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Contents

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POSTS 4 WELLNESS

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CURRENTS

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COVER STORY

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STAGE/ART/EVENTS 18 A&E

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BEATSCAPE 20 CLUB GRID 22 FILM 26 EPICURE 28 ASTROLOGY 31

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Messages M essag ges es & Send letters to Santa Cruz Cru uz W Weekly, e eekly, letters@santacruz. letters@santacruz.com .com or to Attn: Letters, 877 Cedar Ce edar Street, Suite 147, Santa Cruz, C 95060. Include city and phone number n or email address. Submissions may be edited ediited for length, clarity or

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factual inaccuracies kno own to us. known EDITORIAL EDITO ORIAL EDITOR EDITOR STEVE PALOPOLI PAL A OPOLI STEVE spalopoli@santacruzweekly.com spalopoli@santacruzw weekly.com

STAFF S TAFF WRITERS W GEORGIA A PERRY PERRY gperry@santacruzweekly.com gperry@santacruzw weekly.com

JACOB J ACOB B PIERCE jpierce@santacruzweekly.com jpier rcce@santacruzw weekly.com

RICHARD VON VON BUSACK BUSACK richard@santacruzweekly.com richar rd@santacruzw d weekly.com

CONTRIBUTING C ONTRIBUTING G EDITOR EDITOR CHRIS TINA WATERS WAT TERS CHRISTINA PHO TOGRAPHER PHOTOGRAPHER CHIP SCHEUER S C ONTRIBUTORS CONTRIBUTORS ROB BREZ B SNY Y, BREZSNY, PAUL M. M DAVIS, DAV VIS, PAUL GANT T, MICHAEL S. GANT, JOE E GARZA, GILBERT T, ANDREW GILBERT, MARIA GRUS SAUSKAS, GRUSAUSKAS, JOR RY JOHN, JORY CA AT JO OHNSON, CAT JOHNSON, KELL LY LUKER, LUKER, KELLY SCOTT MA CCL LELLAND, SCOTT MACCLELLAND, A VERY MONSEN, V M AVERY P AUL W AGNER PAUL WAGNER

A ART & PRODUCTION PRODUC CTION DESIGN DIRECTOR DIRECTOR KARA A BROWN BROWN KARA PROD DUCTION PRODUCTION OPER RATIONS OPERATIONS COORD DINATOR COORDINATOR MERC CY PEREZ MERCY

Keep ’E ’Em Em Separated S Separat t d ted Re: R ee: “Hi “Hitching tching Coast” Coast”” (Curr (Currents, ents, Augus Augustt 7th): I’m in ggood, ood, h e erosexual com et pany heterosexual company rrelishing elishing th ac act sa ame-sex m arriage is thee ffact same-sex marriage ssteadily teadily enjoying en njoying ac cceptance in soci ety at at acceptance society llarge. arge. Love’s Lovvee’s onl ientattion is ttoward oward th onlyy or orientation thee o bject o e’s affection. afffeecction. Gen der is irr elevant. object off on one’s Gender irrelevant. Gr anted, progress progress will w be sslower lower e in areas areas less less Granted, accep ting th an cen t al Calif tr fo ornia, bu ut iit’s t’s accepting than central California, but p lain to to see which which way way th db lows. Good plain thee win wind blows. tto o see m oral momentum momentum buil ding. moral building. In tegral tto o this debate debate is both proponents’ proponents’ Integral an do pponents’ rreligious eliigious be lieffs. sM any cr itics and opponents’ beliefs. Many critics o e-sex marriage marria age are are fueled fueled by by rreligious eligious off sam same-sex tteachings. eachings. W o ould-b be su pporters w ho w ould Would-be supporters who would oth errwise speak u p som etimes k eep mum otherwise up sometimes keep ffor or simil o ar reasons. reasons.. I am rreligious eligious an d am similar and al lways surp rised b ow rrarely arely an easy always surprised byy h how rreconciliation econcilia attion is m e tioned: Our coun en try’s mentioned: country’s

ccharter har a ter document documen nt separates separates church church an d and sstate tat ate as cclearly learly as it it promises promises equality equality t under under llaw. aw. Eac E h rreligion eligion an dh ouse o orsship Each and house off w worship n eeeds tto od ecide ffor or o iitself tself w hether iitt will w h ost needs decide whether host h om mosexual m arriages, bu ut h as n oo bligattion homosexual marriages, but has no obligation tto od o so ernment, w hich do so,, unlik unlikee th thee U.S. Gov Government, which is ttardy ardy in gr anting th GBT commu unity th granting thee L LGBT community thee equ uality our Constitution Constitution mandates. mandates. equality BJ COPE S ta Cruz Sant Santa

F FROM THE WEB

Touch T ouch o of Class s Re: R e: e: “Bo “Bow ow W Wow, ow, T This his Sucks” Sucks” (Briefs, (Brieffs, sA Aug. 7): I’ve off m myy lif life (now myy I’v ve been a rrenter enter all o fe (n ow in m 60s), over thee coun country, here most off 24 60s s), all ov veer th try, h ere ffor or m o ost o The onlyy p place I’ve yyears. eea ars. T he onl lace I’v ve lived lived where where rrenter enter could have dogs—even small dogs—was New cou uld h ave d ogs—even e sm all d ogs— —was N ew York City, off all p places, and onee subu suburban Y or ork Ci tyy, o laces, an d on urban

condo Houston. live thee con do in H ouston n. I liv ve in a cabin on th edgee o off p property mostly mobile home edg roperty th tthat’s att’s m ostly a m obile h ome park, where those who own their mobile p ark, kw here th osee w ho o wn th eir i m obile homes have dogs but those who h omes can h ave d ogs bu ut th ose w ho rrent ent cannot—even though those our rresidences esidences ca annot—even th ough th ose who also thee property w ho own own their their homes hom o es al so rrent ent th property they’re justt as I d do. To me, partly th ey’re on, jus o. T om e, iit’s t’s p artly a cclass lass issue, anyone more likely issu e, ttoo, oo, becausee an yon o e is m ore lik ely tto o be allowed have dog they afford pay all owed tto oh ave a d og if th ey can af ffor o d tto op ay more actual house, with $2500 or m ore tto o rrent ent an ac tual h ouse, wi th a ffenced-in en e ced-in yyard. ard. JUDITH BROADHURST

Ruff Re Reality eality Re: R e: e “Bo “Bow wW Wow, ow, This This h Sucks”: Sucks”: If the the owners owners off rrental o ental p property ropertyy d don’t on’t w want ant tto o rrent ent tto o llarge arge dog d og o owners, wners, th that at sshould hould be th their eir prerogative. prerogattive. The T he damage damage th that at a large large or small small dog dog can d do o tto oap property roperty is rreal. ea al. Jus Justt because yyour o our dog dog can be behave have ffor or o a three-hour th hree-hour p photo hoto sshoot hoot d does oes n not ot m mean ean h hee w won't on't on o td do o an anyy d damage amage tto oa rrental ental p property. ropertyy. A llot ot o off llandlords andlords h have ave been burn burned ed because tthe he secur security ity d deposit eposit d does oes n not ot cov cover veer all o off th thee d damage amage th that at a pet can d do. o. P.S. Ad Adorable orable an and d ssweet weet e d dogs ogs d do od damage, amage, too. too. MIKE L.

DE ESIGNER GRAPHIC DESIGNER TA ABI ZARRINNAAL ZARR RINNAAL TABI ED DITORIAL EDITORIAL PROD DUCTION PRODUCTION SEAN GEORGE AD DESIGNER DE ESIGNER VA ANEY YCKE C DIANNA VANEYCKE

DIS DISPLAY SPLAY ADVERTISING ADVERTI ISING SENIOR ACCOUNT ACCOUNT EX XECUTIVE EXECUTIVE ILANA RAUCH-PACKER RAUCH--PACKER ilana@santa acruz.com ilana@santacruz.com A CCOUNT EXECUTIVE EXE ECUTIVE ACCOUNT DENI SE TOTO TOTO DENISE denise@santacruzw weekly.com denise@santacruzweekly.com OFFICE MANAGER MA ANAGER LIL LY S TOICHEFF O LILY STOICHEFF lily@santacruzw weekly.com lily@santacruzweekly.com

PUBLISHER PUBLI ISHER JEANNE HOWARD H WARD HO

PRESIDE PRESIDENT ENT & EXECUTIVE EXECU UTIVE EDITOR ED DITOR DAN D AN PU PULCRANO LCRANO

Dogs vs. v Students Studen nts Re: R e: e “Bo “Bow wW Wow, ow, This This h Sucks”: Sucks”: Couldn’t Couldn’t agree agree more m ore wi with th Pascale! Pascale! e I have have had had a horrible horrible tim timee finding fin ding an a apartment partm ment th that at w would ould all allow ow m myy eextremely xtremely w well ell be behaved ehaved e b black lack Lab Lab.. Wh When en I moved m ovveed here, here, I p paid aid d hig higher her than than market market rates rates AND pet rrent ent ffor or th o the he p privilege. rivilege. N Now ow th that at rrents ents have h ave been ggoing oing up up again, again, I can can’t’t ever ever e move movve because I can’t can’t find fin nd an anything ythin t g that that all allows ows pets in ttown own th that at cos ccosts ts th thee sam samee or lless ess th than an m myy curr current ent p place. lace. I coul could d un understand derstand b breed reed rrestrictions, estrictions, bu butt n no o pets a att all all?? Lan Landlords dlords llose ose ou out ut on a llot ot o off rresponsible esp ponsible ttenants enants this w way. ay. T Those hose p places laces go go to to college college students students instead, instead, w who ho I'm sur suree d do o a llot ot m more ore d damage amage th than an m myy d dog og w would! ould! CLAIRE LOVELL


ANNOUNCING ANNOUNC CING THE SU SUNSET UNSET PRESENTS PRESE ENTS 2013-2014 2013-2014 SEASON! SEASON N!

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THIS IS YO YOUR OUR BRAIN ON WATER Dav D Davenport venportt marine i bi biologist l i tW Wallace a alla llace J. J Ni Nichols h l the mind. believes we have h a lot to learn about how th he ocean affects our state of min nd.

Brain Bra ain W Waves a aves Da Davenport aveen nporrt m marine arine bi biologist’s ologisstt’s ‘Bl ‘BlueMind’ ueMiind’ p project rojecct eexplores xp plores th ind-ocean link BY MARIA GRUSA GRUSAUSKAS AUSKAS thee mi mind-ocean

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he best he beest ttwo wo ssleeps leeps o off m myy life lif fe ea each ach ffollowed ollowed en entire tire days d ays spent spent in the the ocean, after boogi boar ding as a cchild, hild, after boogiee b boarding and learning learning tto o sur ult. and surff as an ad adult. Santa Cruz, Cruz, you yo ou know know this: even even e just just Santa standing b y th he ocean can rrelax elax us. standing by the Bu ut h ow, eexactly, xacctly, d oes th ffeect But how, does thee ocean af affect th uman b rain? thee h human brain? T his qu estiion tr ickles thr ough th This question trickles through thee llife’s lif fee’’s work work of of Davenport-based Da Daveenport-b based dm arine marine bi ologist W alllace J. Ni a chols, P h.D, who’s who’s biologist Wallace Nichols, Ph.D, coin ed a con c t an cep d rresearch esearch p roject coined concept and project call ed Bl ueMiind, an in quiry in to th called BlueMind, inquiry into thee m ysteries o he b rain-ocean link. mysteries off tthe brain-ocean In a w ay th at m akes m way that makes mee suspec suspectt h hee h as a p air o ggillss hidin g be hind his has pair off gill hiding behind ears, Nichols Nichols ttalks alks abou ut th sory about thee sen sensory

co components omponents o off th thee ocean, fr from om th thee briny smell off th thee k kelp and algae, b riny sm ell o elp an d alg ae, tto o the saltt sp spray, thee th he negative-ion negattivve-i e on rrich ich sal ray, th off th thee w waves, and thee sooth soothing rrhythm hythm o avees, an d th hing flat dark blue linee o off th thee fl lat green green or d ark b lue lin horizon. h ho rizon. “What happens brain “Wh at h appens is yyour o our b rain ggoes oees into different and something in nto a dif ffer e ent mode, mode, an d som ethiing that’s called default mode network th hat’t s call ed a d effa ault m ode n ettworrk is activated,” says ac cttivvated,” sa ays Nichols. Nichols. IIn n tthat hat state, ssays ayys Nichols, Nichols, we we become self-referential b ecome se lf-r - effeerential and and introspective. And thee ca capabilities in ntrospeccttivve. An d as th pabilities off neuroscience bloom, o neuroscience b loom, sstudies tudies are beginning light thee ar re beginnin g tto o sshed hed lig ht on th BlueMind inquiry—which ago B lueMind in quiry— —which 10 yyears eearss ag o was met with eye and w as m a et wi th ey ye rrolls olls an d sskepticism. kepticiism. “You have conversation “Y Yo ou h ave this con nversa e ati t on

now, an now, and d yyou ou h o have ave a n neuroscientist e oscien eur ntis t t from Stanford and fr om St anffo ord or USF USF with w th you, wi you, o an d now about neurons n ow yyou’re ou’r o e ttalking alking abo ou ut n eurons and dopamine and oxytocin and an dd opamine an do xyytocin an d serotonin, and different ser otonin, an d iit’s t’s a vvery eerry dif ffer e ent conversation than was not ago,” con nversa e ati t on th an iitt w a n as ot llong ong ag o,” ssays ayys Nichols. Nichols. Teeming with neurotransmitters wee T eeeming wi th n eurotr o ansmitters w aree sstill justt beginnin beginning understand, ar till jus g tto o un derstand, thee b brain equipped with own th rain is equi pped wi w th iits ts o wn w pharmacy, p harmacyy, says sa ays Nichols. Nichols. He He believes believees linking neuroscience with nature linkin gn euroscience wi w th n atture insights that could will rresult esult in in sights th hat coul d seep into thee rrealms off pub public health and in nto th ealms o l ch li ealltth an d education wee kn know ed uca ati t on as w ow iit—perhaps t—perhaps dependence eeven veen rreducing educing our d ependence on medications. m edica ati t ons. Ocean therapy therapy is at at th tthee heart heart of of

