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Metro Fountain Blues Festival p48 Lisa Dewey’s Big Score p14

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WATCH THIS Our lives are being monitored and observed more than ever before. Still, the author of ‘The Transparent Society’ writes that good can win in a less-private world p16

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4 METRO M METR O SILICON SILICON V VALLEY ALLE A Y A locally owned company. company.

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DISTRIBUTION DIS TRIBUTION Metro M etro is available fr free ee of char charge, ge, limited to one copy per rreader. eader. A dditional copies of Additional the cur rent issue may be pur chased ffor or $1 current purchased each, Metro eaach, payable at the M etro office in advance. Metro may be distributed only by M etro’s Metro Metro’s au uthorized distributors. N y, without authorized Noo one may may, perm permission mission of M Metro, etro, take mor moree than one copy of each e issue. SSubscriptions: $50/six ubscriptions: $50/six months, $95/one year year.r.

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ISawYou@metronews.com Send us your anonymous rants and raves about your co-workers or any badly behaving citizen—or about citizens you admire. I SAW YOU, Metro, 550 S. First St., San Jose, 95113, or via email.

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Scott LeVander Former Metro marketing director Scott LeVander died over the holiday weekend, several days before his 50th birthday. He joined Metro in 1993 and spent five years during a period of rapid growth. He contributed to Metro’s expansion into Silicon Valley community weeklies and publications in Santa Cruz and San Francisco. Former Metro Santa Cruz publisher Jeanne Howard described him as “a jolt of energy.”

Born in Seattle, LeVander was raised in the Santa Cruz area. He had been a partner in a local advertising agency and played minor-league baseball for the Oakland A’s before joining Metro. He later worked for the San Francisco Chronicle. He died of an illness that worsened after he was hit by a car while in a pedestrian crosswalk in 2008. “I will always cherish the opportunities Metro Newspapers has provided me. It has been an incredible experience,” he wrote when he left the company in 1998 to move to Colorado. “I hope to be remembered as a hard working, dedicated and conscientious employee for Metro Publishing Inc.” LeVander had two children, daughter Brooke, 18, and son Jackson, 12.

COMMENTS

Smokin’ John John was amazing with his abilities as a chef and friend (ExCouncilmember Diquisto Dies at 83,” SanJoseInside, June 29). His washing machine smoked turkey was legendary. He was an outstanding captain, councilman and mentor to many. John, you will be missed. JIM ALLEN | SAN JOSE

Bridge to the 19th Century The baby boom generation is now coming to the age of retirement, and has need of the health care and

retirement benefits they have paid into and earned. The Tea Party/our current Republican Congress wants to take it all away in the belief that privatizing Medicare will save it, in the name of kicking the can. I don’t know if this is balanced, but believe it’s not fair. I call this belief an attempt to build a bridge to the 19th century, and it makes me wonder what planet are they from? Fair or unfair, the question is not “what planet are you from”? It is what planet are we on? BRUCE GABRIEL | SANTA CRUZ

CORRECTION Correction: In last week’s issue, Steve Palopoli confused the Honey Wilders with the BlowUpDollz. He has fully examined the Honey Wilders to determine they are not an all-girl cover band. He also believes that whether or not they are named after the porn star is their own business.

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THEFLY FLY THE

SVNEWS ANALYSIS

Nothing for Granted Campaigning against Measures V&W last November, police union leader GEORGE BEATTIE issued numerous thinly-veiled warnings: If San Jose voters allowed the city to renegotiate contracts with cops and ďŹ reďŹ ghters, he said, people might die. That strategy failed—V&W passed with an almost 80 percent majority—but Beattie is sticking to his guns. In an Op Ed for the Merc last week, the somewhat reclusive lieutenant kept up the grim tone: “All I can say to the mayor, council majority and city manager is this: You were warned. Whatever ill befalls San Jose next is your doing.â€? The screed blamed the city’s top brass for the layoff of 70 ofďŹ cers, and while Beattie admitted that the action “will not result in immediate life-ending consequences,â€? he stopped just short of predicting mayhem. He reserved his sharpest criticism for City Manager DEB FIGONE, who, he said, “botchedâ€? the opportunity to save the jobs by applying for a federal grant. Figone responded by blasting off a memo, on the last day of the ďŹ scal year, to Mayor CHUCK REED and the City Council, assuring everyone that they certainly weren’t at fault. (She writes that she “communicated [her] concerns separately to Mr. Beattie.â€?) Taking offense in particular to the POA president’s failure to state all the facts, Figone points out that the city didn’t go after the grant money from the feds because San Jose would have been on the hook for $16 million worth of salries when the grant ran out. With a $78 million projected deďŹ cit for next year—the 11th straight year San Jose has been in the red—the city manager says the city had to know when to fold ’em. More than 2,000 public employee positions have been eliminated during the last decade of budget shortfalls, and this time 66 ofďŹ cers couldn’t avoid a similar fate. But not everyone on the council has the city manager’s back. At least three members—PETE CONSTANT, ASH KALRA and DONALD ROCHA—had their own proposals on how to save police jobs, which were all shot down. In fact, the city manager’s ofďŹ ce didn’t even bother

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?<I< N8J fecp fe\ k_`e^ nife^ n`k_ J\eXk\ 9l[^\k :fdd`kk\\ M`Z\$ :_X`idXe 9fY ?l]]ĂŠj XeXcpj`j f] _fn >fm% A\iip 9ifne gif[lZ\[ X ÇYXcXeZ\[Ăˆ Yl[^\k Yp dX^`ZXccp Xjjld`e^ Xe \okiX + Y`cc`fe `e i\m\el\j% JX`[ ?l]]# X I\glYc`ZXe ]ifd ;`Xdfe[ 9Xi1 ÇK_XkĂŠj X nXe[ k_Xk ?Xiip Gfkk\i nflc[ Y\ gifl[ kf n`\c[%Ăˆ The problem is, Huff got the wrong wizard. This was sorcery of a much higher order than a mere Hogwart could conjure. No, this was a job for a wily wise man who understood the theological and cosmological weaknesses of his adversaries. Or, as

Gov. Gandalf himself described trying to bargain with the Republicans: “I thought we were getting close, but as I look back on it, there is an almost religious reluctance to ever deal with the state budget in a way that requires new revenues.â€? And so Brown, after some heavy sĂŠance sessions and pot-stirring with Senate President Pro Tem Darrell Steinberg and Assembly Speaker John PĂŠrez, cooked up exactly what he said he would not: the all-gimmicks “balancedâ€? budget that could be approved by Democrats alone and signed by him. Abracadabra, baby. The Magic Budget maintains $150 million cut to the University of California and California State University, $400 million cut to community colleges, $150 million cut to state courts, $200 million in Amazon online tax enforcement, $2.8 billion in deferrals to K-12 schools and community colleges. Also: $300 million revenue from a $12-per-vehicle increase in DMV registration fees, $50 million

from ďŹ re fees for rural homeowners, $1.7 billion from redevelopment agencies, and higher tax receipts worth $1.2 billion from May and June. Brown tossed out some of the items from the Steinberg-Perez budget that he voted last week, including $1.2 billion from selling state buildings, $900 million from raising a quartercent local sales tax and $700 million in federal funds for MediCal errors. The truly fancy wand-waving came by way of adding $4 billion in higher projected revenues in 2011-12; a sales tax swap that redirects money to local governments for Brown’s “realignmentâ€? plan; moving about $1 billion in child care programs; lowering the guarantee and cutting $71 million from the Department of Justice. What makes the whole thing work, however, is the big honking assumption of $4 billion in additional revenues that simply weren’t assumed until about ďŹ ve minutes ago. Brown spokesman Gil Duran referred questions to the Finance Department—which is like Richard Nixon saying, “Hey, you want to know about invading Cambodia, talk to the Defense Department.â€? His best argument: “Triggerâ€? cuts are built into the budget that would go into effect if revenues don’t meet projections. Brown called these prospective cuts “serious.â€?

that had been bargaining chips as long as Brown was seeking their votes to extend taxes and/or place a tax measure on the ballot. Look now for the Republicans to launch ballot measures seeking drastic changes to California’s pension plans, a hard spending cap, and who knows what else they can come up with, to distract money and attention from the public employee unions who may seek to alter Proposition 13 as it affects commercial and industrial property. Or impose an oil severance tax or whack the wealthy. Or, who knows, maybe even push a measure to allow local jurisdictions to raise taxes by majority vote. (Democracy? Gasp!) Which serves as a reminder that back in March, Gov. Gandalf told George Skelton of the Los Angeles Times that if there was no two-thirds vote for extending taxes that he would put up an all-cuts budget, that the Democrats would “put in gimmicks” and he would veto that, and “then everybody sits there until we run out of money. It’s not going to be a pretty sight. It’s like one-two: No tax, all cuts, gimmicky budget, veto, paralysis. It’ll be a war of all against all.” This may be the Republicans’ only play. And just for the record, earlier this month, we referred to Brown as “a great seer, with nothing up his sleeve.” Who knew Gandalf was hiding $4 billion up there? Former Mercury News editors Trounstine and Ceppos publish CalBuzz. com, where this article first appeared.

THE FLY

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to tell the council it was passing on the COPS grant because it felt some councilmembers couldn’t be trusted to walk away from money—even if it had strings attached after their terms’ end. Most city officials will be taking their vacations this month, with negotiations regarding ongoing police pay cuts, pension reform and ballot measures to resume in August. Figone admits that no “decisions or conversations will be easy,” which it’s safe to assume is a point that she and Beattie can agree upon.

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According to Brown adviser Steve Glazer, the projection of additional revenues was based on $1.2 billion in unexpected tax income collected in May and June. But if revenues don’t meet projections by January, prisons and the University of California and California State University systems would each lose another $100 million. Programs for the sick, disabled and poor would be cut by twice that. Moreover, K-12 schools could face a $1.5-billion cut and be forced to shorten the school year by seven days. Once conditional budget cuts are approved, the Legislature could restore the funding later. But according to Glazer, those restorations would be subject to a veto by the governor. H.D. Palmer of the Department of Finance notes that this isn’t the first time prospective cuts would be used, based on projected revenues: It was done in February 2009, leading to $680 million in cuts to MediCal, CalWorks, trial courts and higher education funding when previously assumed federal stimulus money didn’t materialize in the spring. Glazer said the newly projected revenue—assuming it comes in—will balance the coming year’s budget. But it won’t address other problems Brown was hoping to solve by negotiating with the Republicans: the structural deficit (about $5 billion, down from $20 billion when Brown took over) and the state’s long-term “wall” of debt of about $35 billion. Gov. Gandalf and the Democrats got some help on Tuesday from Treasurer Bill Lockyer who pronounced the budget “financeable.” The budget, Lockyer said, “reduces the need for external cash flow borrowing by as much as $2 billion, saving significant borrowing costs. Perhaps more significantly, this budget, for the first time in recent years, honestly and clearly balances revenues and spending.” Republicans tried to claim a victory for having prevented Brown and the Democrats from raising taxes. “The simple truth is, because of Republicans’ resolve, temporary tax increases will expire this Friday and the average California family will save nearly $1,000 per year,” said GOP Assembly Leader Connie Conway. But the Reeps clearly failed to use their minority veto power to win pension reforms, regulatory relief for business or a spending cap—all items

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sv 411.com “We’re the tablet that when you take it out of the box it doesn’t ask you to connect to something to get started,” said Kerris, referring to the need to plug in an iPad to a computer. HP acknowledged Apple’s dominance in the tablet market, but said Apple wasn’t its target. “We think there’s a better opportunity for us to go after the enterprise space and those consumers that use PCs,” said Kerris.

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“We think the world of Apple and have the utmost respect for their products,” said Kerris. “It would be ignorant for us to say that we are going to take it [the market] away from Apple.”—JIM DALRYMPLE,

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LOOPINSIGHT.COM

HP: TouchPad’s Target

Mark Aaron Right. Tablets aren’t competing against each other? The day tablets are preferred over a real computer ... lol that’ll be the day. HP is trippin’.

HP’s TOUCHPAD tablet hit stores last week, and while the device is being compared to Apple’s iPad 2, an HP executive says that’s not its target market.

“It’s not just about the tablet,” said Kerris. “It’s about the OS, the ecosystem and connecting devices like phones, printers, tablets and computers together.” Kerris explained that once you set up a webOS profile, it’s always with you. Calling webOS “a true cloud initiative that’s functioning today,” he said that webOS’ Synergy will seamlessly sync calendars, emails, photos and other files, across all of your webOS devices. “These are the subtle things, but they matter so much to individuals,” Kerris said. Of course, Apple’s iOS 5 and iCloud will have the same types of features when it’s released in the fall, but for now, webOS has this functionality as part of its core. Apple is also making other changes that webOS already does. For instance, the initial setup of the device.

“Thi s was an opportunity to really see the viral moment and direct it to an extent, as well as just learn about how people engage with it,” says Chestnut. In his work at a public affairs and communications firm Hamilton Strategies, he typically handles less viral topics. Over two days, he tweeted as @ JFKTurtles and earned Twitter attention from the giant followings of Josh Groban, Katie Couric and ABC World News. Project Runway judge Nina Garcia made a runway joke too. Eventually #JFKTurtles started to become a hashtag for the incident, with major news organizations like the Wall Street Journal and NBC using the handle in headlines that they posted to Twitter. And all sorts of media began referring to the “JFK Turtles” when discussing the story.

Tommy Herp derp. SSteve Wow. It’s so refreshing

In an interview with The Loop, Richard Kerris, HP’s vice president of Worldwide Developer Relations, said that HP is focused on more than just the TouchPad device itself.

Mashable that it was also a good case study for creating engagement on Twitter.

to hear an executive speak reasonably about his company’s tablet. I’m a little taken aback.

andrerichards Wow! What a wishy-washy position. Doesn’t matter if HP doesn’t view the iPad as a target or not, it’s going to be viewed that way by just about ... let’s see ... freaking everyone.

“People weren’t as amused by what I was writing as they were with the idea that the turtles were tweeting,” he said.—SARAH KESSLER, MASHABLE.COM

Hashtag of the Week: #JFKTurtles @JFKTURTLES How many turtles did it take to cross the runway?

The Voice Behind @JFKTurtles As about 150 turtles crossed JFK Airport’s runways last week and delayed several flights, a Twitter account emerged to crack jokes from the turtles’ perspective. The account, agreed publications from the L.A. Times to the Huffington Post, was worth a good laugh. Its creator, 26-year-old digital media director Noah Chestnut tells

@JFKTURTLES About 100. Turtles are not known for their sense of humor. @JFKTURTLES Now why did the Turtle cross the runway? @JFKTURTLES To get to the shell station! @SASHAK Turtles look for sandy spots to lay their eggs. The other side of Runway 4L is an ideal location @JFKTURTLES We go straight to the runway because it takes 5 hours to get out of our shells for the TSA.

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visionandimagination.com

@SASHAK We tried nesting on Chatroullette. Made us shudder in our shells. Figured we can tweet while we wait to be moved off the runway. @CHRISGUIZLO We are taking it slowly.

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@JFKTurtles We’ve had a busy Wednesday. Note to selves: don’t try to play frogger on the tarmac.

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@DANATBLOOMBERG We are more than a 15 seconds meme. At least that is what we tell ourselves. VSANDS If a turtle can stop a plane, imagine what *you* can do! #jfkturtles

Is Zynga Rushing Towards an IPO? The IPO window is now wide open, with everyone from Zynga to Groupon rushing towards it. Nobody knows how long that window will stay open (rule of thumb is 18 months), so better go public while you can. But last week’s IPO filing from Zynga came particularly fast. According to one source, the actual writing of the 150+ page S-1 document was one of the fastest documentation processes for an IPO of this size, only taking two to three weeks. CEO Mark Pincus abruptly cancelled a planned appearance at the D9 conference at the beginning of June, adding to speculation that was when Zynga decided internally to go ahead with the IPO. The three-week period referenced above was the time between what is known as the first “org meeting” with bankers and the final document filed today. Zynga’s financials are strong, so they could really get the IPO process anytime they want. But there is definitely a sense that the urgency level picked up all of a sudden. One theory—and it is only a theory at this point—is that Facebook may be moving up its own internal IPO schedule. It just added Reed

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Hastings to its board, and there is speculation that it may have already kicked off its internal process to get ready for an IPO. This would still be very early stages, but it would include getting its financial reporting in order if it hasn’t done so already and starting the board process to get it to sign off on looking for investment bankers. If Zynga caught whiff that Facebook was starting to take actual steps towards an IPO, it might want to get out ahead for several reasons. One is that it has a good chance at becoming the most sought-after new Internet stock. (Its financials are much cleaner than Groupon’s.) But that position will be short-lived and will last only until Facebook itself IPOs. In the interim, Zynga’s stock will suck up a lot of the demand for publicly-traded Internet growth stories. Another reason is that if the Facebook IPO is as well received as everyone thinks it will be, Zynga could benefit from an expansion of its PE multiple (and stock price) just as a halo effect. All Internet stocks could do well when Facebook goes public, but you have to be public in order to benefit from that.—ERIK SHOENFELD, TECHCRUNCH.COM

keng_ca If Facebook is smart, they will file for their IPO before Google+ takes away enough of their business to make people question a P/E of 500 (which they probably wouldn’t even have).

Sa Ma Or Zynga is unable to have the same year-over-year growth next year. And wants to go public with its best investor data. lesmadras Zynga has only one customer, Facebook. If Facebook decides to buy one of Zynga’s competitors tomorrow, Zynga is dead. Obviously, Zynga investor need to cash out before that happens. Brian Ash Zynga has branched out successfully away from facebook to mobile apps. Plus they could easily shift to G+ if they have a game platform Francisco Javier Lopez A company built on spam and valued at 1 billion? Their greatest asset is a product called farmville? lol ... I see it going very far. Puranjay Singh Well, Disney’s greatest product is a mouse called Mickey Mouse In case you forgot, an year ago, the entire world paid around $2.9 billion to watch two cat-like blue aliens have weird alien sex on a planet called Pandora.

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SanJoseInside.com An inside look at San Jose politics

and provide greater opportunities for access to parks, trails and commercial centers. With minimum effort this project could be ready to go and would result in a positive impact on property values, commercial activity and the general environment of the area. —Norman Kline

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Tear Down This Overpass!

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Sometimes it’s not what you build but what you remove that creates the opportunity for growth. The tragic events surrounding the 1989 Loma Prieta earthquake had one positive result in San Francisco by bringing down the Embarcadero Freeway. The freeway was replaced with a grand boulevard that transformed the entire area into a thriving pedestrian and bike-friendly corridor that has been a boon for the city. San Jose is not and nor should it aspire to be San Francisco, but we can learn from this event. Some of us can remember being on top of the Coleman Street Overpass and looking down at a large number of railroad tracks going north into the College Park area. What we were viewing was the remains of the first large train station in San Jose. The Market Street Train Station was the main train station from 1880 to 1935, when it was moved out of the downtown core to where the Diridon Station is today. Today, the massively built overpass, created to leap over multiple railroad lines, still stands to allow traffic to avoid one lightly used rail line. This

is the same line that goes through the neighborhoods on 2nd, 3rd, 4th streets and Japantown, where simple railroad crossing arms are used to stop traffic. A pedestrian-friendly boulevard connecting San Pedro and Market Streets to the Guadalupe Gardens, the Ryland/Columbus Park Neighborhoods and up to the airport would help the area thrive. It would expand the size of the downtown

CUBESOULS

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s FFree ree Saturday Saturday After-Hours After-Hours Concert Concert DDavid avid M Martin’s artin’s House House Party Party 55:30 :30 – 8 p.m. p.m. in in Fremont Fremont PPark ar k s AAction-Packed ction-Packed Kids’ Kids’ Fun Fun Zone Zone s AAutoVino utoVino Collector Collector Car Car Show S h ow s Experience Experience the FORDD DRIVE ONE TTOUR: OUR: Win! BBrowse, rowse, CCompete, ompete, W in!

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SILICON SILICON ALLEYS ALLEYS

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songwriter’s d songwriter’s dream. ream. I tthink. hink. A lo ongtime fixtur ose alt tlongtime fixturee in the San JJose altrrock ock milieu,, Lisa has writ ttten tons of o written ssongs, ongs, rreleased eleassed q uite a ffew ew al lbums quite albums o n her own lab el,, tour ed all o ver th he on label, toured over the U nited St ates mor United States moree than onc oncee and h angs o ut w ith eeveryone veryyone ffrom rom tthe he hangs out with B Bangles to C oncrete Blonde h Concrete Blonde.. She has p ut this city citty on the map ore put map,, much mo more tthan han n an ny o he po liticians. B ut ssince ince any off tthe politicians. But Sa an JJose ose is an imp ossible no man ’s San impossible man’s lland and o an lacce ffrom rom w hich tto ob ase off a p place which base o ne’s sself, elf, sshe he h ass n ot al lways be en aable ble one’s has not always been tto om ake a ffulltime ulltime lliving iving ass a sserious erious make m musician or song writer. songwriter. B uckingham m, o ourse, p lays Buckingham, off ccourse, plays an nd ssings ings ffor or F leetwood M acc aand nd and Fleetwood Mac ggets ets rroyalties oyalties eevery very ttime ime o ne o ts one off iits tu unes pla ays y on the ccanned anned ster eo in n tunes plays stereo ssupermarkets upermarkets aand nd d entists’ o ffices dentists’ offices w worldwide ome-wise, he ccan an sto op worldwide.. Inc Income-wise, stop

tthinking hinking ab bout ttomorrow omorrow w henever about whenever he w aants. wants. A ffew ew yyears ears ag go, L isa aappeared ppearred ago, Lisa backst age at Buckingha am’s 20 06 solo backstage Buckingham’s 2006 ggig ig aatt tthe he P alace of of Fine Fine Arts. Arts. S he h ung Palace She hung o ut ffor or a ffew ew h ours aand nd u nloaded o ne out hours unloaded one of her CDs on the guy y. JJust ust rrecently, ecentlyy, guy. she rreceived eceivved e a ccall all fr om m Buckingham ’s from Buckingham’s m an nagger, iinforming nforming h er sshe he n ow h ass manager, her now has a “c o-write” on the up coming SSeeds eeds “co-write” upcoming W vailab v le Sept. 6. Wee Sow album,, aavailable A pparently, B uckingham eenjoyed njoyed o ne Apparently, Buckingham one of Lisa a’s songs so much h he decided to Lisa’s rrework ework it ffor or o himself himself.f. That ’s right,, a Lisa De D wey tune That’s Dewey tune,, “W Wiith Y o ou on My Min nd,” has now “With You Mind, transmo grified into “St tars Are Are Crazy” Crazy” transmogrified “Stars on Buckingham ’s ne w album. She will Buckingham’s new get rroyalties oyyalties whene ver it pla ayys live, livve, whenever plays on the radio ven o n the ccanned anned radio,, or eeven on ssystem ystem at Whole Foods. Foods. If the album go es gold,, she gets eeven veen n mor oyyalties. goes moree rroyalties. Being i a rreputable eputable bl du d ude d , dude, Buckingham didn ’t ste al the track and didn’t steal ccall all it his own. His man nager phoned manager L isa aand nd o ffeered h ff er a ccontract ontracct tto o Lisa offered her m ak ke ssure ure sshe he w as ttaken aken ccare arre o ut make was of.f. B But sshe he w asn’t ssatisfied. atisfied. E veryyone h as wasn’t Everyone has tthe he right right tto on egotiate ssuch uch tthings, hings, sso o negotiate sshe he ccontacted ontacted o ld p al M ichael Steele Steele old pal Michael

o he Bangles, Ban ngles, who who relayed relayed her her to to off tthe aattorney ttorney M ichaeel O. O. Crain. Crain. Crain Crain was wass Michael tthe he llawyer awyer who who represented represented the the estates estates o erry Garcia, Garcia, John John Lennon Lennon an nd Bob Bob off JJerry and Marle hen Mo e’s burrito chain w as a Marleyy wh when Moe’s was sued ffor or o us sing those artists’ artists’’ names and using images without witthout licensing licensing them. “I’m get tting t cr edit on the album, getting credit the DVD DV VD and a proceeds, proceeds,” says saayys Lisa. “And “A And rroyalties, oyalties, m echanicals and and what what have have mechanicals yyou, ou, forever forever more. more. I’m I’m really really excited excited tthat hat II’ll ’ll b ab ble to to take take whatever whatever bee able inc ome ccomes om mes fr om this income from this,, and as an ar tist,, put it i right back into my my music. music. artist, A nd be be able able to to go go back back an nd do do my my And and m usic ffull ull ttime ime aagain, gain, b ecause I haven’t haven’t music because b een able to t in a couple couple of years. yeears.” been L uckily, the the original originall Lisa Lisa Dewey Dewey Luckily, ssong ong rremains emains her her property. propertty. T he The Buckingha am tune is legally a co-write co-write Buckingham w ith a d iff ffeerent title. title. T hat means means with different That w hen L isa p lays at at tthe he B lan nk C lub this this when Lisa plays Blank Club S aturday, she she can can n ssay ay “With “With You You on on Saturday, M tu une transmo grified b My Mind” is a tune transmogrified byy kingham m. “We’re “We’re going going Lindsay Buckingham. D weey vversion, De ersion,” she to play the Lisa Dewey deal, m song iiss still still says. “In the deal, myy song untouched.” siciaan ns w ho’ve ggrown rown Many musicians who’ve se aand nd h aven’t lleft eft yyet et up in San Jose haven’t hat part part of of the the human human n will testify that ccondition ondition h ere iiss d ealling with with the the here dealing ridicule an nd disrespect disrrespect hurled at San and JJose ose ffrom rom musicians musicians iin n other, other, more more happ eningg cities. cities. One often secretly secretly happening longs to b bee that one musician who finally mak kes the big time without makes h aving tto o pe p rmanently leave leave San San Jose Jose having permanently and set up shop some where else. else. somewhere ““II ccould ould h ave ggone one tto oL os A ngeles have Los Angeles or San Fran ncisco or N ew Y ork, o , but Francisco New York, Iw ent aand nd p layed all alll tthose hose places places went played instead,, a few few times a yyear, eear,” Lisa said. ““II d ecided tto o sstay tay where where I w aass be cau use decided was because I llike ike San San JJose. ose. A nd I rreally eally llike ike the the And ccommunity ommunitty her e. I think we ha ave a here. have gr eat artist artistt community, community, and I think great iit’s t’s underrated. underrated. I have have some some aamazing mazzing ffriends, riends, and an nd ssome ome am mazing artists arrttists have have amazing ccome ome ffrom rom S an Jose. Jose. T his ccity ity iiss n ot San This not ggiven iven iits ts due due at at all. alll. I’m I’m sick sick of of people people sa aying y San JJose ose sucks ve st ayeed her saying sucks.. I’v I’ve stayed heree be cau use I w an nt tto op rove tthat hat yyou ou ccan an n because want prove b here and an nd make mak ke it.” bee here Amen. Someday S Someda ay Lisa will b maayo or, bee mayor, aand nd I w ill w rite tthe he S tate o he C ity will write State off tthe City A dd ess. ddr Address.

