water over time. Using a chia pet as my preliminary case study, I experimented with different prototypes before arriving on a hollow, arched breezeblock unit with interior ridging and an opening at the top that allows water to flow through the stacked units before being collected in a cistern at the base of the wall. This wall can be used anywhere where there is excess water to be captured, such as underneath an air conditioning unit capturing condensation, or outside as stormwater cistern. Due to the extreme fluctuations in Texas weather, the wall will be dormant during the winter and summer, and greener and lusher during the fall and spring. Mosses were the primary plant chosen to due their ability to withstand temperature extremes and remain dormant for long periods of time, requiring only a few hours of moisture to return to life.
26
Plant Palette + Irrigation System
Living Cube
“Living Cube” is an unbuilt proposal that is comprised of a series of trellises, mirrored forms, and excavated crevices within the pavement that reflect and refract the designed landscape around them while acting as a host for vegetative matter. Designed to be installed in a parking lot or other underutilized paved space, the built forms create a distorted image capturing ephemeral moments of light, color, cloud cover and other shifting systems within the landscape and aims to influence public perception about the beauty of urban ecosystems. The installation is designed to be a permanent one, with the understanding that the vegetative matter will shift and grow over time. Instead of relying on an extensive plant palette that requires significant maintenance, the living systems chosen for the “Living Cube” will be a mix of cultivated and ruderal species that grow into themselves and the sculpture.
27
Living Cube - Experiential Models and Collage
28
*photographic collaboration with William Harries Graham