Operation Surf, for instance, stance, an ngs ac cttivvee-duty t organization that brings active-duty mili tary w ho h ave llost ost on ore military who have onee or m more limbs to to surf su urrf in Santa Santa Cruz Cruz waters. waters. “On gu uyy h ad on dn o “Onee guy had onee arm an and no llegs,” egs,” says sa ays Nichols. Nichols. “So they’re they’re vvery eery disci plined d, bu ut sur rfin f g is n ew. disciplined, but surfing new. An d th ey’rre ggetting etting used tto o lif fe wi th And they’re life with missin ppendages. An d ggetting etting in missingg a appendages. And th ater is i jus ea at h ealing thee w water justt this gr great healing eexperience, xperiencee, an d th en, m any o em and then, many off th them rreport eport th sleep they’ve they’vve had had since since thee bes bestt sleep th eir injury. in njjurry. That’s That’t s interesting. interestingg. What’s Whatt’s their ggoing oing on, and a d how an how do do we we help help more more peo ple?” people?” Curr en nttlly, th entagon isn n’t Currently, thee P Pentagon isn’t in terested in pursuin line o interested pursuingg this line off th erapy, sa ays Ni chols—it soun ds ttoo oo ffar a ar therapy, says Nichols—it sounds ou utt, an d th hey’d rather ratther give givve th em drugs drugs out, and they’d them ffor or th o eir sstress t ess an tr d th eir ssleeplessness. leeplessness. their and their Mat thew wW hite, a p sycchologist at Matthew White, psychologist th veerrsity o lyymou utth, UK, h as thee Univ University off P Plymouth, has been sstudying tudyin y g th eurocognitivve thee n neurocognitive ef ffeecctts o ater an d “b blue sp ace” sin ace ce effects off w water and “blue space” since 2010—id en ntiffyying rrestorative estorattivve po owers 2010—identifying powers associa ated d with with water, waterr, an d calmn ess associated and calmness link ed tto o ssubaquatic ubaquati t c scen es. H so linked scenes. Hee is al also llooking ooking a ealth ben efits o g att th thee h health benefits off livin living n ear th oast. near thee co coast. “T hink o ple, jus “Think off all th thee peo people, justt in San nta Cr uz, zw ho ggo o eac hw ee e k, in on Santa Cruz, who each week, onee w ay or an o err, tto oth o th ater tto o rreduce educe way another, thee w water th eir stress,” stresss,” sa ays Ni chols. “Wh ether their says Nichols. “Whether th ey’re jjogging ogging al ong th they’re along thee coas coast,t, or sur fing, g orr jus jjust st si tting on a ben ch an d surfing, sitting bench and llooking ooking a t...Now im agine if w ut iitt att iit...Now imagine wee pu put all b ack in n th tyy. Pull ed iitt u p back thee communi community. Pulled up ou ut o o ttook ook iit,t, pu ut iitt b ack in out off th thee ocean, put back eeverybody’s ver e ybod b dy’ y s bodi es.” bodies.” Wh at w o d San oul nta Cr uz llook ook lik What would Santa Cruz likee th en? Could Coulld self-esteem, self--esteem, bett er sleep, sleep, then? better rreduced educed sstress t ess an tr d ov veerall h ealth be and overall health as sim ple as a p lunging in nto a bod dy o simple plunging into body off w ater? As th tthee n euroscien nttists sink water? neuroscientists th eir tteeth eeth h in nto this qu estion, w ht their into question, wee mig might as w ell eexplore xp plore iitt ffor or o ourse lves. e well ourselves. Ad dvises v Nichols: “Find “Find some some water, waterr, Advises Nichols: an d gget et in iit.” t.” and

T o find ou re about BlueMind To outt mor more and upcom ming conf feerreences, visit upcoming conferences, wallacejni ichols.orrg g. wallacejnichols.org.


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Currents Chip Scheuer

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EYES ON THE ROAD Teri Ellen Westra says the Big Basin General Plan’s emergency routes for her neighborhood are laughable.

Little Basin, Big Dispute Resident Teri Ellen Westra says park plan is dangerously ill-conceived BY JESSICA LYONS HARDCASTLE

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eri Ellen Westra, Ph.D., says she met the Santa Cruz district superintendent of the California State Parks system at Little Basin campground last week, hoping that he would prove her wrong. Westra, a clinical psychologist who lives on Little Basin Road, doesn’t believe State Parks’ emergency plan for the park is adequate—which, she says, puts hundreds of campers at risk every weekend should a wildfire occur. One did, in fact, occur on Aug. 12, ignited by an improperly extinguished campfire. No one was hurt. “If it would have happened on a Saturday, we would have been in big trouble,” Westra says. The Big Basin General Plan names the Tanbark Loop Trail/Pine Mountain Road as an alternate emergency

evacuation route for Little Basin, if Little Basin Road isn’t accessible. Westra says Pine Mountain Road — a narrow, windy road that’s unpaved in places — is too steep and deeply rutted to allow a twowheel drive vehicle to get from Little Basin campground to Big Basin in case of a fire. State Parks officials, however, say otherwise. In a July 28 letter to Westra, District Superintendent Chet Bardo says the Pine Mountain fire road “is in adequate condition and passable in a two-wheel-drive vehicle with moderate clearance. Recommended improvements include brushing both sides of the road and repairing the poor drainage and gullying that exists within the first 100 yards after the pavement ends within Little Basin.” So on Aug. 14, Westra met Bardo at the

campground. She wanted him to drive the road with her, and show her that “300 Priuses really can drive it, and there is indeed a safe route out of the park. “He’s driving one of those nice Chevy Impala white sedans,” Westra recalls of their meeting. “He refuses to go up the road because he doesn’t want to get his car stuck.” After Bardo left, Westra tried to drive the Pine Mountain Road escape route in her pickup that doesn’t have four-wheel drive. Her truck didn’t make it. Bardo did not return phone calls seeking comment. The solution, as Westra sees it, is simple. “Either show me I’m wrong, or see that I’m right, and close the park down. I want people to love the forest. I want them to support it, but not at the expense of human life and not at the

expense of quality of life of my whole neighborhood.” Westra’s activist streak started early. When she was 6 years old, she wrote a letter to President Nixon demanding he return Alcatraz to its indigenous inhabitants. Her Little Basin campaign started in 2010, when State Parks began holding planning meetings about the Big Basin General Plan. A year later, the campground and cabins opened to visitors. Neighbors, meanwhile, watched the park’s usage skyrocket. It was originally owned and developed by HewlettPackard as an employee retreat, with 100 to 200 people visiting quarterly, Westra says. The new state park property, however, managed by UCCR, has at least that many visitors every weekend. Robin Musitelli, Supervisor BruceMcPherson’s analyst, says Public Worksand State Parks looked into Westra’sfire and safety concerns about PineMountain Road. “It is adequate andpassable in a two-wheel drive car,” she says. Mike Carr, UCCR president and CEO, says guests’ safety is top of mind at UCCR, and Little Basin is no exception. “There’s a large meadow, what we call a safe zone, if there ever was an emergency,” Carr says. “From there, our guests and campers would take direction from emergency personnel who would direct them to the safest escape route. It’s not that complicated.” Robert Mallory and his wife lived on Little Basin Road for more than 30 years before selling their property in June. “I could see the writing on the wall,” he says. “Once the park changed hands, I could tell things were going to change drastically in terms of the amount of people coming out here. In the old days, the park had a hometown feel. Now it’s more of a corporation.” He says Westra’s work is “awesome — I just hope she actually gets somewhere. It’s kind of like David going against Goliath. She’s a smart cookie and she has a lot of energy, so I hope she’s able to help the Little Basin.”0


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Chip Scheuer

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Open Source

Santa Cruz’s tech visionary Jon Luini explains the evolution and ethics of Internet music BY GEORGIA PERRY

DOWNLOAD THIS IUMA co-founder Jon Luini will speak at the Creative Convergence Silicon Valley (C2SV) technology conference and music festival taking place Sept. 26-29 in San Jose. “Before you may have sucked locally. Now you can suck globally.” — Unofficial tagline of the Internet Underground Music Archive

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he Internet is killing music, because the Internet is stealing music. That’s conventional wisdom. Jon Luini, the founder of the first-ever music downloading service in 1993, isn’t buying it. According to Luini, we were all stealing music before the concept of “stealing music” even existed. Before BitTorrent, before Napster, before any of it— there was the Great and Powerful Cassette Tape. And rather than killing music, it opened a generation’s ears for a first time—including his own.

“When I was a kid, every weekend I would take my bike, go down to the record store, look through stuff, figure out what I could afford, buy it and bring it back home. And my friends would be doing the same thing,” he recalls. “It’s like, ‘You bought this one, I bought that one. All right, we’re gonna tape, and we’ll swap the cassettes. My friend bought the first Metallica album in the small little record shop in Walnut Creek, and I got a tape of that, and that’s what first turned me on to music.” Luini, who will lead a panel discussion about Internet music at the Creative Convergence Silicon Valley (C2SV) technology conference and music festival, taking place Sept. 26-29 at 12 locations in downtown San Jose, grew up to become a full-fledged Internet geek in the earliest days of the Internet— the late 80s and early 90s. Santa Cruz is where he discovered the Internet, after moving here in 1986

and landing his first tech job at the Santa Cruz Operation (SCO) software company. Luini went on to launch the Internet Underground Music Archive in 1993 along with co-founders Rob Lord and Jeff Patterson, who were both about 20 years old at the time. (At 25, Luini was the elder, experienced statesman of the group.) With artists in the driver’s seat when it came to distributing their music, IUMA's model was a far cry from the rampant piracy commonplace on the next generation of online music downloading sites. Its purpose, rather, was to give unsigned artists a place to share their music and connect with fans, which Luini says is the biggest challenge for any band that is not pop. The site took off, and within just a few months of launching was featured on CNN. After that, Luini says he recalls a new news piece nearly every week.

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RETRO FUTURO A screen grab from the heyday of the Internet Underground Music Archive. An early screen-grab of the site’s homepage from 1995 shows an unmistakably mid-90’s photo and illustration collage-style design, reminiscent of the album art for Green Day’s Insomniac. An image of a retro 1950s woman with a salon hairdryer on her head welcomes visitors to “The Internet’s Pad for Hi-Fi Living.” The site’s categories for Record Labels, Bands, Publications and “What’s Brewin’” are paired

with images of a washing machine, stereo cabinet, toaster and coffee pot, respectively. The images are all suspended in a navy blue night sky with twinkling stars. Today, Luini is 45 and looks every bit the part of a present-day Santa Cruz tech entrepreneur. He has the rectangular eyeglasses with industrial slate grey frames. He has the clean and intentional five o’clock shadow. He wears jeans, an O’Neill baseball


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cap and a zip-up hooded jacket. Before our interview at the Cruzio building in downtown Santa Cruz, he spends a couple moments tying up loose ends on his iPhone. In the throes of planning his panel for C2SV, Luini hopes to facilitate a thoughtful and nuanced discussion about the online music movement— where it has been, where it is now and what direction it should go in. “Rather than just having a bunch of

people talking about their products, I want to have real conversations about the issues and the people and the experience of how we interact with music,” he says. A complex thinker, Luini’s thoughts on these issues cascade over one another in a kind of ever-unfolding origami sculpture. He can see all sides of an argument, and is unafraid to explore forgotten corners and taboo points of view.

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“Jon has this ability to get to the heart of the issue at hand, and then he can synthesize information from a lot of different areas to bring it together to draw a much bigger picture about what’s going on,” says his wife, Sheila Schat, a consultant for non-profits. “It’s a pretty unique skill. It’s something I love about him. I can always float ideas past him.”

The Ethical One As befits a man who earned the nickname “the ethical one” at IUMA, Luini’s career trajectory has not followed the sort of reckless, rip-offthe-rear-view-mirror-and-gun-it path favored by so many Internet entrepreneurs both then and now. Instead, he chose to focus more on how best to serve artists and use the tools of the Internet to connect people. In 1994, at the same time as IUMA, Luini launched Addicted to Noise, the first online magazine to include audio samples alongside album reviews. When he left IUMA in the late ’90s, he went on to launch MediaCast, a web casting company that he says achieved a similar “leveling of the playing field” for users as did IUMA. After that, he began working with artists to create digital contracts—something he says is still missing from the picture today: “The system is very broken in many ways, but one thing you can say [about traditional recording companies] is they actually funded the recording artists’ music. Whereas an iTunes is taking their percentages, but they’re really just a storefront. I don’t see a lot of, ‘Oh yeah man I signed a deal with iTunes and they paid for me to go into the studio and record this album,’” he says. Regarding his contemporaries who arguably dropped the ball on the whole “ethics” thing, Luini is not nearly as cynical as one would expect him to be. He says he doesn’t think Napster was evil. Careless? Maybe. But he can empathize. “Once things really started taking off [for Napster] it really is like you’re driving a car and somebody just reached over and put a brick on the gas pedal. I mean, how do you control that? You steer just a little bit off, and you’re off the cliff,” he says. Luini is more forgiving than his former colleague, IUMA co-founder

Rob Lord, who declined to be interviewed for this story save for a brief email exchange in which he declared, “Napster was a disaster for Internet music IMHO.” Lord went on to work at Winamp as well as several startups, which he says have netted him over $100 million in sales to AOL, Yahoo! and the like. At worst, Luini says Napster and other music sharing sites were more focused on themselves and what they could accomplish than on the artists whose products were actually fueling their success. “It was all about what we can do. It became this excitement, almost like a feeding frenzy of like, look at what we can do—we can put this out and it’s gonna go to millions of people. But there wasn’t a lot of thought about, like, what should we do? And whose work is this built on the back of? And shouldn’t they be part of the conversation? “Just because something’s possible with technology doesn’t mean that you have that right, and I think there is a responsibility there to understand what you’re doing and how it’s affecting the band,” he says. “The fact that the band has been removed from the equation entirely is what feels so broken about the current state of sharing of music. That was the thing about IUMA that was very different,” he continues. “We were very much about the artists and about the artist/fan relationship and that connection.”