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WORLD CYBERWAR I AND THE INEVITABILITY OF RADICAL TRANSPARENCY

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Perhaps I come to this topic prejaded. In The Transparent Society (1997),

I forecast that traditional notions of secrecy would crumble in the early 21st century. For many reasons—technical, social and political—“leaks” would grow into tsunamis that carve a radically different world. My 1989 novel Earth portrayed near-future events like massive dumps of military and diplomatic secrets that rattle governments powerless to keep up with amateur cunning and changing values. Prescience aside, this sea change will drive outcomes far more complex than outdated nostrums of left or right. Multiple trends seem to pull in opposing directions. For example, ever since 9/11 and the Patriot Act, many Americans have perceived us entering a nearly Orwellian era, in which the state probes, pokes and scrutinizes us from every angle, and allows

corporations—from banks to Google and Facebook—to do the same. Dana Priest and William Arkin, in the Washington Post, fret that we’ve become a “monitored nation” and world. “(T)he United States is assembling a vast domestic intelligence apparatus to collect information about Americans, using the FBI, local police, state homeland security offices and military criminal investigators. The system ... collects, stores and analyzes information about thousands of U.S. citizens and residents, many of whom have not been accused of any wrongdoing.” Is China the future? American companies like Cisco are right now bidding to take part in a project to span the city of Chongqing with 500,000 cameras in an integrated surveillance system. Find that both impressive and chilling? Well,

democratic Britain has an even larger camera network. In the future, what separates free and unfree nations won’t be the presence of surveillance, but whether citizens are fully empowered to look back. Never before have so many people been empowered with practical tools of transparency. Beyond access to instantly searchable information from around the world, nearly all of us now carry in our pockets a device that can take still photographs and video, then transmit the images anywhere. Will the growing power of elites to peer down at us—surveillance— ultimately be trumped by a rapidly augmenting ability of citizens to look back at those in power—or “sousveillance”? This issue is being wrangled right now, on our streets. Far more

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ominous than the WikiLeaks affair is a trend of police officers waging unofficial war against camera-toting citizens, arresting bystanders for digitally recording cops in action. Obsolete wire-tapping and privacy laws are contorted to justify seizure and destruction of recordings made even in public places. We can sympathize with officers doing a harsh, underappreciated job, resenting the addition of one more source of stress—relentless scrutiny. I appreciate not only the skill and professionalism that helped reduce crime in the United States but also the daily fight for self-control that each officer must wage, under conditions that might send any of us into uncontrollable rage. We all carry hormonal and psychological baggage from the Stone Age ... and from 5,000 years of urban life, when

the king’s thugs never thought twice before pounding the heads of punks. But times and rules change. We’re more demanding now. In fact, most officers are adapting well to our new standards, clenching their teeth and calling “sir” even the most outrageously abusive drunks. I’m proud to know some of these folks and I grasp their worry that some street-corner putz might record a momentary, but career threatening lapse. Yet, how can the assertion that cops deserve “privacy” stand up against our far greater need for accountability? Shall we surrender the only protection that citizens ever had against abusive power—the truth? We won’t allow it. More to the point, technology won’t allow it. For, like Moore’s Law, the cameras get smaller, cheaper, more numerous and more mobile every year.

When all of this equilibrates, juries, review boards and citizens will make allowances for good people, caught making rare mistakes. We’ll have to, if we want our cities patrolled. Ironically, that broad perspective will only evolve once we’re convinced we really are seeing it all. That our enhanced vision protects us. If the odds seem to favor citizenpower at street level, others want to apply principles of transparent accountability—or sousveillance—to higher echelons of power Clearly a panoply of transparency activists out there, including the folks behind WikiLeaks, think it possible to restore balance in favor of people, by applying copious amounts of light. And, just as clearly, those in high places wince at being scrutinized. (Human nature yet again.) For

example, months ago, the U.S. Department of Justice launched a criminal probe of WikiLeaks. Did Julian Assange commit crimes by revealing those secret cables? Are the world’s powers shaken to their core, withholding vengeance only because Assange holds “poison pill” revelations in reserve? We’ve seen a maelstrom of indignant fury with all sides claiming the moral high ground. Banks and credit companies that reject doing business with WikiLeaks have been punished by leaderless networks of online activists—who are in turn attacked by “patriotic hackers.” Meanwhile, similar cycles of sabotage or theft, followed by retaliation, are seen when hackers from China or the former Soviet bloc invade Western computer systems,

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WORLD CYBERWAR 17 compromising either intellectual property or stores of personal identities, or destabilize systems like Facebook and Google that empower citizen movements in other countries. Accusations y amid a growing cast of intermeshed characters. Is this the full-tilt outbreak of cyber war, with nations and corporations waging battle through deniable proxies? (Frederik Pohl forecast such a dismal cycle in his prophetic novel The Cool War.) We may yet miss the old days, when uniformed soldiers were accountable to national ags. Refocusing back on the WikiLeaks Affair, with every news organization re-publishing his info-spills, is Assange right to call himself a frontline journalist? Because someone else actually snooped the documents in question, and WikiLeaks merely passed them along, is Assange protected by Western constitutional traditions and free speech?

Transparency Pays “Do not revile the king even in your thoughts, or curse the rich in your bedroom, because a bird in the sky may carry your words, and a bird on the wing may report what you say.â€?— Ecclesiastes 10:20 An overall trend toward greater openness will be essential to our survival as individuals, nations, and even as a species. We have bet our lives, and our children’s, on the continued success of a civilization that provides our material needs better than any other. One that has inarguably fostered greater levels of lawful peace—both per capita and for billions worldwide—than any predecessor. It also engendered both social mobility and repudiation of prejudice to a degree that—if woefully unďŹ nished—no prior society ever matched. Nor could any combination of others equal our rate of discovery and new learning. Even the way we are self-critical and unsatisďŹ ed—angrily rejecting braggart paragraphs like the one above and focusing instead on further improvements—even that reex is consistent with a civilization

that has real potential. One that would have stunned our ancestors. Underlying all of this is the positive-sum notion that a competitive society doesn’t have to be strewn with ruined losers. In some kinds of games, one player might win more than others—e.g., getting rich—but the outcome leaves everybody way ahead, even the “defeated.� That may sound absurdly sunny. Cheating abounds and capitalism always teeters toward the old pit of feudalism. Still, enlightenment civilization’s major decision-making components— markets, democracy, science and justice—really have delivered positive-sum outcomes a lot of the time. We are living proof.

8epfe\ n_f [\dXe[j \ok\e[\[ j\Zi\Zp j_flc[ ]XZ\ X Yli[\e f] giff] Here’s the key point: All four of those human problem-solving arenas—markets, democracy, science and justice—ourish only in light, when all parties get to see. When darkness prevails, they wither and die. SpeciďŹ cally: Open Markets depend on maximizing the number of knowing buyers, sellers and competitors. (Adam Smith despised the secret conniving of oligarchs and blamed them—not socialists—for market failures.) Democracy only functions well when vigorously engaged in by knowing and curious citizens. Our third and fourth pillars— science and justice—cannot function in darkness at all. These four backbone components count on the same, core innovation—reciprocal accountability—to foster creative competition and to check our natural human penchant for cheating.

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K?< D8E N@K? K?< GF@JFE G@CC 8i\ k_\ nfic[Êj gfn\ij j_Xb\e kf k_\`i Zfi\ Y\ZXlj\ N`b`C\XbjÊ Alc`Xe 8jjXe^\ `j _fc[`e^ jfd\ Y`^^\i i\m\cXk`fej `e i\j\im\6 If 4,000 years of history demonstrate one thing, it is that you will cheat, if there isn’t plenty of light to stop you. Yes, I’m talking about you. And me. The obvious conclusion? Anyone who demands extended secrecy should face a burden of proof. Now, let’s be clear. The Enlightenment is about pragmatism, and no purist dogma is ever 100 percent right, even transparency. For example, one topic calling for negotiated compromise is personal privacy. And few claim that a military can function entirely in the open. Not yet, at least. The WikiLeaks Case exposes several more areas where limits to transparency are open to intense debate. So here’s the question: To what extent do governments have a need or right to keep secrets from citizens? And who should decide when government leaders have crossed the line? My answer is default openness, with a steadily rising burden of proof for institutional secrecy—a pragmatic but unswerving movement toward a world of accountability and light.

Nevertheless, it is a burden of proof that can be met! Not all secrecy— even government secrecy—is automatically evil. WikiLeaks founder Julian Assange prescribes a different answer: zero tolerance. Immediate and radical transparency. Moreover, the decision to reveal government secrets can be made ad hoc and peremptorily by an individual. One who never voted for or against—or paid taxes to—the government in question.

The Trend Forward Of course, our Enlightenment experiment is about much more than markets, science, democracy and justice. These institutions fail without spirited citizen involvement. Laws against racism would be futile without the inner changes of heart that millions have performed, in two short generations. Deep underneath their bickering, republicans and democrats share a mental reflex—Suspicion of Authority (SOA)—that goes back generations, differing mostly over which elite they see looming as a potential Big Brother, even while

21 transparency are even taking place at the highest levels. The Obama administration claims to have cut away at the Everest-high pile of classified documents left by its predecessors and to have tightened rules for who can declare something secret, and when. Meanwhile, even in Switzerland, Alpine haven for elite confidentiality, changes may be afoot. A Swiss-based banking consortium has proposed new codes under which financiers’ compensation packages should be more transparent to investors. Are these steps toward transparency sincere? Will they be enough, when people in developing nations demand a return of lucre stolen by their ex-dictators?

Leak to History We aren’t the first generation in this struggle. Today’s inventors of freedom-friendly tools—from anonymizers and re-routers that evade censorship to sniffercorrelators that help average folk peer past elite veils—seem blithely ignorant of just how old and difficult the problem has been. These self-styled paladins of a new era should recall that our principal weapon in defending freedom and hope predates the Internet by more than 200 years. It has roots in 18th-century pamphleteers, in the constitutional deliberations of Philadelphia and (yes) even in the old-fashioned nations that still make up the foundation of our Enlightenment. A foundation that some of the folks at WikiLeaks—in their righteous self-congratulation— tend to ignore, even though they count on it for their very lives. Indeed, what is the worldwide blog community, other than a vast expansion of the sensor web that we all had, in our tribes and villages of old, when gossip revealed even the peccadilloes of the chiefs? Notable among the tattles spilled by WikiLeaks were Sarah Palin’s hacked email messages, a banned report on assassinations and torture enacted by Kenyan police, the confidential membership list of a British neofascist party and tens of thousands of

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making excuses for the elites they prefer. In a sense we all want more transparency and light ... to shine on groups that we dislike. Do average citizens really matter? They may seem feeble compared to influential elites: power brokers of government, wealth, celebrity, criminality, corporations and academia. But this changes when individuals band together in new-style nongovernmental organizations on the front lines of the transparency fight. Take Peter Gabriel’s Project Witness. PW buys up last year’s video equipment, in cheap lots, then hands crateloads of cameras to activists, in places where fighting for democracy can take prodigious courage, spreading accountability at the local level where it affects lives, a few hundred at a time. Drawing attention to ten thousand small struggles, they show how a little added light can save or empower the next Nelson Mandela. (See www. Witness.org for details.) Some efforts that are rebelliously pro-freedom can’t exactly be called “pro-transparency.” A decade ago, the fad among hackers was encryption— promoting a quaint notion that the scales of justice can be balanced in all directions, if everyone were somehow kept blind to each others’ identities. Some Assange allies, like Jacob Appelbaum, distribute a system called Tor that empowers dissidents living in oppressive states to communicate with messages that are cleverly enciphered and rerouted. While the cypherpunks’ dream of crypto-empowered world paradise is impractical on many levels, it has proved useful to whistle blowers. What these and other endeavors share is a pragmatic approach to spreading liberty and accountability. If all the world’s people become habitual defenders of freedom and accountability in the local realms that affect them most, where individual action can be effective, then, as Alexis de Toqueville showed two centuries ago, those habits will propel us along the spectrum of progress, whatever happens on the Olympian heights of pompous presidents and tycoons. Indeed, steps toward new-era

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WORLD CYBERWAR 21 classified documents related to the war in Afghanistan. A year ago, the website stirred up an international furor by publishing emails purportedly showing scientific collusion among global-warming experts. An aside. Was the last revelation an attempt to “spread the love” and prove non-leftist evenhandedness? Or a manifestation of Assange’s eagerness to spill whatever would get him headlines? We may never know. But carelessness in that case—failing to investigate his source or understand the context—put in question Assange’s long-standing claim to be a “journalist.” Indeed, one major drawback of splurge-type leak sites is their susceptibility to be used as unwitting proxies in battles among hidden giants. WikiLeaks’ first major media breakthrough came in April 2010. At a press conference in Washington, Assange unveiled a 2007 combat video from the view of an American Apache helicopter in Iraq, repeatedly opening fire on a group of people on the ground, including some in a van that approached and began helping the wounded. The soldiers’ giggling, game-boy background commentary was deeply disturbing. But the event that catapulted WikiLeaks into the forefront of international attention, making Assange a 2010 finalist for Time magazine’s “Person of the Year,” was the page-by-page release of more than 250,000 State Department “cables” and other documents, allegedly swiped by a U.S. Army private, giving the world an unprecedented view of the chatter and candid views of American diplomats. When WikiLeaks tweeted that “The coming months will see a new world, where global history is redefined,” we saw the extent of its preening confidence and protransparency ambition. Nor were U.S. government secrets to be anything more than an appetizer. Promised soon? Tens of thousands of documents from a major U.S. banking firm, then material from pharmaceutical corporations, finance and energy companies. Again, the deep justification is undeniable. We’ll soon face a rising flood of technological breakthroughs

that could either benefit us all or else do jagged harm to humanity and the world. With hard decisions and tipping points coming everfaster, we’ll do better—and possibly even survive—if each crisis-choice is debated openly.

K_\ jXd\ cXnj k_Xk gifdfk\ k_\ ^ifnk_ f] J`c`Zfe MXcc\p @ek\ie\k ZfdgXe`\j Xi\ gifk\Zk`e^ k_\ gfjk\ij f] j\Zi\k ^fm\ied\ek `e]fidXk`fe Essential precursors for WikiLeaks go way back. But for legal guidance, most observers have been zeroing in on the Pentagon Papers affair, when Daniel Ellsberg released documents showing how the U.S. government lied or manipulated perceptions during the Vietnam War. Assange is relying on precedents from that era to stay free and in business. Unlike Britain, whose Official Secrets Act gives the state power to pre-censor journalists or penalize them for publishing forbidden information, the United States Government (USG) has less legal standing to go after leakers. Even the 1917 Espionage Act, passed in a xenophobic rush during World War I, only decrees punishment for unauthorized possession of national defense information if it is thereupon given to “any person not entitled to receive it,” and if the provider has reason to believe it “could be used to the injury of the United States or to the advantage of any foreign nation.” As interpreted by courts during

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the Pentagon Papers era, this law leaves a pretty generous out for journalists who passively receive such secrets and then publish them. The government bears an appropriately steep burden of proof to show not only that there was substantial “injury” or foreign “advantage,” but that the journalist also had strong reason to expect this. Note that this is a separate matter from prosecuting the individual who gathered and leaked the information, in the first place. Any person who either invaded a USG database to access files or who violated a position of trust in order to remove them, has broken a number of other laws, for which penalties can be severe. In the current case, U.S. Army Private Bradley Manning awaits court martial for swiping the State Department and Pentagon files that made Assange an international figure. Although some—e.g., Berkeley city councilmembers—have called Manning a hero and a martyr, few expect Manning to evade punishment. Assange is another matter. The gaps that currently make it hard to prosecute him include provisions under Section 230 of the 1996 Communications Decency Act that offer a safe harbor for online “middle parties,” protecting them from liability for passing along most kinds of material they receive from an initial content provider. In fact, current law cuts both ways. The same regulations also protect those companies who have acted to cut off, or hem-in, WikiLeaks. As Nancy Scola put it, on the Personal Democracy Forum: “Section 230 is one of the fundamental reason why the United States is a friendlier nation to the Internet and to building Internet businesses than so many others are. But the flip side of 230 is that companies are also given protections for taking down from their services content that they find objectionable. And when it comes to Wikileaks, we’re arguably seeing companies that have been given so much freedom by Section 230 running and hiding behind its protections when the heat is on.” Initially, the Pentagon acknowledged that no person or

vital national interest appeared to have been harmed by WikiLeaks. This reassurance came into question in December with a W-leaked list of overseas sites potentially both vulnerable to terrorist attack and of critical importance to the United States. This seems to undermine any claim that the documents were vetted to reduce potential for harm. Yet, this affair is rich in irony. For example, is it totally coincidence that the recent Arab Spring movement spread across North Africa and the Middle East just after WikiLeaks spilled all those State Department cables? Confidential memos that revealed how deeply our foreign service officers and diplomats despised the dictators they had to deal with? One net effect was to mute any anti-American theme among the young democracy activists. Geopolitically, this unintended result may outweigh all the harm that Assange thought he was doing to the U.S. government! We need to remember the big picture: that if doses of transparency are sometimes discomfiting or inconvenient to the leaders and agencies of a clumsy-but-wellmeaning democracy, those same doses are often downright lethal to our enemies—elites of criminality or fanaticism or obstinate despotism. Ultimately, if we are led by smart people, they should see that the historical role of the United States— and its best interests—will be served by adapting quickly to a worldwide secular trend toward more light. In fact, abetting this trend should be a central strategic goal for America and its allies, since this trend leads to victory for our type of civilization.

Geeks Strike Back What about all that talk of “cyberwar”? The cyber-activist community lined up en masse to defend Julian Assange. For example, Anonymous, a leaderless group of activist hackers, has avowed credit for denial of service attacks on Mastercard, in revenge for that company cutting off payment flows to WikiLeaks. Attacks have also targeted PayPal, Amazon, VISA and other companies. When Post-Finance, the Swiss national

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Resistance Is Feudal In The Transparent Society, I profiled members of this loose international community, whose mixture of brilliant skill, individualism and light-weight transcendentalism seems to hark back at least to the Freemasons, or perhaps the Jesuits, if there is any useful precedent at all. Evidently, they are the purest products of a Western Enlightenment that they alternately revere and spurn with dripping contempt. A force to be collectively reckoned with, they also tend toward utter confidence in their superior spycraft, as well as blithe assurance that history is on their side. However, there are drawbacks to the notion of cyberpunks as combatants. Their proposed “army” combines all the worst traits of a militant underground and a chaotic schoolyard. The Anonymous network, for example, operates as a collective in which control devolves to whichever members just happen to be signed in, at any particular moment. At present, that model works,

because the tasks are simple—to shuttle some encrypted files around, to share and coordinate some hack-attack programs among a few thousand volunteers ... or perhaps a few tens of thousands of bystanders who have inadvertently let themselves be hijacked in a botnet. Fine, so far. But this model will break down when it is discovered that the National Security Agency— through several hundred feigned identities—can sign in and simply vote itself control, whenever it so chooses. Or take the pathetic case of Bradley Manning, the bored, low-level nerdin-uniform who let his daydreaming ennui get the best of him in dusty Iraq. When Manning impulsively decided to copy those documents off SIPRNet, he took all sorts of precautions to keep the theft from being noticed and to encrypt the documents’ transmission to WikiLeaks. Then he bragged about it to a supposedly trustworthy hacker confidante, who promptly sold him out. There is an endearing air of naïveté in all the bellicose “war” talk, coming from hacker-nerds whose principal experience with combat is World of Warcraft. Few have studied the history of revolutionary movements and methods in detail, the ancient techniques used by rebels and secret police in deadly cat-and-mouse games stretching back from the KGB and Gestapo, through czarist Russia, Ching and Tang China, Babylon and across 4,000 years of recorded history. Like bribery, blackmail, co-opting, threats to loved-ones ... and quiet disappearance. Few of these age-old methods will be inconvenienced by geeky methods like cryptography. If things truly were as dire as some hackers romantically claim, if our civilization is already like those other despotisms – and if these wouldbe freedom fighters really are our last-best hope—then one can wish they would preen less and study-up history more. For all our sakes.

Sensible Steps Ultimately though, even the WikiLeaks model is untenable. For all of the hacker chic, such quasi-institutions are lead by a few

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postal bank, froze Assange’s account because he falsely claimed local residency on his deposit forms, this drew vigorous assaults by hacker activists, or hacktivists. (Hypocrisy alert: When has such a lapse ever before bothered Swiss bankers?) “Corrutpt governments of the world,” began a recent message on the Anonymous group’s YouTube site. “To move to censor content on the Internet based on your own prejudice is, at best, laughably impossible, at worst, morally reprehensible.” In a few short weeks, simply by appealing for volunteers, the Anonymous group recruited more than 9,000 computer owners in the United States and 3,000 in Britain to download the software to incorporate their machines into the network that attacks WikiLeaks’ enemies. Via a supportive online “tweet,” Electronic Frontier Foundation co-founder John Perry Barlow told the Anonymous hackers, “The first serious info war is now engaged. The field of battle is WikiLeaks. You are the troops.”

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identifiable people. If the cybermythos is correct, it represents at-best an intermediate phase on our path to a universally empowered, all-knowing citizenry. A path better served by pragmatic, incrementalist reformers. Take an endeavor loosely led by Peter Sunde, one of the founders of the anti-copyright Pirate Bay website. Techie activists hope to construct an alternative, decentralized, peer-to-peer (P2P) system that would continue to use today’s Internet infrastructure but bypass the internet “phone book” maintained by the Internet Corporation for Assigned Names and Numbers. As the only semblance of an Internet governing body, ICANN has one slim authority—over the 286 “dot” domains (.com, .net etc.), but

even that narrow power offends the anti-authority spirit of young netizen anarchists like Sunde. If their plan works, according to Paul Marks of The New Scientist, “a sort of shadow internet could form, one in which legal action against counterfeiters and copyright scofflaws would be nearly impossible.” Some other options are already simmering, and these seem even harder to prevent, at least in a minimally free society. For example, if the forces of net neutrality lose every coming regulatory and legislative fight, leaving both the old web and “Internet 2” firmly in the grasp of major corporate and state interests, this will only propel alternative, peer-to-peer

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systems to abandon standard pipes and fiber, taking flight to rooftop transceivers and nodes that are completely citizen-owned or which use cell phone networks. And if every advanced nation bans such P2P systems? Then they will flourish in the developing world, giving those rising countries a competitive advantage. These are a few samples of the innovations that loom on the horizon. In them we see, distilled, a core difference between two kinds of transparency activists: pragmatic techno-incrementalists and the hacker-idealists. One hacktivist told me: “Governments and corporatists can plug every hole, but new leaks will pop open. Information wants to be free, and nothing will avail the federal mastodons and company sloths, or prevent new hemorrhages till they bleed to death.” To net-mystics, that is more than just an assertion, to be tested by unfolding events, but a catechism of faith, like in old-timey religions, or the communist teleology that few of them have read. We transparency pragmatists know better. History shows that light can fail. It has failed, far more often than not. Ask Pericles. Ask the Gracchi, the Florentines and the Weimar liberals. For light and openness to cleanse this civilization and make it succeed, we’ll need practical innovations and negotiated compromises, sometimes taking one step sideways, or even backward, for every three steps forward. It may be polemically unsatisfying to purists, but the general, overall, forward trend is worth fighting for. Even compromising for. How were racism and sexism reduced and driven largely into ill-repute, during our lifetimes? Partly through the self-reforming of millions of individual hearts ... but also through new laws, passed by growing citizen consensus, utilizing those enlightenment processes of science, justice and democratic government. And to whatever extent humanity is now finally heeding our duty as planetary managers, don’t we owe a lot to government-funded research and wave after wave of environmental laws?

More practically speaking, what chance will Project Witness, or Transparency International, or citizen camera-wielders, or the Chinese local democracy activists have, if the general background tone of international morality and law ceases to be led by Western Enlightenment nations?

K_\ <ec`^_k\ed\ek `j jk`cc _Xi[ Y\j\k Yp ]fiZ\j k_Xk nflc[ le[\id`e\ fi il`e `k# \`k_\i ]ifd k_\ flkj`[\ fi n`k_`e% In part, the libretto sung by Assange and his supporters seems more libertarian than socialist ... or else perhaps its anti-government rhetoric harkens back to quaint traditions of anarcho-socialism. Either way, in their gleeful adoption of the wild and open Internet as a model for a low governance utopia, aren’t they forgetting where the Internet came from? Or the full context of their struggle? Consider: These fellows are heroes only if you assume that freedom for individuals, accountability for the mighty, fair competition, steady progress, social mobility, flattened power hierarchies and honest-open discourse are all ultimately desirable things. I happen to agree. Only remember, these traits were never highly rated in most human societies, where obedience, ritual, type-purity and conformity were far more highly valued—and where “innovation” was often a dirty word. In other words, Assange, and the hacktivists and their supporters are only heroes under the light cast by a narrow, individualist culture that still has all the historical—even biological—odds stacked against it.

Any other society would have, by now, simply taken their heads and been done with it. Raised by that same culture, I want Assange and his supporters to keep their heads! I want WikiLeaks . . . or something better. . . or many better things . . . to stay in business. Because the over-reaction that some of the hacktivists seem bent on provoking will do no good for the overall cause. The hope, expressed somewhat more aggressively by “Valkyrie Ice” in h+ Magazine, is that “It really doesn’t matter whether Wikileaks is stopped or not. It’s just the opening salvo in the final war between unaccountable elitism, and accountable equality, and there is only one real possible outcome, though there may be many partial victories for those who seek to remain unaccountable. It may take decades, but the future will belong to Transparency.” I hope the optimists prove right. Nevertheless, look around the world today. The Enlightenment is still hard beset by forces that would undermine or ruin it, either from the outside or within. Forces bent on restoring those older—and possibly more inherently human—ways of operating.

Need for Nations Here is where we pragmatist pushers-of-transparency differ from the romantics. Across the last 300 years, flags and nations and governments mattered. They have been clumsy, blunt instruments, but the nations that lived—even crudely—by Enlightenment codes propelled a great experiment in human living that departed from the old ways. Furthermore, the nations that express general fealty to rights and accountability and justice and science are still “rebels” in a world where human nature keeps conspiring to drag us down again, into feudalism. We have to watch these public organs carefully. Our hired watchdogs can all-too easily become wolves. If you tell me that you want to spread transparency and accountability throughout all Western governments, I am with you! You say you want to change the

Constitution? Well, we’d all love to see your plan. More generally, at this critical juncture in history, with existential threats looming on every horizon— along with a glimmering promise that we may instead become a wise and decent star-traveling species— the matter is more critical than ever. We cannot afford anymore the all-too-human tendency for leaders to decide our fate in secret. Not even “for our own good.” Reciprocal Accountability remains our only real hope. And to whatever extent that WikiLeaks has helped push health-inducing transparency forward, I am guardedly grateful. While I find the whole event overrated and a bit yawn-worthy, more a stunt than a model for truly sustainable openness, the effects ought to be salutary. But I have a larger goal that I hope you’ll share: To achieve lasting victory for this new way of life. A way of life that may stymie, finally and forever, the old feudal temptations that have always erupted to quash freedom. A way of life that may take my sane, rich and happy grandchildren—and the sane/ rich/happy grandchildren of today’s poorest AIDS victim in Zimbabwe— to the stars. Clearly, in order to get there, we will need a wide range of new tools—and some of the old ones, too. And that means Western governments will remain key instruments for quite some time. If watched, if fine-tuned and kept honest, they will continue to play a role as we cross the danger gap, ultimately reaching a place that is good and just and filled with light.

Portions of this article were excerpted from a book in-progress. David Brin’s bestselling novels, such as Earth and Kiln People, have been translated into more than 20 languages. The Postman was loosely Kevin Costnerized in 1998. The Transparent Society won the nonfiction Freedom of Speech Award of the American Library Association. His next novel, Existence, portrays the minefield of dangers ahead, and our potential to survive.

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It mak makes es for for o a liv lively ely local local culinary culinary culture, but one down side is culture, downside that sometimes “adv en nturous” “adventurous” b ecomes equated with h “extreme,” “extreme,” becomes and authenticity—always authenticity— —alw ways y a prized principle to an ambitio ambitious ous foodie— foodie—

gets equate equated ed with hole-in-the-wall hole-in-the-wall ethnic dives. dives e. Even manyy Ev en though tho ough it’s it’s true that man of Silic on Valley’s Vaalley’s b est culinar Silicon best culinaryy finds ccan an be be found fo oun nd in outout- of f-the - -way strip of-the-way malls,, that oversimplification local malls oversimplification of lo cal culturee is a shame if it means upscale cultur upscale rrestaurants estaurantss and chefs don’t don’t get the rrecognition ecognition n they they deserve deserve ffor or o their ccontributions ontributio ons to adventurous adventurous eating locally. lo callyy. Tamarine’s Such is the th he case case with T aamarine’s V ietnamese i e menu and its executive executive Vietnamese ould chef, chef f, Tammy Taamm my Huynh. One ccould argue ar gue that given given T Tamarine’s aamarine’s suc success cess with i h the h business bu business i crowd crowd d and d generall P alo Alto elite—there’s e —there’s eeven elite ven a Palo “p ower lun nch” menu ffeaturing eeaturing some “power lunch” of the menu men nu favorites—it faavorites—it hasn hasn’t ’t eexactly xactly been beeen overlooked. overlooked. And yet, yet, while Charles Phan of San Francis sco’s Slanted Do or—the Francisco’s Door—the closest comparable com mparable restaurant restaurant

to T aamarine in the Ba ay Ar ea—iis Tamarine Bay Area—is practic ally a household name practically among ffoodies, oodies, what Huynh ha as has ac complished at T amarine a has accomplished Tamarine rreceived eceived a fraction of the at ttent t tion. attention. Cr eativity mo ves at a fr eneticc pac Creativity moves frenetic pacee at T aamarine; most dishes ar ucky Tamarine; aree lu lucky to last a ffew ew months ge months,, despite itss lar large menu,, and on a rrecent ecent visit,, se veral several of the dishes I sampled had been beeen added within the last two two mon ths. months. The geo graphical rreach each of the geographical menu is fascinating fascinating,, as well; des despite spite b eing rrooted ooted solidly in V ietnam i mese being Vietnamese culinar dynaamic culinaryy tradition (itself a dynamic territor y), ther astes fr om m territory), theree ar aree ttastes from India, Thailand and acr oss Sout th across South A sia, as well as the W est. e Y ees, it Asia, West. Yes, qualifies as fusion (though not the rar elyy--used- correctly “panAsian n”), rarely-used-correctly “pan-Asian”), but with Huynh ’s clarit Huynh’s clarityy of visi vision on the dishes alw always ays y seemed ccohesive ohessive and d authentic h i iin tone and d taste, tastee, ne ver o ver-reaching or gimmick ky. never over-reaching gimmicky. It is inter esting to cconsider onsider h ow interesting how T aamarine’s dishes match up to Tamarine’s Slanted Do or’s, and on se veral, the Door’s, several, theyy go absolutely toe-to-toe. toe-to -toe. Phan ma m may ay ha ave the edge on his signatur d have signaturee dishes lik eef ((Tamarine’s Taamarine’s isn n’t likee shaking b beef isn’t

TTAMARINE A AMARINE 546 University A Ave., Palo Alto vee., P alo A lto 650.325.8500

27 M E T R O S I L I C O N VA L L E Y | J U LY 6 -1 2 , 2 0 1 1 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

Felipe Buitr B Buitrago ago

SVDINING

quite as complex complex orr rich, though it is still q quite go ggood), od), ),, but bu ut in certain certain areas, areas, P alo Alto ’s own has the edge Palo Alto’s edge.. The cla ay p ot ccod, od, for fo or instance, insttance, surpasses clay pot an competition with wiith its sweet sweet anyy competition suc culence, and is a must-have. must-haave. succulence, O ther highlights include the Other ne west item on the menu,, the lamb newest p ot stick ers. An unu usual concept, concept,, to pot stickers. unusual b sure, the p to a stunning bee sure, theyy liv livee up pr esentation with a wrapper wrapper so light presentation eatens to melt away away on contact, contact, it thr threatens pomegrana g ate oil and a a subtle pomegranate wonderful lamb center cen nter for fo or which wonderful it’s impossible impossible to be be fully prepared. prepared. it’s Mean nwhile w , the duc ck is pure pure South Meanwhile, duck Asian comfort comffo ort ffood, ood, peppery peppery and so Asian it’s almost a paté. paté. Served Served with tender it’s confit and greens, greeens, it has a warm warm duck confit harvest feel. feel. e harvest w men nu item, the b eef Another ne new menu beef short- rib rendang, rendang, off o ffeers a delicious short-rib offers ough Tha ai fla avors with detour thr through Thai flavors ylike sauc e. The T ccassava assaavva bassi its curr currylike sauce. rough south banks the menu thr through basically a dosa dosa donut with a India,, basically coconut chutne fo orr dunking. dunking. One coconut chutneyy for t ’s managed that of the menu items that’s fo or an extended extend ded run, the to last for excelllent vegetarian vegetarian basil tofu is an excellent option. Crisp but still stiill porous porous enough to absorb the sweet sweet and savory saavory soy soy around it, Tamarine’s Tamarine a e’s tofu takes takes on around like to call call a “flavor “flaavor cube” cube” what I like quality when giv en a little litttle t time quality given ou undings. The to soak up its surr surroundings. wok-fired garlic noodles noodles show off a wok-fired a ar preffeerable Chinese influenc influencee and aree preferable garllic noodles, noodles, which to the crab and garlic are rather bland despite desspite a generous generous are portion of crab. crab. portion For desser t,, the st ticky toff ffeee For dessert, sticky toffee exquisitee—not too too sweet sweet pudding is exquisite—not exactly the righ ht amount of and exactly right sticky, toff ffeee and pu udding. sticky, toffee pudding. din nner menus The lunch and dinner are mor iden ntical,, though are moree or less identical, there ar ecials. The The rrestaurant’s estaurant’s there aree sp specials. stark a and practic al interior blends a stark practical viious lo ve, and design with an ob obvious love, knowledge, of ar t. And A the service service knowledge, art. was excellent excellent at each h visit, with was waitstaff that knows know ws the menu a waitstaff back kward and forward for o war a d and is able to backward xperience help diners shap shapee a whole eexperience combin nations of dishes. dishes. with various combinations

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American Bistro Martini Bar & Fine Wines A CAPERS PLACE

Available for parties, weddings, graduations & banquets to 250 people Follow us on Facebook

Enjoy Open Rooftop Patio Dining Weekly Food & Drink Specials Happy Hour Monday-Friday Dancing Thurs., Fri.,& Sat. Nights Late Night Dining Pub Quiz Every Tuesday Nights

9900 S. Second S e c o n d St., S t ., Downtown D o w n t o w n San S a n Jose J o se 408.291.0677 408 .2 9 1. 0677

www.loftbarandbistro.com w w w.l o f tb a r an dbist r o.c o m

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Campbell ¿book online at campbell.net

CAPERS Well-heeled sports

Live Live Music Music Friday Friday Nights Nights Karaoke Karaoke Saturday Saturday Nights Nights Sunday Sunday Brunch Brunch Buffet Buffet

bar and restaurant. $$$. Capers is a sophisticated restaurant that uses sports as its theme. Well-devised menu full of inventive recipes and delicious finger foods. 11am10:30pm Mon-Thu, 11ammidnight Fri-Sat, 9:30am10:30pm Sun. 1710 W. Campbell Ave. 408.374.5777.

Food and Drink Specials Mon-Tues = 2 for 1 martinis Wed = 2 for 1 pasta Thurs = 2 for 1 margaritas

1710 W. Campbell Ave., Campbell, CA 95008 | 408.374.5777 74.5777 www.caperseatanddrink.com www.capersseatanddrink.com

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intimidating Psycho Donut, a maelstrom of marshmallow, pretzel and chile powder. 6am5pm Mon-Thu, 6am-11pm Fri, 7am-11pm Sat, 7am-5pm Sun. 2006 S. Winchester Blvd #C. 408.378.4540.

RUSSIAN CAFÉ AND DELI Russian. $$. This is a small Russian grocery store with a good little restaurant tucked in the corner. Borscht soup, pelmeni and solyankya sbornaya, a thick soup studded with chunks of mild pork sausage, black olives, pickles and barley all satisfy. 11am8pm daily. 1712 S. Winchester Blvd. 408.379.6680.

LA PIZZERIA Italian. $$. La Pizzeria specializes in simple pizzas that stand on the strength of a few highquality ingredients, expertly prepared. Open for lunch and dinner daily. 11am-10pm Sun-Tue, 11am-11pm Wed, 11am-midnight Thu-Sat. 373 E. Campbell Ave. 408.370.0826.

SUSHI ZONE Japanese. $$. Fun sushi meets fun surroundings in this zone. 11:30am-2:30pm, 5-9:30pm Sun-Thu, 11:30am-2:30pm, 510pm Fri-Sat. 75 S. San Tomas Aquino Rd #1. 408.866.1323.

MICHI Japanese. $$. Sushi

TIGELLERIA Italian. $$.

standards are transformed into palate-awakening presentations; culinary boundaries are stretched. 11am-10pm daily. 2220 S. Winchester Blvd. 408.378.8000 or 378.0838.

NEGEEN Persian. $$. Mira ghasemi, grilled and puréed eggplant in a tomato sauce with scrambled eggs, and kashk-e-bademjan, puréed eggplant topped with mint and a creamy yogurt sauce, are great, as are the kebabs. Don’t miss the excellent Persian ice cream. 11:30am-10pm MonThu, 11:30am-midnight Fri-Sat, 11:30am-9pm Sun. 801 W. Hamilton Ave. 408.866.6400.

PSYCHO DONUTS Donuts. $. Psycho Donuts has taken rings of fried dough into new territory with flavors like apricot, the Cookie Monster (topped with Oreos) and Do-Nilla (sprinkled with bits of vanilla wafers) and the

Tigelleria’s menu centers on fine cheeses and Italian salumi paired with tigelle, free-flowing, piping-hot flatbreads the size of mini pitas. The bread forms the addictive heart of the meal. 11:30am2pm, 5-10pm daily. 76 E. Campbell Ave. 408.884.3808.

TWIST CAFE AND BISTRO French and American. $$$. Twist describes itself as “American food with a French twist,” but the menu includes Middle Eastern, Asian and Italian influences, too. Cafe 9am-3pm Tue-Sat, 9am2:30pm Sun; Bistro 5-9pm Wed-Thu, 5-10pm Fri-Sat. 247 E. Campbell Ave. 408.374.8982.

Cupertino ¿book online at cupertino.com

ALEXANDER’S STEAKHOUSE American-Asian steakhouse.

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¿= book online $ = $10 $$ = $11-$15 $$$ = $16-$20 $$$$ = $21 and up Ranges based on average cost of dinner entree and salad, excluding alcoholic beverages

$$$$. Alexander’s is much more than a steakhouse. Add a 500-bottle wine list, multiple dining rooms and Asianaccented ambience and you’ve got a standout South Bay restaurant. Full bar. 5:30-10pm Mon-Thu, 5:30-11pm Fri-Sat, 5-9pm Sun. 10330 N. Wolfe Rd. 408.446.2222.

CAFE TORRE New Italian. $$$. A gem tucked away in an unassuming little mall, with a sophisticated interior and congenial hosts. Even better is the great pasta and seafood. Beer, wine. 11:30am2pm, 5-9:30pm Mon-Thu, 5-10:30pm Fri-Sat. Closed Sun. 20343 Stevens Creek Blvd. 408.257.2383.

CUPERTINO BAKERY Indian and bakery. $. Don’t be fooled by the name. Cupertino Bakery is a really great South Indian restaurant. Unlike many South Indian restaurants, Cupertino Bakery isn’t vegetarian. Good lunch buffet for $7.99. Don’t miss the dosa and utthappam. 11:30am-9:30pm daily, but weekdays kitchen closes 2:305:30pm. 102521 S. De Anza Blvd. 408.517.9000. DYNASTY SEAFOOD RESTAURANT Hong Kongstyle Chinese. $$$. Dynasty specializes in Hong Kong-style seafood. The seafood is very fresh, especially the creatures swimming minutes before they arrive on your plate. Good dim sum, too. Full bar. 11am2:30pm, 5-9:30pm Mon-Thu, 10am-3pm, 5-9:30pm Fri-Sat. 10123 N. Wolfe Rd (in Cupertino Square). 408.996.1680.

FLORENTINE RESTAURANT Italian. $. Bold flavors, fresh

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I spent two days in L.A. recently and visited the tiny WISH charter school in the Westchester neighborhood, where I met DAVID BINKLE, deputy director of the L.A. Unified School District’s food-service program. Because many schools lack even basic kitchen facilities, the solution isn’t simply preparing healthier food for kids. First, you have to figure out where to make the food. Then you’ve got to find a way to pay for it. Before WISH opened, a dedicated parent spearheaded efforts to create a healthy foodservice program. The school contracted Revolution Foods, an Oakland-based company that makes healthy foods at centralized kitchens and then delivers them to school sites. WISH, a K–5 school, is incorporating a school garden into their curriculum. They’re also installing a chicken coop for Fluffy, a much-loved chicken. After my trip to WISH, I met Binkle at Newman Nutrition Center, the food-services hub of the mighty LAUSD. The facility opened in 1979 and originally made 8,000 lunches a day for 50 schools. Today, it prepares 22,000 meals for more than 425 schools, many of which have no kitchens. Binkle, a chef turned food-services director, surprised me. I thought he was going to tell me what the district needed was greater per-pupil spending (currently 77 cents per student) to improve the quality of the food. While the district has increased servings of fresh fruit and vegetables, done away with soda pop and banned flavored milk, what Binkle really wants is to do away with the entire federal school-lunch program because of the waste and inefficiency he says it creates. Federal regulations stipulate what children must be served, whether they want it or not. As a result, thousands of pounds of food are thrown in the trash every day. “There’s clearly enough money,” he says. “It’s just being wasted. The whole [federal school-lunch program] needs to be blown up.” The system is clearly broken. So who is going to push the detonator?—Stett Holbrook

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SVDINING 28 ingredients and lavish portions. Beer, wine. 10257 S. De Anza Blvd. (plus six other locations, some with full bars). 11:30am9pm Mon-Thu, 11:30am10pm Fri-Sat, 4-9pm Sun. 408.253.6532.

FONTANA’S California/Italian. $$$. A steady performer, Fontana’s rarely disappoints pasta lovers. Beer, wine. 11:30am-9pm Mon-Thu, 11:30am-10pm Fri, 5-10pm Sat, 4:30-9pm Sun. 20840 Stevens Creek Blvd. 408.725.0188.

GOCHI Japanese. $$$. Gochi is a globally inspired izakaya (small plates) restaurant. Most of the food is straightup Japanese fare, but there are a few American, French and Korean twists. Highly recommended. 19980 Homestead Rd. 408.725.0542.

LOON WAH Chinese. $. The kitchen produces good wokcentric dishes, but its main draw is fresh, hand-pulled noodles. Casual. Beer, wine. 11am-9:30pm Mon-Thu, 11am10pm Fri-Sun. 1146 De Anza Blvd. 408.257.8877.

TATAMI Japanese. $$. Billed as a Japanese seafood buffet, Todai doesn’t limit itself to Japanese dishes. Pan-Asian and just plain odd specialties rotate. 11:30am-2:30pm, 5:30-9pm Mon-Fri, 11:30am3pm, 5:30-9:30pm Sat-Sun. Cupertino Square mall (near Sears), 10123 N. Wolfe Rd #2001. 408.996.3444.

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one of downtown San Jose’s best pizza shops. 11am-10pm Mon-Thu, 11am-11pm Fri, 11:30am-11pm Sat, 11:30am10pm Sun. 225 W. Santa Clara St. 408.289.9000.

ARCADIA Steakhouse. $$$. Celebrity chef Michael Mina reworked the menu at Arcadia in the summer of 2006 to create a modern steakhouse, a change that has made it the destination restaurant it was originally supposed to be. Lunch 11:30am-2pm Mon-Fri; dinner 5:30-10pm Sun-Thu, 5:30-11pm Fri-Sat. 301 S. Market St. 408.278.4555.

BELLA MIA Italian-American. $$$. One of downtown San Jose’s most attractive eateries, Bella Mia serves regional dishes with flair. Full bar. 11:30am-9pm Mon-Thu, 11:30am-10pm Fri, 4:30-10pm Sat, 4:30-8pm Sun. 58 S. First St. 408.280.1993.

BILLY BERK’S Eclectic. $$. Billy Berk’s restaurant looks and taste likes the offspring of the Hard Rock Cafe and Chili’s. The downtown San Jose restaurant offers a populist mix of American, Mexican and Asian food. Most dishes are designed for sharing— appetizer-size portions, nibbles and finger foods that pair well with the prodigious drink list. 11:30am-10pm Mon-Wed, 11:30am-10pm Thu, 11:30am-11pm Fri, 5-11pm Sat. Bar open till midnight. 99 S. First St. 408.292.4300. DALAT Vietnamese. $$.

¿book online at sanjose.com

San Jose’s second-oldest Vietnamese restaurant continues to draw those in search of delicious traditional fare. Surroundings are clean and friendly. Lunch and dinner daily. 408 E. William St. 408.294.6989.

AFFINITY Classic American.

EULIPIA New American.

Downtown San Jose $$$. Big-shouldered food in handsome surroundings is the rule. The steaks are big and juicy, the pot pies better than Grandma used to make. Full bar. 300 Almaden Blvd, inside the Hilton. 408.947.4444.

AMICI’S EAST COAST PIZZERIA Pizza. $. Amici’s specializes in thin-crust, New York-style pizza. With its upscale atmosphere and friendly service you’ve got

$$$. The revamped menu emphasizes robust flavors and beautiful presentations. Several standouts have been retained from the previous menu, as have the sexy Eulipia cocktails. Full bar. 5:30-10pm Tue-Sat, 4:30-9:30pm Sun. 374 S. First St. 408.280.6161.

FLAMES EATERY AND BAR American. $$. In Silicon Valley, the home-grown Flames restaurant chain is the

SANJOSE.COM

area’s definitive coffee shop. And now they’ve opened in downtown San Jose to great acclaim. 7am-midnight daily. 88 S. Fourth St. 408.971.1960.

4TH STREET PIZZA CO. Pizza. $. 4th Street Pizza Co. occupies a prime corner spot on East Santa Clara and Fourth with big windows to watch the comings and goings at City Hall across the street. The thin-crust margherita fell short but the thicker-crust pies are better. 11am-9pm Sun-Thu, 11am-10pm Fri-Sat. 150 E. Santa Clara St. 408.286.7500. HOUSE OF SIAM Thai. $. This popular establishment runs the gamut of Thai treasures. Beer, wine. 11:30am-2:30pm Mon-Fri, 5-10pm daily. 151 S. Second St. 408.295.3397. IL FORNAIO Regional Italian. $$. Embraced by the graceful Sainte Claire Hotel, this location (there are several up and down the coast) transports the diner. The menu showcases a different region of Italy monthly. 7am-10pm Mon-Thu, 7am-11pm Fri, 8am-11pm Sat, 8am-10pm Sun. Full bar. 302 S. Market St. 408.271.3366.

KOJI SAKE LOUNGE $$. Japanese. In spite of Koji’s well-tuned atmosphere, it’s the sakes that really set the tone. Koji’s sake list includes tasting notes that help you find one that suits you. Happy hour 6-9pm Wed-Fri with $3 beers and $5 small plates. 6pm-close Wed-Fri, 8pm-close Sat. 48 S. First St. 408.287.7199. LA PASTAIA Italian. $$. La Pastaia remains a stalwart of downtown San Jose’s dining scene. Set inside the Hotel De Anza, the rustic Italian restaurant has big-city style to spare. Lunch 11am-3pm MonFri, noon-2pm Sat-Sun; dinner 5-9pm Mon-Thu, 5-10pm FriSat, 5-9pm Sun. 233 W. Santa Clara St. 408.286.8686.

LA VICTORIA TAQUERIA Mexican. $. La Vic’s famously addictive orange hot sauce merely tops off its tasty taqueria fare: big burritos of the breakfast and lunchtime varieties, overflowing nachos, delectable chile rellenos. 7am3am daily. 140 E. San Carlos St. 408.298.5335.

31 Cuban food exudes an earthy, slow-cooked seduction and Los Cubanos has it in spades. Lunch 11am-2:30pm MonFri; dinner 5-9pm Mon-Thu, 5-10pm Fri, 1-10pm Sat and 4-8:30pm Sun. 22 N. Almaden Ave. 408.279.0134.

MCCORMICK AND SCHMICK’S Seafood. $$$. Harks back to big-city fish houses with stately, masculine interiors. Menu follows the freshest fruits of the sea, grilled, panseared, steamed. Desserts will hook you. 11:30am-10pm daily; 11pm happy hour Fri-Sat. 170 S. Market St. 408.283.7200.

MEZCAL Regional Mexican. $$. Mezcal specializes in delicious regional cuisine from the southern Mexican state of Oaxaca. People who need nachos and sour-creamtopped burritos on the menu will probably be miffed, but for those willing to venture beyond the same old MexicanAmerican standards, Mezcal offers an excellent point of departure. 11:30am-11pm SunFri and 5-11pm Sat. 25 W. San Fernando St. 408.283.9595.