Brand Camp “IUMA was not ever a cultural taste maker or anything like that,” Luini says. “We just wanted to help those bands connect with the fans they had never been able to reach before. One of the goals was to create this new middle class of musician where more could quit their day jobs and make great art through using the Internet to reach fans across the globe.” And while he empathizes with the challenges that can come with the rapid-fire growth companies like Napster experienced, he is more than a little skeptical of what has become of our culture’s relationship to art. “There are a lot of people out there that feel very strongly that art should be free,” Luini acknowledges. “But those people often are not musicians or they’re not artists.”

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16 OP EN S OU R CE What has happened in the last several years of the Internet’s growth, he says, is that the fan relationship has been somehow co-opted by big tech companies themselves, bypassing art and experiences, the products that technology companies supposedly provide us—the stuff that we know deep down is most important. “People idolized Napster as a brand of some sort,” says Luini. And that practice has carried through to today. “Look at the way people idolize Apple gear. It’s fetishized. It’s so deeply ingrained that it’s not even really discussed. People go, ‘Oh yeah I’m gonna go camp out for the new iPhone.’ That’s not an unusual thing to hear people say. But take a step back and think what people used to camp out for? Concert tickets.” As if that wasn’t heartbreaking enough, Luini twists the dagger: “You go to the concert and you’re getting the connection with this music which affects you so emotionally. That experience has now been transferred to this device.” Though it may be a sexy device, he says, it is not the thing. “A phone is valuable because of the people you talk to,” he says. “So the optimist in me thinks that we’re all searching for something which connects us together and our options to do that are just not necessarily the right ones.” Throughout his career, Luini has been motivated by the same thing: a desire to use whatever tools are available to connect people to one another and to art. And while this has proved fulfilling to him, he acknowledges what he sacrificed by sticking true to his values. “I think I have probably hamstrung myself in ways that, if I had been more willing to give up certain things, I could have made a ton of money.” And he knows enough about the industry to know it can get ugly when you start giving up those “certain things.” “Mark Zuckerberg can say that he wants to connect people and do things for good the same way Google can, but at the end of the day you know that a large driving part of that is, ‘All right how are our ads doing?’ Inevitably any company that is big is going to be driven by other forces other than what’s good for people necessarily,” Luini says.

But when asked point blank if the online music industry got completely derailed at some point, Luini won’t bite. “Certainly there was a moment in the ’90s where I felt that sense of, ‘well yeah, we thought this was gonna be different, but it’s really been co-opted by the dominant corporate forces like every other medium,” he admits. “But at the same time, it brought so much power into people’s hands and so much art to so many people that never would have encountered it otherwise.” Through nuanced conversation, Luini believes some of the damage done by the online music industry can be corrected. There was a missed opportunity, he thinks, to educate a public as it was transitioning out of its proverbial Walnut Creek record store days and onto the Internet. “Before the Internet, when you went out and bought a record there was an assumption of, ‘I paid money, I have this thing, therefore I own this music. I can make a copy and give it to a friend and that’s OK.’ When you remove the physical album and now you have this digital item, the mentality just sort of carried along with it, but there was no discussion about that. There was never a moment when the industry and artists said, ‘You don’t own that music, you just own a license for it.’ So this is where there really needs to be education.” And if that doesn’t work? He has faith that, at some point, progress will find a positive direction to move in. “I think that the Internet in general has failed to live up to its potential,” he says, “But that’s OK, you know, if it gets really bad, then there’ll just be a new Internet that comes up and we can learn from our mistakes and give it another go…The only way you get out of difficult situations is to innovate around them.” 0

List your local event in the calendar! Email it to calendar@santacruzweekly.com, fax it to 831.457.5828, or drop it by our office. Events need to be received a week prior to publication and placement cannot be guaranteed.

Stage DANCE

castings by Sheila HalliganWaltz and Eike Waltz. Gallery hours: Thurs-Sun, noon-6pm. Aug. 2-31. Free. 107 Elm St, Santa Cruz, 408.373.2854.

Parent Education Nursery School Co-op. Sun, Aug 25, 11:30am. $8-$16. Harvey West Park Clubhouse, 326 Evergreen St, Santa Cruz, 831.334.3368.

Bellydance Showcase

Lulu’s at the Octagon

SC Storytelling Festival

Different belly dancers each week on the garden stage. Presented by Helene. www.thecrepeplace.com. Sat, 1:30pm. Crepe Place, 1134 Soquel Ave, Santa Cruz, 831.429.6994.

Paintings by Mary Karlton. www.marykarlton.com. Thru Sept. 22. Free. 118 Cooper St, Santa Cruz.

Storytellers from Santa Cruz and the Bay Area plus a children’s show on the 25th. www. santacruzstorytellingfestival. com. Sat, Aug 24, 7pm and Sun, Aug 25, 1-3:30pm. Santa Cruz Waldorf School, 2190 Empire Grade, Santa Cruz, 831.425.0519.

THEATER ‘Henry V’ Shakespeare Santa Cruz: Artistic Director Marco Barricelli presents this classic tale of civil war. Fri, Aug 23, 8pm and Sun, Aug 25, 7:30pm. $20-$50. UCSC Festival Glen, UCSC campus, Santa Cruz, 831.459.2159.

Live Comedy Weekly standup comedy showcases featuring rotating Bay Area comics held Tuesdays at the Red Room, 200 Locust St., Santa Cruz and Wednesdays at The Mediterranean, 265 Center Ave., Aptos. Both shows 810pm. Free. The Red Room, 1003 Cedar Street, Santa Cruz, 831.227.1500.

Shakespeare Santa Cruz “Taming of the Shrew”: The classic Shakespearian romantic comedy. Full schedule of dates at www. shakespearesantacruz. org. July 23-Aug. 31. $20$50. UCSC Festival Glen, UCSC campus, Santa Cruz, 831.459.2159.

CONCERTS

dimensions + six: An exhibition of work by six artists from the Monterey Peninsula including sculpture, book arts and printmaking. Gallery hours: Tues-Sat, 11am-5pm. Thru Aug. 31. 831.458.1217. Mission Extension and Natural Bridges, Santa Cruz.

Santa Cruz Central Branch Library Libraries Inside Out. HOME: A large-scale woodblock printmaking exhibition by Bridget Henry. Aug. 2 through the winter months. Free, 831.427.7700. 224 Church St, Santa Cruz.

Events LITERARY EVENTS

Summer Fair A weekly concert series and art fair put on by the team behind the Santa Cruz Rejuvenation Festival. Sun, Aug 25, noon-6pm. Free. San Lorenzo Park, between Water St and Soquel Ave, Santa Cruz.

Wetlands Tours “Wetlands Alive!” Informational tours offered by Watsonville Wetlands Watch. Sat, Aug 24, 10am. Fitz Educational Center, Pajaro Valley High School, Watsonville, 831.345.1226.

Wine Bottling BBQ Wine bottling event hosted by the Wine Club of the Santa Cruz Mountains. Guests are welcome to bring a dish to share. Sat, Aug 24, noon-5pm. $10. River Run Vintners, 65 Rogge Ln., Watsonville, 831.477.0500.

The Gift Economy A talk by Charles Eisenstein about resource-based economics and the gift economy. Sat, Aug 24, 35pm. Free/donation. Santa Cruz Museum of Art and History, 705 Front St, Santa Cruz, 831.429.1964.

Wellness Fair An outdoor community event with booths of

Author Event: Alfredo Corchado Renowned journalist Alfredo Corchado will discuss his book, “Midnight in Mexico,” about the Mexican drug war. Wed, Aug 21, 7:30pm. Bookshop Santa Cruz, 1520 Pacific Ave, Santa Cruz, 831.423.0900.

Storytime

Live music by a different group each week. Wed, 6-8pm. Thru Aug 29. Free. Capitola Esplanade Park, Capitola Village, Capitola.

Former Shakespeare Santa Cruz actress Billie Harris and Book Cafe manager Jill Rose perform animated readings of children’s stories. Mon, 11am. Capitola Book Cafe, 1475 41st Ave, Capitola, 831.462.4415.

Art

AROUND TOWN

Twilight Concerts

Comedy Showcase

GALLERIES OPENING

The C2SV Technology Conference takes place at the San Jose McEnery Convention Center from Thursday, Sept. 26 to Saturday, Sept. 28. Tickets for the tech conference and accompanying music festival may be purchased at C2SV.com/tickets.

R. Blitzer Gallery

information and treatments by local health-conscious practitioners, schools and businesses. Sat, Aug 24, 11am-5pm. Free. College of Botanical Healing Arts, 1821 17th Ave, Santa Cruz, 831.462.1807.

Santa Cruz Mountains Art Center Pop Up Museum. Lost and Found: Bring objects you’ve found around town to share your finder’s eye with the community. Sat, Aug 24, 1-5pm. Free, 831.4291964. Wed-Sun, noon-6pm. 9341 Mill St, Ben Lomond.

CONTINUING Felix Kulpa Gallery “Kiss My Bronze”: Bronze

A new comedy showcase hosted by DNA featuring a different Bay Area headliner each week. Tue, 8:30pm. Free. Blue Lagoon, 923 Pacific Ave, Santa Cruz, 831.423.7117.

English Country Dance Second and fourth Thursdays of each month; beginners welcome. Fourth Thu of every month. $5-$7. First Congregational Church of Santa Cruz, 900 High St, Santa Cruz, 831.426.8621.

Family Fun Fair A buffet, family fair and live music from Con Corazon put on by the Westside

SUNDAY 8/25

Wine of the Mountains A French-themed wine tasting, auction, and cuisine event hosted by the Santa Cruz Mountains Winegrowers Association. Sun, Aug 25, 2-5pm. $55 in advance. Roaring Camp, 5401 Graham Hill, Felton.


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NO LIMITS Eliquat Eliquate te crush boundaries between ge genres enres and audiences at the Cat Catalyst talyst on Friday.

‘‘War’ Wa arrr’ of W Words ords o

Local favorites favorrites Eliquate Eliquate release release their their debut debu ut full full-length -length BY MAT WEIR R

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llot ot o off a attention tttention is i giv given veen tto o th thee ‘‘bestt o ‘bes off th thee bes best’t’t or th thee ‘w ‘worst wo orst o off tthee w th worst,’” o orst,’” says sa ays Elliot Elliot Wright, Wright, frontman frontman and and llyricist yricist ffor o Eliquate, or Eliquate, about abou b ut the the group’s g oup’’s debut gr debu but full-length, f ll-llength, full gth A Chalkboard’s Chalkboarrd’s d War War a Against Ag gain nst Erasers, Erra asers, which drops wh hich dr ops this week. weeek. “But “ ut a majority “Bu majority of of people people don’t don’t fall fa all under under e either either of of those is a those categories, ca ategorries, so our album a celebration off th the celebrattion o e aaverage veeragge person.” For For those those who who haven’t haveen’t heard heard the the name Eliquate, here’s name Eliqu ate, h ere’s a recap: recap: The The five-piece fivvee-piece group group has has been beeen rocking rocking the the Santa Santa Cruz Cruz music music scene scene since since 2009, blending blending hip-hop, hip-hop, funk, funk k, rock, rock, punk and and everything ever e ything in between bettween e for fo or a sound sound that that is truly truly all their their own. own n. “Every “Evveery single single show, show, we we have have someone someone telling telling us they theyy love lovve our ska/ ska/ reggae reggae sound,” sound,” laughs laughs guitar g tar player gui player and and beat-maker bea at-maker Jamie Jamie Schnetzler. S hnetzlerr. Sc “Then “Then the the next next person says says it’s sa it’s a great grea at mix of of hip-hop hip-hop and and jazz. jazz. z And And I think,

‘W ‘Wait, Wa ait, yyou ou gu o guys uys were were at at the the same same show?’” show ?’” Sc hnetzler e an dW right m et a Schnetzler and Wright met att a mu uttu ual a fr rien nd’s h ouse, w herre Sc hnetzler mutual friend’s house, where Schnetzler w as eating ea attin ti g some s e questionable som quessttionab ble llooking ookin ki g was Chin ese ffood. o oo od. Chinese “I as ked him h if iitt w as a an ny ggood,” ood,” asked was any W rigght rremembers, em members, “H yees.’ I tr ried Wright “Hee said, ‘y ‘yes.’ tried iit,t, iitt w a as, an d I’v ve tr usted him eever veer sin ce.” was, and I’ve trusted since.” T he ttwo wo beg b ga an collaborating collaboratin t g on The began se ever e al tr ra acks, qui cklly in corporatin t g several tracks, quickly incorporating Dan W ells on o dr ums, Cosm o St even e s on Wells drums, Cosmo Stevens b ass an d, llater, ateerr, T ann a er Chr ristiansen on bass and, Tanner Christiansen k eyyb boarrds. keyboards. O ver e the the next next se ever e al yyears, ears, e Eliqu uate Over several Eliquate buil lt their their name name playing playying shows shows ar roun o d built around San nta Cr uz, o pening ffor o or un derground Santa Cruz, opening underground hi p-hop gia an ntts su uch as Murs, Zi on I an d hip-hop giants such Zion and R JJD2. T hey h ave sin ce p layeed se eveeral RJD2. They have since played several ssold-out old-out sho ows att tthe he C ata alyst y t ((including including shows Catalyst th nta Cr ruz Musi estivval a in Jul y), thee San Santa Cruz Musicc F Festival July), a cou ple W e t Coas es ours an d finis hed couple West Coastt ttours and finished th eir firs st n attional ttour our ear rllier this yyear. eearr. their first national earlier

Not bad fledgling band whose firstt N ot b ad ffor o or a fl edgling b and w hose firs rrecording ecording w as a a fiv vee-tracck EP released relea ased in was five-track JJanuary anuar a y 2012. “Bein g ou ut on th oad rreally eeallly rreminds eem minds “Being out thee rroad yyou ou w o hat lif fe, an d li livin i g, g ar ll abo bou utt,”” what life, and living, aree all about,” eexplains xplains W ells fr ro om be hind his dr rum Wells from behind drum ki ch ggoes oes b o acck tto o th m. kit.t. “Whi “Which back thee album album. W ave a vvery eery sshort horrt am oun nt o me Wee h have amount off tim time in lif fe, an d in th ong rrun un w re vvery er ery life, and thee llong wee ar are in significan ntt. H oweveerr, th at sshort horrt insignificant. However, that am oun nt o et.” amount off tim timee is alll w wee gget.” On ouldn o n’t eexpect xpecct a hi p-hop// Onee w wouldn’t hip-hop/ funk/r ock album b ch o ostfunk/rock byy a bun bunch off po postco llegge 20-som ethings fr om th D tal college 20-somethings from thee Digi Digital Gen erattion tto o be a min d-teaser ab bou ut Generation mind-teaser about th hilosophy o nta ax, li teratur t e, thee p philosophy off syn syntax, literature, perse ever e ance an d the the moments momen ntts of of selfselfperseverance and d epreca e attion bef fo ore th er P hoeenix deprecation before thee inn inner Phoenix rrises ises ag ain. Y eet, ACWAE ACW WA AE E is tightly tighttlly packed packed again. Yet, wi th tun er tun at d emands an d with tunee aft after tunee th that demands and rrewards ewa ards ac cttivve lis tening. active listening. T akee, ffor or eexample, xa am mple, tthe hee sho uldTake, shouldbe-a-sin gle tr ack, “St anley Y elnats t .” be-a-single track, “Stanley Yelnats.”

Named ffor o or th main ccharacter haraccter in th Named thee main thee children’s boo k-turned e -movie Holes, children’s book-turned-movie it features fea eattures Wright Wrigght spitting spittin t g out ou ut a matrix mattrrix it of metaphors metaphors abou ut filling fi g th fillin holes in of about thee holes our liv vees wi th p assion n, persis tence an d lives with passion, persistence and p ride, in nterrwea eavving th he soothin g cchorus horus pride, interweaving the soothing o hate to to sa ay it it bu ut I think it’s it’s ggoing oin o g off “I hate say but tto o be o k” thr ro oug ghou ut th tthee m elod dy an d ok” throughout melody and fin allly en ding wi th th he jjarring arrring lin e, “T he finally ending with the line, “The w alk a o ousand mil m es sstarts tarrtts wi th th walk off a th thousand miles with thee firs ack.” firstt setb setback.” “T hat w as a or riginallly wr ritten ffor o or m y “That was originally written my Soun dcloud,” says sa ays W rigghtt. “And “And it it w as a a Soundcloud,” Wright. was cam py, T oy M achine--esqu ue, minim alist campy, Toy Machine-esque, minimalist son g.” song.” “T hen w ook iitt in nto th tudio an d “Then wee ttook into thee sstudio and rrealized ealized all th ffeeren ent ca pabilities w thee dif different capabilities wee h ad in a p rofessi e onal studio,” studio,” Stevens Steveens had professional con nttinues. “T hatt’s w hen this song song w en ent continues. “That’s when went in nto a m ore com plex dir eccttion.” into more complex direction.” “H avin v g rread ead e Holess 50 times times in “Having m hildhood, iit’s t’s ni c tto ce o kn ow th at myy cchildhood, nice know that w asn a ’t com pletely ffor orr n o othing,” W rig ght wasn’t completely nothing,” Wright ch uckles. chuckles. W ith su ch a wid ar ariety o With such widee vvariety off infl ueences, an Eliquate Eliquat ate show show equates equ uates to to influences, an archeological archeological excavation excca avattion o ds. off soun sounds. T he b and buil ds llayer ayeerr u pon llayer ayer e o The band builds upon off soun d, wi th th cians p layin y g sound, with thee musi musicians playing al ong bu ut sstill till eexploring xplorrin ng th eir o wn along but their own sp aces in a p ag ge ttaken aken n fr om th am spaces page from thee jjam b and p layboo b k. Sam pled bea atts, k eeys, band playbook. Sampled beats, keys, gui tars an d per cussion o p rogressivvely guitars and percussion progressively buil du pon an p dw or o k wi th eac h oth err, build upon and work with each other, k eepin i g th arrtty ggoing o oin ing all ll nig ig ght llong. ong. gT o keeping thee p party night To ccelebrate elebrate A Chalkboa arrd d’s W a ar A gainst g Chalkboard’s War Against Er ra asers, Eliqu ate’s rrecord ec ecord release release p arrtty Erasers, Eliquate’s party will be h eld this Friday, Friday, Augus held Augustt 23 on th atallyst’s M ain St age. K ag eeping wi th thee Ca Catalyst’s Main Stage. Keeping with th eir D IY, un dergroun nd es stthetics, llocal ocal their DIY, underground esthetics, musi cians Boos tivve will w be o pening musicians Boostive opening al ong wi th F orrreest Da ayy, R ubberrlegs & u along with Forrest Day, Rubberlegs Daou d An ntthon ny, an dA Al lwa Gor don. Daoud Anthony, and Alwa Gordon. “In th d,” Sc hn netzler sa ays, “this thee en end,” Schnetzler says, is the the firs eal sshowcasing howcasing of of w hat firstt rreal what w o, an dw hat w o. T his wee can d do, and what wee will d do. This is us.”

Eliquate

Catalyst, Santa Cruz Catalyst, C Fri, A ug 23 Aug

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h’ a p that made ‘Last Splas ’ The Breeders line-u IN NT OU M SH LA SP y tour. for a 20th anniversar smash have reunited

e p a c s t a e B THURSDAY

8/22

DEEP ELLUM Champions of analog recording, 1970s-inspired rock and the play-ithow-you-feel-it aesthetic, Deep Ellum is emerging as one of Santa Cruz’s standout musical attractions. Possessing a sound and look that throws one back about 40 years, this band takes elements of the Band, Creedence, early-era Grateful Dead and country songsmith Townes Van Zandt and rolls it into something that is very Bay Area, very groovy and very good. Catalyst; $10; 9pm. (Cat Johnson)

THURSDAY

8/22

JONATHAN RICHMAN Yeah, okay, he looked like he was 12 years old until Y2K, but Jonathan Richman’s been in music for four decades now. He’s swiveled his hips through one incredible phase after another—electro-distorto teen angstivist in the Velvet-Underground-inspired Modern Lovers; acoustic rebel who gave up cool for kid-friendly songs like “I’m A Little Dinosaur”; low-fi rock primitive; There’s Something About Mary cult-music king; and now international troubadour. Don’t ask which era he’s gonna play from tonight, just surrender to Jonathan. Don Quixote’s; $15; 8pm. (Steve Palopoli)

TH UR SDAY

8 /2 2

YELLOWMAN With almost sixty albums under his belt, Yellowman is as tenacious as he is energetic. Having grown up in a Kingston orphanage, the albino Jamaican was the first reggae artist to be signed to a major U.S. label and project his career into dancehall stardom. One of his top hits is “Nobody Move, Nobody Get Hurt,” but he doesn’t stay still for long— averaging almost five albums per year while simultaneously defeating skin and jaw cancer. Because that’s the kind of guy he is; all rude riddim and energy. Moe’s Alley; $20 adv/$25 door; 9pm. (Anne-Marie Harrison)

FRIDAY

8/23

BEN FLOCKS & BATTLE MOUNTAIN From Bonny Doon to Switzerland, Ben Flocks & Battle Mountain have taken their unique sound across the globe and back again. Inspired by jazz kings John Coltrane and Sonny Rollins, band frontman Ben Flocks has more than proved himself a name in the sax scene— having played at jazz festivals in Italy, Croatia and the Bay, as well as alongside Joshua Redman and Dave Brubeck as a Brubeck Institute Fellow. The local sax prodigy is back in Santa Cruz to debut Battle Mountain and give back a little of that jazz inspiration. Headed by the local saxophone prodigy, the band covers more than just the traditional, with everything from jazz to folk and Brazilian to funk. Kuumbwa; $12 adv/$15 door; 7:30pm. (AMH)


Celebrating Creativity Since 1975

Thursday, August 22 U 7 pm

MONTEREY JAZZ FESTIVAL COUNTY HONOR ENSEMBLES 1/2 PRICE NIGHT FOR STUDENTS Friday, August 23 U 7:30 pm

BEN FLOCKS & BATTLE MOUNTAIN Saturday, August 24

Blonde Redhead

Concerts MARK TWANG

Aug. 22 at Crepe Place

JESUS DIAZ Y SU QBA Aug. 24 at Moe’s Alley

PAIGE RAYMOND Aug. 24 at Catalyst

HILLS TO HOLLERS Aug. 26 at Kuumbwa

BLONDE REDHEAD Sep. 6 at Rio Theatre

SATU RDAY

8 /24

HONEY WILDERS If you were to hear the Honey Wilders without seeing them, you might think that they were a 1970s power rock band that slipped under the radar. With arena-style guitar riffs, crashing drums, classic rock hooks à la Thin Lizzy and Cheap Trick, and plenty of whoops, unghs and other vocal embellishments, this Sunnyvale-based band sidesteps the crowded indie-electronicaalt-folk river to wade chest deep into the waters of good old rock & roll. On Saturday, the band makes its Santa Cruz debut as part of Club Kuumbwa. Kuumbwa; $5; 9:30pm. (CJ)

MONDAY

8/26

THE BREEDERS “I still am shocked that that got radio play,” Kelley Deal told me last week about the Breeders’ big hit “Cannonball.” And that’s with 20 years to get used to the idea. In any case, Kelley, her ex-Pixies sister Kim and the rest of the group that turned that song and the album Last Splash into bona fide phenoms in 1993 seem to have come to grips with the fact that they had something special, because the line-up has re-united for a 20th anniversary tour. It’s accompanied by a box set from 4AD that may be the most complete, downright exhaustive re-release ever given one record. (Read the story on santacruz. com.) Rio; $27; 8pm. (SP)

TUESDAY

8/27

SARAH & THE TALL BOYS A road-tested outfit that plays an average of 200 tour dates a year, Sarah and the Tall Boys know their way around both Americana barn burners and a-tear-in-my-beer country weepers. Led by frontwoman/guitarist/ songwriter Sarah Potenza, who has been compared to Lucinda Williams, Bonnie Raitt and Johnny Cash, this Nashville-based band steers clear of gimmicks, choosing instead to walk the well-worn, proven path of straightahead American roots music. And, they play prisons...like Cash...so there’s that too. Also on the bill: singer/songwriter Chicago Farmer. Don Quixote’s; $10; 7:30pm. (CJ)

WEDNESDAY

8/28

THE GROGGS If you like rock & roll, you’ll love the Groggs. Named for exactly the Santa Cruz liquor store you’re thinking of right now, the Groggs pick and choose from a little 60s, a little 70s and a little miscellaneous, and their dedication to raw sound totally works. Santa Cruz natives, they released their first EP Up To No Good in 2008 and have proven themselves a local fixture. Moe’s Alley; $5 adv/$8 door; 8:30pm. (AMH)

U

9 pm

CLUB KUUMBWA: THE HONEY WILDERS

$5 @ door

Monday, August 26 U 7 pm

HILLS TO HOLLERS: BARBARA HIGBIE, LAURIE LEWIS, LINDA TILLERY Wednesday, September 4 U 7 & 9 pm

OTTMAR LIEBERT & LUNA NEGRA U No Comps Friday, September 6 U 7 & 9 pm

DAN HICKS & THE HOT LICKS No Comps

Monday, September 9 U 7 & 9 pm

BILL EVANS’ SOULGRASS FEATURING STEVE KIMOCK, TIM CARBONE & JEFF PEVAR Dance Space! No Comps Unless noted advance tickets at kuumbwajazz.org and Logos Books & Records. Dinner served 1-hr before Kuumbwa presented concerts. Premium wines & beer. All ages welcome.