MOROCCO’S Moroccan. $$. Morocco’s is the kind of restaurant downtown San Jose needs more of: distinctive food cooked and served by people with a personal investment in customer happiness. Morocco’s personal touch is all over the restaurant. Lunch 11am-3pm Mon-Fri; dinner 511pm Mon-Sat, Sun 5-9pm. 86 N. Market St. 408.998.1509. MORTON’S STEAKHOUSE Steakhouse. $$$$. Morton’s, a Chicago-based chain of restaurants with more than 80 locations across the U.S. and abroad, offers delicious, premium-priced steaks. The rest of the menu is a mixed bag. 5:30-11pm Mon-Sat, 5-10pm Sun. 177 Park Ave. 408.947.7000.

MUCHOS Mexican. $. A small player with a big rotisserie, this taqueria cultivates a devout lunch following. All standards get billing, but the mesquiteroasted chicken is the star. Beer. 11am-10pm daily. 72 E. Santa Clara St. 408.277.0333. NAGLEE PARK GARAGE New American. $$. Lots of

WIN FFREE R EE E STUFF! STUFF!

restaurants would like to think of themselves as friendly neighborhood joints but few deliver. The Garage does. Small but satisfying menu of wellexecuted comfort food classics. 5-9:30pm Tue-Thu, 5-10pm Fri, 9am-1pm, 5-10pm Sat, 9am1pm Sun. 505 E. San Carlos St. 408.286.1100.

NHA TOI Vietnamese. $$$. Nha Toi is the place for northern-style Vietnamese food—less sweet than southern Vietnamese food and less spicy than the food of central Vietnam, yet it makes wider uses of aromatic ingredients 9am10pm daily. 460 E. William St. 408.294.2733.

PAGODA RESTAURANT Chinese. $$$. The cuisines of China share top billing with the opulence of the décor. Pagoda offers the gamut of regional all-stars. Full bar. 6-10pm Tue-Sat. Fairmont Hotel, 170 S. Market St. 408.998.3937.

PAOLO’S New Italian. $$$$. Filled with artistic spins on California-meets-Italy, the kitchen turns out elegant entrees spearheaded by seasonal vegetables. The impeccable service compensates for the modest portions. Full bar. 11:30am2:30pm Mon-Fri, 5:30-10pm Mon-Sat. 323 W. San Carlos St. 408.294.2558. P.F. CHANG’S CHINA BISTRO Chinese. $$. With atmosphere to spare, Chang’s doesn’t neglect taste. Vibrant Szechuan flavors mix surprisingly well with rich Western-style desserts. Takeout. Full bar. 11am-10pm SunThu, 11am-11pm Fri-Sat. 98 S. Second St. 408.961.5250.

POOR HOUSE BISTRO New Orleans. $$. Poor House Bistro offers a low-priced menu of Crescent City classics like po’ boys, barbecued shrimp, gumbo and muffaletta. Live music on Fridays and Saturdays. 11am-9pm MonThu, 11am-10pm Fri-Sat, 10am-8pm Sun; brunch 10am2pm Sun. 91 S. Autumn St. 408.292.5837. SCOTT’S SEAFOOD Seafood. $$$. Culture lovers and power brokers alike find impeccable sourdough, a sea of marine

treats and other entrees and a panoramic view (there’s a sister eatery in Palo Alto). For maximum pleasure, get there at sunset. Full bar. 11:30am5pm Mon-Fri, 5pm-close Sat, 4:30pm-close Sun. 185 Park Ave. 408.971.1700.

71 SAINT PETER New American. $$$. This romantic eatery offers upscale Mediterranean food in an intimate setting. Beer, wine. Closed Sun. 11:30am-1pm, 59pm Mon-Sat. 71 N. San Pedro St. 408.971.8523. SONOMA CHICKEN Mixed. $. If you don’t mind carrying your own tray and fighting for a table you’ll be rewarded with hearty spit-roasted chicken that requires at least six napkins. 11am-9pm SunThu, 11am-10pm Fri-Sat. 31 N. Market St. at San Pedro Square. 408.287.4098.

VEGETARIAN HOUSE Vegetarian. $. This meat-free stalwart offers vegetarian dishes from around the world with a side serving of religious reading material from spiritual leader Ching Hai. 11am-2pm, 5-9pm Mon-Fri, 11am-9pm Sat-Sun. 520 E. Santa Clara St. 408.292.3798.

VUNG TAU Vietnamese. $$. Traditionalists might gripe that they can get authentic Vietnamese food for less elsewhere, but it’s hard to top Vung Tau for its fresh, quality ingredients and sleek yet comfortable décor. Encyclopedic menu. 10am3pm, 5-9pm daily. 535 E. Santa Clara St. 408.288.9055. WING’S Chinese. $. The food is complemented by an exotic dining room with sequestered seating equipped with hanging beads and doorbells, and other miscellaneous peculiarities of a bygone era. Always a fun place to visit. 11:30am9:30pm daily. 131 E. Jackson St. 408.294.3303 or 998.9427.

San Jose ¿book online at sanjose.com

AMATO’S Sandwich shop. $. The sandwiches make for greasy, sloppy, ferociously

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M E T R OAC T I V E . C O M | SA N J O S E . C O M | J U LY 6 -1 2 , 2 0 1 1 | M E T R O S I L I C O N VA L L E Y

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SVDINING 31 delicious eating. There are 34 varieties, categorized in three groups: hot, cold, specialty. 10am-11pm Mon-Fri, 10am9pm Sat, 10am-7pm Sun. 1162 Saratoga Ave. 408.246.4007.

AMBER INDIA Northern Indian, tandoori. $$. The sister to the popular Mountain View restaurant, Amber India’s Santana Row location continues to offer elegantly prepared Indian cuisine in a stylish setting. 11:30am2:30pm, 5-10pm, Mon-Thu, noon-3pm, 5-10:30pm Fri-Sat, noon-3pm, 5-10pm Sun. 377 Santana Row. 408.248.5400.

BILL’S CAFE Diner. $. Serving only breakfast and lunch, Bill’s knows its way around typical diner standbys—eggs (scrambles and hollandaiselaced “benedictions”), pancakes and expertly grilled sandwiches and burgers. 6:30am-3pm daily. 302 N. Bascom Ave. 408.287.2455.

CASA VICKY Family-style Mexican. $. Nothing fancy, but a hearty brand of Mexican food wrought from popular family recipes. Breakfast plates and warm sweet pastries in abundant supply. 7am7pm daily. 792 E. Julian St. 408.995.5488. CITRUS New American. $$$. In Santana Row’s chic Hotel Valencia, Citrus peels back the hotel dining myth. Here, diners match their own main dishes with their choice of rub, sauce and side dish. Fun continues in skilled desserts. 5:30-9:30pm Mon-Sat. 355 Santana Row. 408.423.5400.

CONSUELO Mexican. $$. Good regional Mexican food made with lesser-known ingredients in an attractive, upscale atmosphere. The food is served tapas style and meant to be shared. Fantastic tequila list. 11:30am-9pm Mon-Thu, 11:30am-11pm Fri, 11am-11pm Sat, 11am-9pm Sun. 377 Santana Row #1125. 408.260.7082. CRAWDADDY Cajun. $$. Crawdaddy specializes in boiled live crawfish flown in from Louisiana. The mud bugs are served steaming in a plastic bag swimming in a buttery, garliclaced sauce that ranges from

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mild to ridiculously hot. 3-10pm Mon-Fri and noon-10pm SatSun. 779 Story Rd. 408.286.2729.

Meridian Ave. 408.269.3801.

DIA DE PESCA Mexican. $.

Simplicity reigns here; just Ethiopian food—chicken, beef, lamb, vegetarian—and Ethiopian coffee. The flavors taste even better with honey wine. Beer, wine. Noon-9pm Sun-Thu, noon-10pm FriSat. 1261 W. San Carlos St. 408.295.9546.

As you might guess from the name (Dia de Pesca means “gone fishing” in Spanish), the restaurant specializes in seafood—fish tacos, ceviche, shrimp cocktails and soups. It’s all good. 10:30am-8:30pm daily. 55 N. Bascom Ave. 408.287.3722.

DI LAC Vegetarian Asian. $$. A bite of veggie heaven. The spacious Di Lac serves up an appetizing array of foods, all of which are made fresh daily, including the soy milk and tofu. 9am-9pm daily. 1644 E. Capitol Expwy. 408.238.8686.

EDNA RAY Chinese. $$. Now in a new location, Edna Ray continues to serves classics of Chinese-American food with the same quantity, familiarity and reasonable prices. You’ll find all three here, and then some. 11:30am9:30pm daily. 1181 Lincoln Ave. 408.280.7738. FISH MARKET Seafood. $$$. This latest terrific-looking member of the dynasty attracts lines of customers to its bars—wine, sushi, oyster—with an extensive menu of fresh seafood. Luscious desserts too. Full bar. 11am-9:30pm Mon-Thu, 11am10pm Fri-Sat, noon-9:30pm Sun. 1007 Blossom Hill Rd. 408.269.3474. 5-SPOT CHIVAS GRILL Mexican-American diner. $. The brick-walled 5-Spot is a perfect mix of American food, past and present. The diner still serves classic American diner food as well as Mexican standards. 7am-9pm daily. 869 S. First St. 408.294.4979.

FOOD TOPIA Chinese and Taiwanese. $. Food Topia serves a great, low-priced menu of Taiwanese and Chinese food. Go for the beef noodle soup, pickle and fish fillet soup and the fried chicken roll. No alcohol served. 1600 S. De Anza Blvd. 408.873.7628. FRATELLO Italian. $$. Bursting with simple flavors, Fratello boasts native Italian dining without affectation. 5-9:30pm Tue-Sun, Fri-Sat 5-10pm, 5-9pm Sun. 1712

GOJO ETHIOPIAN RESTAURANT Ethiopian. $.

GOVEA’S Mexican. $. A community hub that serves up wonderfully fresh, oldfashioned Mexican food with no trendy gimmicks. Wholesome and filling. 10am9pm Mon-Thu, 10am-10pm Sat-Fri, 9am-9pm Sun. 1996 Tully Rd. 408.270.0973.

GREAT WALL Chinese. $$. This strip mall hideaway serves skillfully prepared Chinese dishes in an atmosphere where sandals and T-shirts are the perfect fashion. Beef and black mushrooms, salt-and-pepper spareribs and cashew chicken earn high marks. Take out available. 11am-2:30pm, 4:309pm Mon-Fri, noon-9pm Sat. 1409 Bird Ave. 408.287.1688 or 287.1689. THE HAPPY BAMBOO Vegetarian. $. The menu at the Happy Bamboo is almost all vegan and most of it Vietnamese or Asian-inspired. There’s also a vegetarian tuna salad and, out of nowhere, Hungarian goulash and spaghetti. 11:30am-9pm TueSun. Closed Mon. 1711 Branham Lane. 408.694.0740.

HUKILAU Hawaiian. $$. Simple, slightly salty, stomachfilling foods with an AsianPacific attitude. All daily specials come with a scoop of macaroni salad and steamed rice. Skip the quesadilla and nachos and head straight for the ahi poke. With tropical drinks to match. 11am-1:45pm Tue-Fri, 5-9:30pm Tue-Wed, 5-10:30pm Thu-Sat, 11am2:30pm Sat-Sun, 5-9pm Sun. 230 Jackson St. 408.279.4888. HUNAN TASTE. Chinese. $$. The restaurant continues to pack them in because the food is so good. As the name implies, the restaurant specializes in the fiery, hearty food of China’s Hunan province, making it one of the

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KAHOO Japanese. $ The people queuing up are ramen aficionados who know a good bowl of ramen when they find one. And they’ve definitely found one here. 11:30am2pm, 5:30-9:30pm Mon-Fri, 11:30am-3pm, 4:30-9pm Sat-Sun. 4330 Moorpark Ave. 408.255.8244.

KUBOTA Japanese. $$. A beautiful dining room that serves exquisite rice, luscious ribs and decent sushi. Full bar. 5:30-10pm Mon-Sat, 59:30pm Sun. 593 N. Fifth St. 408.279.8440. LAYANG LAYANG Malaysian. $$. Layang Layang shines with clean, fresh flavors and ingredients, and offers a great entry into Malaysian food. Service is fast and friendly, a feat given how harried the waitstaff can be. Wine and beer. Closed Mon. 1480 S. De Anza Blvd. 408.777.8897.

LE PAPILLON Contemporary French. $$$$. From start to finish, a meal at Le Papillon casts a spell on everyone who enters. The feeling is only broken when you walk out the door and abruptly step back into the real world outside. Full bar. Lunch 11:30am-2pm Fri; dinner nightly. 410 Saratoga Ave. 408.296.3730. MAGGIANO’S LITTLE ITALY Italian. $$. Like a warm Italian embrace, this Santana Row superstar proves a welcome haven for company lunches and congenial dinner parties. The food is a cut above standard, with roast chicken and veal marsala standing out. 11am-10pm Mon-Thu, 11am-11pm Fri-Sat, noon-10pm Sun. 3055 Olin Ave. #1000. 408.423.8973.

MT. HAMILTON GRANDVIEW Cowboy continental. $$$. The Grandview is an old-school roadhouse with a warm atmosphere. Add dishes like surf and turf, rack of lamb chasseur and chicken Cordon Bleu and you’ve got yourself a destination. 5-10:30pm Wed-Sun. 94 Mt. Hamilton Rd. 408.251.8909.

THE MYNT Indian. $. The

Mynt’s lunch buffet is a Silicon Valley standout, while the sit-down dinner menu has plenty to offer as well. Lunch 11:30am-2:30pm Mon-Sun; dinner 5:30-9:30pm Mon-Thu and 5:30-10pm Fri-Sat. 5210 Prospect Rd. 408.973.9673.

OMOGARI Korean. $. Omogari makes getting to know Korean food easy. The menu includes pictures of many dishes, the service is friendly and the food is consistently good. Try the dae gee bul go gi, spicy marinated pork. 11:30am9:30pm Mon-Sat. 154 E. Jackson St. 408.280.6588. PASTA POMODORO Italian. $. Exuberant, inexpensive and fast cuisine made to order and served with sparkle. High concept and low costs make Pasta Pomodoro a dream trattoria for lovers of robust Italian flavors. 11am-10pm daily. 1205 The Alameda. 408.292.9929.

PRESIDENT RESTAURANT Mongolian barbecue. $. This mom-and-pop eatery gears itself toward the common man with the uncommonly large appetite. Thrown into the bargain is a Chinese steamtable buffet. 11am-3pm, 4:309pm daily. 1190 Hillsdale Ave. 408.978.7188.

RAMEN HALU Japanese noodles. $$. Surfer-themed, casual-but-comfy, chef Kumao Arai’s noodle house imports traditional techniques to produce hearty, aromatic bowls stocked with pork-, sea-saltor soy-sauce-flavored broth. Cash only. Call ahead; hours are irregular. 375-M S. Saratoga Ave. 408.246.3933.

RASA MALAYSIAN Malaysian. $$. Rasa Malaysian is a homey restaurant that offers a number of solid examples of Malaysian food including satay chicken, char tway keow and sambal kangkung. 11am3pm, 5-9pm Mon-Fri, 11am9pm Sat. 1290 Coleman Ave. 408.980.0668. REHOBOTH Ethiopian. $$. Japantown isn’t all Japanese food. Rehoboth adds spice to the neighborhood with its diverse menu of Ethiopian standards. Carnivores, vegetarians and vegans are all well taken care of. Good coffee, too. 11:30am-9pm

Mon-Thu, 11:30am-10pm Fri-Sat. 665 N. Sixth St. 408.947.1717.

REYHAN Persian. $. Reyhan restaurant is located in the most unlikely of areas—an industrial strip of Almaden Road in south San Jose. As such, the place is kind of an oasis—an oasis of kebabs. 11am-8pm daily. 1625 Almaden Rd. 408.293.3600.

SELAM Ethiopian and Eritrean. $. Often it’s the places you have to work to find that turn out to be the good ones. Selam is tucked away in a mall off Winchester Boulevard, but the food is a real standout. 10am10pm daily. 3120 Williams St. 408.984.9600.

SIAM Thai. $$. Siam is a sweet little Thai restaurant between Valley Fair and Santana Row. The menu offers a lineup of Thai standards and crowd-pleasing combinations with Americanized names like “cashew lover,” “Thai angry” and “pleasing garlic.” There’s plenty to recommend. 11:30am-2:30pm, 5-9pm TueSat. 2910 Stevens Creek Blvd. 408.246.0304. SIENAMEDITERRANEAN BISTROMediterranean. $$$. Tucked into picturesque Willow Glen, this tiny bistro offers big tastes. Entrees such as Moroccan Cornish game hen, venison medallions and seasonal risotto battle for your appetite with a bread pudding dessert. Patio dining available. 1359 Lincoln Ave. 408.271.0837.

STRAITSRESTAURANT Asian fusion. $$$. By night it’s a jampacked hipster clubhouse; by day it’s Singaporean chef Chris Yeo’s latest chic fusion venue. Small plates share the menu with entrees such as the lobster and shrimp pad thai. Outdoor seating available. 11am-10pm Sun-Wed, 11am-midnight ThuSat. 333 Santana Row #1100. 408.246.6320. SUSHIBOAT Sushi bar/ Japanese specialties. $. With a décor that is upbeat and sophisticated and sushi that is as dazzling as handmade jewelry, Sushi Boat walks on water! 11am-9:30pm daily. Westgate Mall, 1600 Saratoga Ave. #119. 408.378.4000.

M E T R O S I L I C O N VA L L E Y | J U LY 6 -1 2 , 2 0 1 1 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

few restaurants in the Bay Area to do so. 11am-2:30pm, 4:30-8:30pm Mon-Sat. 998 N. Fourth St. 408.295.1186.

M E T R OAC T I V E . C O M | SA N J O S E . C O M | J U LY 6 -1 2 , 2 0 1 1 | M E TR O S I L I C O N VA L L E Y

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metroactive

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*wed CALVIN JOHNSON

Black and Brown, San Jose Wed – 7pm; free Raise your hand, everyone who expected one of the founding icons of alternative rock to be playing in a San Jose thrift store. Nope, didn’t think so. It sounds crazy, and yet here it is: Black and Brown has been doing some in-store events, and some extremely hip person there had a friend who had a friend—and so on. Long story short, K Records was looking for a place for Calvin Johnson to play, and Black and Brown offered up its space. Besides founding K (the only record label whose logo Kurt Cobain had tattooed on his body), Johnson

practically invented the kinder-punk sound with his Olympia band Beat Happening. All of the band’s albums are essential to understanding why indie rock sounds the way it does now, though 1988’s barely-20minutes-long Jamboree is probably their masterpiece. As a solo artist, Johnson went troubadour, then came back to rock & roll. No matter how you look at it, this show is a must see. And, somehow, free. (SP)

SEABRIGHT Blank Club, San Jose Wed – 9pm; free Justin Morales’ one-man ambient project is chill without being boring, fusing the confessional style of a singer-songwriter to a bright electronic soundscape. Morales doesn’t need eight minutes to build a mood; some of his headiest grooves slip by in barely two minutes. (SP)

*thu

LED ZEPAGAIN

Plaza de Cesar Chavez, San Jose Thu – 5:30pm; free The persistence of Led Zeppelin on radio, reissues, bootlegs and YouTube clips testifies to the band’s enduring status as the apotheosis of ’60s rock & roll. LZ started later than the other great bands (Stones, Who, Cream, Doors), subsumed their styles, extended the ideal of rock excess deep into the ’70s, birthed heavy metal and probably provoked the counterreaction of punk. The strength of the band’s playlist accounts for the successful careers of several tribute bands; among the keepers of the electro-oral tradition, one of the best is Led Zepagain, which

covers a wide swath of the Zep catalog, from the obvious (“Whole Lotta Love”) to the unexpected (“Gallows Pole”) and presents an exceptional visual simulacrum of Page, Plant, Jones and Bonham onstage. ZeBop! also performs for this Music in the Park show. (MSG)

SMASH MOUTH Montalvo Arts Center, Saratoga Thu – 7:30pm; $45-$86 The funny thing about San Jose’s ’90s breakout stars Smash Mouth is that most people’s image of them is completely fixed. “All Star” seems to be in at least a third of the movies that come out every year, “Walkin’ on the Sun” is still in alt-radio rotation, and I just heard their cover of “Why Can’t We Be Friends” in the supermarket less than a month ago. But the reality is the band has been through

a lot of change, and a struggle to find their musical identity. Among their frustrating personnel changes, founding songwriter and guitarist Greg Camp left, then came back, then left again earlier this year. After a rush of creativity and incredible success from their 1997 debut to 2002’s gold-selling Smash Mouth, they’ve had increasing trouble with their new material, never seeming to be satisfied with what they’ve recorded—and after Summer Girl in 2006, simply releasing nothing at all). But they continue to play the hits live and still seem destined for the oft-promised album that returns them to their original sound. (SP)

* concerts

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SMASH MOUTH CCLAUDIA ACUÑA QUARTET

ANYA MARINA

Jul 8 at 8pm, Campbell Recital Hall, Stanford

INTOCABLE Jul 8 at 8pm, San Jose Civic

BILL CHARLIP Wi Renee Rosnes, Jul 9 at 8pm, With Di Dinkelspiel Auditorium, Stanford

DJ HOMICIDE Jul 9 at Fahrenheit, San Jose

METRO FOUNTAIN BLUES FEST ME The festival festiv returns with Fountain Blues Fest Festival All-Stars Band and Tommy Castro, Jul 9, St. James Park, San Jose Castro

HOWARD JONES Jul 10 at 7:30pm, Montalvo Arts Center

MAYHEM FESTIVAL Jul 10 at 2:15pm, Shoreline

AMERICAN IDOL LIVE Jul 13 at 7pm, HP Pavilion

KATHY GRIFFIN JJul 16 at 8pm, Mountain Winery

EDDIE IZZARD Jul 16 at 8pm, Shoreline

INXS With Ber Berlin, Jul 19 at 7:30pm, Mountain Winery

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*sat

MAKEUP SEX Streetlight Records, San Jose Sat – 4pm; free Dirty, guitar-driven rock & roll is as American as apple pie. It just never gets old watching dudes pounding out three chords on their axes while they sing catchy harmonies. Makeup Sex has the power-pop, loud distortion sound of the Smithereens, though unlike the Smithereens, they tend toward raunchier lyrics. But with a few careful listens, it’s apparent that there is more depth to their words. There’s even some heartfelt, personal moments in there too. After this free Streetlight show they open for Anya Marina at the Blank Club. (AC)

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Jul 222 at 7:30pm, Mountain Winery

JASON ALDEAN Jul 27 at 7:30pm, Shoreline

KID ROCK

MONTROSE Avalon Nightclub, Santa Clara Sat – 8pm; $25 A rocker famous for his instrumentals, Ronnie Montrose doesn’t attempt to write songs for singers. He doesn’t need words. His background is from the land of incendiary guitar riffs, making him a solo artist who gives his acoustic blues a blend of power lifted from years in front of an amp. Montrose has put out some pretty jazzy rock while remaining as technically impressive as during his heavier years. (KL)

ANYA MARINA Blank Club, San Jose Sat – 9pm; $10 When Silicon Valley expat Anya Marina released her debut indie album, Miss Halfway, she showed promise as a quirky acoustic singer/

songwriter. Later, she made the move to a major and has released highly polished albums that use dance-floor rhythms, glammed-up rock & roll and electronics. Since her major-label jump, she’s gotten her music in everyone’s ears thanks to the songs appearing on countless TV shows. All the studio production and genre blending fits well with her wispy voice and clever, catchy lyrics. But underneath it all, there’s still a quirky songwriter playing her acoustic guitar in coffee shops. (AC)

*sun

MAYHEM FEST Shoreline Amphitheatre, Mountain View Sun – 2pm; $31-$61 The Mayhem Festival brings back

some big metal guns with the return of headliners Disturbed, as well as Machine Head, Trivium and Suicide Silence. By the last time they were through, Disturbed had pretty much shaken off the nümetal label, although bassist John Moyer told me it never bothered the “Down With the Sickness” hitmakers too much: “”We’ve never understood the nü-metal tag with us,” he admitted. “Obviously we came out during that movement, and it helped a lot initially.” Since they just had their fourth album to debut at No. 1 on the charts, Asylum, I doubt they’re sweating any of the small stuff. Joining Disturbed on the main stage will be Godsmack, Megadeth and Machine Head, with Testament and Trivium headlining the two smaller stages. (SP)

With Sheryl Crow, Jul 29 at 7pm, Shoreline

BLUES TRAVELER Aug 4 at 7:30pm, Montalvo Arts Center

KATY PERRY Aug 12 at 7:30pm, HP Pavilion

SAN JOSE JAZZ FEST Aug 12–14, downtown San Jose

DISASTER RELIEF BENEFIT With CS&N, Jackson Browne and more Aug 7, Shoreline

ITALIAN FESTA Family event from Italian American Heritage Foundation, Aug 27-28, Guadalupe River and Gardens Park

DEVO Aug 27 at 7:30pm, Mountain Winery Like Metro on Facebook (metrofb.com) for a chance to win exclusive concert tickets for Metro fans.