320-2 Cedar St [ Santa Cruz 831.427.2227

kuumbwajazz.org

A U G U S T 2 1 - 2 7, 2 0 1 3

e

21


22

clubgrid l bg id d KEEP EEP UP WITH THE LOCAL LOCAL ACTION: ACTIO ON:

WED 8/ 8/21 21

LIKE US ON F FACEBOOK ACEBOOK A AT T 831 8 BEER SCENE

THU TH HU 8/ 8/22 22

FRI 8/ 8/23 23 3

SAT 8 8/24 /24 2

S SANTA CRUZ BLUE B BL UE LA LAGOON GOON

Liv Live eR Rock ock

A U G U S T 2 1 - 2 7, 7, 2 0 1 3

923 9 23 Pacific Pacific Ave, Ave, Santa Santa C Cruz ruz

BLUE B BL UE L LOUNGE OUNGE 529 5 29 S Seabright eabright A Ave, ve, S Santa anta C Cruz r uz

BOCCI’S B BOC CI’S CELLAR

Liv Live eC Comedy omedy

Live Live D DJ J

+ 80’s 80’s dance dance party party

Liv Live e Music

Rai Rainbow nbow L Lounge ounge

Live Live DJ DJ

D DJ JA A.D .D

Do-Rights Burlesque

Jiv Jive e Hounds

Phil Blue Eyes Eyes s

SCHS R Reunion eunion

Deep Dee ep Ellum

Majical Cloudz Cloud dz

Paige Paige Raymond Raymond

140 14 40 Encinal E i l St, St, t Santa S t Cruz C

Ott Otto’s o’’s Monk M Monkey key

T THE CATALYST CATA AL LYST ATRIUM ATRIUM 1101 11 101 P Pacific acific A Avenue, venue, Santa Cruz

T THE CATALYST CATA AL LYST

Eliquate Eliquate

1011 10 011 P Pacific acific A Ave, ve, Santa Cruz

C CREPE PLACE PLACE

Mar Mark rk Twang Twang

The Groggs Groggs

And Andre dre Thierry

T Touch’d ouch’ o dT Too o oo Much M

Marty O’Reilly O’Reilly

1134 11 134 Soquel A Ave, ve, Santa Cruz

CROW’S C CRO W’S NES NEST T

Y Yuji uji T Tojo ojo o

2 2218 East East Cliff Dr, Dr, Santa Cruz

C Coastal oastal Sage

Zydeco Zydeco Magic

DAVENPORT D AVENPORT V ROADHOUSE ROADHOUSE

Ugly Beauty

1D Davenport avenport A Ave, ve, S Santa anta C Cruz r uz

F FINS COFFEE COFFEE 11104 104 Ocean Ocean St, St, S Santa anta C Cruz ruz

H HOFFMAN’S BAKERY BAKERY CAFE

Preston Pres e ton Brahm Brahm Trio Trio

Mapanova Mapanova

Isoceles Isoceles The Hone Honey yW Wilders ilders

11102 102 P Pacific acific A Ave, ve, S Santa anta C Cruz r uz

w with ith G Gary ar y M Montrezza ontrezza

KUUMBWA K UUMBWA J JAZZ AZZ CENTER

Mo Monterey nterey Jazz F Fest. est.

Ben Flocks &

3 320-2 Cedar Cedar St, St, Santa Cruz

Hon Honor nor Ensembles

Battle Battle Mountai Mountain n

Y Yellowman el e lowman

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Jesus Diaz

BIG B

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Ben Ahn

V Vegas egas Nights

MOE’S M MOE S ALLEY

Dirty Downtown Downtown

1535 15 535 C Commercial ommercial W Way, ay, Santa Cruz

Jazz S Syndicate yndicate

MOTIV M MO TIV

Space Space Bass! Bass!

Libation Libation Lab

1209 12 209 Pacific Pacific Ave, Ave, Santa Cruz

Andrew Andrew the Pirate Pirate

with h Curtis Murphy Murphy

T THE REEF

Open Mic

Ble Bleu eu

120 12 20 Union St, St, Santa Cruz

S Swing wing

R THEATRE RIO THEA AT TRE

Following Following the Ninth

1205 12 205 Soquel A Avenue, venue, Santa Cruz

Film

S SEABRIGHT BREWERY BREWERY

The Bonedrivers Bonedriv vers

5 Seabright A 519 Ave, ve, Santa Cruz

T THE POCKET

V Vernon errnon Da Davis vis

Isis & the Cold Cold d

3102 3 310 2 Portola Portola Dr Dr.,., Santa Cruz

Jam m Ses Session sion

T Truth ruth

Rev. Rev. Love Love Jones & the Sinners


23 Like SHOCK TOP

SUN

8/25 8/ 25

Goth/Industrial Goth/Indus trial

MON

8/26 8/2 8/ 26

Karaoke K araoke

TUE 8 8/27 /27 Live Live D DJ J Soul/funk/rap Soul/funk/rap

DJ DJ Jahi N Neighborhood eighborhood N Night ight

Doomroots Doomr oots Collective Collective

BLEU Band Ba and

Hill People People

BLUE BLUE LAGOON LAGOON 831.423.7117 831.423.7117

A U G U S T 2 1 - 2 7, 7, 2 0 1 3

Karaoke Karaoke

SANTA CRUZ BL BLUE UE L LOUNGE OUNGE 8 831.425.2900 31.425.2900

BOC BOCCI’S CI’S CELLAR 831.427.1795 831 427.1795 831.42

Baeza Bae za

THE CATALYST CATAL ALYST ATRIUM ATRIUM 831.423. 831.423.1338 1338

THE CA CATALYST ATAL ALYST 831.423. 831.423.1336 1336

Movie Mo vie Night Night

CREPE PLACE PLACE

Jaws Jaws

831.429 831.429.6994 .6994

Live Liv e Comedy Comedy

CROW’S CROW’S NES NEST T 831.4 831.476.4560 76.4560

Sherry Austin Austin & H Henhouse enhouse

Three Thr ee Left Left A Acoustic coustic Trio Trio

Dana Scruggs Trio Trio

Jazz by by Five Five

Barry Scott Scott & Associates Associates

Hills tto o Hollers H

D DAVENPORT AVENPORT V ROADHOUSE ROADHOUSE 831.426.8801 831.426.8801

FINS COFFEE COFFEE 831.423.6131 831.423.6131

HOFFMAN’S BAKERY BAKERY CAFE 831.420.0135 831.420.0135

KUUMBWA KUUMBWA JAZZ JAZZ CENTER 831.427.2227 831.427.2227

MOE’S MOE S ALLEY 831.479.1854 831.479.1854

Rasta Ras ta Cruz Reggae Reggae Evening E vening Jazz

Eclectic Eclectic by by

Hip-Hop by by

Primal Pr Productions o oductions

D DJ J AD

Open Jazz Ja azz Jam

Pro Pro Blues Jam

MOTIV MOTIV 831.4 831.479.5572 79.5572

THE REEF 831.459.9876 831.459.9876

The Breeders Bree eders

RIO THEA THEATRE TRE 831.423.8209

SEABRIGHT BREWERY BREWERY 831.426.2739 831.426.2739

THE POCKET

etox &

 elax

with our Organic Mud Wraps spas • massage • bodycare

... and other Skin & Body Care treatments

417 Cedar Street • 831-458-WELL • www.wellwithinspa.com


24

1011 PACIFIC AVE. SANTA CRUZ 831-423-1336

clubgrid l bg id d

Thursday, Aug. 22‹In the AtriumsAGES 21+

DEEP ELLUM plus TV Mike & the Scarecrowes also Ocha

La Rocha $RSONLYsPMPM

Friday, August 23‹ AGES 16+

Eliquate plus Forrest Day

also Boostive !DV$RSsPMPM Friday, Aug. 23‹In the AtriumsAGES 21+

A U G U S T 2 1 - 2 7, 7, 2 0 1 3

(((folkYEAH!))) presents MAJICAL CLOUDZ ATTHE$RSONLYs$RSOPENPM3HOWSTARTSPM

3ATURDAY !UG‹In the AtriumsAGES 16+

PAIGE RAYMOND

plus Da’unda’dogg also J-Diggs

also Mac Mall !DV$RSs$RSPM3HOWPM

3UNDAY !UG‹In the AtriumsAGES 16+

BAEZA

!DV$RSs$RSPM3HOWPM

Aug 29 Militia Of Love Atrium (Ages 21+) !UGDuane Peters GunďŹ ght Atrium (Ages 21+) Aug 31 TV Girl Atrium (Ages 16+) 3EPArsonists Get All The Girls Atrium (Ages 16+) 3EPBrother Ali/ Immortal Technique (Ages 16+) 3EPThe Expendables (Ages 16+) 3EPCurren$y (Ages 16+) 3EPKrewella/ Seven Lions (Ages 18+) 3EPIAMSU (Ages 16+) 3EPJimmy Eat World (Ages 16+) 3EPTech N9ne (Ages 16+) Oct 5 Tesla/ 6 Weeks Sober (Ages 21+) Oct 16 Steve Vai (Ages 21+) Oct 25 Les Claypool (Ages 21+) Oct 28 AFI (A Fire Inside) (Ages 16+) Nov 1 The Story So Far (Ages 16+) Nov 9 Soja (Ages 16+) .OVCrizzly/ Figure (Ages 18+) Nov 21 Reverend Horton Heat (Ages 21+) $ECGood Riddance (Ages 16+) Unless otherwise noted, all shows are dance shows with limited seating.

KEEP EEP UP WITH THE LOCAL LOCAL ACTION: ACTIO ON:

WED 8/ 8/21 /2 21 A APTOS / RIO DEL MAR / SOQ SOQUEL QUEL

LIKE US ON F FACEBOOK ACEBOOK A AT T 831 8 BEER SCENE

THU TH HU 8/ 8/22 22

BRITANNIA B BRIT TANNIA A ARMS

FRI 8/ 8/23 23 3

SAT 8 8/24 /24

Live Live Music

Karaoke Karaoke

Variant Variant Soul

Saints & Sinners

110 11 0 Monterey Monterey Ave., Ave., Capitola Capitola

THE T HE FOG BANK

with Eve Eve

DB Walker Walker

211 2 11 Esplanade, Esplanade, Capitola Capitola

MANGIAMO’S M MANGIAMO S PIZZA PIZZA AND WINE BAR

David David Paul Paul Campbell

David David v Paul Paul Campbell

George George Christos Christos

Roberto-Howell Roberto o-Ho Howell

Yuji Yuji & Neil

Extra Extrra Lounge Lounge

Joint Chiefs

Stormin Stormin Norman

783 7 8 Rio del Mar Blvd, 83 Blvd, Apt Aptos os

MICHAEL’S M MICHAEL ’S ON MAIN 2591 25 591 Main S St, t, Soquel

PARADISE P ARADISE BEACH BEACH GRILLE

Joh Johnny nny F Fabulous abulous

Vinny Vinny Johnson

215 21 15 Esplanade, Esplanade, Capit Capitola ola

SANDERLINGS S ANDERLINGS

Sambasa

In Thr Three ee

B-Movie B-Movie Kings s

Billy Davis Davis

Joe Ferrara Ferrara

Lenny Lenny

Lar Lara a Price Price

Matt Matt C Conable onable

1 Seascape S Resort Resort Dr Dr,, Rio del Mar

SEVERINO’S S EVERINO’S BAR & GRILL

Don n McCaslin &

7500 7 5 500 Old Dominion Ct, Apt Aptos os

The The Amazing Jazz Gee Geezers zers

SHADOWBROOK S HADOWBROOK

Blues Band

1750 17 750 Wharf Rd, Rd, Capit Capitola ola

THE T HE UGLY UGL LY MUG

Dan Frechette Frechette &

4640 4 640 Soquel Dr, Dr, Soquel

Laur Laurel el Thomsen Thomsen

ZELDA’S Z ELDA’S

Strides Strides

203 20 03 Esplanade Esplanade,, Capit Capitola ola

Band

S SCOTTS VALLEY / SAN LORE LORENZO ENZO VALLEY D DON QUIXOTE’S QUIXOTE’S

Roky Rok ky Erickson E i k

Jonathan J athan Jon th Richman Ri h

Th Mes The M Messiahs siahs i h

E Extr Extra t a Lar L Large ge

3 Upfront Up pfront

Tiki Tiki Lounge Lounge

Jackson Danny Danny

6275 6 275 Hwy Hwy 9, 9, F Felton elton

H HENFLING’S TAVERN TAVERN 9450 94 450 Hw Hwy y9 9,, Ben L Lomond omond

Lizar Lizards ds

W WATSONVILLE / MONTEREY Y / CARMEL C CILANTRO’S

Hippo Happy Happy Hour

11934 934 Main Main St, St, W Watsonville atsonville

MOSS M MO SS LANDING INN Hwy H wy 1, Moss Moss Landing

Tickets subject to city tax & service charge by phone 877-987-6487 & online

www.catalystclub.com

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Day & evening classes | Pay D Payment ment plans ced classes. See website for all advanc advanced TwinLakesCollege.org 1525 Seabright Ave, Santa Cruz | 831-476-2152

Mariachi Ensemble Ensemble &K KDON DON D DJ JS SolRock olRock

Open Jam

KDON DJ DJ Showbiz Showbiz


25 Like SHOCK TOP

SUN

8/25 8/ /2 25

MON

8/ 8/26 26

TUE 8 8/27 /27 APTOS / RI RIO IO DEL MAR / SOQUEL BRITANNIA BRITANNIA ARMS

Dennis Dove Dove

Karaoke Karaoke w with ith Eve Eve

THE FOG BANK 8 831.462.1881 31.462.1881

MANGIAMO’S MAN NGIAMO’S NGIAMO S PIZ PIZZA ZA AND WINE BAR 831.688.1477 831.688.1477

Duo Br Brothers others

Scott Scott Slaughter Slaughter

Lara Lar a Price Price

Dining Music

FZW4Sj3dWSÂ e4[YYWef Technology conference + Music Festival

MICHAEL’S MICHAEL’S ON MAIN 831.479.9777 831.479.9777

PARADISE PARADISE BEACH BEACH GRILLE 831.476.4900 831.476.4900

SANDERLINGS SANDERLINGS

70+ Acts | 12+ Venues | 4 days | 1 wristband

831.662.7120 831.662.7120

SEVERINO’S BAR & GRILL 831.688.8987 831.688.8987

SHADOWBROOK SHADOWBROOK 831.475.1511 831.475.1511

Open Mic c

THE UGL UGLY LY MUG

w/ w/ Mosep Mosephus hus

831.477.1341 831.477.1341

ZELDA’S ZELDA’S

831.4 831.475.4900 75.4900

SCOTTS VALLEY / SA SAN AN LORENZO VALLEY Adrian A d i Buckaroogirl drian B karoogirl Buck i l

S Sar Sarah ah h&

Bluespower Bluespo wer

Karaoke Karaoke with K Ken en

the the Tall Tall Boys Boys

DON QUIXOTE’S QUIXOTE’S 831.603.2294 831.603.2294

HENFLING’S T TAVERN AVERN V 831.336.9318 831.336.9318

WATSONVILLE / MONTEREY M / CARMEL Santa Cruz Trio Trio

KPIG Happy Happy Hour Happy Happy hour hour

Karaoke Karaoke

CILANTRO’S 831.761.2161 831.761.2161

MOSS MOSS LANDING INN 831.633.3038 831.6 33.3038

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conference Topics Include: Gi\cf_Â&#x;Mi]c[fÂ&#x;;oag_hn_^L_[fcns Q_[l[\f_=igjon_lmÂ&#x;Nl[hmg_^c[Â&#x;;C;jjm Mb[lcha?]ihigsÂ&#x;>cmlojncih Mi]c[fNl[hmjiln[ncihÂ&#x; Gil_ Speakers Include: Li\_lnM]i\f_Â&#x;D_``Mnc\_fÂ&#x;Hif[h<ombh_ff =blcm;h^_lmihÂ&#x;Mn_p_Eclm]bÂ&#x;[h^g[hsinb_lm San Jose McEnery Convention Center

Tickets Now on Sale @ c2sv.com/tickets

SEPT 26-29, 2013

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A U G U S T 2 1 - 2 7, 7, 2 0 1 3

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A U G U S T 2 1 - 2 7, 2 0 1 3

26

Film TROUBLE ON TAP By the end of the Golden Mile pub crawl, a group of friends (Martin Freeman, Paddy Considine, Simon Pegg, Nick Frost and Eddie Marsan) will be facing down more than hangovers.

Storm and Foam

Old friends revisiting a storied pub crawl in The World’s End find it’s dangerous to go home again BY RICHARD VON BUSACK

T

HERE’S A SHORTAGE of good films about beer—the list ought to include Saddest Music in the World, The Quiet Man, Strange Brew and the “Beer Bad” episode of Buffy the Vampire Slayer. Now there’s The World’s End, a maniacal apocalyptic comedy. It’s the tale of a diabolical pub crawl that changes the destiny of the human race. A group of former pals, grown paunchy, boring, suit-clad and Bluetooth-bearing, are rounded up by their erstwhile “king,” Gary King (Simon Pegg). This no-hoper wishes to commemorate the 20th, or something, anniversary of a high-school graduation pub-crawl. King has the air of a water-rat bathed in lager, with a gold Eye of Horus on a chain around his neck, and the world’s last Sisters of Mercy t-shirt on his skinny chest. He has

a simple mission to hit a dozen pubs in a row on his home-town’s “Golden Mile.” In this century, the Golden Mile isn’t getting the stumbling visitors it once did. Or so one might guess, given the age of King’s map, and the dirt on its creases. Packed into his shabby car, the pals return to the hamlet of Newton Haven, distinguished as the site of England’s first traffic circle. The first pints are seen poured from a POV shot of the inside of a pint glass. The simultaneous farting and pissing sounds of the tap signify foamy golden trouble: it’s the same cloacal sound effect made by the Chango Beer served at the various hellholes in From Dusk Till Dawn. Gary King’s former best friend is a drab, spectacle-wearing Andy Knightley (Nick Frost), dressed like George Smiley and supposedly a teetotaler. We can

trust that events will change, and he’ll Hulk out. This indeed happens when the trouble begins: a session of Sammo Hung-worthy fat-man fu, executed in handsomely vintage Hong Kong style. Wright’s high-powered cast of actors are usually in more tragic kitchen sink films—the captive drinkers include Paddy Considine, and Eddie Marsan as a dreamy peaceable soul instead of a Dr. Moreau pitbull, as usual. Sight unseen, Bill Nighy is the voice of the Cosmos. Wish a female had been a regular of these companions—whatever happened to Tamsin Grieg, proven to be a moody, lean and capacious drinking buddy on TV’s Black’s Books? Who wants to drink when there are no women at the table? The ever-lovely Rosamund Pike is in the fray, and though she’s the prettiest British actress since Joan Greenwood,

she’s a cadet member, a wheel-woman: truth is, the real love (as always) is between the weedy Pegg and the hulking Frost. When the craziness happens, it has resonance—the violence and destruction addresses those sad questions that bedevil every maudlin old drinker. Why is every town getting to look the same? Who are these identical jerks crowding my favorite watering hole? Why do formerly fun-loving friends become dour middle-aged middle-managers? The World’s End changes the mood from elegiac to sinister by focusing on a traditional British folk-art: cryptic wooden pub signs. The pub’s names suggest a Ulysses-like voyage. “The Beehive” is indeed the heart of the conspiracy. Alluring yet lethal sirens populate “The Mermaid.” To American viewers, these signposts up ahead are as pregnant with menace as Tarot cards. I won’t hint at what lurks within these taverns … but it’s been about 40 years since the last version of this kind of story worked in a film. And the last time it did, the film in question was set in San Francisco … then as now, under pitiless siege by conformist forces. In selecting the village pub as a standoff for humanity’s last battle, Wright reinforces the theme of this trilogy (with Shaun of the Dead and Hot Fuzz) of England under attack by agents of boredom and standardization. These three films celebrate hearty regionalism without crankiness, without insistence on superiority, without political rancor or foreigner-bashing. The trio of Frost, Wright and Pegg circle the wagons to protect what’s left, which is a roster like the Kinks’ A. E. Houseman-like “Village Green Preservation Society”: 007’s suaveness, Dr. Quartermass’ expertise, Benny Hill’s practiced leer and horrible puns.

THE WORLD’S END PG-13; 98 min.


Film Capsules New

SH O WTI M E S

a real story. And good. (Opens Fri at Del Mar, 41st Avenue, Scotts Valley and Green Valley)

Reviews

2 GUNS (R; 109 min) Denzel Washington plays a DEA agent, because of course he does. Mark Wahlberg plays a Navy SEAL, because whatever. They think they’re stealing money from the mob, but it all turns out to be a double-cross by the CIA. Written by Homer Simpson. BLACKFISH (NR; 83 min.) After the SeaWorld killer whale Tilikum was involved in a third trainer death in 2010, writer-director-producer Gabriela Cowperthwaite undertook this documentary in attempt to get at what

Movie reviews by Steve Palopoli and Richard von Busack

might really be happening (she might have sensed something fishy when SeaWorld claimed Tilikum had attacked trainer Dawn Brancheau because her hair was in a ponytail). In a larger sense, Cowperthwaite examines whether it’s really true, as water parks claim, that animals like Tilikum are better off living in captivity. BLUE JASMINE (PG-13; 98 min) If Cate Blanchett, Alec Baldwin, Louis C.K. and Andrew Dice Clay are in a movie together, you know either the apocalypse is going down, or there’s a new Woody Allen film. His neverending movie tour of the world’s great cities has finally stopped in San Francisco, to which Blanchett’s character Jasmine escapes after her life gets a seismic shake up.

THE BUTLER (Pg-13; 132 min) Forrest Whitaker stars as a butler in the White House who gets to meet Oprah. THE CONJURING (R; 112 min.) Two ghost hunters investigate a house in Rhode Island and get very freaked out by what they find in this based-on-a-true-story tale from 1971. DESPICABLE ME 2 (PG; 98 min.) How often is the most anticipated film of the summer an animated movie? That isn’t made by Pixar? Right, and yet the first movie was the movie that was more than just a big moneymaker. It also bubbled up from nowhere on the cultural radar, with fans watching it over and over with the same kind of passion normally reserved

Showtimes are for Wednesday, Aug. 21, through Wednesday, Aug. 28, unless otherwise indicated. Programs and showtimes are subject to change without notice.

APTOS CINEMAS

You’re Next — (Opens Fri) Fri-Thu 11:45; 2:30; 4:55; 7:30; 9:55pm. Elysium — Wed-Thu 11:45; 2:15; 4:45; 7:15; 9:45pm. Kick-Ass 2 — Wed-Thu 11:45; 2; 4:30; 7; 9:30pm.

9:45; 10:35; Fri-Wed call for showtimes. Paranoia — Wed-Thu 11; 1:40; 4:15; 6:50; 9:25; Fri-Wed call for showtimes. Percy Jackson: Sea of Monsters—Wed-Thu 11:30; 2:10; 7:40; Fri-Wed call for showtimes. Percy Jackson: Sea of Monsters 3D — Wed 4:50; 10:15; Thu 4:50; Fri-Wed call for showtimes. The Butler — Wed 10; 10:30; 1; 1:30; 4; 4:30; 7; 7:30; 10; 10:30; Thu 10; 10:30; 1; 1:30; 4; 4:25; 7:15; 10:15; Fri-Wed call for showtimes. We’re the Millers — Wed-Thu 11:10; 2:20; 5:15; 8; plus 10:35 Wed; Fri-Wed call for showtimes. Edgar Wright’s Cornetto Trilogy — Thu 5:30pm. Fear and Loathing in Las Vegas — Thu 9pm.

DEL MAR

CINELUX SCOTTS VALLEY CINEMA

122 Rancho Del Mar Center, Aptos 831.688.6541 www.thenick.com

Blue Jasmine — Wed-Thu 2:30; 4:45; 7; 9:10 plus Sat-Sun 12:15pm. The Butler — Daily 1:15; 4; 6:45; 9:30pm.

41ST AVENUE CINEMA

1475 41st Ave., Capitola 831.479.3504 www.cineluxtheatres.com

1124 Pacific Ave., Santa Cruz 831.426.7500 www.thenick.com

The Spectacular Now — (Opens Fri) Fri-Thu 2:30; 4:45; 7; 9:40; plus Fri-Sun 12:15; 11:30pm (No 12:45 Sat 8/24).

You’re Next — (Opens Fri) Thu-Wed 3; 5:15; 7:30; 9:30; plus Fri-Sun 12:45; 11:45pm (No 11:45 Sun 8/25).

Blue Jasmine — Wed-Thu 2:45; 5; 7:15; 9:20 plus Fri-Sun 12:30pm.

NICKELODEON

Lincoln and Cedar streets, Santa Cruz 831.426.7500 www.thenick.com

20 Feet From Stardom — Wed-Tue 2:40; 7pm. Blackfish — Wed-Tue 4:50; plus Sat-Sun 12:50pm. Blue Jasmine — Wed-Thu 1:45; 4; 6:15; 8:30 plus Sat-Sun 11:30am. In a World — Wed-Thu 2:50; 5; 7:10; 9:20 plus Sat-Sun 12:40pm. The Conjuring — Wed-Tue 9pm. The Way Way Back — Wed-Thu 2:30; 5:10; 7:20; 9:30pm plus Sat-Sun 12:10pm.

226 Mt. Hermon Rd., Scotts Valley 831.438.3260 www.cineluxtheatres.com

The Mortal Instruments: City of Bones— (Opens Wed) Wed-Thu 12:45; 4; 7; 10:15 You’re Next— (Opens Fri) Fri-Thu 12:15; 2:45; 5:15; 7:45; 10:10pm. Blue Jasmine — Wed-Thu 11:40; 2:10; 4:40; 7:10; 9:45pm. Elysium — Wed-Thu 11:45; 2:20; 4:55; 7:30; 9:30; 10pm. Jobs — Wed-Thu 2:30; 5:30; 8:30pm. Kick-Ass 2 — Wed-Thu 11; 1:30; 4:10; 7:40; 10:15pm. Paranoia — Daily 10pm. Percy Jackson: Sea of Monsters — Wed-Thu 11; 1:40; 4:20; 6:45pm. Planes — Wed-Thu 11:30; 2; 4:30; 7pm. The Butler — (Opens Fri) Wed-Thu 12:30; 3:45; 7; 9:30pm. The Smurfs 2 — Daily 11:30am. We’re The Millers — Wed-Thu 11:10; 1:45; 4:20; 7:20; 10pm.

GREEN VALLEY CINEMA 8

RIVERFRONT STADIUM TWIN

1125 S. Green Valley Rd, Watsonville 831.761.8200 www.greenvalleycinema.com

Jobs—Wed-Thu 12:45; 1:15; 3:30; 4:15; 6:45; 7:30; 9:45; 10:15; Fri-Wed call for showtimes.