M E TR O S I L I C O N VA L L E Y | J U LY 6 -1 2 , 2 0 1 1 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

Jul 7 at 7:30pm, Montalvo Arts Center

36 M E T R OAC T I V E . C O M | SA N J O S E . C O M | J U LY 6 -1 2 , 2 0 1 1 | M E T R O S I L I C O N VA L L E Y

metroactive ARTS

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LB<# pfl Xi\ dp ]f[[\i1 :_Xic`\ Ifjj Zflc[ jXp k_`j `] _\ \m\i d\k X Z\ikX`e `ek\i^XcXZk`Z _\if% ;li`e^ )#''' j_fnj fe ]fli Zfek`e\ekj# Ifjj _Xj Zfe[\ej\[ k_\ \ek`i\ j_l[[\i`e^ dXjj f] k_\ Óijk k_i\\ JkXi NXij Ócdj `ekf _`j Fe\$DXe JkXi NXij Ki`cf^p% (Convinced they are, appeal Ross will: For his local appearance starting July 14, San Jose Repertory Theatre

is offering discount tickets for those who arrive bearing lightsabers. Please turn off lightsabers before the show begins.) Naturally, the road Ross has covered amazes him. “I’ll be onstage thinking, ‘The chaos has taken root. I guess I really am in Asia.’” In interviews, Ross has spoken of slightly adjusting his piece depending on where he’s performing. I asked via telephone what it was like to perform OneMan Star Wars in the United Arab Emirates. “There were people out of Lawrence of Arabia there in the audience, but there were also a lot of Russians on holiday. It was New Year’s, and the Russians stretch their holiday out for a week or so. I had

to slow some things down and speed some things up. I didn’t know if they’d get the jokes, but they did.” Ross has performed at gatherings of Star Wars fans, including 2005’s Celebration III in Indianapolis. He has been in the same room as George Lucas at an Orlando convention. He knows Lucas has seen the show on DVD, but they’ve still never met. The theater in Ross’ small hometown in Canada ran the first Star Wars for a year, selling out for months, but Star Wars mania came slowly for him. “The first thing I heard about it was a toy commercial. I was just young enough not to know what it was all about: here were these spacey-looking things I wanted to have. Such is the power of marketing. Of course when I saw the films, I thought about how much I wanted to be in space and have a lightsaber.” After having soaked so thoroughly in Star Wars, does Ross ever speculate how he would have directed it?

“I would never touch it. It’s like your mom or your dad’s idiosyncrasies that you wouldn’t change even if they piss you off a little.” Ross began interpreting Star Wars as an acting exercise; he was trying to reduce the entire 6.5 hours running time into one minute. “I didn’t know where to begin or end: with one minute of Yoda’s speech? I started a script beginning with bits I remembered from the film. When you cut out all the fat, and all the bits that don’t make the film go forward, it’s amazing how simple the story is. You even have blanks to fill in.” Even more surprising is Ross’ condensation of 11 hours of The Lord of the Rings films. Would the next step be a condensation of the second three Star Wars films? “Doing something on the prequels would be more like manufactured love,” he says. “A real geek who genuinely loved the new films would see that I was bullshitting. I don’t want to pretend to love something; I wouldn’t be on that fine line between loving something and poking fun. I’m still looking for another trilogy as good as Star Wars or Lord of the Rings. Maybe when the Nolan Batman films are done.” Reviewers describe the physicality of Ross’ performance—the kneepads he wears aren’t there so he can genuflect to the material. It sounds a lot like Hamlet, as Kenneth Branagh described it: “Five acts of dialogue and then, when you’re exhausted, a swordfight.” “It’s not like that,” Ross demurred. “I’m just parroting, I don’t compare myself to actors who have performed Hamlet. In one-person shows, you take the audience by the hand, but they also take you by the hand. If you mess up, you make it part of the show. It’s a great rare thing for an actor to carry an audience all the way through something like this. It’s hard to imagine going back to a little role.”

ONE-MAN STAR WARS July 14–17; $35–$69 San Jose Repertory Theatre

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metroactive ARTS

Dance

BALLROOM ON THE RUNWAY A night of ballroom and Latin formation dance with Bay Area Elite Dance Company. A benefit for the 20th anniversary of the center. Sat, 3pm. $12-$33. Mountain View Center for the Performing Arts.

Opera OPERA SAN JOSE The troupe performs as part of the Classical Series. Sun, 6pm. Free. Downtown Redwood City.

Theater AVENUE Q The popular Broadway musical about snarky puppets and people comes to town in a San Jose Stage Company production. Wed-Thu, 7:30pm, Fri-Sat, 8pm, Sun, 2pm. Runs thru Jul 24. $25-$50. The Stage, San Jose.

CALIFORNIA THEATRE CENTER For summer, the company mounts several productions in repertory. “Around the World in 80 Days”—this week Fri, 7:30pm, Sun, 3pm. “The Servant of Two Masters”—this week Sat, 7:30pm. “Agatha Christie’s Black Coffee”—this week Thu, 7:30pm. The whole series runs thru Jul 24. $10-$25. Sunnyvale Community Center Theater.

DARWIN IN MALIBU Crispin Whittell’s comedy places Charles Darwin and Thomas Huxley in present-day Malibu and lets the sparks fly. Presented by Northside Theatre Company. Thu-Sat, 8pm, Sun, 3pm. Runs thru Jul 10. $15-$20. Northside Theatre Company, San Jose.

OLD TIMES

A8M8 KI8G :Xc`]fie`X K_\Xki\ :\ek\i gi\j\ekj É8^Xk_X :_i`jk`\Êj 9cXZb :f]]\\#Ê X dpjk\ip gcXp ]\Xkli`e^ k_\ `e[fd`kXYc\ [\k\Zk`m\ ?\iZlc\ Gf`ifk% K_\ j_fn ilej k_ifl^_ Alcp )+ Xk k_\ JleepmXc\ K_\Xk\i% Thu-Sat, 8pm, Sun, 2pm. Runs thru Jul 10. $15-$30. Pear Theatre, Mountain View.

THE SOUND OF MUSIC The hills are alive with the famous musical at West Valley Light Opera. Regular shows: FriSat, 8pm, Sun, 2:30pm. Runs thru Jul 23. $18-$30. Saratoga Civic Theater.

Comedy BIG FAT SUMMER COMEDY EXTRAVAGANZA Standup, skits and more with Will Durst, Johnny Steele and others. Sat, 8pm. San Jose Stage Company.

ROOSTER T. FEATHERS Wed, 8pm: New Talent Showcase. $10. Thu, 8pm, Fri, 9pm, Sat, 8 and 10:30pm, Sun, 8pm: Marc Maron. $12-$18. Sunnyvale.

SAN JOSE IMPROV Wed, 8pm: Laugh Lounge. $12. Thu, 8pm: American Me Comedy Show. $12. Fri, 8 and 10pm, Sat, 7 and 9pm: Ben Bailey. $20. Sun, 7pm: DJ Cooch and Kabir Singh. $14. San Jose.

Directed C hore ograp hed by Kevin R . Hauge

JULY 29AUGUST 7, 2011 MONTGOMERY THEATER DOWNTOWN SAN JOSE Tickets: (408) 792-4111 www.cmtsj.org

*art

Museums

An adaptation of Harold Pinter’s drama. Thu-Sat, 8pm, Sun 2pm. Runs thru Jul 24. $15/$25. Piggott Theater, Stanford.

CLUB FOX

CONTINUING

Mon, 8pm: Comedy Monday hosted by Dan St. Paul. $10. Redwood City.

ART MUSEUM OF LOS GATOS

A RAISIN IN THE SUN

COMEDYSPORTZ

Pear Avenue Theatre does its take on Lorraine Hansberry’s play about an African-American family in the 1950s in Chicago.

Fri, 9pm and Sat, 7 and 9pm: Live improv comedy. Fri, 11pm: The Midnight Show. Inside the Camera 3 building, San Jose.

“In the Abstract.” Abstract works by artists Paula Schales, Ewa Gavriellov and Neal Boor. Thru Jul 21. Los Gatos.

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Special Discount Code: METROAIDA

M E TR O S I L I C O N VA L L E Y | J U LY 6 -1 2 , 2 0 1 1 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

Marcia Lepler

*stage

CMT Mainstage Presents

metroactive ARTS

More listings:

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37 CANTOR ARTS CENTER “The Art of the Book.” A show about five fine presses in the Bay Area. Thru Aug. 28. “Illustrated Title Pages: 15001900.” A show of 80 illustrated book pages from the museum’s collection. Thru Oct 16. “True Colors: Rediscovering Pigments of Greco-Roman Marble Sculpture.”Thru Aug 7. WedSun, 11am-5pm, Thu, 11am-8pm. Stanford.

CHILDREN’S DISCOVERY MUSEUM “Mammoth Discovery!” Plus activies and hands-on fun for kids. Mon-Sat, 10am-5pm. Sun, noon-5pm. Discovery Meadow, San Jose.

HISTORY PARK SAN JOSE “Nature’s Beloved Son: Rediscovering John Muir’s Botanical Legacy.” A show dedicated to the many biological specimens collected by the naturalist. Runs thru Sep 11 at Pacific Hotel. “Celebrating Local Artists.”Thru Sep 18 at Pasetta House, History Park, San Jose.

SAN JOSE MUSEUM OF ART “The Bible Illuminated: R. Crumb’s Book of Genesis.” Thru Sep 25. “Laboratory.”The museum’s new Beta Space hosts experimental shows. First exhibit features installations by Kevin Appel and Ruben Ochoa. Runs thru Aug. 14. “Roots in the Air, Branches Below: Modern and Contemporary Art From India.” Thru Sep 4. Tue-Sun, 11am-5pm,

closed Mon. San Jose.

SAN JOSE MUSEUM OF QUILTS & TEXTILES “Primary Structures.” A look at sculptural art knitting. “Southwestern Banded Blankets: Three Cultures, One Horizon.”Thru Aug 7. Tue-Sun, 10am-5pm. San Jose.

TECH MUSEUM OF INNOVATION Exhibits about science, technology and the world. Ongoing. Mon-Wed, 10am-5pm, Thu-Sun, 10am-8pm. San Jose.

TRITON MUSEUM OF ART “Non-Traditional Landscapes.” Six artists display abstract images of landscape settings. Thru Jul 20. “Fire Strokes, in Memory of Won Choe.”

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STAGE

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Take It Off FROM THE spicy curtain raiser to the bodacious closing number, Cabrillo Stage’s 30th-season opener has audiences laughing and whooping for more. Deservedly so. Nominated for nine Tony Awards, The Full Monty is the comical story of six jobless steelworkers who dream up a bold move to acquire big cash and reclaim their man cards—if only they can work up the nerve to bare their souls and let it all hang out. On the way, they sort through issues of friendship, self-respect, family ties and the true measure of a man’s worth. The themes feel especially relevant in this time of high unemployment. But director Dustin Leonard’s treatment keeps this production light-hearted, by turns hilarious, tender, tough and bawdy. The K_\ =lcc Dfekp songs develop the story well and showcase strong musical talent from leads Kyle Payne Runs through July 17 (Jerry), Kevin High (Dave) and Robin DiCello Cabrillo Crocker Theater, (Georgie). Especially delightful are the song6500 Soquel Dr., Aptos. and-dance turns by Jarrod Washington as $16–$34 Horse. Alice Hughes (Vicki) and Claire Hodgin (Jeanette) are excellent reminders of the value of seasoned performers. Hodgin could give Betty White a run for her money. It takes a big man to bare all without benefit of airbrushing or a body double. None of that is available in a live production. These actors are regular men with a range of body shapes and less-than-perfect features, but they, like their characters, do what responsible men do—make a plan, show up, hit their marks and follow through—with style and great good humor. Speaking of grace, the women in the cast, while they don’t have to go quite as commando, certainly contribute greatly to the concept of beauty and strength taking many forms. In the end, The Full Monty is not so much a story about physical appearance as it is about the definition of self-value. It’s a huge treat to see characters—and actors—applauded for their selfacceptance.—Kelly Brewer

M E T R O S I L I C O N VA L L E Y | J U LY 6 -1 2 , 2 0 1 1 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

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M E T R OAC T I V E . C O M | SA N J O S E . C O M | J U LY 6 -1 2 , 2 0 1 1 | M E T R O S I L I C O N VA L L E Y

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CRIMINAL DEFENSE

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38 Paintings by Mirang Woone.” Thru Jul 10. “Lou Bermingham.” Thru Jul 24. Tue-Wed and Fri-Sun, 11am5pm, Thu, 11am-9pm. Santa Clara.

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• Personal Injury, Auto Accidents, Slip and Fall, Wrongful Death

CONTINUING

408.271.3245

Jazz portraits by Bruni, plus sports art by Mark Gray. Thru Aug 31. Daily, 1-6pm. San Jose.

BRUNI GALLERY

OPENING

• Criminal Defense: DUI, DWI, Drug Crimes, Sex Crimes, Assault, DMV Hearings, Drivers License Suspension

AVENUE 25 GALLERY “Visions of Childhood.” A show of works by California women artists presented by Peninsula Chapter of the Women’s Caucus for Art. Thru

MACLA “Navigations of the Fantastic.” A group show by Elizabeth Gomez, Betty Davis, Jose Arenas and Veronica Felix. Thru Aug 13. Wed-Thu, noon-7pm, Fri-Sat, noon-5pm. San Jose.

Galleries “Aloha—Return to Paradise.” Works by Foster City artists Nancy and Robert Terrebonne inspired by Hawaii. Jul 6-Aug 7. Reception Sat, 7-9pm. WedSun, 10am-3pm. Redwood City.

www.StevenClarkLaw.com

Jul 9. Mon-Fri, 9am-5pm. San Mateo.

“Botanical Art Exhibit.”Thru Jul 31. Woodside.

MAIN GALLERY

www.advantagebk7.com

More listings:

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“Bird Song and Other Stories.” Works by Trevlyn Williams and Martha Castillo. Thru Jul 16. Palo Alto.

GALLERY SARATOGA “Wild.” Photography by Judy Bingham. “Images Remembered.” Paintings by Dorothy Atkins. Thru Jul 31. Reception Jul 16, 2-6pm. TueSun, 11am-6pm. Saratoga.

LOS GATOS COMPANY “Variations, Different Faces of the Same Place.” Oil paintings of Los Gatos by Riki R. Nelson. Los Gatos.

“This Is Me.: Dolls ’n’ Drag.” Works by Miss Oblivious. Thru Jul 31. Metro, San Jose.

MOHR GALLERY “Cars, Gates and Landscapes.” Paintings by Alexis Grant. Thru Jul 31. Community School of Music and Art, Mountain View.

MONTALVO ARTS CENTER “A Common Balance: Impossible Dream’n.” A sculptural installation in the Project Space Gallery in the form of a “grow lab” investigating biodiversity.Thru Jul 17.Thu-Sun, 11am-3pm. Saratoga.

MOUNTAIN VIEW CENTER FOR THE PERFORMING ARTS Paintings by Gail Ragains. Thru Aug 22. Mountain View.

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f] CfiiX`e\ ?XejY\iipÊj ]Xdflj [iXdX f] 8]i`ZXe 8d\i`ZXe ]Xd`cp c`]\# É8 IX`j`e `e k_\ Jle%Ê K_\ j_fn ilej k_ifl^_ Alcp (' `e DflekX`e M`\n% PHANTOM GALLERIES “Defragmentation 66.” An installation by Michele Guieu. Thru Jul 23. Storefront windows on South First Street, San Jose.

RED BERRY COFFEE BAR “Fresh Out of Ink.” Figurative works in ink on paper by Leslie Lambert. Thru Jul 30. San Jose.

SAN JOSE INSTITUTE OF CONTEMPORARY ART “Lift Off.” A show of works by recent MFA art grads from SJSU. Thru Sep 10. “Frames of War.” Works by Hanna Hannah. Thru Sep 10. Tue-Fri, 10am-5pm, Sat, noon-5pm. San Jose.

SANTA CLARA CITY HALL Biennial “Indoor Sculpture Exhibition.”Thru Sep. Santa Clara.

SARATOGA LIBRARY Photographs of West Coast people and places by Charles DiLisio. Thru Aug 31. Saratoga.

STANFORD ART SPACES Paintings by Haiying Wang, digital art by Mark McAfee Brown, photography by Gabe Sheen. Thru Jul 23. Mon-Fri, 8:30am-5pm. Paul G. Allen Art Spaces Gallery, Stanford campus.

*kids

CHILDREN’S THEATRE IN THE PARK A weekly family show presented by Peninsula Youth Theater. This week: “Leilani: A Hawaiian Fairy Tale.” Fri, 6:30pm. Free. On the

lawn at Mountain View Center for the Performing Arts.

HANSEL AND GRETEL: THE UNTOLD STORY A show by Palo Alto Children’s Theatre. Runs thru Jul 16. (Call 650.463.4970 for tickets.) Palo Alto.

JEWELRY ON THE SQUARE A showcase for local artisans in conjunction with live music by Aja Vu. Fri, 5-8:30pm. Downtown Redwood City.

JUNGLE RUN A half-marathon and 10K event. Sun, 7am. Los Gatos High School.

MOMMY & ME

LIPIZZANER STALLIONS

Family time on the Row with raffles, stories and a show by Andy Z. Tue, 10am-noon. Free. Santana Row, San Jose.

A show called “Dancing White Stallions.” Sun, 2 and 6pm. $11.50 kids/$22.50 and up adults. HP Pavilion, San Jose.

*events

LOS ALTOS ARTS AND WINE FESTIVAL

DIY ART: THE GENESIS OF A GOOD COMIC BOOK

In conjunction with the R. Crumb exhibit, Dan Vado of Slave Labor Graphics in San Jose gives a talk about the art of comic books. Hands-on opportunities follow. Sat, 1-3pm. Free with museum admission. San Jose Museum of Art.

FARMERS’ MARKET The downtown weekly market is open for summer. Fri, 10am2pm. San Pedro Square, San Jose.

HOT SAN JOSE NIGHTS Five evenings of nonstop entertainment from Bay Area entertainers begins next week, plus almost 1,000 classic hot rods and specialty vehicles on display, a poker walk, a swap meet and an auction. Wed-Sun. Santa Clara County Fairgrounds, San Jose.

Arts and crafts booths, works from local artists, food and wine, plus street performers and music by the Cocktail Monkeys, Sage, Soul Intention, Blue House, Fred McCarty and more. Sat-Sun, 10am–6pm; free. Main and State streets, Los Altos.

OBON FESTIVAL A Japantown cultural celebration featuring games, food and performances. Sat-Sun. Free. Buddhist Church Betsuin, San Jose.

PALO ALTO CLAY AND GLASS FESTIVAL Local artisans show their wares, plus demonstrations. Sat-Sun, 10am–5pm. Free. Rinconada Park, Palo Alto.

TECH MUSEUM AFTER HOURS A new event starts for 21and-overs, with old-school Nintendo contests on a big screen, socializing and other entertinament.Wed, 6pm. $10/$12. Tech Museum, San Jose.

M E T R O S I L I C O N VA L L E Y | J U LY 6 -1 2 , 2 0 1 1 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

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M E T R OAC T I V E . C O M | SA N J O S E . C O M | J U LY 6 -1 2 , 2 0 1 1 | M E T R O S I L I C O N VA L L E Y

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metroactive FILM

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is markingg time filming soap op p eras, wh hen he once once had serious operas, when filmmakin ng potential. potential. filmmaking T he amount amount o rab -ass iin n tthis his The off ggrab-ass ttrip rip iiss n oteworthy. O ne ccharacter haracter noteworthy. One ssays, ayys, ““Don’t Don’t wrestle wrestle again; again; I’m I’m bored b ored seeing yyou ou u wr estle.” It ’s another wrestle.” It’s one of tho ose mo vies wher those movies wheree the br omance runs so heavy heaavy v that they they bromance ha ave to mak m ay jok es to tr have makee the ga gay jokes tryy to defuse the t tension every every three three minutes minutes.. T he Peter Peter P an reference reference in in the the The Pan title also tips t yyou ou off: These ar aree llost ost b oys. T he characters characters they they meet meet boys. The along the w ay ar way aree similarly mislaid: a strange middle m -aged beachcomber, b eachcomber, middle-aged essed like lik dr ke a 15-year-old 15-year- old sur feer, dressed surfer, seeks old St SStar ar W aarrs fl otsam tthat hatt Wars flotsam drifts in with w tide. An aged the tide. male fferryman err e yman y wearing eye eye makeup makeup trembles senilityy tr embles on o the verge verge of senilit ((or or u pon tthe he ve rge of of ssome ome k ind o upon verge kind off ccharacterization haracterizattion tthat hatt d oesn’t ccome ome doesn’t off ff ). And the ere’s a thieving thieving little little boy boy there’s w earing aangel ngel w ings, iin n connection connection wearing wings, w with somee kind of midsummer n ight’s ccostume ostume p arty att a rrural ural night’s party p ub. No place place fo irls iin n tthis his world; world; pub. forr ggirls w hen one one o he neglected neglected women women when off tthe lleft eft behind b ehind calls calls her her man, man, the the cell cell ph hone get ts tossed into the sea. phone gets The group group o loses objects along tthe he w ay. A mong tthe he p ossessions way. Among possessions w on’t ssee ee is is the the hat hatt box box tthat hat wee d don’t must ha ave b een needed to k eep have been keep JJames’ ames’ ttrademark rademark fe dora ssnappy nappy fedora despite drizzle. The aand nd ccrisp risp d espite tthe he d rizzle. T he dialogue describes his d ialo gue d escribes James, James, iin nh is eedge-of-the-grave dge- of-the-grave v h onesty, as as “a “a honesty, ssick ick w hite O prah.” These These stabs stabs at at white Oprah.” shr ewdnesss can’t can’t overcome overcome the shrewdness aambient mbient ccuteness. uteness. D eath o nly looks lo oks Death only ccute ute ffrom rrom a d istance; w can’t fe el distance; wee can’t feel tthis his d eadline att age age 330 0 is is any any d eep er deadline deeper than LLogan’s ogan n’’s R un. Run. It ’s ultim mately Cumb erbatch’s It’s ultimately Cumberbatch’s abilities th hat make make him survive survive that tw addly llines ines like like “Picture “Picture me me twaddly ttap ap dancin ng in the firmament. dancing firmament.”” A lan Rickman–like Rickman–like arrogance arrogance and and Alan Le slie Howard Howard yearning yearning meet meet in in Leslie this inter e esting actor, and we’ll we’ll be be interesting actor, meeting him h again.

TTHIRD HIRD SSTAR TAR Unrated; Unrateed; 92 min. Thursday, Thursddayy, 7pm, Saturday, Saturday, noon, CCamera amera 3, San San Jose Jose

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metroactive FILM HORRIBLE BOSSES (R; 98 min.) Jason Bateman, Colin Farrell, Jamie Foxx and Jennifer Aniston star in a comedy about restive employees. (Opens Fri.)

PAGE ONE: INSIDE THE NEW YORK TIMES (R; 88 min.) See review on page 44.

THIRD STAR See review on page 42. (Plays Jul 7 at 7pm and Jul 9 at noon in San Jose at Camera 3.) (RvB)

ZOOKEEPER (PG; 102 min.) The world holds its breath in anticipation of the newest Kevin James comedy masterpiece about an animal caretaker who seeks romance with the help of his furry friends. With appearances by such beloved stars as Sylvester Stallone and Adam Sandler. (Opens Fri.)

Revivals CASABLANCA/ THE MALTESE FALCON (1942/1941) You must remember this. In a remarkable studio re-creation of North Africa, an elaborate story of wartime loss and love is played out. Club owner Rick Blaine (Humphrey Bogart) is confronted by his old lover (Ingrid Bergman) and her husband (Paul Henreid); they try to shake the isolationist Rick into action against the Nazis. Not a movie, but the movies, as Umberto Eco argued; in Casablanca, every ďŹ lm genre is sampled and merged, played by a cast that included 34 nationalities. It’s the individual moments that persist. There’s Peter Lorre’s squeal as he’s dragged away by the Gestapo, Claude Rains’ offhand delivery of the famous line that sums up the corrupt, lazy policeman’s methods, Bogart’s crumbling obstinacy and Ingrid Bergman’s soft tears. BILLED WITH The Maltese Falcon. Sam Spade (Humphrey Bogart) is on the trail of “the stuff dreams are made ofâ€?: a gem-encrusted ďŹ gure of a falcon, pursued by a lethal gang of San Franciscans. Features a peerless cast—Sydney Greenstreet, Peter Lorre, Mary Astor and Elisha Cook Jr.—with peerless names—Caspar Guttman, Joel Cairo, Brigid O’Shaughnessy and the gunsel’s gunsel, Wilmer. (Plays Jul 9-15 in Palo Alto at the Stanford Theatre.) (RvB)

THE BIG LEBOWSKI (1998) A holy fool of a Hollywood layabout, mistaken for a detective,

is set on a Philip Marlowesque task to ďŹ nd the straying wife (Tara Reid) of a wheelchair-bound Pasadena millionaire. In the role of the human tumbleweed, the Little Lebowski, known as “Dudeâ€?—ex-roadie, former member, along with six other guys, of the Seattle Seven—Jeff Bridges brought a new level of vulnerable warmth. The llama-eyed Steve Buscemi is rather touching, and Sam Elliott is uproarious as his Cowboy Bard, who sometimes has to stretch a little to ďŹ nd the right words. Opening music by Pinole-based sophisticates Bobby Joe Ebola and the Children MacNuggits. (Plays Jul 6 at sundown in San Jose at S. First and William streets; free.) (RvB)

FOOTLOOSE/FLASHDANCE (1984/1983) See the original before the remake later this year. In a small town where dancing has been outlawed, the kids learn to rock and roll when city boy Kevin Bacon takes up residence. Also stars John Lithgow and Dianne Wiest. BILLED WITH Flashdance. Virginal Catholic welder Jennifer Beals cuts the neck out of her sweatshirt and becomes a star. (Plays Jul 8-10 in San Jose at the Retro Dome.) (RvB)

HOW TO TRAIN YOUR DRAGON (2010) The well-received cartoon about the friendship between a Viking boy and the dragon he was meant to ďŹ ght to the death. (Plays Jul 7 at sundown in Redwood City at Old Courthouse Square.) (RvB)

SPACEBALLS (1987)

Brooks was a day late and a dollar short, but people tend to cut this one some slack for its insistence that the Milky Way is surrounded by a borscht belt. Rick Moranis as the evil Dark Helmet, Daphne Zuniga as the Princess Vespa, John Candy (no relief) in the Wookie part, and the Lorene Yarnell of Shields and Yarnell as Dot Matrix. (Plays Jul 13 at sundown in San Jose at San Pedro Square; free.) (RvB)

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New

Reviews BAD TEACHER (R; 92 min.) Cameron Diaz puts the “lower� into “higher� education in a comedy about a teacher gone feral.