The Mortal Instruments: City of Bones—(Opens Wed) Wed-Thu 1:35; 4:25; 7:15; 10pm. You’re Next — (Opens Fri) Thu 10pm; Fri-Thu call for showtimes. Elysium — Wed-Thu 10:40; 12:55; 3:10; 5:25; 7:45; 10:15pm; plus Fri-Sun 10:40am. Kick-Ass 2 — Wed-Thu 10:40; 12:55; 3:10; 5:25; 7:45; 10:15 (No 10:40 Mon-Thu). Paranoia — Wed-Thu 1:30; 4:15; 7; 10; plus Fri-Sun 11am. Percy Jackson: Sea of Monsters —Wed-Thu 1:45; 7:15; 9:45pm plus Fri-Sun 11:15am. Percy Jackson: Sea of Monsters 3D — Daily 4:15pm. Planes — Wed-Thu 12:55; 5:15; 7:30; 9:30; plus Fri-Sun 10:45am. Planes 3D — Daily 3:05pm. The Butler — Wed-Thu 1:35; 4:25; 7:15; 10 plus Fri-Sun 10:45am. We’re the Millers — Wed-Thu 1:25; 4; 7; 10 plus Fri-Sun 11am.

155 S. River St, Santa Cruz 800.326.3264 x1701 www.regmovies.com

SANTA CRUZ CINEMA 9

1405 Pacific Ave., Santa Cruz 800.326.3264 x1700 www.regmovies.com

The Mortal Instruments: City of Bones — (Opens Wed) Wed-Thu 10; 1:15; 4:15; 7:15; 10:15; Fri-Wed call for showtimes.

The World’s End — (Opens Fri) Thu 10pm. Despicable Me 2 — Wed-Thu 10:50; 1:35; 4:10; Fri-Wed call for showtimes. Elysium — Wed-Thu 10:05; 12:45; 3:50; 7:50; 10:40; Fri-Wed call for showtimes. Kick-Ass 2 — Wed 10:35; 1:05; 3:45; 6:15; 7; 8:45; 9:45; 11:10; Thu 10:35; 1:05; 7;

for a Nolan Batman flick. The main characters—Steve Carell as former supervillain Gru, Miranda Cosgrove as Margo, Russell Brand as Dr. Nefario, etc.—are all back in this story of what happens when world leaders call upon Gru’s expertise to defeat a new villain. ELYSIUM Neill Blomkamp, director of the refreshingly smart sci-fi flick District 9, goes full-on big-budget Hollywood action for this story set in 2154 about Matt Damon doomed to a bleak life on a broken-down Earth overrun by crime and disease. (I kinda feel like Ben Affleck deserved it more, but whatever.) When he needs a miracle cure, he infiltrates Elysium, a giant space-station to which the elite have escaped. IN A WORLD (R; 93 min) Writer-director Lake Bell also stars in this comedy as a woman living in the shadow of her father, the greatest movie-trailer voiceover legend of all time. Can she find coming-attraction stardom of her own? Probably! After all, her father is only…one man. KICK-ASS 2 (R; 103 min) Jim Carrey filmed a guest role for this sequel to the film adaption of Mark Miller’s comic book about high-schoolers who start dressing up in costumes and fighting crime. Now Carrey says that he can’t support the film because of the violence. You gotta respect Carrey’s principles and all, but this is a comic book movie about characters in brightly colored jumpsuits named Kick-Ass and Hit-Girl. Dude might wanna chill. PARANOIA (PG-13; 106 min) Another unfortunate entry in the If You’ve Seen the Trailer, You’ve Seen the Whole Damn Movie sweepstakes, this thriller stars Liam Hemsworth as a corporate spy who gets caught up in a Harrison Ford-Gary Oldman double-cross. Maybe even a triple or quadruple cross! There’s lots of crossing, promise. PERCY JACKSON: SEA OF MONSTERS (PG; 106 min) Oh, it’s on! Nerds everywhere are already filling Internet message boards with fabulously uninteresting debates about whether Percy Jackson is better than Harry Potter. This is the second PJ adaptation, featuring Percy and company on a quest to find the Golden Fleece. PLANES (G; 92 min.) This

spin-off of Cars was originally supposed to go directto-video, but apparently theatrical audiences can’t get enough of kid’s movies about things that long to do other things, but can’t because of reasons, but then do. So here you go. RED 2 (PG-13; 116 min.) Frank (Bruce Willis) hasn’t killed anyone in months, and Marvin (John Malkovich) convinces him to come out of retirement and chase down a nuclear device in this star-studded sequel with Catherine Zeta Jones, Anthony Hopkins and Helen Mirren. R.I.P.D. (PG-13; 96 min.) Ryan Reynolds dies, gets hired by the Rest In Peace Department and starts chasing around and scaring monsters as Jeff Bridges’ sidekick. Think Men In Black with Ryan Reynolds as Will Smith. THE SMURFS 2 (PG; 109 min) The official plot summary for this movie is 600 words long. It contains the phrases “time-traveling Smurfs,” “using the Eiffel Tower as a conduit” and “the evil wizard puts them into his Smurfalator.” Who directed this, David Lynch? STILL MINE (PG-13; 102 min.) James Cromwell and Genevieve Bujold play a couple who have to fight city hall to build the home in which they want to live out the rest of their years together. TURBO (PG) It’s hard to imagine some executive at Dreamworks didn’t say “I want Ratatouille meets Cars!” when they came up with this story of a snail who dreams of competing in the Indy 500. Guess if he does! WE’RE THE MILLERS (R; 110 min.) Filling the no-doubt massive audience demand to see the last vestiges of their ’90s innocence ruined by seeing Jennifer Aniston play a stripper, this comedy stars Jason Sudeikis as a pot dealer who enlists a random group of weirdos to be his fake family so he can smuggle drugs in from Mexico. THE WOLVERINE (PG13; 126 min.) No, not that Wolverine movie from 2009, this is the new Wolverine movie from 2013, which is of course a sequel to the X-Men movie from 2006. This time, Hugh Jackson goes to Japan and has to fight samurai while not being immortal. I hate when that happens.

A U G U S T 2 1 - 2 7, 2 0 1 3

THE MORTAL INSTRUMENTS: CITY OF BONES (PG-13; 130 min) Cassandra Clare’s popular young adult series gets a film adaptation, with a young emo cast straight out of Twilight central casting. But this is nothing like Twilight, we swear, because see it’s about demons, not vampires. And yes, there are magical people who fight the demons, but it’s nothing like Harry Potter, we swear. For instance, in Harry Potter people who don’t know about the supernatural world are called Muggles, but here they’re called Mundanes. See? Totally different. (Opens Wed at Santa Cruz 9, Scotts Valley and Green Valley)

THE SPECTACULAR NOW (R; 95 min) The writers of 500 Days of Summer return to the theme of starcrossed love in this story of a high school bad boy who falls for the good girl. (Opens Thu at Del Mar) THE WORLD’S END (R; 109 min) See review, page 26. (Opens Fri at Santa Cruz 9) YOU’RE NEXT (R; 96 min) Easily the most anticipated horror movie of the year, up-and-coming director Adam Wingard (who’s made his mark on the recent anthology phenom with short films for both V/H/S films and also The ABCs of Death) oversees this tale of mysterious home invaders who get more than they bargained for from the family whose home they attack. Kind of The Strangers, except with

27


Epicure

Send tips about food, wine and dining discoveries to Christina Waters at xtina@cruzio.com. Read her blog at christinawaters.com.

Chip Scheuer

A U G U S T 2 1 - 2 7, 2 0 1 3

28

Ionian at the wildly enjoyable, 33rd Greek Food & Cultural Festival:

Fri. Sept. 6, 5-10pm; Sat. Sept. 7, 11am10pm; Sun. Sept. 8, noon-8pm. At the Prophet Elias Orthodox Church, corner of Center and Church. FREE. Enjoy the sounds of Bouzouki music and the tempting aromas of Greek specialties like souvlaki and gyro. Come on and eat like a Greek! Think authentic moussaka, roasted lamb shank, calamari and pastitsio. The Taverna will be serving beer, Greek wine and traditional Greek spirits—

‘As if you’re a million miles from cares and stress’

TRAY COOL Lindsey Avery serves up a cocktail from Solaire’s bar at Hotel Paradox.

Poolside Paradox BY CHRISTINA WATERS

ouzo, metaxa and retsina. And, of course, desserts such as baklava and loukoumades. The Greek Agora includes ethnic jewelry, pottery, clothing and food items. Greek dancers from the Bay Area will perform folk dances dressed in traditional costumes. Who knows? You might purchase the winning raffle ticket for a trip to Naxos Island (including airfare!). You won't believe how much fun it is to be Greek for a day! TINY TIPS: Check out the major

Angus burger on house focaccia at

D

rinks by the pool, soaking up sun while sipping a Cosmo. This can be yours by visiting Solaire Restaurant & Bar in the handsomely appointed Hotel Paradox. Even if you’re not a guest at this lovely oasis, you can enjoy all-day pool privileges—including beach towels and tableside food and libation service—for $20. Last weekend, it was a lively mixed crowd of local visitors and out-of-towners sipping jewel-toned cocktails and catching the last rays of the day

by the ultra aqua pool. Maybe it’s the pool or the warm summer ambience, but Solaire’s indoor/ outdoor bar scene feels exactly like a resort. As if you’re a million miles from cares and stress. In addition to an attractive line-up of original cocktails for $9, Solaire boasts a backbar deep in single malts and over a dozen American artisanal whiskies. So if you enjoy sampling rare bourbons, this is your spot. The sensitive American cuisine created by chef Ross McKee emphasizing

local ingredients is another reason to make a date here. Solaire happy hour offers apps & drinks starting at $5, Sunday through Thursday 4-7pm. It’s time you played tourist and stopped by this sexy hotel dining room. And bar. And pool. SANTA CRUZ GREEK FEST: Ever

danced on the beach like Zorba the Greek? Of course you have. And now you can join hundreds of other Santa Cruzans eager to channel their inner

Gabriella. Delicious with its topping

of caramelized onions, and accompanying designer salad…The current issue of Bon Appetit Magazine picks its top 10 new restaurants in the U.S. Number One is Los Angeles’ Alma, and the house chef is Ari Taymor, who for 15 minutes cooked at our own Gabriella. Paul Cocking should collect royalties from his graduates…To die for from Companion Bakeshop—the gluten-free biscotti made crunchy and sensuous with anise, almonds and apricots. Heaven for $2. 0


Diner’s Guide

29

Symbols made simple: $ = Under $10 $$ = $11-$15 $$$ = $16-$20 $$$$ = $21 and up Price Ranges based on average cost of dinner entree and salad, excluding alcoholic beverages

APTOS/SOQUEL $$$ Soquel

Cafe Cruz 2621 41st Ave, 831.476.3801

Discretion Brewing 2703 41st Ave, 831.316.0662

$ Aptos

7486 Soquel Dr, 831.662.3546

$$ Soquel

5050 Soquel Dr, 831.462.5051

Heather’s Patisserie Sawasdee

$$ Severino’s Grill Aptos 7500 Old Dominion Ct, 831.688.8987 $$ Aptos

Brewery/gastropub.. Handcrafted beers on tap. Tasty beerinspired tapas by Main Street Garden w/ local ingredients.

A U G U S T 2 1 - 2 7, 2 0 1 3

$ Soquel

Rosticceria & Bar. Fresh, local, sustainable. Lunch, dinner. Patio dining, happy hour menu.

Bakery and deli. Pastries, breads, baked goods baked daily on site. Breakfast, lunch, wedding cakes. Thai cuisine. Authentic flavors and preparation, fresh ingredients. Lunch & Dinner Sun-Thurs 11a-9:30p Continental California Cuisine.. Breakfast, Lunch, Dinner. www.seacliffinn.com

Zameen Mediterranean

Middle Eastern/Mediterranean. Fresh & flavorful. Beer and 7528 Soquel Dr, 831.688.4465 wine. Dine in or take out Tue-Sun 11a-8p.

CAPITOLA $$$$ Capitola

Shadowbrook 1750 Wharf Rd, 831.475.1511

California Continental. World-class service, fine food, wines, with Old-World charm. Open daily.

SANTA CRUZ $$$ Aquarius Creative American cuisine. Oceanfront dining. Local Santa Cruz 175 West Cliff Dr, 831.460.5012 produce and sustainable seafood. $ Charlie Hong Kong CA Organic meets Southeast Asian street food. Santa Cruz 1141 Soquel Ave, 831. 426.5664 Consistent winner “Best Cheap Eats”. Open daily 11a-11p. $$ The Crepe Place Crepes and more. Full bar and beautiful outdoor patio. Santa Cruz 1134 Soquel Ave, 831.429.6994 Live music.

Crow’s Nest Seafood and American cuisine. Kids menu and nightly $$$ Santa Cruz 2218 East Cliff Dr, 831.476.4560 entertainment. Harbor and Bay views. $$ Gabriella Cafe Santa Cruz 910 Cedar St., 831.457.1677

Califormia-Italian. Farmers market fresh and organic. Local wine list, romantic setting with charming patio.

$$$ Hindquarter Grill Americana. Specializing in ribs, steaks and burgers. Santa Cruz 303 Soquel Ave, 831.426.7770 Full bar. $$ Hoffman’s Bistro Calif. cuisine & Bakery. Breakfast, lunch, dinner, brunch. Santa Cruz 1102 Pacific Ave, 837.420.0135 Full Bar w/ $3 Bar Bites/$4.50 Well Drinks. $$ Hula’s Island Grill Santa Cruz 221 Cathcart St, 831.426.4852

’60s Vegas meets ’50s Waikiki. Fresh fish, great steaks, vegetarian. Full-service tiki bar.

$$$ Johnny’s Harborside Santa Cruz 493 Lake Ave, 831.479.3430

Seafood/Calif. Fresh seafood made your way on the Harbor. Great views & full bar.

$$ Laili Santa Cruz 101 Cooper St, 831.423.4545

Silk road flavors. Fresh and flavorful Mediterranean cuisine with an Afghan twist. Patio dining.

$$ Louie’s Cajun Kitchen Santa Cruz 110 Church St., 831.429.2000

N’awlins-style dining. Cajun and southern flavors. Full bar. Bluesy, cool, funky..