BEGINNERS (R; 104 min.) Sweet, harmless, utterly coy. We meet Oliver (Ewan McGregor) as he’s cleaning up his father’s house after his death. The late father, who came out of the closet after 40 years of marriage, is played by an Oscar-bound Christopher Plummer. Seeing the actor’s sterling professionalism is like watching a man play Rachmaninoff on a toy piano. Meanwhile, Oliver has his own off-again, on-again thing with Anna (MÊlanie Laurent), one of those French child-women essential to 1960s cinema. Beginners, with its sense of a too-gentle graphic novel come to life, is excruciatingly cute. The downside of a story for aging children is, in a word, childishness, and Beginners has it heavy: the

44

(1987) In parodying Star Wars, Mel

PETER TRAVERS, ROLLING STONE

LISA SCHWARZBAUM, ENTERTAINMENT WEEKLY

ANDREW O’HEHIR, SALON

THE DAILY BEAST

SLATE

COLUMBIA PICTURES AND METRO-GOLDWYN-MAYER PICTURES PRESENT A BROKEN ROAD/HEY EDDIE/HAPPY MADISON PRODUCTION A FILM BY FRANK CORACI KEVIN JAMES “ZOOKEEPER�EXECUTIVE ROSARIO DAWSON SUPERVISIONMUSICBY MICHAEL DILBECK MUSICBY RUPERT GREGSON-WILLIAMS PRODUCERS BARRY BERNARDI JEFF SUSSMAN CHARLES NEWIRTH JENNIFER EATZ STORY PRODUCED BY TODD GARNER KEVIN JAMES ADAM SANDLER JACK GIARRAPUTO WALT BECKER BY JAY SCHERICK & DAVID RONN DIRECTED SCREENPLAY BY FRANK CORACI BY NICK BAKAY & ROCK REUBEN & KEVIN JAMES AND JAY SCHERICK & DAVID RONN

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metroactive FILM

REVIEW

subtitled pooch; the roller-skating dates followed by slumber parties; the little cartoons scribbled out by Oliver at his desk. (RvB)

BRIDE FLIGHT

C<K LJ GI8P =FI GI@EK D\[`X Zi`k`Z ;Xm`[ :Xii c\]k Xe[ 9ilZ\ ?\X[cXd i\d\dY\i n_\e e\njgi`ek nXj b`e^%

Gray Lady Days THE JAYSON BLAIR and Judith Miller scandals pantsed The New York Times. Now the paper is losing its shirt as advertisers f lee and online aggregators pig out on their stories. In Page One: Inside the New York Times, director Andrew Rossi (Control Room) demonstrates why the Times’ woes are a calamity, not just for fans of Paul Krugman but for the republic itself. Rossi got great access for his documentary. The blood on the walls from cutbacks and buyouts practically pulsates in 3-D. Here is monkish dedication to the news—and mulish refusal to be sucked into an NBC-led celebration of a phony milestone of the Iraq war. It’s different from the way the trade is seen by vulgarian’s vulgarian Sam Zell of the Tribune Company, or by Gawker Media’s Nick Denton. The former wishes aloud for a porn section in his papers. The latter’s eyes are glued to a big electronic board of gossip, rated by clicks. Maybe the best argument for sparing the Gray Lady is that you’ll never see the following headline there: “Was Tia Tequila Attacked With Poo by Jugallos?� (Sentences like that will make future archeologists earn their pay.) Times reporter Brian Stelter evangelizes

for Twitter. We hear hopes that iPads will reproduce the newspaper experience without the paper. The Nation’s Katrina vanden Heuvel speculates that joint partnerships between nonprofits and the Times will help keep bureaus open. Rossi does a sterling GX^\ Fe\1 job of explaining the @ej`[\ k_\ way several important E\n Pfib newspapers teamed up to K`d\j sort through Wikileaks. R; 88 min. Rossi interviews Gay Opens Friday Talese and the New Yorker’s David Remnick. And he collects footage of professional Eva Gabor imitator and miser Arianna Huffington, crowing over the victory of aggregating media. The indifferently shaved, Werner Herzog-ish media critic David Carr is this documentary’s best source. Carr admits that he’s lived a life with “texture�; while at a conference for journalists in his hometown, he shows the cameras the Minneapolis strip club where he bought the coke that got him arrested. Ultimately, Carr makes the best points, defying the electronic glibsters who believe that the Times is being karmically punished for having been the megaphone for W’s war. —Richard von Busack

(R; 130 min.) A parakeet-size version of The Thorn Birds. In the preamble, Rutger Hauer plays a celebrated vineyard owner before the plot heads back into the 1940s to his early days. Now played by Waldemar Torenstra, Frank catches the interest of two women: the blonde, pious Ada (Karina Smulders) and the chic Jewish Esther (Anna Drijve). There is plot by the pound throughout, with pregnancies and the lack thereof, and maternal duty vs. romantic love. The ďŹ lm wanders through history, marking its path with changing fashions. Since Esther becomes a dress salon operator, there’s even (as in The Women) a strange fashion show. While the women undergo changes, as the days of liberation arrive, it’s impossible to imagine the kind of evolution that would turn Torenstra into Hauer. (RvB)

BUCK (PG; 88 min.) Buck Brannaman, subject of this excellent documentary, spends most of the year driving through the West and holding clinics on the gentling of out-of-control horses. An inspiration for the novel and the movie The Horse Whisperer, Brannaman had been a rodeo performer from early childhood. The

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ďŹ lm is most startling in the way we see temperamental, misbehaving horses not broken but rather tamed in front of us. Brannaman speaks of avoiding “rudenessâ€? to them. Finally, this instructor’s methods and courage are tested by a real hellhorse: a huge, brain-damaged stallion from a ranch outside of Chico, whose killer rage is like nothing you’ve ever seen. Buck’s encounter with this maddened creature stimulates his most philosophical words about the relations between horses and humans. (RvB)

CARS 2 (G) An animated Bond parody. Agent Finn McMissile (a sentient Aston Martin voiced by Michael Caine) is on the track of a mysterious professor. Events lure Lightning McQueen (Owen Wilson) into a race demonstrating alternative fuels in Paris, London and Tokyo. Tow Mater attracts the attention of McMissile’s assistant, Holley Shiftwell (Emily Mortimer), who stays as subordinate as the 007 girls of three decades ago. It’s not really bad, but it’s cute and relentless, and paced to tickle 5-yearolds. (RvB)

GREEN LANTERN (PG-13; 105 min.) Arrogant test pilot Hal Jordan (Ryan Reynolds) receives a ring of power from a dying alien warrior. Director Martin Campbell revived such venerable action heroes as Zorro and James Bond, and he should be able to make this DC comic-book character live. Certainly, Reynolds is aesthetically pleasing, and the scenes of him gliding through the air have the excitement of old comic books come to life. Still, the movie, like Reynolds, lacks a personality, and it’s short in love interest. (It was a mistake to promote Blake Lively to the big screen.) Under furious rewriting, the scenes don’t always connect; one neither gets a sense of the technical stops being pulled out, nor of a dreamy fairy tale of ultimate power and responsibility. Worse, Mark Strong never lives up to his character’s name, Sinestro. As a super-psychic who looks like a cross between Philip Seymour Hoffman and a beluga whale, Peter Sarsgaard couldn’t be more fun. He’s raving mad and big in the voice, and when he slaps Jordan down with the power of his mind, he’s a nightmare vision of a bad father. (RvB)

LARRY CROWNE (PG-13; 99 min.) Tom Hanks stars as a laid-off big-box-store employee who learns to rebound thanks to community college classes taught

45 John P. Johnson

Spielberg’s own brand of syrup and awe. (RvB)

13 ASSASSINS (R; 126 min.) Takashi Miike’s excitingly novel take on the samurai ďŹ lm. It’s the late 1800s; samurai are used to rank as a decoration,

46

FM<IJKL==<; :fc`e =Xii\cc jkXij `e k_\ e\n Zfd\[p É?fii`Yc\ 9fjj\j#Ê fg\e`e^ =i`[Xp% by Julia Roberts. Hanks directed and co-wrote (with Nia Vardalos).

MIDNIGHT IN PARIS (PG-13, 94 min.) Whatever happens, one can’t go wrong ďŹ lling up the screen with Paris. Woody Allen’s newest includes some sweet vistas. Owen Wilson is Gil, a disenchanted Malibu screenwriter who wants to be a novelist. As a result, he gets midnight visitations by F. Scott Fitzgerald and Zelda. (The gilded couple is played by Tom Hiddleston, Loki in Thor, and Alison Pill.) The nights continue, and Gil meets the artistic and literary lights of the 1920s, magically reincarnated. One night, he meets a apper (Marion Cotillard) with a similar yet drastically different taste for nostalgia. The not very pungent point is stretched into a culture-vulture’s version of Play It Again, Sam. Midnight in Paris is a harmless, gentle nothing, but it’s also a moldy vision of the city during its era of artistic adventurousness. (RvB)

for the fountain of youth tangles Jack Sparrow (Johnny Depp), an old girlfriend (PenĂŠlope Cruz) and the ever-rotting Barbossa. Geoffrey Rush takes over the ďŹ lm through sheer avidity; he has become a privateer, and his attempts to ape courtly manners are the funniest thing in a movie coming up short on comedy. The younger love interest is heavily Twilighted, with a chaste Christian meeting vampire mermaid. (RvB)

SUPER 8 (PG-13, 112 min.) The Ohio River

FUNNY, TOUCHING AND ALTOGETHER EXTRAORDINARY! ONE OF THE BEST FILMS OF THE YEAR!�

“

PETER TRAVERS, ROLLING STONE

!

“

EXUBERANT & INFECTIOUS! MAY BE THE PERFECT SUMMER MOVIE!� ANN HORNADAY, THE WASHINGTON POST

MONTE CARLO (PG) The old Three Coins in the Fountain plot was due for a return. The girls posing as wealthy heiresses in the Monaco resort are Selena Gomez, Kate Cassidy and Leighton Meester. The director is Thomas Bezucha of Big Eden, a ďŹ lm once caricatured in easily recognizable form on South Park as the archetypical indie ďŹ lm (keywords: gay cowboys, eating, pudding).

PIRATES OF THE CARIBBEAN: ON STRANGER TIDES (PG-13; 137 min.) A three-way race

steel town of Lillian in 1979: a train wreck attracts a team of kid filmmakers. Suddenly, sinister Air Force Col. Nelec (Noah Emmerich) arrives and launches something distressingly called “Operation Walking Distance.� The young actors are talented (Elle Fanning the most impressive of them all), but director J.J. Abrams doesn’t make more than just a mere visual connection between his monster and the titanism of all the industrial hardware. Super 8 has one monster trapping people,

!

“

ENDLESSLY ORIGINAL!� CLAUDIA PUIG, USA TODAY

WRITTEN AND DIRECTED BY

MIKE MILLS

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when it could have had two of them: a creature on the loose and the Moloch-like mills. Few of the classic 1950s monster movies were shot with this kind of daring or visual density. But the too-close reading of Close Encounters of the Third Kind makes for a final split between serious terror and Steven

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metroactive FILM requiring no duties. None among them is ready for what swordfighting entails. Unfortunately, the shogun’s brother, Lord Naritsugu (Goro Inagaki), is a Caligula type. Recruited to do something about the situation is Shinzaemon, played by Koji Yakusho, maybe the most stirring Japanese actor since Mifune. It’s a suicide mission; the rebels will be greatly outnumbered. The time honored mixed-bag group of fighters is assembled: most flamboyant is Yusuke Iseya as a ragged, mosquito-bitten warrior who is lethal with a sling. The film is capped with a war to end all samurai battles, and frankly you hope it does. (RvB)

TRANSFORMERS: DARK OF THE MOON (PG-13; 157 min.) Blending in TV and newsreel footage, the new Transformers tells how Transformerism was hushed up in the 1960s. On the moon, Optimus Prime jumpstarts an aged robot sentinel. Meanwhile, evil Megatron vows revenge in the African veldt. The final battle (45 minutes of drowse-inducing clash) takes place in Chicago after an opening act in D.C. A strange variety special with killbots, the film approaches entertainment through the

“

45

unleashed flamboyance of the actors. John Malkovich lolls at the feet of a robot like a puppy. Alan Tudyk supplies some European suaveness as a Dutch bodyguard. Frances McDormand’s disgust with the entire film is infectious. Strange how well 3-D improves matters, too. The technique forcibly slows the editing and gives some visual dimension to what used to look like wrathful lawn-art junk sculptures, or $300 million versions of the roller-skating saps in a production of Starlight Express. (RvB)

THE TREE OF LIFE (PG-13, 138 min.) A memory of loss transfixes a man of today, Jack (Sean Penn). Jack is led back to his early childhood home in the outskirts of Waco, Texas, in the late 1950s. In this world, his father is Jack’s ruler and his bitter enemy. In his lean, unsparing performance, Brad Pitt recalls the fierceness of the fathers of those days. The calm center of this film is the mother Mrs. O’Brien. Jessica Chastain plays this “lover of the way of grace,” and she is as much a dancer as an actress. With a strong theme of feminine mercy vs. masculine authority; with its acute longing for reconciliation with the past; with

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its tender faith that “No one who loves the way of grace comes to a bad end,” director Terrence Malick’s new film is peaceful, and yet it breaks out in storms of color and rage. (RvB)

THE TRIP (Unrated; 107 min.) Sideways without the women. Rob Brydon and Steve Coogan show off their celebrity impersonations as they tour various high-class restaurants and have a chat. The director is the prolific Michael Winterbottom. (RvB)

VIVA RIVA! (Unrated; 98 min.) Made in the Democratic Republic of the Congo, Viva Riva! is director Djo Munga’s story of a stolen truck laden with a couple of thousand liters of gasoline: good money in a city of fuel shortages. The truck has been heisted by the resourceful, romantic but completely crooked Riva (Patsha Bay). Not far behind Riva is a white-suited crime boss, César (Hoji Fortuna), who wants the gas back. The boss extorts a lesbian soldier named Malou into helping him find Riva. Riva, seemingly because he doesn’t have enough heat on him already, starts macking on a kept woman played by Marlene Longange, all heavy eyelids and pouting lower lip. Her keeper is a vicious local gangster. This breathless Jim Thompson–style tale is full of triple-crosses, and even the local priests are on the take. (RvB)

X-MEN: FIRST CLASS (PG-13, 132 min.) This on-again off-again prequel uses Cold War paranoia and the Cuban Missile Crisis to add historical resonance to the comic-book strife between Professor Xavier (James McAvoy), the world’s most powerful psychic, and his rival, Michael Fassbender as the bitter concentration camp survivor Erik, who is later to become master of magnetism Magneto. There’s a clever spymovie motif; Fassbender is very suave in black turtleneck or scuba suit going on the trail of a powerful ex-Nazi. He, Sebastian Shaw (Kevin Bacon) has a private nuclear submarine loaded with a serious collection of post-Impressionist art as well as a lingerie-clad psychic moll, Emma Frost (January Jones). This is, as it sounds, great fun. But someone also thought this movie should be Harry Potter. Thus dead-on-the-screen scenes of the students sharing their powers over Cokes and Oreos. (RvB)

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metroactive STYLE

M E TR O S I L I C O N VA L L E Y | J U LY 6 -1 2 , 2 0 1 1 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

Neutral Zone K_`j jldd\i# k_\ j\\d`e^cp YcXe[ e\lkiXc$Zfcfi j_f\ `j jl[[\ecp X _fk ki\e[ 9p JODY AMABLE

B

C8:B 8E; N?@K< Xi\ ef cfe^\i k_\ fecp jX]\ Y\kj ]fi j_f\ ZfcfiÆk_\i\Êj X e\n e\lkiXc `e kfne% K_\ j_X[\ f] e\lkiXc k_XkÊj `e i`^_k efn XZklXccp `jeÊk Xcc k_Xk e\n% @kÊj X Zfcfi k_Xk _Xj cfe^ Y\\e XjjfZ`Xk\[ n`k_ k_\ j\ej`Yc\ `d`kXk`fe$c\Xk_\i cfX]\ij fe\Êj ^iXe[dfk_\i d`^_k _Xm\ nfie% Some call it off-white, skin tone or nude; Crayola might call it almond or apricot. The color has been on the market for years, but as of late, designers and celebrities are breathing new life into the inherently bland neutral and assigning it to stylish, in-season shoes—promoting it to a high-fashion staple. “It’s totally the red-carpet shoe right now,” says Jill Stapleton, owner of She She Shoes in Los Gatos. Stapleton has her shelves currently stocked with neutral-colored shoes, in every style from a simple flat to a summery wedge sandal, at pretty much every price point. Though the styles are different, the color remains almost the same across the board: desaturated shades of tan and brown. There are so many colors, and even patterns, that can be considered “neutral” in fashion—Stacy and Clinton from What Not to Wear once asserted that animal prints can function as a neutral in an ensemble, and up until now, metallics have been the neutral

of choice for shoes and accessories. While other light browns are rising in popularity this summer, the shade that’s showing up again and again is neutral distilled to its very essence— almost a noncolor, a stark, pale nude. “It goes with everything,” Stapleton says. “It elongates the leg, because it matches skin tones.” When worn with dresses, the transition between the leg and the neutral shoe can look seamless on a quick glance. A shoe in a darker color can appear to abruptly cut off a light-colored leg at the ankle. A neutral shoe’s most appealing function is that it keeps bold, bright colors, like the ones in style this summer, in check by ensuring that the wearer doesn’t overload an ensemble with color. A neutral shoe also complements this summer’s popular floral prints well, whether they’re in an eye-popping tropical pattern or dainty and muted. It’s a color that can make a statement in virtually every style of shoe, from a simple flat or slip-on to a satin-draped stiletto, simply by letting the rest of the outfit speak for itself. As Stapleton suggests, neutraltoned shoes in dressier styles have become a must for red-carpet walkers, especially for Kim Kardashian, who has made the most of their lengthening abilities by capping off her legs in a pair of open-toe patent heels at more than one awards show. Selena Gomez and Taylor Swift have also matched a neutral sandal or heel with an above-the-knee skirt on the red carpet recently, and model Rosie Huntington-Whiteley has popped up at premieres all over the world in neutral heels and lace-up

M<IK@:8C I<8:? =fi k_\ i`^_k n\Xi\i# e\lkiXc$kfe\ j_f\j ZXe dXb\ k_\ c\^j Xgg\Xi cfe^\i% booties. Neutral shoes were also all over this April’s Royal Wedding; even the queen worked a pair of nude pumps with a low heel. (Princess Kate, however, tends to opt for black). The style is winning with women of all ages. Stapleton says that younger women tend to buy it in a platform, where more mature women go for flats. “Usually with

trends, it’s the style that becomes the trend,” says Stapleton. “This is the first time I’ve seen a color be a trend.”

She She Shoes 130 N. Santa Cruz Ave., Los Gatos

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metroactive MUSIC

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What they knew, but of course couldn’t tell him, is that he’d swept the categories for which he’d been nominated—Contemporary Blues Album, Contemporary Blues Male Artist, Band of the Year (for the Tommy Castro Band) and the most coveted of blues awards, the B.B. King Entertainer of the Year. “I was talking to people backstage, going ‘Wow, this is cool,’” Castro remembers of winning the night’s first award. “People were congratulating me and stuff. Meanwhile, the next category’s going on, and I’m not really paying attention. It was us again, and we won again. So they’re going ‘Hey, you have to get back up there!’ That happened four times. I swear each time I thought, ‘Well, that must be it.’ I was really happy, I felt like me and my band had been working our asses off, and this was just sort of a nice feeling to be recognized like that, way beyond my expectations.”

It was as if, after years as the muchrespected but still somewhat misfit blues guitarist who insisted on singing soul music, Castro’s instincts had gotten the ultimate validation from his peers. Still a bit in shock the next day, he and his band made a pilgrimage to the Stax Museum to bring the whole thing full circle. “It’s right on the site where they used to have Stax Records, the studio where all those great records were made. That’s a big part of our sound, of course, Memphis soul music. Hardly anything has been more influential on my music than that scene that happened down there in the ’60s. So we went there to pay our respects,” he says. “Then we ate some greasy food after that.”

East Side Education The soul gods and greasy spoons of Memphis may demand their tributes, but for Castro, who performs at the Metro Fountain Blues Festival this Saturday, soul music really started 1,800 miles away in his hometown. “I grew up in East San Jose, and every single day you would hear Wilson Pickett’s ‘In the Midnight Hour’ coming out of low-rider cars,” he says. “Every day I’d be walking down the street and

somebody would be driving by with their windows down blasting Wilson Pickett or Sam and Dave or Junior Walker.” It would be years before he’d discover how much that sound had affected him; when he first picked up a guitar at age 10, he was mostly interested in the blues. So when he eventually got interested in performing, and stumbled upon J.J.’s Sunday night jam, it was a revelation. “I found J.J.’s and went ‘I can’t believe there’s a real place to play blues in this town. Thank God!,” he remembers. “You would see Chris Cain and Gary Smith, all kinds of people. Ike and the Coldbloods. I saw Albert King in that little tiny J.J.’s. I swear to god, he stood on the dance floor and played. The stage was too small, but the band was on the stage and he was right down on the floor, man. I saw Buddy Guy and Junior Wells there. A whole bunch of people came through town there. My band Nite Cry developed out of that scene.” That band, led by the late Rene Solis, began gigging in the South Bay and soon started making inroads around the Bay Area. “[Rene] was an inspiring guy, because he loved doing the music so much. He was the driving force behind all the gigs that happened. He wanted to play, that was it. He was the leader of the band,” says Castro. “That little band, playing around in San Jose, occasionally getting gigs in San Francisco, is what caused me to make the decision to take a shot at music as a career.”

Big Time By the late ’80s, Castro had moved to San Francisco, and got swept up in the North Beach scene. Like now, it was a time when classic soul music was being rediscovered, and groups like Pride and Joy and Stu Blank and His Nasty Habits were reviving the sound. Castro got a gig with one of them, the Dynatones, who had signed a deal with a major label. By 1991, he had gone solo. But not everyone could wrap their mind around his knack for blending blues and soul. “People didn’t understand why I wanted to do soul music when everybody was trying to find another Stevie Ray Vaughan,” he says. “I’m not a blue-eyed soul guy straight up, and I’m not a traditional blues guy straight up, and I’m not a rock-blues guy straight up. I take a song and I try to figure out the best approach to that song. I’ll play it

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metroactive MUSIC 48 however it comes out. Songs like ‘Wake Up Call’ [the first track on his new live album], I don’t even know what you call that. That’s not a blues song or a soul song or a rock song. I don’t know what it is. But I like it. I think it’s cool.” Castro is well versed in sticking to his guns. He had to do it even on Hard Believer, the album that would eventually net him so many awards. When putting together “Trimmin’ Fat,” a sly tune that encapsulates what the blues has always stood for—telling it like it is about the troubles of the common man, with a beat and a catchy chorus—he and cowriter Mike Schermer felt like they were missing something. So Castro reached out for some extra help. “Elvin Bishop was one of my biggest influences as a kid,” he says. “He’s a friend of mine now, and I asked him if he wouldn’t mind taking a listen to the song and see if he had any advice. He said, ‘Come on over,’ so I went over and played it for him. He kind of sat there and listened, then he took his guitar and went ‘do do dee do.’ I went ‘That’s it! That’s what it needed!’ And I still think that little line makes the song.” But when he brought it to Bruce Iglauer, head of Castro’s new label Alligator Records, Iglauer wasn’t going for it. “You’re a singer; this is a talking song,” Iglauer told him. “That’s not for you; you’re a serious vocalist.” Iglauer suggested it was a better fit for Bishop himself. “I said, ‘I’m all about Elvin Bishop, and this kind of thing is totally a part of me and what I do,’” says Castro. “You don’t know me that well yet. It suits me just fine.” Despite his confidence about his career choices, Castro is his own biggest critic. Ironically, despite the fact that many consider Hard Believer to be his best record, he wasn’t satisfied with it. “I was happy with what we did musically,” he says. “John Porter is a great producer, and we both felt that we made a better record than we did the last time. But I didn’t feel like the material was as strong as Painkiller. In my opinion, the two records I made before that, I think I had better songs.” He was pleased, however, at how his signing with Alligator Records has worked out, and just put out his second release with them, The Legendary Rhythm and Blues Revue—Live!.

“It’s been one of the best decisions I ever made. For this genre of music, they really are the best label,” he says. “They’ve got a great crew of people who really know what they’re doing.”

Fountain Tip Meanwhile, after Metro Fountain Blues Festival founder Ted Gehrke found an 11-hour booster to rescue the festival this year, Castro was the first call he made. The bond between the two stretches way back. “I dig Ted because he’s always been in this for the right reason,” says Castro. “From playing it the first time with Nite Cry in the ’80s to now, he’s really stepped it up every year.” He also has a lot of personal memories of Metro Fountain Blues, especially of his late mother. “My mom used to go see me at that festival. She’d embarrass me every time. There’d be a group of people around her, and she’d reach over and make sure everybody knew ‘He’s my son. He’s really a good boy.’ She and my aunt would get up and dance, and I’d go out there and see her.” This year’s Fountain festival, though, comes at a time when, once again, the soul sound is being rediscovered. He’s encouraged by the soul revival, but not surprised, and he speaks about it with the passion of a prophet. “It just proves that it doesn’t really get batter than that. Music is a thing that has to change and grow. It goes through phases. But anytime somebody comes across that sound, they’re going to love it,” he says. “You can’t have a performance of music that’s ever going to top James Brown live. You’re never going to find a thing that’s better than Ray Charles, or Little Richard or Sam and Dave at their peak, or Otis Redding. You have different music, and you may have people who do it really well, but you’re never going to find better than that. That’s why people keep coming back to it.” TOMMY CASTRO performs at the Metro Fountain Blues Festival on Saturday, July 9, at St. James Park in San Jose, with special guests Rod Piazza and Guitar Shorty. The festival runs noon8pm and also features Roomful of Blues and the Metro Fountain Blues Festival All-Stars; $10.

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More listings:

metroactive MUSIC

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METROACTIVE.COM

FEATURED LISTINGS

Roomful of Blues

Saturday at St. James Park in San Jose, $10 When this swing revival group began performing, no one even knew swing needed to be revived. Indeed, the New England eight-piece began bringing the brass in 1967, and hasn’t looked back through almost 45 years and just as many members. They headline the Metro Fountain Blues Festival, which begins at noon. (SP)

The Monkees

Sunday at Mountain Winery in Saratoga, 7:30; $49.50-$150 Initially put together by TV producers as sort of a Prefab Four, in an attempt to cash in on the Beatles, Michael Nesmith, Davy Jones, Micky Dolenz and Peter Tork turned the group into much more, thanks to enduring songs like “I’m A Believer,” “(I’m Not Your) Steppin’ Stone” (later covered by the Sex Pistols) and “Daydream Believer.” All the originals except Nesmith return for this tour. (SP)

Kristen Strom

Tuesday at Santana Row in San Jose, 6:30pm; free Santa Clara U. sax instructor Strom does a different kind of schooling at this show with her quintet, part of Santana Row’s Summer Jazz Series. The Lee Pardini Trio also performs. (SP)

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Rock/Pop ANGELICA’S BISTRO Fri: Uncommon Sense Band. $10/$14. Sat, 8:30pm: High Mileage. $10/$14. Mon, 7:30pm: Marty Atkinson. No cover. Redwood City.

AVALON Sat: Montrose with Michael Lee Firkins and T. Clemente. $20/$25. Santa Clara.

BLINKY’S CAN’T SAY Sat, 9:30pm-1:30am: Soul Soother, rock and blues. Santa Clara.

THE BLANK CLUB

CAPERS

Wed, 9pm: Seabright, Many Your Horsie, Cermak. Free. Sat, 9pm: Anya Marina, Lisa Dewey, the Make-Up Sex. $10. San Jose.

Fri-Sat, 8:30pm: Live music. Campbell.

BOSWELL’S Wed: Jack Rip Off. Live music most nights. Campbell.

BRITANNIA ARMS ALMADEN Fri, 10pm: Fast Times. Sat, 10pm: Groove Nugget. San Jose.

CLUB FOX Fri, 9pm: Who Too, the Minks. $10. Sat, 7pm: Poletential Aerial Arts presents an AirShow event with acrobatic dance champs. $25. Redwood City.

CLUB HOUSE Sun, 10am: Trevor Simpson. San Jose.

CONCERTS IN THE PARK

BRITANNIA ARMS CUPERTINO

Wed, 6:30pm: The Sparkletones. Central Park Pavilion, Santa Clara.

Fri, 9pm: Elements of Truth. Sat, 9pm: The Lounge Flye. Cupertino.

JOHNNY V’S

CAFFE TRIESTE Fri, 8pm: Bev Barnett and Greg Newton. Sat, 8pm: Jack Gilmour. San Jose.

Thu: Dustonious Maxius, the Joan Wylder, Los Hot Bosers. Sat: TBA. Mon: Montra, Dr. Kegal, Tight Lips. San Jose.

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Tommy Castro

Roomful R oomful of o Blues Blues

The Assocciated Students of SJSU and LKG Productions proudly present

Blues Bl B lue l ue u es

31st

Metro M Metr ro o Fou tain n Fountain unta

Festival Fe es est st s tival tiv a

S I H TSATURDAY!

ROOMFU ROOMFUL UL OF BLUES BLUES TOMMY THE TOM MMY CASTRO BAND BAND

with ver veryy sp special pecial guests Rod Piaz Piazza za and d Guitar Shor Shorty ty

THE GUIT GUITAR TA AR SHORTY SHORTY BAND BAND METRO THE ME T FOUNTAIN TRO FOUNTAIN A BLUES BLUES ALL STARS STTA ARS with special specia al guest Ron Thompson

10 BUCKS B SSSA SATURDAY ATURD T DA AY JULY JULLY 9 – NOON NOO ON TO 8PM Gates ope open en at 11am – Music from noon n to 8pm

New N ew w Locati Location on nS Saint James Jame es Park – First and Saint John Street, Street, Downtown San S Jose

tickets: tickets s: fountainbluesfestival.com fountainbluesffestival.com No alccohol, glass of any kind, or pets alloweed. This event is wheelchair accessible.. This program is funded in part by thee City of San Jose.

Massimo Chisessi DESIGN

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Guitar Shorty Gu itar Shor ty

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and

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LOS GATOS LODGE

REDWOOD CITY Fri, 6pm: Aja Vu for Music on the Square. Free. Downtown Redwood City.

THE REFUGE

Thu, 6:30-8pm: Dub FX. Part of the Summer Concert Series. Cupertino.

Fri, 7pm: Battle of the Bands with Cyanic, the Relay Company and more. Sat, 6pm: Battle of the Bands with Edrip and Edrip and more. Cupertino.

MOJO LOUNGE

SANTA CLARA HYATT

Fri-Sat: Live bands. Los Gatos.

MEMORIAL PARK

Thu: The Honey Wilders. Fri: Dave Crimmone. Sat: Steve Freund. Fremont.

Sat, 6pm: The Phenomenauts, the Megas, 8 Bit Weapon, Gnarboots. Santa Clara.

MONTALVO ARTS CENTER

SOUTH FIRST BILLIARDS

More listings:

METROACTIVE.COM dancing. Fri, 5pm: World music. Sat, 5pm: Belly dancing with Adriana. Sun, 5pm: World music. Mon, 5pm: Live blues. Tue, 5pm: Jazz and blues with Johnny Williams. Mountain View.

MOROCCO’S RESTAURANT SJ Wed, 5pm: Flamenco. Fri, 5pm: Belly dancer Adriana. Sat, 5pm: Jerry J. Sun, 5pm: Moroccan music and belly dancing. Mon, 5pm: Blues. Tue, 5pm: Folk with Wesley Woo. San Jose.

PARRANDA NIGHTCLUB Thu-Sat: Live music. Sunnyvale.

BUY BU Y TIX NOW!

Thu, 7:30pm: Smash Mouth and Drake Bell. $49 and up. Sat, 8pm: The E Family with Pete Escovedo and Sheila E. $49 and up. Saratoga.

MOUNTAIN VIEW SUMMER CONCERTS

Thu: Weslester, Daytes, Roman Son. Sat: Bipolar Bears. San Jose.

STREETLIGHT RECORDS Thu, 4pm: The Make-Up Sex. Free. San Jose.

SUNNYVALE SERIES

Jazz/Blues ANGELICA’S BISTRO Thu, 7pm: Blues jam. Sat, 7pm: GG Amos. $8/$12. Redwood City.

Thu, 6:30pm: Evolution. Cuesta Park, Mountain View.

Wed, 5:30pm: Groove Kings. Free. Downtown Sunnyvale.

BRITANNIA ARMS CUPERTINO

MOUNTAIN WINERY

THE VENUE

Sun, 6pm: Dixieland jazz. Cupertino.

Sun, 7:30pm: The Monkees. $49.50 and up. Saratoga.

MURPHY’S LAW Live music Fri-Sat. Sunnyvale.

MUSIC IN THE PARK Thu, 5:30pm: Led Zepagain and ZeBop!. Free. Plaza de Cesar Chavez, San Jose.

Sat, 6pm: Battle of the Bands with Playing in the Streets and more. Los Gatos.

CALIFORNIA AVENUE

Fri, 8pm: Live music. Willow Glen.

Sat, 6:30-8pm: Steve Lucky and the Rhumba Bums. Part of the Twilight Concert Series. Palo Alto.

WOODHAM’S LOUNGE

CAMPBELL RECITAL HALL

WILLOW DEN

Fri and Sun: Pro Jam with local rock musicians. Santa Clara.

Fri, 8pm: Claudia Acuna Octet for Stanford Jazz Festival. $36$40. Stanford University.

Wed, 7pm: Northern Son and Will Sprott. San Jose.

World

CLUB FOX

NETO’S GRILL

AGENDA LOUNGE

NAGLEE PARK GARAGE

Fri, 7:30pm: Beach Cowboys. Sat, 7:30pm: Mystic Pilots, Jesse Charles. Santa Clara.

NINE LIVES Thu, 8pm: Battle of the Bands. $5. Fri, 8pm: Fight the Quiet, Den of Antiquity, Freight Train. $10. Sat, 8pm: Corduroy Jim, Alli Battaglia and the Musical Brewing Co., High Beamz. $10. Sun, 8pm: L.A. Guns, Haunted by Heroes, Mercy Fists. $15. Gilroy.

Wed, 8pm: Salsa. $5. San Jose.

ALBERTO’S Wed: Bachata. Thu: Salsa with Pantea. Fri: Salsa. Sat: Latin night. Mon: Argentine Tango. Tue: Salsa with Pantea. Mountain View.

ARYA GLOBAL CUISINE Fri-Sat, 8pm: Live music and belly dancing. Cupertino.

AZÚCAR

Thu: Second Story Band. Fri, 9:30pm: Touch ’n Go. $10. Sat, 9:30pm: Megatones. $10. Los Gatos.

Thu, 9pm: DJ Che live video mixing. Fri, 9pm: Latin rock en espanol. Sat, 9pm: Salsa, merengue, cumbia, urban & Latin fusions. Tue, 9pm: Salsa. San Jose.

THE QUARTER NOTE

CASCAL

NUMBER ONE BROADWAY

Fri-Sat: Live music. Sunnyvale.

RASPUTIN MUSIC Thu, 6pm: A Don Named Buckley. Campbell.

Thu: Live music. Fri, 9:30pm & Sat, 9pm: Live music. Mountain View.

MOROCCO’S RESTAURANT MV Wed: Moroccan music and belly

Wed, 7-11pm: Blues jam. $5. Redwood City.

DINKELSPIEL AUDITORIUM Sat, 8pm: Bill Charlap and Renee Rosnes for Stanford Jazz Festival. $25-$40. Stanford University, Palo Alto.

FLAVORS OF JAZZ Tue, 6:30pm: Jazz in restaurants. Santana Row, San Jose.

GRAND DELL SALOON Thu, 8pm: Blues Jam with Aki. Sat, 8pm: Dennis Dove Band. Campbell.

HEDLEY CLUB Wed, 8pm: Hedley Club Jazz Jam. Thu, 8:30pm: Russo Alberts Trio. Fri, 8:30pm: Kurt Ribac Trio. Sat, 8:30pm: Jessica Johnson. San Jose.

JAZZ ON THE PLAZZ Wed, 6:30pm: Claudia Villela. Free. Los Gatos Town Plaza.

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CONCERT

The E Family PETE ESCOVEDO knows he’s lucky to have such a talented musical family. He really does. But that doesn’t mean he can keep them all straight. The sheer size of his clan gives the South Bay’s favorite bandleader plenty of trouble at family gatherings. “I’m always surprised, like ‘There’s another one! There’s another relative, I don’t remember that one,’” he says. “There’s too many Escovedos.” Then again, who wouldn’t want to be one? The legendary Latin percussionist was the son of a big band vocalist, and got his start with his brothers Phil and Coke in the 1960s, until Santana hired Saturday, July 9 Pete and Coke to play in his band. Another brother is Alejandro Escovedo, one of Texas’ most acclaimed singer/ 8pm at Montalvo Arts songwriters. Pete’s son Peter Michael has made his mark Center in Saratoga as a percussionist on television (and is the biological father of Nicole Richie); his other son Juan and daughter Zina got $49-$86. their start playing in his Latin jazz band. So did his other daughter Sheila, better known as Sheila E. It gets even more complicated than that, but suffice it to say that after years of playing on each other’s CDs, an official E Family album, Now & Forever, has finally been cut, featuring a core of Pete, Sheila, Juan and Peter Michael, and appearances from such non-family stars as Gloria Estefan, Joss Stone and Earth, Wind & Fire. Making that happen was quite a challenge, considering the schedules that had to be coordinated, and the different styles, as well. “We’ve always wanted to do something like this,” says Pete. “I’ve had the kids on my CDs, and some of us have been on Sheila’s CDs. It was great fun, but it was not easy. Here we are, we all have our individual projects, we all have our individual tastes in music—how we record, the way it’s done, everything. And who we were going to use as far as personnel was concerned. We had our disagreements, like any other family.” Rather than playing the “because I’m your father, that’s why” card, Pete took great pains to make sure everyone had equal say in how the record was done. “It was great, because we got the chance to vote on things, majority wins,” he says. This Montalvo show is a second chance for the South Bay to see the E Family, after they were supposed to open Prince’s HP shows. Sheila, once again a member of Prince’s band as well as getting her own featured spots, was a highlight of Prince’s run of shows this year, and the E Family did open one of the shows at the Forum in L.A. They were booked to open the San Jose shows, but at the last minute found out they had been double-booked with Larry Graham, who ended up opening. “We had to turn around and come home,” he says. “We were looking forward to it, because we have a real good fan base in San Jose.” —Steve Palopoli

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CONCERT

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California Extreme Gaming Expo LEFT. RIGHT. Up. Down. Fire. There was a glorious stretch of several years in the ’80s when that’s about as complicated as video games got. This was a time when no one had to send their fingers desperately scraping the back of a controller searching for LR1 THE PHENOMENAUTS and LR2 buttons to toggle viewpoints and “strafe” headline the was a thing Arnie did in movies, not a strategic move CALIFORNIA to be mastered. The California Extreme Gaming EXTREME GAMING EXPO on Saturday Expo celebrates that golden age of gaming with and Sunday, July dozens and dozens of classic arcade and pinball games. 9-10, at the Hyatt Some of them are rolled in by collectors and never Regency Santa Clara. otherwise see the light of day. Some are there for sale or trade. But the main thing is, they’re all playable—for free. There’s also speakers, forums and live music, headlined by the Phenomenauts’ sci-fi rock, and also featuring the Megas, 8 Bit Weapon and Gnarboots. —Steve Palopoli

54 J.J.’S BLUES CAFE Nightly: Live jazz. San Jose.

LOFT BAR AND BISTRO Thu, 7-10pm: Live jazz. San Jose.

LOS GATOS CIVIC CENTER PLAZA Sun, 5-7pm: Aja Vu. Part of the Los Gatos Music in the Park series. Los Gatos.

MOROCCO’S RESTAURANT MV Mon, 5pm: Live blues. Tue, 5pm: Jazz and blues with Johnny Williams. Mountain View.

MOROCCO’S RESTAURANT SJ Mon, 5pm: Blues. San Jose.

A PERFECT FINISH Fri, 9pm: Quasimodal. Sat, 9pm: Blue House Rock. San Jose.

Price and Yesterdays Band. Band Fri Fri, 6-10pm: Alvon Johnson Band. Sat, 6pm: Metro Fountain Blues Festival After Party with JC Smith Band. Sun, 2pm: Zydeco Flames. San Jose.

REDWOOD CITY Mon, 6pm: Ray Obiedo and the Urban Latin Jazz Project. Main Street, Redwood City.

THREE FLAMES RESTAURANT Sun, 8pm: Jerry Sauceda & Friends. Tue, 7:30pm: Modesto Briseno Septet. Willow Glen.

THREE FLAMESS RESTAURANT THREEFLAMESR ESTAURA T NT Thu, 9pm: Doug Rose and Bit and Spur Band. Willow Glen.

VASONA COUNTY PARK Sat, 5-7pm: Red Hot Chachkas. Free. Los Gatos.

Karaoke 7 BAMBOO Wed-Sat, 9pm: Karaoke. Tue, 9pm: Karaoke. San Jose.

C&W/Folk THE GRAPEVINE Sat, 7pm: Mike Medina. Willow Glen.

POOR HOUSE BISTRO

MISSION CITY COFFEE ROASTING

Wed, 6-9pm: Ron Thompson and friends. Thu, 6-9pm: Lara

Fri, 7:30pm: Roy Zimmerman. $15/$17. Santa Clara.

ALEX’S 49ER INN Nightly, 9pm-2am: Karaoke. San Jose.

AZÚCAR Wed, 9pm: English and Spanish karaoke. San Jose.

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metroactive MUSIC 57 BENNIGAN’S GRILL Sat, 9pm: August. Santa Clara.

mixing. Fri, 9pm: Latin rock en espanol. Sat, 9pm: Salsa, merengue, cumbia, urban & Latin fusions.Tue, 9pm: Salsa. San Jose.

Thursdays. Fri, 9pm-1:30am: DJ. Sat, 9pm-1:30am: Snapshot Saturdays. Evergreen Inn, San Jose.

THE BLANK CLUB

FAHRENHEIT ULTRA LOUNGE

Fri, 9pm: DJ Craigiscool.com and Greta Clue. Free. San Jose.

BOGART’S LOUNGE

BLINKY’S CAN’T SAY Thu: College night. Santa Clara.

Wed, Fri and Sun, 8pm-2am: KJ Dennis. Sunnyvale.

BLUE PHEASANT

BRITANNIA ARMS ALMADEN

Wed-Sun, Tue, 7pm: DJ and dancing. Cupertino.

Wed and Sun, 10pm: DJ Hank. San Jose.

Wed, 9pm: Wheels of Steel DJ Battle. Thu, 9pm: The Heit Thursdays. Fri, 9pm: DJ. Sat: DJ Homicide. Mon, 9pm: Industry. Tue: Partyoke. Beer pong and karaoke. San Jose.

PARRANDA NIGHTCLUB

Wed, 9pm: August. San Jose.

Thu, 8pm: DJ Akustik. No cover. Fri, 8pm: DJ Mayo. Sat, 8pm: DJ Mayo and DJ Akustik. Sun, 7pm: Latin Beat. Sun, 9pm: Sonidero Night. Sunnyvale.

FAHRENHEIT ULTRA LOUNGE

SABOR TAPAS BAR

BRITANNIA ARMS DOWNTOWN

Tue, 9pm: Partyoke. Beer pong and karaoke. San Jose.

FLAMES COFFEE SHOP Wed-Sat and Tue, 9pm: Uncle Dougie Show. No cover. San Jose.

BRITANNIA ARMS ALMADEN

STUDIO8

BRITANNIAARMSCUPERTINO

Wed: RedRun with D. Luzion and Illtraxx. Thu: JazBiz and Dave Dynamix. Fri: Video Mixing, then DJ Radio Raheem and DJ Ready Rock. Sat: Live bands. San Jose.

BRITANNIA ARMS DOWNTOWN Thu: VJ Mixing with DJ David Q. Fri-Sat, 10pm: DJ Quantum. San Jose.

Montalvo Arts Center & Sobrato Arts Foundation present THE GOOSETOWN LOUNGE

DASILVA’S BRONCOS

Fri-Sun, 9:30pm-1:30am: Karaoke. Willow Glen.

Fri-Sat, 6pm: DJ or live band. No cover. Santa Clara.

NETO’S MARKET & GRILL

THE ELEGANT PUB

Fri, 6:30-10:30pm: Bands with live karaoke. Santa Clara.

Thu-Sat: DJs and dancing. Sun: Reggae. San Jose.

Wed & Sun, 10pm: DJ Hank. Thu: VJ Don. Mon, 9pm: Beer Pong. Tue: Pub-stumpers Trivia. San Jose. Thu, 10pm: DJ Tosh. Cupertino.

The ARTTEC 2011 Summer Concert Series

More listings:

METROACTIVE.COM

Thu, 9pm-1:30am: Throwback

Sat; DJ Spider. San Jose.

TEMPLE BAR & LOUNGE

WILLOW DEN Thu, 10pm: DJ Uncle Hank. Fri, 12:30-2am & Sat, 10pm-2am: DJ Truth. Willow Glen.

ZEN LOUNGE Thu: 24 Thursdays. Fri: Fabulous Fridays. Sat: Celebrity Saturdays with DJ D-Roc. Mountain View.

THREE FLAMES RESTAURANT Mon, 8pm-midnight: DJ Curtis. Willow Glen.

WILLOW DEN Wed, 9:30pm: DJ JR. San Jose

San Francisco’s City Guide

GILLIAN WELCH She finally put out a new record! She finally put out a new record! She finally did! Jul 7 at the Warfield.

GEORGE CLINTON Parliament Funkadelic “birthday funkathon” now sadly bereft of diaper-wearing guitarist. Jul 7-10 at Yoshi’s SF.

The E Family and Grupo Yndio Saturday, July 9 at 8pm This legendary musical dynasty: Pete Escovedo, Sheila E., Juan and Peter Michael is a force to be reckoned with. Their new CD, “Now & Forever,” is a special 13 track collection brimming with a rich array of musical influences, ranging from Latin, Hip Hop, Pop and Jazz. This promises to be a night full of Latin rhythms and more under the stars at Montalvo! Grupo Yndio, a wildly popular band from Sonora, Mexico, will open for The E Family.

Join us in the outdoor Lilian Fontaine Garden Theatre! Visit montalvoarts.org for a complete listing of summer concerts.

TICKETS ON SALE NOW! Box Office, 408.961.5858, M-F, 10am-4pm ticketmaster.com or montalvoarts.org

15400 Montalvo Road Saratoga, CA 95070

WOODHAM’S LOUNGE Wed-Thu, Sat, Tue: 9:30pm: Vinnie. Santa Clara.

Dance Clubs AGENDA Wed, 8pm: Salsa Wednesdays. Thu-Fri: DJs (Tito Bell on Fri). San Jose.

AZÚCAR Thu, 9pm: DJ Che live video

WASHED OUT Chillwave synth-pop sensation with upcoming Sup Pop debut. Jul 9 at the Great American Music Hall.

DAVID BAZAN Pedro the Lion frontman famously wrestling with Christianity, alcohol. Jul 13 at the Independent.

FASTER PUSSYCAT Really? A reunion? The decline of western civilization, indeed. Jul 13 at the New Parish.

More San Francisco events at www.sfstation.com.

CreaTV San Jose announces the debut of

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Wednesday, July 6 ‹ In the Atrium ‹ AGES 16+ plus Descendage plus P+ also Blue Weekend $RS s P M P M Thursday, July 7 ‹ In the Atrium ‹ AGES 16+ BALLYHOO! plus The Bastard Suns

STELLAR CORPSES

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Friday, July 8 ‹ In the Atrium ‹ AGES 16+

THE SUPERVILLAINS

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Club 143

Jul 13 Jul 14 Jul 15 Jul 15 Jul 16 Jul 16 Jul 17 Jul 18 Jul 20 Jul 21 Jul 26 Jul 30

Sophisticates Atrium (Ages 21+) Surf City Burlesque Atrium (Ages 21+) Infected Mushroom (Ages 18+) The Inciters Atrium (Ages 21+) Y & T (Ages 21+) Gentlemen of Japan Atrium (Ages 21+) Club 143 Atrium (Ages 14-19) The Movement Atrium (Ages 16+) Tether Horse Atrium (Ages 21+) Midnite (Ages 16+) Queens of the Stone Age (Ages 21+) Roach Gigz (Ages 16+)

Unless otherwise noted, all shows are dance shows with limited seating. Tickets subject to city tax & service charge by phone 866-384-3060 & online

www.catalystclub.com

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children—the little girl you gave birth to and the grown man perfecting his napping skills on your couch. You say your relationship has never been about money. Actually, it’s very much about money, on account of how little of it he’s been bringing home. And then, when it’s job-hunting time, he bleats,“It’s too hot, it’s too cold, it’s too wet.” Excuse me, but is he a man or Goldilocks? It’s nice to see the good in people. It’s nicer for you if the good you see is actually there. Otherwise, you just delay admitting the obvious: There isn’t much light at the end of the tunnel. Additionally, you’re paying the rent on the tunnel. You say you fear being on your own as a single mother, but you’re already on your own. Without your boyfriend, you’d be a single mother with one less mouth to feed. You can have a very different kind of guy in your life—one who makes you better and happier because you’re with him. If you suspect you aren’t worthy, try something: Act like you’re worthy. Like you deserve a man who brings something to the relationship (and not just a couple Mello Yellos he swiped from the soda machine at the old-folks home).

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articulate thoughts. Maybe this guy was at a loss for words, and suddenly, it came back to him, his mother saying, “What do you say when the nice lady gives you a cookie?” Instead of sitting around dissecting the possibilities, do what you always should when you’re hoping to see some date again: Forget about him until the phone rings, and he’s on the other end asking if you give discounts for repeat customers.