$ Pizza My Heart Pizza. Slices and whole pies. Original & award -winning Santa Cruz 1116 Pacific Ave/2180 41st Ave recipes. Daily specials. $ Pono Hawaiian Grill Santa Cruz 120 Union St, 831.426.7666

Authentic Hawaiian Cuisine. Large outdoor patio. Feat. “The Reef” tropical bar. and “Aloha Fridays”

Red Restaurant and Bar $$ Santa Cruz 200 Locust St, 831.425.1913

Restaurant and Lounge. Large, small and shared plates. Extensive cocktail, beer, wine lists.

$ Samba Rock Acai Cafe Santa Cruz 291-B Water St, 831.458.2224

Brazilian. Fresh and authentic acai smoothies and bowls. M-F 8a-5p, Sat/Sun 9a-5p.

$ Santa Cruz

Santa Cruz Mountain Brewing California / Brewpub. Handcrafted organic ales and large 402 Ingalls Street, 831.425.4900 outdoor patio.

$ Santa Cruz

Sawasdee By The Sea 101 Main St, 831.466.9009

$$$ Solaire Santa Cruz 611 Ocean St, 831.600.4545

Thai cuisine. Authentic flavors and preparation, fresh ingredients. Lunch & Dinner Sun-Thurs 11a-9:30p Seasonal cuisine. Farm-to-table American comfort food. Gluten-free/vegetarian options.

$$$ Stagnaro Bros. Seafood and more. Panoramic ocean views. Fresh seafood, Santa Cruz 21 Municipal Wharf, 831.423.2180 pasta and steaks . Kid friendly.. $$ Woodstock’s Pizza Santa Cruz 710 Front St, 831.427.4444

Pizza. Beers on tap, patio dining, HDTV and free WiFi. Large groups, catering, deliveries.

SCOTTS VALLEY/FELTON $$ Mollie’s Country Cafe American. Homemade meals in a comfortable, family Scotts Valley 219 Mt Hermon Rd, 831.438.8313 environment. Breakfast, lunch, dinner. Outdoor patio. $$ Felton

Redwood Pizzeria 6205 Hwy 9, 831.335.1500

Pizza. Local and organic toppings, lasagna, salads. Beer & wine. Gluten-free options.

EVENTS • NEWS • MUSIC • RESTAURANTS BEACHES • GIVEAWAYS


A U G U S T 2 1 - 2 7, 2 0 1 3

AQ


Astrology As A sttrrro ology g Free F Fr r e Will ree Will

By

Rob Brezsny Breezsny

31

For F or the the week week o off Augus Augustt 21 2

duration dur ation of the course. c It took him 27 days to finish. draw inspiration from heroic effort. I suggest you dr raw inspir ation fr om his her oic eff ort. From Fr om a cosmic perspective, p it would make sense ffor or you to take yourr time as you engage in amusing benefit activities that be enefit your ffellow ellow humans.

SCORPIO (O (Oct. Oct. 23 23-Nov. -Nov. 21): What will you do now that you have acquired accquired more more clout and visibility? Will you mostly just pump up your self-love and bask in the increased wrong increasedd attention? There’s There’s nothing wr ong with that, that of course. cou urse But if those are urse. are the only ways you cash in on your y added power, powerr, the power won’t won’t last. I suggest you yoou take advantage of your enhanced influence by engaging enggaging in radical radical acts of magnanimity. magnanimity. Perform deeds spread moree Perform good de eeds and spr ead big ideas. The mor blessings you be bestow estow on your ffellow ellow humans, the more more enduring your y new perks perks will be. SAGITTAR SAGITTARIUS RIUS (Nov (Nov.. 22 22-Dec. -Dec. 21): YYou’ve oou’ve been pretty lately, that’s pr etty wild and uncontained u lately y, and that ’s OK. I’ve loved seeingg how much permission you’ve free, given yourself too rramble amble fr ee, experiment with improbable, the impr obable, and risk being a fool. fool. I suspect that history will judge a majority of your recent recent explorations now,, Sagittarius, the tenor explor ations as tonic. But now shifting. of the time is sh hifting. TToo continue being in alignment with your highest highest good, I believe you will have to rein rein wanderlust caree i your wanderlu in d lustt andd start t t attending tt di to t th the car cultivation and cul tivation of o your power spot. CCan an you find a way to enjoy taking on o more more rresponsibility? esponsibility? CAPRICORN N (Dec. 22 22-Jan. -Jan. 19): “The person can’t visualize who can ’t visual lize a horse galloping on a tomato Surrealism, is an idiot,” said the ffounder ounder of Sur realism, writer Andréé Br Breton. wouldn’t Andr eton. I wouldn w ’t go so ffar ar as to call such an imagination-deprived agree imagination-de prived soul an “idiot,” but I do agr ee with the gist of his declaration. declaration. One of the essential intelligence acets of intellig ffacets gence is the ability to conjure conjure up vivid lifee has and creative creative images imaages in one’s one’s mind. When daily lif grown gr own a bit staidd or stuck or overly serious, this skill becomes even more m e crucial. Now is one of those times mor trouble ffor or you, CCapricorn. apricorrn. If you have any tr ouble visualizing a measures horse galloping on a tomato, take measur es to boost ertility of your the ffertility yoour imagination. AQUARIUS S (Jan. 20-Feb. 18): “I want to be with those who know secret w the secr et things, or else alone,” wrote eccentric wrote the eccen ntric ecstatic poet Rainer Maria Rilke. That wouldn wouldn’t ’t bbee a good rule ffor or you Aquarians to live by all the time. TToo thrive, you need a variety of cohorts and allies, includ including caree little ding those who know and car about secr secret things. et thi ngs. But I suspect that ffor or the next few weeks, secret few week s, an aaffinity ffinity ffor or those who know secr et things might su suit Moree than that, they may it you well. Mor be exactly the aaccomplices ccomplices who will help you attend to your number one assignment: explor exploratory atory holy work in the dep depths. ths. PISCES (Feb. (Feb. 19-Mar 19-March ch 20): TToo launch your horoscope, steal from hor oscope, I’ll st teal a line fr om a Thomas Pynchon novel: A revelation revelatiion trembles trreembles just beyond the threshold threshold of your understanding.* understaanding. anding * To To continue your oracle, orracle, acle a I’ll I ll borrow bor rrow a message messaage I heard hearrd in my dream drreeam last night: breakthrough *A br eakthroughh shivers just beyond the edge of courage your cour raage. Ne Next, ext, I’ll use wor words ds I think I hear heardd while eavesdr eavesdropping oppping on a conversation at Whole Foods: If you wa want ant to cook up the ul ultimate timate love feast, feast, e you’re missing ingredient you’re still missi ing one ingr edient. And to finish this oracle, I’llll say that if you want to pr precipitate oracle, Pisces, I’l ecipitate the tr trembling activate the shivering embling rrevelation, e evelation, breakthrough, acquiree the missing ingr ingredient, breakthrough, aand nd acquir edient, imitate what I’vee done in cr creating horoscope. oscope. eating this hor Assume whole offering Assume the who ole world is off ering you useful clues, and listen closel closely. ly.

Homework: Do D you have a liability that could into be turned int o an asset with a little (or a lot Testify Freewillastrology.com. of) work? T eesstify at Fr eewillastrologyy..com. Visit RE Visit REALASTROLOGY.COM A L ASTROLOGY.COM ffor or R Rob’s ob’s Expanded E Weekly Weekly Audio Audio Hor oscope es and Daily Text Text Message Message Horoscopes Hor oscope es. The The audio horoscopes horoscopes Horoscopes. ar e also available available by by phone at at are 1.877.873.4888 1.877.873 3.4888 or 1.900.950.7700 1.900.950.7700

A U G U S T 2 1 - 2 7, 7, 2 0 1 3

ARIES (Mar (March ch 21-April 19): An Indian student named Sankalp Sinha has invent invented ted the “Good It’s Morning Sing N Shock.”” It ’s an alarm alaarm clock that plays smalll electrical jol joltt when you a song and gives you a smal voltage you hit the snooze button. The vo oltage applied is say,, a taser taser,, and is designed to ffar ar less intense than, say energize encourage ener gize you rrather ather than disable you. I encour age like you to seek out wake-up calls lik ke the kind this device administers, Aries: ffairly airly ggentle, entle, yet sufficiently dramatic alternative dr amatic to gget yyour attention. TThe he al ternative around provide would be to wait ar ound ffor or blindd ffate ate to pr ovide the moree str strenuous. wake-up calls. They might be a bit b mor enuous. TAURUS (April 20-May 20): IIff you google the statement “I can change overnig overnight,” ht,”” most of the results aree negativ negative, “It’s ’s not results that come up ar e, like “It something I can change overnigh overnight” don’t ht” or “I don ’t think I can change overnight.”” But there’s there’s one google link to “I can change overnight.” It It’s declaration ’s a de eclaration made by Taurus Taurus a painter Willem de KKooning. ooning. He was rreferring eferring to how unattached he was to defi defining fining his work and how easy it was for mutate for him to mutat te his artistic style. I wouldn wouldn’t ’t normally advise you TTauruses aauruses to use “I can change overnight overnight”” as your battle cry.. But ffor baattle cry or the foreseeable futuree you do have tthe foreseeable futur he power to make some rather transformations. rather rrapid apid and thorough thorough tr ansformations. GEMINI (May (M 21 2121-June J June 20) 20): “T “The h artist he ti t iis bby necessity a collector collector,” graphic Paul ,” said gr aphic designer P aul Rand. “He accumulates things wi with ardor ith the same ar dor and curiosity with which a boy st stuffs tuffs his pockets. He borrows from from scrap om tthe borrows fr om the sea and fr he scr ap heap; he takes snapshots, makes mental notes, n and rrecords ecords impressions impressions on tablecloths and newspapers. n He has a taste ffor children’s scrawling appreciative or childr en’s wall scr awling as appr eciative as that ffor prehistoric painting.” or pr ehistoric cave paint ing.” Whether or not you’re would you’re an artist, Gemini, this wou uld be an excellent approach or you in the coming days. approach ffor d YYou’re oou’re in a phase when you can thrive by be being gatherer eing a gather er of everything that attr attracts don’t acts and ffascinates asccinates you. YYou oou don ’t need to know yet why you’r you’ree ass assembling embling all these clues. That will be rrevealed good evealed in goo od time. CANCER (June 2121-July July 22): CCan a you rremember an emember against the last time you bumped up aga ainst a limitation knowledge? caused by your lack of knowledg e? What did it ffeel eel soon like? I expect that sometime soo n you will have that worry experience again. YYou oou may shiverr with wor ry as you consequences contemplate the potential conse quences of your ignorance. may continued ignor ance. But you ma ay also ffeel eel the thrill you. of hungry curiosity rising up in yo ou. If all goes well, motivate the ffear ear and curiosity will motiva ate you to get further practical educated. YYou oou will set to work on a pr actical plan to make it happen. ’t sweet and LEO (July 23-Aug. 23-Aug. 22): “My stor storyy isn isn’t stories,” wrote harmonious like invented stories s,” wr ote novelist Herman Hesse. “It tastes of ffolly olly and bewilderment, dream, of madness and dr eam, like the llife ife of all people who themselves.” Ass inter interesting no longer want to lie to themselv ves.” A esting as Hesse’s declaration let’s take Let’s Hesse ’s declar ation is, let ’s not ta ake it as ggospel. p Let ’s that instead envision the possibility th hat when people tell rreduce educe the number of lies they te ell themselves, their moree harmonious as a lives may become sweeter and mor m now,, rresult. esult. I propose propose that exact scenario scenaario ffor or you right now Theree might be a rrough adjustment Leo. Ther ough adju ustment period as you self-deceptions, cut back on your self-deceptions s, but eventually your diminish ffolly olly and bewilderment will dimin nish as the sweet grows. harmony gr ows. VIRGO (Aug. 23 23-Sept. -Sept. 22): Nov Novelist velist James Joyce extreme once articulated an extr eme wish h that other writers probably have pr obably ffelt elt but never actually actuually said. “The eader,” said Joyce, “is demand that I make of my rreader,” lifee to rreading that he should devote his whole lif eading my works.” Was mischievous? work s.” W as he being mischievou us? Maybe. But he never apologized or issued a rretraction. etraction. YYour oour Virgo, conjuree up assignment, Vir go, is to conjur u your own version desire: statement of that wild desir e: a clear statem ment of exactly what extravagant glory.. I you rreally, eallyy, rreally eally want in all of its extr avagant glory it’ll puree and think it ’ll be healthy healthy for for you to identify identify this pur (P.S. implying naked longing. (P P.S. . I’m not imply ying that you should now, immediately try to get it fulfilled,, though. For now w, the important thing is knowing whatt it is.) LIBRA (Sept. 23 23-Oct. -Oct. 22): Now and then a British Libra Libra named Lloyd Scott dresses dresses up in funny costumes while competing in long-distance lonng-distance races. races. He does it to raise charityy. In the 2011 London raise money for for charity. London Marathon, woree a nine-foot Marathon, he wor nine-foot snail sn nail outfit for for the


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