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women find men tthat hat w omen fi nd iitt eeasier asier tthan han m en ttoo ttune une iinto nto ttheir heir menstrual nnatural atural rrhythms. hythms. TThe he m enstrual ccycle ycle hhelps elps ccultivate ultivate Wee m men tthat hat aability. bility. W en eexperience xperience lless ess ddramatic ramatic pphysical hysical sshifts, hifts, aand nd tthat hat sseems eems ttoo ggive ive uuss llicense icense ttoo ooverride verride from thee sake of ambition, messages fr om our bodies ffor or th llaziness aziness oorr cconvenience. onvenience. H aving aacknowledged cknowledged tthat, hat, I Having must say that I know men who aare re highly sensitive and rresponsive esponsive to somatic cues, and women w aren’t. who aren’t. Whatever gender you ar e, I believ ve that in the coming are, believe w eeks iit’s t’s crucial crucial for for yyou ou ttoo bbee aacutely cutely aaware ware ooff w hat’s weeks what’s going on inside your beloved fles sh-and-blood vehicle. flesh-and-blood This is one time when you need to t be intimately aligned with its needs.

TAURUS T AURUS (April 20–May 20): One O of the gr greatest eatest

kings of the ancient P ersian Sass sanid Empir Persian Sassanid Empiree was SShapur hapur IIII ((309–379). 309–379). SShortly hortly aafter fter hhis is ffather ather ddied, ied, hhee was made king while still in his mother m ’s womb. Since mother’s he could not yet wear his cr own, officials set it upon his crown, mother ’s pr egnant belly om then until the mother’s pregnant belly.. He ruledd fr from dday ay hhee ddied, ied, 770 0 yyears ears llater. ater. II’m ’m nnaming aming hhim im yyour our ppatron atron ssaint aint ffor or tthe he ssecond econd hhalf alf ooff 22011, 011, TTaurus. aurus. M ense iiss Myy ssense that the seed of some gr eat acco omplishment is alr eady great accomplishment already ggerminating erminating w ithin yyou. ou. IItt m ay ttake ake a w hile ttoo bbee ffully ully within may while born, but I suggest we consecr ate its bright futur consecrate futuree now now..

GEMINI (May 21 21–June June 20): II’v I’ve ve got no pr problem oblem

eal world. I spend a lot of time ther e, enjoy with the rreal there, its chewy riddles and take it quit quitee seriously seriously.. But I also st ffor or all the Other consider myself a militant lobbyi lobbyist Worlds—the ddomain omain ooff eeverything verything tthat’s hat’s invisible invisible to to Worlds—the the nnaked aked eeye ye aand nd iirrelevant rrelevant ttoo tthe he sschemes chemes ooff tthe he the rational eego. go. TThese hese aalternate lternate realities realities consist consist of of the the rational eamtime, thee spiritual spher e, the unconscious, the dr dreamtime, sphere, intelligence ooff nnature ature aand nd tthe he rrealm ealm ooff tthe he aancestors. ncestors. IIn n intelligence my aastrological strological oopinion, pinion, yyou’re ou’re ddue ue ffor or a m ajor uupgrade pgrade my major in yyour our rrelationship elationship w ith tthese hese ddimensions imensions iin n tthe he nnext ext in with 12 months. Now would be a goodd time to get started.

CANCER ((June June 221–July 1–July 222): 2): W While hile llistening istening ttoo tthe he

sound collage rradio adio pr ogram Ove program Over er the Edge on KPF KPFA, FA A, I learned that a new primary colo or has been detected. color Q uite ddifferent ifferent ffrom rom rred, ed, yyellow ellow oorr bblue, lue, iitt hhas as iits ts oown wn Quite distinct hue that ’s impossible to describe. You You really really that’s have to see it to appr eciate its es ssence. The discover er appreciate essence. discoverer ooff tthis his m arvel iiss D ohan SSquant, quant, w ho hhas as nnamed amed marvel Dr.r. W Wohan who the color ““squant.” squant.” (Full details hhere: ere: bit.ly/Squant.) Iw ish I ccould ould ppredict redict yyou’re ou’re aabout bout ttoo ccreate reate oorr fi nd wish find ssomething omething eequally qually rrevolutionary, evolutionary, CCancerian, ancerian, bbut ut I ccan’t an’t ggoo qquite uite tthat hat ffar. ar. N evertheless, yyou’ve ou’ve eentered ntered a pphase hase Nevertheless, w hen yyou ou hhave ave tthe he ppower ower ttoo ttinker inker w ith aand nd eeven ven when with tr ansform fundamental laws of your y universe. So who transform knows? Maybe you’r g of a shift almost as ge you’ree on the ver verge rrevolutionary evolutionary as the discovery of squant.

LLEO EO (July (July 223–Aug. 3–Aug. 222): 2): A Are re yyou ou ffeeling eeling tthe he ssting ting ailing at lif or rreneging eneging on of disappointment, rrailing lifee ffor one ooff iits ts ppromises romises ttoo yyou? ou? A re yyou ou iin n tthe he tthroes hroes ooff one Are unleashing a ggreat reat aaccusation, ccusation, ssuffering uffering tthe he ttwisty wisty unleashing om having you ur pet theories ache that comes fr from your disproved? M aybe yyou ou sshould hould cconsider onsider tthe he ppossibility ossibility disproved? Maybe pportunity to cor rect a that you ar aree simply getting an op opportunity correct misunderstanding—that llife ife iisn’t sn’t bbeing eing m ean ttoo yyou ou misunderstanding—that mean opose that and you’r you’ree not being punished. I’I’dd like to pr propose you aare, re, iin n ffact, act, iin n tthe he fi rst pphase hase ooff yyour our hhealing. ealing. LListen isten you first to B engali w riter R abindranath TTagore: agore: ““We We rread ead tthe he to Bengali writer Rabindranath ong and say that it dece eives us.” world wr wrong deceives VIRGO VIR GO (Aug. 23–Sept. 22): “Th “The he mor moree one dwells

,” says psychoanalyst Adam A Phillips in his on oneself oneself,” book Going Sane, “the mor moree one is likely to suff suffer.” er.” He tthinks hinks ppeople eople nneed eed eencouragement ncouragement ttoo aavoid void eexcessive xcessive iintrospection. ntrospection. ““My My pproject roject aass a ppsychoanalyst,” sychoanalyst,” hhee writes, “is to fr ee them to not ha ve to think about their free have lives so much.” While I ffeel eel he ove erstates the case, overstates I ddoo ssuspect uspect hhis is m essage w ould bbee ggood ood ffor or yyou ou ttoo message would hheed eed iin n tthe he ccoming oming w eeks. FFor or m aximum ssuccess uccess aand nd weeks. maximum rrobust obust mental heal th, take a generous generous portion of your health, aattention ttention ooff ff yyourself ourself aand nd ffocus ocus iitt oon n lliving iving yyour our llife ife with compassion, curiosity and cconcern oncern ffor or others.

LIBRA (Sept. (Sept. 223–Oct. 3–Oct. 222): 2): ““One One m must ust cchoose hoose iin n llife ife boredom suffering,” proclaimed between bor edom and suff ering,,” pr oclaimed author (1766–1817). Madame de Staël Staël (17 66–1817). I beg to differ differ with her, her, hhowever. owever. As As eevidence, vidence, I ppresent resent tthe he ccourse ourse ooff yyour our llife ife dduring uring the the nnext ext few few weeks. weeks. After After analyzing analyzing tthe he astr ological omens, I expect you will consistently steer astrological

9p p ROB ROB BREZSNY BREZ SNY n\\b f] Alcp n\\b f] Alcp -

a middle course between b bor edom and suff ering, boredom suffering, enjoy interesting departures from being able to enjo oy some inter esting departur es fr om the rroutine outine that don ddon’t ’t hurt a bit. Ther Theree may even bbee ppain-free ain-free eexcursions xcursions iinto nto hhigh igh aadventure dventure mixed mixed iin, n, aalong long w ith a ffascinating ascinating rriddle iddle tthat hat ttaxes axes yyour our with imagination in rrather ather pleasur able ways. pleasurable

SCORPIO SC ORPIO (Oct. (Oct. 223–Nov. 3–Nov. 221): 1): I aaccompanied ccompanied a ffriend riend

amily to a small ffairgound airgound wher and his ffamily wheree a local school w as hhaving aving a ffundraiser. undraiser. TThere here w ere rrides ides aand nd school was were or young er kids. Right away we came to a games ffor younger challenging aactivity ctivity tthat hat iinvolved nvolved cclimbing limbing a lladder adder challenging ber and coated with some slippery made out of rubb rubber irl, about 7 years old, was having a substance. One ggirl, moment of rrowdy “It’s owdyy bliss as she tried to ascend. “It ’s impossible—but ffun!” un!” sshe he ccried ried oout ut ttoo hher er m om. YYour our impossible—but mom. assignment iin n tthe he ccoming oming w eek iiss ttoo fi nd aan n aadventure dventure assignment week find like that: one tha that’s t’s impossible but fun.

SSAGITTARIUS AGITTARIU US (Nov. (Nov. 22–Dec. 21): “It is not always wrote nneedful eedful ffor or ttruth ruth ttoo ttake ake a ddefinite efinite sshape,” hape,” w rote Wolfgang Johann W olfgangg von Goethe. “It is enough if it hovers about us like a sp pirit and pr oduces harmony; if it is spirit produces wafted w afted tthrough hrough tthe he aair ir llike ike tthe he ssound ound ooff a bbell, ell, ggrave rave kindly.” and kindly .” With this quote, I’m alerting you to the truth ffact act that a new tr ruth is now floating into your world, It’ll sparkly, Sagittarius. It ’ll bee misty and sparkly y, yet somehow also decisive and lucid d. It will comf ort you and yours but lucid. comfort also be a bit shoc cking. g It will be sharply p y tonic, like ggood,, shocking. sstrong trong m edicine tthat hat hhas as a ppungent ungent yyet et ooddly ddly ddelicious elicious medicine flavor you’ve nev er tasted bef ore. never before. CAPRICORN CAPRIC ORN (Dec. (Dec. 222–Jan. 2–Jan. 119): 9): IIff tthere here

were a uuseful seful w ebsite w ith tthe he ddomain omain nname ame were website with AmIAGoodPerson nOrNot.com, I would advise AmIAGoodPersonOrNot.com, you to go check iitt out. The same is true if ther theree were websites lik ke AmIAuthenticOrNot.com, were like AmIYummyOrNot.com, AmIYummyOrNot.com, AmIEnlightenedOrNot.com AmIEnlightenedOrNot.com or or AmIAGorgeousGeniusOrNot.com. What What I’m I’m trying trying to to tell tell AmIAGorgeousGeniusOrNot.com. you, Capricorn, Capricorn, is is that that this this would would be be an an excellent excellent time time you, for you you to to find find out out more more about about yourself yourself from from objective objective for sources—or anyy other kind of sources, sources, for for that matter. matter. sources—or Solicit feedback, feedback, my beautiful darling. Ask Ask ffor or updates you’re doing. dooing. on how you’re

AQUARIUS A QUARIUS (Jan. (JJan. Jan 20–Feb. 20–Feb 18): Ninety-six per percent cent ooff aallll aadults dults say say they they would would change change something something about about appearance their appear ance if they could. That statistic is one ffactor actor tthat hat lleads eads pphilosopher hilosopher JJonathan onathan ZZap ap ttoo m ake make observation: “Suffering this obser vation: “Suff ering associated with body image has rreached eacheed such epidemic pr oportions in our proportions cculture ulture that that it it must must be be counted counted as as one one of of the the greatest greatest spiritual plagues ever to be visited upon mankind.” TThat’s hat’s the the bad bad news, news, Aquarius. Aquarius. The The good good news news is is that the coming months m will be an excellent time moree peace with how you look. ffor or learning to bee at mor will I iinvite nvite yyou ou ttoo fformulate ormulate a tthree-point hree-point pplan lan tthat hat w ill help you come too a perspective in which you will love your body exactlyy the way it is. PISCESS (Feb. 119–March PISCE 9–March 20): On her website Reuniting.info, Marnia Reuniting.inf o, M arnia Robinson rreported eported on a made discovery she ma ade that may be useful to you. Wandering around W andering ar oun nd a county ffair, airr, she went to a rreptile eptile wheree shee encounter encountered trainer exhibit wher ed an animal tr ainer who hhad ad aan n aalligator lligator rresting esting sserenely erenely oon n hhis is llap. ap. SShe he aasked sked why was well hhim im w hy tthe he ccreature reature w as ssoo w ell bbehaved. ehaved. ““II ppet et iitt would wild ddaily,” aily,” hhee ssaid. aid. ““If If I didn’t, didn’t, iitt w ould qquickly uickly bbee w ild aagain gain aand nd w ouldn’t aallow llow tthis.” his.” A pply tthat hat llesson esson iin n yyour our wouldn’t Apply oown wn llife, ife, P isces. B estow rregular egular ttenderness enderness aand nd lloving oving Pisces. Bestow ttouch ouch ttoo tthe he fferal, eral, uuntamed, ntamed, pprimitive rimitive iinfluences nfluences iin n your lif e—includding any that may rreside eside within you. life—including Homework: Say Saay “I love you” at least 15 times a day for for the next n seven days. Report your rresults esults to www.freewillastrology.com. www w.freewillastrologyy..com.

Go to REALASTROLOGY.COM to check out Rob Brezsny’s Expanded Weekly Audio Horoscopes and Daily Text Message Horoscopes. Audio horoscopes are also available by phone at 1-877-873-4888 or 1-900-950-7700

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EMPLOYMENT Jpjk\dj 8eXcpjk to analyze and improve content delivery network, data control & storage systems, global servers & platforms by utilizing network management & monitoring tools, etc. (Job#S26) Res to: jobs@cdnetworks.com, CDNetworks Inc, 441 West Trimble Rd, San Jose, CA 95131

í Call 408.298.8000 Mon-Fri, 8:30am-5:30pm í Email classifieds@metronews.com Please include your VISA, MC, Discver or AmEx number and expiration date for payment Fax í your ad to 408.271.3520

JM9 =`eXeZ`Xc >iflg _Xj fggfikle`k`\j XmX`cXYc\ `e JXekX :cXiX# :81 Software Engineer (Sr. IT Project Manager) (#862) Develop, create, & modify general computer applic. software or specialized utility programs; Business Systems Analyst (Computer Systems Analyst) (#855) Conduct business process analyses, needs assessments, & preliminary cost/benefits analyses. Apply online at www.svb.com. Ref. job #. EOE.

í Mail to Metro Classified, 550 South First Street, San Jose, CA 95113

í Visit our offices Mon-Fri, 8:30am-5:30pm í Deadlines: For copy, payment, space reservation or cancellation: Display ads: Thursday 3pm, Line ads: Friday 3pm

Jf]knXi\ <e^`e\\ij ]fi :cfl[%Zfd# :lg\ik`ef% Requires BS Comp Sci, MIS or Eng’g + 2 yrs exp developing virtualizationbased, open source software, KVM, Xen, Linux kernel. Resume to jobs@cloud.com. Pls reference DEV002 when applying. Multiple openings.

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has employment opportunity in San Jose, CA for the position of Software Engineer (SWENP): Assist in requirements gathering and analysis of business requirements and contribute to the system design solutions by working with related parties to discuss and clarify business objectives, requirements, sharing of ideas, brainstorm potential constraints and expected outcomes. Send your resume (must reference job title and job code) to OOCL (USA) Inc., Attn: HR Coordinator, 2700 Zanker Road, Suite 200, San Jose, CA 95134.

wanted 5 nights a week 9pm-2am. Apply mornings only. Alex’s 49er Lounge 2214 Business Circle, San Jose. 408/279-9737

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E\kÔ`o# @eZ% has employment opportunity in Los Gatos, CA for Senior UI Engineer (SUIEMR95032). Develop new user interface features for the member website experience, some of which are some of the highest trafficked areas of the website. Send your resume (must reference job title and job code) to Netflix, Inc., Attn: HR Staffing Operations, 100 Winchester Circle, Los Gatos, CA 95032.

BXiXfb\ ;A wanted 9pm-1:30am. Must have equipment. Apply mornings only. Alex’s 49er Lounge 2214 Business Circle, San Jose. 408/279-9737

?@I@E> I<8CKFIJ EFN 80% commission No desk fees No boring office meetings Work from home with complete broker support Must have current real estate license and dues paid Call Broker Rich Rodino Cal Estates Realty 408-260-2740

=`e\jj\ Jfclk`fej# CC:% has an opening in San Jose, CA for a VP of Software to provide strategic planning for automation, control SW and hardware dev activities. Reference job ID (7B6P3B) & send resume to H.Burkard, 71 Daggett Drive, San Jose, CA 95134

<e^`e\\i1 @eefGXk_ Jf]knXi\# @eZ currently has an opening in our Sunnyvale, California location for a Sr. Technical Support Engineer (Deployment). Responsible for troubleshooting and managing complex support issues. Work with the CSE and CCE engineering teams to ensure support issues are resolved in the shortest time possible, and that all Service Level Agreements are met. Email resume and cover letter to: jobs@innopath.com indicating job reference # — IMG 112. EOE.

?G <ek\igi`j\ J\im`Z\j# CC: is accepting resumes for Technology

Crystal Instruments Corp. has openings for Network Security Engineer. Mail resume to 4699 Old Ironsides Dr., #100, Santa Clara, CA 95054.

Design storage solutions for Network File Services. Architect efficient and lowcost solutions for enterprise scale complex environments. Participate in planning and implementation of Disaster Recovery (DRP) and Business Continuity (BCP) planning. Perform risk analysis on projects in relation to storage activities. Enforce storage administration policies and procedures and report on areas that need to be improved upon. Evaluate and provide feedback on enterprise storage and backup systems in the market. Evaluate storage administration impacting technologies such as SAN, NAS and backup storage. Create, track and report metrics for capacity planning. Analyze current capacity and provide recommendations. Participate with storage capacity planning and benchmarking. Support Picturemail, ICMMS, and PMG. Requires BA, or foreign eq., in Comp Sci, Engin, or related, & 5 yrs of progressively resp. exp. as Systems Engineer or related, with Solaris system administration experience. Req. exp. w/t SAN/NAS storage, exp. w/t Netapp, EMC, Sun StorageTek, 3par or related. In addition, position req. exp. with AIX, and RedHat Linux; enterprise tape libraries and Veritas Netbackup; exp. with Veritas Storage Foundation Suite, and Veritas Cluster Server, exp. writing script; exp. working in high-availability 24x7 operation environments; exp. with change control processes; exp. producing high quality operational and procedural documentation, or equivalent exp. Interested applicants please email resume to Stephanie.bennett@syniverse.com Indicate job title. “EOE”

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ASE-Storage SAN/NAS Administration @ Syniverse (Campbell, CA) Work with Operations Group at Syniverse Messaging. Install, upgrade, manage, and maintain critical storage components. Provide 24x7 rotating support, work on assigned tasks and participate in troubleshooting efforts. Perform routine Storage NAS/SAN Administration. Responsible for installing, configuring, maintenance, backup/ recover, and performance tuning.

is accepting resumes for the following positions in San Jose/ Milpitas/Santa Clara, CA: Hardware Engineer (Ref# SJ5): Responsible for the specification, design, development, test, enhancement, and sustaining of networking hardware. Network Consulting Engineer (Ref# SJ9): Responsible for the support and delivery of Advanced Services to company’s major accounts. Software/QA Engineer (Ref# SJ11):

Debug software products through the use of systematic tests to develop, apply, and maintain quality standards for company products. Technical Marketing Engineer (Ref# SJ15): Responsible for enlarging company’s market and increasing revenue by marketing, supporting, and promoting company’s technology to customers. Test Engineer (Ref# SJ16): Build test equipment and test diagnostics for new products based on manufacturing designs. Project Manager (Ref# SJ18): Manage small, medium, large/complex and multiple projects throughout the project lifecycle (initiate, plan, execute, control, close) or a portion of a larger, more complex project. Manufacturing Engineer (Ref# SJ39): Support the Manufacturing Operations Engineering organization through expertise in value chain mapping, capacity/utilization/leadtimes simulation, cost/non-recurringexpense analysis and modeling, and physical lean methods. Network Engineer (Ref# SJ57): Responsible for the operational support of internal network systems. Web Project Specialist (Ref# SJ60): Manage multiple long-term and short-term web project initiatives and work closely with key internal stakeholders. Component Engineer (Ref# SJ71): Responsible for assessment and qualification of component technologies used in company products. Risk Management Specialist (Ref# SJ95): Define, scope, and manage company’s ISO 27001 ISMS standards and NIST compliance programs. Customer Operations Analyst (Ref# SJ96): Provide leadership in definition of the requirements gathering process. Conduct preliminary interviews to determine a comprehensive stakeholder and subject matter expert list. Please mail resumes with reference number to Cisco Systems, Inc., Attn: H51L, 325 E. Tasman Drive, Mail Stop: SJC 5/1/4, San Jose, CA 95134. No phone calls please. Must be legally authorized to work in the U.S. without sponsorship. EOE. www.cisco.com

75 M E TR O S I L I C O N VA L L E Y | J U LY 6 -1 2 , 2 0 1 1 | SA N J O S E . C O M | M E T R OAC T I V E . C O M

Senior Software Engineer: Design & develop multimedia system software for Symbian Smartphones, work with Series 60 or Symbian RTOS for mobile platforms in software design & development & C++ in UNIX environment, video & audio codec, multimedia technologies, & other duties/skills required. [Job ID: NOK-SV11S-SRE] Mail resumes to Nokia Recruiter, 3575 Lone Star Cir, Ste. 434, Ft. Worth, TX 76177 & note Job ID#

Consultant in Mountain View, CA. (Ref. #ESMVTC11). Provide technology consulting to customers and internal project teams. Provide technical support and/or leadership in creation and delivery of technology solutions designed to meet customers’ business needs and, consequently, for understanding customers’ businesses. Mail resume to HP Enterprise Services, LLC, 5400 Legacy Drive, MS H1-6F-61, Plano, TX 75024. Resume must include Ref. #ESMVTC11, full name, email address & mailing address. No phone calls please. Must be legally authorized to work in the U.S. without sponsorship. EOE.

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?\nc\kk$GXZbXi[ :fdgXep is accepting resumes for Business Strategy Manager (Ref. #CUPBSM11) in Cupertino, CA. DeďŹ ne highimpact, long-term business strategies at the corporate, business, and/ or regional level. Mail resume to Hewlett-Packard Company, 5400 Legacy Drive, MS H1-6F-61, Plano, TX 75024. Resume must include Ref. #CUPBSM11, full name, email address & mailing address. No phone calls please. Must be legally authorized to work in the U.S. without sponsorship. EOE.s

<c\Zki`ZXc <e^`e\\i1 design and develop electronics electric automobile. Apply to: Tesla Motors, 3500 Deer Creek Rd, Palo Alto, CA 94304.

:`jZf Jpjk\dj# @eZ% is accepting resumes for the following position in San Jose/ Milpitas/Santa Clara, CA: Finance Analyst (Ref#: SJ21): Responsible for overall maintenance, administration and operation of tools. Please mail resumes with reference number to Cisco Systems, Inc., Attn: H51L, 325 E. Tasman Drive, Mail Stop: SJC 5/1/4, San Jose, CA 95134. No phone calls please. Must be legally authorized to work in the U.S. without sponsorship. EOE. www.cisco.com

:Xj_`\i Part time / Full time cashier position at PaciďŹ c Car Wash. Position requires proďŹ ciency in English, register use, customer service, and basic computer skills. Please call 408-823-6699 and ask for Helen.

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i\Xc \jkXk\ SALES 9flc[\i :i\\b a beautiful building site in the sun. Half acre. Private gated road. Easy location. All utilities in place. Plans included, too. Excellent neighborhood. Owner financing. $195,000. Donner Land & Mortgage Co., Inc. www.donnerland.com 408-395-5754

9flc[\i :i\\b 290 acres ! Run your dirt bikes or quads or take a hike and have a lot of fun on the 11 parcels ranging in size from 18- 40 acres. Santa Clara county. Sun, Views, Spring, Creek. Off grid. Excellent Owner financing. $1,150,000. Donner Land & Mortgage Co., Inc. www.donnerland.com 408-395-5754

Jk\ccXi NXp Å 9flc[\i :i\\b 10 acres. Gorgeous. Well. Lots of friendly terrain. $349,000 with owner financing. Donner Land & Mortgage Co., Inc. www.donnerland.com 408-395-5754

Cfj >Xkfj DflekX`ej Å FidjYp :lk$f]]% 20 acres. Full Sun. Huge Monterey Bay views. Perfect for solar. Owner financing. $ 265,000. Donner Land & Mortgage Co., Inc. www.donnerland.com 408-395-5754

Cfj >Xkfj DflekX`ej 4 acres. A perfect spot for the home you have been dreaming of. Incredible view and Full Sun. Shared well. Power at lot line. Some reports. Paved access. Plans included. Owner financing. $399,000. Donner Land & Mortgage Co., Inc. www.donnerland.com 408-395-5754

RENTALS 8CC 8I<8J $ IFFDD8K<J%:FD Browse hundreds of online listings with photos and maps. Find your roommate with a click of the mouse! Visit: www.Roommates.com.

SERVICES 8[m\ik`j\ Pfli J\im`Z\j Be seen by one of the largest, most active audiences in the South Bay! Visit metroactive.com or call 408/200-1300.

HOME SERVICES

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